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katrinawritesthings · 1 year

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jonghyun / taemin; hot on the trail; PG

Hot on the trail of a real fine life This could be what it means to be alive Can't be too sure but it feels the right way Love is infinite like sun rays

"Jonghyun?" Taemin touches Jonghyun's shoulder gently with his small hand. He's not looking at Jonghyun when Jonghyun glances at him. He points ahead at where the road curves and there's a bigger clearing before the railing, a photography spot. "Can we stop for a minute?" he asks. "Watch the sunrise?"

Jonghyun sighs through his nose, biting his lip. He doesn't really want to. Driving gives him something to focus on, something to take his mind off of his anger. But at the same time, it does sound nice. Mornings are the only time he can really appreciate the sun before it starts turning into a big ball of heat that he can't stand. And it does make him feel a little better that Taemin still wants to do this with him, even if he's angry.

A glance in Jonghyun's right side mirror shows him that the road is still clear. It also shows him that Taemin is still grumpy. Arms crossed, leg crossed over the other, frown on his lips, glaring out of his window.

Well, fine. Jonghyun is still angry too. He doesn't want to be; the last thing he ever wants is for them to be arguing, let alone for an argument to start 10 minutes before they had to leave before dawn to drive 5 hours to get to where they're going on time. But they did, and Jonghyun was right, and Taemin was wrong, so the longer Taemin stays mad, Jonghyun the longer Jonghyun is, too.

He's doing his best to tune it out, though, because they're on a windy road up through the mountains, a sheer rock wall to his side and a sharp drop to Taemin's, tall trees blocking most of the pre morning light, and he's trying to be careful. Of course, that even in itself makes it harder to stay calm, because he shouldn't be the one that has to suppress his emotions. But it's whatever. They'll talk about it later.

Another 20 minutes pass until they reach a clear spot in the trees and a long, straight stretch of road on the side of the mountain. It still drops down sharply at Taemin's right, but the railing is there, and several feet of empty dirt parking space doubles the distance between them and it. Passed it, the forest sprawls, treetops reaching just under their feet, the gray sky tinted pink as the sunrise begins.

"Sure," he says, and pulls off to the side of the road when they reach the curve, easing to a stop in the dirt facing the sun. Taemin is out of his seat belt and opening his door before Jonghyun even has the car off. Rolling his eyes, Jonghyun follows, offering a hand to steady Taemin when he gets to the front of the car and Taemin is still struggling to get onto the hood.

Taemin takes it, and then keeps holding on, helping Jonghyun clamber on top and settle next to him. Hesitantly, Jonghyun settles his arm around Taemin's shoulders. Taemin stiffens, but only for a second, and then sighs and nestles in, leaning their heads together. His hands ball up and hide in his hoodie pocket. Jonghyun ignores that with another roll of his eyes.

Technically, they're not really watching the sunrise; it's already up over the horizon, pinking and oranging the sky heavily. They're just waiting for it to rise up above the cover of trees. It creeps up slowly, and every so often a bright flash of sun will come in through gaps in the leaves.

Jonghyun breathes deeply, the mountain air so cool and crisp that it almost stings his nose. The wind blows over them, making both of them tuck their jackets tighter around themselves. He finds a bird's nest in one of the trees and focuses on it, tiny sparrows fluttering around, dipping in and out, shaking all of the branches every time they land. An early butterfly flits passed and Taemin tenses up more than he has been all morning, grumbling when Jonghyun hides a grin behind his hand and squeezes his shoulder for comfort. A car rolls by behind them.

"I'm sorry," Taemin says quietly.

Jonghyun stops breathing, just for a second. Glancing to his side, Taemin still isn't looking at him. He's staring out at the horizon, but his eyes are unfocused. Jonghyun watches him open his mouth, take a breath, hesitate, open his mouth again.

"I was trying to, like, be gently pushy, but. I was just being a dick.” Finally he turns away from the sunrise, but just to push his face into Jonghyun's shoulder. "And then I got mad that you got mad, and I'm sorry."

"Thank you," Jonghyun says just as quietly. It means a lot. It really really does. He wasn't expecting this until after they got home from the thing tomorrow, at least. He doesn't apologize back because he has nothing to apologize for, but he does say, "It's hard to be me."

Taemin nods; he knows. That was the whole reason their argument started. A self deprecating comment, said honestly. Because Jonghyun truly believed it. Jonghyun continues, "And I know that. It's hard for you to." He doesn't want to say put up with, and he searches for the right way to put it. "You didn't sign up for this, when we first got together," he says eventually. Not at all. Jonghyun didn't even know he was like this himself back when they first started dating. He was too busy bottling everything up to notice that it was there. "But–"

"Neither did you," Taemin mumbles. It surprises a laugh out of Jonghyun, partly amused, partly bitter.

"I sure fucking didn't," he grins. When he popped out of the womb he sure didn't sign up for having a brain that hated him 30 something years later. But here he is. Dealing with it. Getting into arguments about it. Sitting up on the side of a mountain, watching the sunrise, holding his babe under his arm, existing with it. "I appreciate that you've always stuck with me," he tells Taemin, "even when it's frustrating and I’m being like that and you can't understand." Taemin shifts under his arm, getting comfortable, turning his face back out to the sky. "And I'm grateful that you always try to help.”

"But I need you to remember that I’m the one that knows what it's like to be me best," he says. "And when I say what you're doing isn't helping, then I know better than you whether that's true or not."

"I know," Taemin says quietly. He sighs, rubbing a hand over his cheek, his fingers into his eyes. "I was just." He sighs again, shaking his head. His mouth works as he tries to come up with excuses, as he decides not to say each one. Jonghyun knows what they are, even if he doesn't say them–it was early, he was sleepy, it scares him when Jonghyun talks like that, his instinctive need to help was louder than the voice telling him to back down for a minute and think. Jonghyun understands each one, and he appreciates that Taemin isn't trying to push them on him. He appreciates that after a minute, all Taemin says is just ‘I'm sorry,’ again.

"When we get home again," Taemin says, hesitantly, reaching over and playing with Jonghyun's jacket zipper. "Can we talk more about things that I can do to help? That won't make it worse?"

"Yeah," Jonghyun says. They can do that. He would like that a lot. They've had that conversation before, but it's one of those ever-changing conversations. Another new one wouldn't hurt. Taemin nods, cheek rubbing against his shoulder.

Conversation over, Jonghyun adjusts himself to get more comfortable on the hood of the car. He moves his hand from Taemin's shoulder to his hair, petting him, playing with it.

On the horizon, the sun finally breaks out from behind the trees. It rises slowly, brilliantly bright, sending sunrays streaming out through the leaves that warm them where they sit.

#jongtae #jonghyun #taemin #pg #oneshot #fluff #Sometimes it just be like that #it took Jonghyun a long fucking time to get to where he is about knowing that he doesn't have to apologize for the mental illness ™#but he still has a long way to go and he’s still figuring out how to be him and how to exist and Taemin wants to help but Taemin knows #even less #they're just figuring it out together as they go along and it's messy but they like each other too much to stop now #ydw #Steam Powered Giraffe hitting in once again with the bangers #everyday I think about the growth from wired wrong #to hot on the trail. You go you funky little robot #Maybe someday we'll be in a place where we can see that we are not wired wrong...#The distance hasn't always been clear but finally with our love it could appear...#Black lady crying and saying wow.gif #anyway hey it's me happy egg I have returned : )#ignore that time last week when I accidentally reblogged Gandalf big naturals here for a minute

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strawberrybouvine · 2 years

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I got bilbo baggins brainrot aaaaaaAAA !!!

#just the hobbit movies get to me man #the idea that journey can change you so much #that you cant even recognize yourself #and that thats not a bad thing #even if you wish things to end differently #just !!! growth man !!!#time to rematch the movies for the millionth time #jester jabber™

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tinakp · 9 months

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Epic Catch at the EOS Conference | You Have To See it To Believe It | Chris Beer, the Wizard of Ops™

youtube

Bringing the heat and the fun to Lucas Oil Stadium at the EOS conference. before being caught with perfect precision, making for an epic moment. See it for yourself in this incredible video

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only10tion · 1 year

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Dr. Haru gaining a love for life and people for more than just their brains <3

#brain works #seeing his growth as a character makes me happy. sir you WILL use love to defeat despair #shows™

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shaanicreates · 2 years

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I Embrace All Aspects of Me

ShaaniCreates I embrace all aspects of me Radical Acceptance · Radical Honesty · Grace · Love I am leveling up, embracing all aspects of me with a new season of incorporating Radical Acceptance and Radical Honesty in my life through grace and self-love. I am allowing my body to feel all of the emotions and uncomfortable experiences I used to freeze, avoid and run away from. When I experience…

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lightbluetown · 5 months

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i saw some people say ed and zheng are master strategists while stede is just some guy with ridiculous luck, but i think that's unfair. sure stede's ideas are insane, but they fit the looney tunes ass universe of ofmd perfectly. they're mostly well-thought-out, well-executed and they showcase stede's strengths and growth! so allow me to talk about them:

1- ghost of the forest - 1x02

a fuckery™ before stede even knows what a fuckery™ is! this is amateurish and stupid in every way. he's not even threatening izzy with a real dagger-- that's a letter opener. does izzy actually believe that stede has a huge crew hiding behind the bushes? doubt it! but this weird little act is enough to establish stede as a (ridiculous) pirate figure to the legendary izzy hands and to accomplish his goal of taking a hostage back

2- lighthouse - 1x04

imagine coming up with the exact same idea at the exact same time as the most brilliant tactician of the seven seas! we don't know who came up with which parts of the plan (honestly it was probably mostly ed) but this is still bloody impressive

3- stark revelations - 1x05

stede's first big success! he uses his knowledge of the aristocratic world to get a shipful of rich assholes to destroy each other, but he's also showcasing what sets him apart from them: this plan only comes to fruition because stede talks to frenchie, olu and abshir as equals. as people he can learn from, as sources of inspiration

4- duel with izzy - 1x06

this one was absolutely unhinged, but its success was far from dumb luck. only stede could think of using a brazillian cherry wood mast and ed's weird stabbing lesson to win a duel, and that's what makes this plan so undeniably stede and brilliant

5- faking his death - 1x10

i love that he just had to "die" in the most dramatic way possible. a heroic fight (tiger), a realistic accident (carriage) and the most cartoony death in the book (piano)... not only is his triple-death able to convince everyone in barbados that he's dead for good, it also allows him to have closure with his family. it's filled with stede's ridiculous unique flair, but it's designed to be a fuckery™ through and through. ed would be SO proud

6- stealing jackie's indigo dye - 2x01

quick little stealth mission. did ricky manipulate stede into trying this out? sure. did ricky also ruin it? absolutely. but it was working until then! the swede isn't part of stede's crew at this point, but his respect for stede is what gets him to cooperate and risk his relationship with his beautiful wife. also, it's thanks to his love for fine things that stede immediately recognizes the value of "blue dirt"

7- prison break - 2x03

in my eyes no scene depicts stede's growth better than this one. knocking zheng's entire crew out with tea is the most stede thing out there, and this plan uses the cherry wood mast as well! this plan relies on stede's (unrealistic) tea knowledge, overly-fancy ship and ability to coordinate his crew. what makes it breathtaking is that he secretly sets this plan into motion while actively mourning the "death" of the love of his life. he's putting his life on the line to rescue ed's "killers" because he's emotionally mature enough to look at things from their perspective and forgive them

8- inciting a mutiny - 2x06

yet another brilliant plan that could only be executed by stede. this entire episode revolves around his idea of "turning poison into positivity" and here he, well, fights poison with positivity. stede captains his pirates with respect and care (best he can) which just so happens to be the opposite of ned. he exploits this and gently gets ned's crew to turn on him. he singlehandedly saves himself and his entire crew from a notorious pirate! oh he also literally invents walking the plank right after this

9- "it's only suicide if we die" - 2x08

okay, yes, this one didn't go that well (sorry iz). but it's not like ed, zheng or anyone else had any other ideas! stede's weird suicide mission, for the most part, worked. they needed to get through british soldiers to reach their ship and they did exactly that. if only they'd remembered to check if ricky had his gun... oh well, you live and you learn

sure, ed and zheng are legends and stede is a silly newbie with wild luck. but he's also quick-witted, creative, confident and brave! he's a damn good captain and he deserves to be recognized as a good strategist!

#ofmd #our flag means death #stede bonnet #ofmd meta #i love my boy so much i will not let anyone disrespect him thank u #🏴‍☠️

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andsomemaniacgotridofthewheel · 6 months

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David Jenkins was not a Big Name Showrunner before OFMD. In fact, I had never heard of him before. I am not even sure what he did before OFMD, according to IMDB he wrote exactly one other show and it is one I have never even heard of before.

And he somehow got HBO to make his weird little show about gay pirates, and he got Taika Waititi to help with it, and while nobody was expecting anything of it - I mean come on guys, remember when OFMD dropped and everyone only gradually realised what it was - it became The Little Show That Could. With almost no advertising. No marketing. HBO did clearly did not expect this show to be anything, to make any real money or to go beyond one season.

But then it blew up.

Because David Jenkins was so insightful, he was so good, he brought so much fresh wind into a business where we usually can tell how the next three steps of how any show is going to go (and to be fair, a lot of us feared that Izzy's death in season 2 was coming, because all the signs fit), that we put him on a pedestal.

THE FUCKING PEDESTAL.

Yes he is brilliant. He has done stuff with OFMD that you never ever see somewhere else. He has understood that historical accuracy, as well as physics and geography, are merely backdrop for plot and characters. Completely irrelevant if you need them to be, but then suddenly important if you have a bit of story that won't work without. He understood that queer relationships deserve to be told, and when confronted with skeptic fans he learned about queerbaiting.

He took a lot of tropes and put them on their head. He structured his show like fanfic. He put thought into his stories instead of following the beaten track. He single-handedly raised the bar for every showrunner out there.

But it is still only his second show.

If he didn't shine so brightly during OFMD's first season, nobody would have expected so much of him.

And yes. He dropped the ball on Izzy.

I loved Izzy to pieces ever since season 1, I wanted to pin him to a board like a bug and study him and take him apart and put him in a blender and in situations, I loved to hate him and in season 2 I loved to love him. He is such a brilliant, complex character, so well written and so well played by Con O'Neill; the options for character analysis, relationship analysis, various interpretations of everything he has done, are simply limitless. 🤯 That is due to David Jenkins & Con O'Neill.

And David Jenkins, standing in the spotlight of all of our exaggerated expectations, decided it would have the greatest emotional impact if he killed him. He made him a symbol, for the end of The Golden Age of Piracy™, and he killed him.

He was right.

He was not original.

He fell for one of the very tropes he so successfully fought in season 1, and for the most part of season 2.

Procuring an emotional response by having a beloved character, who was just starting to embark on an exciting new journey, die tragically and emotionally, providing motivation for the remaining characters.

It was a cheap move.

It is not a Bury Your Gays. Everyone is queer on this show, you can't call something a Bury Your Gays if that would be true for every character death.

But Izzy was also old, and disabled, and he had survived a suicide attempt (that he was driven into, not chose for himself), and had just had an arc of growth and character development that could have gone on for such a long time after this. He had just learned to trust and be vulnerable and experience (gender)queer joy. God, there were so many places his character could have gone.

I loved Izzy as a character, I didn't relate much to him. But Your Mileage May Vary, and I am so, so sorry for everyone who did. You didn't deserve this.

But David Jenkins? Is still sooo much better than any generic bland showrunner that is going places in Hollywood. You want to boycott anything, boycott the big streaming services that don't have the guts to make their main characters queer, to think that "a bit of both" is inclusive or bold, and who drive out any creatives that object and try to sneak in inclusiveness. They are the enemy. They are systemic discrimination and injustice.

David Jenkins is just starting out. And he did so much better on his very first successful show than anyone who has been in the business for years. If anyone deserves a chance to prove that he can do better, it's him.

I'm sure he'll come to regret his decision. I'm sure he'll see where he went wrong, how he could have done better, and fix it in any show he might do after this. I, for one, would much rather see any show he is involved in than most of the crap that the AMPTP is putting out, now or in the future. He can only get better. And he did do a lot of things right. Never forget that. Because the majority of showrunners can't even do the minimum, and David Jenkins went above and beyond.

I think he deserves a little slack. If anyone in the streaming industry does, it's him.

It's the fucking pedestal that is the problem. It makes people who do good but are not perfect suddenly look worse than the most cowardice, opportunistic mediocre guy. But they are not and they deserve a leg up, or we are stuck with the worse option who gets support from all the wrong places. Don't fall for it.

#david jenkins #our flag means death #ofmd #izzy hands #ofmd izzy hands #con o'neill #nikku.txt

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alyakthedorklord · 1 year

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Chiroptophobia: the Fear of Bats.

Bruce Wayne is Scared of Bats. This is a Canon Fact.

In a difference from canon, Batman pretends to actually BE a bat man.

(Again, “Loading and Aspect Ratio” by JUBE514 situation with fake wings. Please go read it I love it so much.)

Bruce turns himself into a physical manifestation of his personal worst nightmares, and sets out to be a street cryptid. People see him flinching from bright lights and loud noises (he hasn’t slept in three days and he really hates guns) twitching weirdly (testing his wings function/stimming) not fully understanding human social niceties (you cannot tell me this man isn't Autistic) and, duh, wings, and go ah yes this being is Inhuman.

However, people KNOW Brucie Wayne™ is petrified of bats. There was an incident at a party when one flew through a window, another at a zoo, there was this one time Manbat showed up and he practically teleported away. No one saw him for a whole month, even after Batman had captured Manbat. (He got injured in the fight.)

By extension, this means that Bruce Wayne is afraid of Batman. Just- absolutely terrified of him. No ones seen them in the same place. Ever. Bruce Wayne actually publicly refuses to even believe in the cryptid for YEARS past when he's already been proven to exist.

When the Justice League gets called in to protect Bruce and his smattering of children from some plot (batman conspicuously absent, despite Gotham being his territory) Bruce straight up tells the league that he doesn’t believe in Batman, and he feels much safer with “real heroes” rather than “a urban legend spawned from overdramatic furries and gang wars.”

The justice league is, obviously, confused.

Certified little shits Dick, Jason, and Tim, (because we’re going with JUBE514’s canon and jason doesn’t die they’re all brothers f off-)

ANYWAYS: Certified Little Shits Dick, Jason, and Tim, ready for chaos/solidifying secret identities: “Don’t worry! We believe in batman! We saw him!” :D

They then proceed to tell the justice league that Bruce HAS met Batman, but he has a phobia of bats, so when Batman saved them at a gala Bruce screamed so loud and shrill he threw off the bat-hearing and then punched batman in the face so hard he knocked him out cold, grabbed then-baby Jason and ran. (Nightwing and the second Robin had to HEROICALLY rescue a dazed Batman, Dick saw it with his own eyes!)

Bruce was so scared of the bat coming to take revenge that he jumped at every shadow for a whole month. Why, Jason, (who was younger then) had slept in Bruce's bed to keep him safe! (Dick is crooning about his cute little brother. Jason, who is hitting his growth spurt and not a little kid anymore, is infinitely embarrassed.) Right now, Brucie has settled into firmly denying Batman’s entire existence so that he can sleep soundly at night.

“Why is he so scared of bats?” The Justice League is wondering. Oh, they are so glad they asked!

“Alfred told us a story once,” Dick says, eyes wide and innocent as he prepares to lie through his fucking teeth, “that when Bruce was little, really little, he got trapped in a cave filled with bats, and his dad had to come rescue him. Apparently, Little Bruce had been crying about a massive bat, even bigger than he was, with glowing red eyes and human hands and (gasp) wait oh my goodness gracious what if that was the BATMAN :0”

“The baby batman.” Jadon adds.

“Batboy?” Tim wonders.

“Alfred, do you think Bruce met Batman when they were little?” Dick asks.

“I believe,” Alfred “the greatest enabler” Pennyworth hums, offering fresh baked scones to thier gleeful audience, “that Master Bruce referred to what he saw as ‘the bat king’ and reported seeing him outside his window several times over the years.”

“Maybe it really was him! Will you ask Batman for us?” Tim asks, already planning to hack the watchtower cameras and set up some popcorn with his brothers.

The Justice League, who have learned more about the Batman in one conversation than they have over MANY years of working together, tell the Wayne children that it will be their Genuine Pleasure to quiz batman on his interactions with BRUCIE WAYNE who has, apparently, laid batman out cold with one punch.

Alfred adds on that he personally thinks the Batman is being rather courteous to Master Bruce, as “bat king” sightings were after “difficult times” and he doesn’t come near the manor otherwise, as robin had been the one to return some family heirlooms that one time they were stolen. He calls the batman and his robins “polite young gentlemen” and then leaves.

But now the gears are turning in the justice leagues heads. Batman? Courteous? Polite? Batman is not Courteous or Polite. Not unless something else is going on.

Now. From their point of view. Batman lives in the cave systems under the richest houses in Gotham, Phantom of the Opera style, hiding his meta form (because this batman is playing cryptid really well. Maybe he was a mutant baby of some Rich Gothamites, who threw him into the caves in shame!) He’s been watching Bruce Wayne, likely as he struggled with the highly reported on demise of his parents, seeing the effects that crime had on the boy that fell into his cave all those years ago. Batman has always been so protective of children, so hateful of guns, obviously the Wayne tragedy is part of what motivates him. He loves Gotham dearly, territorial of it to the point of keeping other heroes out, and yet he breaks that rule here, for Gotham's prince, solely for Bruce’s comfort.

Bruce, another person who obviously loves the city of Gotham just as much, putting millions into charity and relief efforts. Who is clearly very protective of his children, even if he usually has no spine, to the point of attacking his greatest fear to keep then safe, and good enough to land a hit, even. (Bruce Wayne is also considerably attractive.)

Its all so clear to the Justice League: Batman is madly in love with Bruce Wayne. Has been for years. To the point of watching him sleep, on occasion. How very tragic! Batman, in love with someone he can never be with! Not only would it paint a massive target on Bruce’s back if they ever did get together- there’s no questioning what Gotham villains would do if they discovered this, (and denying himself love out of an attempt to keep others safe is EXACTLY the kind of self-sacrificing nonsense Batman would pull) But Batman can’t even truly see the man he’s in love with without Brucie running away in terror! Well, the poor guy… how sad…

This conclusion can be supported by the following evidence-

Batman’s first appearance being right after Bruce Wayne returned to Gotham. Was the bat following him to protect him in those missing years? Or maybe he decided to clean up the city now that his beloved had returned?

Batman always being seen near where Bruce is. He’s never once been at the watchtower when Bruce has a public appearance- he must be watching over him, a silent guardian in case someone gets it in their head to kidnap Gotham’s Prince.

Batman insisting that Bruce is innocent in a corporate scheme, despite evidence to the contrary. (Hes right in the end, of course, but they’ve never seen him ignore evidence so clear.)

Batman casually referencing Wayne Tech/Foundation inner workings- he keeps an eye on them, of course. (If he can’t be close to the object of his affections, the league reasons, of course he’d make sure that Bruce’s company and projects are on the right track)

Nightwing, when asked, confirms the Bruce Punching Batman story. He says “honestly I think B was impressed! Caught him off guard!” (Since when does Batman lower his guard? Only when he’d be… distracted, perhaps…)

Superman saves Bruce, who thanks him with a kiss on the cheek. Later, justice league was teasing Clark, batman huffs and leaves the room. He’s CLEARLY jealous! Superman feels just awful!

Batman inexplicably knowing social dances/high society manners- he must have learned by watching (stalking) bruce! He can navigate high profile talk if he wants to, he just doesn’t want to most of the time. but if the situation calls for it he can talk like the Richest of Pricks in a way that only comes with observation.

Batman bristling when some of the league members start making Comments on Brucie Wayne’s Physical Attributes. (Jealousy? Defensiveness? Perhaps… embarrassment at GL’s detailed explanation on what he’d do with a chance in bed with Brucie.)

Batman absolutely freezing up when confronted with any of the above evidence. (He’s trying SO HARD not to laugh/go tell his kids)

Dick/Jason being big enough to wear the Bat-wings rather than thier own and be convincing- they save Bruce, though the man passes out (from fear? Blood loss from an injury? Perhaps- he is faking) and Dick/Jason, either out of genuine concern for their dad or general “how can i stir the pot” chaos, gently strokes his hair away from his face in an act of compassion that the cameras just so happen to catch. (There’s a few tears shed in the justice league- poor batman! He can’t be with his love!)

The robins (in both identities) telling the justice league that they've seen batman watching him.

“oh yeah he does background checks on aaaaaall bruces conquests. Had a conniption when brucie found a mafia boss that one time.”

“And when he found out Bruce and Two-face had a fling!”

(The league notes that often, if a criminal gets too close to Brucie, they’re put away not long after. B is usually collecting evidence in his civilian ID. But it looks like angry Batman wanted them to get the hell away from his mans.)

The Justice League is swooning over this tragic, forbidden love story. Batman is a little creepy but hey. He apparently grew up in a cave system. Its a wonder he's as well adjusted as he is. Batman has their sympathy, he seems less unflappable/untouchable, they’re a little more understanding with him now. Superman is all too happy to be a rebound, if needed. There are magic users offering glamour spells. Green Lantern is making exposure therapy innuendos.

The robins can’t believe how lucky they got. They’re def grounded but B can’t be too mad bc his secret identity is FUKIN SET.

Alfred is rather proud of Batman's new nickname in the league being “the bat king” and keeps sending batman along with cookies. The league thinks Batman is checking up on bruce with his butler. Its a mess.

Eventually, Batman loses a bet to one of his kids. Committing to the Bit with an exasperated sigh (he’s definitely not having fun, shut up jason.)

He admits to his crush.

#cryptid batman #brucie wayne #wing fic #justice league #dc universe #dc prompt #when the league finds out they’re almost offended #b just sheugs and say they drew their own conclusions #also his robins and alfred were having fun #bruce wayne #batman #bruce wayne x batman #superbat

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she-who-fights-and-writes · 8 months

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Ideas for subverting popular character tropes? I've started a story and am having difficulty making my cast of characters unique. I'd love it if you had any fresh takes on tropes like the mentor, the sidekick, etc...

POPULAR CHARACTER TROPES AND PROMPTS TO SUBVERT THEM

A character trope, sometimes called a character archetype, is a “recognizable element within a story or plot that defines or conveys information about a character. Character tropes can either define a character's entire role in a plot or the character's personality or motivations.” (source: arcstudiopro).

Many people bash “tropes,” but what you have to remember is that there is no such thing as a unique idea; everything has been done before, and the reason why tropes are so popular is because (a lot of time) they work!

It is totally possible to have a "normal" trope in your story without making it a cliché. However, if you’re looking to subvert these expectations, here’s a list of ideas I’ve come up with!

(This is me brainstorming on the fly to help get your gears turning, so I apologize if these aren’t fully fleshed out or if they’ve already been done before!)

1. THE CHOSEN ONE

The “Chosen One” is a trope where “one character is framed as the inevitable hero or antihero of the story, as a result of destiny, unique gifts, and/or special lineage” (source: Wikipedia). The Chosen One is often depicted as naive or unwilling at the beginning, and has a progression of growth through the narrative when they “accept their destiny.”

Examples:

Luke Skywalker (Star Wars)

Harry Potter (Harry Potter)

Frodo (The Lord of the Rings)

Neo (The Matrix)

Subversions:

1. The protagonist who was believed to be the chosen one from the very beginning discovers that it was actually someone else the whole time and must come to terms with the realization that they no longer have this title that they’ve based their entire life (and perhaps personality) around. (Bonus points if the new Chosen One is someone they’re close to).

2. Every solstice, the “Holy Order” sends a Chosen One to defeat the monster that has been ravaging their town. None ever return. The protagonist is selected as the next Chosen One, only to find that being Chosen does not mean “Chosen to defeat the monster” but rather “Chosen as the sacrifice to appease the monster.” (Bonus points if the reason the Chosen Ones always die is because the “Holy Order” misguides them (gives them broken weapons/drugged food/faulty armor/directs them into traps/etc.)).

3. Having the Chosen Power comes with a price. After someone is Chosen, it is a death sentence. The protagonist must find a way to defeat the villain AND purge themself of the Chosen Power before it’s too late (Bonus points if the villain helps them purge the Chosen Power).

2. THE SIDEKICK

The sidekick is a friend and helper of the main protagonist. They are often depicted as a loyal comic relief character made to emphasize the hero’s greatness, and may be killed off to advance the hero’s journey.

Examples:

Robin (Batman)

Samwise Gamgee (The Lord of the Rings)

Chewbacca (Star Wars)

Pan (His Dark Materials)

Subversions:

1. The “sidekick” is actually the hero of the story; the narrator just has an inflated ego and believes themself to be the hero. Meanwhile, their “sidekick” is the one saving the world.

2. Sidekicks are often depicted as younger than the hero. Perhaps an older sidekick might do good to spice things up (Bonus points if it’s without turning them into the mentor trope).

3. The sidekick is a former hero who had to watch their own sidekick sacrifice themself, and was convinced to leave hiding by the current hero. (Bonus points if the sidekick dies in a poetic way that is a narrative foil to the way his own sidekick died, perhaps in a “I didn’t understand why they would sacrifice themself for me but now I get it”).

4. A ridiculously strong/powerful Mary Sue type character is the sidekick to a Normal Guy™ (Bonus points if they are incredibly content in this position).

5. The sidekick is not a willing sidekick; they were kidnapped by the hero because they have an object/bloodline/power/etc. that is essential to defeating the villain.

3. THE MENTOR

The Mentor is the protagonist’s teacher, who helps them transition from a “normal” person into a hero. The Mentor is often depicted as wise and virtuous, teaching the protagonist not only the ways of fighting or magic, but also the ways of good and evil. The mentor is often killed off to advance the hero’s character arc, due to the fact that they are sometimes seen as a parental figure.

Examples:

Dumbledore (Harry Potter)

Yoda (Star Wars)

Uncle Iroh (Avatar the Last Airbender)

Mr. Miyagi (Karate Kid)

Subversions:

1. The mentor is the narrator. After spending so much time training the Chosen One and raising them like their own child, they must hear news that they have been killed by the villain. While still grieving (or perhaps fueled by revenge), the mentor must venture out and defeat the villain themself.

2. Have the mentor be a woman! You would be shocked at how overwhelmingly male-dominated the “mentor” archetype is!

3. The mentor turns on the protagonist that they trained…not because the mentor has turned evil, but because the mentor believes that the protagonist has become a monster (à la Kung Fu Panda). (Bonus points if the mentor is actually right and the protagonist really has become a monster).

4. The bright-eyed Chosen One thinks the world of their mentor, only to realize through experiences with others that the mentor trained them horribly, and that the mentor only used their training to boost their renown—without expecting them to survive their fight with the villain. (Bonus points if the protagonist is an unreliable narrator, and we as the readers feel just as betrayed by the mentor because we, too, thought they were a great person).

5. The mentor is the former Chosen One, desperate for the current Chosen One to not make the same mistakes. The current Chosen One resents the mentor for pushing them so hard and treating them so cruelly, but in reality the mentor is just overprotective (Bonus points if it’s not revealed that they were the legendary “Defeated Chosen One” until later).

4. THE DAMSEL IN DISTRESS

Although a Damsel in Distress is often associated with female characters, any character is capable of falling into this archetype; mostly known for being a passive figure who exists mostly as an object for the hero to save.

This is one of the few character tropes that is difficult to break the negative stigma, due to its root in misogyny and the disadvantages that come along with having a character without personal goals or motivations. In my opinion, if you have a character that follows this archetype to the T, perhaps you should consider some revising.

Examples:

Lois Lane (Superman)

Princess Buttercup (The Princess Bride)

Mary Jane Watson (Spiderman)

Ann Darrow (King Kong)

Subversions:

1. The passive, meek damsel in distress whom the hero has been working relentlessly to save actually turns out to be a villain! Their supposed rescue efforts were used as a distraction while the evil plot unfolds, and ends with a fight to the death!

2. The damsel in distress gets in a huge fight with the protagonist when they come to the rescue; they were undercover the entire time, and the protagonist has ruined their plans!

5. THE FEMME FATALE

The femme fatale is usually characterized as a mysterious woman who seduces and entraps men with her body. This doesn’t necessarily have to be a gendered archetype, but often errs into sexualization and misogyny (especially in works written by men).

Examples:

Jane Smith (Mr. & Mrs. Smith)

Nikita (La Femme Nikita)

Catwoman (Batman)

Catherine Tramell (Basic Instinct)

Subversions:

1. The Femme Fatale doesn’t know they’re a femme fatale. They are a master of seduction and gaining valuable information through licentious wiles, but it’s all an accident; they just-so-happen to sleep with rivals and they just-so-happen to say important information. The femme fatale casually brings this information up in conversation, rendering the team awed by their “impressive skill set.”

2. The Femme Fatale is male or nonbinary (Bonus points if they will seduce any gender).

3. There is a Femme Fatale team; an icy power couple dedicated to killing through threesomes.

6. THE GEEK (OR MAD SCIENTIST OR NERD OR KNOW-IT-ALL ETC.)

The Geek, or the Mad Scientist, is the character known for knowing everything. They often have a lack of social skills, and their vast knowledge of random things helps the characters when they’ve been backed into a corner…though they sometimes tend to be a quick fix for writers who’ve written their characters into a corner and need an easy solution.

Examples:

Sheldon (The Big Bang Theory)

Spencer Reid (Criminal Minds)

Spock (Star Trek)

L (Death Note)

Subversions:

1. The Geek has leadership skills and ability to inspire others. Awkward is not the complete opposite of charismatic; just because someone may have trouble talking to people doesn’t mean they can’t foster intense loyalty from their comrades. (Think along the lines of L from Death Note. Bonus if they’re the leader of their organization, and their subordinates would face God and walk backwards into Hell for them).

2. Combine the Geek with another archetype, perhaps an antithesis archetype like the Dumb Jock. For example, a Geek that enjoys the outdoors and extreme sports like rock climbing (but rather than to get buff, they just want to look at the fantastic granite deposits on the side of the mountain they’re climbing). Or perhaps a Geek Femme Fatale, whose “special interest” is the psychology of seduction.

3. The Geek hates what they do. The “passion” that Geeks usually have for machines/non-humans/their chosen expertise is forced upon them because they’re super smart. In reality, they’d wanted to take it easy going to business school but nooooo the world was at stake so they had to become an expert in the intergalactic space-time continuum.

4. The Geek is useless. Their musings are more mania than genius, their explanations and ideas incomprehensible to a normal human being, and the group only keeps them around with the hopes that one day they’ll come up with an idea that actually makes sense. (Bonus if that idea comes at the climax of the story).

8. THE DUMB JOCK (OR HIMBO)

The dumb jock, also known as “the brawn,” is an archetype that is often categorized by being all buff and no brains. They often are, or at least begin as, the antagonist of the story, and if they aren’t, they’re considered the “Himbo” character (with character traits being buff, dumb, and respectful to women), who are often reduced merely to their attractiveness and stupidity, without much depth.

Examples:

Jason Carver (Stranger Things)

Mitch Downe (ParaNorman)

Kronk (The Emperor’s New Groove)

Bolin (The Legend of Korra)

Subversions:

1. The himbo and/or jock is frustrated with the way that their comrades always reduce them to the brawn. They feel left out and isolated because they can’t understand the lofty conversations of their peers, and know that they, in a way, look down on them for not being as smart (Bonus if this becomes a major plot point in the character’s arc, causing a huge blowout fight that fissures the group because of it).

2. The himbo/jock’s stupidity does not reduce them to comic relief. The himbo/jock is well-respected and has incredible emotional intelligence and charisma/street smarts, but merely lacks in textbook intelligence.

3. The himbo/jock is a woman! Break through the stereotype of dumb strong people being men and put some herbos in your story (Bonus if you don’t sexualize her and just let her be herself).

4. An idea from the jock/himbo becomes an integral part of the plan to save the world!

9. THE ANTIHERO

The antihero archetype is categorized by their lack of conventional heroic attributes, their execution of their goals through morally gray means, and their frequent reluctance to be the one saving the world. Their motivations may be vengeance, hatred, or any other less-than heroic inspiration besides “the greater good.” In fact, the antihero is sometimes the antagonist of the story, but due to the fact that the audience is seeing things from their perspective, they often tend to root for them.

The antihero used to be its own subversion of the “Chosen One” archetype, but became so widespread that it itself became its own archetype. That’s why antiheroes are so varied, to the point where you may not even need a subversion due to how many possible ideas there are to choose from. (This was the hardest list to make!)

Examples:

Barry Berkman (Barry)

Harley Quinn (DC)

Cassie Thomas (Promising Young Woman)

Deadpool (Deadpool)

Subversions:

1. The antihero feels guilt. Oftentimes, an antihero is depicted as stone-cold and dead-set on their actions (and sometimes they’re right! If someone killed my family, I wouldn’t care about “being the bigger person”). However, an interesting subversion may be guilt or self-awareness surrounding their actions playing a large role in the execution of their goals.

2. The antihero is not a lone wolf, and develops meaningful and positive relationships with others rather than having it be 90% snarky banter. Sometimes, antiheroes suffer from a lack of three-dimensionality due to most of their dialogue being cheeky one-liners. Anchor them solidly into the story by building a web of relationships to support them! (They don’t have to all be lovey-dovey, either! Even enemy relationships can be more than snark).

3. An honor code. Giving an antihero with an interesting honor code regarding killing, stealing, or any of their other morally gray deeds could be an excellent subversion! Having characters who are stone-cold killers but draw the line (perhaps in an odd way, such as refusing to steal cars or kill pets), somewhere can be a great way to develop their personality and show the readers their motivations.

Hope these all helped, and happy writing!

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