# 59 Dc X Dp
Danny has been living with the Waynes for several months now, in those months he has learned that the Wayne are the bats, they have left some of their equipment lying around the manor. Danny has not said anything about it because when he sees the equipment with somebody there they get anxious he comes to a collision that they didn't mean to leave it out so he pretends not to know
The Waynes have been leaving hints about the vigilant life to the new brother/son they want him to know but do not want to tell themselves, they wish for him to figure it out himself
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I finally finished reading the fourth volume of svsss in full, and thing is--the first time through I only read the bingqiu content because I was ravenous for more of their happy ending.
Turns out that was a perilous mistake.
Because I started reading the airplane extras. And I swear to god. MXTX is trying to kill me
What do you MEAN demon lord Binghe was sitting on his big fucking throne. All stoic and forbidding. Surrounded by his demon generals who don't know shit about human courtship. Asking them what he should do, fully demoralized by constant rejections from sqq, only to have airplane tell him to act more pathetic and needy. Which is already hysterically funny and insane, UNTIL LBH'S RESPONSE IS THIS, KILLING ME INSTANTLY:
LUO BINGHE. WHY DOES HE SAY IT LIKE: "I already tried that, didn't work--nothing works :/ not mean, not maidenly, not housewife, not spicy, not capable disciple. Is doubling down on clingy really all it will take? What's a born hater with only one love in his life to do????"
The dichotomy of him sitting there like 'how can I reach the unfathomable depths of shizun's heart?' A HEART HE'S ALREADY WON OVER, MIND and then in the Holy Mausoleum solving the puzzle without blinking and being like 'oh yeah you just have to hit the acupoints, no sweat.' Literally the comedy writes itself I'm so--
How am I supposed to be normal about this. MXTX understands the juicy quintessential queer joy of a person with the world's power at their fingertips wishing only for love. Willing to do anything to earn that love, when unbeknownst to them it's already been freely given. Totally not screaming and yelling and clawing at the walls
And that's not even touching airplane's uproarious account of events. The way he's like 'lol what's next, lbh and sqq are best friends now? smfh' only to see lbh TACKLE SQQ LOVINGLY. FOR SQQ TO BE BASHFUL ABOUT IT BUT SO SO FOND OF THE LITTLE SCAMP. This when we've been experiencing sqq's constant inner monologue of 'I'm so cool and so dignified about my role, truly the epitome of propriety and poser-level fortitude.' Meanwhile, in their universe:
Airplane constantly flaming???? Sqq and lbh in his observations????? His absolute bewilderment and confusion????? Legendary. No notes every single second of this shit was hilarious.
Airplane's comment that sqq + older adolescent lbh traveling together was just watching a couple in their honeymoon phase. OR the fact that lbh is exceedingly petty and refuses to share their food in the wake of airplane's interruption of their time together, until sqq relents sheepishly and insists airplane eat what's left (ONLY AFTER PLACATING LBH WITH MORE FOOD FROM HIS PLATE, SOBBING)
Watching airplane salivate over Mobei-Jun and acting like that's totally normal behavior. Finding out mbj and airplane got together first. Finding out sqq encouraged airplane. LIKE THIS. WHILE HE IS STILL IN DENIAL ABOUT HIS OWN FEELINGS:
Mobei-jun clearly thinking their arrangement is a forever thing, heartbroken his human abandoned him with all the hapless fury of a scorned wife swept away by false promises of fidelity. Airplane writing demons to be the type to beat up their crush lovingly and still unable to connect the dots about mbj's feelings. Mbj letting him go and respecting his wishes, only relenting when there's indication airplane was poorly processing his own feelings and didn't actually want to leave. Mbj caring for him and listening to him as soon as airplane voices what he needs directly and with clarity. None of these gays are functional and it's everything to me
Unrelated, but I physically can't hold this information in anymore:
I'm still reeling from younger lbh having his sexual awakening from the image of sqq wrapped in the immortal binding cables. Condemn me as you like he was so, so real for that.
And no I will not be taking any comments about how luo bingge couldn't bear to see luo binghe cherished in ways he never got to have and all the haunting implications of that. I will also not be taking any comments about luo binghe's instinct to look for sqq in that alternate universe, only to be shaken to the very core to be unable to find his shizun anywhere. The unspeakable and latent horror of his relentless mind likely piecing together what happened, but unable to say it; to suspect what is true, and live with the harrowing confusion of his double's actions. To blame himself, to assume that he had let his anger get the better of him in that world and result in unspeakable folly...
I also refuse to talk about how heartrending it is to hear Tianlang-jun weakly say "In the end, I really can't bring myself to hate humans." The implication that the foolishness of that hope and bright-eyed fondness--the very thing that put him through such unspeakable agony--couldn't be beaten out of him entirely. To discover that his faith in Su Xiyan hadn't been misplaced, to the contrary: his beloved hadn't scorned him at all, but rather fought to the miserable end to protect the fruition of their genuine feelings of love when she couldn't protect tlj or herself.
How MXTX has sqq deliberately draw parallels between their situation and that of ygy+sj and tlj+sx; desperately wishing it might not be too late for them. The concept of breaking cycles of abuse and harm pervasive throughout the newly devised story, how it evolves for the better only when love takes the place of power, pride, and domination. How the moment sqq chooses vulnerability instead of saving face, the genre shifts to the so-called "cringe" girly genre where most if not every character is more fulfilled, more true to themselves. How the "male-oriented" former genre was aimlessly sensationalized and sexualized, how it was a sustained performance of aspirational toxic masculinity. How men objectify other men without end. All of the unspoken gendered implications that come with that.
Anyways. Going to go put my head in a sandbox and try to process everything I just witnessed because even a second reading is not enough to find a modicum of closure.
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im so crazy over the tragedy of everything q!bbh does being under a demon pretense even though he's a fallen angel.
do u think he just accepts the demon label because it's easier. do u think he believes it too, and catches himself in his thoughts with "oh, right. im not exactly that". and maybe he believes that he did this to himself? do u think what he did was to protect himself or someone? no matter the fall, he still has so much kindness to give and his brain just isn't wired the way a natural-born demon would be, he can't hold back instincts when time demands it, maybe that's why he fell in the first place.
and when he's finally bad, not good, it's treated like the end of the world, without empathy on why he would act out. do you think this keeps happening? the same scenario, multiple times, every timeline? he has to be used to it. so he has to take it in stride. he's good until he lashes out under extreme pressure, and suddenly he's called demon. and once again he's what heaven made him out to be. what he made himself to be, his brain would ruthlessly provide...
i don't think he wants to be that, though he hides secrets behind secrets of which neither identity is a home... but i don't think he wants to have to change, either. and i don't think that's wrong of him.
...you collapse atlantis ONE TIME and all of a sudden YOU'RE the bad guy and SURE it was FUN but REALLY now,--
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no change in the movies pisses me off more than them having peeta just scream "ur all gonna die!!!1!1" at the camera with the hard cut to haymitch going "that was a warning (empath)" when in the book it was peeta struggling to even get the warning out and literally everyone in 13 expect haymitch and katniss going "wtf did he mean by that he can't be trusted" to which haymitch had to desperately plead with coin to listen to the warning, because that's obviously what is was, and none of them know peeta except for him and katniss
Like as unintentionally funny as the scene in the movie is it wasn't even a moment in the books that makes haymitch seem all that clever, like they try to spin in it the movie, it was just him knowing and trusting peeta. It was a testiment to his love for the kid, not anything else ughhfhfjkdkdkf
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One of the most surprisingly delightful things about BBC Ghosts is just how much of a gem Pat is. Going off of appearances, it would be really easy for the narrative to make a bunch of jokes at his expense and make that the sum total of his character, but no. Yeah, he’s the middle-aged scout leader with an arrow in his neck with an out-of-fashion haircut, but he’s more than that.
He led boy scouts and was genuinely passionate about it, and what does that mean? He’s patient and used to dealing with kids calmly, socially and emotionally aware, generally unselfish, and good at building people up. And the fact that he’s got all of the badges means that he’s got a whole wealth of genuinely interesting competencies that means he’s interesting to be around. And then he also delights in so many things, which sparks life into everyone around him. In life or death, you really want to be around people like Pat!
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and another thing about qijiu is like -
anytime shen (jiu) qingqiu gets into an "altercation" its like:
yqy, thinking: what happened? i need to know from him what happened so i can protect him from the consequences, no matter what it was and no matter how much he might be blamed. and what would have happened if i wasn't there to do so? before, he paid the price for things that were my fault, and last time i left him- (guilt spiral, etc.)
yqy aloud: what did you do?
shen jiu, hearing this, thinking: he thinks i'd do that? how low is his opinion of me really? does he truly think there are no depths to which i wouldn't sink? and i thought it couldn't be lower. so quick to blame me and ignore anyone else's part in this. so quick to distance himself from his sordid past.
shen jiu, aloud: i'm sure it makes no difference to you.
choose your fighter: yqy's unconditional devotion and inability to communicate vs. shen jiu's self-loathing making him interpret it as disinterest and blame (and also his inability to communicate)
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something really gets to me about eiffel and hera talking to themselves while addressing each other - in am i alone now? and the watchtower in particular. i can't say this to you, but you're still the person i want to tell it to. i know there's no way you can hear me, but if you can...
eiffel talks to himself a lot, and he is very used to being alone with no one paying much attention to the things he says, so i'm not sure he ever realized exactly how much until he was on the hephaestus. in the early days of the mission, i imagine hera responded to a lot of eiffel's asides and sort of embarrassed them both. and then that sort of... shifted. their relationship shifted, they got comfortable being around each other, and eiffel's conversations with himself started including hera, too. i like the idea of that as an establishing moment: that, at some point, there was a first time eiffel said something in an empty room, and hera was so used to him talking to himself that she didn't realize it was meant for her, and he asked her, "hera? are you there?"
i imagine hera still talked to eiffel, too, when they all thought he was dead. with each day increasingly longer and more difficult, that she would vent her frustrations to the empty comms room the same way he would've encouraged her to when he was there. she can't talk to anyone the way she can talk to him, and they just... keep talking to each other, even when they can't. they are so much a part of each other, the voice of encouragement and comfort in each other's heads. for so long, all they can really do for each other is talk, and they maintain that connection even in absence. they ask each other "are you there?" like reaching for each other's hands in the dark.
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sometimes it drives me literally insane to see romance requests that are like
--I want a romance wherein it's basically the happy epilogue throughout the book
--I want a romance that has great communication and they never withhold anything from each other ever
--no "miscommunication trope"
The last thing is just a general gripe about how so many of the things people say are tropes are not tropes, and it's pedantic and snobby but like. Miscommunication is so broad. It's not a trope. People are miscommunicating. WHAT are they miscommunicating about? Is one of them keeping a secret identity from their partner? Because a secret identity romance iS a trope. Is one of them withholding their feelings out of fear of rejection?
Because people DO miscommunicate. Often writers do write it clumsily. If people miscommunicate for no reason, sure, whatever. But if they miscommunicate BECAUSE of a REASON--like, often it's not even miscommunication lol. It's the hero keeping his dire supernatural secret from his wife because she'll die if she finds out (honestly, valid to me, but whatever). It's the heroine finding it difficult to trust the hero with her heart because her dad left when she was young (maybe cliche in theory, but actually a very real thing that happens).
If all you want is plotless nothing wherein everyone is happy and nobody makes mistakes, I personally have a hard time thinking of it as a book, because there is no story. It's just vibes. And essentially EVERY time, people have to mess up and make mistakes in order for there to be a plot.
I just don't understand the point.
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