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#harry's ramblings
fleshdyke · 10 months
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me and the mutuals
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gorgynei · 1 year
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werewolves are all trans reblog if you agree
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jeathewonderer · 2 years
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I genuinely want Harry Potter to go obsolete. Like I want Universal Studios to have to close down the HP section cause no one goes anymore. I want TV stations to stop playing it because no one watches the marathons anymore. I want bookstores to stop carrying it because it's no longer in demand. I want to go on ao3 and see that the most recent work was a year ago because the fandom is dead. I want people to forget what ravenclaw and hufflepuff mean (I also want to wear my school tie without being asked if I'm a gryffindor). I want people to see emma watson and name every other work she's done. I want people to look back and cringe and be like yeah I was into that as a kid, embarrassing i know. I genuinely hope and pray for the collapse of the entire Harry Potter franchise and I'd throw a party the day it happens.
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frm9pm · 9 days
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He’s playing beatmania
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swamp-cryptids · 3 months
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I love how intentionally Kim and Harry are written to contrast one another down to the detail of Kim being an absolute skeptic who doesn’t entertain the idea of the supernatural vs Harry having actual real prophetic visions one of which is required to complete the game
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unlikecharlie · 10 months
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now would be the most hilarious time for some ao3 author to write their otp being stuck in the submarine
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cheebuss · 2 months
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I miss him so much
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risetherivermoon · 5 months
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i love how chronically offline he is,
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been thinking about harry staying up late at night unable to go to sleep because of bad memories or bad dreams or the pain in his leg or hes having withdrawals and shivers just starts talking to him about random things happening in the city to calm him down or take his mind off the pain. lying in bed looking out at the stars while the city tells you about a cat looking for food or a child playing with their toys or an old woman falling in love
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jajatoc · 9 months
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Part 2
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harrysdimples · 1 year
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The Making of Harry’s House - A Timeline (Fine Line Version)
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LOVE ON TOUR 2❤21 2❤22 2❤23 | I'm gonna miss you, but I'll be loving you always
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enamoredwithbella · 14 days
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SOMEONE GIVE ME POLY MARAUDERS PLUS LILY AND NOBODY GETS HURT
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stressfulsloth · 10 months
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I've seen a couple of takes about Disco Elysium being copaganda going around recently, and beyond the fact that DE is relentlessly critical of the police force in general and makes explicit reference to the failures of the system that allow the officers in game to abuse their power, I also think it's important to note that there very literally is an in-world version of copaganda that the writers of the game use to parody that romanticised view of the brutality of policing. The RCM at their inception were structurally inspired by in-world copaganda- their culture, their "fashions, even weapon preferences, borrow heavily from classic Vespertine cop shows." Every investigation is it's own little drama, every officer imagining themselves to be the bad-ass hero of their own crime serial. Detectives name their cases like they're naming episodes of a TV series in a "robust but literary system"; a title that "draws inspiration from snoop fiction and Vespertine cop show staples". They give themselves nicknames to sound like cool, suave fictional officers- Ace, Dick Mullen, etc.- from the cool, suave world of copaganda.
The legend of the RCM's inception, the "point of contention" over its uncertain origins, is even an extention of that; the whole organisation is shrouded in this self-fictionalising mythos that allows for distance that in turn obfuscates much of its violence to the officers that participate in it. They get to convince themselves that they're not abusing their power; they're the hero of the story! The dichotomy of "good guy" taking out the "baddies," a manifestation of the libertarian fantasy of the "good guy with a gun" who does what it takes, just like in Annette's detective novels, and at the same time who rails against oversight bodies like Internal Affairs/'the rat squad' because due process slows down the immediate satisfaction of Swift Justice, despite Internal Affairs existing to protect the citizens from overreach on behalf of the police. "Wanton brutality" from police in their real world is a cold bitter reality but Dick Mullen was "made to crack skulls," "bend the rules and solve cases no one else can," and which version of that story is more comforting to the overworked, underfunded officers of the RCM?
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The level of fantasy and detachment required for the cops to still see themselves as the good guys after everything that they do in the line of duty mimics The Pigs and her breakdown too; she parallels Harry so clearly. Both "did right by the kids" in the past, hoping for a better future- Marianne (The Pigs) by looking out for Titus and the Hardy boys when they were young, Harry in his role as a gym teacher. Both abandoned and left behind by the system that the RCM uphold- a brutal capitalist landscape with no safety nets. Both turning the source of their trauma into a costume, a performance, a shield, shaped by "radio waves and cop shows." The Pigs uses RCM items scavenged from the Esperance where they'd been thrown away, while Harry uses the Dick Mullen hat that Annette gives him but both are essentially in costume.
Harry identifies himself with the fictional detective as a kind of wish fulfilment; Dick Mullen is "wicked smart." He doesn't fuck up his cases and when he's sad it's not pathetic; it's effortlessly cool brooding and everyone sympathises. Everyone loves him. His violence- "skull crack[ing]"- is justified because he's a "good guy" enacting that violence against the victims of police brutality sorry "bad guys". He doesn't ever face repercussions; "Dick Mullen won't be sent to the clink for the sake of some legal niceties!" So if Harry is Dick Mullen then his failures, his breakdown, they're all just a part of being a "bad-ass, on-the-edge disco cop." He's not wrong, he's a hero! This idealised fictionalised idea of the police force, this "new, sadly better, reality" that both Harry and The Pigs cling to is "escapist stuff," "receed[ing] into a ludicrous fantasy world," so far removed from the brutal material reality that they're in.
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My point is, idk. Disco Elysium is so far from being copaganda. It is a multi-million word long dissection of it, of the purpose of policing, of state sanctioned violence and its interaction with capital and the fallout experienced within the wider community as well as the trauma cycle created for individual officers. A dissection of how copaganda interacts with RCM culture and perception, and by extension how we interact with irl perceptions of police through that lens.
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Chernobyl hbo is a great show for people who enjoy seeing Jared Harris in various states of emotional distress.
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