I know Lila Rossi has like four thousands of different personalities and has mastered the poker face but what really impresses me is that she is willing to let her enemy think they won even if they do win and she finds a way to get herself back on track she doesn't feel the need to make her enemy know she's back. She loves seeing her enemies suffer but for this she gets enough satisfaction from just knowing she won, like with Gabe. She doesn't need him to know she screwed him over, at least not yet, she's happy just knowing that she did it, no one else needs to know this. That's like the strategy "let your enemies think you're dead" and I like that.
32 notes
·
View notes
Three of Emily O’Leary’s hand-hooked dog rugs (@emiliaoleary); bottom two photos were shot by Bucky Miller for an installation in his Wraymour&Flanigan project (strongly recommend seeing the full installation photos!)
5K notes
·
View notes
there is absolutely no way
7K notes
·
View notes
I know we've talked about who's going to hold the umbrella in S3, so here's my pitch, hear me out
2K notes
·
View notes
Luka: *plays guitar*... you know?
Kagami: You're just a puppet. Why don't you just just yourself? No! Not like that! *adjusts Adrien* Better? THAT is the true you!
Fandom: They know how to communicate with Maribug and Adrichat so well uwu They're the best boyfriend/girlfriend and the only ones who understand them! *cries into tissue*
Don't forget "omg Luka and Kagami are the smartest ML characters ever cuz he knows how to play the guitar and she is rude!!!"
28 notes
·
View notes
i did not expect to finish (?) this at all, so im left scratching my head because i've already used the hozier lyrics on a fucking sketch. which is my bad, really
i will be the devil
in your land of make believe
there. that should do it
4K notes
·
View notes
something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.
it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.
and love. it's also about love. even when you had nothing, you had love.
on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.
edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.
Perseus, Daniel Ogden
Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet
6K notes
·
View notes