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sammysdewysensitiveeyes · 1 month

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My thoughts on X-Men 97 (spoilers below)

Congratulations Morph on making it into the opening credits! Congratulations to Bishop and Magneto, too, but Morph is like the little redshirt that could, they went from "killed off two episodes in" to opening credits main character. You are the Guy Fleegman of X-Men TAS Morph, even if you are a not a guy. They even did a "threatened by Sinister" montage for them.

Thank you, Gambit, for bringing back crop tops for men, you are a fashion god. And the very first scene with Gambit is him in the kitchen making beignets.

Jubilee getting to be the experienced X-Man welcoming the new kid who was saved from kidnapping is a nice call back and kind of "full circle" for her.

Fantastic sequence of them fighting Sentinels, especially Cyclops doing the whole "optic blast his way to the ground" thing. And he could have gotten one of the flyers to catch him, he just wanted to be cool.

Nice to finally see Morph and Wolverine banter when Morph isn't being set up for a tragic death or brainwashed/filled with angst. No, now Logan is the one filled with angst, because he can't deal with pregnant (with Scott's baby) Jean.

Sunspot with his little glow sticks, and Jubilee dancing at the club is adorable.

Sunspot's card that he gave to Jubilee is the most 90's thing ever, look at those graphics.

Storm. I saw that "Lifedeath I and II" was part of the episode titles for future episodes, so I knew it was coming, but damn. It was extremely well done. Having her take the hit for Magneto instead of Rogue makes sense, and is another example of TAS writers combining comics stories (Storm's power loss and trial of Magneto) really effectively.

I kind of like that, after Cyclops gets beaten down by X-Cutioner, Morph is the one who jumps in to save him. Like, despite being a sarcastic little shit and all the previous bad blood, Morph's got Scott's back.

Wolverine driving Jean to the hospital, and Rogue using her powers to absorb "baby delivery skills" was all great. "He's coming!" "Who?! Apocalypse?" "The baby!!" And then Jean just telekinetically slapping Wolverine with his jacket and jeep keys.

One Jean? Two Jean! (Red Jean....Blue Jean?)

I'm surprised we've got a Jean double already, I expected that the show would drag it out much longer before showing Maddie. I am wondering if Madelyne will have been programmed to believe that she is also Jean, and there will be confusion over the "real" Jean. I am very, very curious as to where they will go with the Madelyne Pryor story, especially since Goblin Queen will presumably show up at some point.

#x-men 97

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weerd1 · 8 months

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All right, I feel it’s time to dig into my new comfort show, Star Trek: Strange New Worlds. Let me say up front, I love this show, so if you’re looking for someone who’s been watching Star Trek since the ‘70s to gripe about new Trek, you won’t find it here. Is this show perfect? Of course not. Is it Deep Space Nine good? Not yet, but I see potential. Episode by episode look and a long chat after the break! THERE WILL BE SPOILERS!

What it DOES feel like is TOS. From the variety of genres used to tell stories, to some downright weird plot points, to some remarkable social commentary, this really feels like what would happen if they just made TOS now. I lament a bit that we have 10-episode seasons instead of enough in a season to allow for some MORE variety the way TOS had more than 25 episodes a season.

So how about visual continuity?

This show looks like the way I would see this universe when I read novels or played the RPG: effects have caught up with the way I brain painted the Blish adaptations or those early novels. It works for me.

What about character continuity?

Barring the fact the show has canonized the idea that even the “Prime” timeline can shift a bit due to the influences of time travel across the universes (which I love), I think the nuances this show brings do nothing but enhance my understanding of TOS. The Spock/Chapel moments now on TOS? Christine now asking Spock, “have you ever been in love?” in the episode “What Are Little Girls Made Of?” becomes a bit of gut punch! What does it mean to her when he begins to lose control due to Ponn Farr? Does she think he might be reverting back to the Spock of a decade before who chanced to unleash emotion?

Visually and character-wise, we have not changes but expansion. Honestly, most of these perceived “changes” reminds me of Gene Roddenberry taking the opportunity to enhance the Klingons when he had the budget in The Motion Picture. Did he care that the Klingons weren’t bumpy? Did he care to come up with a solution? He didn’t: He was a creator who now had more tools to work with. SNW does that.

My sole complaint, which honestly stretches across many modern shows, Trek and otherwise is about language. TOS and its progeny up until Enterprise used a more stolid, slang-free method of writing which to me added to the timeless nature of the show. When characters in modern Trek use modern vernacular it ties the episodes for me more to the present rather than allowing me to suspend my disbelief that this is the future. This is just my personal preference, and is certainly not something that torpedoes my love for the show or characters.

So, if you’re still with me, let’s get into the nitty gritty, each episode rated from 1 to 5 LLAPs. 🖖

SEASON ONE

“Strange New Worlds” 🖖🖖🖖🖖

After DISCO S2 gave us a Pike which made Spock’s actions in “The Menagerie” entirely plausible, we pick up here with him knowing his destiny and he’s having to work on that. As it plays out, we get some great explorations of what Star Trek and Starfleet within the universe is about. We also get a pretty pointed commentary on our present and what allowing politicians to appeal to and encourage the baser, xenophobic impulses of their constituencies leads to. Solid start, solid introduction of return and new characters, and wow is this show gorgeous.

“Children of the Comet” 🖖🖖🖖

A solid episode which feels a little long in places. However, showing Sam Kirk is this universe’s Guy Fleegman is terrific, and we get some great Uhura moments. Also, fly, Erica, fly!

“Ghosts of Illyria” 🖖🖖🖖🖖

About as TOS as you can get! Crewmembers trapped on a planet below as danger approaches, a strange disease threatening the crew. Plus, a couple of good character revelations that start threads which will continue well into Season 2.

“Memento Mori” 🖖🖖🖖✌️(That’s a half)

The beginnings of expanding on the Gorn while giving us more background on La’an Noonien Singh (whom I originally was none to happy that she was Khan’s descendant, but S2 really uses that beautifully). She’s a terrific character and this episode helps us know why. Also- see my comment above about making the Klingons “more” because you have the opportunity as SNW picks up the way ENT showed us the Gorn were more than just a slow moving dino allegory and kicks it into high gear.

“Spock Amok” 🖖🖖🖖

A very fun episode which continues to show us that TOS’s T’Pring was more than just a diabolical woman who dared mess with our heroes. Have greatly appreciated what they have done with her. Also, Enterprise Bingo!

“Lift Us Where Suffering Cannot Reach” 🖖🖖🖖✌️

Credit here first of all for a very TOS title. Then a TNG style morality play, but one that does not end happily. Dig it.

“The Serene Squall” 🖖🖖✌️

The Orion pirate captain and Pike’s mutiny was a little too…well silly for me. However, Captain Angel and the Sybok name drop, plus Christine being badass? All in there. Also, this sets up some Spock/Chapel stuff for S2 and I dig all of that.

“The Elysian Kingdom” 🖖🖖✌️

Again fun, and a neat way to deal with M’Benga’s daughter storyline. A bit indulgent in places, but everyone seems to be enjoying themselves so much, and we get Christina Chong’s dog Runa. VERY TOS when it all comes down to it. Bonus points for the DS9 reference.

“All Those Who Wander” 🖖🖖🖖🖖🖖

Oh- the Gorn are warp capable Xenomorphs. How HORRIFYING. Also, some real stakes as we lose Hemmer, and Spock really starts his S2 arc here.

“A Quality of Mercy” 🖖🖖🖖🖖✌️

Terrific method of tying in some more TOS to contextualize the show, a modernized TWOK uniform, and a new Captain Kirk. I didn’t walk out convinced by Paul Wesley’s Kirk, but he wins me over early in S2. My real complain here is Ortegas falling into the role of the bigoted Styles from “Balance of Terror.” Did NOT seem like her style. Kudos to a bit of a cliffhanger, even if it does feel a little tacked on to the episode. Also, they missed a bet not having James Frain (DISCO’s Sarek) playing the Romulan Commander.

(Also, the show misses a bet not having Rebecca Romijn or Jess Bush voice the computer.)

Overall S1 is a solid start that ties itself plenty to what has gone before, without resorting to simple, overwrought nostalgia baiting to tell a story. Like some other recent Star Trek.

SEASON TWO

"The Broken Circle" 🖖🖖🖖🖖

Spock stealing the Enterprise on a semi regular basis is now in my canon, and I am grateful. Pelia, I am convinced, is actually Carol Kane’s character from “Taxi.” M’Benga rolling out the stimulants didn’t make a lot of sense to me on my first viewing, but in context with the season, this is actually setting up a really interesting—and dark—bit of character development.

“Ad Aspera per Aspera” 🖖🖖🖖🖖🖖

This. This is Star Trek. ‘Nuff said. (Ok, also, THOSE DRESS UNIFORMS!)

“Tomorrow and Tomorrow and Tomorrow “ 🖖🖖🖖🖖🖖

Here, HERE Paul Wesley’s Kirk wins me over, even if it is an alternate version. Earning money (and apparently a lot given the remarkably nice apartment they stay in) by playing CHESS, recognizing that La’an’s universe should stay because Sam’s alive, the slow seduction…yup, that’s Jim Kirk. Plus, This episode acknowledges that time is fluid, referencing how TOS tells us the Eugenics Wars SHOULD have been in 1992, but it keeps shifting. Elegant solution that opens so many doors to future stories. Also, baby KHAAAAAAAANNN!

“Among the Lotus Eaters” 🖖🖖🖖🖖

Nice callbacks to “The Cage,” yes. But this episode BELONGS to Erica Ortegas. “My name is Erica Ortegas and I👏🏻fly👏🏻the👏🏻ship!” And let’s add “thread the needle” to awesome starship tricks, shall we? Erica makes this good episode great.

“Charades” 🖖🖖🖖🖖

Vulcan shenanigans are back with a fully human Spock, and indeed, this one is funny. Ethan Peck’s comedy chops are great here, especially with Sam Kirk’s mess. Anson Mount delivers in the funny department too as Pike serves up Vulcan food. Very poignant stuff here for Christine though, and though I was initially, “oh no,” continuity-wise, I really ended up liking what this MEANS to what we saw on TOS.

“Lost in Translation” 🖖🖖🖖

A bit cliche, but a good Uhura episode, and though it seems like they're trying a little TOO hard to bring Kirk in, the Lt. Kirk/Ensign Uhura dynamic here is really good. The Jim/Sam thing also something I enjoyed. What makes this episode for me though is when Uhur figures out what's going on, Pike trusts her. Blows up a whole-ass mining station on the word of one Ensign. Go, Nyota!

"Those Old Scientists" 🖖🖖🖖🖖🖖

Just perfect. From the seemless merger of Lower Decks animated characters, to the meta commentary about "oddly specific references" and people talking "really slowly and quietly" this just works. Also ENT love! Uhura and Ortegas geeking out over Sato and Mayweather just made my day. So much fun, nothing could wipe the smile from my face! (Spoiler alert: The next episode will gut me.)

"Under the Cloak of War" 🖖🖖🖖🖖🖖

Holy crap. You thought DS9 played around with questionable moral decisions in a war setting, SNW here shows us they're not afraid to travel into Moore/Behr's space and take a whirl. The weirdness with M'Benga pays off here, and as a veteran myself they way this episode delves into our inability to provide the emotional context to what war does to us to someone without the same frame of reference? Fantastic. I was pretty uptight for most of this episode, because I felt it. I cried in places, was made uncomfortable in places, and what a set of reveals for both Christine and of course M'Benga as we see those flashbacks.

"Subspace Rhapsody"🖖🖖🖖

I WANT to give this one another LLAP, as I love musicals, and I love the fact they were bold enough to do one. The cast pulls off their numbers wonderfully, there's some great moments, especially between Jim and La'an (HE'S BACK???), and they conceit that makes this work is though a hair silly, pretty consistent with Trek and it's quantum/multiversal/anomaly episodes of times past. The only thing that doesn't work for me are the songs themselves. A couple are OK, but they just didn't stick with me. And I made sure I watched a couple of times, just to see if it was my mood. I can't help but compare this to Buffy The Vampire Slayer's "Once More With Feeling" though, and there are three songs from that I keep on my permanent playlist, and can sing pretty much the whole ep verbatim. This didn't make me want to do that; I just really enjoyed it. I wanted to love it. (Shout out though to the "Once More With Feeling" Easter Egg.)

"Hegemony" 🖖🖖🖖🖖

As soon as they gave Captain Batel a first name in the musical, I got worried, and sure enough these Gorn bring that to fruition. She's not dead yet, but she's in trouble, and this is a tight action episode. I appreciate that this new young Montgomery Scott is a) played by a Scot, and b) something of a mix between the Doohan and Pegg versions of the character. My only fear now is we have this cliffhanger, and between the writer's strike and modern TV's general refusal to follow seasonal schedules, we may be in for a far worse wait than the summer of 1990 left us with William Riker's "Fire."

So that's my take. Yes, there are missteps, or things that don't QUITE work, but if I want to compare this to the glory days of 90s Trek, we're only 20 episodes in, and already having a great time when TNG, DS9, and VOY all took at least a season or two of 24 episodes each to find their way. Sure, classic Trek all but hit it out of the gate, but again, we don't have but slightly more than 2/3 of their first season of episodes. We’re 20 episodes in and the worst ones are JUST good, there hasn’t been a bad one yet. SNW has found a way to be a prequel without suffering from their audience’s foreknowledge, and fit themselves firmly into Trek lore without just relying on playing Trek Trivia Madlibs to write their scripts (though Kirk KEEPS showing up!). I'm a little worried as I was really digging on DISCO for the first two seasons as well, and season 3 was a huge disappointment to me. Let's hope whenever we get back to this, they keep up the good work. I am more than ready to again boldly go.

#star trek #star trek strange new worlds #strange new worlds spoilers

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