I wanted to share my process for my 14 page Nona comic, This got pretty long so the rest is under the cut!
First, I start by making a script, as I'm weeding through Nona I’m drawing immediate reactions. This way I don't have to keep track of action as well as dialogue. This is the most dialogue heavy page of the comic so this one has the most detailed panel break ups.
In this scene Alecto’s inner thoughts are my favorite part so I dedicated a lot of time figuring how to add them naturally. I especially love “The old man, Crux—the child Crux, barely one hundred years old”
Once I have a rough, and I mean ROUGH thumbnail for the page I move on to creating a digital sketch.
Side note, you’ll notice I go back and forth from traditional to digital back to traditional. Having to fully redraw poses multiple times makes me really think about the action and what I want to include.
Thumbnailing is for figuring out panels. Sketching is for action and dialogue. I tend to show action and emotion over following all the rules of comic making. If you notice i break the 180 rule, but at the end of the day character interactions are more important to me.
I redraw the sketch on comic paper in mechanical pencil. Again I don’t trace the digital work because I want the linework to stay loose. I just focus on lineweight and contrast at this step. The dialogue is written out first then I line everything else with my felt tip pen.
I clean up the comic and replace the handwritten dialogue with a font I made out of my handwriting. This part is tedious but I really don't know how to skip it. My handwriting is too hard to read but I also need to make sure all the dialogue fits naturally, so that means doing it twice.
My coloring process is really chaotic and can't be summed up in screenshots.
Crazy right? I am constantly adjusting, changing, and generally making a mess and then cleaning it up when I color. Often when my colors look off to me it's because I have a contrast problem, so I check it in greyscale.
If you want to know more I can share my brushes and techniques.
And with that I’m done! And then I move on to the next page.
premetto che non sono soddisfatta da questo disegno e ho rinunciato a farci lo sfondo. ah! assolutamente non una scusa per disegnare Gideon nelle maledettissime AU di Harrow!
"lesbian necromancers in space": 5/10. technically true, except that gideon isn't a necromancer and for the most part they aren't in space. can also be tonally misleading; implies a fun space opera adventure and fails to mention the impending emotional devastation. that being said it is iconic and (mostly) effective
"murder mystery in a haunted gothic castle": 8/10. MUCH better at capturing the tone and plot of the first book, but still a little off. imagine picking up the book because of this blurb and then watching gideon nav make a mean girls reference in the first 20 pages. the whiplash could kill you
"a locked tomb mystery": 5/10. nondescriptive and a little misleading, but i can't give this any lower than a 5 because the pun is very good. gideon would love this one and that should count for something
"gay goth among us": 10/10. i'm not even going to pretend like this one doesn't nail it. try and argue against this. you can't. captures the murders, the space-y setting, the queer characters, the tone and aesthetic, AND the contemporary humor. chef's kiss
"enemies to lovers 'i hate everyone but you' slow burn": 1/10. true if you squint. the relationship between gideon and harrow would make booktok weep
"catholic homestuck": 9/10. this means nothing and explains everything
this tweet by tamsyn muir:
[Image ID: A tweet by "tamsyn should be writing" @tazmuir: "sure, I edited from 12 o'clock to 4.30, but how much of that time did I spend on the discovery that the basis of my novel is 'what if these two were... teenage girls'", followed by an image of Skeletor and He-Man. /end ID]
10/10. conveys the pop culture savvy of the series, the complex dynamic between the main characters, and the humor of the writing style all at once. also makes me laugh every time i think about it
one of the best gideon moments hands down is when, post battle with new lyctor ianthe, she finds out that dulcinea and palamedes are sort of exes and she LIES DOWN ON THE GROUND ABOUT IT AND GROANS FOR FIVE WHOLE MINUTES. everyone is like “gideon get up” “gideon it’s not a big deal” and she is like literally i’m going to end it all. this is so embarrassing for me and palamedes must hate me (cam has told her four times this is Not True) i must go make things right with him immediately. babygirl there’s a feral infant proto-god who just consumed the soul of her 1950s greaser chewtoy sprinting around canaan house you HAVE to change your priorities. and yet she won’t and she doesn’t. i love her so bad