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#has tm but i had that for over a year lol
luxaofhesperides · 3 months
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For ghostlights: baby Ellie + tired Danny + Duke the baby whisperer?
He has no idea how his parents did it. 
Babies are exhausting. Toddlers more so. Any infants in the strange stage in-between? Doubly so. 
Ellie is wonderful and sweet and cute and such a terror that Danny genuinely has no idea how his parents managed to raise not one, but two kids. For all their eccentricities and absent-mindedness, he and Jazz turned out pretty well. Ignoring the whole halfa thing because that’s more his fault than theirs even if Jazz says they shouldn’t have created the dangerous environment in the first place.
That environment is exactly why Danny refuses to let Ellie go to his house in Amity Park. His parents say they’ve disabled all the weapons and ecto-sensors since he’s had to reveal himself as Phantom, but he knows that things slip their minds and if they can’t guarantee that the house is safe, then Ellie isn’t going in there. Simple as that. 
This means that they live somewhere else now. Danny had thought about it, during the hours Ellie was asleep and he was awake, exhausted and worn down to his bones, and took Jazz’s advice to accept Vlad’s offer of buying a house for him. Except he argued Vlad down to an apartment in a city of his choosing where he wouldn’t stand out too much and he would be safe, or as safe as he can be, from anyone trying to hunt down ghosts. 
So here they are. Standing in the empty living room of their new apartment in Gotham. 
Gotham may not be very safe as a city, but it’s good for two ghosts trying to pass as normal. 
Danny sighs yet again, and looks at the space he’ll need to fill. At least Vlad is footing the bill. It’s the least he can do for creating Ellie. Frostbite was the one who was able to stabilize her, though it was almost too late and resulted in her reforming as a baby, just one and a half years old. Jazz is the one who’s choosing most of the furniture, thankfully, so it’s something that Danny doesn’t need to worry about it.
It’s a new start to their lives and it feels so empty. So overwhelming. How did his parents do it? How do any parents do it?
Ellie smacks a small palm against his cheek and babbles lightly.
“I know, Ellie,” Danny says, giving her a tired smile. “Don’t worry, we’ll have this place looking good in no time.”
He adjusts her in his arms, then heads towards the bedroom. It’s the only room that has any furniture, and all that’s there is a bed, a crib, and a bookcase. There are a few boxes on the floor, labeled ‘bedroom’ and ‘clothing’ and ‘books’. Most of it came from his bedroom in Amity Park, but he’s pretty sure he caught Jazz sneaking a few things in before they closed the boxes and loaded them up into the car. 
“Can you be good for five minutes?” he asks Ellie. 
She babbles again and smacks his shoulder.
“I’m taking that as an agreement. Just let me open these boxes and start unpacking before you start causing trouble, okay?”
Ellie makes another sound, but it seems agreeable so Danny carefully lays her down in the crib and gets to peeling off the tape on the boxes. The opens the one labeled ‘bedroom’ first, finding blankets and sheets folded and stacked in vacuum sealed bags. One of them is his old childhood blanket, the one he carried around everywhere that was faded with age, barely blue, with white bunnies decorating it. 
He was so small when he had this. It makes him oddly emotional to unpack it and pass it on to Ellie, draping it over her so her pudgy little hands can grab at it. 
This is no time to cry, though! He forces himself to focus and makes his own bed, shaking out the sheets and fluffing up the pillows. He’ll worry about washing everything later; Vlad made sure to get an apartment with an in-unit washer and dryer, which means he was actually sensible while apartment hunting for Danny. 
He doesn’t mean to flop onto the bed once it’s made, but he ends up there anyways. He’s barely gotten a full six hours of uninterrupted sleep since Frostbite deemed Ellie healthy enough to leave his care. The drive up to Gotham was long and wore him down to his bones.
He doesn’t mean to fall asleep, but he does, drifting off as he wonders, distantly, when Jazz will be back from getting them dinner.
Ellie wakes him up at dawn with a loud cry. Danny jolts awake, heart pounding in his chest as he panics because Ellie isn’t here, she’s supposed to be in his arms, where is she? And then he sees the crib, where Ellie is staring at him through the bars, and he nearly collapses with relief. 
“Morning, El,” he says, voice rough from sleep, as he picks her up. She just stares up at him, then leans forward and rests her head against his shoulder.
It’s quiet moments like these that make his heart melt. Ellie’s had a hard life already; he wants to give her a better one, this time around. 
A quick check of the time on his nearly dead phone shows that it’s barely past six in the morning, and Jazz texted him a few times. All about furniture, saying that she didn’t want to wake them and that food is in the fridge. 
It’s only the mention of food that makes him realize how ravenous he’s feeling. Danny makes a beeline for the kitchen, ignoring everything else, and pulls out the boxes of take-out Jazz left stacked in the fridge. He devours it like he’s been starving for weeks, then gives Ellie her Ecto-Jello, the only food she’s allowed to eat until Frostbite gives the okay for solid, human food. 
Once he’s got her burped and cleaned up, Danny looks out of the kitchen and realizes that Jazz was very productive while he was asleep. The living room isn’t empty anymore; a dark green couch is against the wall, a low, rectangular coffee table made of dark wood in front of it. Two armchairs are on both sides of the couch, and a television has been installed, fixed into the wall. 
Jazz is asleep on the couch. Her legs hang off an armrest and she’s drooling slightly. 
Her phone is charging on the floor, so Danny takes it and snaps a picture of her for later teasing, then sends it to himself and writes a note to her that he’s going out with Ellie to explore the neighborhood.
He’s finally feeling more settled, energized from sleep and food.
In the warm dawn light spilling in through the windows, Danny looks down at Ellie and thinks that they’ll be just fine after all. 
. . .
Four months ago, Danny had hope. He was optimistic. 
Gotham was a fresh start, a new lease of life for Ellie. It is Danny’s attempt to be a single parent, sacrificing college for Ellie, and he’s planning to go out and beat the gangs black and blue if they start anymore shootouts in the next year.
He had just gotten Ellie to sleep. She was actually peacefully taking a nap.
And then a drive by shooter raced down the street, gunshots echoing down the road, and Ellie work up crying. She still hasn’t stopped, despite how Danny rocked her, soothing her as best he could.
They had been outside when Ellie fell asleep, her head on his shoulder. He had been catching up with Sam and Tucker when the car drove by, people ducking and crying out to avoid the bullets. Danny instinctively covered Ellie and made them both intangible, saving them from any stray bullets, but they ruined her nap and he needs to make them pay for that. 
“Shh,” he soothes, “You’re okay. We’re both fine. It’s okay, El, it’s okay.” 
Her little hands clutch at his back, twisting the fabric of his shirt, and she lets out a heartbreaking wail. He pats her back, hurrying down the street to get back to his apartment building, ignoring the looks people were giving them as they passed by. 
“I know it was scary, but you’re alright. You’re always safe with me, El.”
Ellie’s cries down down a little, but they don’t stop. She whimpers, burying her face against his shoulder as he finally reaches their apartment building.
The door’s locked, which wouldn’t be a problem except Danny can’t get his keys from his pocket. He knows he has them! But his pocket refuses to relinquish them and he has to stop every few seconds to pat Ellie’s back, trying in vain to calm her down. 
“We’ll be inside in a second,” he tells her, trying to keep the frustration out of his voice, “as soon as I can get these freaking keys!”
“Hey, you alright?”
Danny startles, whirling around so fast it makes Ellie go quiet, clinging to him so she doesn’t get flung into the air. There’s a guy standing before him in a gray hoodie, looking at him with clear concern. It speaks to Danny’s level of constant exhaustion that he hadn’t clocked someone sneaking up behind him. 
The guy offers an awkward smile. “Sorry, didn’t mean to scare you or anything. Um, do you need me to open to door? I live here too.”
Danny wonders for a moment if this someone dangerous, someone hoping to hurt Ellie, but she starts to cry again and he steps to the side. “Please. I can’t get my keys.”
“I’m Duke, by the way. I don’t think I’ve seen you around here before.”
“Danny,” he replies, watching as Duke pulls out a large key ring, jangling with the amount of keychains on it, and easily opens the door. “I’ve been here a few months, but I’m usually inside. Or walking around in the mornings with this little monster.”
“That would explain it,” Duke says as he holds the door open, letting Danny in first. “I’m usually in classes at GCU, but I decided to take a mental health day after my lab, so here I am.”
Danny walks in and waits for Duke to follow, making sure the door closes properly behind them. “Thanks. How is GCU? What do you study? I was thinking of going there myself once she gets a little older and can go to school.”
“Oh, I’m majoring in English and Human Services.” He goes to say more, but Ellie wails again and Danny winces.
“I’m so sorry. That drive by woke her up and it’s really rattled her.”
“Hey, no need to apologize. I get it, Gotham is rough to kids.”
Danny tries rocking her back and forth, but it doesn’t help. He resigns himself to another hour of her crying before she exhausts herself, and makes for the stairs, going up to the fourth floor. Duke holds open the door again, then follows after them. It makes Danny wonder if Duke is planning to do something to them, then decides he can beat Duke in a fight, so it’s fine.
Duke doesn’t try to hurt them or steal Ellie away. He opens the door to their floor and stops before they do. “I’m in here,” he says, “If you ever need me to open more doors.”
“Thanks. Um, actually, I might need help opening mine?”
Duke just smiles and makes his way back to them, following them farther into the hall until Danny stops in front of his apartment. 
“If I could just get my keys,” he starts.
“Here, let me hold her for a second so you can get them,” Duke offers. Danny wants to insist that it’s fine, but Ellie cries directly into his ear and Danny, at the end of his rope, passes her over. 
Like magic, Ellie settles as soon as she’s in Duke’s arms. She sniffles and hides her face away, clutching to Duke’s hoodie, but she stops crying. They both go still, surprised, and stare down at her. 
“Seriously?” Danny says as he finally pulls out his keys, “Are you trying to say that I’m the problem?”
Ellie babbles lightly, and Duke turns his head to futilely hide his grin.
He grumbles as he unlocks the door and pushes it open. Ellie is acting as if she’s never been upset before a day in her life, making herself at home in Duke’s arms. 
“I can’t believe this. Betrayed by my own blood.”
Duke laughs as he follows Danny into his apartment, lightly patting Ellie’s back. “It’s always the smallest, cutest ones that do this.”
“Yeah? Do you work with a lot of kids or something? Used to being betrayed by the little ones?”
“I don’t work with kids per se,” Duke says, “But my foster family is a hot mess and the youngest of them likes to keep us all on our toes.”
“Family,” Danny says in a tired, fond tone.
“Family,” Duke agrees.
With his door open and Ellie calm, Danny’s ready to just lay face down on the floor for the rest of the day and not deal with anything else. He moves to take Ellie back, holding his arms out, and Duke tries to pass her over.
The key word being tries. 
Ellie tightens her grip and kicks at Danny. She refuses to be taken away from Duke, making him awkwardly try to pry her off his hoodie. Danny really hopes Duke doesn’t notice how she goes slightly intangible to make his hands fall through her arms and legs. It shouldn’t be noticeable, but it’s hard to focus on anything but a kid that clings to you, so Danny holds out for Duke’s goodwill and silence.
“As nice as it is to meet you, you need to go back to your… parent?” Danny nods when Duke looks at him in askance. “You need to go back to your parent. Okay? Come on, kid, he’s waiting for you.”
Ellie shakes her head, makes a frustrated noise, and then turns and reaches out a grabby hand towards Danny. 
She still refuses to be taken from Duke when Danny tries to pick her up again, so he settles with just letting her hold two of his fingers. 
“I’m so sorry about this,” he says to Duke, face burning. This is why he hasn’t been going out and being social since he moved in; Ellie is a handful even on the best days, and Danny doesn’t want someone to judge him as unfit to parent her and have her taken away.
Duke shakes his head, stepping closer. “It’s all good, man. I don’t mind. It’s not like I had any plans today. I’m already skipping my classes, might as well spend it with you two than sleep all day.”
“Are you sure? I’d be happy to invite you in, but I know Ellie can be a lot and not everyone wants to spend their day off with a baby.”
“I’m sure. Besides, I’d just be down the hall anyways. It’s no skin off my back, man.”
“Well,” Danny says, stepping to the side to give Duke full access to his open doorway, “Come on in, then.”
Ellie keeps them connected, one hand in Duke’s hoodie and the other holding Danny’s fingers, and though her cheeks are still red from how hard she had been crying, she’s calm now with her eyes shining with mischief. 
As the door closes behind them, Danny realizes that this is the first time someone he’s not related to has been inside his apartment. Not even Vlad has come in, always choosing to invite Danny and Ellie out for lunch instead. 
It should make him nervous, but Duke is calm and easy going and kind. 
He’s making silly faces at Ellie to make her laugh, completely at ease with her in his arms, as if he’s done this a thousand times before. 
Gotham is a second chance at life for Ellie. It’s a sacrifice for Danny, to be alone and without friends or family around. He’d been ready to give up everything for Ellie, to focus solely on raising her, but with Duke filling his apartment with laughter, he thinks that he can make a life here too.
All he needs to do is take that first step, reach his hand out, ask Duke to stick around.
He can do this.
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dmclemblems · 2 years
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I have to politely disagree to your reasoning of why Dimitri spared Edelgard at the end of AG. My reading was that he figured that she has already suffered enough because this time he has an idea of what TWSID have done to her and/or because now that she mentally regressed to twelve year old Edelgard, she's no longer the Edelgard that started the war in the first place.
I'm not sure if you saw my post after that one, but I mentioned a theory that basically there was dark magic on top of dark magic; that being, in this game specifically, maybe Edelgard had dark magic used on her to begin with (and was part of why she forgot about Dimitri), so in a way it could be that the "new" personality started there and the "real" personality was "asleep" that whole time.
When Thales used his dark magic to control her during AG, that would be the second time in this theory that he used it on her and I guess took her memory away to some extent, since she couldn't remember what happened over the course of six months.
If that happened it would be like, once Thales died and his dark magic on her was released, that the time she lived from back then to the present was possibly just gone. In a sense, you could say the Edelgard we know was possibly totally erased and that she's starting over from the moment her memories were first wiped/altered.
And I think it's totally valid that you have your own idea on what the final scene meant! To me I think it could be a combination of both the ideas we have, because while I think it'd make sense that maybe he's letting some things go since she may not have been totally in control and all that and the blame for most of his pain was due to Thales' desires, I think it would be hard for him to reconcile with her mentally by then. I think there's still probably some part of him that will struggle to look at her and not feel anger for things she did (especially the war). In time I think he might be able to forgive her if the theory I mentioned above is accurate/somewhat accurate and like you said, she regressed back to being a child.
Since it's an open ending on that stuff though, it could be possible that maybe she remembered him but still has her memories of the war and whatnot? Like maybe all that happened is her old memories are accessible to her now but she's returned to being who she was throughout the war, but she's remembering "oh shit, it's Dee who I've been at war with".
Because it's an ambiguous ending I think there are any number of possibilities as to why he walked away tbh. Basically the way I've been seeing it is what I wrote just above - that she might finally remember him but may also be just now realizing exactly what she's done. Perhaps a part of him was at the time still too bitter and he had to address the armies that they'd won first before trying to get into anything emotional with her.
You could kind of say with how I'm thinking of it that like, imagine you were talking to someone online and didn't know who it was. You ended up in this fight with them and bad things happened, only for you to find out later that it was another person you cherished and kind of had that oh shit moment, but the fact still remains that you had this fight with that person due to a conflict of interests without knowing who it was. You did things you normally wouldn't have done to that person, but because you didn't know it was them you did do those things.
If Edelgard had just completely regressed and was living her life over again from the age of, mentally, twelve, and everything from that point after was truly erased, I'm sure Dimitri would reconcile with her, though I'm sure he'd need some time to let his feelings work themselves out.
What he'd do after imo would really depend on which Edelgard she is at the end: twelve year old Edelgard or a combination of her memories from back then but also the person we knew in game.
Thank you for being polite about it though! I don't mind discussing opposing thoughts/opinions. Usually it's just angry stans who have no actual discussion to add and just throw insults and angry comments, so I'm not gonna bother having a calm discussion with them when I know they won't listen. Ima just tell 'em to hop off my blog if I say anything to them because they have nothing nice to say and no actual discussion to offer. I don't mind talking to fans of her (not sure if you would consider yourself a fan or if you just see the scene differently) and I've talked to a small few before who don't mind a casual conversation. The only time I actually mind it is when people have a fit and don't know how to do anything except combust and malfunction. At that point it's like, if you can't calmly explain your view to someone then you need to just ignore it and accept that someone has a different opinion. I don't talk to hardcore Dimitri haters because I know nothing I say will change their mind (and most are just gonna shit on him anyway lol), but I'm also not gonna waste my time getting mad at them one on one when I could be posting something positive about him.
#Three Hopes Spoilers#I think the ending is at least good post war fic material if nothing else#It's open ended enough that there are lots of interpretations and I know there are#people who are fans of both characters who would like to see a world where they do reconcile#so I think this ending is actually good theory/fic content for those people#tbh Edelgard would probably have to start her life all over if she did regress completely#to the point of having no knowledge anymore on what she did since Thales got to her#I do think it'd still ultimately end with Ferdinand taking over the Empire since like#either Edelgard has regressed to being a twelve year old or she just lost the war (with memory of causing it)#and I really doubt Dimitri actually wants to unify the continent or their lands in any way#I don't think he'd try to take over and be like the Empire is part of Faerghus now#There would probably have to be some kind of official meetings if she had all her memories now#as far as what to do with her after having started and lost the war#and I think if she didn't remember they'd just have to find a way to integrate her back into society somehow#I think if the war ended then and there with Thales defeated that they'd have a lot to discuss about her#but I think the war would ultimately just be over bc I'm not sure I see Edelgard just#getting back to the war and continuing to target Rhea/trying to conquer Fodlan#after remembering about Dimitri based on the way she sounded/her tone of voice#like would they have had her speak to him that way and then be like And Then She Continued The War (tm)#i mean i don't think so but then this is also intsys so who knows what bizarre ending they'd cook up lol#DCB Ask
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spacedace · 1 year
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Damian doesn't know who Santa Claus is and Danny tries to gaslight him into believing in Santa
Okay but, like, wouldn't even be gaslighting! Santa canonically does exist in the DC universe, I think I remember reading something about him fighting through an army in hell to give Darkseid a single piece of coal once?
So like, Danny doesn't have to gaslight Damian into believing Santa's real, he just has to pull out the proof (Danny has a binder of everything he knows about the Spirit of Christmas for the purpose of when he eventually goes to war with him, Danny hates Christmas so fucking much haha) and show him evidence that Santa is real.
Probably ranting the entire time about how much he hates the guy & Christmas and it's obvious that this is Danny's arch nemesis. His one true villain above all others. Pariah Dark? A nuisance. Dark Dan? Just a tuesday. Santa? That motherfucker is the bane of Danny's existence and he will pay for what he's done (spread Christmas cheer).
And Danny's the newest member to the family. Damian's been encouraged to get to know his new brother and try and bond with him a bit, make him feel like part of the family. So, obviously, the best way to do that is to help Danny in his quest for vengeance.
And of course Tim & Jason end of getting roped in on this. Damian's grown since he's first came to live with his father. He still is a little brat to his older brothers - he's the baby of the family it's his right - but he doesn't actively hate them anymore and can admit when their particular skills would be useful. Tim is the best at strategizing, and Jason is a combat master with access to all sorts of weapons. With all of them working together Santa has no chance, they will destroy him.
Which all just makes me think of something like this happening lol:
“What…uh, what are they doing?” Duke glanced between the chaos unfolding in the family room to where Dick was calmly seated in his favorite chair, sipping idly at a cup of coffee.
“Sibling bonding.” Dick said. There was that specific aura of calm around him that said that he’d already gone through several crisis and all the stages of grief at least twice. Considering the calamity and chaos the eldest batkid had seen over the years - and especially the last few months since Bruce officially adopted Danny and brought him into the fold - it was a bad sign that he’d reached this particular state of Done (TM) before noon. The earliest Dick even woke up was two in the afternoon.
Duke contemplated turning around right then and there - the particular combination of people all excitedly feeding off each other’s feral energy on the other side of the room was a catastrophe in the making he didn’t want to be anywhere near when it finally breached containment and spilled out into the wider world - but unfortunately he was cursed with the curiosity that afflicted all members of the bat clan.
“It looks like they’re plotting to try and kill Santa Claus.”
Dick turned to look at Duke fully for the first time since he’d entered the room. He had the eyes of one that was deeply haunted by the horrors they had witnessed. On the other side of the room Tim was ranting about anti-magic tech while Danny, Damian and Jason argued over what weapons would be most effective against a demi god. There were schematics of what looked worryingly like a rocket launcher looking device that - if the scribbles on the whiteboard someone had drug into the room where to be believed - was going to be rigged to shoot ecto-grenades.
“Danny hates Christmas.” Dick said, and Duke noticed for the first time that his hands around the coffee cup were faintly trembling. “He’s declared Santa is his arch nemesis.”
Duke blinked, glancing over to the others long enough to see Danny start frantically scribbling the words Christmas Nuke on the whiteboard. No one else was trying to erase it. Tim looked worriedly contemplative. Damian and Jason where both nodding in agreement.
He was going to regret this. “But Santa isn’t real?”
Dick’s eyes gained a faintly manic glean, and Duke could faintly hear the sound of porcelain creaking warningly beneath the desperate hold he had on his coffee cup. “That’s what I thought!” Dick said, with enough cheer to make Duke flinch back instinctively. “But apparently he is.” A distinct crack appeared in the cup, coffee dripping down into Dick’s lap. “And apparently they’re going to war with him!”
Well, Duke considered, at least that explained why he caught the four of them burning down the giant Christmas tree in the city center last night.
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shuttershocky · 3 months
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That previous TM post reminded me of something.
What really tells me the Koei Tecmo writers did their homework with Type-Moon is how Fate/Samurai Remnant slightly changes the TM theme of decay to portray that Iori has something wrong with him.
A common trope that Nasu likes to weave into his stories is how the people living today are living in the past's skeletons. Unlike a lot of media that tends to portray the past as some grandiose and magical time that met an untimely end from disaster, the past wasn't always great, it was just... Large.
A theme of slow decay permeates a lot of Nasu's works. Once, the Nanaya, the Ryougi, the Asakami, and the Fujou were fearsome, powerful clans of oni hunters, but over time they all fell to ruin slowly, with only the Nanaya really having a singular incident that can be pointed to for their fall. The Tohno were (and still are) an incredibly wealthy and influential family of oni in the guise of businessmen, but one cruel act out of line after another, and there's just an enormous, empty mansion containing a single Tohno, the family dead or scattered. Mahoyo's longest chapter takes place in a lavish, abandoned amusement park, filled with everything from a multistory house of mirrors to a giant rollercoaster where everything still works, but couldn't survive more than a few years, a foolish waste of a fortune. Kara No Kyoukai is about a rich girl that grows increasingly distant from her wealthy noble family until she leaves them to live in a completely empty apartment instead, the flashbacks to the Ryougi family showing no warmth or nostalgia despite the luxury.
Even Fate, the series all about digging up ghosts of the past and showing you how kickass these guys are, always goes into how heroic spirits are often filled with regret, having led bloody and tragic lives that caused them so much pain and yet meant that they would be remembered forever—literally removing them from the cycle of death and reincarnation to be put into another one where they are reborn and killed on a mage's whims.
The past was grand, wealthy, larger than life, and it rotted from the inside out and failed the people living today, who have to build new, simpler lives from the pieces, but might be happier that way.
FSR does something similar, though with an important difference. Just like in other TM works the past in FSR is larger than life, being the Sengoku period and the Shimabara rebellion, with both the incredibly cool sword saints and horrific massacres, but the people living today (1651) could not be happier about living in a peaceful, much more insignificant time and have no interest in what they left behind whatsoever. They're not living in the decaying remains of the past, they've rebuilt on top of it completely. You would have to be insane to look back even out of curiosity, because that would be staring into unimaginable bloodshed.
Nowhere is this better illustrated than Nasu himself talking about how the name "Miyamoto Musashi" is seen today, compared to in 1651 after Musashi had just died.
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A sword-saint now, a legend, and at 60 duels with 60 wins probably the most skilled duelist to have ever lived, but for his contemporaries, he was a terrifying man that killed dozens to prove his martial skill. Nobody in Miyamoto Iori's time remembers him for being Musashi's son the way we do.
But Iori, Iori looks back. The first hint was that servants always have some connection to the master, and there's seemingly nothing in common with the king and god-slayer Saber and the humble Iori. The next was Saber's reaction seeing Iori's seemingly fearless behavior towards an enemy that could kill him in one blow (something you don't even need New Game+ to see btw, I haven't played NG+ myself lol), it was recognition.
There's a reason why Iori's main rival is Chiemon, a character whose only defining trait is being unable to let go of the bloodshed he experienced in the Shimabara Rebellion.
In FSR more than in any other Type-Moon title, the past is buried deep to the point where it can barely be seen, and yet inside Iori is the desire to dig it up. Study it. Surpass it. Find his father resurrected in his prime and kill him (her) again, to prove he would have been an even more terrifying monster than she ever was, had he been born just a little earlier.
There's something wrong with him.
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ginoeh · 3 months
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Dream’s Coat (TM), pretty please??
@chaosheadspace asked for the same! Here you go, lovelies...
This is probably not what you think it is. Or, idk, maybe it's exactly what you think it is? Because both of you know that I'm actually a little dark angst writer at heart lol. 
Okay, so this started a long time ago (read: in March last year) in a wild and hilarious brainstorming session that I saved the transcript of. So far, this is more of an intriguing concept to make Hob suffer and Dream repent - eventually at least. I haven't touched it in a while; I'd have to really dig into Dream's fucking ugly side - the 10000 years in hell side - to get this going.
It all started with a 'what-if' variation of @messmonte 's Saddest Wank (1889 instead of 1989!) because in that drawing, Dream didn't just leave his gloves, he also left his Cloak. Here, this has pretty severe consequences. In SoM, the story gets told of how Dream takes Nada into the Cloak where they have sex unbothered by anyone's gaze. So there we have a ‘magical cloak’ with space-time special features… 
~~~
Now here is Hob, in 1889, drunk and sad and wearing Dream's gloves to get himself off in a seedy room above the White Horse. He took the garments his Stranger left behind in a mixture of spite and pathetic hope that he might come back for them. He doesn't, of course. 
(Snippets and more details under the cut)
(Hob doesn't know that Jessamy *has* actually come back to get them and gets to witness what is going on. This, as well, has consequences)
After, he rolls over onto the cloak he has been gripping, disgusted with himself but still unable to let go of the pathetic need to be close to the Stranger. But instead of falling asleep, he falls into the star-studded folds of the cloak. 
And falls and falls and falls. 
He  barely manages to keep a grip on the strangely wispy fabric. It's what saves him, at first. Because Hob has just managed to accidentally yeet himself into outer space. The cloak is the only thing that's keeping him whole and sustained as a living being, as it were. 
(Jessamy is unfortunate bystander to this. She takes off to the Dreaming immediately and informs Dream of his ‘acquaintance's’ mishap. She's worried - she actually likes Hob and knows that Dream does so, as well. Dream though, is still furious. 
“Let him enjoy this new experience then”, he says and Jessamy recognizes the stubborn curl to her Lord's mouth. “May he experience the meaning of true loneliness for a while.”
Jessamy rather thinks that Lord Morpheus is really tipping his hand there about *who* had it right at their meeting but she'd never dare to point that out. 
She has a really really bad feeling about what this might mean for Hob Gadling, though. Since her Lord is so intent on forgetting that the immortal is, above all else, human and as such not made to sustain himself outside of his own world.
And besides, he is a Dreamer. Lord Morpheus will surely reconsider soon and bring him back.
But as time passes, he does not. 
Hob Gadling is not one of Dream's priorities, after all. In the face of the Universe nearly unravelling, the Corinthian's disobediance and its fallout, Hob Gadling gets forgotten for the better part of a century.)
On the other end of the universe, Hob's life is an unending and undying nightmare. He is neither starving, freezing nor suffocating - not that he knows that he should do the last two - but there is nothing around him but the vastness of space. No sound, no smell, no touch but that of the cloak around his shoulders. He is truly alone for the first time in his existence. 
Until, suddenly, he isn't.
“Oh my what do we have here,” a voice resounds inside his head. His perception slides sideways, something breaks somewhere in his mind and then there is the form of a voluptuous, incandescently beautiful woman that takes over everything around him. 
“A human - here! Covered in my Dream's regard!”
She stretches a hand towards him and Hob thinks that space has decided to cease existing. Maybe he's going mad.
“If I keep you, do you think my son will visit?”
***
Dream does, of course, remember Hob eventually. The horror that rises in Dream, still caught in Burgess’ basement, over what he has allowed a Dreamer to suffer for his own mistake, is as dark and deep and cold as the black hole he has once been cast into. 
After he escapes and has gathered his tools, he searches out his sister.
“Hob Gadling? No, he hasn't asked for me.” 
She falls silent for a moment before leveling a longsuffering and suspicious look at him.
“Is there a particular reason you're asking me this?”
Dream closes his eyes and shreds the rest of the mauled baguette between his fingers.
“He may have. Fallen though an actualized piece of my power. Into space. And I may have been. Too angry to care. At the time.”
There is the rustle of clothes and he feels Death kneeling before him. Her voice, when she speaks, is very soft and very serious.
“Dream? When, exactly, has this happened.”
He opens his eyes. 
“Hob Gadling has suffered my wrath since 1889, sister. I hurt a Dreamer, unprovoked.”
“Oh, Dream.” 
He cannot bear the horrified pity on his sister's face. 
“How shall I -” His words fail him.
“Go and get him back, Dream. Now. Hob Gadling hasn't called for me - yet. If that will help you, though, I don't know.”
~~~
Or: A pathetic wank and Dream's canonically bad decision making skills meets the 'meeting the parents trope' but make it eldritch horror. Then add a magical healing journey afterwards an voilá - you get this.
Yeah I can still make this Dreamling despite their horrifically bad start. Watch me lol.
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des-no9 · 3 days
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Des' Githyanki Genitals HC
Hey and welcome to another lore dump of Des' githyanki HCs!!! As usual, we're all about sex and fucking in here, and githyanki are aliens. So we gotta make their bits fun.
Also, they lay eggs now (never used to apparently, we'll get to that). So I've accounted for that in their genitals.
Also!! I'l got different HCs for the Older generation githyanki -think Voss and Orpheus age- as I HC the githyanki that were alive during their rebellion, and not long after it, differ somewhat to modern githyanki like Lae'zel, and one of my OCs who will be modelling, Tuj.
Gonna go chronologically here, and start with the oldies. Voss is my model for this (obviously).
This is a long post btw lol. Also disclaimer: I'm only talking about the githyanki mostly. Thinking about the githzerai and their reproduction is a whole other beast LOL. Enjoy <3
Obvious TW for talk of slavery, breeding, eggs, violence, rape, lots of genitalia talk and art by yours truly
Older Generation Githyanki Genitals - during ensalvement to early Vlaakiths.
So the vague general consensus in the lore seems to be that the gith originally descended from humans in the very beginning, and this makes me think that their genitals early on during their enslavement and early in their freedom were closer to what we know our human genitalia to be.
But, then we have the illithid's experiments and how that changed their physiology quite vastly over the X number of years.
I HC that many of the illithid colonies varied, and so therefore so did the githyanki (shall be using githyanki to refer to them then even if that wasn't their name then). Some colonies were more focused purely on the numbers, breeding, breeding to send to other colonies for X purposes in their slavery. (I HC Vlaakith I was a branded breeding slave). So would have efficient genitalia. Maybe very little sexual dimorphism. Maybe closer to the modern githyanki like now with asexual breeding.
Some other colonies (like one I HC Voss came from) were bred purely as soldiers, attack and guard dogs. So they refined their physiology very strictly to breed the best, the strongest. Bearing in mind the need for the best warriors and breeders, so therefore keeping their genitalia tucked away and protected when not in use was essential.
It also makes me think things about some of the illithid colonies essentially neutering the githyanki in gestation and only keeping a select few breeders (much parallels to modern githyanki lol) basically to stop their slaves having sexual desire for each other or anything else, cutting it off and only having necessary urges. But I digress.
Basically during this era and the early years before they started breeding through eggs, I HC there was MUCH more variance in their genitalia (and probably some of their other physiology honestly) before it started to become much more streamlined through their eggs and no doubt the Vlaakiths interfering with their breeding to create the best, supreme, unified race in the one Vlaakith's vision.
So, I sketched up what I imagined Voss' genitals to be (obviously). I HC he has a slit where his bits are protected during fighting, since he was bred to be a fighter/attack dog for the illithid.
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NOTE: his slit extends further down.
Notes and important points if you can't read my writing:
cock (easy word to use for it) sheathed inside slit
slit widens and gets wet when aroused, and the skin inside is rough, but is usually wrapped around to protect the cock even if the slit widens on arousal
cock can be pulled out from its sheath manually and how it sits soft
so, Voss' is a little different to the rest of his colonies would have looked purely because it's scarred to shit (from his hubris) They mostly all had two dicks, but the scar tissue healed his together (don't worry, he gets them separated again :>) and they can stick together as one if you want during arousal, or can be used as two For Their Pleasure :tm:
the tip can move independently. Very sensitive.
can come through slit and cock
slit gets wet and easily over stimulated
can come from slit stimulation alone
I think his colony bred more 'traditionally' how we know it as humans. Voss was a traditionally bred and live birth baby to me (Orpheus too). I think a lot of the early githyanki were traditionally bred as we know it, but some with varying ways of conception, birth lengths, delivery, even incubation
I like to think that maybe little spikes come out of the ridges on his cock to embed into whoever he's fucking if he wants to, to hold them in place, for some extra pain and usual githyanki sadism. This was specific to his colony and maybe one or two others, and maybe appears again in some modern githyanki.
I HC Orpheus has a slit too, but is maybe a little more in the human camp to what we know genitalia to be like since he's also ancient and a traditional non-egg baby. Closer to the ancestors they came from. I just like to HC that because he IS a little more....gentler, rounder, smooth, 'humanised' than a lot of the other githyanki we see. I love thinking about the little differences that set Orpheus apart from his people, even though he IS his people, the lifeblood of them. The blood of their Mother. Anyway, I digress.
Basically, for the oldies I think there's a LOT of freedom to be creative and almost do anything, using the illithid experiments, that they're aliens and so much unknown as our excuse. Also don't forget the most important - fun, and shoving all our kinks onto our fictional loves 24/7.
Modern Githyanki Genitalia HCS - egg time
So, the shift to egg laying and apparently it's asexual. I have a LOT of thoughts about this. With this happening thousands of years ago and also with them transitioning from NOT egg laying (putting in the assumption of live births here) to egg laying, there would be some sort of accommodation and change in their physiology for this, right?
Also this doesn't happen quickly. Magic can help yes! Also, they're aliens. Aliens can defy everything and anything we know as humans. I try not to press too much of our human and earth knowledge and experience onto alien races because who is to say their experiences and such are like ours. And also it makes it more fun for me to step away from the known into unknown and other possibilities. But anyway.
Lae'zel says the transition happened to egg laying after they were freed from the illithid and under Vlaakith's power. Now, I like to HC that Vlaakith kind of has this under her control (and therefore, all the subsequent Vlaakith's control). It's kind of like, a mass population control, sterilisation, selective, experimental and controlled breeding to try create her own perfect race in essence.
The execution is flawed, of course. Probably changes over time with all the (over 100) of Vlaakiths and leadership changes, in-fighting, evolution of the githyanki from the beginning of their enslavement to now. But the idea is there. And it sticks.
Okay so. As above I mentioned I HC there was a lot of differences between the githyanki in their genitalia from the different illithid colonies. And at first, transitioning to egg laying was probably a slow process as the first generation probably died out, or through their own ghustils, technology, psionics, they started to try to change their own bodies to accommodate egg laying. Some failed, some managed it. It was a difficult process that also in essence weeded out the weak for Vlaakith too.
And then once the eggs started laying, hatching, they probably still tinkered with them. Making sure the hatchlings that were born would be able to breed more and were born right, strong, and the proper future of their people. There were still probably live births happening at the very start during the transition, but magic and psionics probably sped this process along - even if it was probably very traumatic for a lot of newly annointed githyanki. Jumping from being experimented on by illithid in slave colonies to experimenting on yourself, and by your ghustil on order of your Queen? Fantastic. Just brilliant.
Fast forward to now and the githyanki genitalia are mostly uniform I think. Much more so than when they first gained their freedom and called themselves githyanki.
I think there's probably still some differences. Like genetic anomalies. And also that the atmosphere/plane etc of long-term creches can have influences on their hatcheries/eggs. Say a creche on a completely different material plane to Faerun's, or it's near like somewhere with intense psionic or void energy. I think things like that could (and do in canon!) have definite changes on physiology. (NOTE: I also like thinking about this in regard to things like skin-tone, texture, spot pattern, hair colour, face shape, accent.....the list is endless lol)
Okay. So. Without further delay here is my OC Tuj'da to model his bits for you :3
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Notes:
some githyanki have less/more slits. Less is much less common as three is standard for efficient egg-laying.
all sexes can lay eggs
their shape and layout can look unique/different. eg, longer, smaller, more protruding. Think like different penis and vulva shapes. (Note: I took a lot of inspiration for the shape of their genitals from Art Deco shapes and style lol)
much like the older generation githyanki slits if they had them, they widen when aroused, and also when carrying eggs and to lay them
some githyanki are more sensitive in their smaller/egg slits than their main slits
their is sexual dimorphism between their genitals usually, but that can only be seen when aroused.
their cock positioning can be different too from where it comes from, and folds up and inside the githyanki. Lots of githyanki can control the length of their cock by using their psionics, but does require significant concentration and skill
very sensitive at the middle of their cock so some of them like to shorten it to cover that bit up to last even longer sometimes
they can be fucked with their cock tucked inside. It's uncomfortable for some, for others it's the best thing on the menu.
very short refractory period, if at all
they cum a lot. It tastes kind of sweet.
(after Vlaakith's sterilisation and population control is dissolved) fertilisation often requires psonics of some sort
I'm undecided on this, but for such a violent race that rape and also enjoy consenting sexual violence, I think maybe they'd also evolve/keep/develop the small spikes in their ridges that they can make pop out at will to embed into their partner. These ALSO come out from the ridged skin inside the sheath, not just the cock :>
their skin in general is rougher, tougher than other istik races so can take a much rougher fuck, and I think a willing istik's first time with a githyanki partner, there might be a bit of adjustment for...soreness lol
I haven't got many HCs for their actual fertilisation, their eggs, pregnancy etc as pregnancy etc can be a bit of squick for me, but most other things around it and eggs etc are okay. So I haven't thought too much about the actual way they GET egged up, lay them, fertilised etc. Maybe that's for another day.
For now, hope you enjoy these HCs! Some of them may change/I may adapt them as I continue to write the githyanki, but I feel like I'm happy with most of this!
Feel free to use any and all if you enjoy them <3! Thank you for reading and getting this far, hah. I just love the githyanki so much, they bring me so much joy. And I hope they do to you too.
-Des
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ganondoodle · 11 months
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so i sort of half accidentally did the end of totk on monday, i had over 130 hours and slightly over 50% of the game done and did the second to last fight with 3 hearts left and no way to heal but fairies after i gave up multiple times thinking the game might be trying to force me to fight a certain way xD
so im still playing it and am aiming for the 100% but i dont think theres gonna be much more to discover story wise the game is really fun and has a lot of detail and love put into it that you can really see, the music is fantastic as well, some of the characters get more love which is great but the story is … well disappointing but not surprising, especially in its treatment of ganondorf, who still feels incredibly flat as a character, which was to be expected but also … you cant fault people (including me) for faintly hoping theyd do something more interesting tho i will say the end fight is really well done and i cant think of a way to top that in terms of epicness xD
anyway, some unfiltered thoughts and opinions in no particular order (keep in mind i know its viddy game logic uwu but still some things can really destroy the immersion; and also i like to think too hard about the stuff i care about so take this with a grain of salt, i never expected the story to be world changing but i want to remind you that i am criticizing it bc i love this franchise)
--what the hell happened to all the sheikah tech?? botws story gets mentioned a few times but never is it mentioned what happened to all the tons of tech lying around everywhere? if they dismantled the towers for purah to build her new ones around i guess thats fine, but all the srhines? the titans ??? THE SHRINE OF LIFE??? its all gone, esepcially the shrine of life irks me bc the cave is still there and its still called by its bame but its nothing but a cave in a vague shape of how the buidling was it absolutely drives me crazy bc its so dumb?? even if it all stopped working for some reason why would you dismantled it all and even then where did the material go?? why would you dismanlted an neitre building like that anyway?? if you want to have a cave there just have it be half collapsed, if all sheikah tech has gotten useless just leave it there but overgrown?? and why is all of purahs tech still working then? zelda doesnt seem to care about it anymore either even tho shes been so obsessed with it for so long? the titans how would you even MOVE them?? you CANNOT tell me that all this tech that survived tens of thousands of years just went poof within a few years; and sometimes it even feels .. insulting? like you know how much robelo cared for cherry and now shes tiny and just serves as a way to buy fotos for your collection? the fact that the shrine of life is fully gone but the cave is vaguely shaped like its interior and where the bed used to be is a healing pool of water too? like idk if im just insane but it feels like 'haha lol remember what used to be here? get it? the water heals you like the bed in the shrine of life and lol there was the stairs HAHA remember? its gone now for no reason.lmao.' to be clear i like having some mysteries and all but that is just …. so weird? when i discovered the shrine of life i was so taken aback i didnt know what to do, it really broke my immersion, by alot even, it just makes it feel even more like all sheikah tech was replaced by much cooler (tm) sonau tech
--what happend to the sonau people? we only know that rauru and mineru are the last two remaining ones back then but … what made them die out like that? this is by far not as important to me as the issue with the sheikah tech but still feels like a point that could have been mentioned
--as much as i like the open world and how free you are to do things your own way but, regardign the dragon tears i think they should have been locked more behind story progression, i got all of them rather early on and it made it a lil frustrating to play through the other story parts bc you know the truth but you cant tell anyone and everyone around you is acting like a dumbass running after fake zelda while the real one is floating around above you, and i know thats partly my fault for getting them all so early but it still felt like some could have been more well hidden or locked or something since theres no hint to when it would fit to do which one; i expecpted impa to travel to each one but it seemed like she appeared on only a few here and there- additionally i fully expected her to be more important, that she would have an actual involment trying to help zelda undragonfy but that turned out to be very wrong lmao
--why are the enemies in the underground mining sonanium? ganondorf didnt seem itnerested at all in any of their tech, only in the mystery stones (only one too, he didnt seem to want any more of them either) they dont use it for anything? at least the ones on the surface collected stuff they could eat or use for fighting?
--did mineru really build herself a robot body just to fight ganondorf for a bit and then leave? as the last of the sonau, even tho long dead too, why wouldnt she tell their history and knowledge or something and instead if just helping a lil in the fight and then go poof (i half expected purah to be a surprise sage since the spirit one would have fit her i think)
--the zelda being the white dragon plot point lost alot of weight to me when it was just .. resolved like that in the end, i know she spent thousands of years like that and all but it seemed like a much heavier decision that later on felt a little less flat after fidning mineru even tho i felt like i didnt care at all at first bc of the way i found out ,and i half expected there to be an extra mission to try and find her soul again since that apparently gets lost when you do the whole dragon thing, but in the end that wasnt a problem at all, two ghosts and link (somehow naked again) blasting her with some magic(tm) and boom shes back and well and fine woohoo it was a non problem after all i didnt expect her to stay dragon since that would mean the end of the legend of zelda basically, but still it took away alot of the weight of her decision to me? like i get undragonfying her before the end would be difficult since you can get material off of her but still i hoped for something other than boom it resolved itself and i thoguht and worried about it for nothing honestly a post game or even another title where the main focus wouldnt be desstroying yet anyother one note evilest guy of them all and isntead the goal is to bring zeldas soul back and undragon her or something would have been a cool idea tbh tho i know its unrealistic
--did ganondorf think turning himself into a dragon would end the world somehow? did he mean the lil evil goo clouds he spit at you in the last fight to end the world? and how come that he was vunerable to fight? none of the other dragons could be hurt and for an 'immortal' dragon he sure went down fast also how did the stone get back on his forehead? you need to eat it to dragonfy yourself and zelda doesnt have her stone out either (i know viddy games logic but still) (on another note, gan shoving half his arm in his own mouth felt really cursed to watch)
--into WHAT exactly wanted gan to reshape the world into?? only destroying it is such a non reason if you want to rule it? theres nothing left to rule if you kill everything in it?? he just gonna play cards with some bokblins or what -i really wanted to fight ganondorf on the surface, not in his lil miasma incubation cave again :(
--so …. why he evil? are we really doing the and WHOOP suddendnly theres the eviliest guy of the world and he hates your guts for some reason thing again? no tension with the gerudo that seemed to follow him in the lil cutscene we see and the ones that went on raurus side? no actual origin? does he have ANYONE to talk to normally or did he just surround himself by monsters all the time or abadon everyone that once followed him once he got his power up?? you can make any design or fight as good as it can possibly be but in the end its still gonna feel hollow if the character has no character besides evil even the fake zelda wasnt actually him and just a lil puppet made of miasma so even him fucking with people is a little less interesting when he was actually just marinading in his lil goop cave, and the lil hand wink he gives you at phase two can only do so much lmao
--ganondorf is cool and all, but tbh he feels more like the evil miasma goop guy than anything else --why are the old sonau ruins in hyrule so different from the rest? like we know now that they arent actually a civilization from the sky alone but were even in the underground too, and all of their ruins have that blocky white style to it, the supposedly sonau ruins in phirone for example, albeit they share the dragon theme the style on the outside is very much different? and the ancient ruins from the other races dont match it either --are the sheikah descendants of the mixing of sonau and hylians? the white hair and third eye theme would fit to the only alive sonaus we see having white hair (fur?), the literal third eye and their affinity to techonology similar to the sheikah, and zelda having both light and time powers would make sense if its yet another descendant thing, but that would mean zelda was at least part sheikah .. (ngl white haired zelda might look pretty neat actually) but also … it didnt seem like sonia and rauru have been together all that long and no mention or even hint to them having children … which given that both of them die would be an important thing to mention no?
--why cant you do anything with the dongos but feed them????????? i wanna ride them :(
--where is kashiwa????????????????? they talk about him like hes a lost legend
--putting in all the amiibo stuff is cool and annoying at the same time, i spent 5 hours fighting my way throguh the underground to follow treasure maps and found 3 nigh identcal link hats from past games in a row, then two other parts of similar, then two aiimbo weapons and then jsut yesterday another one from a bigger quest that i expected more of; getting the armor sets of past games is cool if you want them but if i did i would have just gotten the amiibos back in botw, my inevntory already feels super bloated with all the new and old armor sets and now the amiibo stuff as well even tho i have like .. half of it all atm (and dont go and argue 'oh so complaining about more content for free???' yes. yes i am.)
--whats with this game and making link almost naked? rauru saving you from death? naked. (annoying) survival shrines? naked. weird teleport to alternate ghost dimension to blast zelda with magic power tm to solve all problems? naked.
--(added in edit) im glad dorephan didnt die!! i fully expected him to have died offscreen or something to make way for everyones favorite fish
--(added in edit) so are definitely other lands besides hyrule if yona came from there, also lol
--the story feels, espeically once you see the last cutscene, very …. uncomfortable to me if dare to think about it more than just taking everythign as its said to you, like … the oh so perfect descednants of the gods(what) marry a normal hylian lady and sourround themselves with perfetly obedient faceless servants of the other races so the perfect and good kingdom tm is born and oh suddendly theres an evil brown man (makign him grey doesnt change the implications, if anything, it makes it worse bc they wont even stand for it and instead are trying to hide it behind uuuuh no no its fine hes blue actally kinda way) from the desert that attacks the perfect good kingdom and king, then he swears alliance to them only to betray and murder da queen right away to get his hands on a super power the perfect and good king held and would have never never used it in a bad way nono and now they need to defend it by all means and at the end woohoo zelda has now again the perfect kingdom with no opposition except the yiga who are (as much as i love them) mostly played for laughs or .. well, evil(tm) as epic and cool the dragon fight was, zelda being the slim tiny white/gold/blue dragon and ganondorf being the evil spiky big black and red dragon and them literally being called white/black dragon feels like wow they arent even trying to hide the black and white storytelling huh (i know its a design trope to the bad be black(color) and the good anything else and spiky vs round and soft blah blah but that doesnt make it any better .. maybe even worse? idk)
the way nintendy was keeping stuff a secret and hinting around so much made me feel like it would finally be a little more nuanced and then it turned out to be even flatter than before and all that secrecy(?) was only to keep dragon zelda plotpoint a secret, something that was resolved no problem in the end anyway (i didnt need zelda to stay dragon but .. it all just lost so much weight the way it was done at the end)
-- (added in edit) master koga is the best character and no one can beat him, the most joy i felt was seeing him again and i am not joking, i wish i could talk to him normally tho without him being able to see through my yiga disguise :( im so glad he didnt die tho bc if he actually went to gan he would 100% be dead within seconds
--(added in edit2) i forgot to mention but was just reminded that link getting his arm back felt super weird too, so really everything that meant major changes got reversed basically ... coool ...back to status quo i guess, couldnt he if he wasnt missing it at least have it be discolored somehow? or scarred? any reminder? zelda too even, could she also have some sort of scar or similar due to her transformation ??
--(added in edit2) so where did the mystery stones even come from? gans and zeldas are gone after dragonfying i guess so ...what?
so in summary, im not eloquent enough to properly analyse all the problematic/questionable stuff and put it into the right words, but these are my random thoughts just spilled out, theres gonna be things i missed, forgot, or gonna think about later, maybe ill add it maybe not
again take it with a grain of salt, the game is still one of the most fun games i have ever played, my problems with it lie majorly in the story, its still very much worth playing!
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sexhaver · 9 months
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Radical Red is becoming my favorite pokemon romhack solely because of how extensive the QoL features (on a gen 3 game engine!!!!) are and how early you get access to them.
almost immediately after starting the game, you get access to a "poke vial" that you can use anywhere to fully heal your team. it has 6 charges that are all refilled upon using an actual poke center. it feels like every encounter in this hack is balanced around you starting at full health (the gym leaders even heal you to full to prevent Endeavor/Guts cheese strats lol), so not having to backtrack between every trainer is a godsend
you unlock free, toggleable, infinite Repel right after the first gym
you get a DexNav that shows you all of the encounterable pokemon in your current area, their hidden abilities/held items, and allows you to chain them super easily. the UI for chaining shows you their ability, most notable move, and how many perfect IVs they have before encountering them
the pokemon "summary" UI doesn't treat you like a literal child and actually shows you the pokemon's base stats, EVs, IVs, and happiness as plain numbers, as well as the level/method of next evolution
there are in-game ways to very easily reset EVs, max out EVs/experience in a single battle, change a pokemon's ability/nature, and even set an existing poke's IVs to 31. also you can nickname them directly from your party menu so that's cool too
the battle UI shows the type(s) of the opposing pokemon (a godsend in a game with hundreds of mons including various forms of the same mon with different typing), and the move selection UI shows you if a move is super/not very effective, if it gets STAB, and lets you view the effective base power and accuracy of all your moves by pressing L instead of going all the way back to the summary screen. i know some/all of these features are standard in later games, but again, gen 3 engine
you can access the PC from anywhere using the start menu (yes this lets you heal mons out of battle by depositing and removing them, poke vials are faster though)
the fast travel functionality is now tied to a key item you get after your second rival fight instead of a mediocre two-turn move
HMs and other moves with field usage (Teleport, Dig, etc) don't actually need to be taught to be used. as long as you have the TM/HM in your inventory, any pokemon that could learn it can instead just use the move in the field without actually learning it. also the HMs have been overhauled to suck less; Cut had its BP bumped up and type changed to Steel, and Flash is now a specially damaging Electric move instead of literally Sand Attack
this is really minor but the Professor Oak's Aide who gives you the HM for Flash doesn't even bother checking if you've caught the required number of pokemon yet, instead just handing it over and saying "I don't get paid enough for this"
and yet despite all this, the game itself is hard enough with brutal team comps, level caps, and no items in battle that you don't feel like you're steamrolling by using all these overpowered tools. romhackers have been making better pokemon games than game freak for years and this proves it
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shakirawastaken · 11 months
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dsmp if....it was taylor swift
i am the biggest swiftie dsmp blog here i am a swiftie i love taylor swift unless she sings new romantics at a show that im not at then i hate taylor swift
dream: paper rings by taylor swift (from Lover)  - i have written a one shot to dream for stay stay stay like a year ago. please read that too amen - i feel like this song lowkey fits him so well??? just like lowkey - cause like man is rich as fuck hes like a CEO and stuff  - BUT let me backtrack - you met him before he face revealed in the middle of the swamp in florida (orlando) - lets use my other post and say you met him in the grocery store SLAY - you “went home and tried to stalk him on the internet” - and obviously couldn’t find anything - but you reached out to him over text and he didnt answer you..bc he was like filming or smth and you were like bruh - but he eventually did answer you and you were like cool - you guys hung out ALOT  - as friends - to the mall as friends, to the cafe as friends, to the movies as friends - you even met his friends...and then you figured out he was Dream  - your relationship was like slaying at this point - you moved in with him! - and at this point now that you know Dream is Dream and is RICH - he showers you in gifts - expensive jewlery, trips to places, the mans love language is gift giving and he def has the $$$ to make that happen! - but one day he was like drunk or smth idk  - and he was like “wanna get married?” - and you were like “LOL sure” - and he, in his lovesick era, talked about the ring he would buy you in great detail - you were flattered ofc and laughed along - the next morning he woke up from his drunk era and was like “did you really mean it” - and you were like “yes!! i like shiny things, but i’d marry you with paper rings whenever you want dream” - and he was like “bet” - and he made paper rings and you drove to the courthouse and GOT MARRIED STOP IT THAT IS ADORABLE AND YOU HAD AN ACTUAL CEREMONY LATER CUTHE MF CAMERAS THAT IS IT THIS IS IT - I WANT TO WRITE THIS INTO A ONESHOT COMMENT “ceo of minecraft” IF YOU WANT IT - runner up song for dream was wonderland btw
george: gorgeous by taylor swift (from reputation) - now LISTEN i was gonna do London Boy - but im saving that for another thing - GORGEOUS FITS and its not just cause george is actually very pretty - this takes place in LA, george is here and you work here  - you also have a boyfriend - lets say you and some of your friends went out to a club one day - so did the dream team tm  - and you just came from a stressful day at work so you did what anyone would do and you drank - enough to get you a bit tipsy - and somehow all the stars and planets and fates aligned and you bumped into mr notfound - and you were like “sorry!!” - and he was like “oh its alright” but he said it british - and you were like “HAHAHAH YOURE BRITISH” and you mocked the way he talked  - you were tipsy alr - and he knows he should have been offended but he couldnt help but smile bc he thought u were cute - you two talk some more and you sober up through the conversation - its cliche but you forget everything else when u talked to him - including your very real boyfriend - and he shoots his shot “do you think i could have your number?” - your eyes shoot open wide and you just groan - “i got a boyfriend, he’s in the club and idk what he’s even doing.” and george is like “oh - but then you just keep going and youre like - “dude if you have a girlfriend im jealous of her” - and he laughed - “but if youre single thats honestly worse” - and he was like “how is that worse” - and you gathered all your confidence and was like “you’re so gorgeous it actually hurts” - and he smiled and said thank you - and you watched as his face moved to sadness - “i dont want to get in the way of your relationship, it was nice meeting you” he says as he walks away - DONT LET HIM WALK AWAY your mind yells at you - but you cant have him, bc youre taken - nothing you hate more than what you cant have - ding - why do all of these suck today guys im so sorry
OH SHIT I FORGOT I WAS GONNA DO STYLE WITH GEORGE UGHHH lmk if you want that
sapnap: you are in love by taylor swift (from 1989)  - you both start as best friends in this scenario - like best friends since high school middle school school  - you talked everyday , hung out everyday - it was natural that you would form a crush on the man - but then he moved to Florida - you totally understood why he did that - but the communication between the two of you died down - and so did your crush, it flickered out - but one day, he texted you - “hey! im coming back to texas for a couple weeks. are you down to hang out?” - and ofc you said yes - you two met up in a little diner, just to cach up  - and it was like you two had never seperated - you were joking around and laughing just like the old times - eventually you two were ordering coffee at midnight as he told you get in the car - he said “i have a surprise for you” - who were you to deny him? - so you got in the car and he sped off to the old dirt road or something where you used to go in high school - shoulders brushing as you two sit in the trunk, he tells you to look up at all the stars - but you looked at him instead, and all your feelings came crashing over you - all you could hear and think about while he drove you home, while you slept was that - “you are in love, true love” - god this SOng THIS SCENARIO - the weekend before he moves back to florida - you had spent the night over, wearing his old shirt as a pajama - burnt toast because he dont know how to work the toaster - you decide to make a move, to let go of your fears on how he’s gonna react - and you kiss him on the cheek - you two spend the whole day being a little more romantic than usual - holding hands, kisses on cheeks, etc - you spend the night over at his house again - then he wakes up in the middle of the night with this look of ?? on his face - you turn to look at him, staring him dead in the eyes - and he stares back, the moon reflecting onto his face - “you’re my bestfriend” he silently whispers, scanning your face for ANY reaction from you - and your heart starts rushing and your head starts beating and all you know is that he is in love with you. and you are in love with him.  - the night continues in a rush of kisses and rushed feelings - he of course had to go back to florida - but now he keeps a picture of the two of you in his wallet - and you see him in everything around you - you two facetime everynight and talk about everything with each other - because you are in love, true love - bonus: when sapnap gets home dream’s like “whats up with you” - and sapnap just shrugs and grins  - “spent some time w my best friend” - “IM NOT YOUR BEST FRIEND?” - dream LMFAOO - can you tell im in love with this SONG quackity (hits different from midnights (the till dawn edition)):  - I KNOW THIS SONG HAS A LOT OF DIFFERENT INTERPRETATIONS OKAY - im very aware of that its all i speculate and talk about - its like that one meme with the guy and the bulletin board and hes like “DO YOU SEE THIS” - but i interpret this song as someone singing to a person (bonus points if theyre a friend) they have a major crush on!!! except their crush is dating someone - and you can tell that the person they are dating aint it for them - its giving you belong with me - in this, you’re quackity’s neighbor - and you two have lived next to each other for a while  - to the point where you two have become kinda good friends! youd eat dinner together, have some movie nights, etc - you could say you know him pretty well - well ig you didnt know him as well as you think - one night you knock on his apartment door, looking for someone to hang out with whatever - ignore that you had a crush on him that you were actively suppressing - and his girlfriend answers the door all nice like “hi! how are you!” - and youre like “im good, are you?? who are you?” - and quack pulls up behind her and is like “OH meet my girlfriend!” - and youre like “oh! nice to meet you!” - then you shuffle back to apartment ASAP - suddenly it hit you that the person you had a crush on was unavaliable - and suddenly you felt the anguish that comes from him being in love with someone else - it made you wanna throw up - you call another friend up and meet up at a bar, ready to drink your sorrows away - and the bar you go to is playing the song you and quackity listened to everytime together - you groan and explain everything to your friend who’s just like “oh my! love is a lie, don’t worry - it happens to everyone” just to get you by - but you knew this wasn’t like any other time - youve been so willing to move on in the past - it hit different this time because it was him - you drink so much you start slurring his name and your thoughts are plagued by him - someone puts you into a car and sends you off to your apartment - you slump onto your bed, and fall into a restless fit - dreams of his hair, and his stare, and his sense of belief. of times you once believed he could love you.  - you dreamed of you melting his world like an argumentative, antithetical dream girl - the next morning, you hear a key turning in his door  - and you cant help hope but hes coming in to check on you - so you rush to open the door - he jumps and looks at you startled - “hey! my girlfriend and i heard you come in from the bar last night! must have been a wild night!” he chuckled, wishing you the best of health as he retreated into his apartment - you stare at the spot he was just standing out, letting out a big sigh as you groan, your hangover catching up with you - “catastrophic blues, moving on was easy for me to do. it hits different, it hits different cause its you”  - be glad i didnt pick “youre losing me” for this cause damn
karl (invisible string from folklore): - okay. i have already written a karl one shot. to holy ground by taylor swift. from red (taylors version) please go read after this. amen - okay - THIS OSNG THIS GOSNGS ITHSIGHSDJKFG - i cant get over the childhood best friends to lovers shit - but i dont think youre childhood besties - you just met when you were younger - its giving karl lives in a place where your family used to take you on vacation every summer - like to ur grandparents place or some white shit like that - every summer, you would go to the park, read and then go get fro yo at the shop near by - every year growing up, youd read stories of epic romances - and you couldnt help youd meet somebody there, sitting in that park - then, they year you were 16. you went into the fro yo shop. same as always - and there stood a 16 year old karl, in a teal shirt, asking you what you wanted to eat - there wasn’t anyone else in the store, so you two talked. and you two clicked instantly.  - you went back everyday for that year - and did the same every summer after that - until one summer, you told him that you were moving to LA. to pursue your career - and he finally gave you his number - when he finally got around to going to LA he called you up - and you two reconnected, just like the old times. ate at your favorite dinner spot and everything. you decide to try something more - so you date long distance - three years later, you two meet up at the old yogurt shop. and then got lunch down by the lakes - now, years later you two live together. in the same small town you vactioned in every year - you two walk the park you read at every day - karl owns the yogurt shop you two met at  - and you cant help but think that even through all the bad things that you had in  your life - the only good thing that was stringing along for most of your life was karl - karl made you less vengeful of the boys youve loved before - karl made you better. and you made him better - the both of you cant help thinking about the wonderous time, and how pretty it is to think about how “all along there was some invisible string” tying the two of you together - i feel like i coulda expanded here but i think its cute idk sorry guys
wilbur (begin again from red (taylor’s version)): - i think i got a different era for each person SCORE! - wilbur is sOOOO evermore and red coded - but not 22 or ikywt coded but all too well and the lucky one coded - you had recently gotten over a breakup and were ready to start dating again - and a friend of yours hooked you up with this guy from her office - who she said “does not do typical officer work” - you ready for anything, so you thanked her and took her offer - and now the date of your date is here, and you couldn’t help but be nervous - you critiqued and critized every small bit of you, just like your ex did - but now youve grown to love what you wear and what you look like - you blasted your favorite song that he seemed to hate as you walked out the door, as ready for this date as you could ever be - you walked to the cafe that you decided to meet up at, expecting wilbur to be late - imagine the soft surprise that took over you when he stood when he saw you, waving to you as he strode over to meet you halfway - “hi” you said breathlessly, surprised at the common decency he showed you - “hey” he said slyly, making small talk with you as he ushered you over to the table he saved - he pulled your seat out and everything, helping you take your coat off. he doesn’t know how nice that is - while you’re talking you tell some stupid joke, trying to ease your nerves - and when he throws his head back laughing like a little kid? youre done for.  - for the past 8 months you could only think about how love breaks and burns and ends - but on a wednesday, in a cafe. you watched it begin again - you cant help but smile back, agreeing to a second date - you meet up for a second date, this time in a record shop.  - you two talk about your shared love for music - and he’s like “ive never met anyone who as many los camp! records as i do” - and you were like “bet!” - turns out, you two have the same amount - you two walk around the city, exchanging stories about your lives when he suddenly teases you for being shyer than on your first date - you jsut blush and nudge him teasingly while rolling your eyes. and he laughs again.  - your ex never did that. he was never carefree, kind, and careless around you - but wilbur was. and your idea of love just grew and grew and grew - he walks you to his car, and the words about your ex are on the tip of your tongue. youre about to tell him about how different he is than your ex and how grateful you are for him - but then he cuts your thoughts off, launching into a story about him and tommy - and you find yourself wanting to talk about that instead - you can finally say what’s past is in the past - because on a wednesday, in a cafe, you watched it begin again.  i love taylor swift. i could do so many more of these. please tell me if you want
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sheikahwarriork · 6 months
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Post war unplanned pregnancy dimileth in which Byleth had to leave because Dimitri lowkey ghosted her after a one night stand because he felt unworthy of her love.
But she came back per Gustave's request because of a new kingdom crisis. When Dimitri met her again he fell all over again but he is heartbroken because he thinks she already got to do her life since she is now is a mother of three and his very slim chance is gone.
Reader, all the kids are his. They were triplets. That Blaiddyd (TM) genes were at it again.
Gustave: *requesting Byleth to help Dimitri once again to stabilize the kingdom while lamenting the king is still unmarried and the Blaiddyd line is done for*
Byleth, who has been raising by herself three small blonde menaces with major crests of blaiddyd:
Background: One of her 3 year olds plucking a wholeass tree with their crest, 10 times their size, because his momma loves flowers and the tree had a lot of flowers while Gustave speaks. And the others kids running to search bigger flower trees for her.
Dimitri found out they were his when one of them mistook Areadbhar for an ugly stick and tried to use it to search for earthworms for their mom's fishing and accidentally activated atrocity.
YAAAAAS i love dimi being a dumbass clueless of byleth's feelings
id like to think of this headcanon as post three hopes: byleth got recruited into the kingdom army, she and dimitri [REDACTED] and then she left while being pregnant after the war ended. both of them have feelings for each other but are unaware of the others'
gustave calls her back after a few years and dimitri is all sad and grumpy seeing his beloved the ashen demon got over their little one-night adventure (unlike him) so that she has a family of her own (even tho... wheres the father?? what kind of man could have left this beautiful woman all alone with three children????? children that are particulary cute..... with their blonde hair and green eyes........ dimitri cant stop thinking about his old fantasy of having a family with her and how much they look like his dreamed-children...... well what a funny coincidence!)
since its hopes, jeralt is still around but he doesnt know who the real father is. when he sees the king playing around with his grandchildren he goes <.< but says nothing. too much to deal with
one day, dimitri talks to byleth about his worries of not having a wife yet bc blayddid bloodline blabla...... byleth is like 👁_👁 while thinking about how well dimitri f*cked her all those years ago and his desk looks great for getting pregnant again...........
the little three menaces children go around the castle causing troubles but everybody already loves them. one day dedue tries to teach them to cook and when he saw one of the children eating leaf-spices [how are they called those like laurel?? lol] thinks "hm. already saw that but cant recall when or where"
and then your last scene dear anon. dimitri looks at that child with disbelief... ofc his first thought is "did the ashen demon meet someone else with the crest of blayddid?? who are they??? could it be...... RUFUS?!?!?!??!?!" bc hes dumb as fuck. dimitri is still looking at his child when byleth arrives and grabs the baby, lecturing them about taking someone else's things without permission, but smiles fondly when the child hands her the worms they found. dimitri is MESMERIZED by her smile and loses his composture. he drops by his knee and says, "miss eisner... i am aware you already have another significant other in your life since you two have children, but... i cannot bear the sight of you raising them alone. please let me take care of them, of you... please let me be their father and your husband"
byleth: 👁_👁 "you DUMBASS they are already YOURS. always have been"
dimitri: *brain stopped working* "oh! i... see..."
byleth: "the marriage thing can still be arranged. yk. since we're not married."
dimitri: *hes in paradise or what??* "you... youd like to marry me????"
byleth: *oh my sothis help me* *kisses dimitri* "pretty much so." and smiles again
they get married the next day and one month later byleth is pregnant again eheh. the blayddid bloodline requires a lot of heirs and they are both happy to indulge in it
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antirepurp · 1 year
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time for me to be obnoxious about an april fool's game at almost may wahoo ft. an unexpected moment of character analysis because i have no chill
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TRAIN.
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i hope this game is canon because rouge doing petty pickpocketing is my favorite thing actually
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he has a wallet? and a home?
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i could go on about how much i love these kids being unhinged and chaotic but unless i want to reblog this post a million times i have to cut it down. let it be known that i adore the kids and their antics tho
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you know what i also adore? blaze committing crimes in the chaos dimension because she can get away with it. i think i need more of that in my life actually
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although right after he says he doesn't wanna do more crimes i'd like to think he grows out of that opinion eventually. let the little guy steal stuff i want him to hang with rouge and have her make him worse actually
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look here shadow's had it rough in the writing department for a while but i very much appreciated this plot point of him going out of his way to get concert tickets for amy and even (reluctantly) agreeing to go with her to said concert even if it isn't his cup of tea. i know it's more presented as him trying to y'know be polite and considerate and he's going about it in an edgy way but i'd like to think it's just his way of presenting things if you will? like he know what amy's favorite band is and sees how hard the tickets are to get so he goes out of his way to get them because he cares about his friend and knows how much attending a concert like that would mean to amy. and in terms of this screenshot in particular i also appreciate amy appreciating her friends' presence at her party even if they hadn't gotten her anything! sure it does kinda come across as her being bummed about not getting gifts from them and maybe she is but i think that's okay? like she's 12 (or 13 now i guess?) getting excited about presents is pretty normal, and it's not like she's super upset about it anyway. i think she genuinely appreciates her friends attending her party more than anything
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i also found this a lovely little detail lol and it does kinda make sense! the bitch has been in stasis for 50 years and computer technology has taken leaps in that time, of course he'd be a lil rustier with them compared to his peers
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more on shadow, this guy's brain goes overdrive the second he realizes he fucked up and needs to get something nice for his friend now. like i don't have the brain power to form it into words atm but i just love what this all says about him as a character!!
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i could flail about the art in this game the whole evening honestly it's so lovely and colorful and pretty and i love how this scene is composed and shadow being seated on the windowsill idk this just put a big smile on my face when i saw it :)
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frankly obsessed with amy's unhinged energy can we please get more of this bc i live for it
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the fucking blowdart. i cannot tell you how fucking off the walls these teens are like espio's instructed to use a blowdart on sonic with non-lethal poison and he's like yeah that checks out and sonic's just like wow cool guess i'll snooze for a bit then like this shit is exactly why teenagers should be given superpowers and be put into Situations(TM) i love it
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not an april fools game making me emotional over trains
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and why yes i am obsessed obviously
it was a fun game! like tbh with a bit more content i would've been happy to pay a bit for this honestly (like. when im not broke lmao) like it's so charming and there were a lot of fun details and the jokes were enjoyable too. i just think it's neat :)
but yea that is all im glad sonic the hedgehog got murdered it was a great time
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crazy-lazy-elder-sims · 8 months
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-the Tired accountant and the senior Designer pt2-
Hello again i decided to expand on my sims for the simblr office idea by @kashisun once again thank you for this and apologies if im a bit spammy im slightly excited lmao
Okay buckel up folks cause im about to take you on a journey TM lol
Introducing our office babes
Christian Sinclare:
33 years old but feels 50
Doesn't like coffee but drinks it to stay awake
His favorite color is Naomi's hair color👀
..... And sage green
Literally the only accountant in this company that you can talk to that wont bring up budget cuts in the first 5 mins
His favorite meme is the "keep calm and carry on" meme but people call him an old man if he brings it up. #leavesinclarealone2023
Always works late but only because he prefers to finish the financial reports on the same day he started them so he can sleep at night (anxiety gang hello👋)
So many coworkers from other depratments come down and talk to him about various Accounting things he has no idea why its not like he is the manger or head of the department ( its because he is handsome and all the peeps want a piece of him he's just too cluless to notice)
Obsessed with the presence of Mathematical algorithms in nature and everyday life
His favorite is how Bats can find the exact location of things using echo location and the math behind that
The golden Ratio is another obsession and he spends his days off in Museums observing painting that has them
Naomi Marroquin:
31 years old iced coffee addict
Her hair color was an accidental dark red home hair dye job that went wrong but she liked it so much she kept it for years
Her favorite color is red
Hates staying late and leaves the office at 5 o'clock sharp and no one can stop her (trust me they tried)
Says she doesn't care for all the office gossip and scandal but she is besties with the one HR employee from how much she goes down there to get the juicy gossip
Is the senior graphic designer but the graphic department head put her in charge of Budgeting and making exel sheets for the accounting department because she was the only one with "excel proficiency" on her resume
That was a lie
The first time she got assigned an excel sheet assignment she googled "how to learn excel fast" then added " for dummies" exactly 2 mins later
She oftten clashes withthe Accounting department on thier requestes to lower costs and cut out quality
Hates doing all the obove through email and tries to meet anyone from the accounting department but they all avoid her because they have no time for her 30 mins lectures about the importance of paper quality
Fun facts:
Naomi is taller than Christian 💓
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Naomi used her personal email on accident for her resume which is called: [email protected] but they hired her anyway because they desperately needed someone with excel skills
Naomi's corporate style is inspired by her mom who used to be a corporate goth but naomi is not one (infact some of her office Fashion staples were given to her by her mom)
Christian's second reason for staying late is that he hates going home to an empty quiet small Appartment and prefers the feel of the big spaces of the office
Christian refuses not not wear any sort of jacket during his workday but once the day is over and everyone leaves he takes of his jacket loosens up his tie and takes out his bun to feel more comfortable
Naomi once saw christian at a museum staring really hard at a painting then she saw that painting printed on a corset the next day it made her laugh so much she had to buy it for work
One day Naomi wore tights with bats on them (vintage 😉) when she arrived at work and "happened" to get in the elevator with Christian he instantly said "nice bats" but then panicked and went into how much he loves bats for 10 mins straight. Naomi instantly fell for that panicked rizz lol
Next day she came to the office with some nice bat earing but swears its not related to Christian and his love of bats(it is) and its NOT HER GIVING HIM SIGNS OMG GUYS DO YOU WANT ME TO GET WRITTEN UP TO HR( she totally was)
How they got close and began working together:
After a particularly tough day at work of having to stay late and trying to get through to the accounting department because they wont budge on buying the expensive colored ink for thier printers and how not doing that will compromise the color quality plus almost calling the accounting manger an uneducated potato,
she decided to pass by the empty (or so she thought) accounting department to let out some cuss words at a poor empty desk, she saw Sinclare sitting there tie loosened and all and decided to try again and convince him to not cut the important supplies from the budget
How she thought that conversation went:
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How it actually went:
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After he recovered from that he told her he will help her write better more convincing reports to present to the department and from then on they became friends (who are trying so hard and failing not to fall for each other)
Aaand Thats all for now folks if you read all that i wanna say thank you i love getting super inspired like this its so much fun! Tell me what you think of the babes here im So excited!
Thank you again to kashisun for this extremely fun idea❤️
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lefresne · 1 year
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So let me get this straight: the reason why the Affair between Lancelot and Guinevere causes the fall of Camelot, is because almost half the knights were loyal to Lancelot than to Arthur, and that Lancelot was, in some ways, the shadow leader of the Round Table? When Lancelot kills Gawain's sibling, People took sides?
I’d start by saying that there is no one ‘Fall of Camelot tm’. To say that there is would be as disingenuous as attempting to stabilise a broad, complex, heterogenous body of work that evolved and grew over 500+ years. Each text will have its own interpretation of the circumstances surrounding the political collapse of the Arthurian realm. It’s complicated, and sometimes seems to run counter to our modern understanding of canonicity, but that’s alright! The interpretation below is based on Malory, as Malory, perhaps influenced by the English political landscape of the time, particularly stresses the importance of political factions all vying for influence over the king and queen, as well as the tensions that can arise between affective and political communities.
Reading Malory, it becomes apparent that Logres is dominated by four major factions: Gawain (Orkney and Lothian), Lancelot (Benoic / France), Tristan (Cornwall), Lamorak (Wales). I understand ‘faction’ as meaning a community bound by both kinship and feudal ties. As is consistent with 15th century politics, the individuals at court are the ‘heads’ of often much larger political networks that stretch across Britain.
What is so interesting about Malory is that the text shifts the blame for the collapse of Camelot away from the adulterous affair between Lancelot and Guinevere and rather towards the political ramifications thereof, which themselves then become symptomatic of problems inherent to late medieval feudalism. And this is not to say that this is the sole cause for the end of Camelot, either. Reading (and re-reading) Malory sometimes feels like plucking at a huge ball of yarn for different narrative threads: depending on how you might pick it up, you might blame Uther, who instigates a pattern of criminal sexual behaviour which then becomes compounded with each successive generation (going from adultery (Uther) to adultery and incest (Arthur) to adultery and incest and patricide (Mordred)), or Morgan, for stealing that damn scabbard (not going to lie, I’m a lot less convinced by this one lol), or the Grail for like, existing and revealing the chivalric system’s inherent weaknesses I guess.
 The Welsh and Scottish factions are at odds already following the death of Lot, and these tensions continue to mount throughout the narrative, until the Welsh faction has been largely annihilated by Gawain and his followers. The Scottish faction feels ‘entitled’ to a certain standing at court due to their close kinship with Arthur, and resents anything or anyone that might jeopardise this privileged position( see, for example, the brothers complaining that ‘whom that we hate kynge Arthure lovyth, and whom that we love he hatyth’). Gawain’s friendship with Lancelot keeps the wider faction in check for a long while, however. The Queen, meanwhile, has established her own political network, which overlaps with Lancelot’s. Although Lancelot’s faction has an ambivalent attitude towards Guinevere, it is established that this relationship is mutually beneficial. The Queen ensures Lancelot and his kin’s high standing at court, and Lancelot and his kin will defend her if needed.
After the Grail Quest, the Arthurian political landscape is in shambles. The knights have dispersed, Gawain has murdered God knows how many of his co-workers, and an entire kin group has been decimated. The situation in Cornwall is not too good either, Tristan has been killed, along with a bunch of his allies, and Marc hates Arthur. This exacerbates pre-existing tensions, and remaining allies of Tristan are ‘absorbed’ into Lancelot’s faction, because Lancelot and Tristan had been friends. We quickly learn that Agravaine is jealous of Lancelot’s proximity to the queen and of his political influence. The problem is not the adultery per se, rather the queen’s public displays of favouritism. Lancelot and Guinevere are described as taking walks together and conversing privately – this reference to the walking is important because this was at the time an important part of the queenly schedule, during which courtiers would be allowed to approach and petition her. Agravaine resents Lancelot for ‘monopolising’ the queen’s attention, which he perceives as a slight on his kin group. The Scottish faction now understand that if Lancelot falls, then their group will, by default, rise. Guinevere senses this threat and multiplies public displays of favour towards Gawain and his kin, but this goes disastrously - an ally of Lamorak uses a dinner held in Gawain’s honour to attempt to poison him.  Although Gawain vehemently defends Guinevere, his faction are willing to believe that she would go as far as to poison Gawain for, presumably, Lancelot’s sake. Mador, who is related to Gawain, turning against the queen also serves to prefigure the text’s final conflict, in which Lancelot’s and Gawain’s factions turn against each other. Once again, Lancelot’s faction must intervene to restore order, Nenyve reveals the true poisoner and Lancelot, who had been missing, miraculously returns to save the queen from the pyre. This confirms the extent to which Guinevere and Arthur (who has to beg Bors to fight for his wife) are politically reliant on Lancelot. Agravaine, understanding that his earlier complaint about the queen’s political favouritism has had approximately zero impact, now begins to additionally charge her with adultery (note that Agravaine was with Guinevere throughout the knight of the cart episode).
Gawain, who is friends with both Lancelot and Guinevere, continues to defend them. As he says: not only has Lancelot come to their aid numerous times, ‘if there aryse warre and wrake betwyxte sir Launcelot as us, wyte you well, brothir, there woll many kynges and grete lordis holde with sir Launcelot’. When they ambush the queen, Malory specifies that all the knights present are ‘of Scotlonde, other ellis of sir Gawaynes kynne, other well-wyllers to his brothir’. 
The deaths of Gaheris and Gareth as they guard the queen’s pyre cause a heartbroken Gawain to turn against Lancelot. Now that the affective bonds have broken, all out war breaks out, and Lancelot is forced into exile, taking with him a significant number of knights who are still loyal to him. Arthur, goaded by Gawain, chases after him, leaving the country unattended so that Mordred can seize power. New factions form - those loyal to Mordred and those loyal to Arthur. Civil war breaks out.
The deaths of Gareth and Gaheris do not force knights to take sides, the sides have always existed, but they had been previously kept ‘in check’ by Gawain’s affection for Lancelot, Guinevere, and Arthur. Arthur’s status is never really challenged in Malory, neither Lancelot nor Gawain ever think of overthrowing him, the question is always one of influence. It doesn't matter that the king is largely effaced and at times ineffectual because he is the king. Mordred seizing power in Arthur’s absence is seen as the ultimate betrayal and signals, within the political world Malory has outlined, absolute moral corruption. TLDR: the deaths of Gareth and Gaheris cause affective bonds to break and to therefore reveal the fragmented structure of the king’s court and the tenuous nature of peace. I wouldn’t call Lancelot a ‘shadow leader’ (although I do think that’s a very interesting idea!) because Malory never questions Arthur’s kingship. The text is largely about influence over the king rather than an outright overthrowing of the king. Malory condemns Mordred for seizing power, and condemns the barons for siding with him. But I also think that Malory’s approach to politics and community is a lot more nuanced than just Lancelot = good Gawain = bad. The text reflects a community in crisis and under intense pressure that is trying its best to survive.
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amaiguri · 5 months
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When you're a Writer and a Vtuber...
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If you like storytelling, Vtubing, or both, this one's for you 🥰
You'd think there'd be more overlap of "People who want to be fantasy characters and hide their face" and "Writers" but there really aren't. I know like me and @moonfeatherblue and that's it for the writing/worldbuilding and Vtuber overlap lololol. I think there should be more of us!
So, let me convince you to become a storytelling/worldbuilding/writing Vtuber like me...
In addition to just loving all the cool things you can do with Live2D as a software (if like art and you don't just stare at rigging showcases on YouTube, you should. It's so cool!), I also love storytelling in a social media space. Like, how do you tell a story over time? How much information should you reveal and when? What colors, images, and sounds evoke the feelings you want? And what feelings will keep people coming back for more? Basically, Vtubers have made me fall in love with marketing because the best marketing is just storytelling with some sort of call-to-action at the end.
Am I GOOD at marketing? No, lol, but maybe YOU would be! KEEP READING to find out XD
On the flipside, so so many Vtubers are like "I'm the embodiment of sin and also a gamer and a singer" or "I'm a cottagecore whale who is also the collector of lost souls and I play video games" and it's like... clearly Vtuber audiences LIKE the fantasy aspects of this. Why is the Vtuber default just gaming? Why is there not waaaaay more whimsy and storytelling? (This isn't to say Gaming Bad TM. I'm literally a game dev. I NEED streamers to play my games. I love them.) There's just so much opportunity for cool storytelling with Vtubers!
If you wanna get into being a fictional character/having a kayfabe-like wrestling persona for your writing, you should 100% get into Vtubing. You don't even need to stream to be a Vtuber -- and honestly I'm not even sure you need to post videos necessarily lol -- GIFs and pictures could probably get you pretty far on the right platforms. You could start out using a PNG --there are so many good, free PNGtuber softwares and you could use Picrew images (with the right permissions!) for your PNGtuber to start. Or if you can draw, you can just DO THAT.
Or if you have like $50 USD, Raindrop Atelier has a FULLY rigged Vtuber "Picrew" with chibi models that are so high quality and cute! Or if you have like $300 USD, you could get one of the Picrew-like Vtubers from Charat Genesis. (Yes, that's a lot BUT most Vtuber models — 2D and 3D alike — run you from $2000 to $8000 sooooo $300 is a steal in comparison.)
And then, over time, you could post and reveal facts about yourself and tidbits of your lore! And you could give writing advice or talking about your worldbuilding in-character! I've had this idea to make a fantasy creature mockumentary for actually years now and I'm just trying to find a good scope for it...
On the downside, as with all "storytelling in real time", it can a little discouraging at the start when you don't have a big audience. And this specific niche is especially underdeveloped so it's definitely hard to find a foothold. BUT I find that, because it's all play -- it's all FANTASY -- I have a lot more energy for this kind of marketing than I would if I were promoting myself as "just a writer, trying to sell my writing." Getting people to like me is exhausting. Getting people to like my writing is part of the writing process!
Cuz like, aside from just "inhabiting a fictional character" and "reducing your face presence online while still giving your personal brand a face", being a Vtuber is also a fun way to tie into your work.
Like, my Vtuber model is Arlasaire and she's the protagonist of my (probably) upcoming RPG, Untitled Yssaia Game, (Not the final name, real name pending lol). She talks about cooking and music and geography over on my YouTube channel and it's all infused with cool fantasy music and sound effects. She speaks in and teaches you about conlangs in the world. And she goes on fantasy dates or fantasy vacations! So now, I'm getting people attached to this character and her world BEFORE I even get into her actual story. And all her merchandising and stuff is really just game merchandising and so on and so forth... and that's just good branding! Hopefully some day, this translates into more people playing the game and seeing more of my work!
But obviously, I'm very new to marketing or else this blog post would convince more writers to become Vtubers and more Vtubers to write lol.
Anyway, here's some Arlasaire art (art: LexiKoumori on IG, rig: Kanijam) AS WELL AS some of her earlier model sketches before I asked for her hair to be silkier and less feathery! And lastly, a short unedited video of me being cringe so you KNOW you could do better :DDDD
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earlgreytea68 · 6 days
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In my reading journey, I read Orlando by Virginia Woolf.
What a great book!!! I loved it!
SPOILERS FOR THIS OLD BOOK BELOW lol
I really respected how Woolf just, like, never bothered to explain anything that happens in this book. That sounds sarcastic now that I read it over, but it's truly not. I really loved how breezily she was just like, "Now a hundred years have gone by. Orlando has decided to redecorate the house." Like, not even Orlando is somehow still only 25, like, that's almost never even explicitly said, centuries just keep going by and Orlando's just tra-la-la-ing along and it's not anything to be remarked upon and I loved this so much. I feel like I aspire to write this way, in so confident a fashion that nobody can say to me, "But...was this person not born in the time of Queen Elizabeth I? And now she is driving a car around and still young?" WHO CARES! PLOT! BAH! JUST HANG OUT FOR A WHILE. lolololol it's genius and I loved it and, I mean, clearly Virginia Woolf is obviously considered one of the best writers in the English language ever for a reason, of course the book is good, but still, it's nice to have read it and get why everyone makes a big deal about her.
I read Virginia Woolf in college. I think I read To the Lighthouse and Mrs. Dalloway. I remember almost nothing about them. This was my first time reading Orlando but I suspect I would not have enjoyed it as much as I did had I read it in college. I feel like younger!me would have been bothered by stuff like, oh, suddenly Orlando has a baby and it's mentioned in one sentence and then never again and where did this baby even come from, who did she even have sex with, the motto of this book is WHO CARES! But I feel like younger!me would have cared and been like, Where is the narrative connective tissue! Where is the cause-and-effect! What is even happening in this book! Back in those days I still tried to write books with plot lol. But older!me, older, somewhat wiser, much more accustomed to how little in life makes any actual coherent sense, is like, ....yeah, that's legit, I get it. And anyway, really who does care when the writing is as vivid and evocative and beautiful as the way Woolf writes every single epoch into life. AND ORLANDO'S HOUSE. Look, I have a long-standing weakness, people know, for interior design, and in a way this is really a love story about Orlando and his/her house, and how can I resist that????
If you know nothing about Orlando, I haven't mentioned yet that Orlando switches gender halfway through the book. Just wakes up a woman one day. And then the book continues. And it's great the way this does and doesn't change the character and the narrative. I was fearful for a little while at one point that Orlando was suddenly going to turn into a woman whose narrative would, of course, Need A Man(TM the authors of so many narratives about women), but I should have trusted Woolf, the whole thing was much cleverer than that.
Anyway. That was a good book. Read that book.
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wigglebox · 1 year
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Queer? In my John Winchester?
It’s more likely than you think! 
Sorry — but not really. 
So, it’s 2022, there’s a Supernatural show on, and I am sitting at my desk wondering how to actually start talking about a queer reading for a character that many don’t like the idea of being queer.
No I’m not talking about Dean Winchester — I’m talking about John. 
I remember waaaay back when in Ye Olden Times of June 2021 when the show’s script commitment was leaked, myself and a few others on Tumblr tossed around the idea of “Omg what if they make John queer, he’s in a relationship with another guy, and then heaven forces them apart because he has to be with Mary.”
And that wasn’t out of a desire to just have a slash ship. Those happen regardless, all the time, with little to no warning and little to no reason sometimes. Shipping happens. Shipping doesn’t have to be canon, doesn’t really have to make sense, and is a personal thing between you and your AO3 account. 
From my perspective, I had been wondering if they’d do it simply because the meta symbolism comparison — whatever — would be so great for Destiel and that ship’s journey. 
And, I still stand by that, and if anything, even more so now that I’ve had more time to think about it and see the characters on my screen. 
While watching 1x04 of The Winchesters, Masters of War, even mid-episode, Twitter and Tumblr and likely your Discord servers were all ablaze with “What was that look that John just gave Carlos in that uniform? Millie? What?” and especially after this tweet:
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Just gonna do one of these while I’m at it: 
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Anyway —
But for me, that wasn’t the only moment my brain starting firing when it came to the possibility of John and Carlos. 
First of all, since we know where John and Mary are eventually going to end up, this show can’t hurt me. I’m already expecting to be hurt. It’s not queerbaiting, it’s not anything like that. Also, especially now, very much not queerbaiting. Coding is not baiting. But regardless, I had gone into this show fully expecting to just start shipping everyone for everyone just because why not?
But after 1x04 I legitimately will be paying more attention to John/Carlos. 
For me, the most interesting thing about Destiel was that it kinda was born organically. Cas wasn’t meant to be a character that stuck around but the chemistry was too good to get rid of him, and the story just made sense with him there tbh. It was over the years and years that these two were on screen together in which it went from “Yay, a slash ship that’s not with his brother!” to “Oh my God are they going to make this canon? It makes the most sense!” 
The thing with Destiel is that since it was organic, it was born outside of the narrative. Cas was the first one to “make it up as we go,” he exists outside the narrative. 
The whole thing when it comes to Chuck Won theory for me is that Cas is a threat to Chuck because he exists outside of the narrative and kept trying to get Dean to go along with him — subconciously of course lol. [Side note, this is why I don’t believe Cas is in heaven, because if indeed Chuck won, Cas wouldn’t be there. Cas is ‘real’, he’s ‘truth’]. 
Destiel is a pairing, a love story, outside of the actual story while directly influencing the narrative that Chuck is trying to dole out to us. 
It was a brat, the suits/Chuck couldn’t control it, and once it started rolling down the hill, no one could stop it. 
Destiel was the character pairing that broke the narrative. 
Now, when it comes to The Winchesters, we have a bit of a thing going on here don’t we? We have four characers: Two young women, two young men. This is actually prime fodder for a shipping free for all. 
Carlos already expressed his once crush on Mary, Latika [to me at least] is kind of crushing on John, and John and Mary, we know, wind up together regardless. 
However — John and Mary are the narrative. That’s The Plan TM. That’s heaven’s outcome, that’s Chuck’s outcome, that’s the thing that needs to happen for the story to play out how they want it to. John and Mary don’t have a choice in this. 
But, they both still need a relationship outside of the narrative for contrast. 
The thing with Supernatural is that we never had Sam or Dean have ‘narrative compliant’ relationships. There was no need to have them hook up with someone to make children who are destined to bring about the apocalypse or whatever. That was all on them. That was supposed to end with Sam and Dean. 
But The Winchesters has a narrative couple, even if they don’t know it yet. For me, John and Mary still seem like just friends, they all do really, and while sometimes they’ll have talks in the van or heartfelt speeches to each other already with piano music softly playing overhead — it still doesn’t feel like romance. If anything, in 1x03 with John’s words about Mary and having to save her, it felt more like we’re inching more towards brother co-dependency than not. 
Since we have a narrative couple, and we already know what that is, we need a non-narrative couple. We need John and Mary to seek relationships with others, and probably get a little farther with it than just one date. We need something outside of the narrative that’s threatening to also take John and Mary along as well. John and Mary need their Cas, because they certainnly aren’t Dean and Cas to each other. 
“But Jen, why not just have John with Latika?” 
Because I said so! No, just kidding, because Carlos makes more sense to me in this case. 
It’s been clear to a lot of us watching that Carlos really captures the attitude and spirit of early seasons Dean. A little over confident, likely compensating for something. Withholding emotional stuff, maybe a little cavelier in his love life, and hell we even got a “why does paper even beat a rock” reference in 1x04. 
But in 1x04, it feels like Carlos was also set up with Cas parallels. 
Carlos was in the Navy, he was in the service, just like John. Dean and Cas were also ordered basically to “fight” by their fathers, and were essentially soldiers of their own corners of the narrative. 
But, Carlos isn’t a soldier. He’s a medic. He’s a healer. First thing I thought of was “Oh, Cas healed people and Dean all the time.” That’s one of the things I associate with Cas a lot is just healing, both physical wounds and emotional ones. 
I find it interestingly fasincating that Carlos was put in contrast to John like this. Dean and Cas to me were on the same level whereas Carlos felt like almost the polar opposite to John. He didn’t illegally sign up for the war while underaged, he wasn’t really looking for a fight, and he did none of the fighting but instead helped those who were wounded in the fighting. Whereas John entered the war underaged, was a Marine, and likely saw so many atrocities unfold before him including the death of his friend Murphy. 
The Destiel parallels didn’t end there for me. 
It seems like we’re test driving John with the different characters. He’s with Mary, alone. Then he’s with Latika, alone. And now he’s with Carlos for most of the episode, alone. So it feels like it’s almost like I’m watching The Bachelor lol. You have the winner who was engineered by producers to be the pick at the end of the competition [Mary], the one who actually was in it to find love with the Bachelor [Latika] and the one that the Bachelor actually fell in love with [Carlos]. 
[I’ve never seen this show lmao I’m actually modeling this off of Flavor Of Love but shh don’t tell anyone]
Obviously, my saying John is in love with Carlos is literally just me saying that. Literally no proof of that right now. I’m just saying if we’re going to throw some tropes in there, that’s where I’d slot him in. 
So getting back to Destiel parallels — I found the jungle space that John and Carlos wound up in so interesting. It really reminded me of Purgaytory. Yes I’m spelling it that way. 
When Carlos stepped on the mine and said John’s name like that, like Murphy did but also just like that, idk. Struck something in me. But I also found it interesting that he was in there at all. All the other people that this god killed were on their own. But now it’s both Carlos and John, and the god is using Carlos to try and like, convince John to do what it wants John to do. 
Obviously, we know that despite his claims otherwise, John did wind up doing what the god wanted him to do and did in fact kinda give into his inner demons, which we saw play out the entire episode as John struggled hard. 
For me, John needs someone who’s going to tempt him away from the narrative, away from going down this bad path of running instead of confronting his inner demons, and away from the narrative pairing that will eventually be with Mary. He needs someone who will help steer him away from all of this, because the narrative has to have something to rip away from him. And progress would be that thing that the narrative strips away. 
And to me, yes I wouldn’t mind it being Latika either but I’m aligning her more with Mary at the moment. So for me, it’d be Carlos. Another ‘brother in arms’ [see what I did there], someone who does understand the trauma of seeing what he saw, and experienced more or less what he experienced. Someone who is that beacon of hope and light [even though I’m sure Carlos has his own issues obviously] that would make John want to confront his issues intead of run from them. 
So, when I see fun Destiel parallels to John and Carlos I like them, but I’m also thinking about the meta narrative implications of this. A queer ship, for outside of the narrative, that will wind up getting the axe in order to serve the narrative. Because isn’t that what happened with Destiel, and Dean’s right to reciprocate being taken away from him [literally. the final monsters ripped people’s tongues out and he never said Cas’ name after that phone call in 15x19]. 
To mark a full tragedy and degradation of John Winchester, it’d be great to me anyway if they do the same with him. 
Now —
I know post-episode there were some loud dissenters and those who aren’t happy about this concept that John could be queer, especially if it’s more upfront about it than Dean ever truly got a chance to do. 
And for that, I understand, however I’m choosing to view this as a good thing because if they can slap on as many callbacks to Destiel as they can with these two, but knowing that with these two it’s going to fail while with Destiel more or less succeeded*, I’m choosing to call a win a win. I also don’t believe symbolism, meta, and story for The Winchesters should be sacrificed because of decisions made for a separate show that began in 2005 and tried its hardest to deliver undeniably queer Dean in its 15 year long run. 
*Dean never go to say I Love You back, however I’m a continuation believer, and I also think the metaphorical silence was pretty loud.
A lot of folks choose to see adult John as homophobic, a headcanon/fanon trait that I can 100% understand where folks come from. However it’s not canon that he is, and it’s never been implied in the show either. Therefore, I feel like that point of debate is one I don’t really take all that seriously, because it’s someone’s personal reading of a character, and not tangible canon. 
A queer John Winchester would I think give us the chance to add more fuel to the Destiel fire, while also giving us the chance to grieve a love story that could have been, and grieve a person that John could have been instead of the one that he became. Queer people aren’t always good, kind, reasonable, and understanding. Sometimes they can, indeed, grow into being terrible people. 
The Winchesters is ultimately a tragedy. No one is going to win at the end of the day. It’s like watching a run away train and being unable to stop the characters from making the choices that we know will lead them not to safety but to mortal danger. 
But if they can give us peeks into what could have been, that’ll make it so much more tragic in a way that really resonates with us. 
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