🙃 Regular reminder that while Hozier has amazing love songs, he is ALSO very outspoken about his leftist politics, specifically anti-fascism, anti-racism, reproductive rights, Palestinian rights and more.
Take Me To Church and Foreigner’s God are scathing critiques of organized religion, specifically the Catholic Church and the colonization of Ireland.
Moment’s Silence is about oral sex but it’s ALSO about how that specific sexual act is often distorted to a show of power rather than that of love.
Nina Cried Power is an homage to various (mostly Black) civil rights activists from the US and Ireland and a call to follow their path.
Be criticizes anti-migrant policies and Trump and his ilk.
Jackboot Jump is about the global wave of fascism and about protest and resistance.
Swan Upon Leda is about reproductive rights and the violent colonial oppression of Ireland and Palestine.
Eat Your Young is about the ruinous way the 1%/capitalism and arms dealers prioritize short-term profit over everything else to the detriment of the youth/99%
Butchered Tongue is about Irish and other indigenous languages being suppressed and erased by imperial powers.
If any of the above surprised you, please, please delve deeper into Hozier’s music, you’re missing such an important part of his work.
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percy being told that you burn what you'll miss the most and immediately burning his blue jelly beans to talk to his mom. i don't think anyone understands how much of a big deal this is to me
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for anyone too young to know this: watching The Truman Show is a vastly different experience now, compared to how it was before youtube and social media influencers became normal
before it was like, "what a horrifying thing to do to a human being! to take away their autonomy and privacy, all for the sake of profits! to create fake scenarios for them to react to, just to retain viewership! to ruin their happiness just so some corporate entity could harvest money from their very humanity! how could anyone do something so evil?"
and now it's like, "ah, yeah. this is still deeply fucked up, but it's pretty much what every influencer has been doing to their kids for a decade now. probably bad that we've normalized this experience"
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Something I think about a lot is how Rick Riordan very rarely uses "girlfriend/boyfriend" to refer to Percy and Annabeth within their perspectives. They're so intertwined, even Annabeth says in hoh that the word boyfriend isn't strong enough, because Percy was a part of her. They are a singular soul, too wrapped around each others' fates that regular labels are far too weak for them. But, Rick Riordan uses "boyfriend" a lot in Nico and Wills perspectives, not because they love each other less than percabeth, but to show how much the word means to them. Nico uses it any chance he gets- "his boyfriend," "he actually had a boyfriend," because Nico has never been able to say that before. Their struggle with their queer identities mixed with Nico's catholic guilt and chronic everyone-hates-me disease makes the fact that he has someone to call his actual boyfriend so much more important to his character development.
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i saw your username in the corner of my eye and thought it said “fatbabydamian”.
THIS MADE ME BURST OUT LAUGHING 😭 i dedicated a csp file called fatbabydamian bc of you ty
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the way that one line from the new epilogue in an astarion romance is going to HAUNT me
just. what a profoundly intense thing to confess to someone.
like, just these six months of newfound happiness with you exerts a force on his heart equal and in direct opposition to two centuries of endless torment, the gnawing hunger and exploitation. this flashbulb-bright fraction of his long life holds the same gravity to him as years upon years of darkness and suffering.
in all likelihood, he hasn’t even known his lover for as long as his worst memory lasted, that year sealed away to go mad from starvation and sensory deprivation, yet he still tells them this brief time has been so fundamentally and powerfully important that the weight of even that unimaginable hell is vanishingly small compared to this present he has now and the future ahead of them both.
how am i supposed to act normal about this.
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*boomer voice* nobody wants to work any more. they just want to be unemployed and post destiel
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HMMMMM bakugou being just. the absolute picture of sin.
he works overnight and comes home early in the morning, around 3 or 4 am or so, and you greet him and give him a kissy and ask how it all went. and even though it's still dark outside and he's been working for twelve hours—he's still coming off patrol, right ? so he's still got some energy left, and he eats something and takes a shower and winds down as you fall back to sleep.
and it's not until much later in the day that he wakes up, early afternoon, and you're kind of tiptoeing around so that he can get his much-needed rest. you slip into the closet of your bedroom for something and you think you're gonna get in and out without a sound, but his hearing is so attuned to just about anything and everything at this point.
so rough and raspy, he grunts out, "what're y'lookin' for?" and you whip around real fast and he's just—
half sitting up in bed, bare back leaning against the headboard. an arm behind his head, so that his bicep is tense and round and stone-solid. stretched like that, his obliques are more prominent, taut and rippling up the side of his ribcage. he must have gotten hot while passed out, as he usually does, because the comforter is all askew; one of his legs is bent, the fine hair a dark gold in the waning day; the other is hanging off the bed, lightly swinging as he watches you, and the blanket has come down enough that you can see the bulge of his thigh muscles beneath his stupid tiny black boxer briefs.
and he's just so. man. in every single way.
(his hair is flat on one side, too, and his eyes are still a little puffy from sleep—but you think that adds to it, all in all)
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