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jgroffdaily · 1 month

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Stars Jonathan Groff and Karan Soni and director Roshan Selthi on the joy of making “A Nice Indian Boy,” joking: “An independent film needs a famous white person to get made.”

When Jonathan Groff met with director Roshan Sethi about a role in the romantic comedy A Nice Indian Boy, he asked Sethi to cast Karan Soni as his love interest. Groff assumed Soni was straight, but he’d seen the Deadpool actor in Sethi’s first movie, 7 Days, and liked his vibe. As it turns out, Groff’s request had already been granted: Not only is Soni gay, but he’s been dating Sethi since 2018. Sethi thought he’d have to work to court Groff—“An independent film needs a famous white person to get made,” he half-jokes—when in actuality Groff was already envisioning the exact film that now exists.

To hear the trio talk about A Nice Indian Boy is to hear tales of kismet and glee (Groff pun intended). “It felt like an emotional throuple,” Soni tells The Daily Beast’s Obsessed, also half-joking. The movie unleashed its charm at the SXSW Film and TV Festival on Tuesday, capping off an intensely personal experience for Sethi and his cast.

A Nice Indian Boy, initially a play by Madhuri Shekar, is built on a meet-cute at a local temple. During prayer, down-on-his-luck doctor Naveen (Soni) catches the eye of a dreamy photographer named Jay (Groff), and soon his wish for romance has been fulfilled. Jay was adopted by an Indian family and immersed himself in their culture, but he’s far more comfortable in his sexuality than Naveen, who avoids introducing Jay to his folks (Zarna Garg and Harish Patel) until they’re engaged. It’s Meet the Parents: Hindu Edition. But not only is he bringing a boy home—he’s bringing a white boy home. With that, A Nice Indian Boy goes from a romantic comedy to a comedy of manners to a spectacular wedding comedy.

Together, Sethi and Soni wrote 7 Days, a straight rom-com co-starring Geraldine Viswanathan. That was a warm-up act for A Nice Indian Boy, a movie that begins with one dazzling Indian wedding—that of Naveen’s sister (Sunita Mani)—and ends with another. When producers sent Sethi the film script adapted by Eric Randall (In the Dark), it was like clouds parting. Here was something he and Soni had contended with their entire lives: being gay in a culture that loves elaborate marriage rituals as long as they don’t involve two men or two women. If 7 Days was like their senior year of high school, Soni says, A Nice Indian Boy was their freshman year of college, full of new liberation.

“Halfway through making the movie, Roshan was like, ‘This might be the most personal thing we ever do, so we should really soak it all in,’” recalls Soni, whose other credits include Miracle Workers and Always Be My Baby. “This checks so many boxes of our experience, and to do it together is so rare. I remember him saying, ‘We should experience and feel everything,’ which is also Jonathan rubbing off on us, because that’s all this man does. He is in the moment. He’s never on his phone in between takes. He loves to talk about things. We want to be more like Jonathan.”

Groff says he picked up the no-phones-on-set thing from Keanu Reeves, who would strike up conversation between takes while they were shooting The Matrix Resurrections. Jay is the more sanguine character in the film, so Groff’s grounding presence was life imitating art. But even if the Broadway veteran helped to secure the project’s financing, he wasn’t the biggest celebrity around. That honor belonged to Garg, the comedian, podcaster, and TikTok superstar who recently opened for Tina Fey and Amy Poehler’s tour. During the Vancouver production, locals stopped their cars in traffic to catch her attention. “It was harder for her to go places than anyone,” Sethi laughs.

Not everything was uplifting, though. Sethi reached out to various Hindu religious leaders to find a consultant for the wedding scenes. Not a single Vancouver priest—including one billed as “the most liberal pundit in Canada,” who apparently sent Sethi a homophobic slur in response—agreed to participate. However crushing, such reactions underscored the importance of a film that’s very much about internal and external acceptance. Sethi and Soni eventually enlisted a priest based in Malibu who FaceTimed them from his stylish convertible.

For Groff, aspects of A Nice Indian Boy were like an analog to Looking, the swoony HBO series that also featured amorous walk-and-talks. “I could kind of be transparently myself while playing the character and not feel inhibited," he says. "Karan talked about that, too. When we get to do something gay, there’s this feeling of extra freedom. When it’s a gay story, it feels ultra-personal.”

Independent filmmakers like Sethi are reinvigorating a genre that has long attracted gay audiences without featuring them in principal roles.

“Even though there were financial and logistical obstacles that kept cropping up, it was an experience of pure joy,” Sethi says. “Halfway through, I was like, ’Maybe it will never be this good again.’ We did it with people we love about a subject we love.”

#jonathan groff #Karan Soni #Roshan Sethi #a nice indian boy

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inxthexshadowxofxdeath · 10 months

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(Amar Chadha-Patel) [THE CONSTANT]. Please welcome [Raj Aiyangar (HE/HIM)] to Huntsville, WV. They are an [36]-year-old [VISITOR] who lives in [THE COMMUNE]. You may see them around working as a [ASSISTANT FUNERAL HOME DIRECTOR]. Poor unfortunate soul. We’ll see if they survive.

Thinking, feeling 'What is this, what did I miss?'

Full Name: Raj Jayant Aiyangar Nicknames/Aliases: N/A DOB: 08/24/1986 (Virgo) Birthplace: Huntsville, WV Orientation: Pansexual, Panromantic

Sometimes I wish I had control...

Raj was born the youngest child of your typical middle class family in a small town one over from Huntsville. Was he a... surprise? Yes. And boy does he know it. His older siblings were double digits by the time he came around, and his parents were not exactly excited to have another baby in the house. Not to mention, by the time he was old enough to actual try and have a good relationship with his siblings they were off to college, leaving Raj feeling like an afterthought for most of his adolescence. He didn't get the 'baby of the house' treatment that most younger siblings get, and maybe he resents his parents for this. It wasn't his fault they fucked up and got pregnant but it always felt that way.

While his family didn't live in the funeral parlor they ran, Raj was there almost constantly as a kid. And when he wasn't counting ceiling tiles his parents were passing him off to extracurricular activities so he wouldn't be in the way. He was always too loud, or too silly, or not smart enough even though he excelled at school and at the various hobbies they forced on him. He knows how to play piano and viola, can sing, was a straight A student, was well liked with his classmates and stayed out of (enough) trouble. He was a good kid if a bit of a handful. Smoked weed only sometimes. Got in trouble with his teachers never. Whether his parents ever acknowledged that was up for debate and is a point of contention to this day.

Raj always day-dreamed of leaving. But wasn't given much time to ever consider what his life might be like outside of WV (considering the moment he was old enough to help at the funeral home that was how he spent his evenings and weekends).

So his brother and sister could go off and live whatever life they wanted. And Raj had to stay here. And hang around with dead people.

Sweet.

Fear is in the mind...

Something of an ambivert, if there was any silver lining to his situation it was the people he grew up with. All things considered, Raj liked helping folks, and he had always been more personable and comforting than his father was when it came to grieving families. It wasn't like there was a lot of brown people walking around their area, and still Raj was always met with surprise when he told people he was Harish's boy. Raj was everyone's buddy, he was funny and charming and easy to talk to. It made the unfortunate situation he so often met people under easier for everyone and, somehow, he managed to thrive.

He had taken over the funeral home for his father in his mid twenties -- earlier than he'd hoped for but his father's dementia took up all of his mother's time. And he knew how to run the funeral home. It was the final nail in the coffin for him (pun absolutely intended), tethering him to his small town for the foreseeable future. He had to be ok with that. As strained a relationship he had with his parents, who else was going to take care of things? He ran his family's funeral home smoothly, the only change being their feud with their major competition in Huntsville. His father had always been rivals with Bruno, but Raj found he had little time for it. Huntsville became an afterthought, until a couple years later when he stopped hearing from Bruno at all and his own business started to boom due to the lack of competition.

Raj assumed they fell victim to the same fate many small businesses in forgotten towns did: they couldn't afford it. But it was curious how sudden it all seemed to happen, and after trying to reach out to the family he knew since childhood multiple times without answer Raj ignored his parent's wishes and made the short drive to Huntsville to check on them. Little did he know that what his father called his bleeding heart would literally trap him there.

It was terrifying to see the state of things, but quickly offered his services to Bruno who at the time was overrun with death from the paradox. You never really want to be busy at a funeral home, but this was Huntsville. And for that first year there, Raj was pulling multi-day all nighters just to keep up with how much death plague the early years of the paradox. He was exhausted, barely could keep his eyes open, so concerned with taking care of everyone else, concerned about his parents, angry no one had come to look for him, and grieving all of the loss he forgot to take care of himself. After a few days without sleep, the hallucinations started. It made focusing hard. Or functioning. And it was this lack of sound thinking that ended Raj outside in the cemetery later than he should have been.

Dulled down by a blunted scream...

The memories of that night are hurried and blurred, drunk on lack of sleep and terror. All he remembers is rain and how running, sprinting for his life, made his head pound. He remembers the laugh more than anything. And he remembers thinking:

'Is this how I die? Am I going to die in Huntsville?'

And how tragic that would have been for someone who only ever dreamed of getting the fuck out.

This was back when mass graves were far too common. Raj knew where they all were, he organized them, and still rolled his ankle, falling down into a large grave he helped dig only a few days ago and hitting his head off the sharp edge of an exposed rock on the way down. Funny. How falling into a grave could save your life. At the very least he was unconscious when the bodies fell and blanketed him, and the monsters, successfully tricked, passed him over.

Raj woke up later, buried under corpses. He had to force himself to keep from gagging knowing that any semblance of movement, or sound, or too heavy of a breath would be his death wish. The only option was to lay there, prone, and wait until sunrise. And like so much of Raj's life he did what he had to do. He stayed still in a giant wet, muddy grave. For no other reason other than 'he had to.'

While he doesn't remember much of the morning after, he does remember the stench of decay -- how it stuck to his skin and his clothes -- and how tacky the blood against his temple and down the side of his face felt, and how his hands were caked with dirt and mud. It was an overwhelming, horrifying sensory experience that he'll never forget. After that, forming new memories was near impossible, his head injury causing a kind of anterograde amnesia he had to constantly remind himself he had. The first couple of years were rough. He was frustrated more than he wasn't and felt very alone. He should have died. He knows that. And there is a guilt he keeps private about how, sometimes, he wonders if living a life of sticky notes and phone reminders is really worth it.

His amnesia has gotten better after time. But he still can't help but be hard on himself more often than he isn't.

I don't want to think anymore…

Fun Facts…

-Raj suffers from horrible night terrors from the night of his injury. Everything before late 2012-early 2013 he remembers clearly.

-For a while after his accident he stayed in an apartment with Zach which was a horrible mistake and high-key ruined their relationship. After which he moved into the commune refusing to move in with his parents (for a number or reasons, not wanting to be even more of a burden on his mother considering she was already his father's full time care taker one of them).

-It was Fern who he stumbled into the next morning, covered in dirt. He never told her what happened.

-Come to think of it I don't think he's told anyone what happened that night.

-He keeps meticulous notes and files them all away in multiple places. He will kick his amnesia's ass behind the dumper in the denny's parking lot at 2am. He is very high functioning despite everything.

-He is such a good friend. He gives the best hugs, he's great at hyping you up or talking you off ledges, he will stick up for the people he cares about vocally and unapologetically. He's sweet, and caring, and gives great advice. (And you know what? He's a great lay. Honestly, jack of all trades, over achiever, bay-bee!)

-Sleeps around quite a bit so he doesn't have to stay at the commune which he often finds suffocating. I don't think he and Sunflower got along all too well.

-He'll also sleep at work sometimes but will never make the same mistake of over working himself again.

-His amnesia has gotten better over the past decade and those who know him will have been able to see that progress. Still, he struggles to form lasting new relationships (though he puts a lot of effort into trying)

-He has one niece, Aish, who he adores. He is vodka auntie, no further questions.

Possible connections…

- Past hook-ups

-Childhood friends!

-New friendships he's trying to maintain

-Anyone from the commune

-His older siblings (note his older sister is a lawyer and the mother of his niece, penned by Ryan. If you’re interested in bringing here we can all chat about it!

#huntsvilleintro #shoot was that today? [ raj | character name ]#relaxing tea better fucking work [ raj | musings ]#im not wearing glasses anymore ive seen enough [ raj | looks ]#tw dementia mention

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playermagic23 · 3 months

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EXCLUSIVE: 100 hours, 3 days, hand-painted depiction of Ramayana – Alia Bhatt dons custom Mysore silk saree for Ayodhya’s Ram Mandir Consecration – Stylist Ami Patel describes intricate details

Bollywood luminaries graced the Ram Mandir Pran Prathistha ceremony on January 22, 2024, with Alia Bhatt and Ranbir Kapoor in attendance. Alia, styled by celebrity stylist Ami Patel, paid a poignant tribute to history in a bespoke turquoise blue Mysore silk saree. The garment, adorned with hand-painted depictions of pivotal moments from the Ramayana, showcased the artistry of celebrated artisans. Beyond a mere sartorial choice, Alia’s attire became a canvas, blending fashion with cultural homage at the auspicious inauguration of the Ram Mandir in Ayodhya

EXCLUSIVE: 100 hours, 3 days, hand-painted depiction of Ramayana — Alia Bhatt dons custom Mysore silk saree for Ayodhya’s Ram Mandir Consecration — Stylist Ami Patel describes intricate details

Taking to Instagram on Tuesday, Ami Patel described the look that the actress wore for the event. Etched in the weaves from Madhurya Creations, the garment, adorned with scenes from the Ramayana intricately hand painted on the pallu, unfolded the epic narrative with a simplicity that spoke volumes. “Simple yet Historic! Alia Bhatt’s custom turquoise blue Mysore silk saree from @madhurya_creations had important scenes from the Ramayan intricately handpainted on the Pallu,” Ami wrote on Instagram.

In a traditional “Pattachitra” style, miniature paintings captured pivotal moments such as the breaking of the Shiva Dhanush, King Dasharatha’s promise, the boat journey with Guha, the allure of the golden deer, the dramatic kidnapping, the creation of the Ram Setu, Lord Hanuman’s poignant presentation of the ring to Ma Sita, and the grandeur of Rama Pattabishek. Each stroke of the artist’s brush encapsulated the essence of these scenes, immortalizing them on the fabric. The meticulous artistry, taking a staggering 100 hours to complete, not only showcased a dedication to craftsmanship but also paid homage to the rich cultural tapestry of India.

“The breaking of the Shiva Dhanush, King Dasharatha’s promise, in the boat with Guha, the golden deer, the kidnapping, the Ram Setu, Lord Hanuman presenting the ring to Ma Sita and the Rama Pattabishek. These miniature paintings were done in a traditional “Pattachitra” style and took 100 hours to complete on time for this momentous occasion of the inauguration of the Ram Mandir in Ayodhya,” Ami added.

When Bollywood Hungama spoke to Ami Patel, she revealed, “We were exploring a few options. We were looking at a Baluchari weave, like handloom silk sarees originating from West Bengal and we were looking at other options that had Ram Sita weave and historic prints. We were looking at Banarasi sarees and a lot of options. And then this one kind of just hit the spot because it’s a painting; it’s so subtle, and just on the pallu. The turquoise blue is a beautiful colour. I also thought that turquoise was a color that nobody’s going to wear and it’s the colour of the sky, which is so beautiful. Amongst everything, this was honestly our favourite.”

Customized especially for Alia Bhatt, Ami Patel also added that the hand painting was very intricate work. “It had miniature work. There were 10 epic scenes of the Ramayana — different chapters of the epic.”

Ami Patel hoped to make a ‘moment’ with his handloom that Alia Bhatt was going to wear because it was a very important and special event. “Ofcourse, we wanted to do a handloom but picking the right handloom. There were several options and colours,” adding, “Alia and I, we have a vibe and understanding. I like to present options to her. Alia always has great input thoughts and style also. We were on board, on the same page with everything!”

Bollywood Hungama also spoke to Bharathy Harish, founder of Madhurya, who revealed that the hand-painted work on the pallu of the saree was done in three days. “Ami Patel told us that Alia Bhatt has been invited to this huge event, so send something interesting that is appropriate for this event. What we had was the lovely turquoise blue Mysore silk sake in the store. We asked Ami for a brief — in terms of colour, pattern etc. Once we received that, we showed her this colour and she said yes, the colour works. So after that, then we had to figure out what we could do in such a short time. So we thought of Lord Rama’s coronation, so if it can have something about him, but at the same time respectful. So you know you can’t put it in the border or the leg. So the pallu was like the best place to showcase something beautiful.”

Talking about working with their senior artisans, Shashi Bala and Sujit Behera, Bharathy further said, “We had artists on our team, this chalchitra artist who is very senior and they need to be able to paint also, in excellent quality, in a short time, which means it has to be a master artist. So we have a chalchitra artist in our team and we requested that we do this. The time is very short. Normally, he would have needed at least two weeks to do this but we told him we have three days to work day and night on this and get it ready. He also accepted the challenge and the husband and wife painted non-stop, day and night and very nicely they completed it. And then we took a chance and sent it to Ami and we are just very glad Alia liked and wore it.”

Talking about selecting the chapters from Ramayana, she revealed, “Ramayana is a story we have all grown up with. The story itself is separated into different volumes like Balakandam, Ayodhyakandam, Aranyakandam, Kishkinda kandam, Sundara kandam, Yuddha kandam and Uttara kandam. So we just chose the most important events, especially what came to our heart, as a very important event that happened in that particular chapter of Lord Rama and Lord Sita’s lives.”

Adding further, she said, “We chose the part where Lord Rama broke the Shiva Dhanush at Janaka’s place and Sita with a garland — that is one scene we added. Then the next significant event that made it was Dhashratha asking them to go to the forest, based on Kaikeyi’s requests. So those scenes are depicted like Lord Rama taking lessons from Dhashratha to go to the forest. Guha, who is the devotee, and who is taking Lord Rama, Sita and Lakshmana, across the Ganga in the boat and his devotion is iconic, that was a scene that was depicted.”

“If you see in the second panel, the golden deer, if you see there, that is there; it’s a very miniature thing. Then, the kidnapping of Sita when Ravana comes in disguise as a saint and kidnaps her and subsequently is the iconic Ram Setu construction across the ocean. Hanuman presents [Lord Rama’s] ring to Sita and after that is Lord Rama’s coronation. So these eight events, at that moment, we thought as significant and symbolic turning points in the Ramayana and the last is a very celebrated coronation.”

SUMMARY OF LOOK DETAILS:

ACTOR: Alia Bhatt

OUTFIT: Madhurya, with hand-painting by Shashi Bala and Sujit Behera artisans

STYLIST: Ami Patel, assistant by Garima Garg, Sanjay Kumar Dohalia

SHAWL: Dusala Kashmir

EARRINGS: Neety Singh Jewellery

HANDSTACK: Mahesh Notandass, Curio Cottage Jewellery

BATWA: Ami Patel

HAIR: Amit Thakur

MAKE-UP: Riviera Lynn

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publictaknews · 1 year

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Vasan Bala on making cinema till death and the problem with new-age directors. web series

Amazon Prime Video’s new docu-series Cinema Marte Dum Tak examines a forgotten “parallel cinema” movement within Hindi cinema – the shoddy, low-budget erotic films of the late 90s and early 2000s. From producers Vasan Bala, Sameera Kanwar and Niharika Kotwal, the show explores that thriving subculture by talking to directors, artists and actors of the time, including Kanti Shah, Harish Patel,…

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#Bala #cinema #death #directors #making #newage #problem #series #Vasan #web

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sillypandallama · 1 year

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A group of immortal alien creatures that live among humans on Earth and have the ability to protect and defend Earth from external danger

ETERNALS

IMDb

‎‫تمثيل ,Alan Scott, Angelina Jolie, Barry Keoghan‬‎ Bill Skarsgård, Brian Tyree Henry, Esai Daniel Cross, Gemma Chan, Haaz Sleiman, Hannah Dodd, Harish Patel, Harry Styles, Kit Harington, Kumail Nanjiani, Lauren Ridloff, Lia McHugh, Ma Dong-seok, Richard Madden, Salma Hayek

Directed by Chloé Zhao

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twistedpiner · 2 years

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