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greatooglymooglyyy · 20 days

Note

Heyyyyy

I suck at coming up with requests but I want stories so bad lmfao 😭✋

Anyways, I saw that you were looking for requests and decided to throw one over.

Could you do a story that has to do with Matt and a reader who is really artsy and will straight up draw on his arms and color in his tattoos at the most random times?

Hope thats not too terrible an attempt at a concept lol, thanks

🦥

You Drew Stars (M.S.)

contains: fluff, kissing, general teethrotting sweetness, 900+ words

a/n: anon do you even remember requesting this? lmao listen i love you. this is a bit different from what you said butttt i tried.

“You sure you won’t be bored?” Matt asks as he settles in his gaming chair, looking over his shoulder to where I’m seated.

I smile over at him and shake my head at the question. It's one he asks every time he starts a stream when I’m around. “I’m sure. But are you sure it’s okay if I paint in here?”

After I fell asleep waiting for him to finish a game last week, Matt came home with an unreasonable amount of art supplies. I’d been watching Bob Ross videos on repeat for a couple of months- What can I say? He’s a gateway drug- and he thought I'd like to try painting for myself.

“Of course you can. That’s like the whole point.” Matt answers with a smile. I readjust the sheet under me anyway before I squeeze a small amount of paint onto my palette.

As I start to sketch out an outline with a pencil, I hear Matt start his stream and greet everybody. He starts his game up and begins to explain where he is in his game so I pop in one of my airpods and try to focus. After about twenty minutes, Matt swivels his chair around quickly and I look up at the sound.

“What’s on my floor?” He reads out with a laugh making me realize I hadn’t thought to check if I was in the frame. But it's too late now and I’m not about to crawl across the floor so I pop my head up and wave. “Hi, chat.”

He gestures out for me so I stand and go to his side, letting him wrap an arm around my waist. I lean into him, resting my head against his, while I read. “I was painting but I’m just a beginner. It’s not good yet.”

“That’s not true,” Matt says, holding up his phone and showing off his lock screen. It's a picture of a drawing I did on his back a couple of days ago. We’d been watching a movie in his bed when he fell asleep so I’d taken the opportunity to paint Charmander. “She did this in like an hour. I didn’t want to wash it off.”

I roll my eyes at him and squint at the chat trying to pick out a comment to respond to. “Do another one? I should when he’s done streaming.” I say with a smile, going to pull away and lay back on the floor.

“You can do it now,” Matt says, pulling me back to him. “Go get the other chair. I’ll stay still.”

I give him a look of disbelief. “You can’t sit still and stream.”

“I only need one arm. C’mon.” He says, moving me gently out of his way so he can scoot his chair over.

Well, I guess this is happening. I shrug and do what he says, collecting my art supplies and rolling the spare chair over to him.

I decide to try painting tiny planets because they seem easy enough and they fill in the gaps between his tattoos. He smiles when I begin, muttering about it tickling, but then turns his attention back to the game.

To his credit, he does try to keep his promise and stay still, only jumping up or making a big disturbance a couple of times. When I’m done, I sit back and stare at his arm. It’s kind of cute when you turn your head and squint.

Noticing I’m not painting anymore, Matt looks down at his arm and gasps dramatically. “Look, guys.” He says, carefully lifting his arm to show his stream.

I cover my face with my hands and shake my head. “You’re so embarrassing.”

He nods at where his phone lies between us. “Take a picture before I accidentally fuck it up.”

*******************************************

A week later, I’m still being tagged in edits of us from the stream. Currently, I’m lying on my stomach, kicking my feet and giggling over the comments on a new one. ‘The way he looks at her. God, when will it be my turn.’ As if my ego needed more stroking. Just as I like one asking if I can fight, Matt’s door opens and I look up. I hadn’t even heard them come home.

“Hi, baby.” He says as he pulls off his shirt and opens his closet. My face screws up when I notice his arm has been wrapped in saran wrap. “Hey. You got a new tattoo? You didn’t tell me.”

Usually, the night before he gets a tattoo, he googles images to have a good idea of what he wants. We stay up for hours looking through drafts together so I’m a little sad he didn’t want my input this time.

Matt grins at me, coming over to sit on the bed. “It was a surprise.” He starts to unwrap his arm, wincing slightly, and my jaw drops when I recognize what it is.

With as light a touch as I can manage, I smooth my fingers over the tiny drawings of Saturn and Venus. My eyes start to water as I look up to meet his eyes. “You got my painting.”

“I did.” He says, leaning in close and placing a kiss on my jawline.

“Why?” I ask, in equal parts wonder and bewilderment. “You said you want to fill that gap with something special.”

He pulls back and raises his brows. “It is special. My girl drew it for me.”

🏷️/ @sttzee @tillies33ssss @miloisdone1 @sstvrnioloo @junnniiieee07 @sturnioloslurps @mrsmiagreer @asturniolos

@teapartyprincess4two @whicked-hazlatwhore @sukiipjs @accio326 @sturniolosmind @imfromthediningtable @rootbeerworshiper @st4rswrld @thvvluvr @sturnssmuts @littlenerdybee @sturniolossss @iloveneilperry @eclipzw @chrissloverrrrrrr16 @sstvrnioloo

@clemlament @fwskullz @luv4kozume

#maggie b writes #sturniolo triplets #christopher sturniolo #matt sturniolo #nick sturniolo #maggie b talks too much #sturniolo fluff #matt sturniolo x reader #matt sturniolo fanfic #matt sturniolo fluff #matt sturniolo oneshots #matt sturniolo x you #matthew sturniolo #matthew sturniolo fluff

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bitchslappin · 13 days

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Figure Studies

Summary: Joel let's his you paint him like one of your French girls (kind of not really).

Pairing: Joel Miller x reader (no y/n)

Tags: +18 smut, no implied age gap but do what you want, sexual tension, voyeur to some degree, exhibitionism kind of, M masturbation, overstimulation a little bit, fluff for sure, Joel's so in love, idk the tags make it sound lame lol

Word count: 2.5k

“Quit starin’ at me. It’s creepy.”

Joel’s voice is gruff. He’s bent over the dining room table, summer evening sun streaming in through the kitchen window. He’s cleaning his rifle. It’s been too long, he hasn’t been keeping on top of it, it’s been long enough since he’s had to use it. He’s been at it for the better part of an hour, stripped down to his t-shirt, hands covered in a layer of gun oil, sweat starting to bead on his neck from where the sun’s been resting. His girlfriend is standing in the doorway between the kitchen and living room, leaning on the doorframe, just watching him. She’d been down at the Tipsy Bison most of the morning, helping Maria draw up plans for the community garden expansion. Ellie is… well Joel doesn’t actually know. She hasn’t been home since last night. But she tends to couch hop around Jackson these days, and Joel can’t say he’s mad for the alone time while she bothers other people for once.

“Can’t help it.” She tells him with a slight grin as she cocks her head to the side, studying him. “You look so good right now.”

Joel snorts and flicks his eyes to her, annoyed. “Yeah, right. Sweaty and greasy and angry. What a good look.” He snarks.

He doesn’t have to see her roll her eyes, he can feel it. She walks in slowly. “‘M serious Joel. You look good.” She murmurs softly. She’s not teasing him this time, or even really flirting, her tone low and sincere.

He finally looks up at her then, pausing what he’s doing. His breath sticks in this throat a little bit. Even after years together, he’s not good at this. Accepting genuine compliments in a neutral setting. He’s gotten better at the flirting, and he’s more willing to give up some control in the bedroom, but this kind of thing? The softness? He’s still a little shy about it. He just shakes his head at her and says nothing. He won’t argue with her, but he doesn’t know what to say. He turns back to his task, wiping the stock of the rifle, trying to hide the tremor in his fingers.

She sits down next to him, pulling her legs up onto the chair and leaning her elbow on the table, her head in her hands. She watches him silently for a little while, and it’s easy for him to fall back into the rhythm of cleaning, zoning out a bit as he works. As he finishes up, fitting the pieces back into place, she interrupts the silence.

“Can I draw you?” She asks quietly. He looks up at her with a furrowed brow. She’s quite the artist, always sketching and even painting when she has the time. One of her new friends had somehow gotten her a set of oil paints for her birthday, and Joel loved to sit for hours and watch her paint. She’s sketched him plenty of times. He’s seen some of them because she’s shown them to him, some because he spied them over her shoulder. But she’s never asked before.

“You… what, now?” He asks as his brows knit together in surprise. She just shakes her head with a smile. “Yeah now. Come on, please?”

Goddamn him he can never resist that look on her face. Sweeter than sugar. He grumbles. “Fine fine…” He rolls his eyes as she smiles in triumph. “Where d’you want me?”

She stands and drags him by the hand into the living room, grabbing her sketchbook off the coffee table. The light is pouring into the living room as she pushes the curtains open. “Go sit on the couch. Just get comfy.” She tells him. He huffs about it but he goes to sit on the couch, groaning, when she turns back and makes a surprised noise.

“What are you doing?” She asks, an eyebrow raised in confusion. He’s hovering, halfway to sitting, and he frowns at her. “You told me to sit on the couch…?”

She makes a noise in the back of her throat and pushes on her shoulder as she goes to sit on the coffee table in front of him, sketchbook on her lap. “You gotta undress first.”

“What??” His lips part in shock and his eyebrows shoot up. “Fuck’re you talkin’ about?”

She rolls her eyes and sighs. “Come on Joel, please? I haven’t ever been able to do real figure studies. Please?” She’s not teasing anymore, not trying to push his buttons. She’s genuinely asking. She’d always told him that when she was little, she’d dreamed about going to art school in a big city, sketching figure models for hours. But then of course… well you know what happened. He hovers there for a minute. It’s not like she hasn’t seen it before. Hell sometimes he feels like they see each other naked more than clothed. But it’s not the same. This is more exposed, in the sunlight, with her just staring at him.

“Can I just… just take my shirt off?” He asks with a nervous chuckle. He meets her gaze and he can see the slight of disappointment there, though she nods and gives him a smile. “Sure Joel, that’s fine.”

He pulls the shirt over his head and hesitates, watching her face as she flips to a clean page in her sketchbook, twirling her hair up onto the back of her head and pinning it in place with a pencil. The sunlight makes all of her look golden, the strand of hair that escapes down her neck, the freckles on her cheeks… she’s glowing and he is powerless but to give her everything. Even something he thinks is silly. He huffs and commits, unbuttoning his pants and shoving everything down like he’s annoyed, but he’s really just nervous for some reason, and flops back on the couch. He shifts a little as she gazes at him. It feels different from when they’re in bed, the way she’s looking at him now. Now, she’s looking at him like a specimen, like something to study.

“So… how should I sit?” He asks nervously, scratching the back of his neck. Her gaze seems to shift suddenly and her eyes get softer as she smiles at him. She sets her sketch book aside and comes over to maneuver him, her brow furrowed in concentration. She pushes him to lean back, muttering “get comfy” to him softly. He leans back, one arm instinctively going to the back of the couch, his legs falling open comfortably. She smiles at him and adjusts his arm resting on the couch, moving his hand this way and that until she likes the angle. She moves to his legs then, her hands are warm and sure as she pushes at his knees, his thighs, adjusting them a little wider. He lets out a slow breath, trying to keep his cool. ‘This is for art, that’s it’ he tells himself. But then she takes his other arm, adjusting it across his body, placing his hand over his cock, already semi hard from her attention. He bluescreens for a second, looking up at her with wide shocked eyes. She just arches an eyebrow at him.

“This okay?” She asks, her hands hovering and ready to move him if she needs to. He looks down at himself for a half a second before back up to her. ‘Be cool, Joel. Be cool’ he tells himself and clears his throat.

“Yeah. Yeah it’s… it’s fine.” He nods. She smiles brightly then and leans to peck a quick kiss on his lips, before moving back to the table to pick up her sketchbook.

She quickly gets lost in the drawing, holding her book on her knees, her pencil skritching on the paper softly. Her focus on him is intense, almost like she’s not really seeing him, she’s looking through him. For a while, he just watches her, fascinated. The way her brow is furrowed in focus, and the way her eyes move rapidly as she flicks her gaze between him and the paper. It seems silly to think but he finds himself feeling like he’s never seen her so… intimately. There’s something about the demeanor she has while she’s creating. He feels that way when he watches her paint, too, but he’s usually sitting behind her then, watching the colors take shape, looking at the landscapes with her. He’s never been the subject. He watches her fingers, delicate to him, though she might argue after the years of post-outbreak turmoil, as she uses her pencil like a magic wand. The movement of her hands is mesmerizing, the way the light catches her skin…

It doesn’t take long for him to start getting hot under the figurative collar. ‘Stupid caveman brain’ he thinks to himself. He can’t help it. She’s so beautiful and she's looking at him like that and he feels so… vulnerable. He tries to stay still, to hold the pose, as he starts to harden under his palm. The couch under him, the sun streaming in, his hand on himself… everything is sticky and warm and his hard is beating faster. He shifts a bit in his seat, trying to hide it, to stay still for her, but catches the way he shudders as he slides against his sweaty palm. She’s doing some shading and doesn’t even look up from her paper when she breaks the silence in a low voice.

“Do you want to touch yourself?” She asks softly, her gaze fixed on the drawing. His head snaps up and his eyes dart around for a minute like he thinks she’ll be talking to someone else. He clears his throat.

“Wh-what?”

She looks back up at him then. Her face is open, almost confused at his confusion. “Do you want to…” She gestures with her pencil at where his hand rests covering himself, speaking matter-of-factly. He glances down at his hand, curled around his hard dick. His brain still can’t process fast enough and he looks back up at her, just staring for a minute.

“Do you want me to?” Is what eventually spills out of his mouth. He swallows thickly as he keeps her gaze, a flush burning on the back of his neck. He’s never done anything like that before, not like this with her fully clothed and sitting five feet away from him. She smiles at him softly, the sweet look on her face is making him feel fuzzy and warm and he squirms a little bit, trying not to gasp at the friction against his palm. She nods after a beat.

“Yeah honey, you should.” She says simply, sitting back again and picking up her pencil. She continues sketching like it’s a simple as that, but he feels caught in limbo. He doesn’t do anything at first, just sitting there with his hand curled around his cock, in the same position she put him in, a blush burning hot on his cheeks. She looks up at him for an extra beat before nodding her head at him. It’s like a signal and he jolts into action, sliding his hand loosely over his cock.

It feels… way better than it should and his eyes slip closed for a second, his breath hitching in his throat. Maybe it’s the build up, maybe it’s the heat in the room, or maybe it’s just the way she’s staring at him and how easy he is for her… He keeps his fist loose at first, but quickly tightens it as the movements become slick and easy, his arousal spiking. His head drops back against the back of the couch as he starts to lose himself in the movement until her voice cuts through his foggy mind.

“Hold your pose please.” She asks firmly, her voice low. He snaps his head up and finds her eyes trained on him, his breath stuttering. She arches an eyebrow at him seriously. “I’m not finished with my drawing. Wait until I’m done.”

The tone of her voice, the command to wait… it’s like flames licking up his spine and he barely suppresses a whine, his eyes squeezing closed. His hand is still sliding over his cock, slick with his steadily dripping arousal. She’s nearly ignoring him and it makes him feel hotter, desperate.

“Sugar…!” He whines. “I don’t think I can… I’m..”

She looks up at him again, her stern expression making him choke.

“You can.” She says firmly. It’s a little encouraging, a little humiliating. “Just five more minutes.”

He groans but finds himself nodding. She’s not usually so direct and it’s lighting a fire in his belly. He should slow down, back off a bit, but he can’t. It feels too good as he watches her pencil gliding over the page. His hips roll off the couch just barely, trying to meet the rhythm of his hand, and she either doesn’t notice, or more likely she doesn’t stop him. He’s whining through his teeth as he holds onto that knife's edge, he can’t help it.

“Sugar… baby…” he mutters softly, sweat dripping down the back of his neck, his mouth hanging open as he fixes his gaze on her. Maybe it’s the tone in his voice, the needy way he calls to her, or maybe she really is done, but she sets her sketch book aside, putting her pencil down, before leaning back on her hands casually.

“Go on then.” She tells him softly, and he breaks. The moan that tumbles out of his mouth would be embarrassing if he could hear it, but the static fills his ears as he comes hard all over his stomach. With his head tossed back against the couch, he doesn’t see the hungry look on her face, or the way she moves off the couch and kneels in front of him. He works himself through the high, his hand starting to slow and his chest heaving when she pushes his hand away, taking him in her own. He gasps sharply and looks down at her.

“Baby wha..?” He stutters out as she starts to stroke him firmly. She just smiles at him, leaning in to kiss his inner thigh as she works him over. Her grip is tight and slick, hot from her skin being in the sun, much smoother than his own hand, and he moans brokenly through the oversensitivity, squirming in her grip. “J-jesus baby.. Y-you…” He stutters out between sharp chirping breaths, his eyes rolling back in his head.

Eventually she slows her hand as he starts to soften, her movements still firm but stilling. She holds him until his breathing has calmed down. And he looks down at her. “What the fuck was that?” He asks, his voice raspy. She just laughs and shrugs.

“You just looked so pretty, I wanted to join in.” She tells him as she leans her head on his thigh.

He blushes hotly and looks away for a minute. The afternoon has left him feeling vulnerable, but also syrupy and soft, better than he has in a long time.

“I… you…” He looks back down at her before huffing in frustration. “Just get up here.” She mutters and grabs her by the elbows, manhandling her into his lap as she laughs. He drags her in for a kiss, hot and lush, before flipping her over onto the couch, looming over her.

“My turn.”

#joel miller #joel miller x reader #joel miller smut #joel miller fanfiction

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beatcroc · 2 months

Text

a year!!! as of today i have now been drawing these funny little pizza freaks, to the exclusion of almost everything else, for!!! an entire year!!! i wanted to do a nice group shot/lineup of everybody to compare to when i first started trying to draw them because oh boy were they bad. i never even posted most of them anywhere because they were so bad. but im posting them here, now, to see how everything's changed/evolved.

this is probably the hardest time i've ever had trying to figure out how to work with a style, but we got there eventually; i'm pretty happy with the handle i've got on everybody now...dont let ur memes be dreams. lots of unimportant journaling and idle thoughts abt it below.

older pics

the first one is the VERY first time i drew them, before i thought i was going to actually have any interest in drawing them [lmao]; it was just the one isolated image, for my friendserver, to illustrate the funney message, so there was no attempt to make it Good or actually understand anything going on w/ the designs or style.

second is the original run of practices sketches to start trying to figure them out for real; done after i started having ideas for the comics and such and realized oh god maybe i am actually gonna draw fanart for this. [again, lol, and lmao.]

third one is the first pt art thing i posted on here. there were a couple weeks of sprite studies between this one and the previous image. the one on the top right wasn't part of that post i just threw it on as space filler; i'd intended to shift to doing Sprite Redraws But Stylized to explore tings more, but that was the only one i did. ¯\_(ツ)_/¯

individual characters

peppino: by far the hardest dear god. bro what ARE your shapes how DOES your face work. jesus christ. everything i have trouble with this style for, peppino has it in excess. i draw in polygons! i need consistency! and that is the last thing this kind of style is concerned with. they are made of squarshy clay and i do not understand how to mold them. i was really hoping trying to learn this game's style would GIVE me that kind of flexibility for fun exaggerated facial expression but i don't think much came of it in the end 😔. anyway on the bright side all this means once i got peppino figured out a little bit everybody else clicked way easier.

fake peppino: honestly i never did anything with him on purpose except for how his eyes work + the perma-smile thing. i figured ok hes supposed to look weird and off model so whatever happens with him happens. and it did. and it kept happening. it is still, in fact, happening.

noise/ette: somehow, for every bit that peppino was the least natural thing i've ever tried, these two worked pretty much right off the bat. i still don't understand it, seeing as pretty much all the things at play for peppino are also at work for them. i think the new sketches are actually a little worse than older ones but not enough that i care.

gustavo: really funny bc i drew him on model twice and just went 'okay, cool nice, easy, um. he doesn't have any fucking legs?' fortunately he was the only one i had a strong idea for how to stylize him [square] and it worked exactly as i was hoping so wahoo.

brick: is an animal and therefore 5000x easier and more natural for me to draw/stylize than anything else in the cast. that is Just a rat bro. i can draw a rat.

gerome: i think the funniest one here. the most drastic and least necessary change imo. i was gonna have him be really small at first, like smaller than the noises, but then i just... didn't. he's just peppino-sized now. also i gave him like. actual human facial structure, which is funny bc in most cases i'd do anything to avoid, but it works well for his being A Rock to give him some angles and definition like that+ to differentiate his vibe from the rest of the cast who are all very squishy. also since he is essentially Just A Head it's good to emphasize that too ig.

john: i only drew john a couple times but he gets to be here because i like him. and because most of the stuff i applied to gerome was readily applicable to john, though i did try to keep him a little more uncanny because he is a Huge And Lanky Freak. i hate that he is barefoot btw but idk how to make his color balance look right with shoes.

pizzahead: i did not want to put him on here honestly but i Have drawn him a handful of times and more importantly i didn't know what i was gonna do with john's pose if i didn't have him there to be glared at. the only thing that's different with him is giving him wider-bottomed pants, which i got from when i tried to draw these guys in clone high style [i never posted that one either][i will eventually]

snick: he gets to be here because 1. he's like 6 lines 2. i like him and 3. ive scribbled him a few times offhand and it went pretty well

misc

there are some guys missing because those are guys i didn't draw enough [or at all] to have gotten comfortable with them. sorry

i would have Liked to shade these but for the time being i have accepted that my grasp of light/shadow has decayed to the point im not going to be happy with anything i try there, so For Now i am working on my presentation with flats i guess. gerome has a shadow only because he's shaded like that ingame and looks naked without it

anyway if you are still reading [hi?] i get to shamelessly plug now. i'm over the hill of my pizza run now, and while i still have plenty of things i want to make here, most of the bigger more in-depth ones have passed. pizza tower was the first thing in THREE YEARS to get me out of my oc groove to doing fanart, and once i am done with my ideas here i will be going right back to it. if you like my art or how i write characters/interactions you should check out my oc/webcomic blog @jamverse . i can't promise people who like pizza stuff will be terribly into my designs, but i can guarantee i treat my guys with the exact same sort of tone i handle the pt guys with. and hell, i've mentioned it a few times before, but like 70% of my characterization for fake pep is just copied off one of my characters, so if u are going to miss him... he will still be there in spirit >;p

and if you dont care about any of that and are still reading thank you anyway. actually making these comics + seeing how shockingly well-received they've been has done a lot for my confidence, and for seeing that my kind of stuff IS something people enjoy :')

#pizza tower #peppino spaghetti #fake peppino #gustavo and brick #the noise #noisette #pizzahead #arting #pizzaposting

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hansoeii · 8 months

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Several things: -LOVE your art, it’s amazing! Especially the one with Crowley and Aziraphale under the umbrella - which software do you use? Your art always look SO gorgeous (cheeky quote from GO right there lol) - how did you get so good at drawing?And thank you for encouraging other people to keep drawing and being so kind as I sometimes can’t help but compare my sketches to others and feel silly, but I guess it’s just a learning curve… Thank you so much for bringing your art to the world!😊

Thank you so much!!

I use Clip Studio Paint for drawing and Photoshop for small adjustments!

2. Haha thanks! Honestly...it's the hyperfixations. I managed to improve a lot in just a year because I've been drawing SO much cos there's so many shows and movies I became obsessed with that I wanted to create art for. So by drawing a lot I just naturally improved. For example these two Illustrations are just a year apart:

I actually didn't actively try to improve, it's been a while since I did proper studies (I just don't really have the time for it between freelancing and art school), it just happened.

But I can absoluetly recommend going on YouTube and look for some art tutorials if you actively want to start improving! There's some channels that helped me so much back then:

moderndayjames

Incredible shape language and super insightful tutorials on all kinds of topics! I learned so much from him.

Ahmed Aldoori

So many awesome tutorials on so many different areas of art. Love it.

Marco Bucci

Incredible tutorials on color theory and understanding how color works in general! Learned SO much from him!

Sinix Design

The OG tutorials I began learning from. I watched his videos religiously as a teen. I adore his painterly style and adopted it in some way, haha.

Ethan Becker

This dude sometimes drops these tiny art tips that just completely blow my mind and that I adopt immedietly. He's super entertaining but also such a great teacher.

And I can also recommend checking out this book by James Gurney if you want to get better at colors!

And for anatomy I highly recommend the Morpho books!

But improvement doesn't only come from drawing a lot. A lot of the time I don't draw for a while and just study the world and artists around me and suddenly I improved when I get back to drawing. Don't ever overwork yourself to the point that you don't enjoy what you do anymore. Take breaks and listen to your body!

I learned to try and not compare myself to other artists, which helped a lot. Through conventions and social media I made so many lovely artist friends and realized how we're all struggling in a very similar way. A lot of us don't even really know what we're doing most of the time, haha. But we help each other out, it's such a wonderful community. I think when you're not actively part of the community it tends to feel like other, more successful artists are some kind of art gods that have perfected the craft and never struggle. But believe me, all the artists you admire go through rough times all. the. time. Sometimes what they do feels easy and natural, other times (more often than not) it feels like you have to try and learn how to walk all over again and you start to doubt your abilities. I personally go through that so many times.

So what I'm trying to say is that instead of comparing yourself to the artists you admire, learn from them instead. Ask questions, befriend fellow artists, study the artists you enjoy and just have fun with it!

And finally I thought it would be fun to share some of my horrendous Johnlock fanart from a decade ago for some motivation:

I hope my answer didn't overwhelm you, but I thoight it would be nice to give a more detailed answer!

Have a wonderful day and keep drawing! :)

#ask #my art #art tutorial #art resources #art help #digital art

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fantasy-anatomy-analyst · 3 months

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Making Humanoids Less Human

I did make a small post on this, but now I've got the art for a much bigger and more detailed post! so here we go.

I had several anonymous asks that all came in quick succession weeks ago. Every single one of them was basically just a variation on "how would you take (typically humanoid) fantasy being, and make them look less human?"

This blog does not exist for me to just give people original designs for free, my goal is to show off my own personal thoughts about fantasy design and help people figure out how to adjust their own designs to fit their vision better. That means when people ask me questions about how to do something, I want to give them things to think about so they can come to their own conclusion. I don't mind making original designs to illustrate concepts, but a whole flood of "show me how to make this specific thing look different" all at once like that was too much. I'm not answering them all individually, it's just not what I want to do.

But what I can do is show my own thoughts and ideas about how to take any fantasy design and push it further away from "human", and you all can look at my ideas and figure out your own way to do things!

So here are the main 4 methods I've come up with to make humanoids look less human.

(image description: a simplified drawing of a humanoid face surrounded by four altered versions of the same face. clockwise starting from the top left, they are:

Speculative, drawn as a cat person. Additive, drawn with horns, pointy ears, sharp teeth, and a second pair of eyes. Subtractive, drawn with blank eyes, no nose, and no eyebrows. Exaggerative, drawn with a long face and huge eyes, as well as a wide mouth, narrow nose, and big ears.

end description)

I am personally a fan of the speculative route, which means exploring an alternate root of evolution to create a new design. Through this method, I've created monkey elves, frog goblins, and pig orcs.

the additive option is the most common, I think. adding new feature or doubled features to a humanoid form is a very intuitive way to change the design and make it look less human. you see this in most fantasy and scifi designs, like star trek aliens and the dnd player races.

subtractive and evaggerative are the most common options for people that like the uncanny valley. it's really easy to make uncomfortable designs by removing or exaggerating recognizable features, and they're often used together. Slenderman, for example, removes all facial features and skin color but also exaggerates the limbs and body.

Combining the four methods will give you a really interesting design as well! So for practice I decided to explore an alternate design for Tieflings, the part-demon player race in dnd.

(image description: four examples of differnt tiefling designs using the previously described methods. the additive example is just offical dnd art of a tiefling woman with purple skin, horns, and a long tail.

the subtractive sketch looks very alien, with a bald head, empty eyes, and no other facial featuers aside from a small mouth. it has three fingers per hand and two toe per foot.

the exaggerative sketch shows a hunched humanoid figure with huge eyes and big ears. the neck, limbs, and digits are all long with claws at the ends of the fingers and toes, and the limbs are also quite muscular.

the speculative sketch shows a bipedal figure with features similar to a giraffe, including a long neck, ossicones, and hooves.

end description)

now, because tielflings have such a distinct look to them, obviously my new sketches don't really look like tieflings, do they? the only one that comes close is the giraffe. relying only on one type of alteration to the human form has left the designs rather empty and lacking in the more iconic traits of the original concept. so i tried a sketch that combined my ideas! it came out looking like a completely different creature lol, like it could be a kobold or something, still not really a tiefling.

(image description: a sketch of a creature with a giraffe-like head, long tongue, and sharp teeth. it appears to be roaring at something and stands in a half-crouch. it has long limbs with hoof feet and clawed hands, as well as a long tufted tail curled behind it. end description.)

didn't work out. too far into the animal side of the speculative evolution, I think. so I tried again and got a design I liked much better!

(image description: a digital painting of a tiefling leaping back and casting a glowing orange spell. she is wearing a tunic with a corset and detached sleeves, as well as several pieces of jewelry. Her skin is purple with dark patches like a giraffe's spots, and she has a giraffe's ossicones as well as hoof-like hands and two-toed hoof feet. Her tail is long with a tuft at the end. She has glowing eyes and a flat nose, and there is a single sharp tooth visible poking out of the side of her mouth. end description.)

Brought the face back into slightly more human proportions and that helped a lot. Sometimes designs just take a few tries! that's normal.

and hopefully this is helpful to all of you! there are so many ways to alter humanoid designs to come up with something original and unique to you!

#humanoids #making humanoids less human #altered humanoids #non primate humanoids #tiefling #long post #my designs #and btw ai cannot do this #does not matter how detailed you prompt it #it can't really get things to look this original and unique #it can't really blend different features like this in a way that makes sense #you have this power #the computers cannot replicate it

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meruz · 1 year

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sorry if this has been asked before, but i wanted to ask about your lineart! the weight and line economy are just so nice, i get stars in my eyes looking at your lineart and doodles. could i ask what your approach to lineart is and what tips you might offer?

Wow I love these questions - Line is so interesting!!! It's a really big topic so I feel like any tips I give will be just barely scratching the surface. It's like deceptively simple...any given line drawing is essentially taking all the information we glean from seeing something irl ie light, shadow, dimension, texture, perspective, etc and boiling it down to the simplest possible visual information.

I think most commonly my line is informed by light source so like. thicker more continuous lines face away from the light and thinner more broken lines towards. and a lot of my spot blacks r simply cast shadows.

here's a more extreme example

BUT like everything to do with art there's no hard and fast rules. I use blacks when I think it'll be effective or interesting and I leave them out when I don't need em. umm couple things I find myself doing a lot... using spot blacks to make the separation between characters clearer. I like casting shadow in between characters so its easy to separate and read their silhouettes even when they're mashed together.

u can go even further to purposely create a silhouette like

to draw attention to a finger or tongue LOL. There's some comic book artists who are absolute masters at this type of stylization. Alex toth and his spiritual successor Chris samnee come to mind for me right away.

(toth)

(samnee)

I feel like I'm also often using line weight to separate planes receding in space

im naturally a really heavy handed and scribbly drawer(...?) draftsman. and im nearsighted so when i see things i percieve and break it down into big shapes over thin contours. so stuff like spot blacks and shadows came easy to me, the tricky part was making the rest of the lines lighter when they needed to be so the blacks could actually have impact LOLL. a lot of effective visual communication is about balancing contrasts. like I had to really train myself to press less hard on the pen. I think this is actually really evident if u go back in my archive to older sketches LOL

I actually feel like a lot of how I trained my hand to tackle line weights was thru stuff like hand lettering where you rly have to focus on being sensitive to that kind of thing.. contrasting strokes etc.

also exercises like figure drawing will have you flexing those muscles constantly

I'm starting to just regurgitate lessons from freshman year of art school so I'll stop here with the demos but yeah...I hope this was helpful!? I love line!!! I want to get even better at line work so I can feel confident posting work that's only line no color or value... I'll leave you with a bunch of artists who I think have particularly expressive and beautiful linework (not including toth and samnee who I already mentioned and who's work I love so much). You can probably learn much more from them than you can from me...!

Charles dana gibson LOL

Matias bergara

tonci zonjic

naoki urasawa

Daniel warren johnson

shiyoon kim

michel breton

also yoji shinkawa, tomer hanuka, leo romero, I feel like I'm gonna post this and think of so many more. there's so many good artists...!

#goodnight #ask #edit: true to my word i added more artists LOL

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being-addie · 11 months

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Rest Days

It's currently peak summer where I live, and it is SWELTERING. While I'm planning to be as productive as possible (I'm not kidding my sketchbook is with me 24/7 at this point), thanks to the heat, I'm finding it really hard to stay focused sometimes. So when I'm feeling particularly lazy, or just distracted I take a rest day. I feel like I can afford this right now more often because it's the holidays, but when my classes restart in June I won't be able to even sit down.

ANYWAYS. Here's what I'm currently doing during an easy rest day. Maybe you can take some inspiration <3

My rest days:

Sleep in: I sleep until it's nearly 7:30 - 8:00 am. It's late for me because usually, I wake up at 6:00 am

Move around: If it's cloudy, I'll go for a walk, otherwise, I'll cycle to the gym.

Breakfast: I usually have this thing, where I saute some veggies, scramble eggs, and cook savoury oatmeal, then mix it all together. It's healthy and filling and it's amazing with barbeque sauce. If I'm craving something sweet, I make banana-oat pancakes (which taste and look so much better than regular pancakes I swear)

Sit in the sun: It's morning, and the sun isn't harsh, so I sit in the balcony with my cold coffee and chat with my mom as I soak up that Vitamin D

Watch a little TV: I'll watch like 2 episodes of the show I'm invested in (I'm watching Big Bang Theory)

Get ready: Take my sweet time bathing, doing my hair and getting dressed.

Sketch: So this is both productive and relaxing for me, so I'll pull up Pinterest and do some practice or I'll go to a cafe and do a live study.

Do a little crafting: Ok so this is my therapy. I'm not joking. I put on some Lana Del Rey, and make a mess of my desk. I love making little handmade gifts for family (I just made this insane exploding box thing for Mother's Day lol) or making paper crafts. I'm learning how to crochet as well. Highly recommend it. Put in your earphones, get your scissors out and start making something. Doesn't have to be pretty, just keep going.

Watch the sunset: My gallery is so full of pictures, I don't have any room for anything at this point. 85% is just sunset pictures.

Evening: I just eat dinner with my sister and grandpa, and then we like to sing and dance as I load the dishwasher and she cleans the table.

Read: After chores are done, I read on my tablet for a while.

Sleep: Bedtime skincare and lights off at 10:30.

I've actually done this in way more detail than I thought haha, but this is basically a way more relaxed version of my daily routine, just no studying?? But yeah here it is.

Understand that rest days are required. You do not have to constantly work. Humans are meant to socialise and have fun, as well as work. We aren't worker ants or bees. Relax, and remember to breathe. Everything will be ok. xoxo.

#self care #self improvement #self love #level up #level up journey #self love journey #glow up #college #tips and tricks #it girl #that girl #perfect #life #routine #lazy day #rest days

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gemapples · 4 months

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im so sorry it took me so long to answer these oml but YES i'd be happy to show how i draw and color :)

— SKETCHING

please note that i almost always sketch traditionally first lol it's just a lot easier for me to determine how the drawing is placed that way, but i always go over and re-sketch it digitally

for magolor i always start with a basic egg shape (lmao) and then i add his ears. then I draw the scarf; it's easy to determine the shape and dynamicism based on where the bottoms of the ears are located

then i usually add the cape and hood together. where and how these are placed and what these look like in general are very important because they're the main area that perspective is directed to (the ears and everything else is important too ofc!! but the hood and cape usually help demonstrate where he is looking and how he is moving the most). then i add everything else, usually his hands last!

— LINEART

ohhhhhh god my worst enemy. Hope youre sitting down because this will be embarrassing LMAO

lineart is easily what i struggle with most and is more often than not the most time consuming and grating step for me. If i had a choice i would drop it in a heartbeat, but my style is so dependent on thick lines and shapes that it's difficult to 😭 a hole i dug myself into unfortunately ITS FINE THOUGH. ANYWAYS I'm getting sidetracked

i use my finger to draw all my digital art, which means i usually have to use a Heavy stabilizer to avoid shakiness and staggered lines. Unfortunately ibis paint's stabilizer is actually dog water and doesn't even stabilize more than half the time (in which case i have to repeat lines over. And over. And over again until i get it right) but when it does like me and works properly it's very helpful!

i always use the soft school pen bleed brush as my main tool for lineart. This brush has been my best friend for everything, i even use it for sketching idk it just really like the way it looks lol. sometimes i change the aspect if i want the lines to look more ,, chalky?? or smoother depending on the work

i don't really use this tool much but for this specific piece, force fade was my partner in crime

also i think i need to mention that i use so many layers for this. So many layers lol like to the point it's embarrassing. and at the end i merge most of them (except for the gear patterns, rings on his ear, and eyes + hands, which usually need to be by themselves as they're colored separately) Thank you for layers

and i end up with this!

— COLORING && SHADING

yippee yahoo the fun part !!! the part that i love the most

at this point, if i havent already, i always create a folder for convenience in organization because this is the part that i stress the most about what details are on which layers lmao

then i add ANOTHER layer below that for the color, then i put every single color used on their own separate layer!

now, for shading, if im working on larger pieces with more complex shading, i'll usually plan it all out. normally when just drawing magolor, i don't really need to do this anymore because i'm so used to it lol, but for funsies i did it here anyways

then i use the bucket tool to fill them all in

i usually have a set color palette for all the characters i draw (though the way i shade white differs. A lot between my work as you can probably tell fhdfgf). For every color, i have two specific tones that are associated with the shading. for example, indigo + violet are shaded with my blue, pink + light orange (or lighter pink depending on my mood lol) are shaded with yellow, etc.

so, i shade the other areas with the 2nd shading color

a big tip i can give for coloring is to look at a color wheel when you draw. i know that sounds like. Such basic advice LMAO but that seriously was a huge help for me when developing my shading and something i learned while studying — if you notice, in all of the shading in my work, all of the colors used are analogous on the color wheel. note that not ALL combinations will work together like others obv !! but it's a huge step in knowing where to go with it

then i add other extra details like extra lighting, halftones (if i feel like it // if it fits the work), glow to his eyes, and color the lines and ta-da!

another tool i use a lot especially with my more recent art are blending modes, especially multiply. i use a clipping layer to add a dark color (usually a dark blue or purple) and set it to multiply, then erase the areas that emit light

and this is the end result! this is a very very basic demonstration of it fhdjg i was a pretty messy with the lighting and erasing in this example but you get the general idea right

and that's how i draw :) i hope this was helpful, and thanks for asking and being so patient with the response!

#ask #magolor #kirby #macdraws #ive wanted to make a tutorial for So long and finally found a bit of time to do it lmao

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randomyuu · 8 months

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A crossover :) (read right to left)

Would you look at that?

A gen fic fanart! :DDDD

This is a Jujutsu Kaisen x Mob Psycho 100 one-shot, density of a white nebula by heihua.

The moment I stumbled upon this fic, all I can think of is just “oh my god Y E S” and I can just imagine how the scene plays out. Hhhhhh sometimes my imagination can be a bit too demanding, but I hope you, who read this, enjoy it!

Alright, below are my thoughts. As usual:

This fan comic was actually planned months ago, right after I read it. But uh… you know. Real life stuff. It happens. So it kept being postponed, and the rough sketch on my sketchbook kept pleading for me to just start. And also it’s been a while since I do anything JJK or even MP100 related (MP100 has season THREE???), so I need more time familiarising myself with these two (actually I just watched MP100 S1-2 and took screenshots along the way lol).

One thing I learned from making this comic would be… to just take it easy. I started to not really care whether the line is connected to each other (which I usually do because it’s easier to bucket paint it), and hey, I really need to just let loose! As long as the overall impression of the image can be seen, that’s all that matters!

Drawing this comic helps me a lot with the previous GoYuu fancomic I made, "i keep the warmest truth" (you don't have to read if it's not to your taste). Yes, I make this at the same time as that comic. It was torture and fun at the same time haha.

Oh, another thing would be the crowd on page 4. At first, it was too much of a hassle so I was planning to just trace a crowd image I found. But in the end, I was like—it doesn’t need to be that detailed. Eventually I will need to learn to draw crowds, perspective, and stuff. So… yeah, I made it from scratch. It was unexpectedly quite fun, although I’m not that satisfied with the colouring. Oh well.

Overall, I finished this comic on a positive note. It was really fun, especially drawing Mob’s… uh… 100% state? On page 3? I’m not sure what that state is called, but I love playing around with the colour!

So yeah, if this crossover is your cup of tea, go give it a read! :D

#yuu's art #jjk-fic-fanart #jjk-gen #jujutsu kaisen #mob psycho 100 #jjk #mp100 #itadori yuuji #kageyama shigeo #shigeo #ryoumen sukuna #the boys meet #it was hype (for me)#y e s

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wuntrum · 6 months

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do you have any tips for an artist who wants to start making one off comics? i really enjoy your artistic direction and style of story telling so i’m very interested in your thoughts on it

yes, definitely!!

-read lots of comics! and a variety of them, too--both ones in the sort of genre/style you'd like to make, but also ones in completely different genres, lengths, places of origin, traditionally/indie/digitally published, simple to experimental formatting, etc

-in relation to the last one, if a comic you read really speaks to you, take some time to study some page layouts from that comic! how do the panels vary from page to page? how much space is the text taking up? what sort of "shots" (to borrow from cinematic language lol) are they using? these shouldn't be fancy, just little thumbnails, but i find it really helps. here's a few i did from a guest in the house by emily carroll

-start smalllll. its really important to build up your stamina, just like with any new sort of skill. if you wanna make a graphic novel thats 200+ pages long, you should make some comics that are 1, 20, 50 pages long and see them through to the end before taking on a super big project.

-this is related to the last point, but i think keeping your cast of characters small at first can also help build up your comic stamina. signals was the first longer comic i made, so i specifically really wanted to focus on just jeanne (and occasionally her parents and peers when they showed up)

-character sheets are helpful, but i also think the easiest way to start getting your characters drawn consistently is through actually drawing the comic! there's also gonna be panels where they look "off" or whatever, and its literally fine, i promise

-through the smaller comics, experiment with how you go about writing your story! theres no right or wrong way to write/plan out a story so, it takes some trial and error to figure out what will work best with your work flow. for me, i've found success in making a timeline of events for the story -> loosely guessing how many pages i'll need/want per section of the story -> freewriting (trying not to edit too much, just dumping all the words out) -> thumbnailing/loose sketching/editing text (all sort of happens in the same step; i find i need the layouts in front of me to understand what i need/don't need from the text i wrote) -> tight sketching -> final . but, if that flow doesn't work for you, try something else! i know a lot of comics people find success in writing a script first, with indications of page and panel-by-panel breakdowns

-take shortcuts often and without guilt. its a lot of work to make a comic! theres just a lot of drawings involved, that most people aren't gonna look at for very long! i especially recommend for infrequent/difficult things, like buildings or crowds or cars or bookcases, using some sort of 3d asset/brush to make your life easier. if you can reuse a drawing and change the crop/expression, do it!

-use some sort of tracker to track your progress on how many pages you've sketched/inked/finished. even if you don't have an external deadline, i think it's still good to give yourself some sort of timeline to work on (i recommend setting "ideal" goals and "realistic" goals, especially if you're working/still in school/etc). for signals, i used google sheets, because you can set up columns to be attached to little circle charts, so as you check off your progress, you can really easily see how much you've done/how much you have left to do (as i type this i highkey forget how i did that before, with signals, so...you might need to do some sheets experimentation to actually do this lol. but there's probably other trackers you can use too)

-understanding comics and making comics by scott mccloud are both great books, highly recommend them (easy to get second hand/from your library/🏴‍☠️)

-lastly, haveee funnnnn

#asks #art ref #and ty for the kind words i appreciate it <3

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seirindono · 24 days

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How do you happen to do your shading id you don't mind sharing? Its so subtle and soft that you can't tell its there but it really helps highlight the characters

Phew, finally got some time on my hand to answer this one! It's a fairly simple/fast process so I figured I'd make a tuto once I'd get started on the shading for the next part, and here we are!

Alright so, we've got the panel (lazy screenshots cuz I'll never finish this if I have to export everytime ahah)

The advantage of digital art is that I don't have to think about color harmonies right from the start, I can always add filters and fiddle with the hues at any stage, so I just apply base colors at first and draw the background (it will help me build up a palette for the shadows later).

Okay, now the fun really begins. First I need to know which direction my shadows are likely to go and what atmosphere I want for the panel (which element I want to highlight? palette idea? etc). A sketch is enough to establish your intentions. Sometimes I'll mess up the lighting but it's okay to cheat if it looks coherent enough xD

(Patreons exclusive, shhh)

Now to create palette and apply the said shadows. I have a hand made one for TMS, but I had to make a special one for Ebott since there's a lot bg and kinda heavier atmosphere (I'll prbly have to make one for each part frow now on too hm). It's mostly made up of blues and greens (no black or greys here, but it can be fun to use in other styles! Purple too, so have fun!)

(My configuration - Produit=multiply?)

There, cast shadows (clothes, faces, folds, etc.) are roughly in place and looking sharp! Maybe a little bit too sharp actually... Let's smooth all that up

I use an airbrush eraser to soften a few shadows. Not necessarily all of them or the whole shape, you have to find the right balance of soft/sharp.

Now to spice things up a bit-

On a layer linked to the shadow layer, I add a lighter color that matches my light source or the environnement. Here it's a light blue, but in part VII I used a lot of orange (sun)! It makes the shadow much richer and the whole palette more vibrant!

(Again, you don't have to do it on all of them)

(not sure if you can see it lol but there's orange!)

And last but not least: Global shadow and filters (? never had to name or translate it bwahaha)

It's a lot of fiddling to achieve a result where the character looks more or less rooted in the background (=blue layers and filters to harmonize colors) and where I draw the last shadows. They're often the biggest ones (=on Axe's body+ leaf/tree shadows etc.).

You can use the techniques I've described above, or just go for it, it's completely freewheeling from here, ahem. Just make sure to step back regularly to see where you're at and stop.

(You can also add lights layers and spots if it's too dark but in this example, I use the base color as a light layer + their skulls are such a bright white already xD )

A bit of blur and ta-da~

Pretty easy, right?

#ask #undertale #The missing scarf #txt #seirin talks #tuto #spoil #I hid the dialogues but let's be careful xD #it's an efficient technique for comics !

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sgrplmjnxxx · 5 months

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Hey fren, is there a possibility you could show us how you draw Fort Max’s big ass head? I struggle with the little overhang in the front - loveofbots

Waaa! Hello there! Im glad you asked and Im willingly here to help you with that!

Although,Im not a really an expert for tutorials. So please bear with me with some grammatical errors qwq

long post ahead!

Okay,so here it is: I. Angles and shapes

First off,you need to determine his head angle. I used some angles from the existing pics of Fort Max from MTMTE for this owo When you do,try to make a basic shape. In other words,draw a box. So when you draw a box,it should be look like 3D-ish like my illustration above. Fortress Maximus has a very Square-shaped individual and his head shape could vary in some angles and may inconsistent. (my brain is not brainging atm)

II. Drawing For drawing,now I picked the 3/4 angle because it's easy,lol.

I started sketching his head with a circle first and then proceed to add the box shape. The top of his head is not completely flat,but more like curved. But it won't be neccessary later on,I think? (It's just my liking when sketching tho qwq). Then you see a shaded part so it looks like 3D-ish,and I added a jawline and neck.

Next,drawing his face and neck. It didn't go the way the base looks like,but you could overlap on some areas if you needed to (such as chin,jawline,forehead,etc..). Btw,you can use the lasso tool and transform tool to adjust the angle for you liking.

Then,you draw a slightly elevated angular square for his brim.(similar to this lego piece,lmao). Also,you can add his side thingy-stuff (ii have no idea what are those called). I preferrably draw those things angular,but you can draw it straight up a rectangle and more easier.

Then add that little thing in the middle like most every cybertronian have. Again,repeat the same "Slightly elevated angular square" but its now a triangle-rectangle hybrid.

Also,try to make it look like buried within the brim. (It still depends on you if you want it on top or look pushed down)

I erased some of his forehead and jawline. And Ta-Da! This looks cursed af,but we're getting there! Final step is to add his antlers or horns.

I finally added his horns/antlers! his horns/antlers could vary in shapes too! some examples seen on the lower right,but ive seen more than that!

keep in mind that to flip/mirror the canvas if you drawing those so you can be aware if it looks weird

Add that smol half square between his helm and antlers

and we're almost done! added some details too You can also add those "shadows" on his eyes,like in the idw comics. Max eyes looks a bit small and weird,but it can be fix by erasing some parts to make his eyes looks better.

Finallly...Done!

I made some few minor adjustments for my liking.

I hope you find this tutorial helpful,this is my first ever tutorial i made. It may not be 100% percent accurate,but you get some ideas. Also,I really appreaciate that you asked me for this and it makes me very happy!

Also some bonus side profiles sketch i made last week or so:

Fort max,Inferno and Red alert

my brain is not entirely functioning since i woke up middle of the night and,decided to make a tutorial instead of staring in the darkness qwq

#ask #general-gh0st #tutorial #transformers #idw #maccadam #mtmte #lostlight #fortress maximus

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fanged-cotl · 8 months

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Haunted House - Narinder PMV

youtube

↓Process below!!↓

So this project was inspired by a warrior cats YCH animation to the same song I saw on twitter while having a panic attack, A BIT WILD of an inspiration but like- the song resonates with me, and calmed me down. I ALSO LOVE CENTAUR WORLD. Listening to the voice and lyrics I was like oh Nari NEEDS to sing this. I knew I wasn't cut out for fully animating just yet so I decided to storyboard a PMV.

Then I created color-guides so I had something to color-pick, and reference for outfits:

I quickly designed Narinder's bishop outfit based off of one of his follower outfits. He's unaffected by the chains in this design, so he has no scars, his arms are not rotting, his black skin isn't fading, and his eyes aren't worn with tiredness. I then edited the colors a bit to match the tone (with a filter, lazy I know but idk color theory)

I took each frame from the PMV and started a re-enforced sketch.

After making this I was unsure if I wanted to go line-less, colored sketch, or fully lined art. I ended up really liking the line-less art I did for the color guides (which was made with the selection tool) and started coloring underneath all my sketches.

Here I made the quick decision to merge the sketch layer ontop of his rotted arms, so they would have more depth. Especially since each arm is colliding with the other, I wanted the limbs to stand out as their own individual 3D objects and not become a giant black mass. Then i added some atmospheric gradients after coloring.

You see, gradients don't render very well on videos. It wasn't too bad in one of my test renders, but I wasn't going to risk extra youtube compression or anything else ruining the art quality. That's why you see all the texture in the final. It's just me lightly running along the drawings with textured smudge brushes and a little bit of spray brush.

The backgrounds ALL had this texture with Overlay layer setting on it to tie things together. (I made this texture with the same brushes I blend with)

I made the sparks move by layering transparent pngs together, [sparks > narinder > more sparks behind him > bakcground] and made like, 2 keyframes on the sparks in order to make them slide around. (To those who don't know adobe premiere: WHAT I DID LOT EASIER THAN U THINK, LIKE VERY EASY LOL)

And lastly, for those who want to make projects like these, I recommend you make a folder for it. I just hate doing it for some reason and then my desktop screen looks like this xD

#cult of the lamb #cotl #cult of the lamb pmv #cult of the lamb video #cotl animation #cotl pmv #cotl narinder #cotl the one who waits #cotl au #narinder #the one who waits #toww #cotl toww #cotl bishops #cotl heket #cotl leshy #cotl kallamar #cotl shamura #cult of the lamb youtube

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beelsnack · 7 months

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Back in the Saddle - Obey Me! Boys and an MC Who is Overcoming a Depressive Episode

Hyper-specific coping mechanisms? On my blog? It's more likely than you think.

(Just kidding that's like the whole reason I started the blog in the first place lol)

I'll be honest, I'm not caught up on the games at all. I got like 2 chapters into Nightbringer before the rhythm games gave me sensory overload. But they're still my emotional support demons and I'm still going to write about them on my silly little blog. Enjoy!

May make a part 2 with the other characters, this one was getting kind of long.

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Lucifer: The music room had always been one of the few places that Lucifer could seek solace from the chaos that seemed to follow him. Most of his brothers had no desire to practice an instrument, and those who did tended to want to do it on their own, so if he was there, they tended to avoid the area. He had come to expect the room to be empty when he arrived there.

So seeing the human hunched over the grand piano threw him off a bit.

He knew they played the piano - it had been in their paperwork when they first came to the Devildom. They played quite frequently before, taking comfort in the familiar feeling of the ivory keys when the strangeness of their new home got to be too much. But something in recent months stopped them, and he didn’t have the faintest idea what. They hadn’t been very forthcoming about their mental state, and Lucifer didn’t want to pry.

Well, actually, he did want to pry, but each time he asked, they got more and more irritated and withdrawn from him, and that stung just as much as not being able to help.

They were making considerably more mistakes than they had before, likely due to a lack of practice, but Lucifer could see a bit of their old spark returning to their eyes as muscle memory took over. They were playing an ost from a human world show, something slow and soothing that they played often. Perhaps it was a trick of the light, but Lucifer thought he could see the beginnings of a smile on their face.

Before he quite knew what he was doing, he had silently made his way over to them. His shadow fell over the keys, and they jumped in shock. They whipped around so fast he was worried that they would twist something. “Lucifer?!”

“Don’t stop on my account, my dear,” he smiled gently at them, perching himself on the bench next to them. “It’s been so long since I’ve heard you play, won’t you indulge me a little?”

Mammon: It was just a little doodle.

Borrowing the human's notes was a pretty common occurrence for Mammon. If he even remembered to take notes, they were sparse at best and incomprehensible at worst. He had just wanted to take a picture of them at first but the human insisted he write them himself.

"We don't need to make it too easy for Lucifer to tell you don't pay attention," had been there reasoning, but Mammon wasn't going to turn down some alone time with them. Even if it was in the library.

When the human had presented their notebook to him, his eyes had immediately gone to the little drawing in the corner. It wasn't very detailed, more like random scribbles that eventually morphed into a flower and some stars. When they had first come to the Devildom, their notebooks had been absolutely filled with doodles and drawings, ranging from rudimentary shapes and shading to full-on sketches in the margins. They claimed it helped them focus, so Mammon had been a little concerned when the drawings had dwindled to nothing.

"What are you smiling at?"

Mammon jumped, heat creeping up his neck as he realized he had been caught. "Nothin'!"

He glanced back at the drawings, wishing he had his shades to hide behind. "...I missed the doodles, is all."

Leviathan: Right.

Left.

…Alright, the coast was clear. Sighing softly in relief, Levi emerged fully from his room and made his way downstairs. Most of the residents went their separate ways after dinner, and he knew for a fact Beel had his Fangol game so the kitchen should be free.

Levi stuck his hand in his pants pocket to make sure the folded square of paper was still there. One of his favorite Deviltubers are done a video recreating various dishes from different anime, but Levi just had to try them as well. But any sort of attempt at baking was doomed to fail if Beelzebub was in the house, so as much as Levi had wanted to jump right in as soon as he had seen the video, this excursion needed careful planning.

He was feeling rather hopeful until he got to the kitchen and saw the light on.

Defeated, he was about to turn around and head back into his inner sanctum to await his next opportunity before he realized that the shadow moving along the wall was far too small to be Beel.

Quietly, carefully, he poked his head around the corner and peered into the kitchen. There, in an old t-shirt with an apron tied around their waist, was the human scooping flour out of a bag.

Either he made some sort of noise or they just felt his presence. They turned around, looking startled for a moment before regaining their composure and grinning sheepishly at him. “Hey, Levi, what’s up?”

Levi blinked owlishly at them for a second. “Uh, well…”

The human’s baked goods had quickly become treasure in the House of Lamentation when they first arrived for the exchange program. It had been their passion, but something happened somewhere to tamp out the gleeful little spark they had whenever they were trying out a new recipe. But, like a storm passing, that light was beginning to peek through the dark clouds.

“Levi?” they asked, cocking their head at him like a confused puppy. “You alright?”

“I-I’m fine!” Levi had to physically shake himself out of his train of thought. “You-you’re baking something?”

“Mm-hm,” they hummed, turning back to the counter to glance at the recipe on their phone. “I was really in the mood for some chocolate cake.”

Chocolate cake wasn’t one of the recipes on his list, but seeing them passionate about something again made him forget about his whole mission. “Do you…want some help?”

Satan: Someone was humming.

Satan had thought he was alone in RAD’s library. Very rarely did students venture here at this hour, and his brothers were causing suck a ruckus back at the house that he hadn’t been able to focus on his book even shut within his room. And now someone was being annoying here.

His already short fuse was slowly but surely reaching the end, and he slammed his book shut with a bit more force than necessary. He would get his quiet time or there would be blood.

The perpetrator was somewhere in the fiction section, it sounded like, and Satan rounded the corner of the shelves like a predator sniffing out its prey. Finally, after a few moments of following the sound, he caught sight of another person. He stopped at the beginning of the aisle, mouth already open in a snarl to scold whoever had the balls to -

“Oh, Satan, hi!”

He deflated like someone had poked a hole in him. Of all of the people he thought he would encounter, the human had been very low on the list. Recently, they barely left their room except to go to class or eat. Usually if he wanted to spend time with them he had to gently coax them out into the open like one would entice a cat with treats.

Satan cleared his throat. “Well, this is unexpected.”

The human had their arms full of books. Quite the assortment, too. A thriller, a book about previous kings on the Devildom, what appeared to be some sort of romance manga and an autobiography of a well-known witch.

“I ran out of things to read,” they shrugged, looking away. “Went through everything I had at least twice.”

“You know,” Satan walked over and took two of the books out of their arms - they always got irritated when he took everything, like a stubborn kitten, so letting them hold on to something would preserve their dignity. “You can always come to me if you want recommendations.”

Asmodeus: “Hey, Asmo?”

There were only a few people who were brave and/or stupid enough to go into Asmo’s room without knocking. Not because he would be angry or anything, but one never knew what kind of salacious activities would be going on in there and it was better for all involved if there was some warning before opening the door to Asmo’s den of debauchery.

“Hello, darling!” Asmo chirped, beckoning the human inside. They were lucky, he had just gotten out of the bath and was in the middle of his skin care routine. “What’s up?”

“Do you have anything for eye bags?” they asked, poking idly at the puffy skin beneath their eyes. It was clear that their mental health hadn’t been in top condition lately, their stress written in the dullness of their skin and drawn across the acne that dotted their face. But Asmo knew better than anyone that pointing out someone’s physical flaws did nothing for self-esteem, so he hadn’t said anything.

“Of course!” he grinned, scooting over a bit to give them some room on his vanity stool. “Skin care is self-care, darling, glad to see you treating yourself.”

The human sat down next to him, and now that they were closer Asmo could tell just how drained they were. They sat with their shoulders slumped, and they had an air of exhaustion about them.

“Oh, dear, haven’t you been sleeping well?” he asked, reaching over to pick up a small tub of cream. “Sleep is extremely important, you know. I’m a hot mess without my beauty sleep.”

“Really?” they quirked an eyebrow at him.

“Emphasis on hot,” he giggled, dabbing his fingertip into the cream. “Now, hold still for me, darling, wouldn’t want to poke your eyes out~”

Beelzebub: Beel had grown to like the quietness of the gym in the morning.

He was one of the few demons who had the diligence to work out every morning, and the ones who did make it a daily habit tended to leave each other alone to work on their own things. Everyone knew each other there, to the point where they each had their own spot where they left their stuff and there was an unspoken rule that nobody touched anyone else’s belongings.

It was also an unspoken rule that anyone who tried would get eaten by Beelzebub but he tried not to think too hard about that one. He still felt kind of guilty about it.

Muscle memory took him over to the bench by the weights where he usually set his things down, and he was in the process of sliding his gym bag off of his shoulder when he realized that there was another bag there that he didn’t immediately recognize. He stared at it for a moment, trying to see if he could figure out who the owner was until he got close enough to smell it.

Usually gym-bag-smell wasn’t something he would actively seek out, let alone find enticing, but he would recognize that scent anywhere. It was the human’s.

Sure enough, when he turned around, there they were, stretching in front of the weight bench. It had been…Beel didn’t even know how long it had been since he had seen them in the gym. They used to go quite frequently. Not enough to call themself a gym rat, but they kept up with their fitness pretty well. Until they didn’t.

Beel hadn’t wanted to pry, but he had been worried about them when they stopped working out. He could tell they were suffering physically from it as well - whatever had stopped them from exercising had also stopped them from taking care of their body in general, and he could tell by the weakness in their arms and the dragging of their feet that they weren’t at the top of their game.

He called out their name as he approached them. “You’re here.”

They jumped, eyes wild before they realized who was talking to them, and they shot him a sheepish grin. “Oh, hey, Beel.”

“You haven’t worked out in a while,” Beel stated matter-of-factly before smiling warmly at them. “It’s good to see you here again.”

“Ah, yeah,” they mumbled, looking away. “Kind of…lost my momentum for a bit, I guess. But!” they perked up. “I’m back at it!”

“Good. That’s good.” Beel dropped his bag next to theirs on the bench. “Want me to spot you?”

Belphegor: He was trying to stay awake this time, honest.

Belphie didn’t exactly have the best track record for showing up to class, much less managing to remain conscious for it. Lucifer had been nagging him lately about his attendance, but he was always nagging him about something. No, the real winner of the annoying yet effective big brother olympics was Mammon, who had looked Belphie dead in the eye and said “I bet you couldn’t show up to class for a whole week if you tried.”

And Belphegor was nothing if not a stubborn asshole.

Although, the dare was about going to class, not staying awake, so technically he could snag a nap and Mammon couldn’t say any -

Belphie’s eyelids snapped open - he hadn’t even realized he had closed them - when something small and bright blue landed on the desk in front of him. It took a moment for him to refocus, but when he did he noticed that a small folded paper star had bounced in front of him.

He raised an eyebrow before turning to look at the human, who was sitting a few seats away from him looking too innocent for them not to be the culprit.

“Can I help you?” he muttered.

“Wakey-wakey, Belphie,” they grinned back at him. They had surrounded themself with a myriad of different-colored paper stars, something Belphie hadn’t seen them do in quite a long time. They had claimed that keeping their hands busy helped them focus during class, and even outside of class they were usually doing some sort of origami project. But at some point, they had stopped. Maybe someone had pointed it out to them, maybe something happened to make them depressed, he didn’t know. But he had kind of missed seeing their little army of paper animals.

“Can you make a fox?”

#obey me #obey me shall we date #obey me mammon #obey me belphegor #obey me leviathan #obey me belphie #obey me levi #obey me beelzebub #obey me beel #obey me lucifer #obey me asmodeus #obey me asmo #obey me satan

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