I’d kill for Discworld and Owl House Crossover. The idea of Tiffany Aching and Luz Noceda becoming friends is so adorable, and Eda meeting the Lancre Coven would be amazing. Her and Nanny Ogg would definitely hit it off, though I’m not too sure she’d get along with Granny Weatherwax. I can either see them bonding over their apprentices becoming friends or fighting because they’re both stubborn af with very opposing views on magic. Let’s be real, we all know Granny would probably dislike most of the magic done in the Boiling Isles since it kind of borders on wizard magic and “occult nonsense” when compared to the witchcraft she prefers. Eda would probably think Granny is too uptight and get annoyed by that testing thing she always does with everyone, and you can bet she wouldn’t do that witch thing where they act overly polite and formal with each other when they really dislike someone. Eda can’t be having with that. If she hates your guts, she’ll tell you. She would probably be interested in that borrowing thing Granny does though.
Of course she’d love the Feegles, Eda would feel like they’d have a lot to learn from each other. Like, how to get into places or the joys of drinking apple blood.
Then there’s Willow and Magrat bonding over their plant knowledge and you can bet she’d be interested in learning about the Palismans too.
Lilith and Miss Tick would get along famously, I think. I feel like they share a lot of similar interests.
And could you imagine Agnes discovering Bard Magic?
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Lick Auntie Enid's boots clean, then you can lick my tights.
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I dropped my bassoon so hard onto my toe that I ended up going to the ER to make sure it wasn't broken (it's not as far as they can tell) just let this be proof not to trust me with anything in which I could damage myself.
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Check out this listing I just found on Poshmark: Bed Stu Judgement Distressed Lace Up Ankle Boots Original Teak Taupe.
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This is a bit of a ramble, but:
I truly believe that Sir Terence David John Pratchett is the greatest fantasy author of the post-Tolkien era. No one has done it as well as he did - prose, characters, tone, plot, themes, humor - he was the master of all of them.
His words danced off the page, from single lines like Death's
"LORD, WHAT CAN THE HARVEST HOPE FOR, IF NOT FOR THE CARE OF THE REAPER MAN?"
To the Vimes Boots Theory or Humans Need Fantasy monologues.
His characters are some of the most richly textured I've ever encountered - Death and Sam Vimes and Moist von Lipwig and Granny Weatherwax, each of them feels like they were given thought and care and used to tell stories that they were uniquely suited to tell.
He controlled tone like a master, from slapstick comedy to serious satire to tense moments where you feel that, just for a second, things might not be okay.
His plots were always believable in the context of the worlds he was telling, and were always engrossing - that the metaphysical adventures of Death and co. felt as natural a fit for Discworld as the starting of the setting's first newspaper, the solving of street crime and unraveling conspiracies and the grand re-opening of a post office is proof enough of that.
He used these plots to explore themes of responsibility, social inequality and duty to a person's community with razor-sharp wit and a deep anger for the injustice of the world around him. He fought the evils of the world with a pen and paper, even as he died. No one will ever do it like he did, but that he did it himself might just be good enough.
He brought comfort and joy and happiness and thought and introspection to millions.
GNU, Terry Pratchett. Mind how you go.
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