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#group question
capricorn-0mnikorn · 2 years
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📖Persuasion📖 Read- and Listen-along question
Okay, now that I’ve got a working mouse again, I’ll have an easier time writing up the next batch of chapter analyses.
Since there’s been a delay two segments in a row, would you mind, terribly, if I did three chapters at a time, instead of two? It’d be closer to 45-minute listen than half an hour, but Chapter 15 is when the Bath!plot starts to pick up, and there’s more meaty things to talk about (potentially).
Chapter 13 is Christmas with the Musgroves, and the visiting Harville kidlings, and Chapter 14 is Lady Russell meets the Crofts (and Anne discovers/realizes that she and Lady Russell have different tastes in people and places).
Chapter 15 is Anne’s first full day in Bath, and Being Caught Up with her Father and Sister -- and Mr. Elliot (!).
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mariamakeslemons · 1 year
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Okay, real talk. Between Xie Lian’s “cooking” and Lilia’s cooking, which do you think is more lethal?
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thebiggestfuckgiven · 5 months
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i may or may not be planning a fic where one of the many subplots is that Jason (as Red Hood, but Danny already knows) is following/investigating Danny because he thinks Danny’s dangerous somehow. I won’t go into the details because it’s so much, but point is i have a silly little scene in my head wherein Danny goes out to work on a uni group project with Tim, and on their way to the cafe some asshole car hits a guy on a motorcycle. The Biker goes into a rage and starts cursing him out, takes off his helmet and lo and behold it’s Jason.
Mid-verbal fight with the asshole he catches sight of Tim (recording the whole thing and waving at Jason) and of Danny (potential danger he’s been investigating for nearly two weeks), and Jason gives the asshole a “this isn’t over” threat and dips. Then,
Tim, who noticed Danny’s reaction: You know that guy?
Danny: Oh, yeah, that’s my stalker. You?
Tim: Nemesis. I’m sorry he’s your what?
Bonus:
Tim texting Jason: are you stalking my classmate??
Jason: Mind your own business, Replacement.
Jason: Wait, did he tell you that?
Tim: yah
Jason: RH’s been investigating him. Why the FUCK does your “classmate” think it’s me?
Tim: dick is gonna love this. the great rh has a containment breach
Jason: DON’T YOU FUCKING DARE TELL HIM REPLACEMENT
Tim: LMAO fuck it we BALL
Jason: TIM
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sprucewoodmpreg · 6 months
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(or just pick a point in the timeline where you feel the series shifted the most in some way)
btw feel free to talk abt your answer in the tags ^_^
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puppetmaster13u · 3 months
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Prompt 174
Despite what people complain and snark about, Bruce does in fact have contingency plans for pretty much everything. And while he doesn’t have an exact contingency for Jason apparently accidentally kidnapping the apparently prince of the Realms- some infinite space where the dead resided according to Zatanna and Constantine, he’ll have an existential crisis about it later thanks- he did have one for his kids accidentally kidnapping someone. 
He just doesn’t think that exact plan will work in this case, seeing as that plan had to do with civilians and not very large kings that could obliterate the entire world with a hand wave, nevermind the fact that they have so many armies. Not to mention what is apparently both the king’s second-in-command and brother. 
Well, if none of his usual contingencies won’t work and Constantine’s attempts at making a deal isn’t working, nor is the other’s attempts to talk the two down, then it’s plan Z time. Seduction it is. 
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dontfuckmylifewtf · 2 years
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No matter how weird the questions are that Neil Gaiman gets (or for the matter we see because he answered them), I would like to remind everyone, that having around 80.000 asks in your inbox gives you a lot to choose from.
Meaning, that Neil Gaiman probably actively chooses from these 80.000 questions what he answers.
So for the love of god, stop bullying the people asking "cringe" questions. They probably didn't expect to get an answer anyways, and Neil chose to answer them.
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maicrowave · 4 months
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dnp literally bought a house together and still every time they compliment each other on camera we're like omgggg they like each other in real life guysssss it's not just for the cameras
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gunsatthaphan · 5 months
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twitter needs to be stopped jkhdfs
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brw · 7 months
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"but hamas is getting funded by extremist islamic hate groups!" do you think the U.S. government and military giving funding for israeli's war efforts against palestinians is a morally neutral and inherently righteous body that had no influence in the politics of southwest asia as a global colonial superpower. do you really think anything you can say about the people resisting oppression can't be said about the oppressors.
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cellgatinbo · 8 months
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roier: *absolutely cusses dapper out for sleeping in so they can’t hang out*
bad: *tries to read his chat bubbles*
roier: i’m sorry no no no don’t read don’t read ! *runs outside and babbles nonsense to clear his chat*
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A marvel fam, a partial shazam fam?
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its-your-mind · 3 months
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*deep breath in*
the fears 👏 have always 👏 been (in one way or another) 👏 parallel 👏 to 👏 desire 👏
let me explain.
so many of the statements given by actual avatars center around some sort of need that was met by their entity. Lots of them even had a positive relationship with the fear that drove them.
Jane Prentiss is an excellent example - the Corruption has always been about a form of toxic and possessive love, but she personally has a deep desire to be “fully consumed by what loves her,” and finds a perverse joy and relief at allowing herself to be a home
Jude Perry is another - she fucking loved watching people’s lives be utterly destroyed. The Desolation only offered her a power of destruction on a grander scale, and then gave her a more intense rush of joy as she did its work. When she tells Jon that he needs to feed the Eye before it feeds on him, it’s almost as an afterthought; she was happily feeding the Desolation long before it burned her into a new existence.
Simon Fairchild. Every time that old loose bag of bones wanders into the picture, he is having a fucking EXCELLENT time playing with the Vast. He loves showing people their own insignificance, and he loves luring them into situations where he can throw them into the void as he smiles and waves.
Peter Lukas (hell, the whole Lukas family (except Evan. RIP Evan.)) hated. people. all he wanted was for them all to go away, to leave him alone. The Lonely only fulfilled that desire.
Daisy, Trevor, and Julia, all devoted to hunting those things they deemed monstrous.
Melanie, holding tight to that bullet in her leg because on some level, she wanted it. It felt good, it felt right, it felt like it fit right alongside the anger and spite that drove her to success.
Annabelle Cane first encountered the Web when she was a child, running away from home in order to tug on her parents’ heartstrings in just the right way to have them wrapped around her little finger. Later on she volunteered to be the subject of an ESP study. Hell, she’s the one who dangled the “Is it really You that wants this?” question over Jon’s head in S4.
And that brings us to Jon, beloved Jarchivist, the Voice that Opened the Door. Ever since he was a child targeted by the Web, he was looking for answers. He joined the Magnus Institute’s Research Department looking for them, he stalked his coworkers in search for them, he broke into Gertrude’s flat and laptop out of desperation for them. And when he realized that all he had to do was Ask to get truthful answers to his questions? It was only natural for him to jump at that opportunity.
Elias told S3 Jon that he did want this, that he chose it, that at every crossroads he kept pushing onwards, and the inner turmoil that caused was one of the focal points for Jon’s character through the rest of the podcast.
There’s a certain line of thinking in many circles about the power of the Devil: he’s not able to create anything new. All he’s able to do is twist and warp that which was already present, making it something ugly and profane while still maintaining the facade of something desirable.
Jon didn’t choose the Eye. But he did wander into its realm of power, exhibiting exactly the qualities it was most capable of hijacking and warping to its own ends. Jon didn’t choose the Apocalypse. But Jonah picked at him little by little, pointing him towards each Fear individually. Jon didn’t want to release the Fears. But the Web tugged on his strings just so and laid a pretty trail for him to follow until he reached its desired conclusion.
Jon didn’t choose ultimate power, or omniscience, or even his own role as Head Archivist. But he said “yes” to the right (wrong?) orders and kept on pushing for the right (wrong?) answers. He wanted to succeed at the work he had been assigned. He wanted to protect his friends. He wanted to rescue them when they were lost. He wanted to prevent the apocalypse, to save the world. He wanted to know why he was still alive, when so many had died right in front of him.
The Great Wheel of Evil Color that is the Entities might not fit as neatly into categories in this universe - maybe there was no Robert Smirke trying to impose strict categories on emotional experiences, or maybe the ways they manifest in the world has turned on its head (goodness knows many of them have been showcased and blended in some very fun and new and horrifying ways so far) - but their fundamental foundations seem to be the same. Hell, in episode one we learned that there had been enough individual incidents to create a distinction between “dolls, watching” and “dolls, human skin.”
Smirke’s Fourteen isn’t going to be relevant as common parlance, RQ said that already, but I don’t think that means the Fears themselves (and their Dream Logic-based rules) are different - I think it means that the levels of understanding, language used, and personal connections among people “in the know” are going to be entirely unfamiliar
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natjennie · 3 months
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julian describing himself as a "former politician, brackets, disgraced" is maybe the funniest line of the show
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essektheylyss · 9 months
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Honestly, I'm very excited to find out what happened to Caleb and Beau, but specifically because Ludinus's current status is WILD for Caleb's epilogue in particular. It means his boyfriend is basically free and clear of everyone who has explicit material knowledge of the deal he made. It means the goal he planned to dedicate his life to is basically complete within six years. It means that virtually no one left on the Assembly cares much what kinds of changes he makes to Soltryce from here on out.
Ludinus is on the moon and probably not coming back, given the general expectations of the heroic fantasy genre, and the rest of it is a whole lot of "not Caleb's problem".
What does this man even do with the rest of his life?
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volitioncheck · 8 months
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does near every single post-canon DE fic out there need to be tagged ‘Sober Harry Du Bois’? i’m getting so tired of it.
do i expect every single piece of fan content to have to fully delve into the often-depressing always-complex topic of addiction? not really. sometimes you just want to write/read a silly fluffy romance one-shot, whatever. i get it. but i think my issue is specifically with the fact that for nearly every sillyfluffy au out there, there almost must be a ‘sober harry du bois’ tag. and it does feel very slapped-on more often than not.
i think to me it is an unconscious statement that nothing *good* can ever happen to harry du bois until he is completely and permanently sober. before solving the next big case, he has to be sober. before quitting the force, he has to be sober. before falling in love with kim, he has to be sober. before accomplishing anything, starting any sort of recovery, making any life improvement, he must first be sober.
sobriety as a goal, as a journey, and honestly as a concept in of itself is not as cut and dry as so many people think it is. and i think it would serve a lot of people well if they did some introspection on the implications of how nearly every single post-canon fic that isn’t dealing directly with harry’s addiction have him as completely sober instead.
if the plot of the fic isn’t going to touch directly on harry’s substance use (and again, i’m not demanding that every single fic should), why does that mean that sober!harry must be the default?
i think i am just tired of reading a casefic, a smutty one-shot, a fantasy au, whatever, where it almost seems that before getting on with the plot, the author feels obligated to first assure us that the harry we’re reading about is a Sober Harry. it’s established with a couple lines in the exposition, probably about his improved appearance, a tag up top, and then never brought up again; a checkmarked box. like the societal image of An Addict has completely prevented people from being able to imagine a person just, continuing to live life, while still struggling with addiction.
life happens, with all of its backslides and achievements, mundanity and changes, to people with drug addictions just as much as people who don’t. is a post-canon harry who isn’t sober not worth writing about?
i think so. i think the game we all played thinks so too. in fact i think that sentiment is woven into the game’s very core. i just wish i saw that reflected in our fan content more.
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weeee fantasy au scribbles look at these Guys
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