while i get where this comes from and it’s true to an extent, i reeeaaaally don’t like how people try to explain “trans men don’t [necessarily] have male privilege” with things like “some trans men don’t pass”.
like sure that’s the most obvious example (someone who is seen as a woman won’t have the privilege that comes with being seen a man) but you’re still acting like being a passing trans man is just a free opt-in to male privilege which is………kinda the issue.
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your headcanon abt peppino performing while he cooks reminded me of that scene in kiki’s delivery service where the chef guy does a cool spin with baking pans solely to impress kiki’s cat
peppino’s in the kitchen with brick and he’s like check THIS out. does a sick pizza flip or smth. brick’s like :O!!!
hes so talented !
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One thing I haven't seen people talk about is that we actually do get a direct parallel to "You go too fast for me" in Season 2. It completely went over my head the first time I watched it, but it's the entire scene with Aziraphale driving the Bentley. The more I watch it, the more it seems like a metaphor.
We literally get to see Aziraphale picking up the pace, driving faster at Crowley's instruction- and the comment that he can feel when the Bentley isn't going fast enough just adds a whole new layer.
There's more to go into here- Aziraphale getting his drivers licence when Crowley got the Bentley, him actually being in the drivers seat for once, referring to the car as "our car", attempting to change the car before Crowley insists he change it back.
The last on that list is a big one, I think, if we do take the Bentley in this scene as a metaphor for their relationship. I mean, it quite literally foreshadows the end of the season with Aziraphale attempting to change their relationship to suit him and Crowley flat out refusing that change.
We all thought a title like 'I Know Where I'm Going' seemed to be a continuation of sorts (YGTFFM, but...) and it really did hide That in plain sight.
I would also just like to add, for no particular reason, that Crowley drives away from the bookshop slowly at the end of the season. Something something about the pace, huh?
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someone should have stopped me from putting these side by side but here we are. i can't do this anymore what the fuck.
a difference from at least six thousand years—and they are completely different people, crowley is absolutely right about that. the starmaker was lost in the fall, and crowley has been trying to find himself again ever since.
the final fifteen robbed him of anything light that was still persevering, because crowley's don't bother is him giving up. he's done. he can't do this anymore and then he still waits.
he still waits.
and he will keep waiting.
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