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pla-teau · 3 years

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WANDAVISION EPISODE 6 THOUGHTS

SPOILERS AHEAD. YOU’VE BEEN WARNED!

GOOD GOD I HAVE A LOT OF THOUGHTS

GIF NOT MINE

pietro maximoff as ‘himself’ | in the opening credits, pietro is introduced as playing himself? this just made me more suspicious about him and who he really is. it’s like wanda (since she’s the one broadcasting her show) trying to convince us, and herself, that this is her dead brother.

billy talking to us | i know tommy talks to the camera at the beginning for a brief minute but it’s mainly billy talking. i think this was a hint at his incoming powers. plus, in promo trailers for the ‘modern family’ episode, wanda’s the one talking to the camera. i bet we’ll see the kids talk to the camera in that episode but i just find it interesting that billy’s the one leading us through the beginning of the episode. plus, in rewatching the episode, pietro seems to be aware of billy talking to us and reacts to when billy talks about vision and wanda’s relationship going through a rough patch.

haydick hayward’s an ass | there’s no denying that hayward has something up his suspicious ass. first with showing the footage of wanda stealing vision’s body. then, putting in a missile and planning on killing wanda. yea, the five years were hard for everyone - no one’s denying it but there’s just something that isn’t right. we clearly see that he’s hiding something when darcy finds a file of sorts that only hayward can see and that he’s been able to track vision without telling the team. either he’s got a personal vendetta or he’s covering for something more sinister. personally, i think he’s just pissed that wanda, one of the most powerful beings in the universe, took away vision’s body when he needed it to create more weapons and whatever else he was planning. i wanted monica to punch him in the throat when he told her it was better that she wasn’t around when her mom died. bless monica for keeping her cool.

wanda’s interaction with herb | their brief interaction makes me believe that herb is just as aware as agnes (if she happens to be a victim in all this and not agatha harkness) about what’s happening. we got a hint about it in episode 3 when he tried to tell vision what geraldine’s purpose in westview was. we see him mimic agnes from the previous episode when he asks wanda if there’s anything she wants changed. he looks to her the same way agnes did when she was thrown off script. both these times involve vision throwing everything off. vision’s the one that’s been off script from the beginning of the episode this time around instead of after a weird event.

residents being in a loop or immobile | as vision gets farther from wanda and explores westview, it’s evident that there’s something off about the people. we get that shot of the woman and presumably her husband stuck in a time loop of hanging decorations and putting a pumpkin on the front steps. the woman not only sheds a tear but her hands look purplish presumably because of the cold or being stuck doing the same task for god knows how long. clearly, the woman’s in pain and is aware that she can’t break free. as vision gets closer to the loop, residents are completely immobile and stuck wherever they stand. it’s eerie and further proves that this may be wanda’s doing and wherever she is, it’s easy for the residents to be active or for her to control those near her. it could also mean that the closer you are to the hex’s border, that you become immobile as you’re farther removed from the fantasy life wanda has created.

yo-magic commercial | by far the creepiest and most disturbing commercial in the series. i’ve seen people theorize that this commercial is referring to wanda’s detainment on the raft in civil war. it would make sense since the yogurt could represent wanda’s powers and opening the lid should be simple and easy, just like using your powers. on the raft, wanda was detained with a straitjacket and a collar on her neck so she couldn’t use her magic. the island could represent the raft since it was in the ocean. ‘yo-magic, the snack for survivors’ could represent wanda being a survivor in many instances: strücker’s experiments, the battle of sokovia and the lagos incident.

pietro’s ‘part’ | when wanda questions pietro, he gets defensive about how he’s just trying to do his part: come unexpectedly, create tension with vision, stir up trouble with the twins, and ultimately give wanda grief. grief holding a double meaning. obviously, pietro did bring wanda grief when he died in 2015 but it also means to cause trouble which he has done since his arrival to westview. whenever wanda questions him about their childhood or tries to trip him up, pietro retorts with a question or makes rather meta remarks about westview.

the details are fuzzy | the comment pietro makes after a moment of silence between them. he claims he got shot in the middle of the street and next thing he knew wanda was calling her. i think when ‘pietro’ was brought into the westview reality, his memories mixed with those of wanda’s pietro or skewed them at least - it’s probably why things seem hazy to him and can see that wanda doesn’t believe him to be the pietro she remembers. pietro knows he looks different to wanda and it’s like a comment to us because even though pietro only appeared in one movie with wanda - we the audience know he’s not the same actor. this could also be mephisto really mind tripping wanda because she would remember what her brother looked like but the memories are remembered differently. enough to keep her on edge with him and make her suspect but not want to because he also says “i knew you needed me” no stranger would say that right? of course, siblings and family can tell when another member needs them. this episode really makes you laugh at pietro’s antics but go down a rabbit hole with every line he says.

the hex’s effects on people | when darcy explains to monica that her cells have been greatly affected by her entrance and departure from the hex, it doesn’t seem like monica is surprised. maybe this is hinting that monica already has her powers or simply mean that she’s putting on a poker face to hide her fear (or astonishment) at wanda’s level of power. it’s interesting to see if wanda’s gonna be responsible for birthing some mutants or at least awakening the x gene if it hasn’t already. does it mean that anyone can simply leave or that if you leave, you’ll come out with serious side effects that are possibly life threatening? monica states at the end that she’s seen cells in remission which makes me believe that this is hinting at the x gene. we’ve seen what the hex does once you go in, but what happens if an ordinary westview resident leaves?

agnes and vision | we see agnes in her car supposedly leaving town or as she claims, she got ‘lost’. when vision takes her out of her trance, agnes seems shaken and even questions if she’s dead. she also seems to confirm that wanda is the one controlling everyone because she doesn’t even let them think about leaving westview. we see more of where vision’s memory stands because he doesn’t remember (or know) that he was an avenger and that he died (twice). when she says that all is lost, she quickly starts laughing maniacally like a witch. this again makes me think that agnes knows more than anyone what’s going on. assessing what she got from vision, she’s probably laughing because it’s amazing to her that wanda’s gotten so powerful and maybe everything is going according to plan - she just possibly couldn’t overcome wanda’s control and only has a heightened awareness of the situation. there’s no mention of ralph this episode and you would think she’d bring along her husband to leave and go to her desired destination in town. i don’t know, i still think she’s got an ulterior motive and plays a bigger part in all of this.

the twins’ conversation | after sharing a sweet moment, pietro quickly calls out the obvious - the kids. only in episode 3 did children finally come into the show through billy and tommy. now, for halloween, all the kids are out and enjoying halloween. pietro, like rapid fire, remarks that wanda probably kept them peacefully asleep in their beds and didn’t wake them until now for the “occasional holiday episode cameo” so as not to traumatize them even more since she’s always been the “empathetic twin”. he seems to know that this is all in a television reality which gives him even more awareness than any other supporting character we’ve met so far. he even goes into assessing (and somewhat praising?) wanda’s handling of this whole westview reality as ethically possible. he knows that wanda wouldn’t rewrite everything: couples and families stay together and personalities aren’t far off from what they are. with this, it heavily hints that this isn’t the pietro we’ve known in the mcu or the peter from the x-men universe. to me, this furthers the point that this ‘pietro’ is just a puppet for whoever is behind all this (or just a multiverse version of piet) since he seems more impressed than anything by wanda’s powers. also, he’s been the only one to ask what we’ve all been thinking since the first episode: how the hell did wanda do this? once again, wanda doesn’t remember how all of it started which still makes me thinks she was probably taken advantage of by someone and earlier in the episode when recounting a childhood memory, pietro comments that she’s probably suppressed the trauma hence why she doesn’t remember it the same way. at the end, this could all be wanda’s doing due to her feeling so alone and grieving that she may have suppressed that memory of how this all started.

pietro’s corpse | again, us the audience and wanda are reminded that this universe’s pietro is dead. it’s another person closest to wanda that isn’t alive - harking back to her comment about feeling so alone and endless nothingness. this may just be that when wanda lets her guard down and is possibly at peace with a situation, this one being of her accepting that this is the pietro that’s going to be her brother that sticks with her moving forward, she’s reminded of the truth - none of it is real and she can’t bring them back.

vision’s breakout from the hex | as we’ve seen in promos, vision is able to break through the hex. what we were hit with was vision nearly getting killed...again. it seems that he can’t live beyond the hex either due to him just being parts when wanda recovered him or because wanda won’t let him go. either way, vision can’t live outside of westview. it physically seems like wanda can’t let him go because as he steps out of the hex and is being torn apart, the hex looks like it’s trying to pull him back into it. i know the hex was wanda’s doing but this physically makes it seem as if wanda can’t let him go and is holding him back. it’s kind of true because since vision became more aware, he’s been breaking away from wanda and she’s been trying to keep him in place and on script so that they can be happy together. in their fight in the previous episode, she says that all of this is for them as to say that everything she’s doing is for their happiness. it’s a twisted way of showing how vision can’t live without wanda since it seems that she’s the one keeping him alive.

wanda expanding the hex | wanda’s clearly gotten more powerful over the years and this episode really shows us how fucking powerful she is on her own. it’s hysterical that the base and the most of the agents are turned into circus acts such as clowns. i’ll admit i’m upset darcy got sucked in and not hayward. i’m very interested to see who monica’s guy on the outside is. with wanda expanding the hex, it’s becoming more evident that wanda may be the ‘villain’ of the show or if there is someone else behind all of this, we may not see them until multiverse of madness. still, i believe wanda is victim in some capacity - even if it means she’s fallen victim to her trauma and grief.

#wandavision #wandavision spoilers #scar’s theories #scar tries to piece together what she can each week #wanda maximoff #pietro maximoff #peter maximoff #vision #mcu #marvel #monica rambeau #jimmy woo #darcy lewis #billy kaplan #tommy shepard #speed #wiccan

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thereadersmuse · 3 years

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Same anon: So I'm obsessed with how they're portraying the gods in this series. it's SO GOOD and feels so authentic and like it's not just a gimmick. I believe the plot so whole heartedly of "there's an ancient evil in this town and the gods are being called upon once more to save humanity". And like I'm stuck between believing that Magne and Laurits were destined to be the reincarnation of Thor & Loki, or if they just happened to fit the bill enough and they were chosen like it seems that Harry/Tyr was chosen (because Iman picked him, not because he was destined for it). What do you think? Were Magne and Laurits born to fulfill these roles or are they simply conduits for the gods?

I am going to be honest, I was never much into the Marvel stuff when it came to Thor and Loki and such. The movies were good and fine but I haven't watched them again. Meanwhile, I have watched some of the episodes of "Ragnarok" multiple times and rewatched many scenes more times than I want to admit to. I think you hit the nail on the head when you say it feels like an 'authentic and non-gimmicky' representation of the original myth/folklore/religion.

In the global climate crisis we find ourselves in, it feels so real and valid to have the premise of this show being what you mentioned. The world has gone down the shitter because humans are dumb and greedy and the Giants are making it all worse because it is maybe in their job description? Idk? Either way, the Old Gods are awakening or being reborn to try and bring back some balance. Which is an entire mood.

I would support Magne shitting a hammer on any big industry executive's doorstep any day.

The question about if Magne, Laurits & co are the reincarnations of Thor, Loki and the other Gods or proxies the Old God's chose is such a good one to ponder and it is kinda driving me insane because there is evidence for both...I think?

I mean, this is just my opinion, but I have taken the general thought process that Magne (for example), is Thor. But he is Thor in this moment in history, in this time, in this place. Having experienced a childhood and everything that came with his development until he returned to Edda.

I think it was the mirror scene in 1x03 that did it for me.

Because you saw Thor, the old Thor, looking back at Magne.

And there was a different sort of sameness to that look.

Thor was staring at Magne.

I wish I could put that scene into words, because there didn't seem to be judgement in Thor's eyes. He was just...looking. Like he wasn't shocked at what he saw. Just accepting. Meanwhile Laurits and Loki's mirror interaction looked like Loki wanted to chacha out of the mirror and use Laurit's mouth for target practice with his own mouth.

Which...is all really in character tbh.

I see Magne as Thor reincarnated. But with Thor being tempered by Magne. Magne is still Magne, but now he has Thor's abilities and a slow tease of old memories. He never stops being Magne. And in that same way, you can almost see Thor as he was in the old times being a grown up Magne in that environment. Only in modern times, Magne's wrath is always softer in it's quest for justice than Thor's wrath and ruin was. Magne will kill you, but only if you force his hand. He wants justice. Thor, I feel would kill you and consider it justice. There is agency in Magne's actions. Occasionally Thor is very present, I feel like the sex scene with Saxa was a good example. The part of him that is Thor remembers this in some way. And that scene showed how some things came to him as instinct.

I need season three like oxygen tbh.

Keep the asks coming if you want! I love talking about this show!

#netflix ragnarok #magne seier #laurits seier #ragnarok netflix #magne x saxa

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nozomijoestar · 3 years

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Some words on KumiRei since I’m in another Hibike renaissance and can give time to how I feel I don’t agree 100% with any major camps on how its perceived in the anime though I do consider it romantic

First off I believe KumiRei is not only romantic as a WLW, but both characters are aware of this romantic nature they don’t show anyone else, they are not in full denial nor are they just friends- instead its a complex weave of the two, and they act accordingly

Neither do I believe either is heterosexual but rather Bisexual (Reina) and questioning Lesbian (Kumiko)

I’m drawing from deeply personal experience on it which is part of why I think this way regarding them so in saying that I think the issue is people are too used to formulas when viewing media, if A is seen as true then it must lead to B then C and maybe D and so on, but while I’ve been guilty of the same I think that’s a limiting way to view/engage with art, love doesn’t have to follow the old They confess, Everything is fine in the end, They get married, They have babies etc. path

There’s nothing wrong with liking that concept but when you fixate on holding something to a rigid standard of expectations, then you’re missing other perspectives and bigger pictures, you’re kinda locking yourself away from accepting life is made of lives not just your own, experiences not just your own, and how you choose to deal with those lives and yours (See only the tree, miss the forest and so on)

Hibike! is a show dedicated to human interpretation and expression in all of its characters and their intricate relationships so applying formulas to it to me is inherently missing the point to paint it as something its not trying to be (and reading it as strictly heterosexual is ignorance of an lgbt perspective)

All of that out the way and being said, every Kumiko and Reina interaction is a progression of romance that has the complication of being between two girls in a contemporary setting; every word, every silence, every touch or look is framed as openness for two people who’s entire foundation is struggling to find a place among humanity and peers and even initially toward each other, they have a defined separation between how they see themselves as together, as one, with a completeness they show others only in shades, so that every gesture they make as people with others has consideration they practiced and established first between each other, they are the genesis for a measure of each other’s overall humanity

Kumiko shoots higher because she sees Reina live it; Reina humbles her pride for empathy because she saw Kumiko try it, the list goes on and has been said by many- Kumiko is Kumiko near Reina and Reina is Reina near Kumiko, no gimmicks no tricks no hung up reservations on trust like there is with others, they simply are together and that is so hard to achieve, to be understood

People get caught up on Reina’s unreciprocated (thank god jsdifsj Edit: i rewatched the scene where Kumiko tells Reina she's rooting for her after learning Taki's wife died and I love the sentiment but that's still fuckin gross and I'd really like the entire Taki crush situation squashed completely in S3 whatever form it takes- I get they're teenagers so they don't know better and that kinda thing does happen (I know from personal experience even) but it's still wrong) feelings for Taki-sensei as they do the Shūichi + Kumiko situation then think that means KyoAni has no concept of homosexuality for not depicting the expected formula cishet couples (and Yuri as an exploitative genre) depict rather than remember that for now and for most including myself lgbt relationships are not part of the accepted normal and so can't be compared nor should they be expected to integrate in the exact same way to be valid- and Kumiko and Reina themselves seem to operate on knowing this which lends them an air of sadness to a degree because they can't (for Kumiko and her CompHet/Side that dislikes upsetting people which I feel lead her to accept then leave Shūichi's romantic interest even more so because in the end being in love with him isn't who she is and walking away there is growth on her part) be their entire selves and act in more intimate ways on their homosexuality than they already are

They know their closeness is special to them, their attraction is special, they know it's not how they treat other friends, and they know by how they keep treating each other that it's a level of romance especially in the way they say This is a confession of love not just in having said such a thing, they're not in denial enough to stop being as they are together but they are struggling to reconcile and build on how they see their other relationships which includes the men in their life and social expectation given their lgbt sides in their identities, not just because the series treats them as people but because they're teenagers (I feel like people forget they're kids all the time), and no teenager ever has all of themselves sorted out at their age even more than most adults, teens should be allowed to safely explore what the hell the world and other people mean for them to discover themselves and that's what I think is happening

When I was their age I didn't consciously realize my best friend was the love of my life since we were 11 in my eyes because of denial and fear to act on it or take a chance on my intensity being reciprocated, instead I loved her more than I loved myself while still having crushes and being in love with other girls all the time- even as she and I had what I felt was the same level of intimacy, love, and openness, we even entertained the idea of growing up to live together and it was only as an adult that I finally looked back and saw what she told me she already knew about me being in love

Reina and Kumiko canonically mull over the idea that they'd be separated as time goes on, and I think the observation shouldn't be When will they be a couple but rather They're too scared of going all the way as a couple for life to pull the rug from under them, they are for now in love and guarding it, preserving it with the last bit of distance they possess in themselves, and the question is when will they be comfortable enough to not need that fear

Human relationships are complicated and multilayered and can never be fully defined by set order and if the show accepts that then it's how I want to see it

#kumirei #hibike! euphonium

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heathneycanon · 3 years

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reasons why phobia factor fucking slaps

ok this lowkey just turned into me rambling abt phobia factor while i rewatched it. putting it under a read more bc it’s super long lmao

like, the entire first five minutes are the campers being friendly to each other?? and vulnerable, to a degree??? you know i love that shit

courtney and trent?? talk to each other?? like. okay they’re never in the same frame together unfortunately, but they do have like, two whole back and forth conversations.

also in that campfire scene at the beginning, cody and trent are sitting next to each other and there are some. good screencaps

“exSQUEEZE me?!” like cody. ur such a dork omfg

duncan vulnerability hours

lindsay asks what a standee is and trent explains it and doesn’t mock her/isn’t annoyed with her at all, in contrast to a lot of the other campers interacting with lindsay. i love them as friends SO much u all have no idea

harold’s little scene with the ninjas. i love him sm. why does he have nunchucks with him when he goes to the bathroom??

leshawna is afraid of spiders and she runs away screaming from. chef wearing a spider suit??? like i don’t love spiders but if a man i knew wearing a spider costume was calmly walking toward me i wouldn’t react the same way as i would to a real spider. anyway i think this is hilarious.

season one heather vulnerability hours.....

i mean, i really wish they’d actually shown her talking abt her fear at the campfire, rather than just having it told by gwen in the confessional, but i get why they did that. regardless that one scene right before the sumo wrestler charges at her where she’s literally shaking.... i want to give her a hug

side note i hope the sumo wrestler is okay he hit his head quite a few times

ok so. trent accidentally leaving gwen buried underground because he’s getting chased by a mime isn’t like. a sweet gwent moment. but it is one of their interactions that i remember most vividly from tdi lmfao

what is a cute gwent moment is trent like. kneeling next to her while chris is burying her. and the face he makes at chris when he jokes abt not digging her up..... i love them sm

also gwen sounds so fucking dramatic when they close the box she’s in like. “goodbye cruel world” gwen ur being buried for 5 minutes ur not dying sdfjlafskj i love her

duncan hyping dj up before he picks up the snake is so cute?? like he’s clapping for him and he’s got what i call “adorable duncan face” which is where his eyes are full circles and he’s smiling. i can remember him making this face at courtney, dj, and alejandro throughout the series and it’s just. ugh loving soft duncan hours

“ah! it blinked” “it means she likes you” sadie where are u getting this information

okay so i googled if this was true and the result i got was “snakes can’t blink” so first of all i have no clue where sadie pulled that fact from and i have even less of an idea of where chris got that fucking. blinking snake from. is that even a snake??

when dj picks up the snake and they all hype him up?????? i love the killer bass so much it’s unreal

more cute gwent moments... gwen and trent talking on the walkie talkies.. they’re so cute

when the mime pops up behind trent and he does that little scream.... it’s loving trent hours u guys

trent is so bothered by a mime literally just. being a mime. me too trent. me too.

duncan and the celine dion music store standee.... everything abt that scene

"DUDE SHE’S MADE OF CARDBOARD” tyler i love you

courtney genuinely saying that it’s okay if he can’t do it (when she was being harsh to dj about the snake earlier..... duncney is so good in tdi u guys)

and then theY HOLD HANDS GUYSSSS IM SOFT FOR THEM

and THAT is what gives duncan the encouragement he needs to go for it?? they’re so good.

his “okay, okay” right before going for it... duncan’s voice acting is so good in this episode omfg

THE MUSIC THAT PLAYS WHEN HE HUGS THE STANDEE AND THEN EVERYONE CHEERING ITS SUCH A GOOD SCENE

THE DUNCNEY HUG

“duncan, you’re awesome!” and the look of shock on his face at both the fact that he did it and that courtney’s hugging him...... have i mentioned i love duncney yet?? bc i do

i can’t believe i used to dislike duncney omfg

then when courtney realizes that she’s hugging him and steps back jafksdfjlsa she’s so cute

and then the rest of the bass come over and hype duncan up more like. i love how supportive they all are in this episode!!

trent is so excited when he finally gets the mime to leave him alone fakjldjfl like he didn’t have to ROAST the dude. but he did.

chris somehow owns a remote control hail cloud?

lindsay getting excited about the “baby cloud” and calling it over?? she’s so cute omfg

trent fucking. hates geoff. gwent has geoffphobia in tdi ig

when they dig up gwen and she throws the walkie talkie at his head but he doesn’t stop smiling..... your honor i love them

owen and izzy getting out of the plane and kissing the ground together..... adorable.

cody with a fucking. watermelon on his head and covered in trash scares bridgette out of the woods. that will never not be funny to me

THAT ONE FUCKING SCENE. WHERE SADIE AND LINDSAY HYPE EACH OTHER UP. THAT MAY BE ONE OF MY FAVORITE SCENES IN THE ENTIRE SERIES. I LOVE THEM SM

the only bad thing abt this ep- tyler should have gotten the fucking point. he completed the challenge. i love courtney, but realistically, she should have gone home this ep and tyler should have stayed.

bridgette hyping tyler up...... im soft they should be friends

“quit being such a girl” courtney im sorry but the only reason you’re still in the game rn is because ezekiel made sexist comments in episode one. what are u saying lmfao

tyler and heather’s reactions to their fears rly make me think. bc like. most of the other campers have a more outward, loud reaction, maybe scream and run away. a couple are just a little wigged out. gwen gets a little snippy and is clearly super freaked out as well. but tyler and heather just. completely shut down. like, curled up in a ball, nonverbal, and shaking. makes u think.

why did cody need a calculator to figure out that the score was 7/3....... cody is canon lgbt+ bc he can’t do basic math without a calculator confirmed

also regardless of how little sense that made. at least that screencap gave us commie cody

when gwen starts trying to psych courtney out and heather like. gasps and looks shocked..... i like to think that heather feels a little bad for courtney here. heathney real.

duncan and bridgette hyping courtney up..... i love the killer bass so much omfg

courtney looks so sad when she walks away from the jelly.......

and then in the confessional right after?? she’s like. crying a little bit :( and she’s beating herself up abt it like..... :( courtney no

LITERALLY she’s like “how could i be so weak” “i deserve to go home” “you’re pathetic” (to herself) and then tells herself to show some confidence and then. she just starts crying again. and then slaps herself?? GOD I FUCKING LOVE COURTNEY SHE’S SO HARD ON HERSELF

owen just. hangin out in the tub of jelly. i love u, u wild dude. fuckin sit in that green jelly. loving owen hours

the little look that courtney and tyler give each other when they’re the last two without marshmallows..... half solidarity half “i don’t want to be the one going home”. i love them sm :(

i KNOW i said this earlier but. tyler should NOT have gone home this episode!!!!!! only bad thing abt this ep

all the fuckin chicken puns are a little bit funny tho

“he won’t be flying high tonight” bridgette chickens can’t fly

when courtney goes “okay, that’s enough” like. tyler’s not even there at this point but she’s defending him. maybe it’s because she still feels she should have gone home instead? maybe it’s because of that little bit of solidarity she felt for him when they were the final two without a marshmallow? maybe i’m reading too much into this? but idk. i think it’s sweet

okay no i have another complaint. what the fuck was the whole boat ride for tyler?? like when sadie gets eliminated the surprise she gets is that katie is on the boat. when tyler is on the boat, CRYING, after literally none of his teammates came to see him off, after he LITERALLY COMPLETED THE CHALLENGE BUT DIDN’T GET CREDIT FOR IT. the fucking. CHICKENS POP OUT?????? tyler deserved better

also some of the challenges were a lot easier, or at the very least, harder to fail than others this ep. i love it but come on. lindsay and sadie vs like. gwen vs owen and izzy vs dj. there were very different time limits, actual fright level, ability to back out once they were doing the challenge.... not a fair challenge

also uhm. if we’re being technical tyler and heather had the exact same reaction to their fears, so why did heather get a point and tyler didn’t? if the chicken had run at him, would he have won? smh

i do love this episode so much but. i had a couple complaints

okay finally lindsay’s little confessional to tyler where she blows him a kiss.... they’re so adorable lyler rights!!

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rwbyconversations · 3 years

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RWBY Volume 7 Review

Two weeks out from Volume 8 and I finally cared enough to write this. Go team I guess.

Part of it came down to my feelings on Volume 7. It’s a complicated season that’s made me realize a lot of my overall feelings on RWBY as a series, particularly a lot of the less flattering feelings. Volume 7 is just... frustrating in general, as for all the good that it does have, and it does have a lot of great elements to it, it’s let down by a frustrating script and writing choices that feel distinctly amateurish, especially as the series moves on and gets better and better looking each year. There’s elements and kernals here of great character writing, season-wide arcs that land in a really good way and get me emotionally invested in the characters. But on the other... Ren only has two hundred words the entire season and you can tell!

Volume 7 is a season of dizzying highs, some of the best moments of the entire franchise... and some of the series lows. It’s a season where there’s no production reason for its shortcomings... it just comes down to an awkward script that focuses on the wrong elements far too often. Let’s talk about that. In a very long and drawn out manner.

Thanks to @jamesbranwen, @h-e-m-o-goblin and @retro-riffraff for help with GIFs and consultation on this review.

1) The Good Stuff!

A) Atlas is very pretty!

I cannot stress enough how on a set level, Volume 7 is leaps and bounds above the other seasons in sheer environmental detail and setting dressing. Mantle has a great atmosphere with its New York influences, the smog covered backgrounds and oppressive streets and alleys. Ironwood’s office which is deliberately designed to evoke astronomy themes to represent James’ love for the stars. The cold oppressive atmosphere of the Schnee Manor and how Jacques has begun warping it to glorify him with only lip service paid to Nicholas in public. Penguins!

There’s a lot of great set design work that went into this season and the crew deserve props for it. Genuinely.

B) Ironwood’s arc is the best character arc in the entire franchise

Yeah just wearing my heart on my sleeve there, I fucking love Ironwood and his character arc here in Volume 7 is the best written arc of the show. I simp for the tin man who just wants to do the right thing. This one season of content is better than a lot of the series-wide material being honest. I went back to James’s big volumes in the last month to rewatch the show and it’s interesting to see the early seeds in retrospect for where his arc goes. His need to protect everyone he can and the brutish measures he considers necessary for such an act, his conflicting loyalties towards Ozpin that manifest in both frustration at Oz’s seeming apathy to the growing conflict, but also desperate desire for validation from Ozpin that what’s he doing is the right call. After the Mistral seasons set up James as going off the deep end following Volume 3, having him open the season with an earnest smile, an immediate apology for the team’s arrest and trusting them with his plans for Amity and Salem is a jarring but pleasant surprise. He’s not been slacking off, he’s been trying to keep the world together in the way he thinks is best. He lets his guard down around the heroes and we see the good man underneath, which makes the moments where he raises his walls hurt all the more. While Em and Merc are still probably my favorite characters period, James is absolutely my favorite character in Volume 7 and Top 5 favorite characters series-wide. I’m very eager to see where he goes from here. He also rocks the beard and fixed his T-Rex arms so James came out of the washing machine that is Volume 7′s costume design. He truly is the Best Boi, and I cannot give Jason Rose enough credit for his performance this year. He hit every note of Ironwood’s character perfectly and I wish the fandom would give him more credit for giving James as much life as he does.

Oh, and as the obligatory comment on mlm rep that I am known for getting obsessively weird anon hate over: IronQrow hug nearly had me crying on a convention floor from how goddamn soft it was. Remember conventions? Ah good times.

This just... hits me... ya know? Seeing him lower his guard so much to come in for a hug just shows how isolated he’s let himself become to let himself have this moment of contact... Godamnit James. Also this is the second time after Martial Arcs that two guys hug and I really liked their ship for the following hiatus.

C) Soft Qrow hours are nice

Qrow’s a good guy, he went through a lot of bad stuff in Volume 6 but now he’s on the other side and purged his voice of the demon within. I think Volume 7 was a very good year for Qrow overall. It was great to see him interacting with more characters his age and lowering his own guard. His moments of letting the facade drop around James and Clover especially are great expansion for his character. Jason Liebritch hit the ground running as Qrow and gave him a far more dynamic range than I think Vic could. While I wish Qrow going off alcohol had been given more of a focus as it’s kind of done off-handedly that he’s gone cold turkey and otherwise doesn’t get brought up barring his revulsion at the wine in the Schnee Manor, he overall had a great year. And trust me I’ll get to the fights later, I have a lot more I can say about the bird boi there.

D) I liked the Ace Ops!

I was ambivilent towards the Ace Ops on first watching. They’re kinda underdeveloped in the context of the season at large and most people immediately pegged them as a miniboss squad/fodder for Salem to kill. But in rewatch they do still get to shine, if not as brightly. They’re very enjoyable. Clover especially is just really fun in retrospect, I love cocky fighters in general, and he was infectiously enjoyable (I’ve already covered the FG stuff in the past, not doing it again). Marrow came a close second because... well it’s Marrow, he is The Best Boi. Harriet got points for being a punchgirl which is always cool, I liked how her Semblance was shown and being cocky while being able to back it up is always a win. Elm and Vine are tied for dead last, I like the body diversity Elm introduces with her muscles and Vine... existed... but overall I think with the time they had, they did get to establish themselves well. I wish I could say that about their relationship with Team RWBYORNJ but this is the Nice Section so we’ll leave it there for now.

This is one of the best shots of the entire season. I adore it. God I like the Teryx design.

E) God the villains rocked this year!

I am a villain whore. I own that. I will embrace that monkier. But when they’re as cool as this, I feel validated in this Chilli’s tonight. Watts and Tyrian really make the season shine and don’t have a dud scene all season. They have great chemistry together, shining bright in even the weakest or most mediocre episodes. Watts went from “Oh yeah you exist” tier to “Oh yeah you rule” tier. His vendetta against Ironwood feels so real and pre-established, even though this season is the first time it’s ever come up. Watts just ozzes style in everything he does. The animators bring him to life and make every step, every flick of his twist and even just how he moves his eyes all bleed contempt. He’s such a rat and I love him! Chris Sabat finally gets to stretch his wings after a few years playing Watts as just Evil Scientist Guy, and he makes the most of it.

And Tyrian remains an absolute treat. He didn’t get much in V6 but here he takes center stage with Watts and also gets so much impact because of it. All the little twitches, and tilting of his heads, and dramatic gestures, he’s still just so goddamn cool to watch and we even get a little backstory of him. I know he’s irredeemable. But I just want to watch Tyrian kill people and scream. Like hot damn his line “THE GRIMM SHOULD HAVE DESTROYED OUR ENEMIES, NOT MADE THEM FRIENDS!” is so fucking raw. He’s having fun destablizing a nation with his boyfriend!

“You want more chaos than a Grimm invasion?” “If anyone on Remannt can do it, wouldn’t it be you?” There is no heterosexual explanation for how these two look at each other and yes this is me outing myself as a Nuts and Volts fan.

Watts and Tyrian really do become the absolute highlights of the season alongside James. They have a great dynamic and even during their more slower moments there’s so much care and thought put into their every mannerism. Animators, seriously, great job, I love what you did. And their fights... we’ll get there. But they’re so goddamn good.

Look they even run the same! They’re soulmates!

Honorary mention to Salem by the way. She’s only in two scenes but her presence is felt throughout Ironwood’s arc and his growing fear of her and she damn well delivers when she shows up. That shot of her arriving in person is a killer shot to end on as well.

Oh and I guess Cinder and Neo exist don’t they? Eh, we’ll come back to them.

F) Oscar got a character arc!

Finally! He did it! He got an arc that began, continued and ended all onscreen! It only took four tries!

But yeah Oscar had a really good set of scenes in Volume 7. I like him being the first to confront Ruby on the Ironwood lie, bringing up the hypocrisy after their condemning of Ozpin just last season. I like him having a more forward role (outside of not getting to be part of the celebration in episode 4 what the hell guys), and that he’s the big link between RWBY and Ironwood was a great call. Having Ozpin shelved for one more season so Oscar can take center-stage was an inspired choice. I love his dynamic with Ironwood, and how James closing himself off emotionally gets reflected in how he begins slipping in how he refers to Oscar, starting off as treating him and Oz as separate, ending with him gunning Oscar down as he doesn’t care anymore to differentiate the two.

My big issues with Oscar’s arc are that I’m first of all annoyed at the lack of followup on the Oscar stuff from V6, I’m still waiting for Qrow to apologize for punching Oscar guys! I also really wish Neo’s first attack wasn’t offscreen. CRWBY’s cliffhanger fetish meant I got to break out the Offscreen Pine jokes again. And of course, the Neo hallway punch was a bit bullshit.

G) (Most of) The fights are amazing

There’s no punchline. These fights are great, two of them are in my Top 10 Series Wide fights list and at least the duds aren’t Volume 5 bad.

If you’d told me before Volume 7 that Watts would get an extended firefight with James, I’d have felt that a bit cheap as Watts to me doesn’t feel like a fighter, more a planner who hides behind armies of mechanical soldiers. But damn if they didn’t sell me on Watts “You’ve yeed your last haw” Watts whipping out a Glock just to spite James.

This is another one of my favorite shots in the entire series.

Ironwood vs Watts is potentially my favorite fight in the entire series, and if it’s not, it’s easy Top 3 alongside Yang vs Mercury and Pyrrha vs CRDL/Mercury. It makes great use of Amity in the abandoned gravity biome meant for SSSN vs JNPR, with Ironwood and Watts deftly moving around in a manner that very easily could have been difficult to track with the constantly shifting gravity, but the crew do their best to keep it coherent as to who’s where. The credits showed their dedication also stretched into visual continuity, as James and Arthur’s route throughout the Arena was carefully considered so they’d loop around organically.

This is what I mean when I say the crew went above and beyond to keep things clean.

Ironwood vs Watts could have easily failed to impress, given its lack of choreography on the level the series usually does, but the team’s efforts went instead into showing a situation that lets Watts get a dragged out battle: James wins whenever he closes the distance here, so Arthur’s constantly on the run and being forced to tamper with the arena. Great camerawork, a GOD TIER song from Caleb Hyles that I’m still listening to today, and two characters with a fantastic history coming to blows makes for easily the best fight of the season and a series-wide highlight. Watching it develop from storyboards, to mocap, to animations and the full version is a delight to see. This is what CRWBY can do when everything comes togehter. The orchestra’s all tuned. It’s a goddamn symphony.

THIS is my favorite shot of the season.

Tyrian also gets to shine with his two battles this year. His alley fight with Qrow, Robyn and Clover is short but sweet, the corvid and the scorpion especially trading brutal blows in the cramped space. Qrow goes full Devil May Cry with his style-switching here, Harbinger being swapped between sword, tonfa and gun forms freely alongside Qrow applying The Power of Punching. His 1v1v1 with Clover and Qrow though is the true highlight of the season in terms of choreography. It’s lighting-fast, and has some impeccable shot work. Qrow gets to use his scythe with deliberate nods to the Red Trailer, Clover gets to shut up everyone who doubted his weapon, and Tyrian is just along for the ride and he makes the most of it. It’s frentic, it’s heart-pounding, it’s everything a fight should be.

Honorary mentions as well go to Ace Ops vs the Geist, which is just really fun and has a great backing music choice, the opening battle with Sabre having Ruby’s obligatory ten seconds of fighting that come at the start of every new era of the series, and the Ace Ops vs RWBY fight which has some good choreo in places.

H) Winter and Penny have good chemistry

I don’t have a ton to add here, I just like their dynamic and how they advance each other’s arcs. It’s nice writing. I also like Winter apologizing to Penny when she’s angry at Jacques and takes it out on Penny by accident with the “You wouldn’t understand” line.

Penny as a Maiden is a nice idea, I think her new design is cute. Penny says trans rights.

Those are a lot of my favorite things about Volume 7. It’s a killer season when it’s firing on all cylinders but unfortunately... it often misfires in frustrating ways, many of which are unfortunately due to core emblematic problems with the series that won’t go away.

2) The Bad Stuff

A) The costumes

It’s been a over year. It’s low hanging fruit. I don’t care. Most of them are still not good and they’re ludicrously over-designed.

Blake’s in a fetish suit and I wonder how she even goes to the bathroom. Weiss just looks like an abino Sabre alt, Yang is what a Halloween costume site would describe as “Sexy UPS Driver,” (why does she have a thigh window) Ruby... looks fine, it’s one of her better costumes. Jaune’s hair is silly, Ren’s model has lost some muscle definition and he looks like an e-boy, Nora’s costume really doesn’t fit the Atlas visual design and looks like a rejected Kingdom Hearts costume. Cinder’s is too black and I actually can’t track her in darker scenes because of it (which is kinda bad during... a fight scene... where I need to know where she is...), Neo looks like a Ren Fair cosplayer doing a bit for her OnlyFans, Winter’s is anatomically weird with super skinny arms and legs, and Blake’s hair is a fucking hate crime.

Qrow’s is one I liked at first but in retrospect it does feel like a downgrade. To quote @h-e-m-o-goblin from a Discord chat:

in a show like rwby, where color is such a vital defining aspect of every character, a cohesive colorscheme goes a long way. qrow's original outfit works great in this regard. neutral tones. greys, whites, and blacks, with red accents that pop against the otherwise sparse color. it's good! it's distinctive! it doesn't feel cluttered and it doesn't look like a clown vomited on him! the subdued colors really lend themselves to the grey, cynical energy qrow seems to carry with him. a literal lack of color in his life. the outfit itself feels like something he would wear; a combination of "clearly trying to look cool" and "a little disheveled and laid back." the design breathes, it isn't cluttered. let's contrast this with his vol 7 outfit. a lot of outfits in vol 7 suffer from this problem, but first and foremost it doesn't look like something he would wear. where his old outfit had a casual feel to it, his new look feels like someone dressed him up for a family christmas dinner. it's too... tidy. now of course you could argue this is him "cleaning up his life," but i dont feel like you have to sacrifice his own personal style in order to convey that. if that's really what they were going for, they easily could have just, oh i dont know, given him a cape that isn't tattered???

remember how i said qrow's original outfit really made his colors pop? how less is more when it comes to having a character with a specific color theme? vol 7 butchered that. we suddenly have articles of clothes that are tinted with greenish blue tones, browns, and with gold trim? on TOP of the old colors he already had in his design. it's muddy. it's ugly. the burgundy vest is fine, if they wanted to work more color into his outfit they should have done it that way throughout, shades of grey and different tones of RED. his COLOR. it just feels like they tacked so much on there without a second thought and i really think he deserves better. its just. such a mess.

The ones I did like were Watts’ new coat (I like the puffy hood), Penny’s is fine, the Ace Ops look great, Ironwood’s new outfit is stellar (those last six are great examples of how to do a lot with just primary colors of white and red), Neon’s Jolyne cosplay is cute and Flynt is slick. Otherwise, Volume 7 feels like it’s taken a lot of the wrong lessons from the costume design of the earlier seasons. Less is often more but now it feels like they have a pathological aversion to empty space on the costumes, leading them to feel like... costume vomit for lack of a better word. I didn’t love the Mistral outfits, but their modifications at least were carried by how many of them called back to the Fall of Beacon and emphasized the themes of loss in Volume 4. The new Atlas outfits... don’t have that shared theme. It feels like a hodgepodge of different design influences without trying to find a way to unify them. It’s like putting Baki the Grappler beside My Little Pony, they just fail to mesh.

Also for fuck’s sake already CRWBY just give the girls muscles already.

2) JNR suck and Ren’s arc is glorified character assassination

I don’t love JNR. They’re fine, but the show has arguably not needed them for a while and while I’ve liked them all at different points, it’s never been adoration outside of Ren in Volume 4. I was cool with the idea of them staying in Argus to help cover Mistral after its Huntsmen were wiped out, and Volume 7 has... made me wish they did that.

Jaune is just comic relief, and it kinda blows for later reasons but the big one is that he’s just not very funny. His big role in Volume 7 is basically to crosswalk some kids so we can have a joke scene during the Mantle Battle where Jaune uses his tactical genius to teach people to walk in single file. I feel like at this point Miles is just actively trying to kill Jaune’s fandom out of spite for how badly Jaundice was received. He’s never allowed to be cool or try and redeem himself. His hatedom aren’t going to stop hating Jaune because he gets more comedy guys. They’re going to stop when you write Jaune well. It’s a bummer he got some genuinely great upgrades for his sword and shield and never gets to use them outside of the opening.

Nora exists. She got a surprising amount of focus this season in that she got focus of any kind. I liked her confronting Ironwood over his choking of Mantle because we know she was once the kind of person Ironwood would have been stifling. I like her being the one to realize the loophole in Jinn’s “You can’t” line. I don’t like much else about Nora this year, or at least the Nora the writing team are pushing. She’s not funny like Jaune but Nora just absorbs so much screentime in the first half with her constant shrieking. Sam Ireland has good range but making Nora into Discount Harley Quinn is pushing her out of it. She sounds shrill, making Nora sound like she has no heart outside of the election rally. A shrill voice is one thing. A shrill voice that never lands a single joke? Yeah that character is tainted by association.

And Ren... oh God Ren what happened to you.

The Volume 7 commentary confirmed a suspicion of mine that Ren’s arc was heavily cut down from what was planned. Even watching V7 I could tell his arc was bare-bones at best, and it’s downright character assassination in places. Why is he suddenly so cold to Nora? Why is he now so obsessed with training? Why does he side with Ironwood for all of... one line which is this last between episodes 7 and 11. Ren only has two hundred words of dialoge in Volume 7 and they feel so weird in places. Ren goes from seemingly disliking Nora, to kissing her, to never referencing the kiss, to partaking in the Worst Scene Of The Season, all with no consistency. It’s not even threadbare. Ren’s arc just has no connecting tissue for so much of it! It’s insane how badly Ren was hurt by this, and I shudder to wonder how bad his Volume 8 arc will be because you know that was one of the first plotlines they cut down on when they inevitably overreached again.

I don’t know how they made Renora kissing feel unearned? But by God they found a way with how much of a trainwreck Ren’s writing is in regards to tainting this.

If Ironwood is an example of RWBY doing character writing well, Ren is the mirror image of how badly they can do. JNR really suffered from Volume 7 (also fun fact, Ren has about 200 words of dialogue? Ironwood has 4400). Maybe not to the level of irredeemable dislike? But very close to being on the same tier as Cinder of “Just go away already.” I’m not looking forward to their content in Volume 8.

3) RWBY themselves are poorly handled in Volume 7

It’s unfortunate that the actual title characters of the series are also some of this season’s weaker links. RWBY feel... superfluous to this season in a way they’ve never felt before. It’s baffling how much of the season doesn’t change if you just don’t include them, and apparently Volume 7′s first draft? Was even worse.

The commentary says that many of the RWBY moments were added later in production. Stuff like Ruby and Renora at the rally, Blake and Yang’s talk with Robyn and Ruby and Qrow’s chat were all either added in near the end of the writing or were “low priority” enough that they could have been cut which is... veyr alarming that’s stuff even the main protags have to worry about!

Ruby feels half-baked. I was looking forward to her in V7 after how V6 gave her a more dynamic personality and the focus she got in Brunswick, and having Penny’s return had me interested in seeing Ruby grapple with her emotions about it. She watched Penny die, how would it influence her to see Penny back and OK? Good question, we never get to see it. Ruby’s just OK with Penny’s return, the one time they touch on it Penny immediately glosses over it. Ruby just goes back to her old happy go lucky persona where any and all negative emotions are immediately forced down instead of confronting them and growing from them. I’m getting a little tired of Ruby bottling her grief and being teased about finally getting her snapping like a Twix Bar. We finally got her crying and it lasted all of ten seconds. And it doesn’t help that Ruby’s still getting shafted for fights. Her scythe choreography has no excuse being as flacid as it is now after Qrow vs Clover showed they can do scythe fighting! Why is Ruby being upstaged by (let’s be real) a supporting character! Why is she being limited to ten seconds of good combat then nothing for the rest of the season outside of flimsily swinging it or shooting. It’s disappointing, especially after how good V6 Ruby was.

I swear, Gravity’s not just my favorite episode of the season just because Ruby finally cries in it.

Weiss was kinda just done dirty though. At least Ruby has a good outfit. Weiss confronting her father has been a long standing plot thread for the series, it’s been Weiss’s Big Thing since the White Trailer. And when Jacques finally appears, he’s very... bland. He’s just evil corporate dude who exists less as an obstacle for Weiss and more just a roadblock for the plot through the election. Weiss finally gets a chance to take her father down and work to redeem her family name... but instead of earning said victory and it being treated with the same gravitas and emotional weight as Blake defeating Adam... Weiss has her victory handed to her. And it’s played for comedy by her abusrdly attractive mother.

Listen, I like I Willow Schnee. I think she’s a fascinating character and I like the idea of a person who is aware of the harm they’ve done by accident but is too broken to fix the issues she accidentally left. I love her calling Weiss out on her treatment of Whitley. But she is absolutely a Deus Ex Machina that exists to get Jacques out of the plot as fast as possible. You mean to tell me Hackerman Watts never once made sure Jacques had hidden cameras? Or that none of the staff found Willow’s cameras and reported them under the assumption they were White Fang spies? It’s so... convenient. It’s handing Weiss her victory on an unearned platter. Which sucks. I was really looking forward to Weiss beating Jacques. Instead she just gets given the plot device while JNR engage in the Worst Scene of The Season in that Whitley food stunt.

Me whenever I’m asked to rewatch Cordially Invited

Blake and Yang have much the same problems, in they never separate. I know they’re going to be together. I know CRWBY are making it canon (get it over with already). I still would like Yang and Blake to have individual character scenes. I’d like Blake and Marrow to talk about being a Faunus Huntsman in Atlas (another thing that got cut thanks to Robyn Hill). I want Yang and Ironwood to discuss their PTSD and have Yang thank Ironwood for his trust in her that he commissioned the arm despite Yang attacking Mercury. I want Blake to be well animated in fight scenes so she’s doing more than just jobbing so Yang looks better. I want Yang to stop hogging all the good Team RWBY choeography. I want them to interact with other characters and continue to grow instead of feeling like two halves of one character. And no, making a meta joke of how Blake and Yang don’t talk to other people doesn’t make it OK. It just means you’re self aware about your own faults.

(Also give Yang better merch or quit the favoritism. If you’re gonna milk her, put effort into it beyond crapply overpriced flannel. RT’s merch store is actively making me hate Yang.)

Team RWBY’s biggest contribution to the season is the Ironwood Lie which is... a can of worms. They certainly had a point in withholding some of the bigger truths from James but I feel by Pomp and Cirumstance he’d proven himself truthwrothy enough to warrant being told the truth about Salem. But then when he’s finally told the truth, it’s offscreen’d and the consequence isn’t “Why didn’t you tell me earlier” but “Fucking Ozpin man.” Gravity has it bite them in the ass, but it’s more an accessory to Yang and Blake telling Robyn about the Amity tower. I wish more had been done with the team disagreeing on whether the lie was a good choice or not, maybe have Yang be hardline against it due to her own “No more lies and half truths” policy instead of... having Yang tell more lies and half truths (Commentary confirms she never told Ruby and Weiss about the Robyn stuff BTW). But that’s a wider problem where RWBY aren’t allowed to disagree beyond surface level “I don’t know if this is the right call” dialogue. There’s never a threat of one of them cracking and just spilling the beans to James, everyone just blindly trusts Ruby and Qrow tells the audience “No this is different from when Ozpin lied. Trust us.”

This is the most RWBY get for content in the season finale: Ruby just nuking Cinder with no difficulty after having trouble with the eyes three episodes ago. Kinda lame tbh.

Team RWBY are just disappointing in Volume 7. They’re not given good animation, their story roles are largely insignificant, the impact of their roles on the story is threadbare and... well most of their costumes suck don’t @ me even CRWBY have admitted Blake and Weiss’s haircuts looked bad. It’s a whole barrage of a letdown for the main girls. And it’s really sad that the best scenes of the season... are usually the ones where RWBY are nowhere in sight.

Why the hell didn’t Yang get to keep the sunglasses come on guys. One job.

4) Robyn, the election plot, and the Happy Huntresses

Oh God, Robyn Hill is... not great. I could and likely will write a full meta on her character and how they bungled it but I’ll just be blunt here: I don’t like her design, the colors don’t mesh well, he head’s too small, Christina Vee is sleeping through the role and her weapon’s lame. Introducing her in a scene where she threatens to attack our heroes, and her agents are actively sneaking up on them to do it, is not a great first impression for a hometown hero. And that the commentary thinks she’s meant to be the hero in that scene is... staggering.

RWBY’s greatest threat yet is a wine mom Karen and her Home Owners Association army.

The election plot is less a misfire and more the engine just exploding. There’s so little good content between when it’s introduced and concluded, with it usually being individual scenes that are more good in spite of their connection to the plot (such as Tyrian’s massacre). It drags in pacing, going on for nearly half the season between episodes 5 and 10, and it purely exists as a roadblock to keep RWBY spinning their wheels while Watts and Tyrian keep going with the main plot. I don’t know why CRWBY went for this plot. They could have easily had something else fill the gap that also allowed for a lot of the character beats (such as Marrow and Blake’s talk and Ren’s entire arc) to shine, or at least condensed it to the important elements instead of letting it become bloated. It ends in such an unsatisfying way where Willow just shows up and goes “We have four episode left, here’s the plot device to beat Jacques, get back ot the main plot.” If they wanted to do the election plot, the best route would have been to give Volume 7 more episodes or stretch out its events to two seasons, but neither is realistically possible while RWBY lives off the teat of AT&T.

Jacques and Robyn are just boring. Evil corporate man and a lame adaptation of Robyn Hood who only has fans because of thirst who also like downplaying Robyn making a racist remark at Marrow (to say nothing of that weird subsection of Robyn fans who make her a Fox Faunus who cut her tail off to join Atlas Academy which is... certainly a creative choice especially when Marrow and Neon are punching holes in that angsty BS backstory). They can’t carry this plot and the artifical attempts to make it seem more exciting with the two cliffhaners ending on Mantle under riot or Grimm attack are laughably cut short by the next episode in each case opening the morning after. On binge watch it becomes weirdly funny more than anything and that’s not a good reaction. The dual cliffhangers being cheaply resolved is a short but succint example of V7′s pacing issues, and they almost always loop around to the election plot being too bloated, slow and just boring.

Also the Happy Huntresses are just... lame. I like their Semblances but that’s it. Fiona’s OK because she gets some screentime but May’s just “the surly one” and Joanna doesn’t even get her Semblance or much dialogue (oh wow she really is just a female Sage Ayana isn’t she). Robyn should not have been leading the HH and running for Council. That’s really stupid. And kind of wrong. Having May or Fiona be running instead while Robyn leads the team in relief efforts would have been better and could have split the focus more effeciently instead of leaving May and especially Joanna feelng like roster padding. There’s also some delicious irony in the show trying to frame the HH as the resistance fighting for the people and representing individuality, only for them all to have the same boring outfit and weapons (I think even the exact same model just with different sizes) while the Ace Ops are meant to be the military drones who are “Just following orders,” only for them to be more racially diverse, more diverse body-type-wise, and have more unique weapons. It’s another one of those odd creative dissconnects between what the writers wanted and what the artists/animation teams chose to do.

The election plot is overall toxin for Volume 7, and Robyn in my opinion, has one of the worst introductory scenes of any character in the franchise (and CRWBY have tacitly admitted that V7 had a character they were surprised at how controversial they were, which has to be Robyn). In a year where they were already juggling so much content and characters, adding in this bloated subplot was something I don’t think anyone wanted, especially now that we know we lost so much content on the sacrificial altar for this. It’s a black mark on the season and I don’t really care for the return of the Happy Huntresses or Robyn in Volume 8. None of them are interesting enough to care for outside of meta reasons like “cute.”

Also fuck you Fiona, can’t believe you got a shirt before Ironwood.

5) Cinder and Neo sure exist

To be fair, this is one of Cinder’s best years, easily her best since Volume 3 but that’s more because Cinder in the Mistral era was crap. (And if I wanna be cruel, because Cinder wasn’t in two thirds of the season)Her fans were finally vindicated after years of telling anyone who dunked on Cinder that “nooooo she has a super covert backstory that’s gonna be amazing when it’s revealed! You’ll see!” And well they finally got it. All of one line during a fight about how Cinder “refuses to starve.”

It’s still something so I guess we have to take it. Seriously... how do we still not have Cinder’s backstory.

There’s just not a ton to say about Cinder and Neo in V7 barring I that don’t think they needed to be here. They feel very superfluous and just here to have a big boss fight in Cinder’s case alongside continuing her streak of ending the odd numbered seasons fighting a female side character... which for me became an exercise in tyring to find during Cinder during the damn fight.

And this is why when most people saw Cinder’s V6 outfit they went “It’s gonna be hard to see her in darker environments,” then were vindicated when it became legit difficult to see Cinder in this scene. God if they at least just made the inside of the cape red it’d be easier.

Neo is Neo, which means she makes funny faces and mocks Cinder (I like that), but she doesn’t get a super good fight which uh... we’ll get to. I’m interested to see her finally exploding at Cinder and going for a backstab, but really Neo in V7 was kinda hit hard by the double whammy of the Oscar Hallway Punch and how humiliating ORNJ vs Neo was for ORNJ. Cinder’s definitely had far worse years and after how aimless she was in Mistral this feels like a sep in the right direction, but at this point CRWBY just need to shut up and tell us her deal. It’s been seven years guys. Come on. At least make her interesting if she’s gonna say around. They’ve had worse years, but unfortunately Cinder and Neo’s role in the finale leads into...

6) Some of the fights weren’t good

I wanna be clear, I like most of Volume 7′s fights. It’s just a bummer the worst ones are back and back and make up a chunk of the finale. ORNJ vs Neo is just crap. It’s the worst fight since the Battle of Haven. There’s nothing else I can say, it’s poorly animated, paced, choreographed and written. JNR especially are made to look like complete jokes after they spent all season training, to the point where it looks like V2 Yang could solo V7 JNR after this. Oscar I expect this from because he’s not allowed to have fun stuff onscreen after accidentally stealing the Haven budget for his fight with Hazel, but JNR were just done dirty. There were ways to make the fight work in a way where Neo still won but JNR looked good. They went for the worst possible outcome that just leaves Neo looking like she got fan-wanked and JNR looking like they’re just not allowed to be cool due to Miles’ spite at the Jaune-Self Insert stuff (and that’s not even getting into JNR being forced to run from lame rent a cops who can’t even handle a single Grimm). Cinder vs Winter and Penny isn’t much better, with her dark outfit making it very hard to track the fight because she blends into the background too well. It’s not a great showing for Winter or Penny given their earlier feats but, hey, some random female character had to fight Cinder in this odd numbered volume, carrying on Glynda, Pyrrha and Raven’s tradition. It’s at least better than ORNJ vs Neo, but that’s really not saying anything. At least Cinder’s VA work isn’t too bad this time but this fight commits the cardinal sin of a finale fight: It’s just not super interesting because we know Cinder can’t kill both Winter and Penny and she’s not becoming a Maiden, while Winter’s been too blatantly set up so it has to be Penny.

RWBY vs the Ace Ops also gets a dishonorable mention due to the choreography on display here... and the lack of it for Weiss, Blake and Ruby. Ruby never once swings Crescent Rose the entire fight and is just reduced to getting the tar kicked out of her by Harriet. Weiss barely gets to use her sword and largely just sticks to her summoning and glyphs which makes for a very visually uninteresting fighting style at the best of times. Blake just swings around and gets caught by the bad guys so Yang is motivated to fight stronger. She never dual wields (again) and her best moves are just setting up Yang to do all the hard work while Yang gets to personally KO two of the Ace Ops. There’s a lot that can be said about whether or nor RWBY earn the win, but while the animation team try to sell the Ace Ops landing heavy hits, having only Blake’s Aura even flicker really undercuts the idea from the commentary that this wasn’t meant to be a stomp for RWBY and they had to work together and be in synch to win.

Which is why Yang solos two of the Ace Ops whle Blake plays support, Weiss beats Marrow alone and then kill steals Harriet from Ruby, all while the song playing is an extended diss track from RWBY to the Ace Ops about how badass they are now, and the commentary itself says the Ace Ops are hard carried by Clover’s Semblance (because you gotta love basically saying four POC were only competent because a white guy led them, and then have them lose because said white guy wasn’t around to carry them!). Great job guys, you really sold it.

And talking of Clover, I feel it worth mentioning Qrow vs Clover vs Tyrian. It’s animation wise near perfect, but unfortunately I do feel it would be remiss to not mention that I feel the writing really has to bend over backwards to justify this fight. A lot of it is stuff I would say in that hypothetical Robyn essay, but I feel Robyn, Qrow and Clover all have to become massive idiots for this specific sequence of events to occur, and for Clover especially every retroactive attempt to explain why he prioritized Qrow over Tyrian just sounds more and more desperate. Between the references to MCU Captain America (a person whose entire arc is about learning when it’s OK to defy bad orders) or the attempt in the commentary to say “Oh Clover thought it would be easier to take out Tyrian alone instead of Qrow,” none of them land and just further drive home how much the plot had to stretch and reach to get that moment of Tyrian killing Clover. I like the fight. But I hate the road the show took to get there.

Some of the misc fights are also weak like ORNJ vs FNKI and elements of the Mantle Grimm battle, but those are the big offenders. Otherwise, again, the fights are largely good.

7) The soundtrack wasn’t... great

I mean the vocal songs only, don’t crucify me. Trust Love is just lamer Let’s Just Live/Triumph, Celebrate and Let’s Get Real are so boring I thought they were the same song until the OST dropped, Brand New Day is boringly peppy and Jeff’s vocals are dreadful. I completely forgot Touch the Sky until I was checking the tracklist to make sure I didn’t forget any songs. War has good singers but tries to sell the RWBY-Ace Ops bond as way deeper than it was. The lack of a villain song did really sting though, those are always the highlights.

There are good songs. I really like Fear, I feel it encapsulates the themes of the volume well and serves as a good condemnation of Ironwod’s mentality. Until The End is finally the Ruby song I’ve waited for since Red Like Roses 2 and I enjoy that she got a melancholic song, and Hero is easily, hands down, best track of the record and probably best RWBY track, full stop. Caleb killed it, I loved the second verse, opening opera was strong, guitar riffs were a plenty. Stellar work all around for that one.

The OST has great work from Jeff and Alex as usual, but the Jeff and Casey songs are really starting to lose their appeal. Going for a peppy feel this year didn’t help cover the cracks that are beginning to show with RWBY’s vocal songs (especially Jeff’s vocal range), and while a few standouts remain such as Fear and Hero, they are the slim minority in an otherwise very boring vocal tracklist that barely scrapes above Volume 5 for weakest set yet.

8) It wasn’t as funny as it thought it was

Comedy is subjective but man a lot of these jokes didn’t land. RWBY really needs to realize that does work in traditional 2D does not translate into 3D and just comes off as making official reaction GIFs for your Twitter account. Making characters SUDDENY SCREAM LOUDLY is not good banter. Please stop making Nora into Harley Quinn. Marrow was probably the most consistently funny character but that was it. Also I dunno why CRWBY thought Forrest was funny or what the deal was with that FRWBY crap.

“Honorary” mention to the JNR food scene in Cordially Invited which is genuinely one of the worst scenes in the entire show and I hope whoever animated it has their save files deleted for a game where they were about to beat the final boss. Nothing sums up JNR’s pointlessness in the series more perfectly than this.

C) Conclusion

See what I mean about Volume 7 being frustrating?

It’s weird that I overal think of Volume 7 as a mid-tier volume. There’s so much here I genuinely adore, with some of the best stuff to do with the show coming out of this season (barring lame, overpriced merch that feels like clothing gacha), but simultaneously the whole thing is let down by outside circumstances that unfortunately are ones the show can’t ever really recover from. Put bluntly, Volume 7 is the most technically proficient season of the show with the best lighting, backdrops, (some of the) character models, etc. CRWBY definitely didn’t slack off this year, but the problem isn't with them. It’s with the writing. A wider reaching problem is just that Miles and Kerry can’t really improve to the level that the series now requires. Eddy and Kiersei’s first season could have gone far worse, but it definitely was notable whenever they took over. Volume 7’s core problems are fourfold: The comedy is terrible and none of the jokes really land, the season focuses on the wrong plots and gives them too much effort, too many episodes are spent building up to new plots only for them to be weakly resolved (especially the Mantle Riot/Grimm attacks that are shoved off-screen), and the character bloat strikes hard here and leaves a lot of the cast feeling like dead weight. CRWBY don’t need more writers. They need more editors willing to tell the team what has to go instead of them hemming and hawing themselves on if they if they can include a plotline. The election never should have gotten past its first draft, there was too much already in this season before adding that.

When this is an unironic shot in your series... you’ve got character bloat issues.

At this point, I think JNR need to go. The show had no idea what to do with them throughout the season, leading to Jaune just being comic relief while Ren and Nora became characters I actively dislike. Renora was the easiest ship in the show to land, and they still managed to blow the engines and ram at least three icebergs just to prove that RWBY can’t romance to save its life. Team RWBY themselves are little better, with Ruby’s feelings about Penny’s return being shelved, Weiss’s victory against Jacques feeling un-earned and undercut by comedy, while Yang and Blake are benched for the volume and become a singular entity with how tied at the hip they are. Maria basically yeeted herself out of the show and I didn’t notice, Pietro is just a death flag, and while the Ace Ops had a good intro, it was undercooked by how they had to play the villain role to give RWBY something to do in the final hours. Cinder and Neo didn’t need to be here. Robyn had one of the worst introductions for a character I’ve ever seen, I never enjoyed her moments and it genuinely feels like she only has a fandom because RWBY’s community are in fact that desperate.

On the brighter side, Ironwood’s arc is fucking perfect and Jason Rose deserves all the love. Great fight, great song, great design, love the beard, it was a perfect downfall for Volume 7’s true protagonist. Qrow had a fun volume and I loved his dynamic with Clover (I don’t see the ship stuff but that’s more because I’m an IronQrow main so my blinders were on). Clover was also way cooler than I remembered. His fights stood out but the guy’s just really cool at the end of the day, with Chris doing great work as a VA. Oscar even managed to do stuff this year which was a shock and a half, but a welcome shock and a half. I didn’t mention it, but the Ozpin fear monologue is one of my favorite scenes in the entire show and it and the Ironwood/Oscar confrontation in the vault save the finale. And of course, Watts and Tyrian were the MVPs. I don’t have a bad word about either of them, they fucking nailed their roles and I can’t wait to see them again.

And that’s kind of what I mean when I say Volume 7 flummoxes me. It’s frustrating at times with how it handles seemingly easy tasks and drops the ball. Renora went from “everyone liked that” to wondering how badly Ren’s stuff got butchered for him to be the way he is. RWBY themselves could be almost entirely cut and so little would change, and the fact that the finale basically hinges its entire emotional stakes on Winter, Penny and Oscar is a staggering call. And it really feels like the season was compressed beyond necessity because they decided going in that Volume 7 had to end on Salem’s arrival. There’s two volumes worth of material here, and maybe it would have been best to have broken up these events. Volume 7 does too much in too little time, and RWBY especially suffered from it. But when it works… it’s good. Never close to the highs of Volumes 6 or 3, but there’s genuinely good material here. The fights are mostly getting better with far less missteps than previously, the acting (mostly) continues to improve and it’s obvious that RWBY is a very good looking show at this point. Ironwood’s arc is franchise-wide highs, I loved Clover, and Marrow remains the best boi. But it’s frustrating that despite all the tech advances Volume 7 has made, it still makes such threadbare, rookie writing mistakes in cast management, comedy and character arcs. I’m glad Miles and Kerry finally realized that they needed more writers, but it won’t mean anything if the show just continues to circle the drain on the core mistakes it’s been making since 2013. Volume 7 has good in it. But I can see where it could have been great.

Thanks for reading, stan IronQrow and please get Whitley a therapist.

And for the love of God already make an Ironwood vs Watts shirt!

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unproduciblesmackdown · 3 years

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@uberoll-oystercrackers putting this PT convo on blast just for the sake of switching to this format where u don’t have to break everything up via replies because [comically deep inhale]

honestly like idc idc i guess ppl are just like “uhh mytho’s got nothing going on b/c he has no feelings!!” like Yeah Correct, that’s a premise / inciting factor for this series and everything everyone’s doing lol, it’s only Boring if you don’t think about the character at all lmfao which i guess some ppl don’t, but like, there’s only 4 of them.....it’s Wildly Interesting that he literally has no feelings at first, like, for one thing it’s cool how there’s always the Idea of characters who don’t have emotions or act on them, but this is like the rare “realistic” situation where having no feelings means he needs someone to steer him around and make choices for him (and how Vulnerable that leaves him lmfao like episode 2 is wild but also that ppl just haven’t really realized that they Could just pick mytho up and pitch him into a wall, and fakir and rue are sort of careful neutral alliance keeping tabs on him) and you know, the whole s1 structure of mytho regaining both Capacity For / Experience of An Emotion and his sense of identity and by extent of all this his agency, and how like, Thematic everything surrounding this character is that’s reflected in the overall series like. trying to control someone for your own benefit vs being willing to sacrifice your own interests (and then some...) for their freedom & the Protecting Someone (And/Or Wanting To) As A Love Language that all the characters show for each other at various points & hope vs despair.......and like No Shit he’s dispassionate & passive b/c he can’t Feel Feelings & resultantly can’t make decisions or feel motivations but obviously he’s still Motivating other characters to act on his behalf, & there’s so much mystery & drama already in “yeah this guy you think is just a neat handsome guy is also an actual prince from a story who’s Real & sacrificed his heart in the fight with an evil giant raven monster that eats people & so he can’t feel anything or remember who he is” like damn!!! epic of him even if right now he can’t do much of anything on his own. i’m interested, and then i’m Interested every time in the Drama & Mystery of this person regaining parts of himself and completely rediscovering An Emotional Experience and how that is totally recontextualizing his entire existence for him.....

plus also even though “person literally lost heart via magic and doesn’t know what Feeling Things is” isn’t a We’ve All Been There situation i was like oh and you know it’s not like what mytho’s got going on isn’t potentially Relatable....can get into a side essay about dapressione and trauma and other types of stuff that can make it seem like someone can’t/shouldn’t have full access to their feelings / self / agency &/or it’s Dangerous if they try.....whew

but continuing on YEAH ugh just completely fascinated with mytho the Entire Time actually lol like, i’ve tended to lose steam in early s2 b/c he’s sort of Less involved beyond the [hehe time to cause some trouble in this particular ep] role lol but even so it’s like well it’s kinda fun when at least somebody’s being a bitch who lives for drama lmfaooooo & we get mytho Struggling Internally & sometimes punching through that way but again it’s like yeah oops the guy was basically autonomous but zwoop here’s a problem where that doesn’t mean shit anymore lol b/c he’s got this alternate evil self steering the ship all the time now lol got em.....the Peak of that i guess is where we get to have an epic swordfight between raven!mytho and fakir like you know what fuck yes!!! the intrinsic drama of that lmfao!!!! and then it’s like “oh no :/ loving the drama? that’s just what drosselmeyer wants” except Not b/c actually what makes it totally rule is that it’s this chance for Real Mytho to come through for the sake of protecting fakir (tbt “i wonder what i think of you, fakir”...) and really like that being what prompts fakir’s “you know what, even though before i was afraid my role as a knight would kill Me and i’m afraid my coincidental(?) role as a guy who can Reality Write could kill Anyone Else, i gotta try b/c that’s the only thing i could possibly do here and i want to try protecting everyone else b/c everyone else including mytho is protecting Me” and like augh everyone is so Thoughtful about how to try to help mytho out even as like, they can’t hardly interact with him or undo the situation lol.....as you’re getting into the series finale and everyone’s just outright Voicing things and you get “i/we want to protect mytho” like 32x and it’s beautiful each time ;___; like and well sorry but him & his heart/lack of are also the heart of the whole story here.....

and you know what *i* want to protect mytho, sympathizing with all the characters like fuck yes you’re so right, this guy rules, episode 6 aka The Fear Episode is SO good, like, you’ve gotten kinda used to the episodic format here, ep 5 did sure also make it obvious that things are Building on what’s happening prior here & that there’s stakes and stuff but it’s such a shakeup, like, that maybe just kinda sneakily dipping in and out of the arena giving back a piece of his heart until it’s done with, no problem, Isn’t Gonna Happen, and again, the Drama of it all......that the heart shards are yeah kind of their own People who are these fractions of mytho’s self and the way you interact with them is gonna like, affect things, since tutu didn’t like “resolve” things with that heart shard and just kinda got him on a technicality there lmfao so it’s like, yeah not only does mytho have a more general / abstract cause to be afraid of tutu & her bringing all these Unknowns & completely new things to him / changing things up and apparently introducing conflict, but you’ve gone and gotten his capacity for fear all recently riled up and specifically afraid of his interaction with You from 5 sec ago, and how could anyone know this mysterious magical being giving you Negative Feelings is like, Safe......and i’m sure it’s all compounding here, like, it’s Wild to be suddenly experiencing A Feeling for the (seeming) first time, and that in itself sure could be Scary, he just hasn’t had the proper emotion available with with to Be Afraid, now he’s gotten back a freshly stoked (capacity for) Fear and how off the shits it must be to be afraid for the first time anyways, or to be feeling the other stuff for the first time, and who knows what Unfun Feelings could come next, there’s a lot to freak out about.......and not like it’s trying That hard to never suggest like oh fakir's not that bad even though he’s technically an antagonist at the start b/c of being at odds with / against the protagonist, it’s pretty telling there lol like he’s unhappy with mytho having feelings again at all and has already been getting mad about it but is just being Helpful here and trying to comfort him, like aw that’s neat i think it’s nice, and again throwing it back to “I Wonder What I Think Of You, Fakir” you get fakir reassuring mytho that nobody but him is around, and mytho having this capacity for Fear is choosing to confide in fakir re: what he’s dealing with here (not that this would on it’s own be some guarantee that mytho’s Right to be unafraid of fakir, but, knowing all we eventually know...) like again lol it’s funny that drosselmeyer’s loving the Drama of mytho only having regained Negative Feelings like, i mean i’m soaking it in as well but it’s like, that guy’s all about Angst and it’s like no im here all about the Hurt/Comfort more like, thank you lmfao

it’s also SO good how it’s like, the next episode is turning around & giving the story a way forward not by like, oh let’s just counteract this Fear mytho’s struggling with by returning the....emotion of Courage i guess, but rather by giving him back Curiosity to ultimately lead to him actually seeking a conversation with tutu.......and it’s like AUGH it’s soooo fun that he goes to that river and has a conversation with his own heart shard lmfao like that’s you!!! and that You does not realize you’re them!!! that’s wild and i love it......wait i took low res screenshots when i rewatched this a few weeks ago lmfao

i Love it lmfao like it’s Such a good choice to have him not only have lost his Emotions but also memories / knowledge of who he, himself, even is.....like yeah man it was all on you to fight this heart eating raven monster!!!!!!!!! which you know, it’s also Fun that earlier in that episode when he and fakir are hanging out in the secret Problems Mill (which....fakir is hilarious like that lmfao. whole other tangent here like ppl are not only rolling with Animals As People but stuff like “yeah fakir might just be like ‘oops gotta go!’ and whisk mytho away to various out of the way Locations” like lmfao these teens have some free rein, but it’s nothing compared to s2 where it’s like “They Were Roommates but ig fakir tried to kill mytho who’s now being really dramatic and weird which is v different from before and maybe he’s in love with that one random dude who’s around now, which sucks for everyone else, oops now he’s just like Vanishing for god knows how long at a time it’s fine!!!!” lmfao like god. ballet school just is like that sometimes...) anyways Yeah that mytho’s been having nightmares about the raven and fakir is just going like IT’S FINE JUST DON’T THINK ABOUT IT lol and knowing fakir is also being pretty driven / restricted by fear, reasonably, as he thinks (well. and is correct) that he’s The Knight and his fate is literally written as “yeah if the story gets going and you’re a part of it you’ll just be killed” like yeah, oof......Wonder What I Think Of You Fakir like yeah AND he is that knight you actually did know who was suddenly killed trying to protect you and he’s sorta accepted that role again except he’s not really a fan of that Being Killed thing so here we’re having some issues in his misguided approach here re: Mytho Should Not Get His Heart Back, but he’s also trying to protect them Both from the story, and he’s only So Willing to act Against mytho, like, well hey thanks for apologizing after you hit him and then like, not doing that anymore lol, v reasonable how he’s struggling here lol where he’s trying to Protect mytho but the story a) wants to invite tragedy and b) has already said that The Knight has been / will be killed and can’t actually protect the prince within the story, also c) he’s just like one random high school guy out here......and also that it must just be kinda hard to adapt to this changing situation where mytho Is regaining this sense of self and motivation, but for like the past decade or whatever he Has needed fakir to just be in charge and tell him what to do all the time and, if he had the sense of what it was to trust someone, trust fakir to just always be acting in his best interest, but then mytho’s idea of his own best interest a) starts to Exist and b) is at odds w/fakir’s b/c also c) he doesn’t have All his feelings yet, Or all his memories, while fakir is like “noooo i know the story”.....like there was never any need to just like tell him he sucks at random times lol but it’s also kind of funny that’s just part of fakir’s shtick, calling mytho a dumbass one more time when he’s just fully himself as The Prince again lmfaooo. but prior to that, surely fakir could wonder what mytho thinks of him (or potentially Could think of him) too.......it’s just soooo good when mytho is like, expressing things verbally while trying to work through / figure out Feelings and even ones that he doesn’t have back yet, and it’s always fun how that inevitably throws off whatever character he’s musing about this to......including whenever ahiru’s just like “oh fuck yes he can do this b/c he has more feelings back now, that rules” and/or “aw :( he’s struggling w/this b/c he only has Some of his heart back”

and also that reminds me it’s SO good when the characters just kinda get to Do Something together lmfao like. ahiru and rue hanging out when looking for mytho that one time, iconic stuff, mytho and ahiru hanging out in the previous episode, iconic, maybe it kills me that in the first ep of s2 you have mytho saying ahiru’s his friend and the only person he feels like he can tell anything (and ahiru feeling bad she hasn’t Told Him Everything lol) and then he basically never gets to interact with her again knowing and as himself like Scream it’s fine ;v; !!!!!! let these people spend more than 3 seconds together Interacting lmfao it’s soooo good when they do :’0

and THEN you get into how there’s all this stuff re: The Story, like, fakir is the reincarnated knight, ahiru is the duck given tutu’s abilities Via a piece of mytho’s heart, but we had the original knight and tutu in the story as these actual ppl who we only hear a Little bit of lore about, but mytho actually knew / knows, and like, the original genesis for tutu only being on 1 Page of the story and apparently drosselmeyer doesn’t even really put any thought into what her motivations could be lol like yeah idk whatever she wants to marry the prince or whatever so that’s why she loves him and Says It and disappears......and like we have almost No direct info about her but uh nbd at least some of her actual essence is actually now an intrinsic part of mytho’s actual heart and specifically embedded in the heart shard of Hope, like damn!!!! you Know there was something more Real and Complex going on there and i love it so much.......and the original Knight, lohengrin.....might have been doomed to be unable to protect mytho with his sword, but there’s other ways to protect that guy and Someone needed to be doing it.......i’m just like wow mytho’s gf and bf!!!! and they both sort of died but hey. there’s still a lot to think about

so yeah lmfao love that you can originally see this series like, a decade ago and here it is like damn still lying down / yelling / generally riled up about mytho and just having So Much to think about / appreciate from this series like. it’s so Singular and has so much going on.......cherish it and i’m just still anytime like [epcot vine voice] Mytho...........

#uberoll-oystercracker #princess tutu

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wendibird · 3 years

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SPN 15X19 Observations

So, here we are. Second-to-last episode of this show and what has been said will be the Season Finale. (While next week’s is the Series Finale.)

Without further ado...

I don’t even know what to think going into this second-to-last episode. I don’t expect a “happy” ending to this show. But I can’t help hoping for a fitting one. One that makes some kind of sense. That does the characters justice. We’ll see how it goes. (Also, I want some GOOD content for Sam. *LOL*)

(Also, my notes might be sparse because I want to concentrate on the show.)

- Everyone’s gone.

- Except these three.

- Does Sam and Jack know about Cas?

- THEY DON’T KNOW YET!!! *crying* (To be clear, not upset that Dean didn’t tell them sooner. Since obviously there had to be a phone conversation at some point, or at least texting so they’d know where to meet up. THAT kind of news isn’t something to tell over the phone if you can help it.)

- The music is really playing this up well.

- Oh Jack…..

- And he’s still killing plants.

Commercial Thoughts:

I’ve said this again and again but I still don’t like how Chuck is being written. He might as well be rubbing his hands and cackling evilly.

That being said, this really is sadistic. One of the few things that’s kept Sam and Dean going through all of this has been the people they’ve been able to save. (Crowely caught on to that in S8 and used it to good effect. But he was like a sniper, precise with it. Chuck is like a fricking nuke.)

And Sam losing hope always makes me sad. (Have noticed the looks Dean keeps giving him. Still checking on him and how he’s doing and worrying about him.)

- This camera work is weird. Dream-like?

- DOGGY!!!!!

- omg Dean’s happy about a dog!

- WOW. That’s a new low.

- So, no animals? (Guess they’re gonna have to go vegetarian eventually if this doesn’t get fixed.)

- Michadam!!!

- WHAT?! (No Adam?! HOW DARE CHUCK!!!)

Commercial Thoughts:

Okay, Chuck taking Adam is a really REALLY low-blow! (But then, that might be what pushed Michael to decide to help them after all.)

Not surprised that Michael can’t open the book. Wondering if Jack can? Or they could call some reapers and see who wants the job of the next Death. *LOL* Hold interviews. “What will you do for us if we give you this promotion?” (crack thoughts, don’t mind me.)

I’m not sure if Chuck has realized that they have nothing left to lose. And that’s generally when people are at their most dangerous. (I mean yes, they have each other, but in the wake of what’s been lost? Literally the whole world? They can’t let that go. They can’t just sit back and treat it as a vacation. It’s not how they are.)

- CAS?!

- WTF?!?!?!?! (Did NOT want to see Lucifer again tbh. And apparently neither did Dean. *LOL*)

- Okay, so Lucifer promoted the next Death.

- Is he actually dead this time?

- One can only hope.

- YEY! LUCIFER IS DEAD AGAIN!!!

Commercial thoughts:

So…. what was the point of all that again?

Okay, I get that in the end, the book is open and now they can hopefully read it. Seems kind of convoluted. (Also, do NOT get me started on the whole “God and the Darkness have no pull in the Empty”. Unless God just replicated Lucifer, like I theorize he did with Lilith.)

Wondering if they just did all that to have Luci and Mark P. back one more time.

- Sam being his super-smart self! <3

- What is Sam not saying?

- Hey! Isn’t that the lake where Jack was born?

- FOR CRYING OUT LOUD!!! Fricking Michael.

- Bloody winchesters

- That’s what Sam wasn’t saying. I don’t think they trusted Michael.

- Sam figured something out.

- Wow. That is some poetic justice!

- I’m actually impressed with that.

- So now what?

Commercial Thoughts:

Wow. Okay, that was a weird twist of a way to get there. But I’ve honestly got to say that I like it. It works. (I’d always hoped Jack would still be the key to Chuck’s downfall.)

I still feel sorry for Amara though. Like, is she just nothingness? Is she an alternate personality deep inside Chuck now?

And what about Jack? Can he put things back to how they’re supposed to be? Bring everyone back? Did he get Chuck’s knowledge as well as his power? At least of who all he took away?

Guess we’ll have to see.

Also, usually I’m not a fan of the trope of the “Good guys” sparing the villain who’s killed tons of people because “they’re above killing”. But in this case? It really was fitting. And a worse punishment than killing Chuck would have been.

- OH GOD I LOVE THIS SONG!!!!

- Sammy’s cafe!

- (Okay I’m getting a little misty)

- His smile!!!

- OKay, I might cry now.

- They raised God.

- Awwww….. (The names)

- Okay, so, I’m not okay! (But I’m okay with it, so… good thing?)

- So it ends with them doing whatever it is they want?

- I wonder if the Apocalypse World people were brought back? And their other friends. (And Eileen? I’m sorry, I know not everyone ships it, but I do, and now Sam doesn’t have the great Plot of the Universe conspiring against him.)

After-Show Thoughts: (After I’ve had a few hours to ponder things)

Let me just say, the music in this episode? Like, just even the background music? It was amazing! It did such a good job of invoking the emotions that were being felt by the guys. And their choices of songs used were also good. :)

Michael: So, in some ways his character shift in this episode seems odd after the last time we saw him. But then I thought more about it, and I think Adam’s death had a lot to do with it. In the previous episode in which we saw them, of the two of them Adam actually seemed to be more stable, and often had good, grounding advice for Michael. Now with him gone, all Michael had was himself. And at heart, he still wanted his father’s love, despite everything that had happened. And I still think he’s an interesting Parallel/Contrast to Dean, who also had the same father-worship for a long time, but over time he’s come to understand that John was wrong about a lot of things, and he needs to make his own way. I don’t think that’s something that Michael ever REALLY learned. Not deep down.

Lucifer: I found his presence here to be annoying. I get that he moved the plot along. And I get how much at least half of Buckleming love him. I am glad that his part was brief and that he didn’t get a redemption arc. I do wish Sam had been able to kill him. (I know, he couldn’t have because only another archangel with an archangel blade yadda-yadda. STILL though…) Or that there had maybe been SOME meaningful interaction between him and Sam for old time’s sake, since that always gets nice and spicy. (Because Jared and Mark P. always keep in mind everything that’s happened between them and put that into their performances.) But time limits and all that. Also, why were there no wing-shadows on the floor when Lucifer died? There were wing shadows on the floor of the friggen church at the end of S13 and he died like 15 feet up in the air. *LOL* I mean, then whenever Sam looked at the floor in the Library he could remember that Lucifer is Dead for Good.

And I just rewatched the scene again and when he died, he just went poof. Like, in the past, unless a finger-snap thing is involved that’s not what happens when angels die. If they get stabbed, there’s usually been a body left behind. Heck, at the end of S13 there was a full-on light-show. Now it almost looked like a regular angel death just with redder light instead of silvery-blue. Was that because it was just a thrown-together mock-up of Lucifer that Chuck made? (Like with Lilith? Because he’s NOT supposed to have any sway in the Empty! Dammit, how hard is it for the writers to remember the stuff that was already established?!)

(Sorry. Continuity issues bug me. And they’ve bugged me from Season 1 on, so I know that’s not a new thing. But it does feel like they’ve gotten especially worse this season.)

(Also, I’m starting to get tired so I’m going to try to wrap this up here. *LOL*)

I did like how they brought Chuck down. When it comes down to it, they weren’t following a pre-set plan. (Well, what happened probably WAS written in that book, but they didn’t know what it was.) Instead they found their own way with what they had. They figured out what was going on with Jack, and Sam figured out some bullshit spell to make some cool light-effects in order to fool Michael and Chuck into thinking they were setting it up for him. The only aspect of it that fell a little flat for me was the extended exposition on how they’d done it. It’s a trope that crops up a lot. The whole “Haha see what I did there!” But, on the other hand, I also realize that unless they’d shown us each step of the process as it was happening, there was no real way around presenting it that way. And it WAS more dramatic to have the audience in the dark until that moment. Also, I can’t deny the effectiveness of the scene where Chuck keeps beating them down but they keep standing up again. I mean, isn’t that an allegory for their whole lives? And at the end he’s incredulous as to why or even HOW they can still stand. What makes them keep going? True, part of it was that they knew the plan, and they knew this was part of it. (Which I think is why Sam opened it up with punching Chuck. To turn the confrontation more physical and draw it out, or he might have decided after all to just finger-snap them.) But part if it is also them just being them. They’ve both been down this road before. Like their whole lives have been this road. And they’ve both been to hell. Both suffered unimaginable tortures. And they just keep going. When one stumbles the other gets up. Or they get each other up. And they laugh in God’s face. Just… THAT was well-done. And Chuck's ending with them NOT killing him? That was absolutely poetic. Because now he's busted down to "normal" and has to figure out actual life (or just end his, but he'd have to do it himself) and he didn't even get an "ending" of his creations killing him. Because even if he did make them, he clearly still doesn't understand them. And I liked them saying "no" to the revenge game. (After making sure that he couldn't come back again as a problem. Cause they ain't dumb either. Despite what everyone keeps saying about them.)

I also loved the scene where Jack brings everyone back. I would have liked to have seen some shots of some of the individual ones that we’d come to know being back, like Donna, some of those AU people (Eileen!) but I also get this ep was shot during Covid so they probably couldn’t get as many people back. (I hope some of them at least get name-dropped in the next episode so we know for sure that they’re back and alive.) But anyway, I thought the scene was well done, that song was a GOOD choice for it! (But then, I am a bit biased. It’s among some of the music I grew up listening to because my parents had it.) It may not be classic rock, but classic folk is fitting for the new God. :)

Overall, I thought there were some pacing issues with this episode, but in general I was happier with it than the previous one. I’ve just been re-watching it (because I never catch everything the first time through, especially when I’m trying to take notes) and I just noticed something. Near the end when Sam and Dean are in the Library and Dean says “To everyone that we lost along the way.” I first was a bit puzzled about that, because my mind went to the more immediate people that they’d lost recently, and whom I’m assuming Jack brought back too. But on re-watching I thought about it in a grander scale. How many people have they lost in their lives due to Chuck’s story? Because Chuck thought it would make things more dramatic? I think he was reflecting on their whole lives, not just the last 48 or so hours. And that makes sense too with what Sam said following, about them finally being able to write their own story. (And yes, I know that Cas was not one of those brought back. At least, he doesn’t seem to have been. And though I don’t ship him and Dean, I don’t doubt for a minute that Dean cares/cared about him very much. It’s okay to love your friends. But I didn’t get the feeling that he was JUST talking about one person. That held the weight of years of losses.)

I thought the ending montage was brilliant! Honestly, if the show ended here, I would have been okay. Not saying I DON’T want another episode! I’ll take whatever I can get. And I definitely wouldn’t mind seeing where they take their story. So yeah, looking forward to the next (and final *cries*) episode.

Anyway, that’s about all I can really dredge up this late at night. *LOL* This will be the LAST time I do one of these knowing there’s more to come. It’s the last week we’ll all wait in suspense for what’s going to happen next. After next week's episode we'll be into new territory of "That's all there is and ever will be." This has been quite a journey, and I haven’t liked all of it, but overall I still love this weird little show, and even more so the characters that we've met through it. So, to quote Bobby, “Here’s to runnin’ into you guys on the other side.”

#dontspoilthefinalhunt #spn 15x19 spoilers #spn season 15 spoilers #episode review #my thoughts #sam winchester #dean winchester #jack kline #michael spn #lucifer spn #chuck/god

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timeagainreviews · 3 years

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My Series 10 Rewatch: Knock Knock

Hello, my fantastic friends! I am sorry I have been so quiet. I got coronavirus in February and it really wiped out my energy. I am finally starting to bounce back and feel like leaving the house once more. This beautiful Scottish spring we’re having has definitely helped. I also lost my grandpa this week, so I've been all over the place, emotionally. Obviously, such a big pause in the middle of a series 10 rewatch is disruptive, so I would rather just dive back in if it's all the same. When last we were gathered, I was talking about "Thin Ice." Since then, the ice has thawed and I am now up to series 10 episode four- "Knock Knock," by one-time Doctor Who writer Mike Bartlett.

An aspect of Doctor Who which I love about Steven Moffat’s era is that the Doctor and his companions didn’t spend every waking moment of their lives together. Unlike companions of the past, who basically left behind their family lives to galavant across time and space, the companions of the Moffat era had home lives. Not only did this make for some humorous moments, such as the Doctor landing his TARDIS in Clara’s bedroom on date night, it also set up the characters for something of an actual life. "Knock Knock," uses this separation of worlds to establish one of its central themes- can you have a normal life with the Doctor?

Being a poor student in London, Bill is forced to look for a flat with a group of people she only sort of knows. This is your typical group of students, eclectic and young. The biggest commonality they have is they can’t afford a place on their own. One of the ways in which this makes the episode suffer is that none of them has much chemistry together. However, it does enable Bartlett to explore deeper concepts, such as the fear of meeting new people. Our characters are forced to deal with a deadly situation with people who are basically strangers.

The other commonality they have is Bill’s mate, Shireen. I got momentarily excited the first time I heard her name, but only because I thought it was going to be Rose’s best mate Shareen. Also, it would mean that Rose and Shareen had like a 10 year age difference, which would be weird. Shireen is a bubbly sort that seems gung-ho about everyone getting on. This doesn’t stop 90% of their interactions from being a total cringefest. Not one of these characters is particularly likeable. Pavel, the musician of the group, and the one character with maybe a bit of culture becomes a wall pretty early on, so it’s a bland time from there on out. But that’s getting a bit ahead of ourselves.

After a montage of disappointing flats ("Oh my god, the toilet is is what room?") the gang stands defeated. But like a beacon of light, comes a glimmer of hope in the form of John, a man who clearly prowls the streets for groups of youths. The gang is willing to overlook the obvious stranger danger about John because he has something they need- a giant house at a reasonable price. It’s another one of those deeper concepts being explored here that I think Doctor Who does so well. The show operates well when it preys upon basic fears. In this case, it’s the fear of the creepy landlord. The fear that your home life may be dictated by a creepy man who carries a tuning fork and forbids you to enter certain parts of the house like it’s Beauty and the Beast.

Arriving as if to say "No, Bill, you can’t have a normal life," is the Doctor. After using his TARDIS to move her belongings, Bill is quick to send him off. She even foregoes the traditional six-pack of beer and pizza, the universal payment for friends helping one move house. Of course, the moment the Doctor enters the derelict abode, his Time Lord senses are pinging. The Doctor isn't just an embarrassing "grandfather," type, but also a threat to any semblance of a normal life Bill can hope to have. As I said, this is familiar territory in the Moffat era. A funny side effect of the Doctor's attempts at allowing his companions to live normal lives is it only adds to the sharp contrast between both existences. Perhaps this is immersion therapy on the Doctor's behalf. Letting his friend remember what the world is actually like so as to not disassociate her from her own time and place. Or perhaps it is the Doctor softening the blow of eventually losing his friend.

The Doctor leaves long enough for two things to happen. Firstly, Pavel is listening to some music and suddenly is eaten by the house. Nobody seems to notice. Secondly, the new housemates have a bit of a games night for their first night at 11 Cardinal Road. There's no cellphone reception and the house is nowhere near up to code. I applaud them for trying to build up these characters, but it never really gels. Their merriment is cut short after hearing a noise in the kitchen. Scooby-Doo style, Bill leads them to the pantry where she finds the Doctor never actually left. They decide to head to bed, but the Doctor decides he's going to stay up with Felicity and Harry and listen to music. He also reminds Bill to maybe check on Pavel who has not been seen all day.

Now back in the sitting room, the gang is surprised to find John present. He addresses their problems with the amenities and waxes strange about having a daughter to look after. The Doctor asks John who the Prime Minister is, but he is unable to answer. Before they can ask more questions, John disappears down the hallway, but not before sounding his tuning fork against the wood. On her way to bed, Bill has the most cringe conversation with her new housemate, Paul. Paul fancies Bill. Bill fancies girls. I get that they may have wanted a scene where Bill flat out says to the audience that she's gay, but Paul comes off as super creepy. I wouldn't have an issue with this, but I feel like we're meant to find Paul endearing. It's hard for me to place what exactly they were going for in this scene. Paul, mate, you just met her. You just moved in together. Maybe let the paint dry first.

Luckily, like a shot from the dark, the plot saves us from having to stand in the hallway of awkwardness. Paul, having gone to his room, screams. Thinking he's having a laugh, Bill and Shireen go knocking on his door, only to find the return knock sounding across the hallway wall. The house begins to creak and shudder while doors slam shut. It's like something from a haunted house movie. In many ways, it follows a familiar trope from Doctor Who. The house haunted by aliens. We've seen it in "Ghost Light," "Hide," or even Edward Grove from "The Chimes of Midnight." Though I would argue that here, there is less grist for the mill. "Knock Knock," is a more stripped back, simple story. And in that way, I find it begins to lose me as the mystery unravels.

As the housemates run through the house, trying to escape whatever is happening, they find Pavel in a state of flux. Something about the music on his record player skipping has kept him from being completely absorbed by the house. I will say, this is a great bit of body horror on the makeup department's behalf. Everything about Pavel looks like a guy getting eaten by a wall. As it turns out, the tuning fork and the music have more to do with what's going on as the Doctor discovers the house infested with alien lice known as "Dryads." Using his sonic screwdriver, the Doctor is momentarily able to draw the bugs out from the grain of the wood. The Dryad is not your common woodlouse, as it appears to move through wood like water. Even in my second viewing, I found myself wondering if this is kind of cool or kind of dumb. I vacillate between the two.

In many ways, this is both Doctor Who's greatest strength and its greatest weakness. The surreal nature of a time-travelling police box affords us things like sentient planets, talking chair frogs, and killer mannequins. On the other hand, it gives us farting aliens, gamma radiation in the form of lightning, and the Doctor screaming until a window smashes. I remember reading an Eighth Doctor book where horse people read books on their planet by licking them and tasting the story. Sometimes, Doctor Who is bloody brilliant, and other times, it's bloody embarrassing. But that's partly why I love it. This kind of freedom gives it freshness. One week we get a priest buzzing like a wasp as he talks, the next we get River Song and the Vashta Nerada.

Now, I'm not saying "Knock Knock," is bad, but it is a little dumb. I've already complained about the dopey kids nobody cares about, and the silly aliens that aren't that scary, but the end of this episode is where it really kind of evens itself out. As I said, I vacillate between this being a good and a bad story. We learn that the reason John doesn't want anyone up inside the tower of the house has nothing to do with safety, and everything to do with a dark secret. After discovering the unclaimed belongings of previous occupants over the span of decades, the housemates learn that they are just the latest in a long line of people being fed to the house.

I found the motivation of the Dryads a little hard to understand. It seems weird to me that a woodlouse would want to eat people, but here we are. As it turns out, John has found a way to keep his "daughter," Eliza, alive using the Dryads. After noticing they respond to sonic vibrations, John has been using the tuning fork the make them do his bidding. It's a simple arrangement- he feeds students to the Dryads, the Dryads keep Eliza alive as a wooden woman, hidden away in the tower like some forgotten ghost. Once again, the makeup department has done its job. You genuinely believe Eliza is a woman made from wood. I especially like how they used papery twine for her hair.

They do a good job giving reasons why the housemates can't call for help. No wifi, no reception. But it is hard to imagine that over the course of decades, nobody came looking at this giant house for clues of their missing loved ones. Maybe they did and the house ate them as well. All I know is that it's mighty convenient that not one prospective tenant said to their mum or dad "Hey, I'm moving into a giant house at 11 Cardinal Road." Hell, even the Doctor helped move Bill in. What was John's big plan for when the Doctor came around looking for his "granddaughter?"

By this point, several of the housemates have been eaten by the house. Honestly, I could care less about which ones. I think Paul got his, and of course poor wooden Pavel. Or would that be wooden panel? I can't stress how little I care about these characters. Am I cold? I don't think so. We never see them on the show again. They don't matter in the slightest. With the Dryads closing in, the Doctor and Bill have to think quick. Which is when they realise that the timelines don't match up. If John were Eliza's actual father, he would be long dead. Seeing as he is not also made of wood, they deduce that he is in fact not Eliza's father, but her son. Unable to say goodbye to his ailing mother, John has been preserving her. Eliza has been through so much trauma that she has completely forgotten this fact. It's all rather depressing if I'm honest.

Depressing is okay though. What's Doctor Who without the occasion trudge through misery? Of course, it's not all doom and gloom, as Eliza restores all of the young people, once again leaving me to question why they were eaten in the first place. Were they transmuted into energy and simply recombined? It's the best explanation we're going to get, which is fine. David Suchet gives a powerful performance as he begs his mother not to end their lives. His performance is, by far, one of the strongest elements of this episode. Eliza and John are both overtaken by the Dryads, who are off presumably forever. I suppose the threat of Dryads is no longer looming now that their puppet master is no longer pulling their strings.

All in all, I find myself without much to say about this episode. It's not bad, but it's not a banger either. Even writing this review has been a bit of a slog. I find myself hard-pressed to really have any strong feelings one way or the other, and sometimes, that's just how it is. I will say it is the brownest episode of Doctor Who I’ve seen since the ‘70s. The BBC really knew how to dull down colour back then. Sigh... The best I can say about "Knock Knock," is that it's fine, really. There's nothing really wrong with it other than being kind of dull. I think if they'd have tried harder to make the characters more relatable it could have helped. Not every villain needs to be the new Daleks or Weeping Angels. Unlike some of the other episodes in my series ten rewatch, my opinion on this episode has changed very little. I would be as equally surprised to hear someone say this episode was terrible as I would be to hear it's their favourite. This is the kind of Doctor Who you can have on in the background.

Much like we followed the lacklustre "The Unicorn and the Wasp," with the transcendent "Silence in the Library," I am very excited for the next episode in my rewatch- "Oxygen." Another anti-capitalist romp in the vein of "Smile," is just what I need right now. Now that I am back and feeling up to writing again, you should expect to see a bit more output. I wanted to cover the BBC's Youtube Dalek series, of which I have not watched a single frame. I've been putting it off because I wanted to talk about it on here. I have a few non-review articles in mind, but I don't like to promise too much. What I am saying is that you can expect more, soon! Take care!

#doctor who #series 10 #knock knock #David Suchet #bill potts #Pearl Mackie #Twelfth Doctor #Peter Capaldi #dryads #wood #bbc #tardis #rewatch #Time and Time Again

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odanurr87 · 3 years

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My thoughts on... Scripting Your Destiny

Release date: March 16, 2021

Episodes: 10

Available on: Viki

Summary: Every human is born with a book that records each moment of their life and that we call destiny. Shin Ho Yoon is one of the many deities in charge of writing those books, known among the gods for his meticulous approach to his work. For his latest project, the destiny of the mortal Jeong Ba Reum, he intends to write a masterpiece, a perfect destiny, pairing him with his first love, Go Che Gyeong, a scriptwriter for successful, if over-the-top, makjangs like Marriage Pact and Sky Cash. However, when Che Gyeong doesn't fall for the fateful encounter that he wrote, he decides to take matters into his own hands and bluntly approaches her to find out how to get her to fall in love. As the two begin to develop feelings for each other, the perfect destiny envisioned for Ba Reum threatens to disappear and a new destiny between a god and a mortal begins to emerge. But can a god of destiny write his own fate?

Rewatch meter: Medium

WARNING: Spoilers beyond this point.

Characters

From left to right: Park Sang Nam as Shin Myeong; Ki Do Hoon as Shin Ho Yoon; Jeon So Nee as Go Che Gyeong; Kim Woo Seok as Jeong Ba Reum; and Gal So Won as Samshin.

Overall, I liked the leads and most of the supporting characters. As far as the leads are concerned, I think Ki Do Hoon was able to deliver a good performance of what a god of destiny might, or perhaps should, be like: standoffish, emotionless, uninterested in the mortal realm beyond the scope of his duties. As such, Shin Ho Yoon feels the more godly of the different deities in the show, what is curious considering he's probably one of the youngest gods of destiny, what is explained through his cycle of rebirth. I wish the writer and the actor had made full use of this cycle by having the character of Shin Ho Yoon grow more emotionless as a result, what would explain why he's different from other gods. Perhaps this was intended, but if so, the results are mixed. You can see he was more impulsive in the beginning of his cycle as a god of destiny than he was, say, at the beginning of the show. However, the last incarnation we're shown of Ho Yoon, in Episode 10, appears to be more upbeat than any of his previous ones, a fact that could've been used to feed into the notion that something has changed (more on that later) and that's why he's having fun at the expense of the "newbies."

Jeon So Nee as Go Che Gyeong was very good throughout, standing out from her male counterpart, perhaps due to the nature of her character that allowed her to show more range. I never found her to be over-the-top, and she was able to pull off the comedic and emotional scenes very well. She also passed off as a high-schooler better than Ki Do Hoon, despite the fact that she's five years his senior, but I guess that's the power of female hairstyles! My only complaint about her character is that I wish she had been a little more creative writing her own fate. I mean, she is a talented scriptwriter that even a god stole from.

Park Sang Nam's Shin Myeong had good chemistry with Ki Do Hoon's Shin Ho Yoon, echoing the Goblin-Reaper duo from Goblin, what should come as no surprise as writer Kim Eun Sook is a producer for this show. They even paid homage to that iconic walking scene in the first episode. Unlike Ho Yoon, Myeong comes across as less devoted to his duties and more lazy. He himself admits to a disapproving Samshin that he copy-pastes destinies, but also makes an interesting point about only writing main events so that humans can fill in the gaps themselves. I'll let you decide whether this is really his intention or just an attempt to placate Samshin's anger. Consequently, his transition from a somewhat lazy god to a more serious one towards the end of the show was unexpected, but I guess it stands to reason given his worries about Ho Yoon, plus one shouldn't forget he's actually the older god. I do believe the show wasted an incredible opportunity to have Shin Myeong be the linchpin of our story.

Ho Yoon shields precious Samshin from Myeong's words on how to passionately express love.

As for the characters of Jeong Ba Reum and Samshin, I can say the former was functional to the plot and gets immediately sidelined once that function is completed, while the latter definitely stole every scene she was in (and she's 14!). I would've loved to have seen more of her, even though I feel her arc was a little disconnected from the overall storyline and could've been tied better if the last episode had gone in a different direction.

Execution

What if that something are meteorites?

The show has a lot of fun making fun of kdrama tropes, either through Che Gyeong's job as a scriptwriter or through the gods of destiny themselves, who take turns between being writers and viewers when coming up with the destinies of mortals. When Ho Yoon is having trouble understanding "the depth within humans which is beyond divine comprehension" (aka love), Myeong steps in to give him some advice on how "For love to happen you need to isolate them," stranding the pair in an island somewhere and having them stay in an inn with only one room available. Other gems from Shin Myeong include, "They got rained on, they're cold, their clothes are soaked. If they start a fire, we're 90% there." and "A woman always falls for a man who takes care of her when she's sick. Under one condition. He has to be good-looking." If you ask me, I think Myeong has been watching too many kdramas. Unfortunately for him, so has Che Gyeong, who makes her living writing them.

Are they gods or kdrama fans?

As you can see, there's a lot of comedy to be found in the gods' numerous, and failed, attempts to get Ba Reum and Che Gyeong together. However, as I mentioned before, the character of Ba Reum is mostly functional. We learn little to nothing of who he is, how his life has been, what his dreams are, what is a bit off considering he's supposed to be Ho Yoon's "masterpiece." With Ho Yoon and Che Gyeong slowly starting to get closer, as the former tries his best to understand the nebulous concept of love, Ba Reum falls into the background, what isn't really much of a shame as he doesn't contribute a whole lot in the second half of the show, to the point he could've been taken out completely with slight rewrites here and there.

The writing is similarly flimsy when it comes to the rules of the universe. For instance, early on it is stated that whatever gets written on a fate book cannot be erased, and yet when a character accidentally spills coffee on his fate book the ink on the page vanishes as if it were Voldemort's diary (there is also another instance of writing mysteriously vanishing that isn't explained). In another case, it is stated that anyone who knew a certain character got their memories of that character erased, yet one (very secondary) character still seems to be able to recall everything. These sort of plot contrivances are odd in that they are unnecessary and could've been worked around with relative ease.

It means we have a problem, that's what it means.

Another, more important, mystery that doesn't get explained is how Ho Yoon is able to "resurrect" multiple times. One of the rules of the universe states that any god who interferes with mortals, beyond the scope of their duties, and develops feelings for them, gets the Thanos treatment. However, it is eventually revealed that Shin Ho Yoon got the boot several times for this and yet was able to return every single time, with his memories erased. No explanation is provided for this and, instead, the show suggests, in the last scene of the last episode, that this is the case for all gods, as we see a couple of them return from extinction.

Personally, I feel there was a lot of potential left untapped here and this relates directly to my comment on how Shin Myeong should've been the linchpin of the entire story. If you'll recall the web drama One More Time, the reason why the male lead was stuck in a time loop was because of a contradiction that arose in the terms of the contract made between the female lead and the Grim Reaper. In a similar vein, I think the show could've suggested that Myeong first met Ho Yoon as a human kid and maybe wrote for him a fate that implied him falling in love or something similar. However, the human Ho Yoon died before that fate could occur and so became the god of destiny Shin Ho Yoon, destined to continuously "resurrect" until he could embrace his fate. A loophole such as this one could've neatly explained Ho Yoon's rebirth cycle.

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The ending itself was a little underwhelming and it's easy to understand why, as it it suggested that Ho Yoon and Che Gyeong are stuck in an endless loop of the former falling in love with the latter and vanishing, with Che Gyeong being the only one able to remember all of their interactions. As fates go, it's rather depressing so it doesn't really jibe well when the show's upbeat main theme starts playing at the end. When I did my episode recaps for the show I suggested that, with some rewrites, we could've made Episode 9 the series finale and the show would've been better for it. How?

Imagine at some point in the show both characters remember everything, perhaps at that wind/lamb farm where Che Gyeong desperately calls out for Ho Yoon who, instead of running to her, walks away out of fear of vanishing for good this time. I would've planted seeds throughout the show suggesting Ho Yoon is developing emotions yet isn't vanishing from some inexplicable reason, and there are already some seeds of this in place. Perhaps he has a talk with Myeong about how strange that is and decides to see how far he can take it. The show would end as Episode 9 did, with Ho Yoon returning to Che Gyeong and asking for a caramel macchiato, the most expensive item. They both smile at the reference to their past encounter and we cut to credits with the main theme playing in the background. Ho Yoon's actions could serve to inspire other gods of destiny to try and write their own fates, like how Samshin (even though she's not a god of destiny) follows in his footsteps and decides to attend school.

Music

If you've read any of my reviews, you know that, usually, all of my recommended shows are accompanied by a soundtrack that not only has good music in it but that is used at the right time. This show has some very good tracks that stand out from their more atmospheric counterparts, such as Lee So Jung's "Skyline" (the show's main theme), Jeong Sewoon's "Time Machine," and Yongmin Ryu's "Chaotic." As far as instrumentals tracks are concerned, the obvious standout bar none is "The Deity of Fate." Other instrumental tracks aren't bad but they just can't hold a candle to this magical piece by Yongmin Ryu that has traces of Hotel del Luna's excellent soundtrack.

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A couple of examples that prove how these tracks are expertly used include the end of Episode 7, that shows us how Ho Yoon and Che Gyeong first met through a flashback, with "The Deity of Fate" followed by "Skyline," and another scene in Episode 9, where Ho Yoon recalls his past and we see a quick transition between different days at Che Gyeong's coffee shop as she serves him a caramel macchiato, with "Time Machine" playing in the background. However, in the same way Ho Yoon conjures up a magenta pink moon to distract Che Gyeong, I do believe the show sometimes relies on such scenes to divert your attention from some of its plot holes or inconsistencies, hoping their beauty and poetic nature will thwart any deeper analysis that it might not withstand. It's up to you to decide whether you can let it slide or not.

Conclusions

In short, Scripting your Destiny is a fun show that doesn't take itself too seriously and that successfully creates a universe and characters I'd love to see more of, while trying to convey a timeless love story that has elements of One More Time, Goblin, and Angel's Last Mission: Love. I don't believe it succeeds in this respect, certainly nowhere close to the OTPs in any of those shows, in no small part because Shin Ho Yoon never makes that transition from deity to boyfriend that is present in shows like Goblin and Angel's Last Mission: Love. The romance between Shin Ho Yoon and Go Che Gyeong is one that looks good on paper and should've translated better to the screen. Having said that, their interactions are quite fun to watch and one could certainly envision a future where the two become a couple, provided Ho Yoon somehow manages to stop getting lobotomized. It's a shame but the series finale makes it lose several points as it doesn't make the most of the show's premise or message.

Would I recommend it? If you've watched and enjoyed the other shows I mentioned, yes, absolutely. Despite its flaws, which can be considered relatively minor to an extent (this is a web drama after all), Scripting your Destiny is still a much better investment than many kdramas and at a fraction of their time, and the comedy value of seeing how it makes fun of kdrama tropes again and again cannot be discounted. You're bound to have a good laugh for sure. Additionally, it features some gorgeous and creative (look at that last picture!) VFX-enhanced sets that rival fantasy dramas like Tale of the Nine-Tailed, which definitely had a larger budget and tried to recapture some of that Goblin magic but couldn't. And if you haven't watched the shows I mentioned watch this one anyway so we can have more good web or mini dramas (Handmade Love is an excellent one that runs the length of a movie) that give kdramas a run for their money. Until the next one!

#kdrama #scripting your destiny #kim eun sook #ki do hoon #jeon so nee #eun sun soo #park sang nam #gal so won #kim woo seok #review #kdramas

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mantra4ia · 4 years

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Desires: Lucifer season 5 on Netflix

Created: August 21, 2020. Last Modified: August 22, 2020.

Preface: Alright my Lucis, here’s the sitch: it’s been a minute. Life got a bit chaotic I wasn’t able to start season five quite on time when it premiered on August 21st because I haven’t finished the great 2020 Lucifer rewatch. I’m nearly done however and should be able to jump into it either later today or tomorrow, which is why beforehand I want to — as I’ve traditionally done for a few seasons — create a desires list and keep a tally throughout the season to see how many are met. I am going to try to pace myself, not binge, and watch a single episode a day so don’t spoil me. Likewise I will tag my spoilers. Here we go... #21DaysofLucifer

Season 3 and 4 Roundout - Desires Fulfilled / Questions Answered

✔We’ve seen other demons “like Maze” and a bit of what havoc they can reek. Well sort of. To be quite frank, although it was cool to see them possess the recently deceased, it wasn’t as impending doom as I was expecting. They didn’t seem nearly as disciplined or intimidating as Mazikeen, even Dromos, more bored and desperate.

✔ We’ve seen a little more or the heavenly host in Remiel. Remi was cool, if a bit intense. Her character, and her affinity to Amenadiel was a nice foil to see how far his character has come in evolution. But again like Uriel was for Lucifer, she kind of became a driving force character device to push Amenadiel’s growth. So I wonder if we’ll get to see more of her or not.

✔ (s3) The backstory of Lucifer’s arrival in LA, finding LUX, and making a deal with Amenadiel.

✔ (s3) Cain finally went to hell, YES! Not that I didn’t like Marcus Pierce/Tom Welling, there were some great interactions there, but I just think he was a wishy-washy antagonist based on how he was written and I can’t wait to trade up for Michael.

✔ Maze finally had some happiness and attachment to this silly mortal coil and it slipped away! Why Eve why? I love Maze’s bonding with humans, Linda, Trixie, Chloe. But I love that after a Millennia of serving, and then watching Amenadiel and Linda be happy in a family unit, that she might actually make her own and my hopes were dashed.

Things we got that we didn’t even know we wanted. SO GOOD:

Season 4 ep 8: Amenadiel bonding with Caleb and confronting community violence, police brutality, and systemic racism. It was a rough episode to be sure, but absolutely needed,

Chloe talking Lucifer down and out of a self-hatred spiral and his transformation into full-fledged devil and back again.

Lucifer playing Creep on repeat while missing the detective (even after insisting in a therapy session that “he’s not a teenager playing Adele on repeat) and Mr. Said Out B**** trying to rob Lucifer and gun point and ultimately get rich. What a fun twist.

The Dan and Maze Los X’s fight. They are wicked good at laying down the hurt on the criminal element and I was wondering when they’d pair up again after dispatching Warden Perry.

The devil in a bar fight! I mean, it’s only fair since the ladies had their brawl. I love how this fight sequence was filmed in bursts of slo-mo from various angles, involved everything from fists, to tasers, knives, bottles, and the infamous pool cue, and they picked the perfect song for pacing (Jake Bugg, Lightning Bolt, could listen to it all day on repeat.)

Time for all good demons to go home / Enough, you will bow down to your king. Go home! (aka appropriate use of Devilish intimidation face)

Amenadiel vs Remi

A Rocky montage with Lucifer and Amenadiel / Amenadiel’s face the first time Lucifer drives the Corvette

Lucifer at the roller derby

Chloe the YA fangirl

Maze teaching Trixie about knives, with each handle decorated in a different toy.

Amenadiel and Chloe catching up: your father is so proud of you. Like and angel BOSS!

SEASON HIGHLIGHTS:

★ (s3) Amenadiel taking Charlotte home

★ Dan being comforted in his grief by Amenadiel

★ Amenadiel’s wrath and the brotherly duo tag team to lay the hurt on the drug dealer that got Charlie killed. It’s been a while since we’ve seen warrior angel ready to dispatch anyone in his way. And it was glorious!

★ (s3) Lucifer’s almost driving lesson with Trixie “Morningstar”

★ (s3) Maze torturing Lucifer by making him think he’s the Angel of San Bernadino

★ (s3) Amenadiel and Lina helping to dispose of Lucifer’s wings

★ Lucifer kicking Julian, Tiernan’s son, through a glass pane window

★ The goodbye kiss between Lucifer and Chloe

DIDN’T LIKE:

☒ (s3) Cain playing guitar and singing. What is he, a crime lord, a top cop, or an act that the improv club wouldn’t take?

☒ Eve. I liked Eve, but we mostly got to see one side of her around Lucifer, and a kind of floundering an confused side when she was with Maze. The side that I would have liked to see more of was the maternal side that came out when she briefly talked about Abel or was interrogated by Trixie. That made her more layered.

☒ Father Kinley. That dude is just meh.

☒ Dan’s broken heart and rebounding with Ella. Don’t get me wrong, its a good arc, but I don’t see it lasting

☒ (s3) Abel and Reese. Those were two side stories I could have done without, although they had great moments of humor. I quite enjoyed Reese’s character, and although I didn’t like Abel Lucifer’s stick-figure comic illustration of Cain fighting with him over a rock was quite enjoyable.

WHAT I TRULY DESIRE: SINFUL SEASON 5, my BURNING QUESTIONS, and SPECULATIONS

Obviously, don’t spoil anything for me, but if any of my desires end up coming true in any of the first eight episodes maybe drop me a hint in the comments...

A big time jump. We need to see the lasting impact of Lucifer’s absence. I know that time in hell works differently per that episode where Lucifer saved Chloe and almost got stuck in a loop, but we still need enough time to elapse that the impact is felt on the mortal side. Or, we need to see the passage of time through a series of events without Lucifer, like a montage of character development. At least a year or so, if for no other reason then Trixie is growing up and I actually want to see her take driving lessons with Lucifer.

Last season Maze gave baby Charlie a gift, something she’d wished she’d had growing up, and previously had alluded to the language of demons, her many siblings, and teased her mother, the mother of all demons. Will we finally get to meet Maze’s mom Lilith (or however they address her)? And, in spite of Mazikeen’s found family, she still has restlessness and abandonment issues. Will her mom finally finally bring her peace, or will clashing with her resolidify Maze’s purpose on earth?

A Decker/Mazikeen team-up or girls night out 2.0 would always be appreciated. At this point its probably 4.0 if you count the bar fight and the bachelorette party.

Will we see tougher, scarier demons, or are they just warmup to the really scary depths of hell?

Speaking of hell, more hell. Tons of hell. I want to know the minutia of all the mechanics. If Lucifer’s gotta be down there in self-imposed exile, he may as well show us around. Pour us a drink.

Will Lucifer see Cain in Hell? Not that I’m dying to see more of “sad Cain” but it would be interesting to see a more dark or desperate or cunning side to him at least now that he’s actually neck deep in torment. Or, alternatively, I’m hedging my bets that he could be a good candidate to light the fire under Lucifer’s *** to get of hell back to the earthly realm. Even in hell, I’m betting Cain would have a soft spot for Chloe, and if news reached Lucifer that Michael were trying to abscond with his life and with Chloe, it would give Cain and Lucifer one last bit of “A-Hole brothers” common ground to bond over. Like “Brothers, am I right? Go kick, get Chloe back, I’ll still have enough guilt to torture me with in a few thousand years when you get back,”

Will Lucifer fall into peril in hell of once again potentially getting distracted and stuck in a hell loop? Will his servants be satisfied with his return? Will Amenadiel bust him out.

Mr. Said Out Bitch needs a role reprise. He’s been in every season opener 2-4, we’ve gotten to know his undergarments very well. Its high time we get to know his name and story. He’s put in the work!

Amenadiel should be running LUX in Lucifer's absence. We got a tease of that in previous seasons (remember when he asked what would Lucifer do?) its time for that to come to fruition. Plus, any excuse to put DB Woodside in a suit, just because he wears them so well. It would also be interesting if, after that tragedy he’s experienced, Amenadiel will start taking after Luci. Maybe not the punishing, not yet, but wanting to seek out evil and corruption. It has been teased since s1 “fall as I did.” Perhaps he’ll start developing a taste for his bother’s line of work whereas he found it repugnant in the early days

Dan and Maze or Dan and Ella pair up. Both Dan and Maze are due for some happiness.

An Azrael reboot, when need more of her. She’s the angel of Death for pity’s sake. I don’t know if the original actress is still available or if they would have to recast, or if the character concept by Netflix would even be the same, but I need Azrael to be capable of sweet and unassuming and on a coin flip downright menacing.

More of Lucifer as a godparent, bless! And maybe a cool montage of “cousin” Trixie and Lucifer co-babysitting Charlie please.

Whilst on the subject of Lucifer and parenting, and without putting Trixie too much into harm’s way, I need to see what “I would do anything to protect that little urchin” looks like. Trixstar ride or die.

Father Frank, come back! I need a cameo or recurrent role pleeeeease.

Trixie in every episode. This is non-negotiable, much like chocolate cake. Beatrice is an all-star. In fact, I’ve decided that when Dad/God finally does show up, Trixie needs to be the one to get to know him / introduce him first. She’s been captain on the celestial cheer squad for four seasons, she’s earned this.

Who's going to see through Michael's facade first? I mean, I know that trailer shows Maze torturing it out of him, but as far as intuition goes, I've got a 50/50 split between Trixie and Linda, with an honorable mention to Dan.

If Michael is Lucifer's twin, does he have the same angelic compulsion skill set? Or something different? And will it work on Chloe or is she universally immune?

A “be like Mike” pop-culture reference. ******Spoilers: ******* all the trailers have revealed Michael already, so they owe us this for letting the steam out.

As far as pop-culture, how many movie and TV references will we get from Lucifer and ensemble this year? I expect A-game, from sci-fi to 80s action, on par with the previous likes of Parent Trap, Star Wars, Home Alone, Kim Possible, and Rocky.

Will Amenadiel’s necklace make a reappearance, even after he put it around Caleb’s neck in the morgue? Heavenly artifacts have a way of causing trouble in this show.

Will what finally learn what, if any, significance there is to Lucifer’s ring? Again, as all my fictional writings will attest, I really kind of want it to be a stolen little trinket from him Dad.

Plot twist: will we get to see Hell and the silver city all in one season, or is that too devilishly good to ask? It would be intriguing if Lucifer fell from Heaven for rebelling and now some threat like, for example, the mother of demons would pose a threat to the gates such that Lucifer was called upon to defend them. Not expecting anything Endgame level with a host of Angels popping up like sorcerers...but it is food for the imagination.

Plot twist: will Michael, duplicitous twin that he is, be revealed as the reason that Lucifer does not lie and can’t stand liars? Will be get a Michael back story? Is he perhaps the true rebellious son? see: my original fan conjecture here.

Additional links to previous recaps, roundouts and wishlists:

Season 1: Best Moments // Season 2: Predictions, Desires, Roundout, Best Moments // Season 3: Speculations, Quick-shot summary

#21 days of Lucifer #Lucifer season 5 #lucifer on netflix #Lucifer s5 desire #Lucifer Morningstar #trixie espinoza #Chloe Decker #amenadiel #trixtstar #deckerstar #lucifer s5

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pluviophile-bookworm · 4 years

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AWAE 1x6 rewatch: thoughts and reactions

It’s been literal months since my last rewatch, and you guys were obviously not satisfied with my randomly dug-up first impression of the show that I posted a couple of days ago to make up for the lack of reviews, so here I am with another one. Today we’re delving into the penultimate episode of the first season. I have completely forgotten what to expect, so this will be almost like a first time watching. Here we go:

Oh, that’s right. I remember now. This is one of the parts that I loved most from the original book, and it’s a really important moment in the show as well, one of the parts that were satisfyingly closely adapted. It’s the time when Minnie May is ill and Anne is the only one who can help. A very dramatic scene, and a crucial one for DiAnne’s friendship after they were forbidden to fraternise in the previous episode.

Wait, Aunt Josephine was there? This is the situation in which she appears first? I had forgotten and I honestly thought it would have been something different. Apparently I’ve forgotten that at first she didn’t act like the cool old lady we’ve since come to love.

I’ve always thought it was incredibly impressive how Anne immediately knew what was happening to Minnie May from just a vague description of the symptoms. Her difficult childhood experience comes in handy sometimes, I guess. That’s at least a slight silver lining to it.

I love how fiery, passionate Anne transforms into a sound, sane, level-headed nurse when Minnie May needs to be taken care of. It just popped into my mind - does Gilbert know about this? And how come it was never brought up in later seasons?

In my commentaries on the third season, I've said more than once that Minnie May was like God - she often fixed whatever trouble and misunderstandings the older characters would get in. Now I see she’s doing it again, in a way - her illness and Anne helping her get over it is what convinced Diana’s parents that Anne is a very good person and a suitable friend for their daughter after all. I wonder where everyone would have been without this little one.

“It’s a big world, son.” It is indeed, and Gilbert will see at least some of it - but at what cost, really, at what cost? Having never lost a parent, nor a loved one of another kind, I can’t possibly imagine the pain this boy would go through later in the series. Now, seeing John Blythe on his deathbed breaks my heart.

It’s amazing how much some people need to forgive. Accidentally get her daughter drunk, and you’re the devil. Save her other daughter’s life, and you’re suddenly a saint. I was never a big fan of Eliza Barry, and, well, this case is not helping. I mean, it took so much for her to forgive Anne’s minor innocent mistake. I can’t help but wonder - how much would Jerry have had to do to get her approval, had things not turned out the way they did (I’m referring to both his eventual falling out with Diana and the unjust cancellation of the series here #renewannewithane)? How many favours would he have to do her family before she would have been able to forget his origin? I guess we’ll never find out now. Unless... #renewannewithane

Anne seemingly equating herself and Diana to Josephine and her “companion” makes me suddenly see why people ship them romantically, although I personally don’t. I mean, neither Anne nor Diana knew at the time what exactly Josephine’s relationship with her partner was like, but still, for me as a second-time viewer, the subtext is certainly there.

Diana’s prospective future as the wife of some “wealthy, handsome gentleman” could very well have been foreshadowing to her eventual marriage to Fred Wright in the books, but it is a bit of an ironic statement in the series where she first went for Jerry, who, to quote Aunt Jo from earlier, is “one, but not the other”. But I’m getting carried away here.

Listen, I dislike Mr. Philips as much as the next person, but he’s sort of (unwittingly?) acting as a matchmaker for Anne and Gilbert, like teachers sometimes do. By making none other than Anne go give him his school materials every day, he is making them interact even when Anne might otherwise have chosen not to. So that is one good thing he’s ever done. I’m keeping score from now on.

Anne’s sudden realisation that when Gilbert comes back to school, he will likely be an orphan, reminds me of her reaction later when it happened. And it’s not so much later either. Having been an orphan all her life, she seems not to realise quite how much he’s going through. Gilbert has been forced to become an adult all of a sudden by his father’s death, but Anne still has a lot of growing up to do.

John Blythe’s funeral is an odd contrast to Mary’s Easter which would come later - both are people Gilbert loves dearly, both deaths make him grow as a person, both die of an illness - but while his father’s funeral and the days before it are gloomy, dark and achromatic, Mary goes with a smile on her face, surrounded by her big family, in the middle of a colourful festivity. I don’t know why I’m commenting on this right now, I just suddenly became aware of the parallel and simply had to point it out.

The snowflake that thaws on Gilbert’s palm and slowly rolls down reminded me of a tear - a tear that didn’t roll from his eyes. It might as well have been meant to symbolise that precisely. If that’s the case, job well done.

The blue ribbon that Anne wears now - John Blythe gave it to Marilla... I wonder if Anne was ever made fully aware of what exactly went on between her adoptive mother and Gilbert’s father when they were young. I mean off-screen, of course.

Much better off than you were? I don’t think so, Anne. I mean, of course she might be right to a degree, but right now Gilbert’s pain is something she can’t comprehend. She shouldn’t try to. She shouldn’t assume she does. Being an orphan is not something to pass on “extensive knowledge” about. It’s an experience that everyone goes through differently. Saying Gilbert is lucky was definitely not the right thing to do. Not right now at least. But I should stop saying how I think Anne should have reacted, or I might come off as hypocritical. I’ve never experienced what either of them has, after all. Moving on.

It seems Aunt Jo has become the cool old lady we know and love. Her conversation with Anne in the clubhouse reminds me so much of the one they had at the end of season 3. I think that one was, in a way, meant to parallel this one. Of course, I’m not going to try and reinvent the wheel here, I just think it’s beautiful how subtle this show is when it comes to foreshadowing and callbacks, even to a viewer who goes into it having read the books first. I’m glad I get to rediscover this now when I’m rewatching it, and my reactions get to be a mix of re-encountering forgotten details, judging earlier episodes with regard to what happens in later ones, and just overall basking in the magic of AWAE once again.

Anne wanting to be a bride but not a wife is so novel yet so relatable all at once. I mean, don’t get me wrong - I don’t want to be a wife, nor a bride myself, but I can definitely see why a girl, especially in Anne’s time, but even today as well, would want to walk down the aisle wearing a white dress without being burdened with the conservative version of a wife’s duty.

Anne’s first encounter with Aunt Jo happens in such a different way from the book, but it’s even better, the way I see it.

Anne is so unapologetically feminist and I’m all in for it. This character is so important even today, and it was so horrific to see her story cut short over trivial issues. #renewannewithane

As both Anne and Ruby are rambling away and Diana is trying her best to say the proper things, I figure Gilbert must think, at least for a moment, about how weird and incomprehensible girls are. And with Anne’s especially apropos mention of the word “wife”... I can just see his eyebrows doing the confusion dance - you know, despite the pain he must be in.

I just love how Gilbert never even remotely hides his great respect and admiration of Anne. And even though there are underlying feelings of a different kind here, I’m quite sure he would respect and admire just as much any other intelligent, independent young woman deserving of it. Meanwhile, Billy has shown that he’s just a misogynist of the worst kind, no matter if the girl is an “ugly” orphan or a conventionally attractive girl with both parents alive and a substantial wealth. I don’t mean to deem anyone incorrigibly bad, but I do think Billy might as well be.

What about “Gilbert’s father just died and you’re still acting like the petty little misogynist you are” doesn’t Billy get? I know what Gilbert did was sinking to his level, but I believe he deserved every bit of it.

I wonder - I might have forgotten - if Gilbert knew before this conversation with Marilla, about the kind of relationship she and his father had. I wonder how much of it he found out from this conversation.

Ah, here we go, the Shirbert written communication begins. And it doesn’t begin very smoothly - as if to foreshadow how many bumps on the road its future holds.

See, Josephine would have liked very much to be married to Gertrude - only the times she lives in wouldn’t allow it. She is of the marrying kind - just not of the conventional wife kind. And that’s beautiful, and exactly what Anne aspires to be - and will be one day, of course. She has done a good, nay, brilliant job choosing a role model.

To sum up this episode: Minnie May’s illness brings DiAnne back together; Aunt Jo’s first appearance is a meaningful one, as expected; John Blythe’s last days and the aftermath of his death; an important detail of Marilla’s past; thoughts on what it is to be a wife; Shirbert’s written communication begins, very clumsily, of course.

#anne with an e #awae #renew anne with an e #anne shirley cuthbert #gilbert blythe #diana barry #jerry baynard #ruby gillis #billy andrews #minnie may barry #josephine barry #marilla cuthbert #matthew cuthbert #john blythe #jnk watches awae

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thethirdwheel404 · 4 years

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Med Rewatch Series (#5)

S3 e3: Trust Your Gut. From what I remember this is a big one. I just remember this episode title honestly but we’ll see what happens.

-look at that! ava’s just casually in this scene, minding her own business, doing her job! you would never guess that this is a character who would later have a psychotic break and commit suicide.

-that’s really the point i’m trying to make. I hate all those posts where they’re like ‘i hated ava before, but season 4 has finally shown her true colors’ like not even?? no??? we’re trying to prove that that was never even a thing. i want to eliminate the possibility of s4 happening from your minds. nothing from s3 should ever be used as foreshadowing. that’s what the rewrite is about, ava being a good character. ava was never going to commit suicide. she was never gonna go psychotic. that should be ingrained in everyone’s minds.

-anyways, back to the episode.

-connor takes everything like a personal attack. relax

- i never realized how fun stoll was. like obviously not in the story but as a character he’s hilarious. unattached by everyone else’s drama

-awww. this maggie interaction is amazing. tapping sarah on the shoulder (neck actually but whatever) just to say hi. adorable. and sarah is already super jumpy. come on. her anxiety is already setting in. they really gave sarah two huge storylines in the same season.

-maggie... no one else would ever slash sarah’s tires. i mean honestly

-WHY DOES CONNOR HAVE TO CONTROL OF EVERYTHING - honestly ava was just reading off the chart and he can’t even let her do that he has to take over just to say the same things.

-and the way ava just takes it with her smug smile

-she is such a strong character there is no reason she would have gone crazy over connor she literally needs nothing from him.he has not ever had anything that she needed.

- SHE’S JUST ROLLING HER EYES, SMIRKING, AND SHAKING HER HEAD AT THIS INSECURE MAN ava I love you.

-okay there’s no way i can explain it but after rolling her eyes at connor Ava turns and looks at the patient and instantly her face changes and you can see such pure concern in her eyes?? s4 ava could never (can someone please rb with a picture of what i’m talking about? it’s uncanny and so so sincere.)

- she’s in control of her emotions. she cares so much for her patients so don’t even try to play that card. the only thing connor has done literally since she got here is get in her way.

-AND CONNOR LOOKS AT HER WITH SUCH DISTRUST AND CONTEMPT. TELL ME HOW. this is insane. exasperating.

-and the way she smiles and comforts the patient. i mean come on. she’s just so amazing. AND COMFORTING. if ava really was as heartless as people say, she wouldn’t take the effort to do that. connor didn’t even do that, he just scowls at ava.

-which just proves my point, ava is only ever mean to people who she thinks deserve it. and, the more that I think about it, she’s never really actually mean. sure, she’s blunt and rude, but never cutting. she’s nice to her patients (and I know what you’re going to say, it’s not because she has to be. she’s a doctor, she still wants to help people). but when her patients are dicks, she’s not nice to them. she’s as snarky with as she’s professionally allowed to be.

-like, take this guy. he seems nice enough. he’s funny, polite, comes across charming, so ava is nice and is polite back to him.

-let’s move on.

-why is connor always so suspicious of ava. come on. he’s the one who should be sus. she literally said ‘Don’t worry, Ray, we’ll take good care of you’ and he’s giving her this weird side eye.

-ethan and will being in this board meeting is really adorable to me. like, just, bros.

-oh godddd sarah please relax. sweetie. please.

-sarah fucking tranqed him oh my god

-oh my god noah asking people for help literally shut the fuck up

-straight people are gross. not to hate but how does anyone sit through manstead

-connor literally needs to chill. I know this bit (they’re arguing over menial things in surgery) plays more to them just picking on each other, pulling each other’s pigtails on the playground if you will (i didn’t like that analogy but I used it anyway), but if you look at it, ava was only trying to help connor (suggesting a wider possible target and an easier to handle stitch) and connor took it wayyy to personally. sure the second bit of advise is just poking at him, but she suggested a better spot on the base and he shut her down without any thought.

-and then latham points out that there is no point in arguing, to which ava defers, then connor snidely says ‘Thank you, Doctor, Now, how about from here on out we keep the background noise to a minimum’ and ava just shakes her head, scoffing.

-at this point ava just likes annoying connor because its fun. it’s entertaining. he gets so upset. everyone’s done that, just be annoying for fun (its bad to say but i mean come on everyones done it)

-another point, ava immediately deferring to latham might read to some as her being a suck up but that’s not what it is.

-ava really likes seeing how close to the line she can get. she goes right up to it, but she never crosses it. the same is true with her interactions with other people outside of surgery.

-I really like this story of the girl who passed out and hit her head, and her brother’s a wreck, and her parents obviously think the brother’s a disappointment. and it was finals week so of course she wasn’t taking care of herself. and the brother knew that, and you can tell he cares so much and feels so bad. it’s nice

-complication on the surgery they were working on. ava comes in with a solution (off of connor’s mistake during surgery after not following her advice) but I have a sneaking suspicion that by the end connor will be back on top

-the effort it took connor to say ‘it’s a good idea’ come on man just fucking let it go

-i’m glad we’ve all agreed that connor’s just a dick

-aw look at that she even held the door for him. connor would never

-i don’t want to overly push the ‘med is sexist’ thing but how is it that in a storyline between nat and ethan, characters who have never been romantically involved, they still pull the woman thinks one thing, man refuses to believe it and is right dynamic. i mean come on med seriously. what the fuck is wrong with you.

-the look of annoyance and disbelief on ava’s face that connor hadn’t actually messed up. comedic, but also i get your pain.

-glad that latham sides with ava, ava advocating for a riskier procedure so they could ensure the blockage is removed)

-(something could be said about ava’s high-risk, high-reward ideals. you could even draw the parallel to events in s4 and s5, even though I really don’t want to. it’s an interesting and notable character trait to say the least)

-YOOOO I FORGOT HOW METAL THE PSYCH STORY GETS

-dude straight up cuts his abdomen open and his intestines spill out

-the fear and shock and emotion on sarah’s face make me feel so bad for her

-WAIT IS THIS THE EPISODE WHERE SHE LOSES THE END OF THE INSTRUMENT? IS THAT WHAT THIS IS? i am not prepared to watch an ava bekker breakdown rn.

-the shock on ava’s face when connor said nice job.

-ava actually tried to apologize to connor. well, not apologize but she feels a little bit bad for just how abrasive she’s been to connor. (connor didn’t necessarily have to make it super competitive). Ava said “Look, I know i have the tendency to step on toes. it’s nothing personal”

-and now they’re not arguing and are this close to actually working like a team

-and i cannot believe connor’s big one-liner is ‘Murphy’s law’

-the emotion on april’s face when the girl’s parents won’t even let her brother grieve for her. I feel it. astounding. its so painful omg

-ava: “your optimism is enchanting.” when i was writing earlier I was worried I wasn’t being accurate with her dialogue and making it sound too overly formal but i guess I nailed it. also, this line reinforces how much I love her (so does every other line)

-connor just refusing to give ava anything, no credit, no nothing. doesn’t even give her credit for earning the surgery saying “you may have elbowed your way onto the case, but he is still my patient” (I JUST TRANSITIONED INTO A QUOTE SO SMOOTHLY WHY CANT I DO THAT IN MY LANG RHETORICAL ANALYSIS ESSAYS YOU’RE KIDDING)

-hey it’s joey!

- i can appreciate him so much more when he’s not chasing after reese

-do you remember their first meeting? bickering over who gets the last splenda? (real meet cute amirite)

-dr. charles remarking how all the scientific advances can’t beat human instinct, nice little tie in to the episode title

-ava just smiling while connor waits for her to apologize. she. takes. no. shit.

-i literally hate connor’s face so much. it fucking looks predatory like stop looking at her like that. it’s almost like you were planning her psychotic break

-ava’s cunning, saying ‘we’ instead of ‘i’ when talking about the decisions being made. she’s smart. she knows what to do. She knows how to present herself. (and yeah, a little hypocritical that she said to connor ‘when you fail, I will make sure that it is noted that it was your fault and not mine,’ but like I said, she just knows how to present herself)

-latham: “Dr. Bekker seems to enjoy this discordance.”

-rhodes’ face when changing his mind and saying ‘maybe I do’ when asked if he enjoyed it too - he literally makes the dumbest faces. please. stop. (is it a straight people thing?)

Alright. Another episode down. 17 to go. This was actually a pretty good episode all around. Ava took none of connor’s shit and you’d have to squint to find any sort of romantic subtext in their interactions, which is huge win in my book. reese’s storyline wasn’t too bad, she didn’t go through too much trauma, which, the bar for watching med is incredibly low i guess. This was a really good episode for ava. like I said before, very little romantic subtext, and she had a redeeming quality in the way she obviously cared for her patient at the beginning of the episode.

The main point is something I’ve been reiterating again and again. Ava cares about her patients. Ava is mean to connor because she knows someone needs to put him in his place, and she is glad that it is her.

All in all, this was a pretty good Ava episode. Very happy.

thanks for sticking with it.

read the rest here:

Part 1 / Part 2 / Part 3 / Part 4 / Part 6 / Part 7 / Part 8 / Part 9 / Part 10 / Part 11 / Part 12 / Extra

#chicago med #med rewatch series #mine #trust your gut

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analyzingadventure · 3 years

Text

Oh boy have I not watched Psi for a long time, oh man have I missed out on Some Stuff (I’ve only heard the names of like three Digimon mentioned but oh man did those names alone come with Some Package)

Let’s watch episodes 25-31 then and catch up!

So just to recap, last time Agumon evolved to Mugendramon, fucked some shit up because Taichi totally 100% legit died, temporary evolved to WarGreymon I think (I can’t remember man lmao) and beat the shit outta DoneDevimon

25! Dive to the Next Ocean!

Uhhh who the fuck yeeted ElDoradimon into the sky

This is so bad

They should die so hard

OHHH CLOUD CONTINENT IS IN THE SKYYY YESSS I LOVE THAT

Have I mentioned how much I love seeing the kids interact with their non-partner Digimon (and vice versa)? Because I do, I love this a lot (even if it ain’t much)

Ohhh Mugendramon was so sexy... I wanna rewatch episode 24 but I really need to catch up on this first

ElDoradimon’s gonna die from that fall, right? His joints are gonna get pulverized

Zurumon! :D I love these lemon jelly goops

HIKARI!!!!!! Baby!!

I wish Taichi and co would be like, trying to even think about how they’re gonna survive the fall- like I know Leomon saved them but they couldn’t like plan to just Get Saved, IDK it’s kinda off-putting how they’re so calm

Leomon to the rescue tho! Finally!

Patamon is so chumby, v good

Holy shit Leomon punches HARD, a single punch just straightened out ElDoradimon in one go, holy fuck

Finally they’re worried about dying from the fall

What happened to the Agu and Gabu being too exhausted to fight (I’m sorry this is just a massive pet peeve for me, ‘esp cause there’s like no reprecussions for the Digimon for pushing themselves here)

(Like it’d be one thing if they managed to evolve out of desperation but this ended up being like bad for them and force them to take longer rests later or IDK kill them, but when you’re just like “I’m too tired to fight- oh wait my friend is slightly in more danger now than before, I guess I can fight again”)

(This is an issue with most MotW shows and even some shounen series (I’m looking at you Bleach) so it’s not unique to Psi, p sure Adventure had this issue to some degree too, but still man, it’s a massive pet peeve and bothers me so much)

26! Break through the sea monster barricade!

God I love that the Cloud Continent is actually in the sky

Quality content (slightly cursed maybe)

Seadramon! Honestly I really love Seadramon?? Like it’s such a simple, minimalistic design but... IDK man I love Seadramon, it’s such a cool Digimon

OH SHIT IT EVOLVED! :O

I’m sorry I am just so not interested in the real world crisis (in the show), it’s... I’m sorry it’s so Mundane and I’m here for the Fantastical

WARUSEADRAMON! THE SLIGHTLY MORE GOTH SEADRAMON!! YEAAHHHHH

God I wish Psi just had perma-evolution, so many of my issues would be solved with perma-evolution

Aweeee yeah, MegaSeadramon’s here too, now we got both of them, yeeeeee

I love how Hikari is just quietly judging the other kids

Y’all okay with talking about Taichi being in a different world right in front of Hikari? I mean She Knows Things and they all just got taken to back to that world but still like, should you try to be more inconspicuous maybe

Oh my god how many times have they used that clip of Falcomon throwing bombs in this episode- four? That’s a lot yo

Taichi’s gonna get vored again, press F for him

The water is so deep how is Zudomon standing- oh I need to stop asking these things

HIKARIIIIII SHE’S HEEEREEE YEEEEEE

27! To the New Continent!

"Hikari, who called you?” “I don’t know :)” Honey that is so ominous I love you

AGUMON COMFORTING HIKARI AAAAAA I LOVE THAAAT

YESSSSS I LOVE THIS

This image has heavy Digimon Kaiser energy in it

I love how Psi!Jyou is like a try-hard in trying to help (while OG!Jyou was always struggling with figuring out what the right thing to do was etc)

Is... is the enemy a Tortamon? Oh yeah it’s Tortamons

OH WOW THERE’S A LOT OF THEM

OH SHIT IT’S AN GROUNDDRAMON! OH GOD THIS IS GRUESOME

Ikkakumon’s gonna get vored, F

You know I never thought Grounddramon would be so chomby based on the Bandai art but I guess Groundramon’s a real chomper

“Everyone, give Angewomon your power!”

GIGA DESTROYER AAAAAAAAAA

OH IT’S THE BASTARD!! DARK KNIGHTMON!!! THE SEXY BASTARD!! The one I’ve heard an interesting theory about... But I ain’t saying anything fornow

PATAMON EVOLVES??? (On command which is kinda bs)

ANGEMOOOOOON YEAAAAAHHHHHH

NEW ENDING TOO, YAY

Ohhh this ending has such nice, soft but jolly energy c: Also yay Tailmon

28! The Children’s Fight for Survival!

BTW Patamon with angel wings was a lowkey hilarious visual, 10/10 would laugh again

Still don’t like how we just got Angemon on demand like that

Oh yeah, out-of-context I heard a theory that DarkKnightmon is Tailmon and hearing Dark Knightmon’s voice, yeah I can see that (not to mention their facination with Hikari)

Oh man those are some Big Wings

Whu happen, did the kids get yeeted back to the Human World?? Oh no they’re still here

I bet Angemon’s dead again lmao

LMFAO JYOU FINALLY GETS TO CATCH A BREAK--

NANIMON NOOOOOOOOOOOOO

Oh Patamon’s okay- REALLY TIRED (thank you Psi) but okay

I NEVER DISLIKED NANIMON UNTIL THIS VERY MOMENT

I AM SO UNCOMFORTABLE

PLEASE GO AT LEAST 500 METERS FURTHER AWAY FROM JYOU, PLEASE

Hikari being worried for MetalGreymon ;__;

Aweee yeah HIkari’s special Evolution Powers are still here! GET ‘IM WARGREYMON!!

Whoop Hikari got spirited away, F (she’ll be fine, SkullKnightmon ain’t gonna do shit to her, I’m sure)

Hikari volunteered to go... ;_;

29! Escape the Burning Jungle!

THERE’S MORE OF THEM

I mean at least they’re all just chillin’ and enjoying the bath instead of just staring at Jyou. I’ll considder that an improvement

YEAHHHH MEGADRAMONS!!

Ooooo a single lil Lopmon, I wonder if this will be an important character later

I like Woodmon, Woodmon are cool and chill

YEAH, DEFEND THE SMALL AND INNOCENT!

WOODMON NOOOOOOO ;A;

NOOOOOO A BUDMON DIED!!! NOT THE BABIES!!!

What do you mean MetalGreymon hurt when the tiny Allomon bit him ON HIS METAL ARM

I- I need to stay quiet or else I’m gonna end up with too many questions. I mean I already have too many but the less I question it the better

Woodmon, Budmon, I love your energy, please aim for Tankdramon’s eye, you could blind that fucker with ease

PARROTMON?!

30! WARGREYMON AAAAAAA

Man I have been quiet through this entire episode so far lmao

ANYWAY CROSSMON! HELL YEAH have we seen Crossmon animated before?

GIGA DESTROYER AAAAAAAAAAA anyways I think this is the first tme we’re seeing Crossmon animated (unless my memory is garbage, which it might just be)

Aaaand Taichi is dead

OH, HIS CREST IS THERE

WHAT’S THIS

Agumon....... I love you..........

Man this animator is making Crossmon look vaguely too humanoid for my taste.... And MetalGreymon’s super fucking jacked yo

NEW SONG YEEEAAAAAAAAAAAHHH

OH THAT’S SOME SEXY SEXY ANIMATION

OH WARGREYMON’S HUUUGE BRO

HOLY FUCK GAIA FORCE ANNIHILATED ALL OF THEM (but didn’t cause any environmental damage? Handy!)

Lopmon’s totally like Cherubimon or something, right? Reborn Cherubimon, right?

31. MILLENNIUMON

HERE IT IS, THE HEAVY PACKAGE I MENTIONED, THE EPISODE TITLE THAT MADE PEOPLE LOSE THEIR MINDS WHEN IT GOT ANNOUNCED

WHAT THE FUCK ARE YOU DOING PSIIIII where the fuck are you going yoooooo

God WarGreymon’s so fucking big holy shit

OH YEAH LOPMON’S TOTALLY LIKE CHERUBIMON OR SOMETHING (I mean it’s not a plottwist by anymeans lmao)

LMAO Skull Knightmon looked away when Hikari noticed them looking at her lmao tsundere ass fucker

Wait the temple was also on Cloud Continent??? Like that whole area was still a part of Cloud Continent?????????? The geography of this world confuses me yo

BAKEMON!!! THERE’S BAKEMON!!! I LOVE BAKEMON SO MUCH!!! GIMME THE GHOSTIES!!!

NOOO MILLE WHAT THE FUCK DID YOU DO TO MY BAKEMON BABIES!! FUCK YOU LEAVE MY GHOST BUDDIES ALONE

YESSSS CHERUBIMON

OH IT WAS MILLE WHO STARTED THIS ENTIRE FUCKING MESS IN THE FIRST PLACE, HUH

WAIT FUCK MILLE IS BEHIND THE ENTIRE BS IN PSI

...AGUMON CAN EVOLVE TO MUGENDRAMON, WHO IS LIKE, KEY COMPONENT #1 TO MILLE

OH GOD WHAT DOES THAT MEAN

AGUMON EVOLVING TO MUGENDRAMON WASN’T JUST A CUTE REFERENCE TO THE DARK MASTERS, IS THERE GONNA BE THING WHERE AGUMON IS USED TO RECREATE MILLENIUMON??? (And they have to get Agumon Out Of There like they had to extract Tailmon (and Meicoomon until they gave up) out of Ordinemon in tri.???)

ANGEWOMON!!! THERE SHE IS!!

PSI SAYS OFANIMON RIGHTS

Oooo we’re on Eternal/Mugen Continent... Oooo :oc

I like how Sora is the Dedicated Character who will be there when we get like Backstory lmao

METALFANTOMON?! :O YEEAAAHHHH (Ngl when I saw the pink scythe for a moment I was hoping for Jokermon.......)

Oh wow that’s a lot of MetalFantomons

Man Kabuterimon sure is flying quietly (I mean adding the flying sound effect probbaly wouldn’t add much here but... It’s so quiet)

OH SHIT WE’RE GOING TO ULTIMATE ALREADY

I am gonna say, because Psi is constantly moving, like there’s constantly an oncoming threat and the characters never get to take a fucking break (that’s longer than 5 minutes), it just... Because there’s no contrast between danger and peace, it makes the non-stop danger feel far less dangerous imo

DOGGO DIGIMON!!

KOMONDOMON!!

OH SKULL KNIGHTMON HAS MILLE

OH FUCK DUDE

There is one more episode out but sadly I can’t watch it yet because region lock. I do know there’s an interesting, familiar face in there tho and I’m excited for that!

I... I... I can’t believe he actually said that...

“They’re cool pants!” KOUSHIROU LMAO

Anyways, episode preview!

Aaaand nothing of value was seen there. I mean I do know what Patamon probably evolves into because I do follow the Digimon Twitter so like, I saw the relevant art they shared but ye

Anyways a lot of these episodes were dull as usual, I didn’t feel like I missed out on much tbh aside from the sexy animation and the lore

This really drives it home to me how not having a villian of somekind just constantly present and active really makes a story so much more flat for me... Like I ain’t gonna argue Devimon or MetalSeadramon were interesting villians, but even just seeing them planning their next moves outloud and talking to their minions drove home what kind of people they were, and they weren’t even the most Packed-With-Personality villians in Adventure. And while SkullKnightmon is there... they’re just kinda standing around. I don’t know much about them really and it makes me sad

(Look I’m sorry I’m a filthy villian-stan and not having interesting villians to stan makes me sad)

Anyways, as always, I am definitely looking forward to whatever the fuck Psi is planning on doing because 1. Holy Shit It’s Milleniummon and 2. Holy fuck we got WarGreymon and it’s only episode 31, what the fuck are they planning on doing with the rest of the series and indeed 3. Patamon evolves into what

#Psi reaction

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