I'm cracking up at the idea of Fourteen bumping into an old companion in Tesco's or something and them instantly being like 'YOU'RE BACK? WHAT HAPPENED? IS IT THE DALEKS ? IS THE WORLD ENDING AGAIN? DO YOU NEED HELP?' And Fourteen is just stood there like 'i'm just here for milk??'
PFTDGEHSJSJDYTE I CANT BELIEVE MONKEY D. LUFFY HAS TAKEN OVER TUMBLR!!!
At first sight I was like, oh cool! I see they’ve added a Luffy tab on my dashboard, because I love one piece. And then I look down the luffy tag,,, AND THERE ARE SO MANY PEOPLE WHO JUST. DON’T KNOW WHO HE IS XD. That must mean THEY’VE JUST ADDED HIM TO EVERYONE’S DASHBOARDS WAHAHAHA!
First of all, it’s pronounced loo-fee. Second of all, he’s from hit series One Piece and you better not forget it!!!
Good news! There's another halfa in the city, and he seems to be a good guy. Bad news: the nearest path to his university is through that halfta's haunt. He could take the long way around, but the costs would be more than his budget can handle, and he'd like to avoid dealing with a pissed-off Red Hood.
Hopefully the offerings will be enough to sate his annoyance (and help maybe, god that man has the most malnourished core he's ever seen).
Jason is getting incredibly confused over the strange gift baskets that keep appearing on his patrol routes.
I feel like if Jon had snapchat, his story would be completely unhinged. Like his story would be a picture of a cat and then a video of him running from the cops. A picture of his tea and a statement, then a picture of a dead body in an abandoned house. Just some really weird shit.
It turns out the way to avoid getting eaten by the Eldritch horrors is cartoon logic! And Lancer is well-versed in that! That, and just being an adorable little bouncy pumpkin who absolutely belongs in a less scary universe.
so my friends and i are obsessed with psychopath Creek and I'm sick to my stomach so here's my rendition of him when he eventually comes back to pop village which is a canon thing that happens in the cartoon teehee (i hate him)
Generation Loss is a comedic tragedy in every sense of the word. Every character we see exemplifies this fact, but no one other than The Austin Show proves its truth.
We begin at the carousel. Austin, Gay, takes his turn by pleading for himself to live because he has a wife and children back home. The rest of the cast interrogates him about his “wife and kids,” clearly suspicious of his truthfulness without even knowing his dubbed “title.” Everyone in the room treats Austin like a joke.
In turn, so do we.
Next, we reach the closet and shortly after the failed drag show, Austin remarks, “Look, I uh… I didn’t expect to die here.” It’s a moment of pure honesty, whether we like it or not. It happens again when the Puzzler tries to party with them, and Austin has to angrily remind him that they are his captives and are actively trying to kill them.
Austin: “What are you doing? What are you doing? What are you doing? We're trying to get out of here. I have children and wives— wife. One wife! What is this some sort of game? I’ve been stuck in hear for hours it seems. We’re trying to get out. Why is nobody else freaking out? We’ve got C4 strapped to our neck…”
It isn’t until Ethan’s death, his blood pooling out from underneath the door, Austin screaming at the others, begging them to have a reaction, to care about their circumstances, to care about death, that we finally understand Austin’s role in Generation Loss.
After all, in every great comedy, someone always has to play the straight man.