ik it’s probably a classic case of extrapolating way too much but... the way raph’s character design lines up w his whole arc and role and struggles...
like the fact that he is so so so much bigger than the others. raph is big, raph is strong, raph is steady and sturdy and he can literally pick up his entire family and carry them all at once.
and like, when raph is so big and so strong and such a reliable thing. when raph is the protector, the one calling the shots on missions, the mother hen, the first point of authority. when raph is there, overprotective, when raph (for all that his brothers poke at him not being good under pressure) always always ALWAYS comes through at the end of the day when things are serious, ALWAYS gives it everything he’s got.
his design and his learned role/behaviors in this family are just the perfect storm of why it took up to the season finale to drive home the issue.
so much of the series carries the default energy of “raph will handle it.”
raph will hold up the ceiling above you. raph will throw himself over you and take a hit and get back up and keep fighting. raph has a power that makes him even bigger and draws more attention and makes him able to carry MORE. raph will be the substitute parent. raph will be put into the mentor role through leo’s leadership arc.
and raph is big. he’s built to carry heavy loads. raph is strong. raph is bold and loud and always ready to try to push on. even if he doesn’t know what to do or what he’s doing, he won’t give up and we’ll all pull together and things will turn out okay.
(his room is full of teddy bears. he dipped out on a mission to try to take a picture of a pigeon carrying a slice of pizza. he’s terrified of being alone.
he’s just as much of a kid as his brothers are. he’s just as new and inexperienced with the things happening to them as his brothers are. but for him, for some reason, there’s like this double standard where that becomes a huge glaring flaw.)
idk this got very sloppy and uncoordinated. i’m very in my feelings about raph right now though.
230 notes
·
View notes
"To dream the impossible dream, that is my quest." - Prince Fernando of Asturias
+ Seb not getting what he ordered
+ the usual
Hello yes, look! It's baby Renault Fernando, isn't he so cute??? Who wouldn't want to force him into an arranged marriage, like cmon man be real. Here is the progress as usual, as well as his suit without the design, cause I'm pretty proud of it just blank even!
Okay so this is pure Fernando, innocent Fernando, before he had his apirations ripped way from him. Well not fully ripped away tbf, because that's the crux of his character: is it more humiliating to never succeed or to only succeed because someone handed it to you with concessions? I guess that's up for him to decide though ;;;
The thing I love about this drawing and young Fernando in general is how much easier it is to see his and Seb's similarities. Look how similar they look! Seb is just a bit more evil.
I think that's a big part as to why his feelings about Seb are so complicated. He both loves and hates how similar they are. From an egotistical point, he can appreciate and respect the familiar traits in Seb, the hunger, the exuberance, the pride, the ego. But also we hate seeing our own traits in other people, it's almost like turning a mirror on your worst traits and suddenly being able to see yourself from a new perspective. The biggest point here though is that Fernando turns that resentment onto Seb, as a way to clamp down on self hatred.
He becomes more bitter and resentful as he grows older, and loses a lot of his whimsy and joy. So it hurts him to see Seb, who in addition to getting everything he's ever wanted, also retain his whimsy. He, wrongly, just sees it as something that had to happen in order for him to grow up fully. It's more of a survival tactic, it started becoming unbefitting for him to have that level of unfounded confidence. That's the main reason he sees Seb as childish, immature and undeserving. He hasn't fully grown out of his capacity for whimsy and joy, and thus is below Fernando.
Well that was depressing oops! As the chibi art represents, this is probably a painting Seb got sent in the early days of planning their marriage. This is the Fernando who is still prideful, the Fernando who is still confident, the Fernando Seb vaguely remembers meeting his youth. Seeing this definitely pushes him even further towards the marriage(though tbf it's not like he even has a choice either.) Though when the time to actually start courting comes around, Fernando looks very uh different. This is both a joke about how different Fernando was in his first renault stint vs his second. But also I think he does show up very moody and disheveled, as a sort of last chance way to try and turn everyone on Seb's side, including Seb, off from the marriage. However, it's pretty much a done deal by that point.
Seb is uh, definitely confused, but I think he would be drawn to Fernando regardless. Actually, this might make Fernando even more appealing. Seb gets to push him all the time, try to break down his walls and get a glimpse at the real Fernando, if even just for a moment. Seb wishes he had more that just a blurry, vague recollection of Fernando at his peak confidence. Fernando definitely grows into something resembling his past self, after recovering from all the hurt, but there's just something about youthful exuberance that can't really be fully replicated.
Okay so about the quote. I went with Don Quixote this time instead of the typical Napoleon, because I thought it'd be funny. Fernando picks up the book at some point during his youth, and it inspires him a lot. He doesn't really see the satire in it, and comes to really admire Don Quixote's mentality, he's like "wow he never gives up! That's so admirable!" It definitely helps him through dark times to aspire to never give up no matter what. Though later Seb definitely rags on him for not knowing it was satire, and Fernando is like "wh-what do you mean satire?" But he's mentally strong enough atp for it to not cause his whole worldview collapse. About the quote specifically, there's definitely some part of him, even when young, that knows his aspirations are borderline impossible. I wonder if that part of him feels weirdly safe and comforted about the marriage. Yes, it's not ideal, but it's safe and secure. He gets what he wants, and there's no chance of anyone taking it away from him, no matter what.
I think his title would be Prince of Asturias? It was either that or duke, and I think prince fits him bettee(Machiavelli reference?) That title is currently the title for the heir to the Spanish throne. In this time period, it's also commonly used for the heir, but for Fernando it's a bit unsure. Like in real life, he's not directly the offspring, but he's still the most obvious choice for heir. But there's still enough room for Seb and his house to try to vie for the throne themselves, so it makes it all complicated.
40 notes
·
View notes
I had a thought in October about what if, in the TUE episode, Danny returning to his time was more complicated than just finding Vlad.
I made a gif out of a little sketch story thing I've made based on that thought (it's part one, out of... two? three? I haven't finished it yet so I'm not sure. But I thought this was a good place to stop for the gif.)
The story starts during the episode, right after the older Vlad removes the fused time medallion. The basic thought is that Danny doesn't make it to Vlad soon enough (plus I have some fun with an idea that the medallions have different models).
(The only way I know to start the gif over is to refresh the page. Oh, but first try clicking on the gif.)
Under the cut are the still pictures, as well as a written version. (...I 've spent too much time on this.)
Here's the still pictures.
And here's a written form. (...I'm not good at only giving the words with basic description. It was nearly unreadable that way. So I tried storyifying it. Just a little bit. It includes actions that are implied in the images but not specifically shown.)
---
Within Vlad's cave, in the future, Danny Phantom asks, "It didn’t work?"
Several feet away from him, the older Vlad stares down at the time medallion—still in the palm of the gauntlet he'd used to pull it out of Danny.
The medallion has a central piece with an entwined letter 'C' and 'W'. Above this, in fine print, are the words 'Back' and 'Forward', with corresponding arrows pointing counterclockwise and clockwise. And, below the C/W logo, are the words '10yr model'.
"…Perhaps something had happened…" Vlad says, "causing you to no longer be recognized by your time."
"But Sam and Tucker made it back just fine!" Danny says in confusion.
However, Danny doesn't give Vlad time to come up with any theories. "My future self is in the past, trying to force this future to happen. I need to get back to my time before it’s too late."
Vlad gives Danny a pitying look. "My boy, it may already be too late."
"No. I can’t accept that." Danny walks over to Vlad, raising one hand, palm up. "Here, let me see the medallion." Vlad drops the medallion into Danny's awaiting palm.
Danny looks at the back side of the medallion, saying, "If he was able to use one to go to my time, then I can, too."
The back of the medallion is undesigned smooth metal, but it's engraved with instructions. It reads, "Time anchor and travel device combination. Single use. Up to ten years forward or back. Simply remove to return to own time." And, beneath that, "Please recycle."
Danny puts the medallion around his neck and twists the front face counterclockwise, saying to himself, "I better turn it as far as it will go."
Before he even lets go of the medallion's face, a swirling bubble encompasses him, and then the bubble fades away.
Danny turns to look at the scenery. He's still in the cave—he sees the same cave formations—but, while there used to be a large, desk-like computer console and some lab equipment, now there's only a blank cave wall, and no sign of Vlad. "I guess it worked," he says. Then he flies through the cave.
A while later, after flying all the way to Amity Park, Danny hovers in the air, over the place the Nasty Burger used to be. Now there is only a large scorchmark, and a bewildered-looking version of Danny Fenton sitting in the middle of it.
"Oh no, I didn’t get here in time."
Danny has gone exactly ten years into the past, along the timeline he had started from. (In the corresponding sketch, this information is given by a narration rectangle that reads, "Exactly 10 yrs earlier in original timeline." ...Although that's not exactly true because it was exactly ten years when he first appeared in the cave, and it took time to get from Wisconsin to Amity Park. But the point is that Danny hadn't traveled far enough back in time to reach the intersection of the two timelines.)
Danny flies away, saying, "There must be a way to go farther back!"
The version of Danny Fenton left sitting on the scorched ground thinks, "Maybe I should move in with Vlad."
Some time later, Danny is flying through the Ghost Zone.
"I have no idea what the outside of Clockwork’s lair looks like. I’ll just need to trust I’ll know it when I see it."
Around him are floating doors and swirling patterns, as well as some kind of gear-themed castle that Danny has already passed (it's Clockwork's lair).
Danny turns his head. He doesn't notice the Fenton Boomerang approaching from the other side.
The Boomerang hits him in the back of the head.
"Ow!" Danny grabs the Boomerang and rubs his head. He scolds it like a disobedient pet, saying, "I look away for one second."
"Look," Danny orders, and uses his other hand to reach into his pocket, pulling out Jazz's note and unfolding it with a jerk of his wrist, "I already have one."
He throws the Boomerang. "Go find past me—or the me in the future? Whatever."
The note slips out of his hand.
"No!" He spins around, reaching for it.
"What are you doing way out here, Baby Pop?"
Danny pauses on hearing the voice.
He turns toward the voice and sees a maliciously grinning Ember McClain. "Ember? I don’t have time for this!"
"Well, you better make time. How about some killer volume?" Ember strums her guitar, and a spiral of energy shoots toward Danny.
"I seriously don’t have time! But you want volume? Fine! How’s thiiis?!" He transitions into his Ghostly Wail.
The Wail overpowers Ember's attack and blasts her through the air. She's pushed onto a chunk of floating ground.
The Wail ends, and Ember looks up in surprise and fear. There's a thin stream of ectoplasm leaking from the corner of her mouth. She puts a hand to her mouth and pulls it back to see ectoplasm on her palm.
Then she glares up at Danny. She coughs, and hoarsely says, "I won’t forget this."
Danny's just as horrified as she was. Wide-eyed, he subconsciously leans back, but also reaches a hand toward her in concern. "Wait, I didn’t mean to…"
But then he drops his hand and looks away, his expression hardening. "Never mind. Once I return to the right time, this will never have happened."
Assuming Jazz's note is a lost cause by now, he flies off, leaving Ember on the chunk of rock.
An unknown time later, Danny is in the Ghost Zone, hovering in place. He now has Jazz's headband tied to his belt, and he reaches a hand toward it, and rubs the material between his fingers. He says, "Jazz… Everyone… I’ll find my way back to you."
The camera moves upward until Danny's shoulder and half of his head is visible. His hair is a little longer now, and the shoulder part of his outfit is different. He continues, "No matter how long it takes."
113 notes
·
View notes