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#greek week
nikoisme · 2 months
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hermeeeessssss
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brother-emperors · 9 months
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something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.
it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.
and love. it's also about love. even when you had nothing, you had love.
on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.
edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.
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Perseus, Daniel Ogden
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Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet
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wolfythewitch · 10 months
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things you missed
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axristes-styseis · 8 months
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Raw sex with the right person >>>>>>>>>>>>>>>>>>>>>>>>>>>>
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mag200 · 1 year
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he literally looked back because he loved her. she was already dead. she wouldve still been dead even if he hadnt looked back and they'd made it. she was a ghost. she wouldve come back wrong. it's not a happy ending (yes it is). he loved her. he looked back. HE DID NOT FAIL HER!!!!! its not about getting back what you've lost its about saying goodbye. there is no other end to this story. im done.
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wtaffy · 2 months
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Reasons I'd get kicked out of Camp Half-Blood
1- telling Chiron to "stay gold, Ponyboy"
2- belting the chorus of "sweet home Alabama" every time I see a couple in the camp
3- making your mom jokes to Athena and Aphrodite kids
4- randomly spraying Percy with a squirt gun to check if he's really water resistant, even when he's not expecting to be in contact with water
5- approaching random campers and reminding them who their half-siblings are (ex: "yo, Nico, did you know you're related to Hitler?)
6- hiding a noise machine in the Hermes cabin and playing the star Wars scene "Luke, I am your father" every time he eneters/ making it play Hamilton at all hours of the night, so we can fall asleep to the sound of our father's voice
7- telling kids to "read between the lines", knowing full well they can't even read the lines themselves
8- convincing the younger, more gullible Demeter kids to grow weed
9- bribing the Hephaestus kids into making me a gun that shoots celestial bronze bullets, because there is no way in Hades that I am about to go after monsters just wielding some pointy sticks
10- sneaking into the Hera cabin to sleep, because what do you MEAN I, a claimed daughter of Hermes, don't get a bed in my own daddy's house? Yeah, no, I'm staying over at grandma's, the goddess of motherhood. Smite me.
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storyranger · 2 years
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I expected many things from a show called “The Great Pottery Throw Down” but full-frontal nudity was not one of them
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mcsiggy · 9 months
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Lets do this again:
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blueliliesblueroses · 5 months
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To Orpheus, and all of us… Goodnight, brothers, goodnight.
Happy Trails to Reeve Carney 🎸🥀
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rapha-reads · 4 months
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No but I gotta talk about Medusa for a minute actually.
It's been. A very long time since I read the PJO books so I don't exactly remember how Uncle Rick presents Medusa in the book. But the way the show introduces her myth? Fascinating. For me as a Greek mythology enthusiast, that is.
The show makes Medusa a victim of Athena. Of course, the show is mainly for kids, so they can't exactly say that, hey, kids, Medusa was Athena's priestess and she was raped by Poseidon, YEP, or protagonist's father, IN Athena's temple, nah, that's neither kid-friendly nor does it endears us to Poseidon. Not that Poseidon is very dear to us viewers/readers at this point, our narrator/protagonist can't stand his own dad.
But still what fascinates me is that even though they twisted the myth to ft the narrative they still managed to evoke Athena's curse as being actually a gift, and Medusa not feeling wretched over her condition but blessed.
Which is not a modern reading of the myth, actually. Saying that Athena couldn't punish Poseidon for his transgression and could only punish Medusa, but did so in a way that would give Medusa weapons to defend herself against whoever and whatever would try to harm her again, is a narrative that exists since Antiquity.
My point is that the re-framing of Medusa's myth, departing from the traditional, non-kid-friendly version while still incorporating both classic and modern elements, is a good frame of reference for the series (book and show)' entire approach to mythology. And I guess I'm saying that mostly for the non-book readers who are discovering this world, many of whom might be Greek mythology fans and might have gone "wait, why is Hades AGAIN presented as the bad guy when he's the chillest, most normal, most stable god in this entire pantheon", because that's a conversation the book fandom has been having (over and over again) for more than a decade.
Anyway, yeah. As a long time book fan and a show appreciative, here's my advice to anyone who knows WAY too much about Greek myths and still want to enjoy the ride without going every five minutes "wait, that's not correct": reframe. Contemporary rewritings, modern audiences and Fantasy genre.
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greekmythcomix · 7 months
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How I teach the Iliad in highschool:
I’ve taught the Iliad for over a decade, I’m literally a teacher, and I can even spell ‘Iliad’, and yet my first instinct when reading someone’s opinions about it is not to drop a comment explaining what it is, who ‘wrote’ it, and what that person’s intention truly was.
Agh. <the state of Twitter>
The first thing I do when I am teaching the Iliad is talk about what we know, what we think we know, and what we don’t know about Homer:
We know -
- 0
We think we know -
- the name Homer is a person, possibly male, possibly blind, possibly from Ionia, c.8th/9th C BCE.
- composed the Iliad and Odyssey and Hymns
We don’t know -
- if ‘Homer’ was a real person or a word meaning singer/teller of these stories
- which poem came first
- whether the more historical-sounding events of these stories actually happened, though there is evidence for a similar, much shorter, siege at Troy.
And then I get out a timeline, with suggested dates for the ‘Trojan war’ and Iliad and Odyssey’s estimated composition date and point out the 500ish years between those dates. And then I ask my class to name an event that happened 500 years ago.
They normally can’t or they say ‘Camelot’, because my students are 13-15yo and I’ve sprung this on them. Then I point out the Spanish Armada and Qu. Elizabeth I and Shakespeare were around then. And then I ask how they know about these things, and we talk about historical record.
And how if you don’t have historical record to know the past, you’re relying on shared memory, and how that’s communicated through oral tradition, and how oral tradition can serve a second purpose of entertainment, and how entertainment needs exciting characteristics.
And we list the features of the epic poems of the Iliad and Odyssey: gods, monsters, heroes, massive wars, duels to the death, detailed descriptions of what armour everyone is wearing as they put it on. (Kind of like a Marvel movie in fact.)
And then we look at how long the poems are and think about how they might have been communicated: over several days, when people would have had time to listen, so at a long festival perhaps, when they’re not working. As a diversion.
And then I tell them my old and possibly a bit tortured simile of ‘The Pearl of Myth’:
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(Here’s a video of The Pearl of Myth with me talking it through in a calming voice: https://youtu.be/YEqFIibMEyo?sub_confirmation=1
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And after all that, I hand a student at the front a secret sentence written on a piece of paper, and ask them to whisper it to the person next to them, and for that person to whisper it to the next, and so on. You’ve all played that game.
And of course the sentence is always rather different at the end than it was at the start, especially if it had Proper nouns in it (which tend to come out mangled). And someone’s often purposely changed it, ‘to be funny’.
And we talk about how this is a very loose metaphor for how stories and memory can change over time, and even historical record if it’s not copied correctly (I used to sidebar them about how and why Boudicca used to be known as ‘Boadicea’ but they just know the former now, because Horrible Histories exists and is awesome)
And after all that, I remind them that what we’re about to read has been translated from Ancient Greek, which was not exactly the language it was first written down in, and now we’re reading it in English.
And that’s how my teenaged students know NOT TO TAKE THE ILIAD AS FACT.
(And then we read the Iliad)
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windsweptinred · 2 months
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The Goddess Nyx and the Muse Urania
''Though my soul may set in darkness, it will rise in perfect light; I have loved the stars too fondly to be fearful of the night."
The Old Astronomer and His Pupil by Sarah Williams
Nyx, the Greek Goddess of primordial Night, dark mother of mysteries, dressed in stars, subduer of gods and men, who even mighty Zeus himself stood in awe of.
Urania, Goddess of astronomy, astrology and philosophy. Her gaze ever fixed on the the infinite universe. Muse to those who seek to divine the stars, expand the mind, and unravel the mysteries of the heavens.
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ask-lu-wild · 2 months
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kebriones · 1 year
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Our lord of grapes and cats and tearing things apart in fits of madness
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strongermonster · 3 months
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no real cheese will ever live up to the phantom taste i imagined the cartoon cheese from tom and jerry cartoons i watched as a kid tasted like.
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this is the pinnacle of the cheese-based foodgroups. i think it was less the visual appeal (almost none, it looks like a dried sponge half the time) and more the fervent desperation with which the mouse pursued it. the permeating lust for this cheese.
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the fanatical daydreaming was so evocative that my brain and tongue made up a flavour that will never exist and i am doomed to spend my life unfulfilled
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catofoldstones · 3 months
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Elia of Dorne and Cassandra of Troy parallels
Daenerys IV, ADWD // The Oresteia- Aeschylus // Tyrion X - A Storm of Swords // Aeneid by Virgil - Book II // Cassandra’s monologue, Agamemnon by Aeschylus //Cassandra by Anthony Fredrick Augustus Sandys - 1864// Ajax and Cassandra by Solomon J Solomon - 1886 // Kassandra by Florence and the Machine
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