...Christ, in His sweetness and His gentle sustaining help, comes near to us all across the sea of sorrow and trouble. A more tender, a more gracious sense of His nearness to us is ever granted to us in the time of our darkness and our grief than is possible to us in the sunny hours of joy. It is always the stormy sea that Christ comes across, to draw near to us; and they who have never experienced the tempest have yet to learn the inmost sweetness of His presence. When it is night, and it is dark, at the hour which is the keystone of night’s black arch, Christ comes to us, striding across the stormy waters. Sorrow brings Him near to us. Do you see that sorrow does not drive you away from Him!
Alexander MacLaren; Commentary on John 6:16-21
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...Man's suffering shows what God can do. Affliction, sorrow, pain, disappointment, loss always are opportunities for displaying God's grace. First, it enables the sufferer to show God in action. When trouble and disaster fall upon a man who does not know God, that man may well collapse; but when they fall on a man who walks with God, they bring out the strength and the beauty, and the endurance and the nobility, which are within a man's heart when God is there. It is told that when an old saint was dying in an agony of pain, he sent for his family, saying: "Come and see how a Christian can die." It is when life hits us a terrible blow that we can show the world how a Christian can live, and, if need be, die. Any kind of suffering is an opportunity to demonstrate the glory of God in our own lives.
William Barclay
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you know i'm just thinking about back in may when we were laughing about Jonathan and "his friend Count Dracula" and the way it almost seemed comedic - we know he's a character in dracula but he has no idea
and now it's been weeks since i've seen anyone make a joke about the novel being a comedy. it almost feels like watching a train crash in slow motion, as the characters keep trying to prevent the tragedy from happening when we know their attempts must be futile. the horror comes from the exact same place as the comedy at the start - we know they're characters in dracula but god, they have no idea
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Fun Scum Villain fic concept:
So Shen Yuan and Shang Qinghua are sent back to their original world temporarily due to system shenanigans and need to wait x number of days until they can go back. They wake up at the times of their deaths and get to use this time to do some final things in the world before returning back.
So Shen Yuan of course wants to spend the time with his family and getting to see them again and say goodbye in a less depressing way. But Shang Qinghua doesn’t have that and he’s just finished PIDW.
Shen Yuan makes sure he has enough money to get him through the timeframe (after learning about Shang Qinghua’s financial situation), so he doesn’t need to work to keep himself alive, so he decides he wants to write something a little more heartfelt as a sort of last hurrah.
He decides in honor of the two lives he and Shen Yuan stole, he’s going to share the backstory of Shen Jiu and write a story about Shang Qinghua.
Shen Jiu comes first and it’s mainly just a tale about him and Yue Qingyuan using his unposted backstory, but in the end he decides to make some minor changes so it’s not as depressing. Namely, that when they died, their souls were both sucked into Xuan Su. The pair ended up trapped there, but they were trapped there together in a world that couldn’t hurt them anymore and allowed them to finally be together.
It’s a poignant and bittersweet story that doesn’t excuse Shen Jiu’s behavior, but it does a lot to explain it and expand his character. And while it of course has its detractors, people generally like it and Peerless Cucumber is there in the comments singing its praises for all to see (and there in Shang Qinghua’s apartment smacking him over the head with a rolled up magazine and scolding him for being by such a good writer and selling out on PIDW).
The Original Shang Qinghua story doesn’t really have any old notes to go off. He was never meant to be a fleshed out character and was always just a plot device villain. But Shang Qinghua feels bad for PIDW’s Mobei-Jun, so he decides to write something for his sake too.
In this story, it’s revealed that Mobei-Jun didn’t actually kill the Original Shang Qinghua, but instead worked with him to fake his death after Lou Binghe ordered him dead. Shang Qinghua reveals that the pair were actually lovers and maintained their secret relationship over the years and that was why Mobei-Jun never seemed interested in romance.
And most readers are like wtf except for the bl fans who love it. And even Peerless Cucumber is a little more hesitant to praise it since it sort of came out of nowhere, but he can admit that it’s clever and well written. And Shen Yuan can tease Shang Qinghua relentlessly for it, even if he also approves and finds it very sweet.
Depending on how much more time they’re stuck there, maybe the pair can also write one more story, giving the original Lou Binghe a happier ending too.
Eventually, it’s time for them to go back. Shen Yuan says goodbye to has family and Shang Qinghua says goodbye to PIDW and hopes that his changes and additions can bring people some peace, even if it’s probably too late for those who need them most.
Shen Yuan realizes that Shang Qinghua was trying to alter the canon in hidden ways so that the system could silently incorporate them into the world without breaking anything. He figures it’s mainly for Bing-ge’s universe that’s still more or less PIDW, but being the mega-fan that he is, he decides to put a theory to the test.
It takes a lot less time with the help of the sect, but he manages to grow another plant body like his own. And then with Yue Qingyuan’s permission, he uses some of Shang Qinghua’s new hand-wavy canon to reach out to Xuan Su. And the next thing he knows, Shen Jiu is waking back up in the plant body after years trapped inside the sword.
And of course there’s a lot of questions and Binghe tears, but Yue Qingyuan gets his Xiao Jiu back and Shang Qinghua realizes that his changes must have taken in the other universe too, now meaning there’s less suffering there as well. He gets to curl back up in his king’s arms that night and rest assured that no matter what universe he’s in, both his king and that universe’s Shang Qinghua are well and truly loved.
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Okay but is nobody gonna talk about "my father drank gin" and "put a bullet through my head before i drink gin" like is nobody going absolutely insane over that-
Well i am and im gonna talk about it.
The tragedy of children picking up drinking because they saw it in their parents and so it's much easier to fall into it. And their brain justifying being drunk on something else, as a defence mechanism, against feeling just as bad as their parent. They're drinking something else, so they can't be exactly like them right? But in reality it's often just as bad and sometimes even worse.
This is also genius because all you get is two innocent lines and that's all it takes for you to realise Crozier's past with alcoholism.
"my father drank gin" could just be a thing you say during a toast. "aah, my father loved gin, it's nice remembering things about him" but no. Here it's said so bitterly and hatefully, you know for a fact he drank a lot and Crozier HATED that about him. We can also assume he's dead from something alcohol induced.
And then the other line "put a bullet through my head before i drink gin" - despite what the words actually say - is also something you could say as a joke, when your friend offers you gin, you know. "you want me to drink WHAT??" Sort of thing. But here you kind of feel like... He means it. It's said with so much resentment and stubborness, he might as well mean it literally. "Kill me before i become my father." Because Crozier hated him so much he wants to become nothing like him. Even when it's through impressive mental gymnastics.
It's just agony to think about-
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