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#hadise dum tek tek
mammoneythegreat · 2 years
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Ive had this on repeat for the last month and its still a bop
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escdivasph · 1 month
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Hadise (Turkey, 2009) hits on the dance floor...🔥🔥🔥
📷: Google Images
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wordsbysimona · 7 months
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Song of the day - 2nd September, 2023
Dum Tek Tek - Hadise (2009)
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eurovisionru · 1 year
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Марш свободной турецкой принцессы: Хадисе лидирует в рейтинге популярности участников Евровидения 2009
Певица Хадисе (Hadise), представляющая Турцию на Евровидении 2009, лидирует в рейтинге популярности участников музыкального конкурса, который в мае состоится в Москве, свидетельствуют результаты голосования в Интернете. Согласно анкете, опубликованной в турецком сегменте сайта Eurovisionmoscow (www.eurovisionmoscow.tr.gg), предпочтение турчанке, проживающей в Бельгии, отдают 52,99 % участников интерактивного опроса. На втором месте со значительным отставанием следует Алексей Рыбак, представляю... Читать дальше »
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Prince of Persia inspired playlist
Warning: not culturally accurate
1- Yalhaaa Habibis - Tony Mouzayek
2- Shik Shak Shok - Hassan Abu el Seoud
3 - Leyla Ya Leyla - Emad Sayyah
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4- Allahalek Ya Sidi - Ishtar Alabina
5- Nour El Ein - Amr Diab
6 - Dudu - Tarkan
7- Ah Ya Albi - Hakim
8- Azes Alaya - Marcus Viana
9- Allah, Allah Ya Baba - Sidi Mansour
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10 - Basina Bela Olorum - Tarkan
Bonus :
Dum Tek Tek - Hadise
For @taurielthepirateking
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anxiouspotatorants · 11 months
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The monster is unleashed, time for part two of my Gilmore Girls x Eurovision nonsense with Name Your Gilmore Girls Character’s Favourite Entries:
Lorelai: “Diva” by Dana International (1998), “Waterloo” by ABBA (1974), “Wild Dances” by Ruslana (2004), “Papa Pingouin” by Sophie & Magali (1980), “Diggiloo Diggiley” by Herreys (1984), and “Shady Lady” by Ani Lorak (2008)
Rory: “City Lights” by Blanche (2017), “De Diepte” by S10 (2022), “Push The Button” by Teapacks (2007), “Goodbye to Yesterday” by Elina Borg and Stig Rästa (2015), and “Euro Neuro” by Rambo Amadeus (2012)
Luke:  “Trenulețul” by Zdob și Zdub and the Advahov Brothers (2022), “Nesto Sto Ke Ostane” by Next Time (2009), and “Mall” by Eugent Bushpepa (2018)
Lane: “Shum” by GO_A (2021), “Hard Rock Hallelujah” by Lordi (2006), “Stefania” by Kalush Orchestra (2022), “Crno I Belo” by Kaliopi (2012), and “Euphoria” by Loreen (2012)
Dave, Zack and Brian: “Zitti E Buoni” by Måneskin (2021), “We Could Be The Same” by maNga (2010), and “Midnight Gold” by Nika Kocharov and Young Georgian Lolitaz (2016)
Gil: “In My Dreams” by Wig Wam (2005)
Paris: “Amar Pelos Dois” by Salvador Sobral (2017), “Há Um Mar Que Nos Separa” by Leonor Andrade (2015), and “Siren” by Malcolm Lincoln (2010)
Richard and Emily: “Let Me Be The One” by The Shadows (1975), “Nel Blu Dipinto Di Blu” by Domenico Modugno (1958), “Requiem” by Alma (2017), and “Voilà” by Barbara Pravi (2021)
Jess: “Viszlat Nyar” by AWS (2018), “Soldi” by Mahmood (2019),  “Goodbye to Yesterday” by Elina Borg and Stig Rästa (2015) and “Boonika Bate Doba” by Zdob și Zdub (2005)
Miss Patty: “OPA” by Giorgos Alkaios and Friends (2010), “Dum Tek Tek” by Hadise (2009), “Miss Kiss Kiss Bang” by Alex Swings Oscar Sings! (2009) and “Flying the Flag” by Schooch (2007)
Babette: “OPA” by Giorgos Alkaios and Friends (2010), “Congratulations” by Silvía Nótt (2006), “I Can’t Go On” by Robin Bengtsson (2017), and “In Your Eyes” by Niamh Kavanagh (1993)
Logan, Finn and Colin (yes, collectively): “Run Away” by The Sunstroke Project ft. Olia Tira (2010)
Dean: “Outlaw In ‘Em” by Waylon (2018), “Slow Down” by Douwe Bob (2016), and “Something” by Andrius Pojavis (2013)
Liz: “L’Enfer Et Moi” by Amandine Bourgeois (2013) (because she’d think she looks like her)
TJ: “Alcohol is Free” by Koza Mostra ft. Agathon Iakovidis (2013) (no he has not looked up the translated lyrics)
Sookie: “Too Late For Love” by John Lundvik (2019), “Fly On The Wings Of Love” by Olsen Brothers (2000), and “Party for Everybody” by Buranovskiye Babushki (2012)
And last but not least, the only European here - Michel: “My Number One″ by Helena Paparizou (2005), “Just A Little Bit” by Gina G (1996), “L’Essenziale” by Marco Mengoni (2013), “Molitva” by Marija Šerifović (2007), and (of course) “Ne Partez Pas Sans Moi” by Celine Dion (1988)
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gaymer-hag-stan · 1 year
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Alright, which was the best Eurovision and why was it 2009??
Like, I don't know what magic force worked behind the scenes that year but it's like all of Europe (and friends) collectively said "This year let's not send something that sucks"
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petitmonde · 2 years
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🎶✨when u get this, list 5 songs u like to listen to, publish. then, send this ask to 10 of your favorite accs (positivity is cool)🎶✨
I love your positivity, so sure. You get a virtual cookie and a huge smooch if you can guess the theme of these songs.
De Diepte - S10
Dum Tek Tek - Hadise
Warrior - Nina Sublatti
Ljubav Je Svuda - Moje 3
Shum - Go_A
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cninzihni · 1 year
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hadise dum tek tek
sıradaa
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mujdatdemir2014 · 2 years
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hadise - dum tek tek - eurovision - 2009
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rexwarriordj · 2 years
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dnipropeva-blog · 4 years
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Music video by Hadise performing Dum Tek Tek.
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escdivasph · 4 months
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*Alexa, play Hey Sexy Lady by Shaggy...*
Bringing you a flashback Friday photo of Hadise (Turkey) showing her sexy moves on the song, "Dum Tek Tek" in ESC 2009 - where it placed 4th in the final. ❤️❤️❤️
(Photo credit: Zimbio)
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bongaboi · 6 years
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Dum tek tek. #saimoe #newgame #hifumitakimoto #rintooyama 
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Moscow 2009 – Semi-Final 1
Host: Russia Slogan: [none] Participants: 42 Voting method: 12-point system (50/50 system - combined; televoting only for the semi-finals) Format: 2 Semi-Finals / Grand Final = the top 10 of semi 1 & 2 + the Big 4 + host General Overview: The 2009 contest commences the 50/50 era of Eurovision... but not in the semi-finals, where pure televoting was still utilized. That switch won't happen until 2010. Meanwhile, the jury wildcard twist was in effect again to determine the 10th qualifier. Incidentally, this lead to Finland and Croatia advancing in their respective nights, despite finishing outside the top 10. The two relegated countries were (North) Macedonia and Serbia. The former was denied two years in a row. Slovakia returns after a 9-year absence (in SF2). Over the next few years, the country will uphold their abysmal track record by amassing four consecutive DNQ's before permanently withdrawing again. San Marino also dipped after their debut entry flopped. Georgia, meanwhile, were disqualified because their song mocked Putin, and they refused to change the lyrics or submit a different song. SF1 opens with an announcer narrating a mythological story about a two girls and a firebird. It's a reference to a Russian fairytale. This leads to a flashy entrance of the Tolmachevy Sisters, the winners of Junior Eurovision 2006, and later representatives for Russia in 2014. They descend to the stage via a glowing firebird-shaped structure. The interval act involves a military choir (hard pass to this), segueing into t.A.T.u performing “Not Gonna Get Us”, where the aforementioned choir provides backing vocals. At least t.A.T.u's vocals are acceptable this time, although it was probably prerecorded. A different pair of hosts were employed for the semi-finals – Natalia Vodianova and Andrey Malakhov. The latter is irritating and overzealous. Their dialogue is badly scripted too. The results are presented differently this year. The physical envelopes are ditched in favour of revealing the qualifiers on the digital screen. Although envelope icons are displayed instead. The hosts press a button to “open” each one. The stage design is impressive this year, but I'll mention that again in Grand Final post. × Montenegro: Andrea Demirović - Just Get Out of My Life Montenegro are a somewhat surprising DNQ, but the 10 qualifiers make sense. “Just Get...” is a disco-pop song that follows a brisk, slippery rhythm. The melody and production are agreeable, while the “out of my, out of my, out of my” refrain is easily catchy. It was written by Ralph Siegel and Bernd Meinunger, two people responsible for several German entries since the 1970s. The verses also use a rising melody. The staging incorporates playful interactions between Andrea and a male dancer, which could be viewed as uncomfortable. The male keeps grabbing Andrea's waist and tries to pull up her dress at one point, while she repeatedly rejects his advances. He also twerks lol. In the song, Andrea is trapped by his charm. She knows this relationship is toxic, so she casts him away. The repetition of “out of my” highlights her torment. But then the song ends on a twist – “or just stay”, which undermines the message. × Czech Republic: Gipsy.cz - Aven Romale WTF is this? The composition is the definition of the word “discordant”. The melody jumps all over the place, veering off course into jarring directions, and none of it flows cohesively. There's claps, group chants, and vocal grunts. The staging, meanwhile, features bright outfits and comic book imagery on screen, while the lead singer wears a superhero costume. He also brings a zany personality. There's a funny moment when he ducks from the violin bow. But this entry is utter nonsense. It's also one of the rare instances of “nul points” in a semi-final. × Belgium: Copycat - Copycat And here's a song that earned just ONE point in the semi-final! “Copycat” involves an Elvis impersonator singing from the POV of Elvis Presley himself, commenting on his doppelgangers. The singer dresses like the King of Rock N Roll and emulates his vocal style, while the instrumentation mimics 1950s rock n roll. Meanwhile, the lyrics are littered with well-known references. The concept is just not that interesting. The idea is too thin to stretch to three minutes. And it's rather cringe. × Belarus: Petr Elfimov - Eyes That Never Lie Belarus continues to embrace tense, melodramatic atmospheres. Their '07/'08/'09 entries all conveyed that vibe. And this one cranks the intensity to 11. The rock instrumentation drives the song and represents Petr's distress. In the song, he's escaped a dark place in life since meeting his lover. It's also a visually striking entry. The staging features a person obscured and trapped by translucent bed sheet, while the wind machine batters them like a hurricane. This is complemented by the crafty lighting tricks and camera work. At one point, a single shot runs from the back of the arena to the stage and circles around Petr. But the issue is that the melody doesn't stick that well, and perhaps the atmosphere is too over-the-top. ✓ Sweden: Malena Ernman - La voix Despite placing 4th in SF1, “La voix” is Sweden's third consecutive under-performance at the Grand Final. This rough patch will culminate in next year's DNQ, though. So the mother of Greta Thunberg beat out Måns Zelmerlöw, Alcazar, Agnes and Molly Sandén at Melfest 2009. The song fuses operatic vocals with a contemporary Euro-dance beat. The opera sections imply a sense of angelic, pristine beauty. Not just vocals, but in how the screen fills up with a blindingly bright white light when that chorus hits. The soothing backing vocalists complement that illusion. Malena is feeling heavenly euphoria. The dance-pop production, on the other hand, delivers a bouncy, clap-along rhythm. But the verses are too short. And the transition into the final chorus is... a choice, with Malena's guttural notes and the muscle tensions in her face. Ultimately the song doesn't quite accomplish the graceful charm it aims for. Slovenia 2007 did opera/pop fusion better. ✓ Armenia: Inga and Anush - Jan Jan Armenia succeeds “Qélé, Qélé” with another phenomenal bop! “Jan Jan” is an “Ethnic” entry where the traditional instrumentation is rich and prominent. It's a dance-able rhythm. Meanwhile sisters Inga and Anush deliver fierce energy. Their attitude really makes the song. And the mystical instrumentation matches that assertive approach. The outfits and the dark colour layout complete the allure. Furthermore, the chorus is infectious (ie. “everyBODY move your BODY”), the sisters trade lines cleanly, and the build-up leading into the key change is exciting. The duo later spew meaningless phonetic sounds in the bridge. It sounds exotic, though. The lyrics (the ones that are real words) imply sisterly support. Inga and Anush help each other move on from life's troubles by partaking in the “new dance” together, which symbolizes a new chapter. That's my interpretation, anyway. × Andorra: Susanne Georgi - La teva decisió (Get a Life) This is Andorra's last appearance in Eurovision to date. All 6 of their entries failed to qualify; an indication that micro-nations have an uphill battle. Some of them were surprisingly decent, though. “Get A Life” is a sugary and cutesy entry. It projects a carefree, assured, innocent vibe. The chorus employs a perky “pip-pip-pip” sound. And in the performance, Susanne and her backing band wear beaming smiles and joyfully sway about. The song is also professionally arranged in structure. The “ah-ah-ah-i” hook stands out. And the final chorus is a triumph. That said, the lyrics are too clingy. Susanne's lover wants distance, but she refuses to let go. Plus songs this sugary can lead to a toothache. × Switzerland: Lovebugs - The Highest Heights Switzerland fails to qualify despite putting in the effort – a repeat story to last year. The synth-rock instrumentation on “The Highest Heights” is so aurally satisfying. It establishes a mood of peaceful euphoric bliss so perfectly. And it's consistently held in place, only pausing for the “oh-whoa-oh” bit. Which is an elevating moment. The lyrics, meanwhile, are charmingly straightforward – the narrator asks if his lover will be there during the dark times. Unfortunately, the song doesn't quite reach “epic” heights due to the underwhelming vocal melody. The lead singer fails to soar. ✓ Turkey: Hadise - Düm Tek Tek “Düm Tek Tek” has to be one of the catchiest songs in ESC history. It's astounding how every single second contains a hook. There's also a good variety of them – the instrumental intermissions, the double stammers in the verses (“bay-BAY”), the responses of “of all times”/“feels so fine”, the slower pre-chorus, the floating chorus melody, and of course the forceful “DUM TEK TEK” stomps. It's so jam packed. The production also cleverly pauses to emphasize that “DUM TEK TEK”. It's a cheesy representation of a heartbeat, but Hadise's assertive approach sells it. The “Ethnic pop” instrumentation helps reduce the cheesiness too. I like the guitar(?) and the heavy percussion line. Furthermore, the song is bursting with energy, there's pyro!, and all the pieces fit together. It's such a fun entry. ✓ Israel: Noa and Mira Awad - There Must Be Another Way The Israeli entry pairs a Jewish singer with an Arab singer. The song calls for unity and acceptance amongst the political divide in the country. It includes both Hebrew and Arabic verses. And the duet exhibits intimate chemistry on stage. The song's tone is heavy and emotional, where Noa and Mira express love, compassion, empathy and reassurance to each other. The arrangement is minimalist to allow the message to take focus. But it's also underdeveloped. The vocal melody didn't immediately connect, and the title phrase is anti-climatic. But it's grown on me. It's pleasant, with the lead in to the title phrase being the best part. The square tin drums add a subtle texture too. × Bulgaria: Krassimir Avramov - Illusion LMAO what a train wreck. The backing vocalists are hilariously horrific. Their shrieks are ear-splitting, uncoordinated, and off-key. It renders the live performance into un-listenable territory, since they're impossible to ignore. It's weird because the backing isn't THIS prominent on the studio version. Krassimir's falsetto is comparatively bearable though. Likewise, the almighty force created by the production and the “give me give me you time”/“do I want your touch” hooks are good ideas. There's also dancers on stilts. But there's no cohesion or cooperation to any of this. Instead of being atmospheric, the result is more like a nightmare. ✓ Iceland: Yohanna - Is It True? The winner of SF1, and the runner-up overall, matching Iceland's peak placement from 1999. “Is It True?” seems to be an overshadowed entry from 2009. Which is a shame because it's a stunning and heartbreaking ballad. The emotion resonates due to Yohanna's honest performance – her vocal is beautiful too. Meanwhile, the gentle tone and the methodical pacing allows the melancholy and devastation to flow naturally. It's a moment where time stands still. The key change shifts the final chorus into a moving finale, and to a higher degree of pain. Also, the backing vocalists reinforce the melody. The watery blue colour palette and the cello are effective. And the lyrics are relatable. They explore Yohanna's mental processes as she confronts a lover who's keeping a secret. She's preparing for the break-up, and she wonders how love can lead to hurt, but she also second-guesses herself (“did I throw it away”). I can empathize. I could do without the extreme close-up at the start, though.  × F.Y.R. Macedonia: Next Time - Nešto što kje ostane The juries deny (North) Macedonia from the Grand Final AGAIN. Incidentally, it's the 6th consecutive time they've placed 9th or 10th in a semi-final. Nothing of value was lost, though. “Nešto” is an entry that I feel indifferent towards. It emulates 1980s rock bands. There's gruff vocals, long hair, a guitar solo, and some catchy “yeah-eee-yeah”'s. It's an energetic and inoffensive song, but it's highly forgettable. ✓ Romania: Elena - The Balkan Girls Romania delivers a light and breezy celebration of Balkan girls. The song emanates a summery beach party vibe, thanks to the relaxed melody, the horns and hand drums. Elena is enjoying her life! The staging is inspired by Romanian mythology, where Elena enters via a stone throne, and the backing dancers wear sea-colour shredded dresses. Their fluid dance moves are sufficiently engaging. And the “for crowd delight” hook is strong. Overall, the arrangement flows smoothly and it's a solid performance. The only noteworthy flaw is that the song is basic.  ✓ Finland: Waldo's People - Lose Control Finland are the jury wildcard pick of SF1. The song ultimately placed last at the Grand Final, but with 22 points, which is relatively high for that position. So “Lose Control” contains a ridiculously catchy pop chorus, with rap verses interspersed, and a dance-pop production that is very 2009. My teenage-self would've loved it at the time lol. Also, the staging is notably flashy with all the fire antics. The booms and pyro explosion in the bridge are especially stimulating. It's a cool moment. On the flipside, the live vocals are patchy, and the chorus becomes a little repetitive. But the production is energetic and easy to bop along to. A catchy chorus is hard to resist. And the performance avoids taking itself too seriously, nor does it become novelty.  ✓ Portugal: Flor-de-Lis - Todas as ruas do amor The Portuguese entry is heartwarming and sweet; both in lyrics and composition. Vocalist Daniela Varela is so smitten here. In the song, she uses metaphors to illustrate the compatibility of her and her partner. Meanwhile, the folk instrumentation breathes a springtime vibe. A keenness of what the future holds, perhaps. It's also characteristically Portuguese, with the accordion and hand drums being highlights. Those drums enter and exit at appropriate times to prevent monotony, as the song shifts between dreaminess and excitement. The melody is lively and cheerful too. The colour patterns on the LED screen look like vomit, though. ✓ Malta: Chiara - What If We This is Chiara's third appearance in ESC, following her top 3 finishes in 1998 and 2005. “What If We” doesn't match those heights, however, as it places 22nd at the Grand Final. Her 2009 entry is, unsurprisingly, a ballad that follows the same structure as her other two. This type of redundancy is a pet peeve of mine. “What If We” is too much like an X Factor winner's single. It's boring and predictable. Still, Chiara is a talented singer. And the lyrics are existential in her search for the answers to life's questions, and skeptical over what we've been told. The drums also build anticipation. But the final chorus isn't climactic enough. ✓ Bosnia & Herzegovina: Regina - Bistra voda Bosnia's Balkan ballad reaches the top 10, but I find this one slightly overrated. The melody doesn't latch on easily and the chorus seems incomplete. I struggle to remember how it goes. To be fair, this genre doesn't follow Western pop music structures. On the positive side, “Bistra voda” is well-staged and the instrumental breaks do elevate the song. The visual involves a marching band showing a fervent, determined demeanour, set against a red backdrop. The outfits also appear historical. The accompanying lyrics are ambiguous, but they revolve around the theme of patriotism, which gives context to the staging. It's a meaningful entry anyway. My Ranking: 01. Iceland: Yohanna - Is It True? ✓ 02. Turkey: Hadise - Düm Tek Tek ✓ 03. Armenia: Inga and Anush - Jan Jan ✓ 04. Portugal: Flor-de-Lis - Todas as ruas do amor ✓ 05. Finland: Waldo's People - Lose Control ✓ 06. Romania: Elena - The Balkan Girls ✓ 07. Switzerland: Lovebugs - The Highest Heights 08. Montenegro: Andrea Demirović - Just Get Out of My Life 09. Sweden: Malena Ernman - La voix ✓ 10. Bosnia & Herzegovina: Regina - Bistra voda ✓ 11. Israel: Noa and Mira Awad - There Must Be Another Way ✓ 12. Andorra: Susanne Georgi - La teva decisió (Get a Life) 13. Belarus: Petr Elfimov - Eyes That Never Lie 14. Malta: Chiara - What If We ✓ 15. F.Y.R. Macedonia: Next Time - Nešto što kje ostane 16. Bulgaria: Krassimir Avramov - Illusion 17. Belgium: Copycat - Copycat 18. Czech Republic: Gipsy.cz - Aven Romale
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alrightsnaps · 4 years
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I don't know about Eurovision promoting peace between warring countries and whatnot, but my Greek ass sure is still shook by Hadise dancing Dum Tek Tek in 2009
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