“Her clothes spread wide
And mermaid-like, awhile they bore her up,
Which time she chanted snatches of old lauds,
As one incapable of her own distress,
Or like a creature native and indued
Unto that element.
But long it could not be
Till that her garments, heavy with their drink,
Pull’d the poor wretch from her melodious lay
To muddy death.”
— Gertrude, Queen of Denmark on Ophelia
HAMLET ACT IV: SCENE VII
~*~
Little Ophelia piece I’ve been tinkering around with for a year or so, finally gotten to a version I like so I thought I’d share.
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I want it to be known that anytime I hear that gotye song I always think of this
every time
without fail
this is their song and you can't change my mind
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the way hamlet acts in act 5 scene 1 juuuust clicked to me. like my impression was "smh my head he is so toxic, he did NOT love ophelia as much as laertes did, what is wrong with him" but actually i think the thing that sets him off isn't just laertes' display of grief, it's also how everyone takes it seriously. everyone treats ophelia's funeral like a funeral and is sympathetic to laertes and understanding of his desire to jump in a grave with her etc but these same people around hamlet expected him to celebrate his uncle's coronation and move on from his father's death at the same time. in that moment hamlet sees laertes as similar to the actor narrating priam's death in act 2 scene 2 and it makes him SO mad (and he regrets it later in act 5 scene 2 which is after he realizes laertes' emotions are as real as his own. probably why he calls him "brother" as well)
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kate winslet as ophelia in "tbt: hamlet" (1996) .
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Say what you want about the 2023 Shakespeare in The Park production of Hamlet, but the choices made in that play WORKED. Having Hamlet wear a black hoodie and camo pants and him dramatically putting his hood up when he was pissed off was inspired. Having Horatio video tape Claudius on an iPhone camera from the side of the stage during the play within the play was hilarious. Having the play within the play be a hip hop dance number that represented the murder!?! Fantastic. Having Ophelia be a singer before she went mad and having a beautiful voice that everyone loved to listen to and then seeing her singing get worse and worse as she got nearer to death?!?! Hamlet pulling out his iphone after killing Polonius to show his mom a picture of his dad compared to a picture of Claudius and angrily swiping back and forth between the two as he said “What judgement would step from this… to this?” The crowd fucking lost it every time. Horatio singing to Hamlet as he died made me fully sob every time. The way they did the ghost on stage was so chilling and I can’t even accurately describe it, you just had to be there. Hamlet being deeply exasperated the entire time was just perfect. Hamlet and Horatio had a secret handshake. Laertes inexplicably carried an acoustic guitar case for much of the play which was very funny but also hit you with the heartbreaking implication that he had used to play while Ophelia sang and he stopped carrying it after she died. It was peak teenage-angst-hamlet and it was so dear to me. PLEASE if anyone has a recording, send it to me.
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John William Waterhouse Ophelia. 1910. Oil on canvas: 102 × 64 cm (40 × 25 in).
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i find the differences between hamlet's and ophelia's "madness" super interesting. because hamlet puts on his "antique disposition", in part, so that people essentially stop listening to him. he can ask weird questions and put on weird plays and do weird shit that he needs to do to confirm claudius' guilt and then kill him, without anyone suspecting him because they dismiss him as a madman. ophelia's madness, on the other hand, is, in part, because nobody will listen to her. throughout the play, she is dismissed and ignored, and when she breaks, it's through her "madness" that people notice and pay attention to her for the first time. it is then that it shows how desperate she is to just be listened to - repeating "pray you mark" - and that people actually let her speak, even if only out of horror, concern and morbid curiosity. just. the fact that hamlet needs to be ignored and ophelia needs to be heard.
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Jean Simmons(1929-2010) as Ophelia in "Hamlet" 1948
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Based on Dalton Day’s 30 Second Play
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