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#given thoughts
cottonspotten · 6 months
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*person has consented to being eaten; they’ve donated their body. they died without suffering. you can cook the meat. you will not get sick from the meat.
bonus: explain why!
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malinaa · 5 months
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if i think about the hunger games in peeta's perspective i WILL start sobbing
#imagine you're a boy who's going to die. you're in love with the girl you've been watching from afar. you know your fate.#you just want to help her‚ but then there's the announcement and she's here in front of you‚ kissing you‚ risking her life for you and you#think‚ i could live and i could love. you think she loves you when she hands you the berries‚ when she puts them in her mouth.#then you both survive and you go back home and nothing is real anymore. you have nothing. no family. no friends. no love. just an empty#house. a drunk for a neighbor. the love of your life walking into somebody else's arms. you think‚ i survived the games. i could survive#this. and you also think‚ i should've bit down on those berries‚ should've felt the juice burst before i died.#and then the third quarter quell announcement rings in your ears and you think‚ she will live and i will die as i should have in the first#place. the girl you love kisses you on the beach and somewhere you heart stirs and your mind revolts and you savor every touch she has ever#given to you‚ in front of the cameras and off. because you are a tribute and you are always being watched and snow's presence looms and#you think‚ i know she cares. but you get taken. you get drugged. you get tortured‚ your mind altered. the girl is a mutt‚ a murderer. she's#everything you despise‚ your mind stirs. your heart revolts. you gain more awareness but cannot distinguish reality from fiction and you#have never known katniss' love. the war ends. you heal. you come home. you plant primrose for her. years down the line‚ you grow in love#more than you thought possible. but some days‚ you cannot tell fiction from reality so you ask the love of your life‚ you love me.#real or not real? and she says‚ real‚ and kisses you.#and you sigh and kiss her back and revel in this. a home. a life. a love.#lit#the hunger games#everlark#otp: real or not real?#katniss everdeen#peeta mellark#text#tais toi lys#thgpost
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fuckyeahisawthat · 1 month
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So there is this thing that the two Villeneuve Dune movies do together that I cannot stop thinking about, where they will present something (often, a weapon) in a context the first time around where it looks a certain way (often, very sexy and cool). And then they will present it again in a way that doesn't exactly negate your reading of the original context but makes you recoil in horror from the new context.
Paul and Jessica using the Voice to escape from their Harkonnen captors? Very sexy and cool. Look at them working together, mother and son, a couple of space witch badasses.
Jessica using the Voice on Chani to force her to participate in reviving Paul after he drinks the Water of Life? Horrifying. Saying you will be part of this myth that has been created to serve political ends that have nothing to do with your liberation, and if you don't do it voluntarily to save the person you love then I will make you do it.
Chani and Paul working together to take down the ornithopter gunship using those little shoulder-fired rockets? Very sexy and cool, we love guerrilla warfare against an occupying army. (I'm not being facetious here, this sequence is extremely satisfying to watch.)
The much later image of Paul silhouetted against the blast from the missiles from his family's private nuclear arsenal blowing up the shield wall? Nightmarish.
The way the climactic battle to retake the palace at Arrakeen extends into the night so that it begins to look very very much like the initial Harkonnen attack on the same place? I'm sure this is intentional; the whole third act is about taking a giant sledgehammer to the idea that the Atreides are the better or more civilized imperialists.
Perhaps my favorite example of this is the Atreides signet ring. When Paul first puts it on in the first movie, it's a symbol of him accepting that Leto is dead. It's a melancholy moment, but it's also a sign of Paul accepting the responsibility of his birthright as the new Duke.
Early in the second movie, when he is trying to be equal to the Fremen, he takes the ring off. And you just know that when he decides to put it back on again, that will be the sign that everything's about to go to shit. And when it happens it's a very similar moment--it is Paul accepting his birthright, just a different kind. But the accompanying feeling is oh no.
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tea-cat-arts · 4 months
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More doodles (ft Xianle Trio mostly Feng Xin)
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ash-and-starlight · 5 months
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one day, in a thousand years
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snickerdoodlesart · 2 months
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Maybe not the best thing to post for Valentines, but I think its funny.
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delirious-donna · 1 month
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Thinking about how well your husband Nanami treats you on those days when work is just… overwhelming. How he already knows from the curt replies to his text messages throughout the day and the absence of the little heart emoji you usually insist on sending to him. Something so trivial and yet… he misses it more than he cares to admit.
You’d told him at length about the project that was taking every ounce of your strength to work through, not to mention all of your brain power. Your husband was a diligent man—perceptive to a fault—so when it seemed that the day had been especially bad, what else could he do but leave work early to be there to pick up the pieces.
When you return home to find your normal evening chores completed, the smell of cooking luring you into the kitchen by your nose and the sight of your husband standing by the stove, it’s all you can do not to cry on the spot.
There are fresh stemmed flowers in the vase on the window sill and the small kitchen table is set for two, a glass of wine ready and waiting for you. Kento is there beside you before you can move, a large reassuring hand at the small of your back whilst he wipes away the tears you hadn’t realised were falling with his other hand.
Moments like these brought it back with startling clarity how goddamn lucky you were. Your husband was attentive and practical, and you were fortunate to have found a man that was your perfect counterpart. He filled the gaps in you, and you did the same for him. He brought silence when your mind was chaotic and noisy. You gave him hope and a reason to fight when the paths of right and wrong became unclear.
“What would I do without you?”
Kento huffed, pressing a kiss to your head. “Lucky for you, you’ll never need to find out.”
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firstfullmoon · 4 months
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Sharon Olds, “Late Poem to My Father”
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crimeronan · 10 months
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i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!
(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)
listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.
but the things discussed in the post Can and Should improve your execution!
you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it
BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.
so i have outlined some basic important concepts about polyamory.
MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun
future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.
i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)
sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.
here we go:
compersion!
compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.
compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.
by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.
i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.
it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.
(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)
if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.
metamours!
a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.
the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.
there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.
the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."
(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)
of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)
open versus closed polyamorous relationships!
i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown
google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).
this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.
an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.
some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!
with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.
i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.
feelings for multiple people!
i was gonna tack this on to the previous section but decided it warranted its own lil bit.
a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.
this is perfectly fine!
the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.
for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"
some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!
some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)
or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)
i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.
like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?
that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it
alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?
it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.
i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad
first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:
how does each pair act when alone?
how do they act differently alone compared to when they're with their third partner?
are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?
if so, what are they?
are there any boundaries or hard limits within this dyad that aren't shared with the third partner?
if so, what are they?
partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?
(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)
what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?
what problem do These Two Specifically need to solve in the story before their relationship will work?
how is that problem DIFFERENT from the problems being solved within the other two dyads?
doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.
those questions should be enough to get you started, i hope
then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?
but the main goal is to figure out how to Differentiate each relationship!
a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.
(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")
AND FINALLY.
if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)
you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.
polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.
seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.
in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.
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kitamars · 11 months
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im not immune to mermay it seems
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clownsuu · 4 months
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Can mob howdy die from bug spray? (Since he is a caterpillar man)
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mblue-art · 3 months
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BAD SANSUARY // [14] tears for owl-bones's event !
"...Killer, it just looks like I have running mascara."
"it's such a look though."
messy kisses and post-nuzzles
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heartstopperthoughts · 8 months
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Anyone who’s been saying that Nick and Charlie are too sexually pure like “oh they’re teenage boys, they’d be having a lot of sex” has clearly never read the novella
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mossmx · 10 months
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While Merlin is trending I want to thank the whole Merlin fandom
people who have been with us since 2008 and people who have just started watching, people who have left us too soon but will be forever in our hearts and people who switched fandoms but are still amazing
whereter you create, lurk, cheer or just cry in the corner (most of us have been there lol) every part of the Merlin fandom is always part of our family
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even if we have no reason to trend we will always have a reason to celebrate :D
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koshercosplay · 2 months
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Neil gaiman is a Zionist :(
this is so funny because if you google "neil gaiman zionist" nearly all of the links are to unsourced tumblr posts or responses to a single tweet from 2015 that just acknowledges Israel's existence
I see gaiman has once again committed the heinous crime of Being Jewish When Israel Is In The News
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chiliger · 7 months
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The meta implications in this one are wild.
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