#hajimari no kyojin

[olivespectre]

HYPER PROJECTION ENGEKI HAIKYUU MASTERPOST

i found myself jumping all over tumblr every time i needed to look up links for the stage plays so i decided to just collect them all into this post.

these only link to the posts and not the download links so you still have to follow the individual rules of the lovely people who’ve shared these with us.

The View from the Top (Itadaki no Keshiki)* Stage Play with Eng Subs | DMM

Karasuno, Revival (Karasuno, Fukkatsu) Stage Play | English Subtitles | DMM

Winners and Losers (Shōsha to Haisha) Stage Play | English Subtitles | DMM

Summer of Evolution (Shinka no Natsu) Stage Play or Stage Play* | English Subtitles | DMM

The Start of the Giant (Hajimari no Kyojin) Stage Play | English Subtitles (IN PROGRESS) | DMM

The Strongest Team (Saikyō no Chīmu) Stage Play | English Subtitles | DMM

The Tokyo Match (Tōkyō no Jin)* Stage Play | English Subtitles | DMM

Fly High (Hishō) Stage Play | English Subtitles | DMM

The Strongest Challengers (Saikyō no Charenjā) Stage Play | English Subtitles | DMM

The Dumpster Battle (Gomi Suteba no Kessen) N/A | English Subtitles | DMM

The View from the Top 2 (Itadaki no Keshiki 2) N/A | English Subtitles

Notes:

The DMM links to where you can legally stream the stage plays. You can refer to THIS post for how to use the site. If you’d like to buy physical DVD/ Blu-ray copies of the stage plays, you can refer to THIS post.

The View from the Top is a re-run of the very first Haikyuu stage play with a few extras. You may watch it without needing to watch the first run since it’s essentially the same.

Two separate people have uploaded Summer of Evolution (thank you so much to them!) so feel free to download from either link.

Tokyo no Jin is translated either as The Tokyo Match or The Tokyo Battle.

#haikyuu!! #haikyuu stage play #hyper projection engeki haikyuu

[tezisotakutrash]

I got burnt out after doing 1/5 of the show so here’s my favourite subtitle I made.

#engeki haikyuu #haisute #hajimari no kyojin #i am not fluent in japanese

[mihotose]

“hinata!?”

(credit to bluecatkate)

#hinata shouyou #ukai keishin #suga kenta #hayashi tsuyoshi #engeki haikyuu #haisute #hajimari no kyojin #chi gifs #hq

[xxnothingbutstrangerxx]

It’s obviously me on a cold Valentine’s Day hugging myself like Ryoutarou 

#haikyuu #haisute #engeki haikyuu #hyper projection engeki haikyuu #kosaka ryoutarou #tsukishima kei #kondou shouri #kuroo tetsurou #nagata takato #kozume kenma #suga kenta #hinata shouyou #valentine's day #valentine's day meme #my edits #saikyou no basho #hajimari no kyojin #haikyuu stage play #butai #engeki haikyuu meme #why fall in love #seriously

[kanasmusings]

THERE IT IS!!!!! MY FAVORITE SHOUYO LINE EVER!!! 

#engeki haikyuu #haikyuu stage play #hyper projection performance haikyuu #hinata shouyo #hajimari no kyojin

[shoushatohaisha]

download: “hajimari no kyojin” (OST title track)

after seeing wada-sensei perform live with the cast my conscience came back... for now. but here's a tiny graduation eve present for you: "hajimari no kyojin" (main theme).

#hyper projection engeki haikyuu!! #engeki haikyuu #hajimari no kyojin #it's the song #not the dvd #DON'T BE TOO DISAPPOINTED #it's coming eventually i promise #my upload #wada shunsuke butai music god

[putitonthesun]

Kondo Shori as Kuroo Tetsuro Bromides

You can use them freely, but, please, give credit

#I love these #hyper projection engeki haikyuu #haisute #engeki haikyuu #haikyuu stage play #haikyuu stage actors #kuroo tetsurou #tetsuro kuroo #Kondo Shori #Nekoma #haikyuu #haikyū!! #haikyuu!! #hajimari no kyojin

[mayphenix]

HEY! If you wanna watch Hajimari no Kyojin, message me and I’ll send you a link!

We also organise streams every once in a while on our discord where we can talk about the recent chapters and ramble a lot abut our favourite volleybois : https://discord.gg/UKBFDcR

#haikyuu stage play #haikyuu!! #hajimari no kyojin #start of the giant #hyper projection engeki haikyuu #hq!! #haikyuu #it's a google drive link

[pruusa]

Nah TWT I’m so sad when I look at pictures/gifs from Engeki Haikyuu Hajimari no Kyojin/ Start of the Giant TWT (and yes, that’s why I’m reblogging them :D) because I can’t find download link anywhere TWT TWT (if somebody know the download link, pls send it to me and and I’ll worship you until the end of my life /no kidding/ TWT)

#engeki haikyuu #hyper projection engeki #hyper projection engeki haikyuu #hajimari no kyojin #start of the giant

[koichiidesu]

"You should have come to Shiratorizawa." ( * ॑˘ ॑* ) ⁾⁾ ｳﾝｳﾝ

#haikyuu!! #ushioi #engeki haikyuu #kenji arita #ushijima wakatoshi #kousuke asuma #tooru oikawa #hyper projection engeki haikyuu #hajimari no kyojin #butai

[kondou-shouri]

16.06.2018

Shouri: It’s our 150th Engeki Haikyuu!! performance for the two of us from Nekoma!! Karasuno, Fukkatsu!, Shousha to Haisha, Shinka no Natsu, Hajimari no Kyojin I am thankful to all these productions!

The staff also congratulated us! Thank you 😊

Tomorrow is the final performance for Hajimari no Kyojin Until the end, let’s connect!!!!

Takato: Of course. I’m glad Kuroo is played by Shouri. Thank you so much!!

Congratulations on the 150th Engeki Haikyuu!! performance, Shouri and Takato!! You two will always be the perfect Kuroo and Kenma duo to me. I am so thankful to you two 💗 (don’t judge his slippers lol, it’s apparently his fave pair 😂😂)

Sources: Tweet, Tweet, Tweet, Tweet, Tweet

#kondou shouri #twitter #translation #nagata takato #suga kenta #hajimari no kyojin #nekoma #engeki haikyuu #hyper projection engeki haikyuu #CONGRATULATIONS #I LOVE NEKOMA SO MUCH GUYS #the drawings and the tape writing are from the staff!

[315-no-stage]

Today's happy mail! 🤩🤩🤩

Day 3 of Animelo Summer Live 2017 "The Card" is my gateway to SideM. And B-Project, if I think about it. I was already most excited for this day because I'm a Wake Up, Girls! fan and this was their day. When the digest came out, I was skipping through then I happened to pause at the right moment...

"Saido M!"

I was like, "Whut?" LMAO. Then I spotted my favorite seiyuu siblings were both there. The Uchidas did not disappoint. The encore part was such a hoot! My queen Maon Kurosaki was also there and she brought with her the spirit of SenMyu. This concert is one of my absolute favorites!

Then of course, Hajimari no Kyojin. Apart from the clips already posted, I have not watched this yet. And I am so excited. I just know AriKen is going to be the death of me. Particularly excited for the behind the scenes. Because, AriKen. Yes. I am not ready!!!

#haikyuu #haikyuu!! #hyper projection engeki haikyuu #idolm@ster sidem #animelo summer live #anisama #hajimari no kyojin #i blame ariken for everything #maon kurosaki is my queen #uchida siblings = sibling goals #wake up girls

[rakerumon]

Noya-san has a new toy!

#fuchino yuuto #haikyuu!! #haisute #nishinoya yuu #karasuno #guardian deity #hajimari no kyojin #noyasan

[xxnothingbutstrangerxx]

4.17  Saikyou no Basho DVD/BD will be released today!

Have a prelude to Saikyou no Basho during Hajimari no Kyojin Production!

DO NOT RE-POST MY GIFS 

#hyper projection engeki haikyuu #engeki haikyuu #hq stage #haisute #haikyuu stage play #hajimari no kyojin #the beginning of giant #shiratorizawa #arita kenji #ariken #ushijima wakatoshi #kageayama tatsuya #kageyama tobio #suga kenta #hinata shouyou #saikyou no basho #the best team #karasuno #shiratorizawa vs karasuno

[nebulous-wanderings]

June 8th 2018 - Engeki Haikyuu: The Start of the Giant

I already made a post about June 8th since it was our day trip to Hakone to go hiking, but it was also the day one of my friends and I went to go watch the newest Haisute show as the tour came back to Tokyo!

It was our first time watching a butai live, but we had a great time. I’m not 100% fluent in Japanese or anything, so there were some jokes and puns that flew over my head but I understood the plot and dialogue enough to be moved by the dramatic parts and enjoy it. Haisute is all about the acrobatics and choreography though, and that’s where it really shines. I find other butai lacking in stage sets and plot dynamics, but in such an action-packed and colorful show my eyes didn’t know where to look sometimes because so much was happening on the stage at the same time (which is a good thing in Haisute’s case). 

They gave out large flyers advertising the next show that’s starting in the fall, Saikyou no Team, and the inside opens up to show Aoba Josai, Karasuno, and Shiratorizawa. (Sorry for the crappy pics, I just wanted to show the flyer since I’m not able to scan it rn). I didn’t buy a show pamphlet since I was running low on yen but I did buy a Sugawara bromide set~ (Kinda sad I couldn’t see Ino Hiroki in that role, but Tanaka Naoki still did a great job!!)

Lastly, it was a coincidence that that first day in Tokyo was their 200th performance, so they took a picture with the audience (the last pic, which is from the offical Engeki Haikyuu twitter acct). I put an arrow where my friend and I were sitting - we were two people away from the end of the row, plus if I zoom all the way in I can see my grey cardigan sleeves over my dark blue dress as well as my friend’s really light-colored floral shirt she wore that day lol. Fun fact: if you notice in the picture that Asahi’s and Tanaka’s actors are holding some white banners too low, that’s because the white cloth parts were originally on sticks to be held up as a flags reading “Congrats!” “#200!” but while setting up the shot on the stage, they somehow broke it and the cloth parts came off the sticks so they had to hold it with their hands lmaooo. 

#engeki haikyuu #haikyuu #hajimari no kyojin #haisute #stage play #my digressings #asia trip 2018

[shoushatohaisha]

translation: “The Start of the Giant” Pamphlet Cross Talk #2 (Kosaka Ryoutarou, Miura Kairi, Shiota Kouhei, Fuchino Yuuto, Kawahara Kazuma)

Cross Talk #1 (Kenta, Kagechan, KT, Justin, Naoki)

Translator's Notes: 1. As before, the interview was conducted before rehearsals began. 2. Brackets are preserved from the original text. 3. Scans available via @engekihaikyuu here.

The "Summer of Evolution" over, they meet their official match with new weapons in hand. "The audience always banishes our uncertainty" -- facing ever-new portrayals, the bond of the second years and the resolution of the first years!

Q: "Summer of Evolution" was a bit different from the other Haikyuu stage productions to date.

Shiota: Obviously we always have that "onward, onward" feeling each time, but this time it was mixed with uncertainty over "Will this actually work?" The show was created amidst that conflict. This is just a what-if, but now I really feel that if we were to restage Summer of Evolution we could go much much deeper. But we're on to the next!

Kawahara: Our audience understands that the Haikyuu troupe is always on the attack, and on top of that they enjoy every production… Although in rehearsal we may feel lost and uncertain, when you experience the audience's actual response, it makes you think, "the audience really banishes our uncertainty." I think that's why we're able to keep pushing forward even further.

Miura: What everyone said last time was that "this is the most 'theatrical' production so far." We challenged ourselves with showing the development of a story, something we couldn't just force our way past with intensity, but this time we've returned to an intensity-based style, so… It's rough. (laughter) It's rough for those of us on the bench, but even more so for those in the match, probably.

Q: "Summer of Evolution" also had Tsukishima and Yamaguchi confronting each other over their feelings.

Kosaka: I wonder how we should work off of that fight and the feelings that Tsukishima and Yamaguchi overcame… The Tsukishima before and the Tsukishima after "Summer of Evolution" are a little different, so that's still an issue for me, I think.

Q: Fuchino-san, the previous production was your first Engeki Haikyuu.

Fuchino: At first when we began rehearsals I was pretty bewildered. I was constantly relying on everyone else for help. What surprised me the most was Worry-san's rehearsal style. It felt like even when we were practicing our group choreography if you didn't add something of your own you'd go under… I'd honestly end up [just] being there, [just] doing what was decided. But I couldn't come up with my own ideas like everyone else, and then the real show began… Around the time we got to the Tokyo rerun, I finally felt like I'd gotten the feel of the Haikyuu troupe and started to fit in. So my goal this time is "to be relied on." We're bringing in new members, and I'd like to leave a strong impression, point-by-point. Plus, at last we're getting a close-up on Ennoshita, so I want to back him up right.

Q: Against Wakutani Minami (Wakunan). The time to show the meaning of Ennoshita's presence has come.

Kawahara: Ennoshita is a character who represents the emotions of what it is to not be a starter. So I wonder how much the people watching will sympathize with that. I want to show "a normal person doing their best."

Shiota: Ennoshita's the NPC ace!

Kawahara: Uh-huh. I really think I've ended up as the audience stand-in on stage, so… Up til now I've seen precisely that point – soothing the audience, or giving them a break – as a critical responsibility, or to put it the other way around, I didn't want anyone else to take it over. "This is my job." Because of those experiences, I think Ennoshita and the audience have similar feelings. I want to work off of that, leverage it, and express the drama of this storyline with the right emotion and technique.

Q: And the connection between the second years, which we haven't seen much of so far, is coming sharply into focus.

Kawahara: That's right. These two [Tanaka and Nishinoya] have gone with the momentum of their "Soi soi!" thing (laughter), and there have been almost no opportunities for the second years to show their relationship in conversation.

Shiota: There are this time. The flashback where Ennoshita runs away and then comes back is like the proof of our history together and all our words and deeds so far.

Fuchino: We want to convey that to everyone.

Q: Yamaguchi's also called onto the court… for quite a bitter experience.

Miura: Yeahhh… Yeah, that's right. Um, there's the part where Ennoshita comes to his rescue… it's painful. You know how the subtitle this time is "The Start of the Giant". But for me, the subtitle "Battle of the Cowards" is bam, right there.

Kosaka/Shiota: Ahhhh!

Kawhara: That's good. Ennoshita and Yamaguchi, right?

Miura: The battle the two of them have with themselves leaves a really powerful impression.

Kosaka: The "giants" are Hinata and Nakashima, right? But just now… I kind of felt like the two cowards will go on to get bigger, or something.

Kawahara: Yeah. Maybe that's one of the hidden meanings!

Shiota: The ones who read deep into a work to enjoy it more are the winners.

Kosaka: Okay, I'm going to think of it that way.

Shiota: But Tsukki's been a giant from the beginning so… "Still a Giant?"

Kawahara/Miura: (burst out laughing)

Kosaka: There it is. (laughter)

Shiota: There it sure is. (laughter)

Q: Engeki Haikyuu's famous raked stage is back, too!

Fuchino: This is my first time on a raked stage. I'm going to strengthen up my legs… I'm prepping for my thighs to be on par with a major leaguer's this year.

Shiota: They really bulk up.

Miura: When you get up there once, the same day you're immediately sore.

Fuchino: That's what I thought.

Shiota: Just standing is tiring. (laughs)

Miura: We sat down whenever we could get a chance.

Kosaka: Now we've started to forget what it was really like, so I'm afraid.

Kawahara: But you know, a raked stage gets you more excited! Last time I caught myself thinking, "A level stage is a little bit sad."

Shiota: I get what you mean, that moment when your adrenaline spikes. During matches, you're moving for thirty minutes straight for a single match… Fucchi, soon.

Fuchino: No… that's why… I went to see "Shousha to Haisha", and even then it was like… just watching I thought I was gonna puke…

Kosaka/Miura: (explosion of laughter)

Kawahara: (laughter) That one was definitely a little abnormal!

Shiota: My feeling is… the ones before that were just right. For me.

Kawahara: Same! Of course even then you're moving plenty, but that feeling where you think "A heavier load fires me up"… Well, I'm a little scared too, but. (laughs) Also, there's the distance between us and the audience. There's this sense of urgency like the audience gets on our level (of energy), or maybe we're able to pull them along. Of course, the issue is always how far we can follow what Worry-san wants to do.

Shiota: Worry-san doesn't hold on to anything. We leave what we've tried before there and move on to the next thing. But there are some points I want to keep…

Kawahara: That's something you should definitely say at the moment you think it. "I want to keep this thing we made."

Kosaka: Lasers!

Fuchino: The lasers were cool.

Miura: They were! I hope we use them again.

Kawahara: The LED panels are heavy, it was hard switching them out.

Shiota: I like the transparent panels more. They have a good vibe.

Q: Objects are a crucial part of Engeki Haikyuu, aren't they.

Kawahara: These plays verge on shows, so the tempo shift between the appeal of movement based in a show aesthetic and the captivation of proper acting technique is what makes Engeki Haikyuu good. To optimize that balance we fight with the director, then receive inspiration from him in turn. We have to create it together.

Q: Karasuno have to make the adults think, "They've changed," since last summer, after all.

Shiota: Definitely! That's important.

Kosaka: I… think I'm going to bulk up. I mean, going through that summer, then stopping all these strong opponents in the matches after that, volleyball muscles must build up naturally. Even for Tsukishima. So when Tsukishima stands on the court I want him to give off an aura like"Huh? Has he gotten bigger?" – like a sense of pressure. Plus, his glasses change. (laughter) I want to grow both inside and out.

Miura: This is our first official match after defeat. Karasuno is going on to become stronger, and in the middle of them is Yamaguchi. I think he's changing inside, between his relationship with Ennoshita who's also in the bench squad and especially his feelings when he saw Tsukki being so pathetic. Plus, this is when Hinata meets Nakashima and also starts to change even more… When it comes to the strength necessary to change, we also have to figure out "something" that will allow us to fight back agianst the talent of the new cast.

Shiota: It's fine, we've got experience with that.

Miura: I know! That persuasiveness that makes the audience think "Oh, sure enough Karasuno are winning." It would be great if we could use our experience to show these changes. Plus, we're going to sweat a ton. We sweat on the bench, too!

Shiota: Johzenji is a "fun" school, but first, I want to show them just how much fun we have on stage. "Can you do this?" "Come on, let's all have fun!" (laughter) Then, I want them to produce the power to overcome that, so I think "Oh, y'all are having fun yourselves," and then I try to overcome that – I want that kind of synergy. Hopefully that will keep going from rehearsals. The drama with Tanaka and Daichi-san in the Wakunan match… I'll show you Tanaka's power in getting back on his feet! And then I'd like to be better about raising others up. I've learned that, that it can't be all about me. Worry-san told me that pulling others along and lifting them up makes me better, too. That's my issue to tackle!

Fuchino: Johzenji's a high-energy team, so I don't want Noya-san to lose on those terms. Last time, I somehow managed to get by on energy and meager skill, so this time I want energy plus equivalent skill. Noya-san's a genius so I want to portray an appropriate mood. I have to show "he really is good." I want to be a presence that doesn't reveal his desperation, and rather has calm to spare.

Kawahara: Noya-san has to encourage Ennoshita when he tells him "Nice receive"… I want to get that from Fucchi's Nishinoya.

Fuchino: My Noya-san will be able to say such a convincing line naturally!

Kawahara: Amidst the pressure of the Wakunan match, where loss means elimination, I hope I can portray Ennoshita's feelings as they change from "I have to pull everyone here along somehow" to "Everyone here is helping me" with the right sensitivity, and… Kouhei said this too, but I also want to be conscious of when I'm standing by myself and when others are helping me stand.

Q: Team play.

Kawahara: Haikyuu is the story of Hinata, yearning to be the Little Giant, and in relation to him Kageyama, and of the rest of Karasuno. So as our ultimate destination we have to show, within the match, how Karasuno's evolved and then also the moment that Hinata awakens as "a giant at the beginning". Amazing performances from Johzenji and Wakunan mean that the more we compete there the better. I want us to travel along the path of the performance and convey a story as one.

#engeki haikyuu #kosaka ryoutarou #miura kairi #shiota kouhei #kawahara kazuma #fuchino yuuto #hyper projection engeki haikyuu!! #hajimari no kyojin #translation tag #this has been sitting on my desktop FOREVER #moving... is super fun #three more translation drafts in the same folder stay tuned #also #poor fucchi XD