#graphic narrative | Explore Tumblr Posts and Blogs

achenetype · 2 months

Note

Hihi can you please do a Luke x reader where it’s basically an unrequited love like reader is so in love with Luke and he has no idea so she moves on and years later she’s over him and confesses to him like a oh I thought you should know and the whole time Luke had been in love with her, kinda base it off that one TikTok audio where it’s like “I’m not in love with you anymore” “I never knew you were” 🩷🩷

OHH YOURE FEEDING MY ANGST BRAIN WITH THIS ONE. buckle up lets break some hearts

edit: this ended up being WAY sadder than i originally intended. i am so sorry anon oh my god

i gave you a rare gift (but you didn't want it) — luke castellan

pairing: luke castellan x fem!reader

word count: 2.8k

content: angst, major character/reader death, unrequited love, mutual pining, reader is part of kronos' army, luke and reader are doomed by the narrative, [Y/N] used (sparingly), alcohol mention, description of injury

listening to: bloodfest (from mizumono) by brian reitzell

You are twenty-two years old, sitting on the rocky beach of a lake somewhere in the forests of upstate New York. Light, gentle fog hangs in the air around you, and the only sound is the tap-tap-tap of Luke skipping rocks across the water.

Come dawn, the world will burn. The gods will be dethroned. Every demigod will either be free, or dead.

But now, at midnight, you are twenty-three and Luke turns to you. He's holding a small, squashed cupcake in one hand. "Happy birthday," he says, "to my right-hand man." He pauses. "Woman. Right-hand woman."

He holds the pastry out to you and smiles, but something behind his eyes is empty. Hollow. He hadn't been sleeping recently. As much as he tried to hide it, he couldn't stop you from seeing when he came to you every morning for a cup of coffee and to debrief for the day.

Perks of being the revolution leader's best friend, you think. His right-hand woman.

Luke's eyes flick from the cake to your face. "Do you like it?" He asks, and for a split second, you swear there's a note of hope in his voice. "I wanted to do something, y'know," he says. "Twenty-three is huge. It's a monumental age."

You nod, but stay quiet.

He pauses for a second. "You remember how you always said you wished you never had a birthday?"

When you were twelve, nearly thirteen, your mother drove you across the country to go to summer camp.

"It'll be like a road trip," she said, tossing your duffel bag into the back seat of her battered car. "And then, hey, you'll only stay at camp until the end of August, and then you can come back and go to school. See all your friends again." She squeezed your shoulder and pushed the car door closed. "How about that?"

"Sure," you said. "Super fun."

And it was; you were actually kind of excited. You'd never been to New York. It seemed a million universes away.

And it was your birthday tomorrow. Maybe this was a gift, something that your mother had put together to make up for the years of being too tired and too drunk to make a cake, or get presents, or anything.

Your mother put her hands on her hips and sighed. "You know how I feel about the attitude, yeah? Let's not do this today."

"I wasn't even trying to—" You cut off as your mother glared at you, her face tense. You knew that look: the biting-the-inside-of-her-cheek, trying-to-be-understanding, trying-to-be-a-good-mom-despite-it-all look.

You hated that look.

"Just..." She sighed. "Just get in the damn car, [Y/N]."

You did, fighting back the tears building in the corners of your eyes, and the slam of the car door closing was as loud as thunder.

Twenty silent minutes of city streets and highway merge ramps and cold, empty stretches of asphalt and concrete passed before either of you spoke.

"Mom," you said, thirty-three seconds into minute twenty-one, "I'm sorry for talking back earlier." Your voice was quiet, shaking, cupped in your throat like a scared animal.

She didn't answer, keeping her eyes fixed on the road.

"I don't like being like this, Mom," you said, looking over at her. The silhouette of her through the driver's side window, backlit by the streetlights, was shapeless. Impassive. "I don't like doing this with you all the time."

She scoffed.

You pulled your legs to your chest, tucking your head between your knees, and tried to find sleep.

You weren't sure how long you slept, but you woke up to the sound of music playing softly over the speakers. Exit signs whizzed past you at what felt like breakneck speed. You wondered, briefly, if you would break your neck if you jumped out of the car right now.

Ultimately you decided against it. You didn't want your mother's last words to you to be, get in the damn car.

That would make her feel guilty, you thought, and that guilt would make her hate me even more.

"I don't wanna fight," you tried instead, picking at a loose thread in the cuff of your jacket sleeve. "Mom, I'm sorry, okay? I don't want us to be mad at each other anymore," you said. A sob caught in your throat, heavy and wet and choking.

Your mother sighed and reached one hand from the wheel to tuck your hair behind your ear. "I know you don't, sweetie," she said. "I don't want to be mad at you either."

"Then why do you do it," you asked.

When she turned to look at you, her eyes were wet. She smiled, or tried to. "Sometimes, certain people just…can't help but fight," she said. "It's just part of who we are, I think."

"Did you fight with Dad?"

Your mother inhaled, quick and sharp through her nose, as she flicked the turn signal to right and guided the car down the exit ramp from the highway, her eyes locked ahead. "Yes," she said. "Sometimes. Sometimes I think that's where we get it."

You swallowed. "Do you ever miss him?"

She doesn't peel her gaze away from the road. "Every day."

The two of you made your way through bustling streets and across too many bridges to count. You thought you fell asleep again, for a minute or maybe a year. Maybe it was all a dream.

"Mom," you asked as she turned onto a worn dirt road, the sunrise barely stretching over the horizon, "why are you bringing me here?"

She didn't answer for a moment. Two moments, then three. Through the leaves, you saw one tree standing impossibly tall. A pine tree.

Your mother parked the car and turned to you. "Because I don't know what to do with you, [Y/N]," she said. "I don't know how I can keep you," she paused, "safe. How I could do this, on my own, in any normal way."

She got out of the car and grabbed your bag, shoving it against your chest. "Camp is just up that hill there," she said, gesturing in the direction of the large tree you'd seen earlier. "They’ve got people up there waiting for you."

"Mom," you said. "Wait, I—I wanted to talk to you—"

She shook her head. "I can't come with you, sweetie." She smiled, the curve of her mouth falling just short of her eyes. "You just remember that I love you, okay?"

At that moment, you knew: she was going to leave you here.

“No,” you said, tears rolling down your face. “No, no—Mom. Mom, please.”

“Before you go,” she said, her voice tight and sharp, “I wanted to give you this.” She reached into the back seat and pulled out a jacket, worn leather with patched elbows. “It was mine in college,” she explained, not meeting your eyes. Like she was reading from a play or book, and you were the unfortunate audience. “I figure, it doesn’t fit me anymore.”

She pressed a kiss to your forehead. “Happy birthday, baby.”

It was the first time you had ever felt like your mother loved you. You knew she liked you, sometimes. But you were never quite sure if she loved you until that moment.

And then she got back into the car with one final, teary nod.

And you never saw her again.

“Yeah,” you tell Luke, shrugging. “I think I’ve got a pretty good reason, though.” Your lips curve into a smile.

He laughs and tilts his head. It’s a habit of his; he’ll say something and twist his neck just a fraction, narrow his eyes. A nervous tic that not even years of training and fighting and killing could stamp out.

You used to think about kissing his neck when he did it, but now you’re not sure whether you would know the difference between kissing and ripping his throat out.

“True,” Luke concedes. You laugh, too, unrestrained and loud. “Gods, your sense of humor is dark.”

“You laughed first,” you remind him. He grins.

The cupcake he offers you, despite its lumps and smears of frosting, is pretty good. You split it apart with careful fingers and hand half of it back to him.

“You’re celebrating with me,” you laugh, “so you get half. That’s the rule.”

Luke simply smiles at you and takes the crumbling cake from your hand. “Whatever you say.”

You roll your eyes, grinning back. “Damn right.”

Luke’s laugh rings out again, sharp and bright against the night sky. Firelight flickers across his face, painting him in brilliant streaks of orange and gold.

“After tomorrow,” Luke murmurs, pulling his knees up to his chest, “we can do this whenever we want.” The wind ruffles his hair almost fondly, floppy brown curls stirring and settling back against his skull.

You raise an eyebrow. “This?”

He gestures in a wide arc. “Be here, like this. Just be people, instead of demigods or heroes or revolutionaries.” Luke’s voice picks up, conviction surging into his words. “I mean, seriously—when was the last time you thought you would ever have a normal life?”

You’d never understood the demigods who joined Luke’s cause without knowing him. The plan itself seemed crazy—the only way anyone would follow it was if they knew their leader could pull it off.

You have to know Luke to know he was capable of that, you think.

Until now. Now, you see what you think everyone else sees—a real leader, a revolutionary. A force for change with a silver tongue.

He makes it all seem so possible. You almost think he might pull it off.

Luke looks over to you. “We’re going to change everything,” he says.

Almost.

“We’re going to change the rules,” Luke said, spreading the map over an empty cot in his cabin. “If we want to win, we need to be thinking six steps ahead of the enemy.”

A few of the campers huddled around the makeshift table shuffled and coughed awkwardly.

“Every strategy’s been done before,” a tall girl with bubblegum-pink hair and an eyebrow piercing shouted from the back of the group. “How are we going to out-war the god of war’s kids?”

Murmurs rushed around the table, soft and susurrant. There’s no way we’re going anywhere here. We’ve gotten our asses beat six weeks in a row. What are we even doing?

Luke smiled. “Ares is the god of war,” he said, “not strategy.” He slung his arm around one of the campers next to him and inclined his head in the direction of the map.

Quietly, almost too quiet for you to hear, he murmured into the girl’s ear. “Don’t doubt yourself, Bethy,” he whispered.

You learned three things in the ten minutes that she spent explaining your team’s new strategy—

—one, your team was going to kick some major ass—

—two, your strategist’s name was Annabeth Chase, and she was the smartest eight-year-old you have ever met—

—and three, Luke was right.

Annabeth’s plan took the rules of Capture the Flag and threw them out the window. She split the team into four subgroups, each with a delegated leader. Luke nodded along as she talked, marking the map with a stubby pencil.

When Annabeth’s eyes, dark and piercing, searched the crowd and landed on you, you felt your heart stop.

“You,” she said, “are you good with a sword?”

You raised your eyebrow, pointing to yourself—just to confirm this genius child was speaking to you—and Annabeth nodded.

“I guess?” You said, shrugging. “I know some basic stuff, and I’m good at disarming.”

Annabeth’s face broke into a smile. “Work with Luke on the first wave of offense.” She gestured to the map. “You two will take points B and B-one,” she explained. “My group will take the A-points. You wait for our signal to move in.”

You met Luke’s eyes across the table. Hey, you mouthed.

His eyes flicked up and down your form. Hey, he mouthed back. You ready to win?

You smiled and nodded.

Good, Luke said, all teeth. Let’s go.

He stood and grabbed his helmet. You did the same.

“I’m [Y/N],” you said as you followed Luke through the forest. “We, uh—we met when I first got here, like, a year ago.” I was sobbing my eyes out because my mother abandoned me, you didn’t add. It was kind of pathetic. I think I threw up from crying so hard.

You suddenly hoped Luke didn’t remember meeting you, actually. That would be less embarrassing.

He turned and caught your eye. “You live in the same cabin as me. ‘Course I know you.”

Of course he remembers.

You laughed, flushing red. “Oh. Yeah. Of course.”

The silence was so thick, you could have cut it with the sleek bronze of your sword.

In the end, it was Luke who broke the silence. “You wanna play a game while we wait out here?”

You shrugged. “Sure,” you said.

“Twenty questions,” Luke replied. “So we can learn enough about each other to actually work together.” He smiled. “What’s your favorite color?”

“Low-hanging fruit,” you said, your voice just barely taking on a teasing tone. “It’s green.”

Luke laughed, loud and full and bright. “Apologies,” he said; mirth crept into his words, staining everything with a tinge of that laughter. “I’ll go for the more gut-wrenching, intimate questions next time.”

You flushed red again. Intimate questions. What the hell does he mean by that?

“My turn,” you said instead. “What do you want to be when you get older?”

“We’ll be heroes,” Luke whispers. “Real heroes. Not figureheads propped up by the gods.”

You wish you could believe him. He’s lying on the beach next to you, his head resting in the junction between your shoulder and your neck. Over the treetops, the stars are beginning to fade from the sky.

It’s almost time.

Your throat feels like someone has sanded it down to expose your vocal cords. This is a bad idea, you want to say. We shouldn’t do this. Tell me we can still not do this.

“Wanna play twenty questions?” You say, crackling and hoarse.

Luke turns to look at you. “Yeah,” he murmurs.

“My turn first,” you whisper. Luke nods.

You take a deep breath, in and out. “Are we going to die doing this?”

Luke inhales sharply. “Maybe,” he says. Slowly. Deliberately. “But we’ll do everything we can to make sure we don’t.”

“I got another question,” you say. Luke raises an eyebrow. His knuckles brush yours as you sit up.

“Are you scared?”

It’s your birthday.

You think you’re going to die.

Luke is kneeling over you, the palm of his hand pressed against the wet opening in your stomach where someone had caught you with a spear. The shaft of it is still sticking out of you, you think. You’re afraid to look down, afraid to see it.

“No,” Luke gasps, “no, no, no.”

You watch as the gold fades from his eye, leaving behind the honey-dark brown you remember. His hands are slick with blood—most of it’s probably yours, it has to be yours. You’re bleeding out, after all.

You tug on Luke’s sleeve weakly. “Hey,” you breathe. “Luke. It’s okay, it’s okay. It’s going to be okay.”

“No,” he says. “You’re—you’re hurt.”

“I know,” you rasp. “I know it hurts. I’m the one—”

You break off as a cough sticks in your throat. It feels wet. Oily. Desperate to get out. You taste the blood in the back of your throat before you can even take another breath.

“—I’m the one who’s feeling it,” you finish, your voice tilting up at the end. A joke. Gods, your sense of humor is dark.

Luke laughs weakly. “Don’t talk,” he says. “You’re gonna be just fine, [Y/N], just fine.”

He meets your eyes. You see him realize it in slow motion.

Tell him. Tell him now. He’s never going to know otherwise—he could die any minute—

“Luke,” you murmur. “Luke, did you know I loved you?”

He freezes. “What?”

You cough again. Blood spills over your lips. “I loved you,” you repeat. “Since we were campers. Had the…the biggest, stupidest crush on you.”

Luke shakes his head. “No, no,” he says. “You—”

“You’re my best friend,” you continue. “Whatever feelings were there, you’re my best friend.”

Luke’s palm against your stomach is warm. It feels safe. It feels like sleeping side-by-side in the cabin, like shared meals and shared secrets.

“Why are you telling me this?” Luke says, “why are you—why?”

You blink, just once, but it takes everything you have to open your eyes again after closing them. “Because I’m going to die,” you whisper. “And even if—even though I moved on, I wanted you to…to know.”

Luke bows over your body, pressing his forehead to yours. Tears slip from his cheeks and fall onto yours, driving little rivers through the blood smeared there.

He’s crying. Why is he—

“You idiot,” Luke says brokenly. “I loved you too. I loved you too.” He cradles your head in his lap, brushing your hair away from your face. “[Y/N], I’m so sorry.”

Your eyes slip shut.

I loved you too, Luke’s voice echoes. I loved you too.

#— ash's writing #pjo x reader #luke castellan x reader #luke castellan #luke castellan x you #reader insert #y/n #pjo imagine #ok now we get into the warning tags #graphic depictions of injury #major character death #major character injury #reader death #alcohol mention #doomed by the narrative #genuinely im so sorry i really ran wild with this one good god #luke castellan imagine #luke castellan fanfic #— ash’s answering!

441 notes · View notes

apple-girl-graphic-memoir · 2 years

Text

Thank you!

Thank you for reading Apple Girl! So much work was put into this and with a lot of help! I thank my panelists and my adviser for helping me shape the academic part of this project, but for the artistic side? I thank my younger sister for being both editor and soundboard (lol).

I also thank you, reader, for following Nica’s journey. I hope this story helps others reconsider how they view their own bodies.

Until then, cheers! Onward to the next venture!

- Veronica A. Vega

#apple girl #ag #thank you #graphic memoir #graphic narrative #comics #manga

0 notes

canisalbus · 3 months

Note

I say this in the best way, but your characters feel like they're from an obscure but really good piece of media, and you feel like the artist who always draws the two main characters as ghay lovers

#that's actually a really flattering thing to hear!#and I get what you mean #every now and then someone mistakes my art as fanart of some piece of media #that they don't recognize but like the art anyway #I wish I had the product to give to you #a graphic novel or a webtoon or a written narrative #I fear there's a hole the shape of the main story in my work #and even though I allude to it and talk about it in the safety of the tags #it's kind of frustrating that you have to piece it together from the scattered bits of lore #instead of reading ~the thing~ digesting it and knowing you have consumed the story in it's intended form #this got a little off track #I think it's so motivating and rewarding that you're interested in my characters to begin with #even in the absence of a proper finalized work of fiction that ties all the art together #answered #anonymous #imagine a reality where they aren't lovers in the canon work but I just ship them really hard #even better if they aren't even the protagonists but some inconsequential side characters #that get two minutes of screen time every other episode and barely ever in the same scene

281 notes · View notes

ravenkings · 7 months

Text

i really wish v for vendetta (both the movie and the graphic novel) hadn't become associated with deeply irritating (and often reactionary) online political subcultures bc it really does slap so fucking hard

#re: the movie someone needs to write something about how two very famous and popular wachowski sister projects #(i.e. the matrix and v for vendetta)#became these loci for online far right symbolism and narratives #it's especially weird since both the matrix and v for vendetta could be read as pretty trans-coded #and are both VERY explicitly grounded in left-wing politics...........#i just don't get it tbh #anyway i'm reading the graphic novel now and really enjoying it #v for vendetta #text

355 notes · View notes

n4rval · 3 months

Note

hi I just wanted to say your tags on the gaster poll posts are so correct yessss (always enjoy your takes just in general). thank you for being one of the seemingly very few people out there who also believes there's no way the timeline works for gaster and alphys to have been colleagues. however, him haunting her benevolently is something I'm 1000% here for <3 (also I hope your finals went well and you get to have a nice relaxing break!)

HII HELLO HI im glad you like them!!! knowing you read these motivates me to keep being Absolutely Very Normal About Him on the internet

personally it's less of a believing thing and more of a come on it's written right there thing, but since we're here.

behold! dingus timeline. (and the hottest of takes with freshly baked personal headcanons otherwise what am i doing)

Not a skeleton?

Isn't 201X too early?

Indeed, not a skeleton, but rather, some guy. Something about how monster's bodies are manifestations of their SOUL, and him oddly resembling a strange looking man does well to represent his insatiable curiosity and love for creating. (things humans are known for in a better light)

On the other hand, you will be pleased with how fascinated he is by "FLESHLINGS AND THEIR CALCIUM DEPOSITS".

And then they fucking died.

201X is the year the first human fell into the underground, and shortly after, the royal family has moved to New Home. This means some decent exploration of the cavern has already been made. Scientists could very well already have been working on optimizing life underground, with special attention to the large and ever growing new capital.

My idea? As this idiot has been aiding exploration with his antics, Gerson was the one to appoint him to Asgore. Something about his talent with turning garbage into non-garbage. With a little patience and getting familiar with his odd manerisms, it was not too long until he got to be the prince's weird godfather.

Cracking already?

And everyone was devastated, mainly the close family. Not only that, but amidst your mourning, the one couple responsible for your unrealistically high standards for romance just divorced. Is love even real anymore. You eat ants with your cereal and your work consists mainly of convenience improvements and absolutely nothing groundbreaking. What's the point of breaking that pesky barrier again? Child murder? Come on.

That's the Wingdings PATIENCE and BRAVERY encountered in their adventure. Dear god, you're lame. Aren't you some kind of genius? Get yourself together! And together he got his self, now, he has children to look after. Surely there must be some other way. He must stop coming up with new flavours for chips and find some other way.

... Dear god, the King is going to kill them.

BONES and DT

Listen. He's old. You got your wrinkles, he's got his cracking. What? You meant to point out some major event of injury must have been responsible for his current state of deformity? Well, he's old AND heartbroken. That's a direct blow to the SOUL, okay.

Jokes aside (kind of), doing any lasting damage to a monster is quite difficult given their magic forms can easily be healed through, well, magic. They can, however, eventually "fall" (wink wink) and dust away with age - which cannot, however, be fixed with magic.

With a little determination however ...

Something about the anomaly.

He found it, the other way. It was the bones all along, the so needed sustainance for channelling such a high concentration of that power. Well, not necessarily, but a boney structure will endure much more and last much longer than a meaty one. Also, it looks so cool.

You know this guy, he gets first dibs on any and all dubious substances that might or might not deal the last hit to the nail on his coffin dust urn(?). And when it all works out (dubious), he might as well play a little. What kind of things can he make? With the material properties of these calcified remains infused with his own magic, animated with determination.

Some new, powerful magic tricks?

A new kind of monster, maybe?

DARK, DARKER, YET DARKER.

There is a lot of interesting things one can do with isolated DT, aside from making bones rattle with life - for example, peeking onto the complex layers and ramifications of what composes reality. This is when the already kooky scientist grows a little mad; manic, if you will. This is the Wingdings sans was familiar with.

Time travel this, resets that, blah blah blah alpha timeline, the anomaly, the angel, the anomaly again, all things that only make sense to him and his illegible mess on the black board. The lack of detail is killing him, he needs to know what it is - what it does, why it does, how it does. Not to stop it, no, there is no stopping it.

Rather, an overwhelming need to understand it.

He falls somewhere in recent history, details of it left ambiguous. The shattering, combined with the amount of DT running in his magical... mathematical physiology, rendered all of his self but an espectator of his reality; confined to the code and unable to do anything but watch, powerless before the nature of his very being, like a corrupted program.

It is all rather frustrating, besides the burden that is coming to terms with simply not existing anymore, watching was pretty much all this research was and now ever will be. That is, until something interacts with him. It is different from the tragic prince, whom no matter how much DT he's accumulated, he is just as confined to this world's rules as other elements. Not this one, not the force from beyond. Not "YOU".

He makes it a mission to reach out, despite the limits of the code, to give away bits and pieces of him and see if you bite. But not too much, he's seen how you tend to exhaust a world for knowledge, something he can oddly sympathize with. I mean, what will you do once you find everything? One cannot fully know a person.

Maybe in another world, prophetized by a cute, little white dog. A much better world for everyone, without so much as war or disease, his greatest creation yet. And he could invite you to it, to experience bewilderment, to be reminded of wonder. If it could even help you, wherever you are, to deem your own world worth of partaking ... then the experiment was a success.

#artwork #inbox #freakbullet #gaster #wd gaster #undertale #deltarune #character design is my passion #not so much graphic design i suck at this #WIPES SWEAT #happy new year!! i've been writing this since christmas!!!!!#sorry if you have to squint at my handwriting its a big canvas #just zoom in #also sorry if my writing lacks extensive details if you were looking for any #im one for visual narrative #so i tried my best to convey everything in the simplest structure i could #and cut short a lot of specifics that are not relevant for a timeline dissection #things like complex feelings and worldbuilding related shenanigans #i will definitely cover these in the future perhaps in the form of comics #this just isnt the place #this is all you need to get a grasp on the character :pray:#there is a lot of proportion inconsistencies on post tragedy old man dont point them out #its just that i've redrawn him like thrice and i was like. you know what? it doesnt have to be perfect #he'll make a cameo when i post fallen humans art

117 notes · View notes

raayllum · 6 months

Text

— golden hour by Abby S

#i'm Ready #rayllum #rayllumedit #when rayla loves him so much it undooms him from the narrative #pining!rayla #long post #tdp #my edits #graphics #multi #arc 1 #arc 2 #mutual salvation theory #quotes

116 notes · View notes

mango-dolphin · 11 months

Text

playing a game with myself called "inventing a man and scaring myself with it"

Note: Not all of these predictions are meant to be taken literally, more figuratively/metaphorically/so on. You get it. Note 2: lighter the text, the more likely i think it is to be (in part or in full) true

ALSO. thank you @maxknightleyunofficial for the yuri box.

bingo transcribed below [with additional Author's notes!]:

Limbus Company Predictions

Row 1:

Sinner Number correlates to recruitment order. (Which, yes, would imply Dante joined LCB before Sinclair, Outis, and Gregor. No points)

Another character based on a poet (or philosopher) is introduced. HM: Ovid SWEEP!!!!!!!!!!!!!!!!!!!!!

Meursault's source material is his backstory: he works for the LCB because they saved him from the death penalty

The E.G.O gear the Sinners are attuned to all corrode because the gear or their attunements are imperfect. As in: your LC nuggets got that good shit [because the LCB doesn't have Cogito & can't manufacture E.G.O gear: the Sinners have to "connect" to the Abnormality instead, however that works] / are better [than the LCB Sinners]

The psychosis warning is for multiple Cantos and/or side stories, but one of the Cantos needing that warning is Meursault's.

Row 2:

Sinclair goes tree mode. I will not explain any further.

Limbus Company wants to be the new L Corp, or at least be continually influencial to whoever takes the spot.

The Fruit of the Tree of Knowledge of Good and Evil; [it will be] a constant theme. Dante cannot "eat" (the apple), and thus is not "doomed to die" like the Sinners.** **The Sinners are named thus because they "partook" in the fruit: these moments, from blissful yet tormentous naivete to a sudden sinful upheaval, are highlighted in their Cantos. Gregor's was cutting the apple (crossing the boundary from child to war machine); Rodion's was killing the tax collector (her desire to be a hero completely upended by her actions leading to the deaths of all her neighbors); Sinclair's was following Kromer / letting her into his life (specifically allowing Kromer into his basement and witnessing The Horrors)... **This could imply LCB as the serpent in the garden, but more than anything, Dante is Eve. [Iori could also be the serpent she's got the range. swagever. It'd be funny.] HM: Or even worse, the opposite is true.

Sinners will get upgraded versions of their base E.G.Os; These versions have relation to the shadows cast in their E.G.O portrait.

Ishmael's white whale is a Library of Ruina character.

Row 3:

Faust's Faustian Bargain is classically straightforward: she "sold her soul" for knowledge. HM: The Devil in this exchange is the LCB.

Outis is in the middle of her years-long Odyssey as we speak. HM: It's why she's one of the last Sinners

Purgatorio & Paradiso

Outis, Don Quixote, and Hong Lu are using fake names

Dante (prior to the events of the game) has been on the Outskirts of the City, or even left City limits. HM: They're from outside the city

Row 4:

Gregor is an abnormality / abnormality-like; Hermann's "gift" to him is that. [Honestly he'd be one in the same way Tomerry is, but further than that? He's more than just a genetically modified soldier is what I'm trying to get at.]

Iori

^ HM: Lion, Panther, and Wolf were sent to Dante as a test. [Idk what kind of test it'd be. Trust me.]

At least one Sinner will Distort, and possibly multiple Likely Hong Lu, Ryoshu, Rodion, Heathcliff, Faust, or Meursault. Don seems obvious.* *Colors are likelihoods, not pairs. Though I don't see it likely that they all will distort UNLESS SOMETHING FUCKING HAPPENS *ADDITIONAL hard mode (so hard it's mode): Meursault Distorted before joining Limbus

the golden boughs are the remnants of Carmen's body or essence / the byproduct of the Seed of Light. [That's NERVOUS SYSTEM, baybee!]

Dante goes to Paradiso alone / with only Vergilius (I forgot how it went :( idr if Dante Dante's Inferno went up there alone)

Row 5:

Something bad happened to Gregor's sister :( HM: She's still alive. This is a bad thing. [Leaving my wording vague here on purpose.]

Marie (L'Étranger) is in the Blue Team (with Demian); Gretchen (Faust) is in the Red Team (with Hermann). Gretchen switches teams? [Honestly likely Faust hasn't encountered Gretchen either!]

There is yuri moments and maybe even yaoi moments (not Yuri) SINCLAIR. Yi Sang, Outis, Ishmael, Meursault, Outis again, Hong Lu, HM: Outis Wife Penelope

Angela.

Dante knew Carmen

#mango japery #limbus company #projmoon #bingo #oh god transcribing that took forever. WOE #i'll stand by my golden bough theory it feels way too obvious #carmen LOVES haunting the fucking narrative have you guys taken a look at the decals & graphics in the UI lately #she's in the ID cards she's in the title cards are you fucking kidding me #could've sworn she's in more but my man..... my guy.......... *breathes heavily

244 notes · View notes