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#halftone def
gyarufart · 1 year
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i use two brushes to draw and it’s g-pen and hard airbrush 😭😭😭😭
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seeminglydark · 9 months
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Idk if I’ll ever do anything with this but I haven’t drawn in days and a headcanon someone left on my detention price was too precious not to at least speed value sketch, punk based on ref photo of my leggies and boots ofc as always
I learned I can’t draw ducklings lmao but if I finish this I’ll def try c’:
Also maybe fun for you to see to see a bit of the process behind my greyscale halftone pieces!
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goosetooths · 4 months
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heya! could i ask what brushes do you use?
AH! i use SO much stuff, and i don't remember where a lot of it came from to be honest, but here are some of the most important ones --
sharpie pen mimic, which i use for all my sketches/doodles/lineart, as it pairs very well with a hard eraser and it's easy to get messy while still retaining a consistent quality on your lines (which is very important to me, if my lines have hard edges in one spot and soft edges in another i start getting scared)
beat tones by true grit texture supply, which are my favorite halftones ever. i also use other brushes by TGTS, namely their kolormarc and rusty nib sets, but i've always found all their brushes to be worth the money if you can splurge.
i just dug through so many of my phone bookmarks to try and find more but i am genuinely unsure where a good portion of my brushes come from? i guess besides these (which are def the most important ones to point out) i mostly use a hard round eraser (which i also use to block in colors) and a fluffy brush called Cloudwash that i cannot find to save my life. will update if i find it or anything else!
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mosalahd · 2 years
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Hello 21, 23 and 30.
hiii
21. Art styles nothing like your own but you like anyways
oh! so my favourite painter ever is jean-michel basquiat and our art styles are def very different, but he is a big big inspiration for me and i'm a huge fan of his work. honorable mention as well is keith haring!
23. Do you use different layer modes
so i tend to draw on one layer, but sometimes if i want my colors to have a slightly different hue i'll add like a soft light layer plop some color on there (usually orange) and then merge it to the single layer again. also whenever i do my halftone stubble shorcut i put that on a multiply layer, fuck around a bit, and then merge it down (:
30. What piece of yours do you think is underrated
este drawing ): honestly the colors in that one are chef's kiss and i had a great time drawing it so i'm v attached to it
send me weirdly specific artist asks!
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chaoticcomposition · 3 years
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I painted some b&w portraits a few years ago, I wanted to do that again
I def feel like I have a much better grasp of light and halftones now lmao
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mikemerg · 5 years
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Quick Donkey Lips for fun today. 😎 What’s your fav classic @nickelodeon show? Salute your shorts is def up there on my list... 🏴‍☠️ @nickrewind #Illustration #Halftone #Nostalgia #90s #1990s #DonkeyLips #SaluteYourShorts #Nickelodeon #Gigposter #FanArt #fanartfriday #ChicagoArtist #MikeMerg (at Camp Anawana) https://www.instagram.com/p/B0rGMOKgFLa/?igshid=1f5rq2yo251zb
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nevahosking · 7 years
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What's your process for printing tees? I've been trying to find a good way to get pencil texture/white-on-black and maybe my exposure unit just isn't super great for it, but screen printing seems like the wrong medium. Do you screen print yours or do you heat press? If you don't mind me askin!
Screenprint! I’m not a big fan of the texture of heat press. I think it’s a bit of working out the right contrast on the transparency image and having the right mesh count for your image. I use anywhere between a 90t and a 120t (120 can be a bit too fine for tshirts and it def won’t work with the white ink but it’s soo detailed n lovely) also sometimes I swear it’s just chance because I’ll expose one thing and it’ll be in good detail then expose it again a few months later and it’s not as good?? so who knows aha, it’s such an elaborate process that you can only fine tune it so far I think, the rest is just hoping for the best. Which is my general outlook for all printmaking because I’m too lazy to keep count of the little details :’)
Also if you wanna get the grey of the pencil you gotta greyscale and halftone that baby
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“ Void Magazine Cover ” by Halftone Def Studio
(via fromupnorth.com )
Follow “a day in the land of nobody” on tumblr
Pinterest | Society6 | Redbubble | Teepublic | Twitter | Designspiration | MAB
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doverjazzghost · 7 years
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phektrek replied to your photo: I don’t know a DAMN thing about art, my guys
:O i love the?????? textures i guess idk the naem
I was trying to go with a halftone shading effect. I could def execute it better, but I’m just trying to get a process going for digital art, so I’m trying a bunch of things.
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flauntpage · 4 years
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TOP V. WEEKEND PICKS (1/2-1/8)
1. Latham Zearfoss: Very Fine on Both Sides January 3rd, 2020 5-8PM Work by: Latham Zearfoss Chicago Artists Coalition: 2130 W Fulton St, Chicago, IL 60612
  2. Screening: Mother Art Tells her Story January 8th, 2020 7-8PM Work by: Mother Art Hyde Park Art Center: 5020 S Cornell Ave, Chicago, IL 60615
  3. Year One – Halftone Projects Anniversary Exhibition January 4th, 2020 7-10PM Little Broken Things: 2137 N Western Ave, Chicago, IL 60647
  4. J-Def: 5 Elements of Hip Hop January 4th, 2020 6-10PM Citalin Gallery: 2005 S Blue Island Ave, Chicago, IL 60608
  5. Anthony Sims: Embodying the Black Experience Through Performance January 8th, 2020 7-10PM Work by: Anthony Sims Links Hall: 3111 N Western Ave, Chicago, IL 60618
  Hey Chicago, submit your events to The Visualist here:  http://www.thevisualist.org.
TOP V. WEEKEND PICKS (7/14-7/20)
Top 5 Weekend Picks! (1/9-1/11)
Top 5 Weekend Picks! (5/10-5/12)
Chicago Art in Pictures: January 2013
Time Bound: An Interview with Mark Jeffery
TOP V. WEEKEND PICKS (1/2-1/8) published first on https://footballhighlightseurope.tumblr.com/
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studio77photouk · 7 years
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The Majesty of Early Photography
“South America, Atkins,” from Foreign Plants and “Cyanotypes of English and ” 1851-54. Cyanotype.
Credit PICTURE COURTESY CLARK ART START
The “Photography and Discovery” display in the Clark Art Company, in Williamstown, Boston, is little (around thirty pictures, mainly pre-1900, all in the Clark’s own incredible selections), curatorially unpretentious (no difficult artwork-historic theses are sophisticated), and really worth a trip, specifically for people, like me, whose curiosity about photography is principally participated through publications or online. Since among the issues within the display you’re rapidly hit by may be the painterliness of the pre- photographic picture. Painting was the paradigm for graphic artwork within the nineteenth-century. But it’s not just the painterly ; the tactility.
The albumen printing, the collotype, the cyanotype, the daguerreotype, the Woodburytype, gelatin silver prints, gum dichromate prints, jewelry prints, sodium prints, halftones, photogravure: each one of these reproductive systems are symbolized within the display, and each produces another visible consistency. The results could be spectacular. I looked to get a very long time at Gustave Le Gray’s “Brig around the Water” and “Mediterranean Ocean, Sète” (albumen prints from 1856 and 1857), ravishing seascapes which are about what artwork photography is mainly about, light—in these items, daylight, shown on clouds (above) and water (under).
The tag describes that to fully capture sunlight’s results on two areas in one single picture, subsequently join the disadvantages Le Gray needed to consider individual exposures of the atmosphere and also the ocean and produce the end result onto just one page. This created the single aftereffect of this style the feeling, of artwork photography that you’re viewing something which is equally organic, a genuine ocean having an actual dispatch beneath a genuine atmosphere, a notion difficult like a retinal picture, and abnormal. You can observe atmosphere and ocean, but never very such as this. As usually, mimesis isn’t replica. It’s replica having a distinction.
“The Pyramids of El-Geezdeh in the Southwest” (albumen print, circa 1860) is nearly an earlier-photography motto. Pyramids were skilled favorites (Frith herself captured several) since (a) they’re not going anyplace, and so that they endure long-exposure occasions, (w) they provide exemplary official components for distinction, such as for instance, for instance, whenever an aspect of the chart that displays gentle abuts a-side in darkness, and (d) they allow photography to complete what early images (and, later, early theatre) liked to complete, and what holiday images around the world do nowadays, that will be to create the unique home. Detail’s amount Frith could make is practically high def. Each rock that was individual could be created on a chart that must definitely be half of a kilometer in the camera.
Another thought (for me personally) may be the degree to which early photographers used nearly every possible utilization of the brand new method. They captured staged remarkable moments (as in Julia Margaret Cameron’s “illustrations” for Alfred Tennyson’s “Idylls of the King”). They captured actual individuals (Henri Béchard’s “Water Provider, Cairo,” 1875) and imposters (Roger Fenton’s “Orientalist Study,” 1858: two Western men in Turkish outfit).
Pictures were used-to maintain stock (William Henry Fox’s “Articles of China,” 1844), as well as for medical evaluation (Anna Atkins’s “Cyanotypes of English and International Flowering Plants and Ferns,” circa 1851-54). Photographers maintained the similarity of the renowned (William Notman and Son’s “Buffalo Expenses Cody,” 1885) and also the unknown (Gertrude Käsebier’s “Hermione Turner and Her Kids,” circa 1910). You will find artwork pictures and photographs. A really early home is even – Mirror from Knole Home, reflexive picture,” 1853, from the English shooter Thurston Thompson. You can observe the shooter within the reflection, ranking having a pocket-watch, timing his publicity. A selfie!
My personal favorite within the display is just an image of carrots. The tag describes that Charles Smith, the shooter, was a farmer who done properties that are main in nineteenth century England, and who’d of creating pictures of issues he increased a, organized as lifes. Their pictures were found in a luggage within an antiques marketplace in 1981. And there they’re, six carrots on the many plebeian that is plate—nature’s foodstuff searching as happy with itself. And also the greatest thing concerning the item, in the event you skip the stage, may be the name, “Potato Majestic.”
One guide that’s had an enormous impact over a long time on me is ” posted in 1981, Peter Photography. Where he was successful the renowned John Szarkowski, Galassi was the principle curator of photography in the Memorial of Contemporary Art. Within the book—really a catalog to accompany an exhibit at MOMA—Galassi noticed that the engineering had a need to create pictures was recognized well before there is photography. He recommended that it had been not until artists started producing works which were picture- moments that were like—everyday displayed from a person viewer—that’s viewpoint it dawned on people who photography had a use. a fresh visual is created by the engineering didn’t; it had been created to realize.
Correct alongside Discovery” and “Photography is of another little display, additionally of works the Clark possesses early-nineteenth century pictures that are English, several by Turner. I appeared directly into try Galassi’s dissertation out, and also you can actually begin to see the continuity between exactly what the photographers might begin doing a couple of years, and what these artists do, discovering the results of daylight on daily topics.
One sort that photographers couldn’t manipulate, but that turned the final type that is most typical in the world, may be the overview. The engineering wasn’t there. Due to that, the mimetic benefit was kept by artists, along with a large amount of nineteenth century artwork, from Constable and Turner through the Impressionists, attempts to seize the evanescent and also the temporary, the feeling of existence stopped in-motion. Fundamentally, obviously, photography and movie swept up, and artists started doing another thing.
It was my first trip to the Clark because the recent addition, created by the architect Tadao Ando, went up, and that I need to state (I understand I’m not the very first), What were they considering? The Clark rests in the base of Rock Slope, among the best places a scenery that’s attractive in most months, in England. The brand new building—basically a massive reception a typical, having a complicated entry -problem gift-shop, and, on a lawn ground, without any views a coffeehouse- large marble surfaces that strongly prevent the watch from several vantages are café—featuresed by design. The memorial has become twenty bucks per person once liberated to the general public. It’s still the lotion, and exactly the same selection, however.
The post The Majesty of Early Photography appeared first on Studio 77 Photography Gwent Wedding Photographers.
from Studio 77 Photography Gwent Wedding Photographers http://www.studio77photography.co.uk/the-majesty-of-early-photography/
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noitavitcaer · 7 years
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Creative South Podcast – Episode #68
Recently sat down with @Jason Frostholm of Creative South Podcast to chat about design, family and my good buddy @[5340:Tron Burgundy] of Halftone Def Studios. If you have a few minutes and feel like giving it a listen the episode is posted on their site. http://dlvr.it/NH8WSs
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lovepzza · 10 years
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She & Him gig poster by Halftone Def Studios.
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flauntpage · 4 years
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TOP V. WEEKEND PICKS (1/2-1/8)
1. Latham Zearfoss: Very Fine on Both Sides January 3rd, 2020 5-8PM Work by: Latham Zearfoss Chicago Artists Coalition: 2130 W Fulton St, Chicago, IL 60612
  2. Screening: Mother Art Tells her Story January 8th, 2020 7-8PM Work by: Mother Art Hyde Park Art Center: 5020 S Cornell Ave, Chicago, IL 60615
  3. Year One – Halftone Projects Anniversary Exhibition January 4th, 2020 7-10PM Little Broken Things: 2137 N Western Ave, Chicago, IL 60647
  4. J-Def: 5 Elements of Hip Hop January 4th, 2020 6-10PM Citalin Gallery: 2005 S Blue Island Ave, Chicago, IL 60608
  5. Anthony Sims: Embodying the Black Experience Through Performance January 8th, 2020 7-10PM Work by: Anthony Sims Links Hall: 3111 N Western Ave, Chicago, IL 60618
  Hey Chicago, submit your events to The Visualist here:  http://www.thevisualist.org.
TOP V. WEEKEND PICKS (7/14-7/20)
Top 5 Weekend Picks! (1/9-1/11)
Top 5 Weekend Picks! (5/10-5/12)
Chicago Art in Pictures: January 2013
Time Bound: An Interview with Mark Jeffery
TOP V. WEEKEND PICKS (1/2-1/8) published first on https://footballhighlightseurope.tumblr.com/
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