Everyone is talking about Astarion’s wonderful plotline, voice, expressions, et cetera et cetera, but no one is talking about what a monster he is in combat. I swear he could 1v3 the rest of my party. Sharpshooter is so busted with dual-wielded hand crossbows and thief rogue, holy shit. Why would I use a bonus action to hide when I have a 95% chance of hitting with a shot that does 1d6+1d4+19 damage (before counting sneak attack) and auto-kills enemies if they have <=10 HP afterwards?
Gloomstalker ranger multiclass means that I get 5 of these attacks on the first turn of combat (actually 7 with bloodlust elixir, i.e. permanent haste that stacks with Haste). Add in 2d6 sneak attack, which will often crit given all those attacks (plus blinding raven familiar + durge cloak invisibility giving advantage) and occasional 1d6 poison damage (if Astarion needed healing for some reason), and he is frequently killing ~200 hp worth of enemies per round.
And with the huge initiative bonus, he usually just wipes them before they even get a turn. Not that them getting a turn would matter—even if they get in range of him, he walks around with 22 AC, a charm reaction, and Protection from Good and Evil giving disadvantage to most everything in Act 2.
And this all consumes 0 resources per fight (though Hasted Astarion is obviously even better). I keep thinking I’ll have to long rest at some point, but I just… don’t. I’ve fought something like 15+ combats today since Act 2 start and everyone is still at full health. One of my short rests I took entirely to renew the charge on a ring of jumping.
I feel like I’m missing out on precious Astarion cutscenes and I have no one to blame but Astarion.
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I'm still thinking about that scene in Victoriocity S3E7 where Fleet runs back towards the Beast so as to lure it into the path of the train...
Clara's exclamation of 'Teamwork, Fleet!' after Fleet says he's got a plan reflects her conviction that any plan that Fleet has will be a shared plan, something they do together.
This conviction is a kind of trust, and that trust is part of the reason Clara takes a moment to realise Fleet has headed back towards the Beast. She trusts that he's following behind her. She keeps talking to him, her words full of optimism.
When she realises Fleet isn't there, she immediately realises what that must mean he's done, and her voice sounds more small and scared than I think we've ever heard it before.
Fleet's attempt at self-sacrifice is a kind of betrayal of Clara's trust, but when he echoes her celebration of their teamwork in a more somber tone, I think it suggests that he understands the weight of that betrayal.
If Fleet's plan is that Clara won't realise he's gone until it's already too late, then he thinks "Teamwork, Clara" will be the last words he'll ever speak to her. In what he imagines will be their final conversation, Fleet affirms Clara's understanding of them as a team who work well together, even as he is making a choice that rejects the possibility of their teamwork in this scenario. It's a recognition of what their dynamic has meant. It's a goodbye and an apology, even if Clara doesn't understand it as such at first.
I don't think Fleet sounds scared as he initially faces down the train. When he shouts "Yeah, this way, you stupid machine! Come on then!", he sounds defiant and grimly determined.
In fact, I don't think he sounds afraid until Clara appears, until she might be at risk of being in the path of the Beast or the train as well. It's when he shouts "Clara, stay back for God's sake!" and "Please, get back!" that there's real fear and desperation in his voice. He can confront the idea of giving his own life, but not the idea that doing so might put Clara in danger.
Another thing about these lines is that the move from 'stay back' to 'get back' suggests that Clara didn't obey his first instruction but got closer to him (and therefore to the path of the Beast and the train) between those two lines.
Then Fleet gives what might be another attempt at his last words: "I'm sorry! I'm sorry." A repeated apology before an attempted self-sacrifice is an implicit acknowledgement of how much losing him would hurt Clara. He regrets causing her pain.
Even so, he's accepted that he is about to die and that it'd be worth it to destroy the Beast. But Clara very much hasn't accepted either those things. She's still trying to yell over the noise of the train; she's pulling off her ring to throw at him.
I think it's a good illustration of how Clara's optimism is a kind of strength. She always believes that they can "make a new plan" and that it'll be one in which no one has to die. I think Archibald Fleet needs someone like that, someone who'll tell him to drop to the ground when his death advances from both sides, someone who - even in a dark tunnel with an murderous metal monster and a speeding train - won't stop shouting that there's hope.
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modern au fem!hanwenzhou
okay so like, pretty much all my art is someone else's fault. i stand by this. this is the fault of @antique-forvalaka (henceforth siv). blame or thank her. she just showed up unprovoked and was like, "fem!wkx has a flat ass and fem!zzs is big tiddy tomboy," and i was like, "umm???" what was i meant to do? NOT draw them? it's a modern au because i don't fuck with drawing hanfu.
most of these were drawn when i was too sick to write and lemme tell you i 100% underestimated the effect of a cough on drawing art. the lineart on wkx's piece took me so fucking long. i even had to go back in and redo bits of it. that's why some of it looks wonky but shhhh don't look.
assorted headcanons beneath the cut:
fem!zzs
this was the first one i started drawing, and then i nearly gave up because zzh's face is the fucking worst to draw. like, i even tried tracing a still and it still didn't look like him. okay, thots:
f!zzs has long hair that she takes relatively good care of but she pretty much always just ties up and ignores
she keeps it long because she sometimes does infiltration missions and it's helpful to appear super feminine
she knows how to be pretty and well presented but she literally never gives a shit
left alone she will happily sit in a sports bra and panties and eat ramen
oh yeah when she's lying low after leaving tc she disguises herself as a male vagabond. @luckydragon10 is very attached to f!zzs's fake stubble.
the hoodie look is an adaptation of my favourite zzs look from woh which is the meili look. look i am a simple woman, put the characters in a veiled hat and my brain just goes hrrrrnnnnng.
fem!wkx
oh hello other actor in this drama who is incredibly fucking hard to draw. luckily i had already drawn modern wkx before so i was a bit more used to his face. okay, some more thots:
the first one i drew was the big profile which is labelled in the csp file as tiddies out wkx
in my head f!wkx has a flat ass and flat chest bc siv said so, but she wishes she were curvy like wkx
she's very much styled after a femme fatale, emphasis on the fatal
she's pretty much always immaculately turned out, perfect make-up, perfect clothes, all very expensive
i had to draw her in stockings and garter belt. i just had to. also that lace texture killed me and took me like half of wanda//vision (which i was watching in the background) to get right
part of the reason i even did modern au was because i wanted to draw wkx with a sniper rifle
on that note the sniper rifle is traced from a photo bc i am lazy and at that point was very ill
"oh? so you have chosen death~♡" -- that's her vibe
fave wkx is angery wkx up in the top right corner. i drew her last.
one big regret that i didn't draw her splattered in blood and smirking like lelouch from code geass. i just think that would be neat.
fem!hy
thank u han ying for having a face that i can draw. thank u actor for having distinguishable features for my face blind self. thank u. thots:
this was the last set of these that i drew and i had to think long and hard about what to do for her. i knew i wanted her to be shorter than zzs but curvier than wkx but that was literally it
originally when i started drawing f!hy i gave her short curly hair, like close to a pixie cut, but i couldn't make it look right, so i went back to siv and extracted her suggestion of a side cut or undercut
in my head, hy and zzs run two-man missions all the time, with zzs as front woman and hy as tactical support/getaway driver
siv said to me that she sees wkx playing dress-up with hy bc hy is more receptive to it than zzs and i was like oh yes so that's why there's a little classy hy over on the right
also the more i drew f!hy with her little undercut and sweats i realised she looked like a fuckboi and i was here for it
special shout out to my favourite tac gear item: the throat mic. they're just so sexy. don't come at me.
shout out to fancy dress ass-kicking hy. the backstory here is that wkx put her in a pretty dress for a nice evening out only for it to devolve into a battlefield so hy takes off her heels and just starts blasting.
oh yeah special shout out here bc my brain was just like "play with the colours" so i did and now there is no consistent colouring for this set.
anyway i love hy's little button nose. so cute. love drawing it.
ok i'm done.
standard disclaimers for my art: all of it was drawn in clip studio paint (my beloved). i use pose references using the built-in 3D models and assorted poses i've downloaded from the store. faces are drawn using stills from the show i've founded on google images. when i draw fashion there's a high change it's from runway collections, in this case hy's dress is from the paolo sebastian moonlight serenade collection, specifically this one. and the fancy han ying look is adapted from ashi studio fall/winter 2017, specifically this look.
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💭 your most memorable nemesis/rival
Send 💭 + a topic and my muse will tell you what they think about it.
most memorable nemesis/rival
"they've all been fairly memorable..." especially with his faulty memory banks. "it's hard to forget someone who granted ya so much grief, or handed ya so great a trial to overcome. some don't deserve to be forgotten with all they've done and wished to accomplish, others leave a stain in your memory."
he can recall faces of plenty, names of even more. the struggle of overcoming and defeating them, the time in his journey and the limits of his skills in the moment of victory. saying one was more memorable than the other was almost... insulting.
some deserved the insult, but plenty did not.
"... i'll remember that they lived, that they fought well. i'll remember that their journey had meanin', even if i didn't understand it. or want to. i can't bring myself to say one was more memorable than another... and there are some i don't want to give the pleasure of keepin' in my thoughts."
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