Knowing that Link dives after Zelda with NO way to realistically save them both kills me but not as much as knowing Link is forcefully saved by the ancient hand and he isn’t able to reach Zelda in time
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"#imagine talking about someone behind their back and not facing consequences?" Penelope talked about everyone behind their backs, though. It would break my heart if someone treated her that coldly for it. I don't think her or Colin deserve that.
oh 100% but. but it's such a complicated situation as penelope is basically like a gossip. she's a modern day journalist who takes information and portrays it as we see in modern day in tabloids and click-baits. it's her one source of income, it's how she makes her voice heard, and it's her footmark in the world. BUT!!! it has consequences, dire consequences resulting in screwing over friends, family, alike. but this is the world she lives in. everyone in bridgerton will screw over their own friends and family to get wealth, power, love, sex, and status. it's just the way it is. it's how it was.
in the books, it's not as loud when it's announced. however, that's the books, and not the show. the show needs dramatics so when it eventually does come out that penelope is lady whistledown it will be very dramatic, possibly cold, and there will be resentment over her. but that's where colin will come into it and he's going to make damn sure that this doesn't backfire onto her and he'll do his best to protect her.
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why is pete wentz important to me?? like him, i was a non white kid who grew up in a very white neighborhood in the chicagoland area and it was exhausting and isolating and so so so lonely it could make your teeth hurt. like him, i’m bipolar and no one has ever quite gotten close to describing what my highs and lows are like, but he’s the only one who has gotten close. (do you know what it's like being so so so manic and you know you're not okay and everything rushes around you and you feel like you're on top of the world but you know it's all a lie? an illusion? do you know what it feels like to plummet down so so so so deep and dark and there's nothing but you and that gaping ache inside of you, reminding you just how hollow and fake you are?) like him, i grew up enthralled and obsessed with rock, punk, the hardcore scene of chicago, and there was nothing and no one there for people like me and people who looked like me in a place and sound that i loved more than anything on earth. i saw him reflected in me and in the most non creepy parasocial way possible, he has been one of the most incredible influences of my life. maybe even one of the possible sunshines of my lifetime for all he is still a stranger to me, and i to him.
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Also I super appreciate the support you've given for my ask box!! I doubt it'll be as big as yours but I'm excited to get the ball rolling >w<
Have a nice day and don't push yourself too hard ^^
YEAH!!!!! OF COURSE!!!!! Its so exciting to see!!! I hope you have fun with it lol ^_^ its great character exercise!!!
& You too!!!! :-)
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Hi there, cake :D
You don’t understand how long i wanted to ask you this, but how on earth did you get so good at drawing robots??? Like the way you draw v1 and v2 and sometimes other machines are just so ✨✨✨✨ Like i rly wanna try and get good at drawing machines but y’know,,, they’re hard :( So i was just wondering if you had tips or suggestions on how to get good at robots :]
Also, I would ask a million billion questions about your interpretations of the Ultrakill cast or the Fallen au, but everyone else stole the cool questions already ;u;
I just really enjoy your interpretation of both Gabriel and v1 ,,
-🌟
waauauuughghghgh thank you so much!!!! i will say upfront that i'm self-taught, so i might not have the best tips or the right technique, but i can tell you what works for me personally!! honestly i didn't really draw robots/machines like this before getting into ultrakill, with a lot of my art before this centered on human characters. but really, when you look at how v1/v2 are structured, they're not that different from humanoid anatomy, especially once you remove their wingpacks. so honestly? when i rough in v1/v2, i just rough in a regular human shape for the most part because that comes much more naturally to me as an artist. additionally, i don't try to make myself use sharp angles and hard lines - some artists are INCREDIBLE at making them look super machine-like and industrial with particular attention to their proper mechanics which i absolutely love aesthetically and greatly admire, but i'm no good at it! so i use much more organic lines and skirt the rules of how a robot would be able to move and bend. like if you look at a lot of my pieces closely, you can see that i'll bend their hands in a way that doesn't square with hard metal, or i have their arms positioned in a way their construction wouldn't seem to allow. so i think of them and draw them actually much more like an evangelion with flexible bodies and organic shapes.
and since visuals would help a lot here, i do have a couple older asks detailing how i draw the head and body for v1/v2 - i've changed my style a bit since then, but the steps are exactly the same as i draw them now! heads are here and bodies are here!
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Just had an obedience run through practice yesterday. Both for Utility and Open, stashed rewards and everything.
She was SOLID. I think we have shook off the rust from our winter break and she is ready to go. Great on gloves, did great sends to the article piles and was straight for fronts!
My friend, who is an ASCA judge, acted as a judge and told me she wouldn't have taken points off for a handful of exercises. (Keeping in mind that ASCA judges tend to be more lenient)
If Aayla pulls off performances like that this weekend there is a good chance we will actually come home with some OTCH points.
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