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#he appeared in every other new manga so far except that one
chzdavmpr · 6 months
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Ok so I have read all of the manga Versus (The one by the author of One Punch Man) that is currently out, and this post will just be a collection of thoughts I have about it. Btw, if you haven't read it, I would definitely recommend reading it, or at least the first 2-3 chapters to see if it's your cup of tea. Go in completely blind tho. Trust me. Spoilers below for chapters up to 10a.
Firstly I gotta say, the concept is a very enjoyable one. One might say it's a little close to the multiverse concept, which many people are tired of at this point. But for me the idea is different enough here in execution that I feel it's still nice and fresh.
The worldbuilding is very fun. The way each of the 13 worlds (that we know of so far, I don't think they'll introduce more but who knows) look different visually, to where you can easily tell which one a character is from just by their clothes, or which world a location is from just based off looks, is just super satisfying.
I love how the concept is almost an inverse of One Punch Man and Mob Psycho. Where instead of the protagonists being overpowered beyond belief, it's every single enemy that's OP. It makes for a really fun dynamic, especially when written by One.
That being said, as of writing this, the most recent chapter is released is 10a, where Hallow is just about to fight Kiva, and I really really hope that they do not just have Hallow become strong enough to beat him. I feel that would defeat the point of the whole story. We saw a bit of that when Alio was able to somewhat hold his own against the giants and new humanity using a super ultra final technique, admittedly he still lost after like 20 seconds, but I think that for this story that's 20 seconds too long.
It takes a few chapters to just kinda introduce the premise, but once it got that out of the way I really liked the characters. They have very expressive designs, unique character traits, and work off each other very well even the nobodies just introduced in the giant mission to die have so much character (except the machine world ones, since they all have identical armor) it really makes you invested in them, and ups the stakes when the story shows that they do not have any plot armor and all of them can die.
Kayla is especially great. So far giving big neurodivergent vibes. Zaybi is another standout character.
The Natural Enemies are all pretty fun. Some of them seem pretty simple, like the giants, but others I want to know more about so much. Like what's the deal with Recreation Hell World? Couldn't they just go in there and start shooting the games? Do they like hypnotise you to force you to play? Or Misfortune World, do they just have kaiju or do they just have a lot of natural disasters? If it's the later how are they suppose to fight bad luck? Aren't the bandits of Lawless World definitely like the least of a threat since they are just humans? How is Mad God World going to fit into any of this, cause that one seems like a big deal? All of these questions and more are the kinds of things that keep me wanting to read more the most, it's such a fun setting.
Small note: WHERE ARE THE GAMERS? They literally appear in 2 panels (seen below). They are in the war room, they accidentally explain what their natural enemy is, and then they just aren't even in the background of any of the other panels of that room, or anywhere for that matter. Did they just walk home and no one stopped them?
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I love the fashion of New Humanity.
I do not like PanePane.
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itsmaferart · 2 years
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SxF · 65 ··· Desmond's mother
Warning: This contains spoilers for the manga.
Last time I talked about this chapter from Yoru's perspective, regarding her adventure in the mall, where she met a possible friend, ending up in a volleyball game. That nice woman ended up being, nothing more and nothing less than Melinda Desmond. Damian's mother and Donova's wifen
It is here where the fans burst with emotion at the range of possibilities that history showed us.
However, I really feel that there is nothing conclusive to analyze the Desmonds in depth. Except for Damiand, the Desmond parents have had very brief appearances (so far) with no information regarding their "intentions". Everything around them is a mystery.
Although, I have read a lot of other fans' impressions on the internet and they all seem interesting to me. At this point, I think any plot twist is possible. Endo can surprise us at any moment with a new character or event, and we are all stunned.
So, like everyone else, I'm going to fall into the speculations and theories:
Who is behind the war?
I couldn't tell if Melinda is or isn't a spy from Ostania, let alone that she is the "final boss", since this statement seems too hasty to me.
Personally, I believe that behind the war there is not "one person", but rather this is a vast network of individuals whose ambitions can be achieved through war. And whether these are direct allies or not, there are a lot of loose ends that we don't know have a connection to the Desmonds.
To begin with, I doubt that Desmond is just a "puppet", his life as a "strange" and "inscrutable" man, added to the distrustful look he gave Loid Forger as he walked away (Just as Twilight looked at him too) , implies that he is someone difficult to go through.
I am more inclined to the theory that Melinda may be an ally of her husband, fulfilling other roles and functions within the "possible" organization to which they belong.
We are all curious that Melinda looks like such a sweet and kind woman, but she did not appear the day Damiand entered Eden. Which, implies that she is not exactly "a selfless mother"
There's something strange about this whole thing and it's...
Since his first appearances, Damiand has made it clear that the education he received from his family is the greatness of the Desmonds, and that they should not get involved with people who are not on the same social and economic level. Interestingly, Desmond showed no problem talking to Loid Forger. Surely, he tries to maintain a civilized and "apparently" friendly posture due to his political role and treating another father of a family badly would affect his campaign.
But, curiously, Melinda did not show contempt for Yor at any time and none of her friends "contempt" her, on the contrary, they were all very kind and wanted Yor to join their "social group"
Perhaps, this is due to the contrasting personalities of Donovan and Melinda, as husband and wife. But also, it can be a "strategic" role, for both, as cover, and as they exercise control with their closest allies/friends.
This would make sense, since WISE is not directly looking to kill Desmond. Since, he is not behind the war, but he may be the main connection to all this web of events that are happening: terrorist attacks, assassinations, the division of the secret government into a radical sector and the other not, the Apple experiments. .. etc
Although, I'm surprised that WISE has never sought out relationships with Desmond's wife or eldest son, or because they don't come close to the Desmonds' existing friendships. Everything revolves around Donovan in a direct way… and the strategy of approaching Damiand does not seem very feasible (He is just a boy)
I don't know if in reality every Desmond has a social circle so closed that in reality, they are just as impenetrable. So, Yor having entered the club is something that no one could do unless they have the support of an insider… which seems to be the case with the chapter.
Could Melinda Desmond be the intellectual equivalent of Twilight?
When I say "equivalent" I mean it could be a person who is on the same level as Twilight when it comes to socially integrating with other people and manipulating. Although, she may not be a "real spy"… or maybe she was in the past. The only role you have to play now is that of mother and wife
Now, I can't help but notice a bunch of similarities in Twilight and Yor's meeting (Chapter 2) - Melinda and Yor (Chapter 65). Although both chapters have different developments, there are certain similarities
1. Yor's dilemma:
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In both chapters, Yor questions "normality" and her own eccentricity. Although Yoru has been growing up according to the plot, she still can't get rid of the idea of ​​"not being a normal person", feeling left out. And although Loid and Anya have declared that they love her as she is and her role is perfect. Yor seems to need someone who is "in her shoes" - Yor longs to experience so many things that her constant fears make her fear failure and she doesn't allow herself to relax and enjoy herself freely.
2. Casual encounter (But very convenient)
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In contrast to Twilight, Yor's encounters seem to happen on a casual basis. And well, it's consistent with her, since Yor doesn't plan anything as he doesn't have a reason to. Of course, these coincidences occur few and are momentous events.
While going to a tailor shop Yor ended up in a deal with Loid Forger, her fake future husband. Here Yor ended up meeting a friend and they ended up in a volleyball match.
I think this event was coincidental, mainly because of Melinda's surprised reactions at the end of the chapter and how Endo focuses her eyes
This always happens with Twilight when his gaze is a visual resource for the viewer to understand when he is "lying or not"
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The radical difference is that we can always see Twilight's POV. But we can't know what goes through Melinda's mind (at least for now)
3. Their reaction to Yor's force.
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Twilight and Melinda seem to be the first people (other than Yuri) to get to see Yor in action. Far from feeling scared and fearful, they see this as something incredible!
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Here I wonder if Melinda could see Yor's strength, and like Twilight think "this woman is perfect for my plans". Although, Melinda does not necessarily want to hurt Yor. He is more likely to want to "have her around" as a possible friend or ally. Since not only is he interested in using her to win a friendly game, but she seems insistent that he join "Lady patriots society"
And it's funny, because, if you remember… Before all the events of Camila's party, Twilight's intentions were to join Yor as two people who do each other a favor, while he weighed a seduction plan.
What if Melinda, in that short time, has the same idea? Integrate Yor enough until it is easy to convince her in the future of something
4. Symbols
This was one of the most relevant details for most readers. Symbols often subtly represent that the character belongs to "something." Some are more obvious than others, like the Twilight pin that represents WISE
Interestingly, they are both "eyes".
I don't know if these are surveillance "cameras" or not, as you think. Or are they just, jewelry with some connotation of belonging to "some organization" Although it would be interesting if Melinda turns out to be/was a spy. Now working with her husband.
These skills to socialize, belonging to a club with the women of the highest spheres of power (an invaluable source of information), the innocent interest she shows for Yor make her suspicious.
Melinda's role as mother, wife and friend may be totally real.
But he uses his real facade for his true intentions A lie covered by truths. Which is totally strategic.
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I don't know why these two panels give me the same feeling
Regarding the Strix mission
At this point we all have a collective idea: How is Twilight going to react? This was the most convenient move and he didn't even have to watch (I'm sure it will be a funny face)
This may be your ticket to Desmond's plans. But it is something you may have to do carefully. For if Melinda becomes as smart as we think she may be, she can tell if Mr. Forger is a man to watch out for. Added to that, I don't know what plans Melinda has, and if they could put Yor at risk
(We know that Yor is invulnerable) to almost everything. But I'm sure Twilight won't want to risk her danger anyway… but… It's worth the mission, isn't it?
I'm curious how Melinda plays. If your interest is to become close friends with Yor, and try to make Damiand get closer to Anya (Although I would be surprised since she doesn't seem interested in her son) (Damiand only seems close to his brother and it seems that the relationship is not very good )
I also wonder if Melinda could have an impact on the Forgers' relationship as a couple, if she tried to absorb more of Yor's time by squeezing her a bit from her family?
What do you think?
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nanaosaki3940 · 2 years
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Dabi, Gojo & Eren: Fuckboys or not?
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In this modern age and time of anime and manga, the world of the internet is blessed by the presence of several different attractive 2D anime men. And arguably the most favorite ones among the fans are Dabi aka Touya Todoroki (My Hero Academia), Satoru Gojo (Jujutsu Kaisen), and Eren Jeager (Attack On Titan). Everyone just wants a piece of them. But the real question is, who would these men date and how? While we all know that Dabi and Gojo aren’t dating anyone canonically so far because Kohei Horikoshi and Gege Akutami just aren’t about all that jazz, Eren on the other hand did show romantic interest towards Mikasa Ackerman, but that relationship had to meet its tragic ending very soon than expected. Also, there are barely any romantic threads explored through the chapters of MHA and JJK manga so far for both Dabi and Gojo. Perhaps because of it, the show's viewers and the manga readers have been obsessively trying to find any pair of people (or curses) to ship together in various permutation combinations.
This isn’t something new or unique to MHA, JJK, and AOT as I must say - "Writers gonna write, fandoms gonna ship."
I'm well aware that the fandoms of MHA, JJK, and AOT have always portrayed Dabi, Satoru Gojo, and Eren Jeager as fuckboys, but are they really that? That's why I'm on an important quest here to determine once and for all if Dabi, Gojo, and Eren are fuckboy or not. Let’s dive right in. Since this is going to be an in-depth analysis, I did some research on what makes a fuckboy. According to this article, there are some traits that all fuckboys have in common. We’re gonna explore some of them and see if they apply to these mentioned hunky men. 
First, let's point out the traits of a fuckboy - 
He's a smooth operator 
Yet knows how to play it cool 
He promises a lot 
He's always busy as hell 
He has the tendency to lie 
He's always online 
His social media is full of women 
He SAYS he's not a fuckboy 
The relationship is pretty sexual
It's always a little one dimensional  
Now it's impossible to go through each and every given point mentioned above, but I'll try to cover at least half of them. 
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He's a smooth operator - 
This describes a charismatic, funny, charming, smooth man. They can talk you up and their way out of any situation because they seem to know all of the right words. 
Dabi may not be a smooth operator, cause we've never seen him being funny or charismatic anytime in the series. Sure he's smart, calm, and collected (even manipulative) which is shown from time to time whenever he's appeared in the scenes, but we've never seen him butter up someone or talk his way out of any situation whatsoever. 
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Besides, Dabi isn't someone who would do such a thing anyway, to begin with (because he's too emo and edgy for that). So I'm giving him a hard NO. 
The same goes for Eren as well. Sure younger Eren was hardheaded, strong-willed, passionate, impulsive, reckless, selfless, and charismatic, older Eren on the other hand isn't like that at all. Older Eren has an unnervingly stoic and calm demeanor, never losing his composure and usually wearing a blank expression on his face, no matter how dire or stressful the situation may be. Sure we saw him once using Falco to meet up with Reiner back at Marley, but he didn't use his charisma to trick Falco. Instead, he used his tactic and manipulation to deceive the young boy and convinced him to bring Reiner to him. 
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So for this Eren also gets a hard NO.
Gojo on the other hand is very comfortable joking around with literally everyone he interacts with, friend or enemy. Moreover, he is very witty and charismatic in all these interactions. 
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All evidence would point to Gojo being a smooth talker, except this doesn’t seem to work on most people in JJK. While Gojo has a fair share of admirers within the story, most people are either annoyed or neutral to his charms. We’re gonna give him a MAYBE on this criteria. 
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Can play it cool - 
If I’ve understood this one correctly, then this is a person who won’t show excitement for things. They might not text you back immediately or might act nonchalantly and unbothered. 
First of all, Gojo is anything but nonchalant and unbothered and you all know the reason why - 
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For this Gojo gets a hard NO. 
For Dabi, I must say he fits in this category quite well, but that was prior to the Touya-revelation chapter. Because as soon as he revealed his true identity and abusive childhood to the whole world, he wasn't Dabi anymore. He's reverted back to his old self: Touya Todoroki. Dabi may act nonchalantly and unbothered, but Touya doesn't. While little Touya was very energetic and boisterous back in the days, older Touya on the other hand is highly enigmatic and pragmatic. He takes pleasure in taunting heroic figures, students, and Pro Heroes alike, sadistically enjoying the pain he inflicts on others, including those he murders. He loves to engage in psychological warfare in order to unnerve whoever his opposition is and is rather savvy about how heroes operate and will exploit their natural tendency to rescue others. He is not afraid of causing collateral destruction, rarely holding back, even if it puts his allies at risk. Touya is intolerant of most people and can be very derisive most of the time, being quite rude and condescending to essentially everybody he interacts with. He insulted Shigaraki immediately after meeting him and constantly does the same to both his allies and enemies but doesn't always do it with the intention to be rude. Though older Touya is sadistic and sociopathic, he can also be apologetic, remorseful, and sympathetic at times needed. And most importantly, after revealing his true identity, Touya's NOT at all chilled - 
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For this Dabi gets a soft NO. 
And if we're talking about older Eren here, then yes, older Eren is really chilled whatever the situation is. For those who have seen season 4 of AOT, I don't think I need to go any further about older Eren here. So for the criteria, Eren gets a hard YES. 
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He makes a lot of promises -  
This criterion describes someone who makes a lot of promises but never fulfills them.
Let's talk about Dabi here. The reason why he's so traumatized and is now considered the most 'tragic' character in the series is all because of his father, Endeavor aka Enji Todoroki. Enji threw him into an illusion of becoming a great hero (even greater than All Might) and promised to support him to the end at a very young age. Touya clung to those fickle hopes, dreams, and promises even after his father later rejected him and tossed him to the side. 
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Even though his father abused him mentally and emotionally from time to time, Touya still kept on loving his father to the point it became a borderline unhealthy obsession. And not only that, when he finally started to resent his father after waking up from comatose and promised himself to destroy the pride and status that Endeavor took years to build, he kept that promise to that very end. He waited 8 whole years to destroy Endeavor which also indicated that Touya is a very patient man. For someone who was deceived over and over again by his loved one, whose promises were broken by the same loved one, I don't think Dabi/Touya would be someone to make any sort of promises to his s/o. Rather he's someone who believes in the quote "action speaks louder than words". So he's getting a big hard NO on this one. 
Now let's talk about Gojo. episode 3 of JJK, Gojo promised his students a tour of Tokyo but took them to a haunted site full of curses instead. So I can imagine Gojo making a lot of fickle promises and ending up doing what he wants to instead. 
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However, by the end of that episode, Gojo did take his students out for a ride and dinner. 
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He might get playful and seem conceited at times but Gojo always comes through. There are very few things that Gojo takes seriously, and keeping promises is one of them. Gojo gets a hard NO for this one as well. 
And now let's talk about Eren here. Both younger Eren and older Eren are passionate individuals and are someone who cares about their loved ones to death. I mean the man promised to give a better world to his friends and ended up committing genocide (killing 80% of humanity or four-fifth of the society). This man knows how to keep his promises. So he's also getting a hard NO on this one too. 
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He's always busy - 
From time to time, Dabi's shown to be busy in the series, like going around the city and doing his own thing (burning people alive that is) but he's not too busy to lend a helping hand to Shigaraki and the League whenever necessary. 
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So, he's getting a soft NO on this one. 
Gojo on the other hand has a habit of often passing on his missions to his students. In episode 2 of JJK, Megumi is left alone to fight with Sukuna and gets badly injured. Gojo arrives at the scene and it is revealed he was sightseeing and buying souvenirs while people’s lives were in mortal danger. 
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Surely, Gojo isn’t around a lot of times when he is needed. However, he does hold an important position in the Jujutsu Sorcerers’ world. Additionally, he has a lot of faith in his student. What I am trying to get at here is that while Gojo may not be there all the time, he usually has a good reason for it. Although he does seem the type to ditch his significant other in the middle of a date because he got distracted by an ice-cream truck or a baked potato stand. So, we’re gonna give him a soft YES to this one. 
Have we ever seen Eren being really busy with something and not being able to give quality time to his loved ones? Not really (at least from what I've seen so far). And due to the lack of evidence, I'm gonna give him a NO on this one again. 
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You never fully know them - 
Relationships, or in most cases, Situation-ships with fuckboys in real life can be pretty one-dimensional. You never fully get to have deeper connections with them because you never get to know them. 
Dabi, yes at first was mysterious, I mean really mysterious, but he also had a solid reason to be like that - to destroy Endeavor's life and career. But after that whole revelation happened, Dabi didn't hesitate to keep anything secret at all. He revealed and exposed everything that's related to him (including his traumatic past, his abusive father, etc.) to the whole world back in the war at Jaku City and later in the 2nd war when Shoto asked him why he didn't come back home after surviving the forest fire, Dabi again didn't hesitate to tell the backstory of his rescue and survival. 
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Dabi may not open up to his s/o at first, but he will at some point in time. Slowly but surely. It's just a matter of time and place until he'll vomit out everything. So he's again getting a soft NO on this one.
Seeing Gojo with this lens makes a certain degree of sense. Even people who spend a majority of their time with him can not seem to figure him out. However, in Gojo’s case, this is less a matter of his shallowness and more a matter of, there is no one in the JJK Universe who can stand beside Satoru Gojo. Even people like Nanami who openly say they don’t respect Gojo, still hold him in high regard and rely on him. In conclusion, while we may never fully understand Gojo, he gets a soft NO in this. 
Do we really need to say anything about this when it comes to Eren? 
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This man hid all of his plans, his emotions, his almost everything within himself in order to carry out and execute the genocide without any hindrance. For sure, Eren gets a hard YES on this one, no doubt about it. 
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Arrogance and self-obsession - 
I personally have other criteria for fuckboys and that is arrogance and self-obsession. We all know that canonically Dabi and Eren aren't arrogant or self-obsessed and they're not someone to show off how awesome and cool they are. Maybe younger Eren and younger Touya would like to have shown off their powers and abilities to others around them, but their older selves won't. So they're getting a HARD NO on this one for sure.
Gojo on the other hand actually fits perfectly for this. He has a degree of self-assured arrogance and this mostly annoys older or mature people in the JJK series namely, Megumi, Nobara, Maki, Panda, Inumaki, Nanami, Utahime, Yaga, Gakuganji, etc (while others like Geto and Shoko don't give a shit about it). However, naive people like Miwa, Yuji, or even Yuta find him quite interesting and charming. Gojo never misses a chance to show off how cool and awesome he can be. Additionally, he never shies away from praising himself when no one else will. 
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Having said that, is it really narcissism if it’s all true? Sure, Gojo smugly says he is the strongest on multiple occasions, but that is objectively 100% the truth in the JJK universe. 
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Conclusion -
Now that we’ve gone over almost all the factors that form a fuckboy, we’re ready to arrive at a conclusion. Based on their behaviors around their seniors, peers, juniors, enemies, friends, family, students, or whatnot, we can somewhat conclude that these three men might have the aesthetics of a fuckboy, but they are not. 
Well, at least Dabi and Eren are NOT fuckboys for sure, Gojo on the other hand, it's kinda complicated. And the biggest piece of evidence of Gojo being a potential fuckboy comes from Gege Akutami himself. As Gege said in one of his past interviews, he can not imagine Gojo being faithful to a woman. However, since Gege doesn’t plan on giving Gojo (or any main character) a romantic angle in the story, we’ll never truly know. 
Gojo is a lot of things, fickle, conceited, self-centered, arrogant, and so on. However, all aspects of his personality are completely genuine. He is someone who is capable of deeply caring about people and goes to great lengths to protect them and he brings people souvenirs every time he visits places. 
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This charming man-child might be a 6’3” walking red flag but based on all the highly scientific research and my personal feelings, Gojo is also NOT a fuckboy.
Dabi, on the other hand, might be the greatest, the coldest, and the emo-est, edgelord ever lived in Musutafu City, but deep down he still cares to some extent, feels remorseful for his wrongdoings, and even feels sympathetic and apologetic for certain people around him (for example, while he had no problem killing the Pro Hero Snatch, the latter's words appear to have resonated with him, implying that Dabi has sympathy for those that have lost family due to villains, as well as the loved ones of those who he has killed. This does not extend to his own family though, as Dabi has frequently contemplated their deaths for the sake of revenge). 
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It's just that his hatred and resentment towards his own father (also his whole family) are stopping him from becoming a soft boi. 
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Whichever version of Eren Jeager you choose, at the end of the day, he's just someone who loves and deeply cares about his loved and dear ones. 
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Don’t get me wrong, all three of them are still very frustrating men to have a romantic relationship with, but they are still lovable in their own ways and also loved by the fandom themselves. 
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444lpblue · 1 year
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What animes will I be watching in Winter 2023? (+ Staff Roundup) - Part 1
For leftovers from last season, I have Blue Lock and To Your Eternity 2, which I will continue to watch. Now on to the new shows! I will admit and say that Winter 2023 on paper doesn't seem like the most exciting season ever, however I have been surprised before.
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Buddy Daddies: Direction: Asai Yoshiyuki Series Composition: Kakihara Yuuko, Shimokura Vio Character Design: Sako Souichirou Studio: P.A. Works
P.A. Works has always been known for their original animes more so than their adaptation of manga series. Though recently they did adapt a heartwarming show in Ya Boy Kongming! They're now back in their roots with Buddy Daddies, the latest original anime in their lineup. Right up in the vein of Spy X Family, Buddy Daddies appear to be a family-centric story about two people with a dangerous profession who becomes intertwined with a little girl. The premise alone makes it one of the more interesting shows coming out in Winter 2023. Asai Yoshiyuki is not a director I have a lot of experience with except for some of his work in Fate/Apocrypha a series I didn't end up finishing mostly because of my school schedule at the time (I ended up forgetting about it). But Fate/Apocrypha if anyone has any praise for it, it has to be the action. Though Yoshiyuki himself probably wasn't very much involved in that aspect as a lot of the action praise likely goes to the action director, who we'll be talking about in the Fate/Strange Fake section. From my memory and just checking out the screenshots that people are posting on Twitter, his layouts are fairly nice, though I don't think he makes the best use of his lighting. It's sometimes overly dark and too many effects applied honestly. Looking at the trailer for Buddy Daddies, here it doesn't seem to be suffering from those issues due to it being a different style of anime completely. It's much brighter and less cinematic so I don't think those issues will plague the show. I wish I can talk more about Asai Yoshiyuki but aside from some nice wide-shot layouts, that I've seen from him and the flaws I've mentioned. I don't have too much to say. I expect Buddy Daddies action direction to be a bit above what P.A. Works has done in the past from eyeing the trailer, but I wouldn't be expecting anything similar to the output in Fate/Apocrypha. It should be a fun time on paper similar to this season's Akiba Maid War, maybe slightly limited animation at times but it's campy and fun.
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Fate/strange Fake: Whispers of Dawn (Special): Director: Enokido Shun, Sakazume Takahito Series Composition: ??? Character Design: Yamada Yuukei Studio: A-1 Pictures
My reason for watching this series is well... I watch every Fate series. At the time that I'm writing this, there hasn't been much footage of the actual anime. So only the last image is actually from the project, while the other 3 images are from Fate/Strange Fake PV from a couple years ago. However, the staff from that PV is returning to work on the special here, so it'll look very similar. To tell you the truth I was a little disappointed that it was A-1 Pictures again for a Fate project and especially with some similar staff not only is it the same character designer, but both of the directors also worked as action directors on Fate/Apocrypha. One of the praised aspects of Fate/Apocrypha was definitely its action, so this is a good sign for Strange Fake here.. But I'm just slightly disappointed. A majority of the Fate anime series have often been done by different studios. Shaft, ufotable Silver Link, Deen, Troyca, and of course A-1 Pictures. I would have loved to see another studio's take on a Fate series, but this is more of a personal gripe. From the small glimpses we saw of Prelati, I personally think she looks great in the anime. They've captured her personality really well with her look so big credit to Yamada Yuukei. I think the designs as far as I can tell seem much more appealing than the character designs in Fate/Apocrypha. Much bolder and more stylized. The composition of the scene is also really nice, varying different color tones throughout, with warm lighting playing favor to the character's face in an otherwise shot with a cool color range. It's unfortunate that this isn't a full series, but I'm for sure going to be watching this and it's likely one of the animes I'm most hyped about in Winter 2023 regardless of my small gripes with the repeat staff.
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In/Spectre 2: Director: Gotou Keiji Series Composition: Takagi Noboru Character Design: Matsumoto Kentarou Studio: Brain's Base
I've for the most committed to watching most sequels of shows I've seen before as long as I didn't completely dislike them. In/Spectre Season 1 was something I had several positive things I liked about it. The main protagonist in Kotoko is very likable, I can't say the same about her boyfriend in Kuro though. I thought their relationship was very constrained. The anime overall had solid production as you would expect from a Brain's Base work, it didn't blow my mind or anything of the sort, but it was good enough to watch without ever complaining. I thought the 2nd half of the season was really starting to pick things up and the mystery surrounding Kuro's cousin is genuinely very interesting. Yet, I can't really completely forgive the first half of the story for its painfully slow pace. This is very much an extremely dialogue-heavy show, which is completely fine. But I think the show could've used more engaging storyboarding in general, the scenes in which Kotoko is working out her plans and interacting with the people online, whom she's trying to convince to change the rumors of Steel Lady Nanase was done in a visual representation of a debate room in this almost like empty purple space. All of these could have been really cool, but the execution leaves a lot to be desired with plain shots and lackluster background design. It felt stationary and just very bland, making an empty purple void feel constrained when really it should feel vast and endless. I have had similar gripes with the dullness of the director, Gotou Keiji's work before in a series called Endride. That being said, I did enjoy Kotoko's breakdown of the case and her different tactics in trying to best Rikka. It was probably the most entertaining part of the series for me alongside with the interesting takes on spirits/ghosts designs throughout the show. I have higher expectations for Season 2 regarding the story because it seems like they're going to be exploring deeper into Rikka's story and her motive which is shrouded in mystery.
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Kaina of the Great Snow Sea : Director: Andou Hiroaki Series Composition: Murai Sadayuki Character Design: Fukushi Ryouhei, Kotani Kyouko Studio: Polygon Pictures
From the creator of Blame! and Knights of Sidonia, comes another CG anime in Kaina of the Great Snow Sea helmed by Blame! and Ajin director Andou Hiroaki. Polygon Pictures alongside Studio Orange are probably regarded as two of the best fully CG anime studios in the industry (with Orange receiving more of the praise) and this anime looks to be no different. The models have a very nice cel-shaded look to them similar to many of their animes, looking almost 2D in some shots. The environment makes good use of being 3D by being extremely large and the camera being able to display it all as it's a 3D environment. Hiroaki has worked with many CG shows in the past, so this will be nothing new for him especially when he's already worked on Tsutomu Nihei's other creations before. He is a very flexible director who while he specializes in 3D, makes very good use of 2D assets which can be seen in the extremely creative and also disappointing 2020 anime, Listeners. I don't have much to say about this due to the lack of knowledge of the story, but the staff is solid and the trailer showcases some impressive and large-scale environments that are nice to look at. I look forward to this one quite a bit.
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Kubo Won't Let Me Be Invisible: Director: Koga Kazuomi Series Composition: Takahashi Yuuya Character Design: Saitou Yoshiko Studio: Pine Jam
Pine Jam is a studio that has been around for quite some time but hasn't been that active throughout. Releasing only 7 shows since it's establishment in 2015, however, its presence has been noted. Many animated shows from them have a very particular look when it comes to how it's animated. They experimented quite a bit with breaking the style for different scenes to establish a different effect. From just messing around in a slice-of-life anime by providing a surreal visual to break the established norm of the series, to breaking models in combat scenes to establish impact and movement, the studio historically has had very interesting ideas. Their final products also come out fairly refined without much for me to nag on. I don't know much about Kubo Won't Let Me Be Invisible, except for the synopsis provided on MyAnimeList and Anilist, but it seems to be the most well-regarded source material that Koga Kazuomi has had the opportunity of directing. Most people probably know him from the now infamous series, Rent-a-Girlfriend, but looking at that show from a purely directional and storyboarding standpoint, it is a charming piece of work that displays Kazuomi's strength quite well. Just check out the opening of the Season 1 of the show, it utilizes interesting color palettes in the background to provide emphasis on the makeshift panels of the characters dancing in a very cute way. His boards tend to have also quite expressive facial expressions that are cute. This should fit the cute high school vibe that Kubo seems to also have. I look forward to seeing what interesting experimental cuts, the Pine Jam staff plans to sneak into this little show and it should be a fun chill time.
I'll be uploading part 2 sometime this week. It'll be around 5 more anime I'll be watching in Winter 2023.
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shazzeaslightnovels · 2 years
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September 2022
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(Series: Lycoris Recoil)
No, I still haven’t finished Youztisu 8. I’m getting there.
While this season didn’t have as much to offer as last season, I did really enjoy every show that I watched and was excited to watch them every week. There was one exception to this which was Hataraku Maou-sama which I put on hold after episode 7. I took a break from the show while on holidays and I fell behind it by 3 episodes and when I finally got around to episode 7 all I could think about what was how bored I was watching it. And I actually like volume 4 more than most people did but the execution was so lackluster for me and I did not want to go back to it. I will still finish it later but I needed to take a break. It’s a shame as I’ve been wanting this sequel for 9 years but I can’t say I’m surprised that it ended up being disappointing, given the change in studio and the general quality of the light novels after volume 2. I can’t say I was excited to see a 3rd season announced.
Shadows House 2: This was a very compelling sequel with an intriguing mystery and some great new characters. I do think that it moved a bit too slowly at times and it’s a shame that it ends on a note that feels even more unfinished than the first season did but I’ve been meaning to pick up the manga anyway so whatever. Still a really enjoyable season that shows off the talents of the animators and the voice actors.
Danmachi 4: This one isn’t finished yet but I’ve been enjoying this one a lot. I do think that the more recent episodes suffer from some low budgeted animation but the strength of the source material still manages to carry it. The light novel is better but the anime makes for an enjoyable watch nonetheless. I don’t know how long this season is meant to go for. I’ve heard rumors that it will be 22 episodes but I haven’t found anything official to confirm it (granted I haven’t looked far). If this is the case, hopefully the anime won’t become unwatchable due to budget issues in the second half.
Lycoris Recoil: I really enjoyed this anime overall, largely due to how much I loved the main cast, particularly Chisato and Takina and their dynamic. I had a blast watching it every week. I definitely think there was more potential to explore the setting and interrogate the whole premise of teenage girls being turned into assassins. There was a particular part where Mika mentioned that Lycoris tend to stop being active when they turn 18 and there was no further explanation as to why that is or what happens to them. It’s just briefly mentioned and glossed over. I do think it was a missed oppurtunity to explore that premise further but as is it’s fun action series with incredibly charming leads that I was super invested in and that was enough for me. I will picking up the light novel volume once I’ve cleared a bit more of my backlog.
Digimon Ghost Game: Recently, the show has focused on Hiro more and more to the point where several episodes will just have Kiyo and Ruli make a single appearance or not appear at all. It reminds me of a tv show where a character just won’t appear in an episode because the actor is busy and the other characters will have a throwaway line to explain their absence. It also reminds me of the Adventure remake but I don’t mind it as much because I don’t have an older, better show to compare it to and because I don’t care about Ruli and Kiyo all that much. I like them well enough but the show never really felt like it knew what to do with them. Ruli wanting to find “something” was alluded to in early episodes but hasn’t come back since and Kiyo felt like he was starting to have a character arc with him becoming braver but his cowardliness tends to be used as comedic relief more often than not which resets most of that character development. It’s not like Hiro is any more developed but at least I feel like he has a point to exist. That’s definitely the weakest point of this season: as much as I enjoy it, I can’t say the human characters are very well-rounded. It’s a shame because they definitely have potential but they’re not used well. Thankfully, the Digimon themselves have more than enough charm to make up for it and I’m still able to really enjoy it each week and get excited for every new episode.
Love Live Superstar 2: I wasn’t enjoying this anime as much as I enjoyed the first season for the first half of it. While I liked the new characters well enough, I didn’t care much for their introductory episodes and I questioned whether they really needed to exist. But I am really enjoying the second half and I’m glad we get to see more of the original team and how the new members fit into their dynamic. Episode 7 & 9 were particular highlights. I am also a big fan of the new rival Wien who is perhaps the most threatening rival in all of Love Live. I’m really excited to see how this season ends.
Next season, the only new thing I’m set to be watching is the second half of Spy x Family but I’ll probably pick up a couple of other shows. I feel like HiDive has snatched up most of the shows that I was interested in this season (like Bibliophile Princess) but I’m sure I’ll find something.
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roloko-karlstein · 4 years
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Me when I saw a Rolo cameo in the Resurrection movie
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Note
How long would it take the volturi to solve the Kira case?
Fascinating question, anon, I like it. So much so you get answered much earlier than you normally would be.
Shinigami and the World of Twilight
In Twilight there are few supernatural creatures that remain in our world. There's vampires, children of the moon, and the shapeshifter. However, these need not be the only supernatural creatures.
There have likely been mass extinctions (seen in Children of the Moon) and there may be more creatures that are so uncommon that we just don't see any hint of them.
Death Note's Shinigami easily fall into this category.
They live in another dimension, and in the human world (which they rarely visit in person), they're invisible to the eye save for those who have touched their death note. Their methods of killing are so unobtrusive, (heart attacks by default or whatever method they please), that they're unlikely to be noticed unless someone (i.e. Light) is trying to make a point. And in the grand scheme of things, Shinigami also kill relatively infrequently, meaning that any odd death gets passed off as that: an odd death. Also being forbidden to kill for the sake of a human being means that the deaths tend to be a) random b) whatever amuses them the most. That'd be hard to pick a pattern up of.
Shinigami exist in such a manner that I doubt even the Volturi are aware of them.
Some Ground Rules For the Post
I don't see why vampires would have an innate ability to see Shinigami that humans lack. As a result, the Volturi are in the same boat everyone else is, they can't see a Shinigami unless they touch that Shinigami's notebook.
Also, per the manga, the Kira case takes place from 2003-2010, meaning that as Twilight is happening (or before if Aro and the gang somehow solve this faster than L would), the world is mired in the Kira case.
Bella would certainly have been talking about it in Twilight. As would Edward, as he once had his Kira foray as well if on a much smaller scale and with a lot more junkies.
For the sake of my nitpicky need to have everything line up, we're going to push Death Note back a few years, to the beginning of Twilight.
Also, we're taking out L. If L's there, Aro can rely on him doing most of the work for him and only show up at the end to either murder or turn Light once L's narrowed down exactly who it is. That's not really fair per the ask, we have to leave the Volturi on their own.
With that, let's start.
Kira Makes His Appearance
Light's appearance was by no means subtle, he wanted to be noticed immediately, but he also didn't want to be noticed as a human being.
He made no televised announcements, left no messages, sent in no letters saying, "I am God, tremble before me". Instead, he let his silence speak.
He killed via heart attacks those he considered having broken the law to some heinous degree and then he sat back and watch. The public dubbed him Kira first and he only became a confirmed presence, something more real than a specter and a human who could be caught and brought to justice, when he murdered Lind L. Taylor in a public spectacle.
But this is a world without L, which means no Lind L. Taylor, instead we have Volturi and company in Volterra, utterly unconcerned with the human world.
Of course, they immediately notice once an undeniable pattern becomes clear. Human criminals are dying en masse of heart attacks, someone is making a message. The question is, to what end?
Aro wouldn't immediately think this is a human. This kind of power, this kind of gift, to be able to seemingly kill any person in the world at any time no matter the distance, is something too strong for a human. It would be unheard of to have this much power as a human.
Which means Aro believes he's looking for a vampire breaking the law.
The trouble is, it's only humans. The newborn wars are raging as always, every major coven he's ever heard of remains untouched, and there's been no noticeable uptick of deaths among the vampire population.
The only difference to them is that more of them are dangerously close to breaking the law, as crime rates are now plummeting as criminals live in terror of a spiteful god who might strike them down at any moment. This makes murders performed by vampires, in certain areas, far more noticeable.
(As Light is probably killing off known gang leaders, drug lords, etc. left and right, it's probably pandemonium in certain cities/countries. So vampires are probably alright in these places as I'm sure there's a lot of murder going on as survivors try to fill the power vacuum.)
Still, the Volturi have to put their heads together and try to think why any vampire would do this? To what end would they murder all these humans, in such a noticeable manner, and not even to eat their victims?
Aro concludes he's looking for a very young vampire, likely newborn, someone who still thinks of himself as very human and beholden to human society and who isn't aware of Volterra or else does not consider them a threat.
The Volturi Investigators
I think Aro's going to take the lead on this one. There's his gift, obviously, but he'd by far have the most interest.
Caius would be upset by the nerve of Kira, but he has no patience to track him down either when it becomes exceedingly obvious that this is going to be tricky. That, and it just doesn't seem like his thing to me. He's going to mostly sit this one out.
As for Marcus, he's not up to it.
Which makes Aro our lead detective.
The Investigation
Like L, the first thing they do is try to pinpoint the first deaths. There was the immediate deluge, of course, but that screams of confidence in this assassination gift.
Kira likely needed practice to perfect his gift or even realize he had it at all. There's going to be a first victim and it will probably be messy.
Given enough investigation, this probably leads Aro to Japan, where a man taking children hostage suddenly dies in the middle of the hostage situation when televised on national TV (though not outside of Japan). Given that Kira's a vampire, he could have moved from where he started quite easily, but Aro's willing to bet he's still somewhere in Japan.
What Aro does know is that Kira's keeping close to human society. Kira will be reading human papers, watching human television constantly, and appears to be very well-informed concerning his future victims. Both locally as well as internationally. Kira is likely still in a human settlement.
So, the first thing Aro does is look for an unusual number of casualties in any city or town in Japan. Kira will probably be in the newborn phase, may truly be only a few months old, and given his actions has probably been abandoned by his sire. Even if he has unusually high control, he's got to eat sometime, and thanks to his own actions the murder rate in major cities is way down.
Except... there's no uptick.
Crime, murder, in Japan is universally on a downwards trend. Major cities like Tokyo and small rural villages it's all the same, there's nothing noticeable.
Kira either isn't in Japan or... he's not eating.
Aro wonders if, perhaps this assassination gift of his, somehow feeds Kira. He is, after all, stealing life. He does it via heart attacks but maybe, somehow, the very act of stealing life is all Kira needs. Perhaps he doesn't have to drink blood due to this.
This blows Aro's mind for a few days but eventually he decides that, no, he's never heard of this. True, he's never heard of this gift either, but all vampires drink blood. Even Carlisle, who drinks animal blood, still drinks blood and suffers great negative effects for his avoidance of a natural diet.
Kira the vampire must still eat.
Which means, in the absence of any other explanation... Kira's not a vampire. Kira is likely a very gifted human.
Aro's mind is blown again because Holy Fuck, what a gift. Kira has blown Jane and Alec, who were only immediately noticeable in their own village, completely out of the water.
Except, the trouble is, neither Aro nor anyone else in the Volturi is a detective. Aro knows enough about human society to pay his taxes, to hire secretaries, and keep on the up and up, but he doesn't actually solve human crimes.
What he's looked for for thousands of years are vampires who break the law: and they have certain patterns, motivations, etc. that are more or less easy to spot. More, the entire point of his law is that, if Aro notices then it means you broke it. There are those that can and do fly under his radar.
How is he supposed to find a gifted human who can kill anyone in the world any time he pleases? From a brief perusal of Japanese news, there's no one immediately obvious as gifted or strange by local papers.
From earlier killings, Aro notes that Kira doesn't seem to kill between 8 in the morning to 4 pm, which might make him a student but also could mean he's working those hours.
And even if he is a student? How in the world is Aro supposed to touch the hand of every student in the entire country of Japan? Aro, who makes it a point not to navigate the human world.
Aro Calls in the Expert
When you want to hang out with the humans, there's only one vampire to call: Carlisle Cullen. As we're setting this in early Twilight, neither Eclipse nor Breaking Dawn have happened. To the Cullens, and Carlisle, Aro is simply a wise king and Carlisle's old friend.
And I'm sure Carlisle has been watching the Kira case very closely and is very disturbed by the entire thing. Kira's methods are very much not Carlisle's m.o.
Aro gives Carlisle what he knows: Kira's probably a gifted human, probably somewhere in Japan, probably in school, and has access to an extensive amount of human media.
That's it.
That's all Aro's got.
As for the police at large, without L, they haven't even narrowed it down to Japan yet.
Carlisle points out that, as much as he hangs out with humans, he doesn't think he could find the needle in the haystack either. However, he definitely wants to help in any way he can.
However, they do have something. Aro can't touch the hand of everyone in Japan, however, Edward can unobtrusively listen to a much larger segment of the population.
(Alice is off the table as she's best able to see the future of those close to her. Without knowing who Kira even is, let alone being close to him, she has no idea what he's going to even do next. She's likely very frustrated by this.)
Surely, whoever Kira is, he or she will be contemplating their victims more often than not. It's a long shot, but Edward might be able to find that needle in a haystack.
How's Edward Feel About That?
Edward's extremely conflicted. On the one hand, he doesn't want to disappoint Carlisle, and this is the first time Carlisle has ever asked him for a favor of this magnitude. And, in theory, Carlisle is right, all creatures are worthy of life.
On the other hand, Edward's on Team Kira. He thinks these rapist, murderer, pigs all deserve to die and is rooting for Kira to put the fear of God into them. Emphasizing this is when Bella was nearly raped in Port Angeles, but her would be rapist suddenly remembered himself and vomited in terror at the idea that he might be next should he get caught raping her. (As it is, Edward catches him, and a few weeks later he dies of a heart attack in prison. Edward pops the champagne).
More, if Edward goes to Japan, it means he has to leave Bella. Bella has proven she cannot survive without his personal protection. More, he's not sure he can survive without her presence. He can hardly contemplate the idea of leaving Bella, though he ultimately must, but to do so soon? He though he'd have a few more years, likely until they graduate, but now he and the family would have to move all the way to Japan in a matter of days.
Not to mention this would be letting Aro know that Edward's... not technically breaking the law but not not breaking the law either. Bella clearly suspects he's not human, she just doesn't have the right word.
And then to give Kira up to the Volturi? To have his activities stopped, to be turned and placed into the guard, or else murdered? Edward feels like he'd be selling out the brother he never knew.
But also Carlisle and imagining Carlisle's sad, disappointed, face.
Edward says yes but he really wants to say no.
He sneaks into Bella's room in the middle of the night, and for the first time, makes her aware of his presence. He tells her that regretfully he must leave her, he's off to do a man's work and catch Kira, and that they will never see each other again.
Then to Edward's horror and disappointment, Bella's completely on board for Edward catching Kira and thinks it's the noblest thing he could do. Charlie, being a chief of police, utterly despises Kira and Bella carries forward this sentiment. People deserve the due process of law, not being murdered off by some jackass conning people into believing he's a god.
Bella wishes him luck and tells him to return as soon as he can.
Edward just numbly says he won't be returning. This really is it. Goodbye forever.
Bella's utterly broken (though not nearly as much as canon as Edward didn't dump her for being boring).
Edward in Japan
Well, turns out, Edward's not actually that useful. There's a few problems.
First, there are a lot of people out there claiming to be Kira, or even convincing themselves that they're Kira. They do this to brag, to feel special, for any number of reasons.
None of them are Kira.
Second, Edward can only go out on cloudy days or at night, this severely limits when he can wander the streets and the people he'll run into. More, even if he starts with Tokyo, Tokyo's a big place. That's a lot of wandering to do.
Third, say that Edward does come across Light Yagami. Edward immediately dismisses him as being utterly insane. See, Light Yagami is talking to his imaginary friend, Ryuk, bickering about which apples they should buy from the store. Edward sees the giant clown demon that Light believes only he can see and goes, "Ah, another lunatic, cheerio."
Edward does not find Kira.
The Investigation Continues
Aro likely keeps Edward at it for months. It doesn't matter how long it takes, they're going to track down Kira and they're going to find him. It might take years, but dammit, they'll find him. Edward despairs that he will ever be able to go back to normal life.
Luckily for the gang, Bella saves their bacon.
Bella, ruminating on Edward's mission and on Kira, starts doing her own internet investigation. She doesn't get very far, but she does have those prophetic dreams to help her out.
Bella has a seriously weird dream about the moon, night gods, Kira, demons that look like giant crows, notebooks, and Light Yagami's face. Somehow, just as in canon with vampires, Bella's able to somehow put this together.
She calls up Edward (as they parted on more amiable terms, and so quickly, Edward did not yet disconnect his number) and tells him that Kira's name is Light Yagami, he's attending the University of Tokyo as the top student, and his murder weapon is an evil notebook.
How does she know this?
She looked it up on the internet.
Well, Edward isn't sure how to take that, but he also has nothing to lose. They find Light Yagami, Aro shakes his hand, and holy shit, Bella Swan was right. (Aro now decrees that she will be turned, much to Edward's horror and insistence that she has no idea he's a vampire, and has plans to recruit her for his guard).
What Are We Going to Do About Light?
Well, on the one hand, Aro discovered a new species today that he can do nothing about. Luckily, they seem to have their own laws that have more or less the same result as the Volturi laws: don't get noticed.
On the other hand, he's disappointed that this all-powerful gift was not a gift at all.
On the other other hand, Light does not seem to be an ordinary human. He's... lucky, for lack of a better term. No, it's more that he doesn't need luck, he somehow has such an awareness of everything around him that he assimilates it perfectly into his own plans. As if he can manipulate the very universe to his favor.
That's intriguing and useful, and in any other situation, Aro would jump on taking that chance and at least seeing what happens.
So the question becomes, does Aro turn Light or not? On the one hand, that's a useful gift, on the other hand, this kid's a loose cannon and a lunatic.
This Kira thing cannot continue, and Light, even as a vampire, would likely insist on continuing it somehow.
Luckily, there's a solution to this.
Aro burns the notebook, much to Ryuk's protesting despair. Light loses his memories of Ryuk, the notebook, and having been Kira. Before Light even knows what's happening, Aro turns him.
Three days later, Light wakes up a very confused vampire, gets the Volturi pitch with Chelsea there to help loosen bonds, and accepts a position in the guard to, oddly enough, stop those like Kira.
Aro's confused, but hey, they'll see how this Light thing works out. Aro also likely tells himself that he will watch for Ryuk trying to drop Light another notebook like a hawk.
The Kira case is never solved for humans: Kira just disappears one day as if he never existed. As for Light, I imagine he plots the destruction of the newborn armies, and Caius watches in utter fascination as this kid ruthlessly exterminates them all.
Bella is shortly turned into a vampire, much to Edward's despair, and due to the giant mess of this is also likely recruited to Volterra.
How Long Does This Take?
Given the need for the Volturi to first investigate, then Edward, I give them at least a year. Maybe a year and a half.
And really, it's Bella who saves their bacon.
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sunnymimis · 3 years
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A reference for my second JJK OC, Tatsuya! LOTS of information about him below (manga spoilers though so be careful)! 
Basic information:
Name: Tatsuya Suzuki
Grade: Special grade sorcerer
Cursed Technique: High-Speed, Deceleration
Techniques: Black Flash, All or Nothing, Revealing One's Hand
Hobbies/Special Skills: Reading
Favorite Food: His mother's cooking, sweet bread
Disliked Food: Meat and offal (his father's favorite)
Cause of Stress: Zenin family
Jujutsu Sense: 10/10
Classroom Learning: 4/10
Reflexes: 10/10
Additional notes:
He is 18 years old and a third year at Kyoto Jujutsu High until after the Kyoto exchange event, where he transfers to Tokyo Jujutsu High since he moved to Tokyo with Momoka.
He is the son of Toji Fushiguro and Momoka Suzuki, making him Megumi Fushiguro's older half-brother by two years.
Despises his father for causing so much trouble for his mother.
Underneath all of his anger towards him, there's a part of him that's deeply hurt by Toji leaving him and his mother at a young age for Megumi's mother.
Only reconciles his feelings about Toji after the Shibuya incident, where he encounters a reanimated Toji and fights him.
He's especially powerful since he has a grade 1 sorcerer for a mother instead of a civilian. He has his mother's surname instead of his father's. 
Toji was convinced the Zenin family would have taken him from Momoka or even killed her if they found out about him to get him into their custody.
As far as Momoka knew, however, he had her surname because of Toji's complicated past with the Zenin clan.
Momoka only found out about Toji's real reasoning a year after Gojo killed him. After this, she fled to Kyoto so she and Tatsuya could be far away from the Zenin clan.
He has Toji's physical prowess and his ability to possess zero cursed energy. Only Gojo and Mira Hontsu can sense his presence due to their innate techniques (but even then, it's difficult for them to predict his movements).
However, if he's unable to defeat his opponent in a certain amount of time since encountering them, his binding vow is broken and he can use his cursed energy he inherited from Momoka.
This vow is not broken often.
He is very close with Mira and regards her as a part of his family, usually referring to her as his aunt (baa-san). Only calls her by her given name when he's trying to prove a point.
Rarely uses honorifics with others except for people he respects, like Mira or Yaga.
Used to be in a relationship with his classmate, Noritoshi Kamo, but Noritoshi stopped it before it really started due to his duties to the Kamo clan.
Like with Momoka, using his high-speed technique renders him unable to see or hear since his senses are warped, so he's had to heighten his other senses to make up for it. 
This, combined with inheriting his father's already enhanced senses, makes him especially talented at finding curses without the need for residuals.
Prioritizes Momoka's happiness above all else. A true mama's boy.
He's taller than Gojo, standing at 196 cm (6'5").
Often bumps his head on doorways because of this.
He is regarded as quite scary to most people who don't know him and has an unfortunately terrifying resting face. Most of the time, he's simply daydreaming.
Barely passes his classes at school, especially if they're math-related.
He was a happy-go-lucky boy much like his mother until he encountered Geto at around the time the Night Parade of 100 Demons was set to occur. 
Geto had injured his mother due to her trying to get Toji's cursed spirit back from Geto, which made Tatsuya lose control and beat him up relentlessly.
In order to escape, Geto released 100 cursed spirits of varying grades in Tatsuya's direction to keep him away.
Tatsuya exorcised all of them, and this incident is where he got his scar on his cheek and likely the ones on his arms as well.
After the incident, he realized how much he enjoyed himself while fighting and became afraid of himself. He was unable to speak to anyone for a month afterwards.
Since then, he keeps a more deadpan expression and his emotions are more suppressed.
This story is also quite well-known in jujutsu society and is the reason why Tatsuya is designated as a special-grade sorcerer.
Hates it when people tell him he looks like his dad and prides himself on his resemblance to his mother. 
His bangs naturally fall like Toji's, but he styles them to look more like his mom instead ever since his encounter with Geto.
After the Shibuya incident, he has a scar covering his right eye. 
He has become blind in his right eye as well and typically keeps it closed when he's in battle or focusing.
Likes to tease people every now and then and can be quite playful with those around him despite his scary appearance.
He is paired with @novanoah​’s Rimini Binti Musa! The two dorks fall in love after the Shibuya incident, where Rimini helped Tatsuya recover from his injuries.
It was pretty much love at first sight with both of them since Tatsuya is TOTALLY the romantic type, and so is Rimini (even moreso in fact).
Tatsuya has a deep admiration for Rimini's strength and wants her to live her best life outside of her oppressive clan since he knows all too well what that can do to someone.
He tried to show her as many new places and activities as he could during the short time before she originally had to leave Japan. Of course, this only made them love each other more since they were basically going out on a bunch of dates but were too oblivious to realize it.
Rimini eventually ended up staying in Japan since she wanted to be with him. Cue Tatsuya losing his mind that he has a girlfriend now.
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dereksmcgrath · 3 years
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I had said before that the number 108 can be unlucky. It wasn’t unlucky at all for My Hero Academia: Vigilantes. But 108 is kind of unlucky for this episode: not only are we focusing on the Villains, but we just aren’t giving their story the structure and emotional weight it deserves.
(I either opened with those remarks or just made a bunch of corny jokes about how “Meta Liberation Army” can be abbreviated as MLA--and I’m saving those jokes for a future review.)
“My Villain Academia,” My Hero Academia Episode 108 (Season 5, Episode 20)
An adaptation of Chapters 220, 221, 222, 223, and 224 of the manga, by Kohei Horikoshi, translated by Caleb Cook with lettering by John Hunt and available from Viz.
My Hero Academia is available to stream on Crunchyroll and Funimation.
Spoilers up to My Hero Academia Chapter 325.
When I teach literature, I refer to the plot as a problem: it is something that the protagonist is trying to solve. This problem can take various forms, but it is often as an antagonist that the protagonist confronts. When this episode has the Doctor refer to a “villain” as someone “who turns nonsense into action,” that’s kind of the point: the villain is here to get the plot rolling. Without them, you don’t have a hero, you don’t have a story.
It has been long accepted by a lot of fans and scholars that superheroes tend to uphold the status quo. I think the first time I gained awareness of this popular argument--although likely not the first time I encountered it--was Dr. Horrible’s mangled remark that “the status is not quo.” More recently, however, I have been reading academic books on superheroes, and not only does that argument persist--that superheroes represent law, order, and upholding traditional norms even in the face of new evidence or out of sheer obliviousness to the need for systemic change--but the argument has become that, if a superhero story does not have the heroes doing something to effect systemic change, then it’s not a good story. I may be misunderstanding that argument, but if I don’t, then it’s not an argument I can stand behind.
The argument is that superhero stories tend to reduce complex issues to having avatars for each side of the issue--the good guy and the bad guy--get into a fight, where we are focused on the spectacle rather than on seeing actual people engaging in the actual work needed to address problems not on the individual level--again, one good guy physically fighting one bad guy--but on a larger scope.
I am oversimplifying this argument, as even those same scholars will point out that, initially, of course there were superhero stories that had the protagonist taking the fight against the system. Superman is one of the ones named most frequently, whether in his initial comic book premiere doing what police and media would not to face down a corrupt senator (a sign of things to come in his later fights with Luthor and in Justice League Unlimited) or fighting the Klan (in the meta sense, fighting their analogue on the radio show and, more recently, literally in the comics). It kind of makes Superman look like one influence on the Peerless Thief in My Hero Academia, but we’ll get to him far later in these episodic reviews.
Even with that exception of Superman, it’s not hard for me to agree with the argument that heroes prop up the status quo. That has been the plot point for My Hero Academia and why this war against the villains has been incoming: a system that depended on just All Might, now depending on a wife-beating abusive father like Endeavor with his crimes not popularly known, has a level of corruption that cannot stand up with just one man’s shining example of honest goodness and integrity to be the Symbol of Peace. It was why I appreciated the manga eventually showing that, yes, there was an entire network of assassins within the Hero Public Safety Commission to keep All Might’s hands clean--and, in retrospect, while Lady Nagant was our first named example, given what Hawks ends up doing to Twice, deadly force may be frowned upon by law in MHA but has to have been something Hawks was told he had legal authority to do. (Also, as I will never stop pointing out, Endeavor unintentionally and unknowingly killed another Pro Hero in Vigilantes, and we’re just supposed to pretend that was fine.)
But going back to this academic argument, about how superhero stories tend to stick to one-on-one battles and don’t let the heroes effect systematic change, I’m ambivalent. There have been a range of superhero or superhero-adjacent stories that have the protagonist making on-page, on-screen, obvious work to not just get into fisticuffs with the bad guy. I already pointed out Superman’s first appearance and his fight against the Klan. I can also identify other examples, some hamfisted like Captain Planet, others more nuanced like Korra reaching out to Kuvira in The Legend of Korra. While the scholarship I read bristles at the idea of reducing these fights to just avatars for good and evil, I shrug and say that kind of comes with the territory of a superhero story. I hate justifying tropes: it’s like saying “this fanservice is acceptable because that’s part of the genre”--which leads to its own set of problems, especially when I hear fools defending sexualized fanservice that is just not needed for the story and is abusive by gender and representation. Heck, The Brave and the Bold animated series had Equinox and Batman battle as giants representing the avatars of chaos and order--which is confusing enough, with Equinox having a vaguely yin-yang motif that debunks any clean separation between chaos and order. And yet, here I am, arguing that this kind of fanservice of a hero and a villain beating each other up is to be expected: you have a debate about ideals of what a hero should do when you see Iron Man and Captain America each representing a side in a fight, whether the poorly handled comic book Civil War or the better film version, and even then, that film also lets the individual personalities get in the way of saying anything meaningful about government oversight and individual agency, ideas better handled in that other Captain America film, The Winter Soldier, and even then that film also gets stuck in just being about Steve and Bucky’s relationship.
All of this is me saying that, when you add a superhero to the fight, you’re going to feel disappointed that almost nothing systematically changes in its setting, not only because, as I’m hinting, these are stories about individuals fighting each other and not stories about the individual against society or nature, but also because a superhero can only change so much of their world for the better before that world no longer looks like our own or a new societal problem has to emerge to create the problem that is the plot itself for wherever the story goes next. Once a hero makes the setting into a utopia, either a new problem emerges to show the fiction of that story and that a dystopia is always married to a utopia, or the utopia is revealed to be hollow (Shigaraki’s word of the day) and fake. My Hero Academia already showed the utopia of a world where people get to live with their Quirks is fake, not only by (largely necessary) regulation of those Quirks but also, as we’ll see more with Spinner, Compress, Toga, Gigantomachia, and others, looking different, or being socially aware, or having disabilities, or being the “wrong” size, excluded you from that society.
What I’m trying to say is that, once you add superheroes into a story to fix the problem, you can’t show what systematic change looks like. How do you write a story where it makes sense that no hero came to save Tenko Shimura from becoming Tomura Shigaraki? What’s a story like My Hero Academia supposed to do to show the problems with a society, if you have superheroes who can fix those problems by beating up the bad guys?
Solution: You have the bad guys beat each other up.
In this corner, the League of Villains, people who were made outcasts because they did not fit in--which reveals the flaws of a society that is not accepting people who may not be able to change their past or their bodily conditions.
And in this corner, the Meta Liberation Army--which reveals how society breeds people in business, media, and politics who abuse laws and societal norms to elevate themselves and create a social Darwinist nightmare.
Granted, these are some foolish schmucks for starting up this fight in public, but I’ll address how the MLA just doesn’t work in a later episode review.
But for now, let the fight begin. No matter who wins, at least we see how society at large allowed these Villains to emerge--and we can either see All For One’s dictatorial forces get wrecked, or see Re-Destro’s fascistic oafs get wrecked.
Unfortunately, no matter who wins, the Pro Heroes are going to lose, too.
I am overly impressed with myself for realizing all of this. And I say “overly” not only because this is arrogant of me but also because I’m pretty sure just about every other person following this series already came to this conclusion: if you want to show actual systematic change, you have to show what the villains are up to, because they are the ones showing the holes in our society that need to be fixed. Either a villain exploits those holes to cause damage to people, or the villain is themselves representative of unfairness in the system and, by breaking the law to save themselves and others, are unfairly maligned as villains.
That being said, I’m not a big fan of the “[Insert villain’s name here] was right” arguments. Yes, Magneto is justified in his goals and ethics, and the debate is the means he takes to them, so his existence is to show why the X-Men are screwing up and need to be more radical. Yes, Killmonger is right that Wakanda’s isolationism is reckless and allows for travesties to persist, but his choices are largely out of individual desire for vengeance, so he’s an example that T’Challa can follow. Taken too far, though, and you get people who preach anti-establishment notions without having an alternative or are just trying to sound edgy rather than actually pointing to the actual problem: it’s someone who celebrates the Joker without recognizing that, no, you don’t want to be that asshole, or who celebrate villain-turned-hero Vegeta just because he looks cool and without appreciating what steps he took to change and what fall he experienced before he got to the point of being a villain.
In all these cases, if done poorly, you have the same tired trend of a villain existing only so long so that the hero changes for the better. It’s as tiresome as I unfortunately sometimes feel reading post after post celebrating how complex and sympathetic the League of Villains’ members can be when, still, a lot of them are just assholes using empty excuses to defend atrocious behavior (primarily, just All for One) or, for the most part, are people put into desperate situations (Shigaraki, Toga, Spinner, Dabi, Twice) who are doing the best they can (Twice, Spinner) even if their actions are not defensible (Toga) or also out of line (Shigaraki) due to their own refusal to seek the legitimate help they need to work through their issues (Dabi).
It’s hard to read posts online calling the League members sympathetic when we have not had a chance in the anime to know their full story. And as with the slow revelation that this setting is not really as welcoming of people of all shapes and sizes as initially hinted, so too do the villains’ backstories show that they were justified in some actions they took, except for those that led to deaths. Too bad none of that really pops up in a meaningful way in this episode that would rather tease out Shigaraki’s back story, keep dangling the obvious answer to who Dabi really is, and short-sells what should be a meaningful friendship between Twice and Giran but is just dropped as fast as Shigaraki takes off Twice’s mask. Jeez, Shigaraki, that is a dick move to Twice…
But I’m already on Page 4 of this rant, so let’s get to the episode already.
Pulling back the curtain yet again, these reviews tend to follow a pattern. Since I first wrote about the MHA anime, my process would be to first re-read the chapters, then watch the episode in Japanese, then watch the episode in English, so as to retrace my steps in how I first encountered most of these stories, as well as to see any patterns in the production process moving from manga to anime to localization. But with this episode, that practice was made nearly impossible given how prevalent the hostility towards this episode, this arc, and this season have been, especially when a friend shared numerous reactions from other viewers about this episode. Seriously, for all the whining I just did the previous four pages, you could read this person or this person who are much better at explaining why the introduction of Re-Destro to the anime sucks, for more than one reason.
So, I had a different approach: I already had the flaws to this episode shared with me by other viewers, then I listened to the English dub, then I re-read the chapters, then I watched the Japanese dub with English subtitles.
And, boy, am I grateful I took that approach, because this episode is a ton of talking--too much talking. For an anime adaptation that cut so much of Spinner’s Leonardo from Ninja Turtles narration, I’m shocked that they kept the boring parts of his narration and cut the only good parts, including the very opening that had a lot more action and gave us a reason to sympathize with these Villains.
I know I’m a snob regarding animation; I have expressed before how, despite my love for animated works, I tend to appreciate them more for what they do with storytelling rather than the spectacle of the visuals. I really dislike works where the value of the work is in the animation alone: I am here to see a story unfold, and if there is no narrative, no plot, no beginning-middle-and-end, then what I’m encountering is a museum piece, not a work of cinema. (Feel free to bash me for that hot take: I’m still railing against Patty Jenkins’s ridiculous argument from this week.)
And as with most forms of karmic punishment I experience, I pay the price: if I rail long enough about works that are only all about the animation and not the story, then my punishment is an episode where all we get is a lot of story and not much in the way of animation. Yet I can’t even say we got a story here, so much as back story, exposition, needless narration--it’s Blade Runner only bad. As much as I have loved how this anime’s storyboards stick so close to the manga panels, the pan over the League listening to Shigaraki’s vague back story felt like the least interesting way to handle this scene, especially when it excises so much of Spinner coming around from questioning Shigaraki to sympathizing with him. Who would have imagined cutting so much of Spinner’s initial narration and the opening from Chapter 220 would screw up how to adapt Shigaraki’s back story from Chapter 222.
The anime cuts how this arc begins in the manga: Chapter 220 starts with Spinner facing off against an extremist group that hates him for his reptilian appearance--a moment that would have garnered more sympathy from the audience for these Villains than this episode is exhorting. We needed a scene to get behind these villains and agree with them, before we are shocked to hear Shigaraki say what we have long expected, that he just wants to destroy everything and make everyone as miserable as he has felt, to wake us up that, no, you may sympathize with these outcasts (to use Twice’s one-word self-description), but you shouldn’t agree with Shigaraki’s goals. (I know Shigaraki relents somewhat when asked by Toga, but it’s hard to backtrack from “destroy it all” to “destroy it all but not the stuff my friends like.” How on Earth is Shigaraki going to destroy Izuku when Spinner somewhat admires the guy and Toga...well, yeah, best left unsaid.)
While watching this episode, I also was reviewing other topics about anime and manga I’m going to go into more detail about later this month, and one topic of discussion is the assumption that anime and manga, by their visual style and story tropes, especially shojo and shonen, tend to be about big expressions--emotional outpours in words, movements, facial expressions, and actions to more easily communicate what is happening, regardless of context.
I hate to keep repeating “ambivalent” in my reviews (another academic word I need to expunge from my lexicon for a bit), but I’m ambivalent about that argument, that anime and manga, especially shojo and shonen, are better at communicating. If your character is unreadable, that likely has an intentional reason: we don’t get much of a read on the Doctor in this episode, not helped by his mustache and glasses, but we also don’t get a read on what Shigaraki is up to.
This episode only heightens my regard, not just about anime, manga, shojo, or shonen, but in animation and comics at large, that not everything is readable in what a character is planning.
On the one hand, I do agree that visual works tend to make ideas easier to comprehend for some people who can engage with such visual works. As someone who teaches English literature and writing in a United States setting, I use comics in my teaching to cross language and cultural barriers, especially for students for whom English is not their primary language or who are the first in their family raised in the United States. And this teaching approach also helps in reverse: I include manga and anime in my teaching to show how not all details cross language and cultural barriers in a one-to-one correspondence, hence the challenges of translation and localization, and how all of us struggle to make ourselves understood within our own primary language to someone else who is fluent in that language, let alone trying to translate into another language or to present ourselves in a different set of cultural norms.
On the other hand, anime and manga are not a fixed genre. Yes, I agree that the images tend to emphasize big eyes, big expressions, and big motions--but that’s like saying all animation is Looney Tunes, or all animation is Disney, or is Dragon Ball, and so on. Likewise, as I’ve discussed elsewhere, shonen is more than just one type of storytelling, and the same goes for shojo. This arc of My Hero Academia is placing focus, after admittedly far too long, on the Villains as the protagonists--and their behavior pokes holes in the idea that things are obvious, when the Villains are themselves such liars, so crafty, have their own hidden agendas, are keeping secrets from each other. It’s as if their behavior is a commentary on this plot and how BONES is adapting it: the Villains are keeping secrets, so this plot is going to keep its secrets for just who Re-Destro and the Meta Liberation Army are, what their personalities are like, and what Shigaraki and the Doctor have in mind for getting what he wants. We’re even kept in the dark as to Shigaraki’s full back story; we’re in the same position he is, knowing just little bits and able to make assumptions from a handful of visual cues and memories, without fully knowing who the hell Tenko is. Add to that Spinner’s struggles to narrate all of this and to get into Toga’s mind and Shigaraki’s mind, as well as Dabi’s own secrets and agenda with Hawks, and we have a story that blows up the notion that anime and manga are easier for reading a character’s mindset: no, they are not always easier, not when the creators deliberately mislead the audience or keep them in the dark for a surprise.
By keeping so much of the audience in the dark, so that we become aware of how deceitful villains can be, and we are put into Shigaraki’s place of not knowing where he came from. This should be a set of brilliant choices by BONES to adapt this arc in this manner. But the problem is, no, almost none of this gets anywhere close to brilliant. It’s not brilliant--it’s frustrating, because we already know what is going to happen. You can just pull up the manga at low cost with a Viz account and read all of this in the order it was originally presented and get the answers ahead of time. And if you’ve been reading the manga all along, you already know how this arc ends, and you know stuff from the next set of arcs so that you do know already what Shigaraki’s back story is, what Dabi was really up to, who survives, who dies. You even learn more about Compress’s back story--stuff that really should have been hinted at much earlier in the manga, and could have been hinted in this adaptation but as of this episode has not.
Maybe that is why the anime removes Re-Destro murdering his assistant: it’s such an odd moment that it is challenging for me to get a read on Re-Destro, as he alternates in the manga between being very friendly and devoted to his comrades but also violent and heartless.
It may be obvious that I didn’t like much of this episode. I think when I stopped taking this episode seriously was when I heard the voices. Like I said, I tend to start with the Japanese dub first before getting to the English dub. And I have nothing at all against English dubs: I would not be listening to them as much as I have, often first before I ever hear the Japanese, and I would not be a fan of so many English-speaking actors in dubs if I had any animosity to the craft, their work, and the benefit they provide for creating a larger audience for these stories. And nothing against Larry Brantley and Sonny Strait, but some of this casting feels off. I wasn’t able to take this episode seriously as soon as I heard the voice distortion that was used for Re-Destro’s phone call: that took me out of the story. If I had the chance for localization, I would really need Twice or someone to call out how freaking ridiculous that Mickey Mouse voice sounded. You have freaking Sonny Strait here: use the Krillin voice, use the Chibi Ragnarok voice, use the Usopp voice--use something, really go bizarre here, it’s just a voice distortion device! And as I said, nothing against Strait, but when I hear Re-Destro when I read the manga, that’s not the voice I have in mind. For right now, HIroaki Hirata in the Japanese dub is closer to that smoothness I expected for this character. But I have no doubt Strait will do excellent as Re-Destro’s empowered form: think Strait’s role in The Intruder II from Toonami. It’s just that Re-Destro in the English dub is lacking that odd refinement I was expecting.
Granted, it’s the same problem for me when I hear Brantley as Spinner: I am making unfair assumptions that don’t suit the goals of the creators when it comes to this character. It is sadly not as obvious in this episode as it is in the manga: this arc in the manga starts with Horikoshi invoking Laird and Eastman’s Teenage Mutant Ninja Turtles by having Spinner, who is already a sword-wielding reptilian martial artist, narrating just like how Leonardo narrating at the beginning of the very first issue of TMNT. I wanted a voice for the English dub that is like Leonardo’s, a little higher pitch and more youthful, like what Brian Tochi brought in the live-action Turtles film or what Cam Clarke and Michael Sinterniklaas bring in the animated versions. I think, for the Japanese dub, Ryo Iwasaki’s performance as Spinner is very close to what I expected. But that also may seem too obvious: Spinner may be young, but giving him an older-sounding voice can belie his inexperience, youthfulness, and naivete, similar to how people make assumptions about him by his reptilian appearance. The anime is putting me into my place--I think of Spinner one way other than who he really is, so I’m no better than the people around him who have discriminated against him for his physical appearance.
Just as I have a set of assumptions that unfairly influence how I would cast Spinner, I also think Re-Destro should have sounded more refined and less graveley in the English dub. But my expectations belie that, just the Joker whom he resembles, Re-Destro puts on this cultured facade to hide that he is just another violent gangster thug, someone who would kill his own assistant. I know I cited examples above about how complex Re-Destro is, but it’s hard for me to see him as sympathetic just because he’s crying over something he did out of his own volition: he coldly killed his office assistant Miyashita, his tears and kind words don’t suddenly make this a warm and cuddly death, we don’t get to think of him as our woobie. It only makes it more irritating that BONES so far has cut not only that scene of Re-Destro killing Miyashita but also Re-Destro’s TV commercial: it would clue us in that the reason he has that gravelly voice is because, no matter how much he tries to present himself on TV, he is not that kind of a man.
But since I invoked the Joker comparison to Re-Destro, yeah, I’m disappointed we didn’t get Troy Baker as Re-Destro, as unlikely as I imagine that would be to happen, regardless of Baker’s previous work with Funimation. It does lend a bit more to conspiracy theories on my part, though, given casting director Colleen Clinkenbeard telling Twitter followers to stop expecting Mark Hamill in MHA, it’s never happening--we can’t even get Troy Baker doing his Mark Hamill Joker.
(I’m not being fair to Baker: I’m not saying his Joker is at all bad--it is not, he has been excellent as Joker, especially playing him and Batman in the Ninja Turtles crossover film, but it is obvious Baker is performing the kind of Joker that came out of Hamill, so I’m trying to say he’s doing the “Hamill Joker,” rather than the “Nicholson Joker,” the “Ledger Joker,” or the “Caesar Romero Joker”).
It’s also a challenge to sympathize with these characters when we aren’t getting what this arc should give them: a re-introduction. I hate approaching this episode in a post-James Gunn The Suicide Squad world, but seeing how much MHA owes to not The Suicide Squad of the comics but that motif in so many superhero comics, there is that missed opportunity to reacquaint the audience with who are the members of the League of Villains. So, where the hell is my freeze-frame re-introduction to each League member? There was that fan theory a long time ago that Giran was really Present Mic in disguise: imagine doing Present Mic’s introduction of characters by name, Quirk, and pithy comment, only it’s Giran in the announcer seat this time.
(Don’t even get me started on how annoying it is to have Izuku handling the post-credit preview: give that to Spinner.)
Again, maybe it is brilliant for BONES not to include some re-introduction scenes, whether narrated by Giran or happening naturally in conversation between these characters. These Villains barely know each other’s back story, so there’s no artifice where they would believably share their back stories to each other in conversation in this context. And as I said, Shigaraki does not know enough about his own past, and Dabi is hiding his real identity. But when we’re stuck with Spinner as our half-hearted narrator, who seems not to know why he and Toga are still here with Stain being gone, and when Toga is this dull in her answer about what keeps her going after Stain’s arrest, and when Spinner himself seems not to know what he’s still doing here, all of that does not communicate a reason for us to keep going with this story.
I know this arc is going to get better, storywise at least, just based on how it went in the manga. I can only hope that the animation can capture the chaos that the original manga illustrations showed. But I am trying to think what a new viewer is going to do if this is their introduction to this series. I’m not invoking the Episode 7 Rule, I’m not doing a hypothetical experiment to gauge which episodes are the best to bring a newbie into this series--I am asking, honestly, if a fan was already into this series, and was watching it one Saturday morning, and a friend or roommate or relative saw them watching, they would be utterly lost about why they should care about this. Even the explanation for why Twice is indebted to Giran is presented as such an afterthought that does disservice to a potentially emotional moment, to what is supposed to be a pretty deep friendship, as deep as it can be for a weapons trader like Giran and an outcast-turned-criminal like Twice, so that, when Twice helps rescue Giran, we feel that emotional payoff.
It is honestly shocking that, for all the throwbacks, recaps, and flashbacks we get, including how Giran’s fingers match up to previous places where the League fought, that this still leaves a new viewer in the dark. And the problem lies at the feet of MHA arriving at a fifth-season slump: the series has gone on so long that things feel lazy and making far too many assumptions on what knowledge the audience is bringing. You’re not getting a bigger audience if you keep appealing to the diehard fans and the people reading the manga. After all, why would you keep doing ridiculous recaps and flashbacks if the fans already know what happened?
But speaking of the recaps and flashbacks, that should have been how this episode redeemed itself. As I said last time, if you re-worked the order of episodes to start with the Oboro Shirakumo story, that would be more shocking. But what if this episode could have been the very first episode of the season, and following the trend of previous seasons, make it a recap episode? We already had Izuku narrating a clip show, Class 1A at the pool, a photojournalist visiting the UA Dorms--it would be so much more interesting seeing “League of Villains camping in the woods while in the background Shigaraki gets squished by a giant.” Have the Villains tell campfire stories about how they got here: it would be a great excuse to re-use the animation and save on the budget. You could fit in a few gags, as Toga starts telling a really gruesome story but gets distracted by all the blood in it, while Twice’s story bounces between sugar-sweet happy and grim-and-dark chaos, while Compress and Spinner are stuck trying to keep them focused. It’d be a hell of a lot more interesting than how BONES somehow screwed up a potentially emotional volatile moment between Izuku and Amajiki that would put into question whether Izuku is going to have to kill a Villain and just how devastated Amajiki feels after Mirio lost his Quirk.
And speaking of whether Izuku is going to have to kill a Villain: obviously, this arc is setting up how much more dangerous Shigaraki is than UA gave him credit. Back in Season 2, I hated how Nezu and UA staff referred to him as a “man-child,” given the connotations that have surrounded masculinity and being a man. I wrote that before 2016; in this post-2016 atmosphere, and the increased prevalence of toxic masculinity, I am, once again, that annoying word ambivalent. I am likewise ambivalent how well this series has shown Shigaraki to be able to form the plan he does by episode’s end. We’re only told by Spinner how much faster Shigaraki is getting and how much slower Gigantomachia has become--but the animation doesn’t show that. And we’re being told how great Shigaraki’s plan is--when it sounds ridiculous.
By cutting so much of Spinner’s narration from the manga, we also don’t get a scene where Spinner confronts Shigaraki to ask him what is his plan. Up to that point, Shigaraki has said that, with Kurogiri gone over the last month and the computers at the old League hideout destroyed, they can’t reach the Doctor. Spinner is insistent: what is the plan? Shigaraki responds that he just told them--as Gigantomachia crashes through their hideout. The other characters explain for readers like me who aren’t following: Shigaraki just said Kurogiri was gone; to contact the Doctor, Kurogiri sought Gigantomachia; Gigantomachia would sniff out where Shigaraki is and bring him to the Doctor. Brilliant--that shows more attention to Shigaraki’s planning and scheming, and now, it’s not even here in the episode to make me think this guy is that smart. (This episode also had Shigaraki reveal his plan to have Gigantomachia attack the MLA, whereas it was Spinner who predicted that was going to be Shigaraki’s plan--so, again, we’re not letting Spinner stand out as smarter than we expected, either.)
I know Shigaraki is supposed to be our chessmaster, given his association with gaming, especially when he was faking his ignorance about shogi to lower Overhaul’s guard before defeating him and stealing his Quirk-cancelling bullets. But I’m having the same problem I had when following All For One throughout this anime: it just feels like these two antagonists are getting ahead out of sheer luck and because everyone else is a fool, not because either of them are that great as villains. Give me a Xanatos, give me a Luthor, give me a Norman Osborne (not Clone Saga Osborne, a different one). Show me Shigaraki is more than a pawn for All For One and the Doctor, because I don’t feel anything here, not even when we’re supposed to feel that Shigaraki has some legitimate concern for All For One that just isn’t getting communicated to me, whether by my stubbornness or because the content is not giving the animators and actors what they deserve. Eric Vale can sell the hell out of a scene, but Shigaraki’s talk about All For One is not giving that opportunity to the actor.
My remarks this time are a lot more disorganized and doesn’t really arrive at any conclusion. I have more to say about how this arc works and doesn’t work, especially when it comes to how ridiculous the MLA comes across in underestimating the League, but we’ll get to that next time.
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itsallanimeandgames · 3 years
Text
Suppression (1)
Alpha Hanamiya Makoto x Omega Y/N
Omegaverse  |  Angst  |  Drama  |  Romance
Warnings: Language, Violence, Mature/Suggestive Content
Hanamiya Makoto discovers you aren’t an alpha.
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Mentally you had prepared yourself for the looks and rumors. You practiced responses to all the backhanded compliments and questions that were sure to come. The society you lived in was all about status.
Kirisaki Daiichi is a school with high promotion percentage. It's known to be popular among children from rich families and those with a higher social standing. The only flaw was that it accepted all genders. It fell behind the elite all-alpha high schools that catered to that cream of the crop of the twenty percent alpha population.
That’s the kind of school you were expected to attend.
The fact that you, an alpha from an affluent all-alpha family, had entered Kirisaki Daiichi instead of an all alpha school like your brother left many wondering what was wrong with you. They never suspected the truth but made theories of their own.
The most popular of them all was that you were somehow lacking intellectually. Those who had only heard of you but never seen you thought perhaps your looks were to blame. Be it looks or intellect, they all came to the conclusion that you were unloved or unwanted by your family because of your flaws.
In a way they were correct. They may have never outright verbally expressed it but it was clear enough in their actions and roundabout remarks. You were their greatest failure. Compared to their first born who excelled beyond their expectations you were best forgotten.
It wasn’t always like that.
Up until middle school you had experienced that one percent. There was nothing you couldn't do thanks to your influential family.
It was something your younger self took for granted.
Your father was a renowned author of medical journals who had retired from practicing medicine and your mother a former national tennis champion. Their firstborn, your brother, profited from his inherited good looks and became one of the highest-paid models in the world, recently he even began entertaining offers to transition into acting.
It was a family of strong alpha lineage.
Breeding between alphas is incredibly difficult. Having two children was seen as nothing short of a miracle and so you were extremely doted on by your family as a child.
All that changed in an instant...
One unfortunate day in middle school. A routine school physical identified your second gender as Omega.
“How can this be?” Your mother tightened her grip on the sheet of paper that stated the results. There in black and white was the undeniable truth.
Your father’s once loving gaze turned into one of pity that eventually seemed more like resent. There had been rumors within his family. Several generations ago there had been an Omega on his mother’s side. Now it would seem such rumors were confirmed.
From then on you carried the burden of being living proof of a tainted family history. However your father wouldn’t allow such a huge revelation be brought to light. He paid quite a sum of money to keep those involved silent on the matter. He even went as far as using his old connections in the medical field to forge medical documents.
On paper and to the public you were an alpha.
Your remaining childhood was spent perfecting the lie. A private doctor, knowledgeable on omega physiology, was brought in to monitor and administer the best suppressants for your individual case. It was vital to keep you from going into heat. A collar would be a dead giveaway of what you truly were thus, it was forbidden for you to ever wear one.
For a child that grew up loved to suddenly have it all taken away...
The shame of being an omega in a family of alphas weighed heavily on you but there was nothing you could do. You’d rather put up with these circumstances and live as an alpha in everyone else’s eyes to the alternative.
Society was hard on omegas. They were victims of discrimination, assault, and persecution. Often you heard on the news how unfortunate omegas suddenly went into heat in public. They would be unwillingly mated or worse, paired with someone for the rest of their lives.
Ignorance truly was bliss.
If you could live peacefully as a fake alpha despite your personal life, so be it.
That morning when you left for school your father was nowhere to be seen. He was most likely upstairs in his study tapping away on the computer as he wrote his latest work. Your mother appeared shortly before you left only to give you a last reminder to keep up the family’s image.
You agreed to play the part your parents asked of you.
During the entrance ceremony you sat up front, in the second seat. It seemed you had placed second in your year. The fact that there was someone who scored higher than you was a testament to the school’s admissions.
You heard the whispers.
“Isn’t that her?”
“I heard she didn’t go to the same school as her brother because she didn’t pass the entrance exam.”
“She must be a recessive alpha.”
Even the slightest glance their way would validate their gossip and you were above giving them the attention they wanted so you kept your eyes forward focused on the current speaker at the podium.
\\\
You kept to yourself, never socializing with anyone more than you had to. You gave vague and straightforward responses to questions in order to avoid their prying into your personal life.
It was typical ice princess behavior in their eyes.
And although some talked behind your back for it, others admired the fact that you didn’t try to establish yourself as the social queen of the school just because of your social status. There were plenty of other girls itching to have everyone on their beck and call.
Yet, alphas were known for being sociable charismatic people so you had no choice but to participate and feign a social life.
That’s when it all began. Countless people asked you to join their club or sport. The golf team was especially earnest in their pursuit. At one point their freshman recruiting officer who doubled as the manager of the team somehow became a close acquaintance.
“Come on Y/N,” The short girl quickly packed her stuff at the end of class. She needed to get to the club room quickly but wouldn’t miss another opportunity to convince you. “It’s co-ed,” she wiggled her brows trying to entice you with the opportunity to interact with boys.
“Sorry, I’m not interested.”
“Hmph,” she exhaled puffing her cheeks. “Fine I give up for today but I’ll keep annoying you until you accept.” She ran out of the classroom at full speed.
You had to admit her passion for the team was admirable.
It was unfortunate that you liked her because you couldn’t open up to her and truly become friends.
But by far the most unfortunate thing was the fact the staff saw you as an opportunity to boost their image. After a few months they began to work up the courage to approach you.
“Miss Y/N, can I talk to you for a second?”
The bell had just rung, signaling the end of the school day. Everyone had left in a hurry except for you and those who had no choice but to stay since they were on cleaning duty.
You nodded your head and followed him as he lead you down the halls.
“Miss Y/N we couldn’t help but notice you haven’t signed onto any extra curricular activities. Here at Kirisaki Daiichi we require that every student go beyond academic success.”
You sighed perfectly aware of what he was getting at. In middle school you had been part of the Tennis club as a solo player. It didn’t require much interaction with others and was the sport with the shortest season. The circumstances allowed you to go about your heat period without complications. Everyone at that school bent over backwards for you considering your lineage. It was perhaps the only time you were thankful for your mother’s influence.
“This school doesn’t have a tennis team,” you very matter-of-factly pointed out “And I’m not interested in any other sport.”
“Then how about starting one.” Kirisaki Daiichi was also willing to do whatever it took to boost their image. If you, the daughter of a national champion, were to start and lead the team it would be idealistic propaganda. Many more affluent families would be interested in the school.
“That sounds like a lot of work.”
Hanamiya smirked when he caught onto your conversation with the teacher. He hadn’t thought much of you when you sat quietly at the front of the class. It was interesting though to see you so blatantly shrug off the teacher.
“Then what if you were to simply coach the other girls? We will put the team together and you instruct them.”
“A student coach?” That seemed far better but would still require you to interact with others often. The closer you became to others, the more chances there would be for someone to catch on to your frequently scheduled absences. After a moment of silence you looked up at the teacher to acknowledge him. “I’ll think about it.”
With those final words you walked away towards the school gates. Just as you were about to pop your earphones in you heard your name being called.
You turned around to see Hanamiya Makoto standing surprisingly close to you, enough to merit you taking a step back. All you knew about him was the fact that he was in your class and through the halls you had heard his name one or two times.
What business did he have with you?
“Don’t bother with the old man’s request.” Hanamiya kept his distance as he proposed an idea to you. “Come be the basketball team’s manager.”
“I don’t know anything about basketball.”
“You don’t have to,” he smirked.
-TBC-
A/N: My favorite manga site is down so here I am writing instead of reading. It has been a while since I saw KNB but my passion for the bad boys is still alive. It will be getting dark and mature so read on with caution. 
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midnight-in-town · 3 years
Text
Why Jane is a demon
Back to Mey & Ran’s investigation we go: since I have some time, I want to do a recap post on why I think Jane is a demon and is also possibly John Brown, Victoria’s aide. 
This sums up different posts that I previously wrote on Jane and on John being supernatural [x][x] and also possibly the main attacker behind the massacre at the Phantomhive manor, 4 years ago. 
Premise
First of all, to replace the context: Heathfield was “looking to replace his wife” who died in a carriage accident along with their daughter. 
Whether or not we think this was just a big lie, so that he could appeal to young women with a lower social standing in order to have intercourse with them (while UT maybe promised to eventually revive his wife or something), it’s clear that Abby and at least another servant used to be a part of the Aurora Society and were the ones driving this whole blood collect operation.
Meanwhile Jane was hired as a security guard...
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 ...which means that she’s unrelated to the Aurora society. 
Notion of a job contract between Heathfield’s household and Jane
That’s the simplest clue: many readers noticed the way Jane talked whenever she referred to her job in the manor:
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&
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At some point, she also said that she would never do more on a job than what was directly asked of her (it was mistranslated in English so I won’t add the panel) and this all sounds very typical of demons speaking about their contract.
In other words, Jane stuck to her contract like glue, up until the operation was dismantled by Ciel’s allies. We’ll get back later to why a demon would give up when she could have easily defeated at least Mey. 
Jane’s behavior towards Baron Heathfield
Also something many readers noticed, as in, Jane lacked a lot of deference towards “her master”. 
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This could be explained by the fact that she, as a demon, has no respect for him as a human (remember, Seb sees humans as grasshoppers & their soul as food). Besides, it’s very hard to be the master of a demon: our!Ciel does a rather good job, considering the wild and mocking beast that is Seb. 
So it’s not hard to think that Heathfield didn’t have it in him to correct & control Jane’s behavior towards him (if he even cared to do so in the first place).  
Parallels to S1 of the anime
As much as I kinda dislike admitting it (since I’m no fan of the anime), this arc was rather reminiscent of the one with Angela Blanc and Henry Barrymore. As we know, Angela eventually turned out to be a fallen angel and also Ash Landers, the Queen’s aide. 
So, while I’m really not sure angels are meant to appear in the manga, Jane being supernatural and having a “male counterpart” (named John) that we already met would be in tune as a parallel. Which leads me to the second part of the post.
Jane = John? 
As I linked to above, it is my belief that John Brown was hinted to be supernatural and even possibly a demon (instead of, like, a Shinigami or Angel). 
So, if John is indeed a demon, then it is likely to think that his master and holder of the contract is Queen Victoria and, in that case, one can wonder what was the point of “Jane” entering a contract with Baron Heathfield. 
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Too many demons can spoil the soup
Unlike Shinigamis who are introduced in almost every arc (we get it, Yana), I’m personally against the possibility that Jane could be a third demon (assuming John is indeed one), because that’d mean introducing a pretty powerful character with literally no agency after Mey & Ran’s investigation, when we are far into the story and the plot is complex enough as it is. 
Yeah, storytelling-wise, it doesn’t sound like a good idea.
Besides, if Jane is a demon who only was in a contract with Heathfield, then...
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...one can wonder what he even paid to have her summoned. That’s why this explanation makes not much sense, I find, considering the household seemed to have no idea at all about Jane being possibly supernatural.
Whereas if we’re considering that Jane already was in a contract with someone else, then it gives her a lot of agency + it means that meeting Heathfield and entering a very secondary contract with him would not have needed fare for the crossing (making the process even more simple). 
Why the presence of a demon at Heathfield’s manor
If we’re considering that John = Jane, then Jane would have been gathering intel on the blue sect’s operations for her real master: Queen Victoria. 
After all, remember that discussion between Victoria and Brown at the end of the Weston arc? 
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Victoria clearly was interested in UT’s bizarre dolls (because she wants Albert back? Because they’re great war weapons?), so if she’s slightly aware of what’s been going on since ch140 and the real!Ciel’s return, then it’d make sense that she’d send her precious aide to gather info for her. 
And what Jane discovered is that the Bizarre Dolls need blood (amongst edited records and episodes) to function properly and long enough. 
As for that possible secondary contract that she made with Heathfield: we don’t know what it was about (maybe getting to eat the dead maids’ soul?), but it doesn’t nullify the contract with Victoria, seeing as Seb confirmed multiple contracts are possible.
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Why Jane didn’t try to fight for long against Mey and Ran
If she’s a demon, then she theoretically had the strength to escape Mey’s gun and win, but there is a main explanation as to why she gave up: she didn’t want to be found out as a supernatural being. 
After all she was facing Ran & Mey and:
Ran showed that she was indeed strong as hell, which makes it interesting to ponder if she’s also a supernatural being or a strength-enhanced human (like Finny)
Mey is Ciel’s staff (and if Jane = John, it’s possible Jane would have known about that fact), so Jane proving to Mey that she was more than human would mean Ciel & Seb would get to hear about it and I’m pretty sure Jane/John wouldn’t want that. 
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Another additional possibility is that Jane had gathered enough info, as her original mission requested, and she had no reason to stay longer (except maybe to eat some more souls, as per her contract with Heathfield, who knows). 
Ending word: what about the other investigations?
There is a lot at stake here and, as we know, UT definitely needs stopping. 
So it’s interesting to think that we possibly saw the Queen’s side gathering info on the situation through Jane, while Ronald (definitely representing the Shinigamis’ Organization) just made his appearance during Bard & Lau’s investigation. 
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While Ronald’s arrival is definitely bad news (because it means people are going to die and for all we know Bard might be one of them), it makes one wonder who we’ll meet next if we get to read about Finny & Snake and Ciel & Seb: finally one of the remaining star lords? another government’s spy (France? Since UT went there some time ago)?
We’ll see!
Anyway, sorry for the long post, I hope it managed to convey my thoughts a little more clearly than my old posts. Don’t hesitate if you guys have any question! 
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bakugouisabitch · 3 years
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do you think malik goes through periods where he's very fun and bubbly, but then like a switch he's very quiet and wants distance?
GOD YES YES THIS is exactly how I imagine him omg it makes so much sense.
First of all, YES 👏 Let 👏 Malik 👏 Be 👏 Bubbly 👏 And 👏 Loud 👏 2k21 because he DESERVES IT. He should always be happy and loud and it shouldn‘t bother Anyone
.
Okay that being said, I hc him to have a lot of trust issues, so, to get to experience his “real self” always takes a lot of time and “opening up”.
He’s not shy or an introvert, he just kind of doesn’t trust anyone except himself (and his siblings - most of all Rishid) and has been through so much shit that he keeps thinking any form of friendly approach from someone is all just a tactic to get to his vulnerable sides. (this funny fanart kind of gets my point across). And that’s exactly why he is like that too. When talking with strangers, he would go as far as being extremely polite and cheesy that you almost can’t recognise him anymore. But he’s doing it all to warm up to people and get to their weaker spots, just in case he’s going to use it against them. (see: his whole fake personality Namu-act that wasn’t even necessary for his plan to enter the Battle City finale...)
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To get to Malik’s real self i HC requires a lot of digging and trust - which can take a lot of time. He also seems to be quite conflicted over what he really wants, because after all that time spent analysing and manipulating people just to understand their weak spots he’s left with nothing but a constant state of being alert and ready to use it against them. And when the moment never comes - because as hard as it is to swallow down for him, some people might have genuinely just nice intentions - he realises he wasted another opportunity for making new friends and ends up being full of guilt and regret and probably a big self loathing and once again alone. Then forms the question what do you really want? to make friends or enemies? And he’s not sure he knows the answer anyway. Shit, malik’s whole character design strikes me as being conflicted since he’s a whole mixture of traditional and modern af. He seems to be quite attached to his ancient roots and the nobility of his bloodline but he also seems to want to re-invent himself into that motorcycle-driving kid who said fuck destiny i create my own. But the way he talks and puts valor into his ancient beliefs (+ his father’s earrings) clearly shows he’s far too attached to it to let it go (this leads also to the whole deal of being literally born and raised to Serve and also his whole daddy issues, but that’s another page completely).
Like you said, there are moments where he goes completely quiet and wants distance because i can see him reconsidering every step he took. As confident and self-assured as he might appear, and the end it always seems like his biggest enemy is his own self (or his other self... he might get pretty quiet and dissociates also because he’s probably conversing with his alter in his head. But his alter is also another whole deal completely.)
Just like in Kaiba, I see a constant need to prove himself to be better than anyone in everything: His dressing up as the Pharaoh and saying he has the right for the throne, his modern style and extravagant motorcycle/boat, his emphasis on making the enemies remember his name... 
(see:
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it’s all Trauma babey ✨
He seems to just live in a world where conflict prevails over everything. Every moment and every human interaction is regarded with caution and “how to get the upper hand in this” - because that’s All He’s Known His Entire Life. With the Millennium Rod he also got the power to literally read into humans’ minds (in the manga it’s all explained even better). Seeing the desperation and the desire for his wife in Pandora, the homicidal tendencies and dark past of the mime boy he uses... these were all elements he studied and gathered in his collection of “humans just want power over you”, which just increased his trust issues. Also, his tendency to punish his ghouls when they fail clearly reflects a sense of education where you get punished if you don’t succeed and plus being a capricorn this tends to make a perfectionist out of him (and it’s once again something that was ebbed into his brain as a child thanks to his father). So he strikes me as the type who is never satisfied with the end result of something because it could always be Better.
Anyway, trauma and fears aside (and he has a lot of them) he sparks me to be a very loud and extrovert boy and he would probably be shining brighter than anyone if it wasn’t for all the shit he’s been through. He is very intelligent and a fast learner (I hc him to know fluid arabic, japanese and english) and he’s a good observer and very rational. He reacts with his brain first before using his instincts, but he seems to be very driven by his emotions (since they are the reason he does literally everything). He’s ambitious and cunning but with a soft, soft heart like,, I love how the whole deal of Malik in the manga is that he literally Couldn’t bring himself to gain the full power of the Rod and kill Yugi because he’s so soft at heart. No matter how evil and controlloing he tries to be at the end he just Can’t. It was his alter who did it, who took his place in his most vulnerable moment because he literally Couldn’t take it. He would have died.
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“His father filled him with pain and sadness... until all he wanted was to die... So in order to survive, in order to keep going, he had to create another self...”
His alter keeps calling this weakness but it basically shows that he’s just good. He’s good at heart and he needs light in his life to survive. (The whole deal of light and shadows that is made in battle city which also includes Rishid is just so beautiful in the manga - i totally rec reading the battle city arc to you to get malik better). He’s soft at heart and this is why I can see him being a loud and bubbly person once he‘s 100% sure there are no bad intentions behind someone. Because he would be so confident and very diva-ish in his attitude of “I deserve the best and the best only”, despite having so many fears he’s battling against daily. Once he loves and trusts someone - and if that someone makes him feel his best - he would cling to them almost desperately this is how I hc him also in my fics and he would be so happy and loud about it, because it’s like FINALLY taking a Break from that “mental state” of alert and control he Has To keep up to Prove to be good. He’s finally his real self.
anyway i could talk abt this boy for hours like i could write an essay over everything regarding him because he’s one of the most complex and rich characters i’ve ever known and *bites fist* I JUST LOVE HIM AND HE DESERVES TO BE HELD SO BAD.
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claymorecut · 3 years
Text
YOU KNOW IT’S TRUE LOVE WHEN YOU CAN’T STOP LOVING YOUR WIFE EVEN WHEN SHE GROWS A PAIR OF KINTAMA
A GinTsu fanfic
Word Count: 8072
A/N: This fic is long. And messy. And I wanted to write this for a really long time. Hope you guys enjoy! <3
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‘Huh? When did I get here..?’
Standing under the scorching afternoon sun, this is the first thought that crosses the silver-haired samurai’s mind. The familiar crossroad bustled with people as Gintoki scrunches his eyes and shields them from the blinding sunlight. Not long ago was he lying on his precious couch in his cozy little apartment, so how come is he now standing on the middle of Yoshiwara? Oh yes, he was already on his way to pay his busy wifey a visit.
‘Must be the heat, I might’ve lost track of when I reached here.’ Rubbing his eyes which seems to itch a little, the man decided to make his way towards the infamous tea-house. It has been months since he last visited Yoshiwara but the true reason he’s here today is because he wants to see his wife. For the last few weeks, Tsukuyo has been coming home late due to work and to his disappointment - and sure enough, hers as well - they hardly get the chance to spend time together.
Of course, like always, Gintoki stays the same, good, supportive husband who doesn’t constantly nag his wife about her workaholic nature and busy schedule but right now, perhaps, he has started to feel a little lonely. And as cheesy as it sounds in his thirty-five years old mind, Gintoki really misses her. Not just the sex or the long, passionate kisses, but he really misses spending quality time with her. Seriously, when was the last time the two sat down and read their favorite manga series together? More importantly, their second anniversary is only a few dates away and this time, he wants to surprise her with something special. Something that can help the Tsukuyo take a break from her job and relax.
The former city of night appears as same as ever with people busy with their daily work. A few Hyakka members patrolled the streets, in case of any transgression. However, far away in front of another tea house, Gintoki catches a small crowd of woman swarming a large, tanned man, most likely flirting with him while he seems to be going along with them playful pokes and giggles. Due to his back facing him, he can’t get a clear look on the unfamiliar man except for his wide back and blond hair which perfectly contrasted his bronze skin. No wonder so many women were flocking around him, he appears to be quite a good-looking man.
“Oh Gin-san, how have you been?” The delighted owner of the tea house was greets him as he walks inside.
“Usual, I guess.” The man simply replied and takes a seat on one of the benches, facing her. “I just saw this guy outside. You guys hired a new bodyguard?”
At his curious question, Hinowa gives him a confused look. “No. We haven’t had new recruits for quite some time now.”
“Oh.”
“So, Gin-san.” Hinowa asks, changing the subject. “What brings you here?”
While Hinowa gives him her signature smile, Gintoki finds the situation quite odd. Wouldn’t a teasing “Here to see Tsukuyo~” with her playful smirk have made more sense?
‘Perhaps, she’s gotten used to it.’ His mind reasoned back as he brushed off the thought.
“Uh…well, I was basically here to meet Tsukuyo but I was thinking of taking her on a trip for our anniversary.” Looking down, he nervously rubs the back of his neck. He may have been a married man now but even still, showing his rather romantic side of his in front of anyone except Tsukuyo makes him a little…flustered.
“You know how she is with her ‘I don’t want anythin’’ and stuff. That woman has been working constantly for ages and she really needs to get some rest! I never thought choosing a gift for a woman would be this tough, let alone surprising her but it’s her we’re talking about after all….So, I thought maybe you can suggest me something.”
After finishing up his chattering, Gintoki looks back up at her with a flushed face, only to find Hinowa confusedly blinking at him. “…Eh? Anniversary?”
The man knits his brows. “Don’t tell me you forgot?”
“Forgot what?”
“My and Tsukuyo’s anniversary.”
“But when did you get marri-“
“What’s goin’ on?” A deep and surprisingly familiar voice came from behind the silver-haired man.
“Oh, Tsukuo. Did you know Gin-san got married? He just told me.”
“What? When?”
“I don’t know…maybe he’s talking about someone else…”
This casual exchange of words sounded strange. But what sounded stranger is the name of the man who is talking with Hinowa. Who is now standing right beside him. Perplexed at this sudden change of events, Gintoki slowly turns to his side to find the very same tanned and muscular man he has seen before entering the tea house standing who now looked at him and gave him a friendly pat on the shoulder.
“Yo, Mr. Husband. Did ya forget to invite us or what?” The man named Tsukuo teases him.
And Gintoki felt all the blood drain off his face.
He knew something was off. Really off. And as he got the closer look of the man’s face, the more he finds himself horrified. “W-who are you?”
The large man quirked one of his brows and then looks back at Hinowa, directing his thumb at Gintoki. “Is he okay?”
“He looked fine before. Gin-san, you look pale. Are you okay?”
No. No, he isn’t. Because this doesn’t look right. And no matter how much he tries, his brain has now failed to process the entire situation as Gintoki finds his eyes fixated at the buff man who looks shockingly familiar. Blond hair, violet eyes, the familiar black kimono decorated with autumn leaves and the infamous scar that he has gotten accustomed to kissing - Gintoki has been seeing all these features for years now.
In his wife.
Pointing a shaky finger at the large man, Gintoki felt his voice turn into a mere, almost squeaky, whimper “Hinowa-san….what happened to my Tsukuyo?” He could no longer contain the shock and disbelief in his voice. No way is this happening!
“Tsukuyo?” At this, the raven-haired woman looks puzzled. “But that’s Tsukuo.”
“I-I know..but…did some strange light fell from the sky and changed her sex? Like how it happened last time in the Dekobokko arc?” Each syllable he stutters makes his heart race a little faster. “What happened to Tsukuyo?”
“….Gin-san, what’re talking about? There’s no one named Tsukuyo here.”
His mouth falls agape. “Hinowa-san, please don’t joke like this.”
“But….I’m not joking, Gin-san….”
“Then…you’re saying my wife…is now…a man..?”
Suddenly he feels a large hand on his shoulder, probing him to look at the other direction which he was so badly trying to avoid. “Are ya outta your mind, ya bastard?” His said wife says up loudly, sounding quite offended by his genuine question. “I’ve always been a man.”
.
..
‘WHAAAAAAAAAAAAAAAAAAAAAAT!?’
*****
“Of course Tsukuo-dono has always been a man.”
“Who doesn’t know about the King of Night in Edo, Danna?”
“Gin-san~ Why are you suddenly so interested in that bastard when I’m right here~”
“Oi, Sarutobi. I’m right here - By the way, why’re you asking around if Tsukuo has always been a guy or not? Did you lose your memories or something?”
Nobody remembers. Nobody.
For the last three hours, Gintoki has been running around the city of Edo after dashing out of Yoshiwara, just so he can find out whether the unearthly Dekobokko cultist have made their comeback or not.  Unfortunately, nothing of that sort has happened. In fact, after asking Kyubei, Saachan and the Shinsengumi who once turned into the opposite gender knows nothing this uncanny event of his wife turning into the male version of her. Actually, his wife never swapped genders even when they did.
And every time he frantically asked the same damn question, their responses also stayed the same - “But Tsukuo has always been a man. We don’t know anyone named Tsukuyo.”
The statement itself is like a tight slap on his face. But what hurts more is that she is no longer here. Nobody remembers their marriage and…nobody remembers her.
His ring is gone.
All the wedding pictures and albums he once had in their little house are all missing.
And now that he looks at the empty shelf where they once had a beautiful framed picture of them kissing on their wedding day, Gintoki slumps down on the floor as he ponders about this absurdity he is currently in. Wasn’t it just this morning when he saw his wife leave for work before giving him a quick peck on his lips? Wasn’t it just a few hours ago when was planning to surprise his wife on their second anniversary? But now it feels like he is in a completely different world. And suddenly he is back to the same ol’ single and unmarried Sakata Gintoki who no longer has the amazing badass blond bombshell of a wife by his side.
In this sorry state, Gintoki recalls a memory from the morning where his favorite weather girl, Ketsuno Ana was announcing today’s horoscope predictions.
“For Libras, today, you may find yourself in an uncanny situation. Perhaps, your love life will be tested today under very confusing conditions but let me tell you, do not give up hope. As long as you believe in yourself and your partner, everything will turn out just fine.” The woman gave a bright smile from behind the screen as he flicked the TV off.
“ARE YOU FUCKING KIDDING ME!?” The utterly confused and enraged man yelled at the ceiling without paying any attention to what his neighbors are going to think. Confusing!? No, this is a hellish situation! “OI WRITER! WHY WON’T YOU JUST LET ME LIVE AS A HAPPILY MARRIED MAN!?”
Even breaking the fourth wall didn’t work. Finding himself alone in the bland living room, Gintoki hopelessly looks down on the floor and then at his empty left ring finger, gently rubbing it. He is not a sappy man, never has been, but truthfully, the empty finger does not suit him anymore.
The day he found out Tsukuyo had been in love with him throughout the runtime of the series was the day realized how much of lucky bastard he has been to have someone like her in his life. Idiot he might have been for not acting on his feeling but the day he took his vows was day he promised he will not let go of her. Ever.
‘Then why the hell is this going on…?’
A knock on his door interrupts Gintoki and he lets out a heavy sigh. If it was any other day, he would definitely have answered the door. But right now, ignoring it seems like a better option. Must be the baba is what he thinks and then stands up from his place to go look for some strawberry milk in the fridge. Maybe that can help him cool down…even just a little. Another two knocks, this time louder, tries to get his attention but he chooses not to respond again. No way is he in the mood to have a chat with someone.
“Oi Gintoki! I know you’re in there!” A voice calls out for him. A very familiar voice that he just wants to…avoid right now.
However, his mission fails instantly when another knock comes in, making him rub his already throbbing temple.
Groaning, Gintoki turns the other way to greet the unwanted guest in his house. Well, technically that was her- oh sorry, his house too, but according to the current situation, calling him a guest seems more appropriate. Sliding the main door open - and deep down, wishing it’s Tsukuyo standing there – he finds the male version of his wife nonchalantly smoking from the signature kiseru with his muscular arms folded under his well-toned chest. His blond hair is now tied in a small ponytail and damn, he is a few inches taller than him.
“Why did ya run away like that?” Tsukuo asks, putting down his kiseru. And while he refuses to admit, Gintoki can clearly hear the concern in his voice which seems so…familiar. But this isn’t her.
“Just had something to do.” Shrugging, Gintoki tiredly looks at the man. “I don’t know what I was saying, sorry about that.” He lies, really not in the mood to explain whatever this is. And possibly, this man will not believe him.
“Okaaay.” Tsukuo trails off, confused at his dismissive behavior. “You okay now? You seemed a little off back in Yoshiwara.”
Oh, can he just stop resembling her so much!?
“Yeah. Can you just leave me alone? I’m gonna get some sleep now, my head hurts” He knows he is being an ass but this is for the better. Tiredly, he slides the door close only to find a tight grip on the doorframe and shoves it open again.
“Hey. What’s wrong with you?” Tsukuo asks, slightly annoyed as he bends a little forward to look into the silver-haired man’s eyes. “First you act like you’ve seen a ghost and now you’re actin’ like an asshole?”
Hearing this, a vain pops in his head. He really can’t catch a break, can he? First, he sees his wife turn into this extremely handsome and muscular man who has lost all memories of their marriage and now, he’s supposed to explain why he is acting like this like a madman!?
“So, how else am I supposed to act, huh!? Act like everything’s normal when it’s actually NOT!?”
“What the hell is that supposed to mean!?” Tsukuo snaps back, confused at his sudden outburst. “Isn’t this normal, you moron!?”
“Oh yeah!?” Gintoki grits his teeth, feeling fumes coming out of his ears. “Maybe it would have if my married life hadn’t been suddenly erased from existence!”
“And when the hell did you get married!?”
“ ALMOST TWO YEARS AGO ON 21ST JUNE, AT THE END OF SPRING!” Gintoki screams out, making the passerbys look above at the two men who are now engaged in a heated argument.
“What the-!?”
Scoffing loudly, Gintoki throws his hands up in the air in utter defeat. “See! This is what I’m talking about! A few hours ago, I was a happily married man, planning to surprise my wifey for our second marriage anniversary and suddenly, I see everything is gone! Poof! Vanished in thin air like it NEVER existed!! And the worst part- nobody remembers my marriage, NOT EVEN YOU!”
Tsukuo only returns him another puzzled look. “And how the hell would I remember that!?”
“Because you’re the one I’m married to, damn it!” Frustrated, Gintoki jabs his pointer at the man’s well-built chest, only to realize what just he said and immediately rephrases his statement to, “Or should  I say the female version of you.” and awkwardly pulls back his hand. “And now, suddenly she looks like Arnold Schwarzenegger and I’ve no fucking idea how or when it happened! I don’t even have any evidence to prove myself in this…this crazy situation and damn it, this all sounds so ridiculous!”
Silence follows and the two men stare at each other, one giving an extremely baffled look while the other groans in embarrassment. This is not going anywhere.
Covering his face his hands, Gintoki breaths out a long, exhausted sigh. “Listen, I think I need to clear my head. Can you just…go?”
The man doesn’t reply for another few seconds. Perhaps, he’ll just leave him alone now.
“….I’m not going anywhere.”
Gintoki’s ears perk up. Did he really just..?
“And I think it’s better if we talk properly.”
Finally, he looks back at the man’s earnest face. “Eh?”
“Let’s get outside.” His said wife suggests and turns to walk down the stairs. “I think you should tell me what exactly happened. Maybe that can help you clear your head.”
“You believe me?” Gintoki calls out, baffled at how serious he sounds.
“Not completely.” Tsukuo looks back as he steps down the last stair. “But I do know you’re not lying.”
*****
Tsukuo is popular, just like his wife. Very popular.
But fun fact, unlike Tsukuyo, who makes every other lecher look the other way with her intimidating glares, Tsukuo doesn’t seem to mind all these flirtatious wink and compliments that keeps coming at him from the opposite gender.
“You seem to have quite a huge fanbase in Edo.” Gintoki inquires. The two has been walking down the streets of Kabukichou for quite a few minutes now and the extra attention the tanned man keeps garnering is making the silver-haired samurai a little distressed.
“Well, can you blame them?” Tsukuo looks at him, smirking proudly.
“No.” Gintoki shrugs, glancing at another group of women eying Tsukuo, who literally has the body and face of a Greek god. “But I never thought you’d enjoy so much attention.”
“I don’t exactly.” The man casually replies. “But when someone wants to talk and spend time with me, I can’t just say no to them.”
“And you just said the typical playboy line. How convenient.” Gintoki mumbles, not audible enough for the man beside him to hear. He remembers the first time when he met this version of Tsukuyo back in chapter 441 in the Dekkobokko arc. To watch the serious, tsundere woman suddenly turn into a player who shamelessly flirted with his female version was such a shocker.
“Flowers have no beauty nor ugliness. If such a thing does exist, then it’s in the looks of a man that cannot admire both equally.”
“HEY, WHO IS THIS GUY!? A VIRGIN WOMAN SUDDENLY TURNED INTO A PLAYER!!!”
Gintoki lets out a sigh. Even though back then such a thing happened, the situation was, more or less, temporary. Tsukuyo’s sudden personality change was only limited to that one arc. However, from what he has come to understand here, this Tsukuo has always been…Tsukuo. Sneaking a glance at the man, he again finds him smile at another woman on the sideways who flushes bright red and shyly hides her face behind her palms.
‘Yup, this is not Tsukuyo…’
After another few minutes of silence, Tsukuo asks. “So, you were saying I’m your wife?”
“No. I’m saying my wife got replaced by you.” Gintoki replies bluntly.
Unnoticed, the man rolls his eyes. “Whatever. Do you remember what exactly happened?”
“What do you mean what exactly happened? I was on my way to meet my wife, but then I see you and suddenly everybody has forgotten about Tsukuyo and our marriage.”
“Yeah, you already said that. But I’m asking did something happen when you were on your way?”
Gintoki knits his eyebrows. “…Huh?”
“Did you meet any…shady fortune teller on your way?” Tsukuo inquires seriously, glancing at him.
“Umm..nope.” Comes his honest answer.
“Then did you inhale or drink something strange before?”
“Nooo….”
“Then what about the headaches you were getting?”
“Most probably because of stress. What about it?”
Tsukuo shrugs. “I don’t know. I thought maybe it’s some sort of a side-effect of some ‘magic spell’ you’ve been put into?”
“This doesn’t make any sense, you know.” Gintoki scowls at his absurd speculations.
“Well, this is Gintama. Remember when the animation staff decided to freeze you for an entire episode due to budget issues?” Tsukuo points casually.
“Yeah, I do remember tha-“
“Plus, this is a poorly written fanfi-“
“Please don’t mention the obvious to our readers so casually. It can ruin their reading experience.”
Tsukuo sighs. “So, nothing out of ordinary happened?”
“No.” Except for his horoscope coming true which he cannot tell him.
“Tsk. That’s a very cheap way to move the plot though.”
“Would you stop being fussy about the plot already?”
“I was just pointing out the errors.” Tsukuo says as a matter of fact.
“You’re starting to sound like Onishi-kun now.”
Tsukuo grumbles. “Fine, I’ll stop.”
“Good.”
Even like this, the nitpicky and logical side of her is still clearly there. And a part of him feels happy that it is there. As the two continue to stroll around the streets of Edo, Gintoki finds his lips curl upward for the first time in the last few hours, unaware of the blond man looking at him with him own small smile.
*****
The afternoon heat is now replaced by the breezy evening evening as the two make their way to a public park.  Gintoki has no idea why they are still hanging out together. Or why Tsukuo still hasn’t left for work? Or why they are suddenly in a park and why does it feel like a date? Well, obviously he does not mind spending time with him – it’s actually quite refreshing – but still, Tsukuyo has always been a busy woman, a workaholic who doesn’t leave her duties behind, so, shouldn’t Tsukuo be like that too?
“Why’re we here?” Gintoki asks as he watches Tsukuo taking a seat on a nearby bench and stretches out.
Tsukuo, to his question, gives him a blank stare. “Because I’m tired of walking.”
“You aren’t even wearing any heels!” Gintoki frowns, pointing at his zori. “Tsukuyo can jump twenty buildings on her four-inch heeled leather boots and won’t even beat a sweat.”
Listening to his sudden proud comment about his wife, Tsukuo gives an amused smile. “Oh, that sounds interesting. That’s what I expect from the female me.” He gives himself a few pats on his shoulders.
Gintoki scoffs at his prideful gesture. “You’ve no idea how she’s like.”
Scooting a little to the side, Tsukuo taps on the empty seat right to him. “Wanna tell me how she’s like then?”
There is a moment of silence between the two before Gintoki walks towards the bench. “Oh, she’s just…amazing.” Taking a seat beside him, he grins widely, suddenly at a loss of words to describe his wife. “Sometimes even I end up thinking how I landed a woman like her.”
“You sound like a love-sick puppy.” Tsukuo chortles lightly.
“Well, I am a lucky man.” Gintoki shrugs, surprisingly unabashed by Tsukuo’s previous remark. There is a familiar sense of security in his company even though the man is the very much different from the woman he has fallen for.
“Well, you did marry me. Of course, that makes you a lucky man.”
His cocky response made Gintoki scoff in dismay. The moment he was starting to think they were a little alike, Tsukuo once again made him rethink his words.
“I didn’t marry a smug bastard. She’s the complete opposite of you.” Gintoki proudly replies, ready to explain his point. “Beautiful, serious, workaholic and definitely not a flirt - that woman can kill a lecher just by looking at him her venomous stare. And she’s called the Shinigami Tayuu in Yoshiwara. Well, formally, but you get how scary she is by that name. Hell, even I once became a victim of her wrath for ‘accidentally’ groping her before we started going out. Fortunately, she didn’t kill me then….”
Memories of the time flash in his mind as a soft chuckle escapes his lips. “Actually, it was my fault so I really can’t blame her….There’s always been so much more. She’s always been so strong and kind and…so different from me. Someone that I thought a broke man like me could never have. But she still stayed…right there with me….That’s what made me fall for her.”
“…You really love talking about her, don’t you?” Tsukuo asks, smiling at the man.
Gintoki sighs, smirking proudly. “Boasting about my wife once in a while isn’t bad.”
Soon, silence falls between them. Without having any idea of the kind of face the man sitting beside him is making, Gintoki lets his eyes stay fixated on the bushes right across their seat. For some reason, he has been rambling quite a lot today. Was he always this chatty? No, as far as he can remember, he was not. Probably, it’s the heavy feeling in his chest that’s making him so talkative.
“…and, who proposed first?” Tsukuo first breaks the silence.
This catches the silver-haired samurai’s attention.
“Of course, I did.” Gintoki replies, turning to see the man giving him a shocked look that made his eye twitch. “Oi, don’t gimme that look! I saved for the ring!”
At this, Tsukuo gives him an impressed smile. “Who’d have thought, Sakata Gintoki would become such a hopeless romantic for his precious wife?”
This time, the playfulness in his voice makes Gintoki grunt in embarrassment but he chooses to answer anyway. “For her, it’s worth it.”
“Umm-hmm. But I’m pretty sure she made most of payment during the wedding.” Tsukuo cleverly remarks.
Gintoki sighs, nodding in agreement. “Yes. Yes, she did.”
Sneaking a glance at the blond man, Gintoki finds the blond blankly gazing up at the sky, a small smile adoring his lips as he closes his eyes and breathes heavily. Albeit all the striking differences, he couldn’t help but find a sense of secrecy surrounding him, much like her. And right now, his serene expression reminds him of the way she would sometimes get lost in her thoughts.
“Missing her?” Tsukuo asks after a moment of silence.
Upon hearing the question, Gintoki sadly smiles. “Of course…Plus, we haven’t been spending much time together recently because of her work so….yeah.”
“…you still don’t know what’s going on?”
“Nope. But my horoscope did say it’s gonna be a strange day.” Gintoki confesses as a dry laugh escapes his lips. However, Tsukuo doesn’t inquire him any further.
Suddenly, a sense of uneasiness envelops Gintoki. He quietly watches the kids run back to their homes while the sky now appears to be painted in a deep shade of orange, the sun slowly disappearing in the broad horizon. It is strange how everything seems so normal to everyone but him; everything here feels like a strange dream he is unable to wake up from.
For the last few hours, being in Tsukuo’s company didn’t make him feel lonely in any manner. No matter how different he is here, there is a sense of peace in with him.
However, this is not his reality. This is not the place he belongs to. And this person, at the end, does not have any feelings for him.
“I think I should go back.” Standing up from his seat, Gintoki decides to take his leave. A part of him fears if he stays any longer, he would forever remain stuck here.
As he walks away, Tsukuo call out to him. “Oi, where are you going?”
Gintoki can hear his footsteps now. “Home. And I’m hungry.” He replies without turning back.
This still doesn’t stop the man from following him. “How about you come with me to Yoshiwara? It’s better than staying up like some loner in your little house.”
This time, Gintoki turns around, skeptically looking at him. “Don’t you have work?”
“Nope.” Tsukuo shrugs and walks to him. “Hinowa told me to take the day off.”
Well, that kinda hurt. He didn’t even come on his own accord, that’s how bland their relationship seems now.
“Well. You’re free to return back to work, then.” Gintoki waves his hand dismissively, ready to leave again.
“There’s a new izakaya.” His immediate response stops Gintoki on his tracks as he hears his stomach growl hungrily. “My treat.”
*****
By the time the two reached Yoshiwara, it has already turned dark outside as the full moon shone brightly above, illuminating the night sky. The streets appear busier than it was during the afternoon as the two make their way to. But before that, Gintoki gets to hear all the Tsukuo fangirls welcoming him back to Yoshiwara after his oh so long, tiresome day. Damn, nobody even bats an eye on the Savior of Yoshiwara anymore.
“Tsukuo-sama, how about you spend your night with me?”
“There’s a new kimono I received, I’d love~ to show it to you~”
“But I wanted to serve you sake and enjoy watching the full moon with you~”
Damn it, he hated how Tsukuo is like a chic magnet. Yes, the man is handsome and of course, he cannot blame the ladies for being smitten over him but he has been seeing since the afternoon and now all these flirty gestures are starting to get on his nerves. First, he brings him here – basically bribes him with free food - and then, pulls off this shit!
Picking up his pace, Gintoki makes his way through the crowd, leaving Tsukuo behind. If that blondie is going to take his sweet time with his precious ladies, he might as well search for this new bar and get something to eat all by himself.
“Oh Gin-san!” A familiar voice call for him. His mind was so delved into Tsukuo’s apparent bachelor life that he forgot to notice he was passing by the teahouse. “Are you doing okay? ” Hinowa asks sweetly, walking towards him.
“Um…yeah. I’m-I’m fine. That was- I was asking those questions f-for a friend of mine. Sorry for leaving like that.” Gintoki nervously chuckles, scratching his head. It’s better if he just stay quite instead of bombarding her with another set of ridiculous questions like before.
“I see. That’s good to hear. I was worried.” The rave-haired woman politely smiles.
“Um, yeah. Tsukuo mentioned.” There is a hint of disappointment in his voice as his eyes fall on the dusty street. “But you didn’t need to tell him to take day off for me.”
“Oh, but he was way more worried than me. At first, he just simply went back to work when you left. But I could tell how much he was worried.” Hinowa instantly replies, catching Gintoki’s attention. “You know how that man is. Always working and acting like he doesn’t care when he actually does.”
Baffled, Gintoki looks back up to find the woman giving him her signature smile. “You mean-”
“AHHH HINOWA!” The loud voice quickly interrupts their little chat as Gintoki finds a heavy arm casually crash around his shoulders, making the poor man wince. “I’m treating this dude for dinner at Sato-san’s place.” Tsukuo fakes an excited grin.
Not noticing the slight blush on Tsukuo’s face in the dim light, Hinowa beams excitedly. “Oh, that’s great! Their bar is right around the corner. You must taste their kushiyaki, Gin-san -- Tsukuo, don’t forget!”
“Yes ma’am!” Tsukuo obediently notes and starts dragging Gintoki by his neck. “Now let’s get you something to eat!”
“I can walk on my own, damn it!” Comes Gintoki’s grumbling as he frees himself from Tsukuo’s death grip.
“Yeah, yeah, ojii-san.”
“Who’re ya calling ojii-san, bastard!?”
As the two continue their banter on the way, Hinowa lets out a chuckle, waving at them. “Enjoy you two!”
A few moments later, the two enter the new izakaya which appears quite crowded due to its growing popularity. The interior seems to be pretty much similar to Otose’s snack bar – with a bar counter stretching to their right and a few dining tables to their left with customers enjoying their meal – the lively atmosphere feels refreshing. But what catches Gintoki’s interest is a savory aroma of grilled meat around the room that almost made his mouth water.
Walking up to the bar counter, Gintoki takes a seat on one of the stools with Tsukuo sitting beside him. He watches the man take his kimono off and place it on lap, exposing his well-toned biceps that can make every man in the bar look away in envy. Yes, even him.
“Ojii-san, two beef kushiyaki and one sake.” Tsukuo signals the old man behind the counter who quickly responds with a “Coming right up!” with a big smile.
Gintoki gives him a surprised look. “You don’t drink?”
“Nope. Never have.” Tsukuo honestly replies. “Does Tsukuyo?”
“Oh, yes! She loves drinking.” the silver-haired samurai exclaims, remembering all the times when they trashed countless bars together after getting wasted. “But that woman is terrible at handling her liquor.”
This catches his interest. “Really?”
“Yeah!” Gintoki shivers at the thought of his drunken wife’s face. “Give her one drop of alcohol and she turns into a savage beast! I got my head smashed by a bottle of sake when we first had a drink together.”
Tsukuo lets out a chortle. “Damn, I guess it’s better for me to not drink then.”
“Good choice. I call her ‘the drunk terminator’.” Gintoki proudly declares the infamous nickname he once gave to his lovely wife.
The old man places their order in front of them to which Tsukuo gives him a generous nod before turning his attention back to their little chat. “That’s why you called me Arnold Schwarzenegger’s lookalike back when I came to your house.”
Gintoki chuckles and picks a kushiyaki from his place. “Who else am I supposed to compare the brawny male version of my wife with, then?”
“I’ll take that as a compliment.” With that said, the two dig in to their plates. “Itadakimasu!”.
Taking a bite of the flavorful kushiyaki, Gintoki hums in delight. “This is really good - Ojii-san, I’ll have another of this!”
“You really don’t say no to free food, do you?” Tsukuo shakes his head, not surprised by this habit of his at all.
“Well, you offered.” Gintoki slyly replies with a mouthful to which Tsukuo feels his lips curl.
The two then continue to eat in silence, with Gintoki sneaking a few glances at the distracted man who now has again started smoking from his kiseru after the old man offered his an ashtray. Something about this entire day feels off and yet, with him, he felt at ease. Still does, actually. Perhaps, it’s because Tsukuo’s the only one who knows about his condition. Or perhaps, he’s just trying to deny the fact that he’s, at the end, the same person deep down inside that he has always felt at ease with.
Gintoki recalls the horoscope news– your love will be tested – that’s what it said. Maybe, now he understands what the test really means. But to say it out loud to him; wouldn’t that make things awkward? Because, at the end, this Tsukuyo has no reminisce of the things they have shared together…And the last things he wants to be called is a creep by his own wife.
‘Just talk to him, damn it!’ Slapping himself inside his head, Gintoki pours a glass of sake for himself and chugs it down in one go, loudly exhaling at how unusually strong it tastes. However, before he could bring up the subject, he watches a middle-aged woman wearing a lavish kimono walk to their direction.
“Tsukuo-san, I didn’t expect you to be here.” The woman stands to his right, her silky tone didn’t going unnoticed by Gintoki as she casually puts a hand on Tsukuo’s shoulder.
Something inside Gintoki catches fire.
“Oh, Kirishima-san, what brings you here?” Standing up from his seat, Tsukuo places his kimo and generously greets the lady who, not so surprisingly, reminds Gintoki of a jorogumo. What about personal space- she even has the audacity to stand so damn close to him.
“Oh, nothing, nothing.” The said sophisticated Kirishima-san replies as she coyly places a hand on his chest. “You haven’t been here the whole day, I was looking for you.”
Gintoki chugs down another cup, the burning sensation in his body no longer because of the alcohol.
“Oh, um, I’ve been a little busy.” Tsukuo nervously glances at Gintoki who seems to have been declared invisible by the woman while he continues to drink his sake. He looks furious. “Is there something that you wanted to talk about?”
“Oh, yes. Regarding the donation work.” Kirishima-san says courteously. “If it’s okay, would you like to come outside for a little?”
“Ah, yes, I almost forgot about it.” Tsukuo apologetically says as he escorts the vixen-like lady outside of the bar. Whether it’s just work or not, this Kirishima-lady definitely has ulterior motives.
From the corner of his eyes, Gintoki watches the two chat about something that’s pretty much inaudible to him. The woman says something and Tsukuo nods. Then Tsukuo says something and the woman flirtatiously giggles. From this little view, he could say how badly she wants to get into his pants. However, he feels his blood boil when the woman starts to seductively rub her hand over his left exposed arm, as if he’s her little plaything. And Tsukuo doesn’t seem to mind at all!
‘Hah! He really is a player!’ Immediately, Gintoki looks away before he could see that Tsukuo has politely taken the woman’s hand off his arm.
Scoffing, he drinks up the rest of the liquor from the bottle, sighing in satisfaction. Again, this wasn’t the first time he is seeing this side of Tsukuo but it would be a lie to say none of it…disturbs him. Not even a slightest. Of course, he understands the two are different and never can he ask the person to be someone else but still, isn’t this the same person? At this point, he really cannot comprehend any of such thoughts. And by now, he can feel the alcohol kick in, making his mind all dizzy and muddled.
“Ya know, Ojii-san, I’ve a wife! She’s jus’ the best in the world!” Gintoki slurs in front of the old man, his mind now all foggy. Never had one bottle of sake been enough for him. But tonight, it’s somehow started to show its effects.
“You are a lucky man, sir.” The old man smiles at him.
“Right~” Gintoki hiccups, a goofy smile now plastered on his flushed face. “And she’s called the Shinigami Tayuu, isn’t that cool!?”
“That’s a very great name, sir.”
“Wanna show me where she is?” Ginotoki giddily whispers, just like a little child who has found lost treasure.
The man politely nods “Of course.”
Directing his thumb outside the door, Gintoki points at the Tsukuo with lopsided grin. “There! That man with the blond hair my wife!”
Hearing his little declaration, the old man laughs rather awkwardly while Gintoki continues to ramble. “Isn’t that funny? Like, she was this really sexy, badass woman before but poof, she’s a sexy, badass man now! And seriously, I don’t ‘ave any problem with tha’. But she doesn’t even remember anything! She doesn’t even love me anymore and is now flirting with other girls!” Slapping the counter loudly, he lets out a dry laugh, making the customers nearby look at his direction.
“Sir, I think you’ve had enough drink today. It’s better if you return back home with Tsukuo-dono.” The old man politely says, now giving him a concerned look as if he is now some drunk who has lost all his senses. Seriously, who was he kidding? There is no chance anyone will ever believe his words. And truthfully, a drunk’s confession is generally considered gibberish.
Exhausted and slightly dizzy, Gintoki stands up from his seat. “That guy will pay.” With that said, he leaves the bar quietly.
*****
Staggering on his feet, Gintoki somehow manages to get out of the flashy and lively streets and enters a dark, deserted alleyway. The full moon shines brightly above him, fortunately enough for him to not lose his steps and stumble down on his face like some cheap, homeless drunk. His head aches and at this moment where he has no solution to whatever-this-is, giving up seems like the only option.
“Oi, Gintoki!” The familiar voice call to him…yet again. And just like this afternoon, he wants to avoid it.
“Will ya just wait!?” Tsukuo yells again, his breathing heavy as Gintoki finally stops at his place and faces him.
“…What do ya want?”
“Why did you leave like that?” Tsukuo asks, slowly walking closer to him.
“You seemed busy with the pretty lady so I left.” Comes his cold response, making Tsukuo stop just a few steps away from him.
Gintoki expected a cocky laugh. Instead he finds Tsukuo gravely looking at his direction.
“…it was work. Really.”
Oh yeah, sure it was work. It’s always work. Whether it’s in here or there, it’s always work! And goddamn it, he was so tired of listening. All he has been trying to do for the last few weeks is to be a good, supportive husband who does not nag his wife for overworking or not spending enough time with him. If he’s being honest, he was angry, really angry at everything. But the moment he tries to make things better, some stupid horoscope predictions decides to test his affection for his wife and now, he’s stuck here with an alternate version of his wife.
Despite all this, he decides to stay quite again. No way is he going for another round of ranting session. Exhaling sharply, Gintoki rubs his temple again. “You know what, instead of doing all this, I should be looking for a way out. But for some dumbass reason, I ended up spending the entire day with you and watched you smug ass getting constantly flocked by your fangirls who you just shamelessly flirt with while I’m constantly reminded that you are not the person I love when I know it’s not true!”
….He failed. He ended up rambling again.
And so to calm himself, Gintoki breathes in. A long, deep breathe. While the man standing in front of him freezes on spot, dumbfounded and speechless.
“…were you jealous?” Tsukuo finally finds his voice back and carefully takes a step forward.
“Of course I was jealous!” The permhead finally admits.
“Why?” And another step forward…
Gintoki scoffs. “Really? You’re asking me ‘why’?”
“Yes.” And another…
He sighs loudly. “Because I love you.”  And Tsukuo smiles.
“Even when you are this flirty, cocky man! Even when you don’t remember a thing about us! Even when I know that you don’t love me here! Because whether you’re Tsukuo or Tsukuyo, deep down, I know it’s you. It will always be you. The same person that I happily devoted my heart to and there’s nothing that I ever want to cha-“
Before Gintoki can finish, Tsukuo’s presses his lips against his, shutting him up in an instant. And Gintoki freezes on his spot, his hands awkwardly dangling around his sides while his eyes widen in surprise. There is nothing too fierce and hungry about the kiss; it feels like the ones they always share after waking up, chaste and full of love. Slowly, Gintoki closes his eyes and returns the kiss back with the same favor as his. Unlike the soft and pink ones, his lips are slightly chapped. And yet, the taste and smell of smoke he has so gotten used to is enough to tell him that yes, he’s kissing the right person.
Shortly later, the two pull back. Panting, Tsukuo puts his head on Gintoki’s shoulder, hiding his now flushed face as they silently stand there, savoring this little moment.
“It’s good to hear that you still love me.” Tsukuo is the first one to break the silence, his voice a little muffled.
‘Still?’ Gintoki knits his brows, confused as he recalls the strange horoscope predication.
“Guess I’m bound to fall for you no matter what.” He can hear the relief in his voice as Tsukuo slowly raises his head. “Thank you for not giving up on me.”
The test, this strange world…His smile said everything. “You knew…?”
Tsukuo doesn’t answer his question. Instead, he just lovingly smiles at him and says something else as Gintoki feels his vision get blurry, his face slowly disappearing before him as his voice gets replaced by the one he has been hearing for years.
“Wake up, sleepyhead. I’ve got something to tell you.”
*****
The stiff sofa cushion has made his back ache painfully as Gintoki slowly sits up, stretching his arms and legs to loosen up his sore muscles. Sluggishly, he scans the surrounding to find the bulb above him glowing and outside the window, its pitch black, suggesting its night by now. He doesn’t even remember when he fell asleep. The TV is right around the corner as always and so is the little shelf. And there are two frames kept there- one of the Yororzuya and the other of his wedding day…
“You’re awake.” His eyes snap open at the familiar….and feminine voice of his wife who emerges from their bedroom right behind him. Turing around, he finds Tsukuyo walk up to him with her nightgown on.
In an instant, Gintoki jumps up from his seat and rushes to his wife, embraces her in a tight hug and almost making her lose balance. “OhmyGod, Gintoki! What’re you doing?”
Even her yelp didn’t make his huge grin disappear as he held his wife close, breathing in her freshly bathed scent. “I missed you!”
“H-huh? W-what’s the matter?” His sudden confession made the woman turn a deep shade of pink.
Pulling back from the hug, he lovingly presses his lips against hers. “I’m saying I missed you, woman!”
Watching the joyous smile on her husband’s face, Tsukuyo feels her lips curl up too as she caresses his cheeks affectionately. “I missed you too, you foolish man.”
“I just had the strangest dream ever. All just to see that no matter what or who you are, I will always end up falling for you.” Placing a hand on her heart, Gintoki looks at the love of his life with the brightest smile on his face. “It practically called you my soulmate.”
Hearing this, Tsukuyo lovingly holds her husband’s face in her palms, her amethyst eyes and soft voice entrancing him for the rest of his life. “Soulmate or not, I’ll always fall for you, too. No matter what.”
This makes the man exhale a sigh of relief. “I love you.” Gintoki says and leans in to touch his forehead with hers.
“I love you, too. And I’m sorry I couldn’t spend time with you for the last couple of weeks. You even came to meet me today but I couldn’t make it.” Tsukuyo apologetically says and closes her eye, finding comfort in his embrace.
Instead of asking when he went to meet her, Gintoki gently presses a kiss on her forehead and looks back at her. “Don’t apologize. Just…don’t overwork yourself, okay? And take a break. I was thinking of keeping it a surprise but let’s go somewhere for anniversary, on a trip.”
To his offer, Tsukuyo happily hums in response. “Okay. Let’s go.” Wrapping her arms around his neck, she pulls him for a hug which he happily accepts.
Gintoki doesn’t remember what exactly happened here; the dream is only that he has memories of. And yet, there is a part of him that knows that wasn’t just a dream. However, instead of pondering about the past, he’d rather live in the present. After all, he deserves this moment of happiness his wife after getting his mind bombarded by a strange ‘test’.
“By the way, I think I’ll have to take a longer break.”
At this, Gintoki pulls back a little, slightly confused. “Huh?”
Looking down, he watches Tsukuyo take his hand off her waist and slowly bring it to her belly while Gintoki looks back up at her, astonished and completely speechless.
“Looks like you’re gonna be a father again, Sakata-san.” Watching the sexy smirk adoring her beautiful face, Gintoki feels his face go from surprised to purely ecstatic. And in an instant, he sweeps her off her feet, spinning her around in exhilarating joy while Tsukuyo giggles warmly in his arms.
“WE’RE GONNA PARENTS SOON!”
“Hahahaha! Gintoki, stop it!”
“WE’RE GONNA BE PARENTS SOON , BABY!”
“Yes, yes! I know! Now put me down!”
In between their giggles and joyous laughs, the two stop midway in their little celebration as Gintoki carefully brings the woman down. His wide, goofy grin never leaves his face and he once again presses his lips against hers, which she wholeheartedly returns. No way can he ever explain how happy he is now. After years of running away, after years of calling himself unworthy of love, he finally found someone who now shares her life with him. And never in this lifetime or any other, would he like to change that.
“Thank you for making me the luckiest man in the world.”
20 notes · View notes
namariea · 3 years
Text
Devil’s Advocate | I
“So for argument’s sake... let’s just say Do Kyungsoo really is the boring square you say he is..” 
“Don’t you want to find out what makes him tick?”
Pairing: Kyungsoo x Reader
Words: 4.4k
Genre: Romance, Slowburn, Smut
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It started with a knock on your door.
“Jongin is coming over tonight, that cool?”
Looking up from your laptop screen, you stared at your roommate who was leaning against your doorway. Blinking slowly, you processed her words.
“Jongin is coming over.”
“Yes, that’s what I just said.”
“And will Mr. Kim be staying over?”
“That would be a correct assumption, yes.”
“Sleeping in your room.”
“Why, did you want him to sleep here with you? Not what I was expecting, but I’m all down for polygamy.”
With a sigh, you saved the document you were working on and began to close your laptop. Collecting the various papers and books scattered around you, you began to tuck them away neatly into your backpack. Sliding off of the bed, you walked the length of the room and began to rifle through your drawers, pulling out some clothes.
Frowning, Jennie walked over to you and looked over your shoulder as you began refolding them and putting them in a gym bag.
“What are you doing?”
“I have a paper I need to finish proofing for tomorrow and I highly doubt I will get any work done with the two of you going at it like animals.”
Jennie didn’t even look fazed at the comment, shrugging non committedly while throwing some pajama shorts your way. Rolling your eyes you passed through the joined bathroom and threw in your toiletries. As you were zipping up your bag a knock came at the door causing you to pause.
Well, that was fast.
Turning around, you looked at the brunette behind you with raised eyebrows, and only then she had the decency to look the slightest bit sheepish.
“Have I told you how much I love you today?”
With your roommate trailing at your heels blabbering about how you are the greatest roommate ever and how she owes you a life debt, you opened the front door and were greeted with Jongin holding what appeared to be a party sized bucket of KFC. Before he could open his mouth you stuck out your hand, waiting.
Blinking down at your outstretched palm, he gave you a confused look.
“Keys. Since you are kicking me out of my bed I’m taking yours”
Jennie snorted behind you as Jongin’s face split into a wide grin.
“You know, I always knew you were a great person.” fishing out his keys from his pocket he handed them to you.
Slinging your bag over your shoulder, you gave the couple a wave of your hand and began to make your way down the hall. You were halfway to the elevators when Jongin's loud voice stopped you.
“Oh by the way, Kyungsoo isn’t around tonight, so feel free to raid the fridge before he gets back.”
. . . . . . . . . . . . . . . . . . . .
Jongin’s presence at your apartment wasn’t a new occurrence.
In the beginning, it was just him coming over during the day to help Jennie with her design assignments. Which was ok, amazing actually, since it helped her out a lot and saved you dealing with her stress meltdowns.
Then it progressed to Jongin appearing at your dinner table every Friday to partake in Chinese takeout nights. Which was fine, again, since he picked it up on his way over and pitched in. He also somehow was able to sweet talk the old woman who owned the store and managed to get extra egg rolls. Can’t go wrong with that.
It wasn’t until Jennie gave you the look while the older boy excused himself to use the bathroom after one said dinner that you took the hint.
Now, Jongin occasionally stays over during the weekends, where you would find him in the living room at ungodly hours watching the Pirates of the Carribean all the while eating a family sized package of oreo’s. Which was mildly perturbing on two counts. First, was the fact that this was probably the 5th time you’ve seen him watch that movie, and second, those were your oreos.
The final straw was not until the weekend that just past where you were woken up a loud banging. It was not until you were  halfway to Jennie’s door in a frantic scramble that your sleep deprived brain caught up with you and realized it was very much not a violent murder taking place in the room over.
Animals.
It was then you all agreed to establish some sort of door-sock system.
Which in essence was - if Jongin was coming over, it was probably best to just find somewhere else to crash.
You didn’t actually mind leaving as much as you thought you would. Jennie was one of your closests friends and it was clear as day that Jongin made her happy. You didn’t even mind hanging out with the guy, he was fun and always brought snacks in return for practically living at your place. Even if his tastes in movies were highly questionable.
It was just sometimes - like right now where you had a Business Ethics paper due at 7AM - where you needed all the quiet you could get.
Reaching the apartment, you slotted the key into the lock, you pushed open the door to Jongin and Kyungsoo’s apartment. Stepping through the threshold you were greeted by darkness.
Flicking on the lights you took in the apartment. You had been in the apartment a handful of times when Chanyeol threw parties, but this was the first time you had been there on your own, literally.
From the neatly organized coffee table to the dust-less surfaces as far as the eye can see, the state of the apartment very much reflected that of the other owner - there was no way anyone would believe the human tornado that was Kim Jongin lived here otherwise.
Speaking of the other owner -
“Kyungsoo?”
Thank goodness for small mercies.
Do Kyungsoo, best friend of Jongin and probably the biggest enigma you've ever met. Not only was he more reserved and mild tempered in comparison to his flatmate, but he was the only one in your mutual friend group that you couldn’t bring yourself to get close to.
It wasn’t for a lack of trying, mind you. And to Kyungsoo’s credit he has never been rude to you, though you wouldn’t necessarily call it friendly either. Cordial at best...maybe. His deposition towards you, and apparently anyone who didn’t know him before the year 2015 was polite but distant. He was so different from the rest of his friends that one day Jennie had asked Jongin how he and Kyungsoo even lived together.
“We met freshman year-”  Jongin said while spooning a mountain of orange chicken onto his plate.
“We were paired up as roommates and we just clicked - Kyungsoo is a great guy, he’s actually pretty hilarious”
“Really?” Jennie leaned in, abandoning her lo mein to gape at the man next to her.
“Its true!” Jongin said defensively at her expression, “how do I explain it-"
"You kind of have to approach him first, and then see how he responds. He just needs time to warm up to you, you'll see."
Now, you weren’t sure if Kyungsoo had ‘warmed up to you’ yet, but you definitely saw the man’s look of disgust as he caught you making kraft dinner in the microwave that one time during finals last semester.
Hot tip - never make microwave kraft dinner in front of a Culinary Arts major.
Checking your watch and noting it was half past ten, you settled down cross-legged at the coffee table in the living room. Pulling out your laptop and notes, you organized it all in front of you before rolling your neck and flexing your fingers.
“Now, where was I-”
After what seems like the hundredth time going over the same words over and over again, desperately making sure you didn’t have any spelling mistakes and that your citations were all correct, you finally hit save for the last time. Tapping the screen of your phone you brought it up to your face as you leant back against the couch, squinting as the time appeared.
2:35 AM
Stretching, you lifted yourself from your sitting position and began packing your laptop and papers away.
Exhausted, you crawled your way up onto the couch, pulled the Captain America themed throw blanket over your tired body, and closed your eyes, waiting for sleep to take you.
Which should have been an easy task.
Except Jongin apparently decided to buy the cheapest couch in Ikea.
No wonder the man lived on your sofa, he has never known true comfort.
Huffing, you sat up begrudgingly, groaning as your body objected to the movement. You glanced down the darkened hallway and pursed your lips.
Taking your bags you began shuffling down the hallway and stopped in front of one of the doors that was ajar. Slowly pushing it open you hesitantly stuck your head in. The sight of the various Mangas scattered on the floor confirmed that you had found the right bedroom.
I mean, there are worse places to sleep.
Making your way further into the room, you kicked the door closed as you made quick work of stripping out of your clothes and changing into your pajamas. You all but dove into the bed, not caring that it was unmade or that you probably should have changed the sheets. A content sigh escaped you as you sank into the mattress, sleep taking over.
. . . . . . . . . . . . . . . . . . . .
Waking with a start, you were momentarily disoriented as you took in your surroundings. Blinking blearily around, it took a few seconds to remember where you were and why your bed smelled like Old Spice.
Ah, right.
Groaning, you glanced at the window and took in the darkness still.
You tried to close your eyes in hopes that you would be able to catch a few more minutes of sleep. However, instead of slipping into blissful sleep you found yourself tossing and turning, body restless in any position you put it in.
Pressing the heels of your palms into your eyes you lay there for a few moments. Blindly reaching towards the side table you fumbled with your phone, squinting as the screen illuminated your vision.
5:50 am
There is no God.
Finally accepting that you were not going to get any more sleep, you begrudgingly slid out of bed. Stretching, you began to make your way to the door, stifling a yawn as you opened it.
And immediately screamed.
“WHAT THE F- Kyungsoo?”
Standing in front of you was a hooded figure, looking just as startled as you were. Hand grasping the handle leading to the room directly across the hall, Kyungsoo had turned at the sound of Jongin’s door opening and his eyes widened almost comically at your presence.
As the fuzziness of sleep was lifted you realized that it must have been the sound Kyungsoo entering the apartment that woke you up. And judging from the incredulous look he was giving you, Jongin must not have told him you were there. Taking in his baseball cap and casual attire, you felt your eyebrows furrow.
Did he just get back?
You watched as his eyes slid down and you were suddenly very much aware of the lopsided bun that had come half undone in your sleep and the thin material of your pajamas. His eyes then darted from your own to the bedroom and back, eyebrows furrowing.
Your eyes widened at the silent question glinting in those dark eyes. Your hands immediately flew up as you began sputtering.
“It's not what it looks like!“ you began frantically and he only lifted a dark brow higher in a silent bid for you to continue. “Jongin was staying over at our place last night and I came here to give them privacy, you know how they are, it’s like National Geographic except nobody asked for it”
He shot you a bemused look.
You felt yourself flush and looked at the space of the wall next to his head “And well, I didn't get kicked out of my own bed to sleep on a couch… So I slept... in here" gesturing to the bedroom behind you awkwardly.
There was another beat of silence.
Great. Fantastic. Realll smooth. It seemed that without fail, every time you are in the immediate presence of the man across from you, you feel yourself suddenly tense up. Which is stupid, considering the fact that you are friends (distant acquaintances), and have been around each other for months now and got along great (cordial at best), surely by now you can have a normal conversation at the very least.
Speaking of conversation, you also become hyperaware of the fact that the other person in the hallway has yet to say a single word to you. Palms beginning to sweat, you began to scramble to think of something - anything - to cut the silence. As if your insane ramblings weren’t bad enough. He probably thinks you’re even more of a raging lunatic, compounded with what happened last semester. Why, why, of all things why did you have to crave Kraft Dinner for fucks sake-
“I see.”
Your inner monologue was cut short by a low reply. it seemed Kyungsoo deemed your answer acceptable, nodding slowly to himself.
You almost felt your body sag in relief, shifting your weight on the balls of your feet.
As another beat of silence passed, you fidgeted again as you were regarded by the dark haired man. Kyungsoo had yet to make any move towards his own room and you suddenly didn’t know what to do with your hands.
Someone kill me.
You cleared your throat, “Umm...so now that that's cleared up… I’m just going to... go over...there” gesturing to the bathroom. You didn’t even wait for him to answer you as you powered your way past him and slipped into the bathroom, pressing your back against the door as it closed behind you.
You waited with baited breath as you heard silence from the hallway. Eventually after what felt like an eternity, there was a shuffling of feet, and the clicking of a door closing from down the hall.
Silently making the motion of bashing your head against the door, you let out a deep breath. Shaking your head you flicked on the light and picked up Jongin’s papaya face wash.
I mean, that could have been worse.
. . . . . . . . . . . . . . . . . . . .
Making your way across campus, you faltered slightly as a yawn made its way through you. After submitting your paper to your professor's dropbox you had spent the day catching up on the never ending tasks you had on your to-do list. You had holed yourself up at the campus library and it wasn’t until your stomach decided to do its best impression of a Harley Davidson that you decided it was probably best to call it a day.
Pulling out your phone you pulled out a delivery app and started browsing the menu for the greek place a block down from your apartment. Flicking through the menu, you contemplated between the Pork Souvlaki or the Chicken gyro...maybe Jennie would be willing to go half and ha-.
You halted on the sidewalk.
Right.
Jennie.
Jennie who is currently still at your apartment.
With Jongin.
Well, shit.
Switching to your messages you sent a text to Jennie.
You: All clear?
You watched with bated breath as the three dots appeared at the bottom.
A sock emoji.
Lovely.
Sitting down at a nearby bench, you began sending out a barrage of texts.
After about 20 minutes of asking around you found out that Jisoo was out of town seeing her parents, Rose’s apartment building was apparently being fumigated for the second time this month and Seulgi was having Irene and Wendy over and you didn’t think you wanted to be part of whatever freaky party those three were going to have.
With every text that came in you felt yourself slowly deflate more and more. Placing your hand in your jacket, you grasped the keys that were in your pocket. They felt heavier than they should be.
There was one other option.
Grimacing, you flushed as you remembered the painfully awkward conversation you exchanged with a particular dark haired man this morning. There was no doubt in your mind that he would be home if you went over now, and you didn’t even want to begin imagining how this interaction will go.
You bit down on your bottom lip in worry as you brain tried playing out the various scenarios in your head. All in all, Kyungsoo didn’t seem to care all that much this morning, but then again when have you ever seen Kyungsoo care about anything.
Come on, think. Well, what do we know...
He is a mutual friend (questionable), for starters. If you both are able to get along with the dumperfire that is your friend group you have to have something in common.. Right?
You stopped fiddling with the keys in your pocket as the realization hit you.
Pulling up your contacts you scanned down the list before pressing ‘call’.
“Oi, Jongin. Does Kyungsoo like Greek?”
. . . . . . . . . . . . . . . . . . . .
Turns out no, Kyungsoo does not, in fact, like Greek.
According to Jongin, Kyungsoo is obsessed with this weird hole-in-the-wall Italian place that had handmade pasta. What was supposed to be a 10 minute walk ended up taking 45 minutes as you got lost 3 times, and once you finally found the store the doors were locked. What restaurant shuts down from 3 to 5 on a Friday?
Hipster pasta makers, apparently.
It was lost to you what the appeal was, but if there was anything that you learned in the years as a young adult living on their own, it was that there were two sure-fire ways to bond with someone:
Get drunk
Eat good food while drunk
The latter was not necessarily limited to ‘good’ food - after a few shots to you a McNugget is like a Michelen meal. However you had a gut feeling that Kyungsoo wouldn’t be too welcoming if you showed up with tacos and tequila.
So did you wait around for an hour and a half just to order something you could have bought as Lean Cuisine?
You bet your ass you did.
Because nothing says I’m sorry I know we barely know each other but our friends are banging so were kind of stuck together quite like overpriced spaghetti and meatballs.
Adjusting the paper bag in your arms you walked up to the familiar door. Fumbling with the key you finally managed to wedge it open and stepped through the threshold.
Unlike the last time you entered the apartment, this time you weren’t met with silence. The lights were already on and the sound of the TV filtered throughout the apartment. Toeing off your shoes and arranging them neatly next to the pair by the door.
Arms full of take out you were all of a sudden nervous to turn the corner.
You are once again reminded of the fact that you are very much not close with this man and this will probably be the first time you ever said more than 4 sentences to him in one sitting. And now you are about to have dinner together, alone.
"You kind of have to approach him first, and then see how he responds. He just needs time to warm up to you, you'll see"
Kim Jongin don’t you fail me now.  
Kyungsoo was sitting on the couch looking at his phone when you entered the living room. He immediately looked up and you watched his eyes widen marginally at your presence, clearly not expecting you back.
“I…” The mini speech you had been preparing during the 12 minute walk to the apartment died in your throat as you made eye contact with the dark haired man in front of you. The look he gave you left you momentarily thrown, it was a look that instantly made you think that he was annoyed with you with the way his eyebrows were drawn and the slight frown tugging at the corners of his mouth.
It wasn’t until you saw Kyungsoo’s eyes slide to the bag in your arms briefly, and the slightest flicker of curiosity gave you the courage to push on.
“Jongin is still my place,” you offered, and watched as his eyes flit back to meet your own.
“So,” you continued, shifting the bag in your arms, “I brought some dinner, as a peace offering of sorts, I guess. I hope you’re hungry, because they gave us enough garlic bread to feed a small Italian village.” you let out an awkward laugh.
Kyungsoo looked at you as if you had grown a second head. You didn’t blame him, but you were too far gone to back down now, even if the man was giving you a shoulder so cold it could freeze Sahara.
Making your way into the kitchen you placed the bag on the counter and began taking plates out of the cabinets, trying to keep your trembling hands busy.
Stupid, stupid, this whole idea was stupid.
As you were transferring the food from the containers you heard a slight rustling behind you.
You almost turned around when you didn’t hear anything else, but then a deep voice spoke up, albeit hesitantly.
“Is that from Giulietta’s?”
Stiffening a smile you did not respond to the man immediately when he materialized at your side.
Humming in affirmation you handed him his plate, which he took slowly, eyeing the food suspiciously.
I swear, this guy.
It wasn’t until you had dished out your own plate that you turned to him finally and gave him what you hoped was a friendly smile.
“So, have you watched the new season of Great British Bakeoff?”
. . . . . . . . . . . . . . . . . . . .
“Have a nice weekend? Actually don’t answer that, I really don’t want to know.” You didn’t even look up from your laptop as Jennie slid into the seat next to you at your morning lecture.
“Jongin has been doing ballet for years, I swear I never knew a body could bend like-”
“Ew. Gross Jennie, it’s 9AM”
“I have no concept of time anymore, the man wouldn’t let me sleep-”
“Jennifer, please, this is a sacred place.”
“This is Introduction to Environmental Science, most of the people here are too worried about cleaning baby ducks with Dawn soap than to eavesdrop”
Groaning you buried your head in your hands and took a deep breath. You really should have stopped by the Cafe next door and got some coffee, you aren’t nearly coherent enough to deal with this.
“Hey,” Jennie started, pulling you from your thoughts.
“Thanks again for stepping out and giving us the apartment for the weekend, I really appreciate it”
“You’re lucky I like you.
“Oh please-”
“-I barely got out of there alive.”
“Come on, it couldn’t have been that bad.”
It wasn’t, actually.
Last night you and Kyungoo had sat in their living room and watched the Great British Bakeoff while you ate your dinner. You thanked whatever higher power there was that Kyungsoo was not a stickler for eating at the dinner table. Or maybe he was, but also thought this situation was incredibly awkward and also wanted some sort of distraction to avoid having to make small talk.
It wasn’t wholly unpleasant, you actually found yourself mildly enjoying yourself. He was a man of a few words but every now and again he would sprinkle in some choice commentary here and there, making noncommittal noises when a contestant added a new ingredient.
Odd fellow, this one.
He was polite enough to stick around for a couple of episodes before standing and offering to take your plate.
“Would you like something else? Jongin keeps ice cream sandwiches in the fridge”
“Oh...no, I’m ok thanks”
You were absolutely going to have one later.
Giving a curt nod, he walked back to the kitchen to wash the dishes. After a few minutes he returned to the living room, shifting uneasily on his feet. He had this thoughtful, intense expression, almost searching. For what, you had no idea but it made you fidget nonetheless, breaking eye contact and pick at imaginary lint on your sweater.
You were about to make some excuse about needing to go back to the library - because you sure as hell weren’t going to stick around here -  when he mumbled something about having papers to grade before disappearing down the hall to his room without another word.
A few more moments passed before you let out the breath you didn’t realize you were holding.
Well, that’s that I guess.
“It went fine. He was...nice”
“Nice.”
“As nice as you can be with a stranger invading your space unnanounced.”
“So dramatic, it’s not like you two are strangers.”
“I don’t even think he knows my name.”  
“We have all hung out loads of times before-”
“I have spoken to him more in the last 12 hours than I have in the last 12 months”
“And who’s fault is that? If anything, that's progress, you should be thanking me. Kyungsoo’s a hoot”
You leveled her with a look.
“...have I told you how much I love you today?”
. . . . . . . . . . . . . . . . . . . .
A/N: Had this in my drafts for over 2 years. Hoping by posting I’ll be motivated to actually finish it~
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