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#good luck in 2022
stil-lindigo · 1 year
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the machine.
a comic about being a 'creator' online.
creative notes:
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emo-batboy · 1 year
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A Wild Battinson (Social Media AU)
Part 14 (Masterlist)
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(Part 15)
(Yes, I did spend two days writing a cute six-part storyline. You’re welcome. Also, I’m pretty sure I’m just going to update these fics on Sunday—Thursday now. Except for this Friday. Because of the storyline.)
@bruciemilf HELLO!!!!
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yumedoca · 2 months
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Urusei Yatsura artists! Draw this in your style (DTIYS)!!
The poll has ended and the results are clear, so here it is: The UY DTIYS challenge!!
Remember! Anyone can do the DTIYS no matter what your skill level is or whatever the quality of your supplies are; and there is no due date for the DTIYS, so even if you think of attempting it months or even years later, you're completely free to do so!
And with that aside, here it is, the art to be redrawn!
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Illustration from the cover of Urusei Yatsura Tankobon Volume 33.
A very good luck to all the artists who will be doing the DTIYS, I honestly can't wait to see your work! ( ^ω^)
And of course, reblogs for this post are appreciated since it may allow more people to know about this and if you have any queries, feel free to ask! :)
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frecklystars · 2 months
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i think they'd get along :)
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il-predestinato · 2 years
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Charles Leclerc’s right hand 🖐🏼 | media pen | 2022 Dutch Grand Prix
📸: Imago Images (September 1, 2022)
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kostastsimikas · 1 year
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training ⚽
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snailsfall · 1 year
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kimikoyukiart · 1 year
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Estimeric fanfic sketches
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Fic names in the captions (and secret link)
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russellius · 2 years
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GEORGE RUSSELL      ✹ 90s British GP advert ✹
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pb-dot · 3 months
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Film Friday: Bullet Train
I've been missing a few Film Fridays lately, partially because mental health has just kinda been like that and partially because I've been struggling with a slightly more meaty analysis that my brain just won't let me figure out properly. As such, I'm going to get into the swing of things again with a movie that is pretty stupid, and I say that with all possible love and admiration.
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Ladybug isn't really comfortable with the title of hitman anymore, he's trying out a more harmonic life, but even so he does find it in himself to undertake what should by all accounts be a simple last-minute job. Board the eponymous train, grab a suitcase, and get off at the next station. Oh, were it only so easy. Turns out said bullet train is flush with kooky assassins and hitmen who are either out for the suitcase, the lives of one or more of each other, or have larger and more ominous designs.
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There's Ladybug, of course, the quirky pair of British wetworks men Lemon and Tangerine out to escort a drugged-out VIP and a suitcase full of money, notorious and sneaky The Hornet who's skulking about somewhere, the megalomaniacal but brilliant Prince playing a larger game with the life of desperate father Kimura's child as ante, as well as the hot-headed Wolf who is out for vengeance and a paycheck, but mostly the vengeance thing. It's quite the web of coincidences, interferences, and merry chaos as these murderers navigate the crowded train.
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It's chaotic, but one throughline that honestly makes the constant shifting priorities and allegiances of Ladybug and the other hitmen work is that it's all a job to them, a very messy job that may or may not be arranged by a Russian usurper of the Yakuza crime syndicate known as White Death, but still a job. Whenever it's expedient for our heroes and antiheroes to not kill each other, they'll show professional courtesy to each other, bantering in that "a little bit too cool" stylized way that's second nature to Hollywood assassins.
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What sets the banter apart, though, is a distinct sense of humor. Lemon, much to Tangerine's annoyance, has a theory of human personalities and moral character based on Thomas The Tank Engine. Ladybug has luck that fluctuates wildly between being impossibly good and impossibly bad, and he has a problem with remembering faces which makes some of the networking with his fellow killers challenging. Wolf's role in the movie is short in a way that feels darkly comedic yet apt, and I was surprised to learn this was, in fact, a cameo from musician Bad Bunny (listen, I'm old, ok?)
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It's all breezy fun. The movie takes itself about as seriously as any movie that features a Japanese-language cover of "Holding Out For A Hero" in a moment of high drama, but that's fine, the movie expects you to chuckle along, knowing full well it has your heart in a vise by the third cover of "I'm forever blowing bubbles." Not a joke by the way, the few moments that Bullet Train allows itself to express emotion more complex than "holy shit" and/or laughter, it's acted well enough and with enough genuine skill that it actually gets to me a fair bit.
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It'd be an act of overstatement to call Bullet Train all that deep, but it adds up to more than the sum of its parts. It ends up saying some fun things about fate. I wouldn't exactly cite it in a philosophy paper or anything of the sort, it is fun to sit at the end of the "Michael Shannon plays Russian roulette in an oni mask to look badass" movie and go "You're right movie, maybe human misery DOES come from the hubris of believing ourselves to be masters over fate." I don't know, it's just nice for a crowd-pleasing action movie to go out on a note of what seems like a genuinely held belief and not "welp that happened" glibness. It reminds me a bit of Mr. and Mrs. Smith like that, a movie I'll probably end up talking about here one of these days.
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Good Luck To You, Leo Grande (2022) Director Sophie Hyde Starring Emma Thompson and Daryl McCormack
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nephilim-tears · 2 years
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Finals mood board
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ladyantiheroine · 10 months
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My new favorite movie subgenre is “sex worker and their client meet in a hotel room for sexy times and end up unpacking personal baggage along the way.”
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limesquares · 2 years
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for @quiescentlunacy ! you know i can’t resist an evil scientist 😫
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Hey guys, it’s time to share my favourite film watches of 2022! I can’t say that I saw every film that was on my watchlist but I think there were some definite highlights. In ‘new releases’ we have this Top 20 (very loosely ranked!): 1. Aftersun (dir. Charlotte Wells) 2. Tár (dir. Todd Field) 3. The Woman King (dir. Gina Prince-Bythewood) 4. The Wonder (dir. Sebastian Lelio) 5. À Plein Temps (dir. Eric Gravel) 6. Mrs Harris Goes To Paris (dir. Anthony Fabian) 7. Good Luck To You, Leo Grande (dir. Sophie Hyde) 8. Les Passagers De La Nuit (dir. Mikhaël Hers) 9. The Quiet Girl (dir. Colm Bairéad) 10. L’Événement (dir. Audrey Diwan) 11. The Fabelmans (dir. Steven Spielberg) 12. Fire Of Love (dir. Sara Dosa) 13. Les Années Super 8 (dir. Annie Ernaux & David Ernaux-Briot) 14. Les Olympiades (dir. Jacques Audiard) 15. Nobody Has To Know (dir. Bouli Lanners) 16. Ali & Ava (dir. Clio Barnard) 17. Top Gun: Maverick (dir. Joseph Kosinski) 18. Dowton Abbey: A New Era (dir. Simon Curtis) 19. Emily (dir. Frances O’Connor) 20. Rien À Foutre (dir. Julie Lecoustre & Emmanuel Marre) And in ‘older releases’… 1. The Worst Person In The World (2021, dir. Joachim Trier) 2. Amanda (2018, dir. Mikhaël Hers) 3. Ce Sentiment De L’Été (2015, dir. Mikhaël Hers) 4. The Broken Circle Breakdown (2012 , dir. Felix Van Groeningen) 5. Bright Star (2009, dir. Jane Campion) 6. The Handmaiden (2016, dir. Park Chan-wook) 7. Daphne (2007, dir. Clare Beavan) 8. Oslo, August 31st (2011, dir. Joachim Trier) 9. Robin And Marian (1976, dir. Richard Lester) 10. La Belle Saison (2015, dir. Catherine Corsini) As hard as it is to believe, 2023 is almost upon us, it's time to wish you all a HAPPY and SAFE New Year. Have a wonderful time wherever you are in the world. Big love 💗💗
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skycowboys · 2 years
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Jufly day 12 - High Noon 
Out in the Talon Lands, usually the best way to get a bandit off your tail is to face them head on. Often times the pure show of courage is enough to deter most.
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Discord | Patreon | Jufly 2022 Prompts    
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