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strawberrystepmom · 4 months

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gojo x f!reader. very self ship coded. fluffy, a little hurt comfort-y. cw for light misogyny from higher ups. wc 1.5k

divider thanks to @/cafekitsune like usual

“Anything in those bags for me?”

You snort, bare feet padding across the shiny wooden floors of Satoru’s apartment that is also technically your apartment despite the fact you keep your apartment across town in case he’s really on your nerves, dropping them on the floor in front of you. He looks over the edge of the sofa, one arm slung over the back carelessly, and you can’t help but smile at him looking so relaxed despite the fact you lack the same ease.

“Nah, these are for me,” you retort, not mentioning the small box with the delicately wrapped lingerie at the bottom of the largest bag. He’ll have to wait until later to find out about that one. You leave the bags behind and walk toward the couch, leaning over the edge to give him a kiss.

“What’s the occasion then?”

Reaching down to wipe your gloss from his bottom lip, he nips at the tip of your thumb and you smile. He’s good at disarming you, something both of you have learned over the years spent side by side, and you climb over the edge of the couch and plop down on top of him.

“Higher ups.”

He hums, the sound laced with disbelief.

“I don’t think you’ve ever broken a rule in your life. What do they want?”

Giggling, you roll your eyes. Sometimes he behaves as if he forgets you’re milder now than you used to be, the fury of your youth something that became unimportant entering into your twenties.

“You know very well I’ve broken many rules in my life, especially theirs.”

“That still doesn’t answer my question.”

Sighing, you snuggle into his chest and press your cheek to the area right above his heart, the steady beating comforting your anxious nature. He wraps one arm around your back and traces lazy circles over the back of your arm.

“They think I’ve given my students too much freedom, Maki especially. It’s a scolding.”

Admitting your anger aloud would feel like a loss so you simply sigh, pressing your face against Satoru’s chest and closing your eyes. He continues rubbing circles into your skin, watching the tension slowly melt out of your limbs, but now he is wound up.

How dare they question your methods? None of them have any clue what it’s like to be in the role the two of you both are, strength removed from the equation, and it feels like yet another overreach of their power.

“They’ve been on my ass for months, this is just the latest thing they’re mad about.”

Satoru scoffs, shifting and sitting up. He pulls you with him, keeping you pressed to his torso while getting comfortable. His face gives away every ounce of his concern, brows furrowed and eyes narrowed.

“What do you mean months? How often have you been seeing them?”

Your face doesn’t hide your surprise that he has somehow missed out on the last five times you’ve been summoned to address what would otherwise be very routine issues to be handled between yourself and your immediate supervisor Yaga.

“This is like the sixth time they’ve asked me in to talk…” you trail off and he reaches up to cup your cheek.

“There’s more you want to say.”

You nod and half shrug.

“Feels kind of pointless to say it though.”

He pinches your cheek and you smile, trying to shake him off of you but giving up and after a moment, giving in.

“They’re mad at me because we’re together. This is a punishment for distracting you and everyone else I’ve mentioned the situation to agrees with me.”

Despite being a tiny bit annoyed you’ve seemed to discuss these meetings with everyone but him, he understands. The mythical heads of the sorcerer community have always tried to keep his leash just loose enough to let him roam but tight enough to keep him controlled and now that is extending to you in the form of bureaucracy and bullshit.

Gojo Satoru, head of the Gojo clan and the strongest sorcerer, won’t allow it.

“What have the other meetings been about?”

A serious Satoru is a beautiful and terrifying sight, his jaw ticking and his face set in a hard glare. It isn’t often he gets this fired up and you’ve intentionally kept the situation quiet to avoid giving him something else to worry about. Selfishly, it makes your heart beat faster knowing that he’s so willing to jump to your defense.

“First one was about my technique and the logs I’ve been keeping of exorcisms performed in my domain, three of them were about my students, the most recent one was about, well, you.”

He frowns and you know he’s asking you to elaborate although you’re embarrassed to even be discussing the most recent meeting. You cried the moment you left the meeting, tucking into a corner long enough to compose yourself to keep Nitta from worrying about you the drive back to the campus.

“They reminded me we aren’t allowed to go on missions together.”

A humorless chuckle is all he can manage. The gall of these people shouldn’t surprise him the way that it does after all these years yet they still manage to pull one over every now and then.

“What exactly was said?”

He sees the shift in your face and knows immediately their words must have been full of bluster and cruelty disguised as tradition. Of course they aimed them at his partner, his girlfriend, rather than the man they have so many issues with. Satoru softens, pulling your head toward his lips and pressing them against your forehead.

“They said they won’t pay for us to go on “little lover’s vacations” just because we are unprofessional.”

The mocking serious tone you use to mimic these powerful men makes him laugh and he kisses your forehead again. He knows you well enough to know that you are still holding back everything that was said to you but he understands why.

“Well, fuck them.”

Laughing and shaking your head, you lean into Satoru’s big body with a contented sigh.

“We’ll see how tomorrow goes. Maybe I’ll tell them just that.”

You both know that you would never but he laughs at you anyway.

“If you don’t I will.”

You were happy to let the conversation die there, instead mentioning that there may be one thing in your shopping bags for your spoiled boyfriend. It served as distraction enough that you didn’t have to discuss the heavy stuff and the evening was spent focusing on more pressing matters.

This morning, though, Satoru isn’t willing to focus on other matters.

Riding the elevator to the bottom floor where these meetings take place, you straighten out your new blouse and ensure your skirt is acceptably pressed above the knee. Anxiety runs wild through your body but you breathe through it, sweaty palms clutching the handle of your purse.

The elevator doors slide open and you step out, jumping and shrieking in terror at the sight of a blindfolded Gojo standing in front of you.

“Holy shit, what are you doing here?”

He grins and you swear it lights up the dim surroundings.

“I’m not going to let them treat you that way.”

The support means the world but the notion of him saving you makes you uncomfortable, shifting your weight from foot to foot where you stand.

“You don’t have to stand up for me, Satoru…”

He shakes his head and puts one hand on your shoulder, burying the other in his pocket nonchalantly.

“Oh I’m only going to be supporting you from the outside. I know you’re more than capable of telling them to stick their old man opinions up their asses, isn’t that what got you in trouble your third year?”

Smiling at the memory, you nod. That was indeed what got seventeen year old you in enough trouble you were off missions and in detention for a month.

Yaga let you watch TV and tap away on your handheld game device the entire time in lieu of actual punishment.

Satoru’s grin softens into something sweeter and just for you.

“Don’t forget who you are. You aren’t just my girlfriend.”

His emphasis and both just and my make you laugh but you quickly compose yourself, straightening your shoulders and spine and letting Satoru pluck a bit of lint off of your top. He claps your shoulder and shakes you just enough that you strangely feel steadier, ready to face whatever opposition lies down the flight of stairs a few feet away.

“Thank you, Satoru.”

He shrugs.

“I’m just looking forward to listening to someone else handling you while you’re mad.”

Another nod is exchanged between the two of you and he squeezes your shoulder one last time before turning you in the direction of the staircase. He pats your ass once and you slap at his hand but confidence is all you feel heading down lower.

Gojo has never been more certain he picked the right one in his life.

#gojo x reader #gojo satoru x reader #satoken #kendall writes

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imjackdotcom · 1 year

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#rhett and link #good mythical morning #should i tag this with rhink #yeah #rhink #our flag means death #what's that ships name #gentlebeard

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focsle · 1 year

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I never did a long thing about scrimshaw, so it’s time! At 1 am, apparently.

I think scrimshaw is one of the most fascinating material goods to emerge from the history of the American whaling industry (which is the context I’m discussing here, though of course the artform exists across numerous eras and cultures outside this brief blip of nautical history).

It’s one way to see amatuer art that usually doesn’t often survive in other forms. To see the art project of an ordinary man who was bored and needed something to do with his hands. Others were highly skilled craftsman, creating intricate engravings or mechanically expert tools. The most common scrimshaw was images etched on sperm whale teeth. Sometimes those images came from the maker’s own imagination and sometimes they were copied illustrations. Ships & whaling scenes, women, mythical figures, and patriotic symbols make up the bulk of the visual language in those pieces that survive.

But alongside the teeth were all a manner of carved items: canes, candle holders, pie crimpers, children’s toys, sewing boxes, yarn swifts, corset busks. So much bone fashioned into quiet little homegoods. And it’s that contradiction within scrimshaw that fascinates me. The brutality of the industry, this ivory from an animal that frankly died terribly, that’s then softened into a little domestic item. An object that could have hours to years of work put into it. Some were made to be sold but many were made as gifts. In the long stretches of boredom at sea, in the lull between back-breaking work and life-threatening terror, scrimshaw gives a window into where the minds of these men continually turned. It shows where their hearts were and what they were holding on to over all the years they spent adrift in saltwater and blood and oil. That’s the poetry I see in scrimshaw. Pain and love and longing and creativity and playfulness all bound together in these complicated little pieces that found their way out of the hands of their anonymous makers to preserve a small part of their story.

Some scrimshanders names are known. Frederick Myrick is one of the most well known American whalers, not so much for the scope of his life (of which little is known) but for his scrimshaw. Born in Nantucket in 1808, he first went whaling in 1825 on the Columbus and then again on the Susan 1826-29. In the last few months aboard the Susan, Myrick engraved over 30 sperm whale teeth, all depicting the ship he was on (though there are a handful that depict other vessels). He signed and dated nearly each one. These pieces are often referred to as ‘Susan’s Teeth’ now, and when one comes up at auction it’s not unusual for it to sell for six figures.

Many of the teeth Myrick scrimshawed included an inscribed couplet of his devising: A dark wish for luck that succinctly gets at the violent and unstable heart of American whaling.

“Death to the living, long life to the killers Success to sailor’s wives, and greasy luck to whalers”

Sometimes large scenes were etched on panbones as well.

Moving from scrimshaw on teeth and jawbones, pie crimpers are some of the more common sculptural items. Popular motifs included animals (dogs, snakes, and unicorns/hippocampus are big), body parts (mostly clenched fists or lady’s legs), and geometric designs.

Others were more mechanically complicated, such as automatons and children’s toys with moving parts and gears. Here’s one of a small rocking sailboat, perhaps made for someone’s child or younger sibling.

Sometimes a particular creative fellow created something more eccentric, like this wild writing desk kit fashioned out of a carved panbone and sperm whale teeth.

Another frequently scrimshawed object was a corset busk that would be slid into the front of the garment in order to maintain the posture. A rather private item compared to others. And one with a very on-the-nose message of wearing close to one’s heart the memory of someone who’d be gone for 3-4 years, who might never come home again. On some level, so many of these daily objects whispered ‘forget me not’, ‘think of me while I’m gone’.

There’s something tender to all the various domestic items that were fashioned on the job so long and far from home, but it’s the yarn swifts that really captivate me. They were one of the most complicated pieces of scrimshaw to make, with over one hundred different pieces that would have to be carved. It could take someone the length of the voyage (2-4 years) to complete a single one. Unlike teeth which were comparatively very quick to make and were frequently intended to be sold, it’s very unlikely that a swift was made with the aim of selling it because of the significant labor that went into it. They were almost certainly all gifts, and very special ones at that. Every time I see one I can just feel the love towards its intended recipient radiating off of it.

Scrimshaw captures a specific snapshot of a moment in time. On a broader scale it’s a surviving reminder of a bloody industry that flared up and winked out, preserved in the form of a long-lost ship and the spout of a long-dead whale inked on a yellowing tooth. But that snapshot also reveals the emotional world of the men who were caught up in such an industry: what they valued, what they thought about, what they missed, and what they wanted to be remembered of them.

#awhalin #long post //#animal death //#ok bedtime

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zwhoreo · 8 months

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IM SO HAPPY TO HAVE FOUND AN X READER BLOG SPECIFICALLY FOR LUFFY hes my biggest comfort character and i never see a lot of ppl writing good content for him, so tysm ; v ; have u ever considered writing something about reader reacting to hancock’s fixation on luffy??? or like meeting her and how reader would react + how luffy would react in an au setting of having a girlfriend???!!! (•̀ᴗ•́)و ̑̑

you’re sooo sweet :’) I love writing for him sm I’m so glad I can be there for that <333

we’ll see how I did with this… hancock is a very important character to me and I haaate when luffy x readers villainize her. so I tried my best to be respectful in this fic and try something kinda different…

meeting boa hancock - luffy x f!reader

angsty fluff… mostly centered around you and hancock

summary: when you and luffy need to fight by hancock’s side in battle, you’re terrified of what might happen if she finds out you two are together. But, as you soon discover, you can find friendship in the most unlikely places.

words: 2.5k

________________________

Your wrist is sprained. It’s not your hand you use to wield your cutlass, thankfully, but the pain is hard on you, you’re ashamed at your inability to deal with pain, in comparison to your crewmates who sacrifice so much. You can’t climb sheer cliffs or take swords to the chest. Your body is weak, you fear, you don’t think you could handle taking on a crewmate’s pain, although you like to think you would try, because you’d risk your life for them. Right now you can barely handle a sprained wrist, made worse by the humiliation of a capture by the Black Dove Pirates, when your loving boyfriend had to battle to save you.

The Black Doves are led by, well, Black Dove, a horrific man with a mysterious zoan-type devil fruit giving him the abilities of a kraken, massive, lethal tentacles capable of sinking ships. Restraining himself from a passionate fight, Luffy’s top priority was getting you to safety, you and your sprained wrist, you had tried to fight, after all.

But now the Black Doves have declared war, leaving you and the crew terrified of an unmatched battle with the notorious pirates and their mythical captain. But Luffy had a friend to call, a powerful friend, someone he told you was someone you could count on, that you had nothing to worry about now.

Boa Hancock.

You knew of her, of course, and you were thankful for the surprising alliance, until you remembered what Luffy had said, when he said it far too casually, that Hancock wanted to marry him.

You’re overcome with anxiety at not only the imminent battle with the Black Doves, but at the thought that you were in danger from all sides, the wrath Hancock would bring down on you if she ever found out you and Luffy were together.

In the heat of battle Luffy has often held your hand and given you angry kisses when he can. It’s a comfort for him, it gives him strength and motivation, it reassures him that you’re safe in his arms. He calls you pet names and hugs you and always makes sure he knows where you are, making sure you’re ok. But he can’t this time. You plead and beg him not to even though he doesn’t seem to understand why, really. He’s disappointed, but you assure him that before and afterward you’d get a special night together to make up for the stolen closeness.

_______________________

The rest of the crew are set to battle the titanic kraken guarding the gates of Dove’s hellish mountain island domain. A sneak attack is your only option but they didn’t make this easy. It would be you and Hancock against the top men of the crew, and Luffy would battle Dove. You aren’t confident in your abilities, you wonder why you’re here alongside two of the most powerful people of the seas, but Luffy wants you close, maybe. And he thinks this fight will be no problem, even though you tell him you have a sprained wrist and you’ll just drag everyone down.

And as soon as she sees you, the instant your eyes meet, Hancock despises you. Her gaze is deadly and cold, and even though you try to put distance between you and Luffy your very existence triggers pangs of jealousy within the empress.

Luffy, although largely oblivious to why, can sense the tension and he hates it. He wants you all to be friends, be a team. When you and Hancock stand in silence, staring at each other on the rocky shore, he complains, “c’mon! Lessgo!” with anxiety in his voice. And he holds both of your hands and pulls you two along behind him, making you and Hancock both blush, Hancock is transported to another more comforting world in that moment but you are so wracked with nerves that every sense around you becomes overwhelming and far too much.

You look at Luffy with begging eyes when he squeezes your hand and not Hancock’s, although she doesn’t seem to notice.

The three of you run up the jagged black-stone path into a bombed-out looking castle, you gingerly survey the landscape as crew members lay drunk on whiskey, passed out and unbothered by lightning flickering overhead. You came at the perfect time.

Before running off to find Dove, Luffy is about to lean in for a kiss when you dodge and shoot him a look. Which immediately makes you sad, because Luffy looks upset when he turns his back and heads off into a brutal fight that awaits him. It’s your biggest fear that you’ll lose him, made worse by imagining your last interaction as one of sadness, but you feel Hancock’s malicious eyes on you and there’s nothing you can do.

You hear a shout, suddenly, echoing through the ruins. A crew member has heard you, an axe wielding menace with glassy white eyes. Hancock whips her head around and immediately tries to turn him to stone, but the man is blind, you both realize. It’s no use.

“I’ll take him, just go!” you shout at her, the first real words you’ve said. And Hancock glowers at you and focuses her attention elsewhere, because the crew has been alerted. And Dove has risen, you see, coming face-to-face with Luffy and towering above him at what seems like at least twelve feet. Black tentacles begin forming from his massive, muscular frame and an evil smirk spreads across his face.

Your heart leaps into your throat for Luffy’s safety but you have other things to worry about. The axe wielding monster swings at you and you manage to dodge, drawing your cutlass. It’s a harsh and desperate battle, your movements still clouded by worry which makes the throbbing in your wrist worse, but it’s when you lead the sightless beast to a precipice that you trick him and let him fall to his death on the rocks far below. You’ve slayed your first Black Dove pirate, but there’s many more and you need to dive head first into war.

You’re amazed by Hancock, really. At a snap of her hands half an army turns to stone. Her control of haki is like nothing you’ve seen before, her sharp, quick intelligence adjusting at a moment’s notice to other forms of attack. She does all of this in heels, in a graceful dress, beautiful raven hair flying in the wind as she fights with all her heart. You find yourself envying her, her jealousy over you nearly matched by your own.

But she still kicks crew members out of her way and towards you with no real regard for your safety. She still hates you, just for being a woman on Luffy’s crew. Even though you’d done nothing wrong.

Despite Luffy’s best efforts, he’s smashed into the sharp stone by a tentacle and struggles to stand again, groaning and coughing. Dove sees his crew in danger and wants to make quick work of the two women disturbing the peace on his island.

There is too much evil in his heart for Hancock to turn him to stone. And his tentacles are too fast for her, she’s cornered, now, on a cliff and Dove is going to knock her into the ocean. At the speed of light the inky tentacles come, taking advantage of Hancock’s momentary stillness in her sinking terror and desperation, and how she sees Luffy on the ground and screams in worry and is distracted for a precious instant. But before she’s sent falling to her death, she’s knocked from the side, slammed onto the ground and tumbling, held in your arms, down an incline and into the remnants of a turret. Dove can’t reach you from here, giving Luffy enough time to resume his fight.

You had grabbed Hancock and pushed her desperately to safety, you had saved her, and now you both lie there in the dark on the dirty stone floor, all bruises and ripped clothes.

Your head rests on her chest, neither of you have caught your breath enough to get up. And from here you can hear her heart pounding furiously in your ear, she’s scared and curled in on herself.

You roll off of her, slowly sitting up, looking over at her as she rests sprawled on the ground.

She feels your eyes on her and sits up, face contorted with warring emotions. Her lips are set in a firm scowl. She’s staring at you but you see past the malice and now she looks like a scared animal desperate to survive.

“Are you ok?” you say gently, reaching for her hand.

She yanks it away from yours and scoots back against the wall. “Yes! I’m fine…” she hisses defensively.

But she’s clutching her wrist. And she may have just hurriedly wiped tears out of her eyes.

Before you can say anything else, she leaps up and runs to a window, scanning the battlefield for Luffy. Her hands grip the cold brick. She’s shaking slightly.

“Are you worried about him?” you ask quietly, standing up and walking towards her slowly.

“Where is he?” Her voice is quiet now. Images of Luffy’s battered body flash in her mind and you can see the same sickness within her that you feel, a worry over someone you love so deeply. The jealousy and fear of her leaves your mind and is replaced by one thought alone.

Poor girl.

“He’s going to be ok, I promise.” You place a hand on her shoulder making her flinch, but she doesn’t pull away this time.

She doesn’t say anything. But she’s still scared.

So you say, “hey, princess, I’m scared too. But… all we can do is hope and keep ourselves safe now, right? We did what we could. We brought down an army for him.”

She pauses again, head down. Until she murmurs, “…Hancock.” Another pause. “You can call me Hancock.”

You smile. You sit again and she follows your lead. “You really love him, huh?”

“…Yes. Of course I do.” A tiny tear forms in her eye again, even though her voice is still hard and cold. “…Sometimes I don’t understand how anyone can’t be.”

So you think very carefully for a moment, before telling her, “I understand. He’s the kindest person I’ve ever met, he’s…”

“He’s perfect.”

“Yeah, that.”

And even though jealousy still blooms in her icy heart, Hancock feels herself soften. She doesn’t feel like sustaining her mirage anymore right now. The fear and the tears and the confusing comradery chipping away at her evil façade and now she’s just so, so tired all of a sudden. “[Name,] right?” she says under her breath.

“Yeah.”

“You really think he’ll be ok?”

“He always is.” And without Zoro or Nami there to reprimand you about trust, you take up the role instead, squeezing Hancock’s shoulder and saying, “have faith in him. Worrying’s not gonna help any of us right now.”

She nods, tightening her lips. And then, all of a sudden, she bursts into tears and hugs her knees to her chest, hair falling over her face.

“Hey, Hancock!” You slide closer to her. “Please don’t cry, he’s going to be safe…”

“No!” she hisses, gritting her teeth, “I… I don’t know where Salome is. I want Salome. Everything’s falling apart!”

“…Salome?”

“My snake!” she cries, sniffing and wiping her nose.

“Don’t worry about that either, ok? I’m sure she’s alright, it’s all gonna be over soon… just don’t cry…”

And now here’s something you weren’t prepared for, Hancock leans her head against your shoulder. Her sobbing quiets. She grows still. You smile, tucking her hair behind her ear.

“It’s gonna be ok,” you whisper again, “hey, can I see your wrist?”

And she places her hand in yours. You lift her pale, slender wrist and notice swelling just beneath the palm. You recognize this, you know it well.

You start to laugh, and her stare grows a little icy again. “What?” she snaps.

“You sprained your wrist. Here, look…” You raise yours next to hers. Your swelling parallels each other, you’re even more alike, now. You’re matching.

“We’re matching. I sprained mine too.”

She smiles. This is the first time you’ve made her smile. She even laughs a little, very lightly, her heart feels like it’s being squeezed, but by a warm hand, not by a cold claw.

You sit with her, and talk sometimes, until you hear Luffy calling your names. Hancock stands up and dashes out of the turret, running to find him, and he stands proudly although his body is weakened. Dove has fallen. You’re all ok. Hancock hugs Luffy and then hugs Salome, who is curled beside him. She looks happy, which makes you happy, too.

And then Luffy pulls you into a hug. You don’t care anymore, you just want to hug him, and Hancock got a hug so you get one too. You squeeze Luffy so tightly and you don’t want to let go, his warmth and scent soothing your body, his strong arms wrapped around you and his hands rubbing your back. You’re very nervous he’s going to try to kiss you but he doesn’t, like he promised, he knows he’ll have time for all of that later.

The kraken is gone and everyone is waiting for you at the bay. Hancock is tearful when she has to part with Luffy and, strangely, she is for you too.

“Come to me whenever you need! I’ll always be there for you!” she promises Luffy, her voice going up an octave when she talks to him. And then, before she leaves for her ship, she turns to you. “[Name…] I hope we’ll meet again.” Her smile is gentle, but very real.

“Me too!” You call out to her, following Luffy away, back to the Sunny, amazed at the events of the day, full of happiness and relief and still a slight stinging from your wrist but love can heal almost anything, at least a little bit.

And maybe deep in her heart, Hancock knows. The way you and Luffy look at each other, your soft voices, the way he walks close to you and how it seems like he’s always ready to lean in for a hug. It pulls at the back of her mind. A sting of pain. But she’s good at pushing these things away.

She’s just so happy that she made a friend today.

#luffy x reader #luffy #one piece #one piece x reader #one piece fanfiction #boa hancock #luffy x reader angst

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megistusdiary · 3 days

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Okay just remembered this. Remember pirate au I was discussing with you? Need. Pirate arlecchino x Siren reader? Need. (Arlecchino with an eyepatch, maybe a hook, and a cutlass sheathe attached to her waist???) Looked up on pinterest for what female pirate clothing would look like and Arlecchino in any of those???? I just need to see Arle in a corset please.

Anyways. Need obsessed-at-first-sight Arlecchino with similarly obsessed-at-first-sight Reader. Reader who can never stays for long and can't always follow Arlecchino's ship but somehow always meets Arlecchino somewhere across the seas and every time they do, Arlecchino literally jumps into the water at the sound of your voice to hold you (despite her first mates Lyney and Lynette protesting otherwise). Stoic, collected, and cunning pirate captain turned into a love sick puppy the moment she's with her mythical creature lover.

You're wary of humans and human civilization, but when her ship is near a land when she meets you, the first thing that she does is anchor at the nearest island where she can finally spend time with you sitting on the beach. Your tail and lack of legs makes for some difficulty but Arlecchino is more than willing to compromise on the wet sandy beaches, where she can hold you and the two of you watch the waves. Your relationship is nowhere near ordinary, between a nonhuman and a human, not with the distance most of the time. However, Arlecchino and you will always-- wherever, whenever, however--meet with you on the seas.

-🩸, a silly little axolotl

this is so good.

everytime she returns to your corner of the ocean, she comes to visit your cove ♡ she brings you human world things for your collections, too. she might even introduce you to lyney and lynette (maybe freminet, too, if you both aren't too shy)

ALSO, the siren thing can go both ways too.

siren!arle is also worth considering. she's massive and wants to keep you as her little pet. she sings for you, reeling you in during the middle of the night.

your crew never sees you again, lost to the waters, most say.

they don't know you're a pretty siren's human toy now, and that she will, despite her lack of human knowledge, take good care of you in her cove. all alone <3

#genshin smut #genshin impact x reader #genshin x reader #genshin impact x reader smut #arlecchino x reader #genshin arlecchino #arlecchino #fem reader #💌─𝘢𝘳𝘪𝘴 𝘩𝘢𝘴 𝘮𝘢𝘪𝘭! ༊*·˚#💐─𝘢𝘳𝘪𝘴 𝘴𝘱𝘦𝘢𝘬𝘴 #🩸─ 𝘢𝘯𝘰𝘯˚୨୧˚⋆#🪷─𝘥𝘳𝘢𝘣𝘣𝘭𝘦𝘴 `♡´

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physalian · 1 month

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Writing Tone #2: Avoiding Manufactured Sincerity

There’s a scene in season 5 of My Hero Academia where two beloved teachers have been brought to some high security prison to interrogate a captured villain that turns out to be a brainwashed childhood friend of theirs. The scene is really dramatic, these two teachers are screaming at this guy, heartbroken, and when I saw the episode (shortly before quitting the entire show mid-episode over how bored I was) I was not at all as outraged and horrified as they were.

It was so tonally jarring, and so unfounded within the plot, that it was almost uncomfortable to watch. The villain they’re interrogating isn’t unfamiliar, but the plot-twist-surprise childhood friend is a stranger no one but these two care about.

I didn’t care, couldn’t empathize with why they were upset, knew nothing about their relationship with the guy beyond the ham-handed flashbacks given right that moment. I wasn’t prepared to mourn the loss of this random character, wasn’t primed ahead of time with the idea that this was a possibility to dread the scene before it happened. I was just waiting for it to be over and when it finally was, the impact it had on me was a resounding: Well that was weird. Now back to the plot.

Unfounded sincerity is the uncomfortably ugly step-sibling of plots that are starved of sincerity—look at most of Phase 4, but really, starting with Thor: Ragnarok in the MCU. Many Marvel properties are afraid to embrace the emotional moments and resort to bad jokes to laugh at themselves before the audience can laugh at them. Because how dare a late-stage superhero story about mythical gods be at all sincere in its relationships, its quiet moments, its tragedies. Nope, time for jokes.

Unfounded sincerity is when a story goes far harder with the drama, the love-declarations, the angst, the humor, where it’s trying really hard to convince the audience to care and it just isn’t working.

This happens when arguments start out of nowhere, as well, when characters explode at each other in a heated screaming match that hasn’t been left to fester for nearly long enough, undercooked and hard to swallow.

This happens when characters fall suddenly, madly in love with each other with zero dubious intervention to explain away the sudden passion.

It happens particularly when characters care a whole heck of a lot about someone the audience doesn’t, at the expense of characters the audience is invested in.

It happens when characters have emotional breakdowns and start crying over what ends up reading like spilled milk. When stoic and strong characters break over something they normally would never, for ~drama~.

This is usually both a tone and pacing issue, and a serious case of telling. The author hasn’t done any of the work ramping up a situation or relationship for proper delivery of these emotionally charged moments that are written like critical character beats we’re supposed to care deeply about.

So how does this happen?

1. The author *really* wants this scene, but writes it too early into the story

Unless there’s foul play involved, or this is a romantic comedy that isn’t supposed to be a realistic and healthy depiction of how romance works, characters suddenly declaring love for each other at the cost of their own well-being, their own character arc and journey, and their other motivations can be very frustrating to read.

But the author wants to get to the Good Stuff, so they coast on the “male + female leads = relationship” expectation without writing the why (and so ensures the rise of so many gay ships in the process). Or the male + male leads” or what have you.

2. The author cannot fluidly change tone and characters explode, instead of simmer

An argument that comes out of nowhere can really take your audience out of a scene. Your characters suddenly look ridiculous and your audience can’t follow what’s going on or why they’re so upset. This is different than a character exploding seemingly out of nowhere, but who we know has been building resentment for dozens of pages and loses it over something otherwise inconsequential.

These scenes are painfully, obviously there for manufactured drama and don’t feel natural. These characters don’t feel like people, but playthings, action figures manipulated by the hands of the author.

3. The characters involved are underdeveloped

As in the My Hero scene mentioned above, of the three characters in the scene, the “friend” we’re supposed to care about is a non-entity. The two teachers could have lost their minds over this guy’s sudden death, or the reveal that he turned traitor, or that he murdered younglings and puppies and kittens, to the same emotional impact, because we don’t care about this guy (or, I don’t, at least. I didn’t, and shouldn’t have to read the manga).

You can of course have characters who grieve non-entities, like the fridged wife trope. The difference is the audience knows we’re not supposed to know or care about that lady and the character she never was. This happens pre-plot, not mid-season 5. The frigid wife is the catalyst for the character we then come to know, not a character whose death radically changes our heroes from the people we’ve already established.

4. The tonal jump is just too extreme from the established rules of the story

Abrupt changes in tone can be very tricky to pull off, and almost always fail when it surrounds an abrupt shift in character dynamics (as opposed to something more plot-related). As in, your lighthearted comedy suddenly stops the plot so two characters can scream at each other, when this level of emotional charge hasn’t been established as a possibility.

Or the aforementioned emotional breakdown that just leaves audiences uncomfortable like the awkward friend trying to soothe a weeping companion.

—

Unfortunately, the fixes to these situations are either delete that entire scene, or go back and do a lot of rewriting so there’s enough build-up to justify its existence. Go back and write in that simmering resentment, all the little frustrations, a pre-existing tension within the relationship that is always primed to snap.

Absence makes the heart grow fonder and there’s a reason the “slowburn” is so popular. Setting out from the beginning to write a fast-paced, passionate romance tells your readers to expect exaggerated displays of emotion.

My favorite musical is Moulin Rouge. This movie is insane. Everyone is hyperbolically emotional and nothing is half-assed. The dances, the belting singing, the costumes, set-design, editing, the declarations of love– they’re all dialed up to 11. So characters screaming their love or rage from the rooftops is a *lot* but you’re prepared for it from the opening scene, knowing exactly what kind of movie this is.

Even if you don’t start your story with the level of drama it will eventually reach, there should still be some sort of progression when it comes to character drama.

Last Airbender didn’t open episode 2 with the emotional intensity of Zuko and Azula’s last Agni Kai… but it did show you that this isn’t just a lighthearted comedy in episode 3, with the reveal of Gyatso’s body and Aang’s violently emotional reaction.

Speaking of episode 3, they didn’t throw in Gyatso out of nowhere. We know from the show so far that a) Aang is the last of his kind, and b) he doesn’t know this. Everything leading up to this reveal is lighthearted, sure, but with that undercurrent of dread, waiting for Aang to see for himself, waiting for that other shoe to drop.

So some things to keep in mind are:

Prime the audience with dropping that first shoe, make them aware of the building tension (romantic, aggressive, grief, or otherwise), even if not all the characters are aware.

Build that tension. If your characters will eventually explode, let them be mildly irritated first, then annoyed, then frustrated, then angry, then raging until they can’t contain it anymore.

Make sure every party involved in this dramatic moment is someone the audience actually cares about, not just someone they’re told to care about.

TL;DR: Don’t pull the trigger prematurely. It’s most obvious with suddenly passionate arguments, characters flinging insults and hurts the audience isn’t prepared for and doesn’t know about, in effort to move the plot along before it’s fully cooked.

So unless there’s some drugs or fairy magic involved, or one of these characters has a gun to their head forcing them to do this right now, people don’t just explode in a rage without some buildup first. People can explode in a rage over a seemingly inconsequential and unrelated thing, but they’re likely already upset and this one little thing is the final straw. Audiences love the anticipation of what that final straw will be, and whether the explosive drama is rage or romance, “slowburn” is immensely popular for a reason.

#writing advice #writing resources #writing tips #writing tools #writing a book #writing #writeblr #writers on tumblr #pacing

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unhinged-nymph · 1 year

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BRAT BEHAVIOR

#link neal #i swear to gOD #THIGHS #HANDS #MANHANDLING #incredible #gmm #gmm 2278 #good mythical morning #chase hilt #do chase and link have a ship name?#they have to #chink?#lase?#heal?#nilt?#none of those are great tbh #lmao

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enavstars · 1 year

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Mermaid samurai (bet you didn't expect that) + doodles. Also this is my version of human Pixal.

Details of the AU under the cut:

The AU is set years ago in the era of pirates and there are sirens (I know I said mermaids but they're actually sirens). Cole, Jay, Zane and Pixal (Zane and Pixal are humans) are pirates; Kai and Nya are sirens and Lloyd is a hybrid.

First off, sirens. Sirens are predators who decieve and hunt humans using their melodic voice and appereance. Sometimes they eat the humans they've hunt down but most of the times they eat other fish. To decieve humans they can change the upper part of their bodies to look human; all sirens are intersex (each one with more masculine or feminine traits) so they can change into both male and female humans (Kai is usually a man and Nya a woman but they sometimes change). Sirens can form groups or hunt alone. Kai and Nya lost their parents when they were little and have been on their own since then, barely having any contact with other sirens. Most sirens have blue to green characteristics but sometimes there are ones with other colors like Kai; that's usually a disadvantage since it atracts other predators.

Kai doesn't like humans at all and usually fights other sea creatures (like sharks). He doesn't like deep waters either.

On the other hand, Nya is interested in humans, mostly their inventions and is really curious. Unlike Kai, she does like really deep waters. They're both very protective to each other and Lloyd.

Then, Zane and Pixal had an arranged wedding they didn't like (Gay and lesbian solidarity) so they decided to run away and join the pirates, the ones of the Destiny's bounty.

Cole is a member of the pirates and became one to find a treasure and get money for his village. He often feels bad because he couldn't afford his mother's medicine and he blames himself for her death.

Jay has been a pirate for the longest time. At first he just wanted the adventure but then he kind of regreted his decision (until he bonds with everyone). He's really skilled.

The captain of the Bounty is... an asshole so... mutiny(?) , eventually Cole will be the captain (because he is a good leader) and Jay the second in command.

As for Lloyd, he is a hybrid: Misako is human and Garmadon a siren. Wu and Garmadon are considered mythical creatures so Lloyd is basically unique. He lives in a small house next to the sea after Misako passed away. When he was a kid he had an encounter with Kai and Nya and, after a while, they became friends. Now Kai and Nya have adopted him as their little brother and go visit often. Lloyd treats their wounds as well as other sea creatures, he's a healer (vet?). Eventually he'll go with the Bounty's crew.

As for ships obviously plasma and samurai but also glacier.

Feel free to ask any questions about the AU and send ideas for drawings (though I can't promise to answer/draw everything).

#art #artwork #ninjago #ninjago nya #nya smith #nya jiang #ninjago pixal #pixal borg #samuraishipping #ninjago kai #kai smith #kai jiang #ninjago jay #jay walker #plasmashipping #Sirens and Pirates AU

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