Ik the good omens fandom has different takes on God as a character, but I like the idea that she DOES have an ineffable plan, and Heaven is doing their absolute worst job carrying it out.
Most angels never talk to God, and they're usually selfish, they don't do the right thing (only what they're told), and it's even possible they're working under a corrupt power (like the Metatron). I like that theory because Metatron IS the barrier between God and the angels. He could easily lie to them and change plans, and we the audience know that "friendly old man metatron" swindling Aziraphale is not what he seems.
But from the beginning, we see inconsistency. Crowley falls from heaven after asking questions/hanging out with the wrong group while Aziraphale is allowed to lie about the flaming sword and change Heaven's plans. God can see how much he cares about humans and the earth by his actions (Crowley being the same), which makes me think that him getting away with it is intentional, not inconsistent or neglectful. ESPECIALLY if Aziraphale and Crowley run heaven and hell respectively in season 3. They have the power to change things, just like they stopped the world from ending the first time. I think Crowley and Aziraphale ARE the ineffable plan.
Their love could bridge the gap between opposing forces in a way that it couldn't if they were both angels. After all, both heaven and hell think they're doing the better thing while they're both not. Crowley and Aziraphale are the best of both sides.
If bringing them together was God's plan, it'd be a powerful story for queer Christians!! A lot of us have been hurt by the church, but we hold on to God's love, which doesn't fail us. We stay in a religion with a history of fighting queerness not because we're all brainwashed, but because we wholeheartedly believe in a God that loves us. Sometimes I see good omens' heaven as an analogy for toxic churches, and I'd love nothing more than for Aziraphale to realize heaven is working against God. Not to mention God using a gay couple to save the world/save heaven from corruption?? I'd kill for that storyline
Secondly, Aziraphale's devotion wouldn't have been for nothing. If God was awful the whole time, it defeats the times he and Crowley reached out, and the moment in the GOs1 finale where Crowley says, "what if you're going AGAINST God's ineffable plan?" to Gabriel and Beelzebub. (It'd almost defeat the purpose of her being the quirky narrator following their story, too.)
Even Crowley, never fooled by "heaven is all good" calls for God in his time of need ("God listening? Show me an ineffable plan.") (Possibly when he reaches to the sky in order to stop time) (Calling for God before Satan in the burning bookshop) (Looking up and muttering "God" after realizing Aziraphale is going to leave him in s2)
Lastly, after the trauma that both Crowley and Aziraphale went through, with Crowley falling and Aziraphale coming to terms with heaven's corruption (and both being mistreated by their side) it'd be nice to have been for a reason. They have every right to grieve and be angry for all that they went through, and the centuries that they weren't supposed to love each other, but I believe the series will end on a positive, sweet note, like the rainbow after a storm.
Like Job, they're losing almost everything (their relationship as it was, the bookshop, and the life they carved out), but they have each other. I think they'll lose everything to save EVERYONE, and in the end, the reward will top the pain. No holding back, no forces hunting them down, just them together after a PAINFULLY long time with everything they'd wanted.
We know that God doesn't get around to answering many questions, but her speech to Job was in part to say "trust me"
She laid the foundations of the earth. She made every living thing. Job couldn't see past the destruction of his life, but she has a plan. Job is a valuable human being, but he doesn't have the power and knowledge of God. God will share her plan when he can make a whale. Otherwise, he can trust that "Most things are fine in the end"
*Aziraphale voice* That's ineffable!
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"mm.. I've been getting a lot of asks. I'm going to have to close the box until the end of the week. I'm sorry everyone. I've been getting so many orders as well, a lot of people are specifying to the website that they especially want me to deliver it. If there is something really important you need to tell me that can't wait until weekend, the box will be open for another.. mm.. 10 hours, give or take. I will be off to sleep for now. Goodbye."
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I saw this post the other day that said something about how back in The Day, most sitcoms were about a group of friends or a family, and very little was ever said about their jobs and what they do for a living. And now all sitcoms are set in a workplace and very little is said about people’s lives outside of work and I just wanna say; Ever since I read that post, I have been ripping my hair out.
Because like. Yeah. That’s basically it, isn’t it? In the 80s and 90s it was all about hanging out with your friends at the coffee house or spending time with your family after work and on the weekends, and that was the most important thing in these characters lives, and now it’s just. Work. Friends outside of work? Don’t exist. Family outside of work? Don’t matter. “Workplace romances” is such an overused trope nowadays because these characters don’t meet anyone outside of work. And it’s never really fulfilling work, either. Normally it’s an office or someplace where people wish they were doing something else.
Kicking, screaming, biting ect ect.
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what i want to happen:
a cid dlc that explores his backstory and ends with him sneaking into oriflamme's mothercrystal and fighting dion (which actually happened in canon, so they just need to show it)
or a joshua dlc that explores what happened between the prologue and him reuniting with clive
or a dion dlc where he does literally anything, i don't care. the dion dlc could be him picking flowers for 2 hours and i would buy it
what will probably happen:
a dlc that introduces leviathan’s dominant, aka a brand new character that i do not care about (unless it’s kihel the medicine girl, but i’m not completely sold on that theory)
a clive dlc where he goes on some random adventure with jill idk
also i highly doubt either of the dlcs will be post-game. the ending felt very final and intentional. regardless if you like the ambiguity or not, that's what they were going for, so i don't think they'll ever expand on the story after the ending. so no clive/jill reunion dlc ect.
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you get it so much i could genuinely spend hours talking about bakugo and midoriya’s characters and their development and how genuinely well written they are and then an exploration of their dynamic on top of that and why it’s one of the best in media atm AND I MEAN THAT but people are so busy tripping over themselves to be like ‘UHHH ☝🏼😂 MHA IS CRINGE’ or the fans themselves absolutely butchering the characters (bakugo in particular is like a toxic wasteland now do not approach do not stop within a 10 mile radius etc) that it’s pointless and it makes me so MADDDD anyway hiiii corey i put mha in ur inbox do u still think im hot
YES YES YES!!! EXACTLY HELLA!!!
and like... as far as midoriya and bakugou are concerned, they're like... forced into almost Every fic i read :/ like i'm out here looking for class a being a family fics without midoriya or bakugou trauma or hero worship is that SO MUCH TO ASK!!! i'll be under the denki-centric tag bc he's my special lil boy and like bakugou being in most of them i Get bc of the bakusquad bUT like denki is Also Smart and, imo, understand his quirk better than midoriya, so why do we need to force midoriya in there to explain how denki's quirk works tO HIM??? or like. people will bring up midoriya's past in like every fic that isn't about him or bakugou's kidnapping (which like fair ik that was traumatic for literally everyone but i'm not looking for balugou fics) and i'm just. i want sero hanta fics. not sero is worried about midoriya fics.
oof okay i have a lot to say apparently. am a lil bitter bc my favorite characters are denki, sero, kodai, and ojirou (and the bakusquad like i LOVE kiri) and finding they centric fics without just... let's talk about bakugou and midoiya is HARD they have PLENTY of they centric fics!!! i don;t mind them Being in other fics, but like... do we Haveto mention how amazing and special they are in Every Fic??? like... they're not the only ones who work hard and made it into class a??? so did literally everyone else??? midoriya isn't the only one who was bullied or gets anxious sometimes (and people make him like... weirdly anxious too like must protect him and i'm just... ugh) and midoriya isn't the only sunshine in class a (horikoshi literally said that denki is the glue that holds the class together but, no, everyne go ahead and make it mido...) and bakugou isn't the only one who's experienced something traumatic nor is he the only one who cares about others but is bad at showing it. and they aren't the only contenders for #1 hero and anyone in class a could beat them in a spar like... i don't think they're unbeatable??? denki could beat them. ojirou could beat them. satou could beat them. shouji. hagakure. kouda. aoyama. sero. mina. jirou. the list goes on. and they could beat all the people i just listed any day too!!! it just... it doesn't always have to be like "gosh i'll never be a hero like deku" like??? you got in the Same class he did.
ahem. anyways. uhhhhhh i LOVE midoriya and bakugou. hate the way fans act like they're the only characters that matter. yes this angry rant is bc i was looking for denki centric fics the other day and most of them were more midoriya centric even though that wasn't tagged and denki centric was. when you're reading a fic about the trauma of someone other than mido and baku and then one of them has to take over and be like "listen to My trauma" and suddenly it's aboyt THem.
oKAY DONE FOR REAL
anyways hella i still think you're hot in fact i think it makes you Even Hotter
(also no shame i literally made the password to last week's vocab quiz "SERO HANTA" like in all caps bc of the leaks and bc i love him.)
sorry about the angry rant about the two main characters do you still think i'm hot-
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unpopular ieytd headcanons? /nm
seeing as I've dedicated myself to being the world's biggest fabricator enjoyer (joke). i think it will be obvious who i'll take the opportunity to talk about :] with some other headcanons thrown in also.
I think a lot of my Fabricator headcanons count as "unpopular" if only because not many people talk about her in general. The first thing that came to mind for me is that I personally headcanon her as trans for no reason other than I'm trans and my favorite characters get hit with my beam attacks. I also think she's not really mean once you get to know her - She's much more relaxed around friends, it's just that she has. One friend total, maybe two if we're being generous with the definition of friend. And I just generally see her as a different kind of "mean" than other people seem to, if that makes sense? She has fun with it, yeah, but she has reasons and such. even if those reasons can be petty. I don't know if she enjoys drama for drama's sake, she's got a reputation to uphold and all. She uses more subtle verbal attacks, sarcasm and such.
Another unpopular headcanon, but for Agent Phoenix this time: My Phoenix is a lesbian. Got them with my beam attack also. I also tend to see them as less... Chaotic? They're cautious, taking their time to figure out the situation. They do still put things in their mouth though. That's important to me.
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The thing about nuanced characters is that you can’t really have their 'nice' parts without also having their less palettable parts, not only because the two are more interesting as a whole but also because they fundamentally depend on each other narratively. Imogen is a good and kind-hearted character who has suffered greatly from loneliness, abandonment, ostracization, and a fear of her own abilities. She wants to save the world and is prepared to risk her own life and powers doing so. But she is also by her own words greatly tempted by said powers. Her self-sacrifice in being prepared to give them up means nothing if it isn't paired with her self-centerdness in wanting to keep them, because without it there would be no sacrifice, only a relief from something she didn’t want anyway.
Her mother in a way is a manifestation of Imogen's good and bad traits: it is kind of her to want to save Liliana, but it is also self-centered of her to consider risking the entire world in doing so (as she is when considering the Ruby Vanguard may be right). In this scenario, there is no way for Imogen to be just the one thing, kind or unkind, she has to be both. If she wanted her mother dead to save the world, she would be kind to the world but unkind to her mother; if she wants her alive she’s kind to her mother and unkind to the world. Similarly, you can’t have the goodness of imodna's absolute, unflinching trust without also having the potential of them going dark because of it, because if one of them goes down that road the other will follow seeing as nothing, not even the world, is more important to them than each other. You can’t have the strength of absolute loyalty without the flaw of absolute loyalty.
And people love to bring this up in quippy gotchas, like "Imogen and Laudna would break the world for each other just like the Briarwoods!" or "Imogen is an inversion of the critrole villains in that she wants the same power but chooses kindness!" but the moment someone extrapolates what traits in their characters make statements like these possible the very same people lose their minds and acts like it’s character assassination rather than character analysis.
Imogen wants power. Imogen and Laudna would maybe be prepared to break the world for each other. Without this truth, them choosing kindness anyway would have little meaning. There's nothing wrong with a character having a little darkness in her. It doesn’t mean she’s actually dark, or that she will turn dark, it just means she’s a well-balanced character with realistically human motivations and flaws as well as strengthts.
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