Tumgik
#good for rhea too!!
rheasbrvtality · 5 months
Text
Tumblr media Tumblr media
and stole the man’s glasses
286 notes · View notes
brotherconstant · 5 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Best Of KAROLINA NOVOTNEY in SUCCESSION (Script) | 2.09 | DC
239 notes · View notes
ramyeonguksu · 7 months
Text
Put in the tags whether your FE3H OC would thrive outside of their "main" route or not!
72 notes · View notes
dynamitekansai · 11 months
Photo
Tumblr media
RheaRipley_WWE: Family always support family ⚖️
116 notes · View notes
phantasyhalation · 1 year
Text
I've been reflecting on Three Houses discourse lately. Terrible idea, I know. But between a few conversations and digging through YouTube cutscenes, I think I've reached a new perspective on it: 3H discourse isn't obnoxious due to any extreme flaw of the text. Characters do act inconsistently across routes, and Rhea suffers from particularly fragmented writing (and underwriting for that matter: she could use supports). The game certainly lacks the nuance required to give any real Commentary beyond its position in the series worth mulling over for any prolonged period of time. However, i feel the key issue at hand is that 3H itself is deeply unconcerned with its politics, themes, and world despite all appearances to the contrary.
I'll be clear: CF and BL are both perfectly serviceable FE plots in isolation, and hit enough of the beats they need to in order to provide a satisfying initial experience. GD and Church suffer from being so disconnected from the main conflicts, which I can forgive for Claude, but really not the Church. In terms of narrative structure and character writing, ~95% of 3H is serviceable to good. The real issue worth talking about is the baffling playtime inflation required to walk away feeling like you had a full narrative experience: other 60 hour RPGs don't demand four replays, and if you're with the developers in the 'people should play it once, or twice' camp, then we're talking about 80% of a narrative. That's a failure of its own, and it only gets worse if you start to turn over the holes and inconsistencies you're still left with after going through the whole experience.
That said, the game doesn't say anything. The game is content to throw child abuse, forced marriage, even genocide at you constantly in its support writing, and every route has some Dark Themes of its own to throw at you despite 3/4 of them being generally triumphant stories on the whole. So how do the characters respond? How do these people, caught up in the physical and emotional center of a thousand years of turmoil and oppression, seek to change their circumstances, or the world? How's it all resolved?
Well, they don't care to change it. And they don't care to resolve it. Despite the dozens of hours you can spend digging through miserable supports between miserable people about their miserable little lives, the House Leaders and Rhea are the only ones who can do anything about it. This is fairly typical of this sort of interactive fiction story structure, although not ideal. But they don't do anything either! Rhea's motives are all personal, tied to the ancestors of Evil Underground Race Of Child Torturing Elites rather than her main living adversary. Even then, they're barely elaborated on in any coherent or sustained manner despite her position as literal immortal authority of the Sad Continent. So what about Edelgard? She's the main catalyst for change, after all! Well, she writes a manifesto offscreen, and waxes poetry about the Divine Right in supports a few times, but the main indication of... really, any of her meaningful beliefs beyond "shit is fucked up and things should be fairer maybe" comes from a Ferdinand support five years after she starts the damn war where she considers a very basic Policy she'll need to enact . Claude has his one policy, and it's "we should participate in the global economy maybe". Dimitri has none, because Blue Lions is a Fire Emblem Story, and the two policies available to Fire Emblem Characters are warmongering or opening an orphanage. Ironically, this makes him look like a worse ruler than the game seems to realise, because he wants to maintain and restore a status quo which made everyone he knows and himself miserable. Edelgard's naivety and shortsightedness in certain areas* would probably be less polarising if she was working on any solid ground to begin with. And while Claude has some ideas, he's extremely inconsistent on the issue of Rhea in Houses, and suffers from the Church route outline throwing him around every direction with little emotional drive behind it. Everyone else at least gets to cry through the screen at you about their compelling personal problems.
(*By this, I'm thinking of the issue of the other, chiller Nabateans, if she knows they exist (this is not clear), and being able to articulate the fucking Casus Belli she supposedly produced a manifesto on. The reconquer-kill in retaliation dialogue wasn't great translation, but it doesn't excuse every other interaction. The closest she gets to articulating a sense of societal injustice is saying "I personally chose war death over status quo death" outright and closing the case. Did Fodlan's intellectuals never have a rhetoric phase? Good grief.)
And what of the minor characters? Well, despite the restricted and smaller cast all being around from the start, we don't actually get to see them reckon with the world at all. You'll get some interesting Monastery dialogues if you do strange recruitments, : otherwise, the support system needs to be universal, and it needs for most of the writing to occur before there's any sign of change on the continent. Characters will discuss serious personal traumas inflicted upon them by institutions and society while not seeking to do anything about it, receiving nothing beyond simple empathy or a little pushback from the other party. Every Byleth support is a therapy session with a brick wall, and every other one is nice frivolous banter or Extreme Society Time. No characters get to do anything interesting with any of this, of course, as Society is reformed in very basic terms before every endcard, and non-Lord students might as well not exist in Part 2. Fire Emblem's structure can facilitate interesting characters, and they can be strengthened through gameplay! Three Houses is bad at this, however, and despite getting to know characters and their relationships much better than most other entries, we barely get to see them respond to the world they're constantly moping about.
For contrast, Engage, maligned as it is (for some reason), gets at the theme of family with its cast and the important beats of its simple plot with greater consistency, lucidity, and depth than anything Three Houses attempts. I'm going to spoil some basic character details, so please skip the next paragraph if that's a concern.
Engage is laser-focused on Alear's development, expressed through their conflict with Sombron (deadbeat father) and relationships with Veyle (disempowered younger sibling of conflicted allegiance) and Lumera (literal found family). Other characters in focus include Vander and the twins, who have a mentor-successor kinda dynamic, and the Royals, who all have particular relationships with their parents, country, and younger siblings, which leads to some interesting supports between them all. The retainers all have their reasons for sticking by their employers, and usually have lives back home of their own: Rosado and Kagetsu come from cultures contrasting to the elite cast which they both love, Pandreo and Panette are siblings from a broken home who roll with the punches very differently, Citrinne and Lapis have mirrored class backgrounds but both support one another and Alcryst in their own ways, etc. Even beyond that, you've got characters like Seadall and Yunaka who have very contrasting relationships with Mentorship, or Saphir and Lindon, who've both lost loved ones under very different circumstances and approach their later years and relationships very differently as a result. You can't break Three Houses down like this, and that's not because it's complex too. Three Houses is all motif, and any attempts to get past the superficial layer of a given theme aren't given room to breathe or are terminated by the support system's limitations.
Despite all this, the game is fun. The support writing is compelling, the setting is fascinating and very well-introduced in the opening hours, and the stakes are consistently high. 3H is a fun romp. It knows this! What it seems to have missed is that taking on all those mainstays of darker fantasy and Intrigues common to epics and Hard genre works gives the game the gritty sort of texture which draws the audience's attention social realism and high politics, both of which the game cannot engage with. Where institutions or Ideology exist, they're expressed through singular characters who themselves are angled as having rich internal worlds, and all discussions of war and politics start and end at pathos. Three Houses is actually aiming to encapsulate the most intense experience of unit growth and character development in the series through the setting and gameplay structure. Unfortunately, there's also a world attached, with character motivations given astronomical weight by constant escalation of stakes across several timelines, and all these gestures towards History and Politics which ultimately go unfulfilled. This dampens it a bit, I feel - and it's those very gestures which got people so riled up fighting over a bunch of colour-coded autocrats who never discuss taxation over 200 hours.
97 notes · View notes
i-am-just-a-girli · 2 months
Text
Hey soo today was my 1st board exam and well it went really well so I decided to order some pizza to yk celebrate my happiness (tho it was English but still). Now I also ordered pepsi along with my pizza and I only got the pizza. There was no pepsi. So I thought of complaining (in the app as I noticed after the delivery guy was gone) but then I realised I'll have to talk and explain and just urgh. So I just decided to give it 1 star. And now I feel pretty stupid.
Yeah.
🫠🫠🫠
18 notes · View notes
rinnysmuses · 1 hour
Text
Pulling her legs to her chest, Rhea swallowed hard. She wasn't worth it. Worth nothing. She was garbage. Complete garbage. Why did anyone waste any time on her? She was...
Why was she even here? Why was she even trying to help them? With their goals?
She was nothing.
Absolutely nothing.
Except for garbage.
9 notes · View notes
rillette · 1 month
Note
pspspsps idina menzel would make a cool carol ferris
Consider: rhea ripley
Tumblr media
12 notes · View notes
Text
Rhea's wrestlemania 40 entrance just itches that part of my brain where I'm just sitting here rewatching it over and over again.
8 notes · View notes
rheasbrvtality · 4 months
Text
i cant with this man 😭
147 notes · View notes
randomnameless · 1 year
Text
Tumblr media
Rhea BaD
39 notes · View notes
Text
Honestly the only thing Hanneman had to say to me was "Lore" and suddenly I was all over that old man.
5 notes · View notes
saulbaby · 2 years
Text
I love how Bob said that the difference between Jimmy and Saul wasn't conning and fast talking. That's all Jimmy, he says, he's been doing that since he was a kid. The difference is that Saul is when he became completely aware of all the consequences and decided not to care.
47 notes · View notes
narcan-necromancer · 1 year
Text
The fact that Rhea Ripley is straight is a fucking travesty. What a waste.
16 notes · View notes
i-am-just-a-girli · 3 months
Note
how did your chem practicals go? i hope it went well <3
Aww thank you for asking <3
It went great actually I think I might get 30/30!!
4 notes · View notes
casstration · 7 months
Note
omg u have glasses describe them 2 me pls I feel like glasses say a lot abt a person so I need to know xxxx love u
rhea hello hello!! and ok my glasses....they're like a squircle shape, not too square and not too round, and they're a mix of dark and light brown. like tortoise shell vibes i think (<- im doing a horrible job describing so im putting a picture under the cut lmao)
i also have a hangyodon case for them that i bought in japan! he's my fave sanrio character so that's very fun
Tumblr media
3 notes · View notes