Tumgik
#he still writes POC characters
jrueships · 5 months
Text
sometimes i'll think abt a Fandom and wish it were bigger, and sometimes i'll read something from a fandom.. and wish it were smaller
#ppl seeing a confident black man : FINALLY! A PERFECT ANTAGONIST FOR OUR STORY!#THE CORRUPTOR!! THE ASSHOLE! MR KNOWS ALL!#i want to be bigger into football. i rlly do#but . omg. sometimes seeing just So Much . side eye shit is . like imagine my exhaustion#and this isnt me trying to be the behavior police like let ppl write but sometimes seeing such. Fun. patterns can be like#idk man it's sad like damn thats rlly how the world is and obvs i KNOW how it can be but it's real wack#real wack being reminded even in ur supposed happy place ur supposed lighthearted little break from the world#it's still not . idk. it's just not#oh the poor pale blond qb just a little anxious baby oh and his evil zany teammates trying to corrupt him oh theyre so terrible for my angel#:/#.. that is. a Grown. Man .#it's like replaying my 2nd grade teacher ******** me bcs i was a troublesome kid and it made her feel young and alive and bad again#like wtf am i corrupting you with maam? skibbity toliet ? leave me alone !!#listen. if it were smthing like 'x rlly likes tomatoes' when he actually likes idk carrots? i would not give a fuck. infact i prefer carrots#but bad patterns have smthing more to say bcs patterns in general have a story#it's more than 'he would not fucking say that' it's 'WHY tf are YOU making HIM say THAT of ALL people & THINGS???'#like i love having asshole characters in my stories too. and they can be poc ! NO ONE is a saint!#but having one just to fuel the only one u actually care abt? having their problems solely be for plot?? & making that one#a SPECIFIC kind of person ?? is kinda giving me 'u dont view x as a human which could mean you dont view x race as humans'#WHICH IS !! IT SUCKS ! THAT SUCKS!#i know i need to just suck it up and ignore it but thats like the life quote of being poc isnt it#ugh#it sucks
23 notes · View notes
ahalliance · 8 months
Text
i don’t get how people can complain about the writing “doing Martha dirty” when that same writing gives her an ending that addresses her treatement over the course of the season, allows her to finally put her to foot down, to establish her self-worth as an individual and to air out her grievances, and gives her the most respectful and satisfying exit from the TARDIS we’d yet seen in the show . like it’s one thing to dislike the direction the writing team took with her arc and to criticise it (perfectly fine) and another to somehow miss it entirely lmao . the ‘martha feels out of place, second best, and like a rebound’ is an intentional piece of writing that gets resolved by the end of the season . like that wasn’t smth they threw in for shits and giggles, it had in-story repercussions
#and if u don’t think those repercussions were Enough then that’s totally cool and smth to start a discussion over#but . don’t act as if they didn’t happen lmao??#i just . yells#like i have my own criticisms about the writing (giving the ‘i feel second best to this dude’s past love interest’ to the first POC#companion was . probably not the best of choices let’s be real#though there’s some leeway there as im assuming the character was written before audtions . but still . could have been reconsidered#idk i totally understand why people aren’t fans of the storyline itself (outside of how coherent the writing is) but i think it’s a shame#that many others just kinda seem to miss the point because it’s such a unique and interesting arc to give to a companion#i like fresh ideas!! i like the doctor Actually being portrayed at someone who is clumsy with relationships and emotional intimacy!!#i like it when his trauma spills over in ugly and complex ways like we see in season 3 in regards to his friendship with martha#and i like it even better when his accidentally cruel actions and mistakes get brought up and criticised by the narrative!! like it does in#the end of s3!! it’s so good!!#i enjoy 10 because he’s my favourite wet cat but also because he is allowed to fill up room like a real traumatised individual would#it’s like . okay i enjoy ‘ooo the doctor is the oncoming storm ooo he’s hurt and killed so many people ooo’#but it’s also good to See the actual ramifications of that shit you know . hearing about his legend status is always fun but damn man#is it satisfying from a character analysis POV to see him hurt the people around him . to see him treat his friends poorly on accident#because of his own character flaws . like that’s GOOD#and it just sorta irks me sometimes bc people will have this smug attitude of ‘well MY blorbo isn’t a rude piece of shit and is actually a#paragon of morality’ and like girl i don’t give a shit . that’s fine in small doses but it’s not what’s compelling#people tend to like interacting with ‘angsty traumatised edgy characters’ if their edginess is contained in a nice little box that doesn’t#overspill . fuck no give me the characters that are loud and ugly and unpleasant about their trauma THAT’S THE REAL SHIT#jay rambles#dw.txt#10.txt#marthaj.txt#sometimes u wanna treat the blorbo from your show like a real person sure but sometimes it is better to remember that they are fictional#and there to be considered as part of a bigger story and as an item to analyse . case in poiny#point#maybe i shouldn’t be surprised by this though since people still get hung up over rose quartz
3 notes · View notes
wheelie-butch · 2 years
Text
literally so annoying every time i write something for class that has a disabled character the disability is always read as ‘psychosomatic’ or something by my tutors. like maybe the wheelchair doesn’t symbolism ultimate abjection. maybe they just use a wheelchair bc it’s cool
10 notes · View notes
rosesradio · 1 year
Text
.
#actually i am really sick of my family for making me feel like ‘being liberal’ Or Whatever is my only personal trait#because like i used to voice opinions on things until they made me feel bad/crazy for it#but now when they whip out the most batshit insane take on something & i’m just like ‘um i dunno…but to each their own’#& they still act like i’m crazy i’m so ���#like my only cousin who’s into p/j/o was talking about how the new book (& while he ‘doesn’t care’ that Nico’s gay it—#‘came out of nowhere’ 🙄) the new book is written by two authors—one of them being a gay man because Richard wanted the input—#because he didn’t feel qualified to write it as a straight man or something idk#but my cousin. said. that if a straight man ‘can’t’ write a gay story then a woman can’t write a man’s story & vice versa#which. oh my god no#for one thing i do think anyone can write any story even/especially if it’s out of their depth but they should absolutely reach out—#if they want firsthand accounts of experiences like what it’s like to be gay etc#but also. of course a woman can write a man & vice versa what kind of take even is that? like yeah some people do it really weird—#(‘she boobed breastily down the stairs’)#but that doesn’t mean people shouldn’t be allowed if anything people should learn about the experiences of others#in general his takes of ‘i don’t Care i just wish it wasn’t Every Character that’s not how it Used To Be’#like 1.) if richard wrote lgbtq/poc main characters in 2005 he probably wouldn’t have sold many books#and 2.) it’s Greek mythology. you get what you sign up for#anyways yeah i’m really quiet at family functions but even when i just quietly disagree i’m made to feel really bad about it#& the next function is literally my grad party like next week ://#but after that there shouldn’t be anything for a while#rose.txt#tw vent
1 note · View note
one final thought on this whole argument - this asshole has literally up and blocked me before I even got the chance to upon seeing if he’d reply, and after getting by it using a secondary device to check out of curiosity, I have found him absolutely froathing at the mouth having a full adult tantrum.
the walls of boldened text and full capitol letters like a screaming school child alone is quite something.
#0-60 real fast#so much for being civil#obviously I wouldn’t be replying even if I could bc I’m done this whole thing#I only threatened to block bc I wanted more of a barrier to shut down this argument#I let him say his peace and voice his reasons but look if I don’t like the vibes of a place I leave#he’s still going on his tyraide justifying why henry killed those kids#why completely ignoring my points about how regardless of the ‘reasons’ he did it we’re suppote to see it as horrific act#and as an act of henry’s character#like I am talking about THIS man you’re so fucking far off you’re on jupiter#and for the record I never pointed my fingers at henry fans and specifically said they were racist#maybe I didn’t say this clearly enough in my initial post but I’m talking about how henry being a white man is a structual benefit#within fandom that has ppl flocking to his side 10x more then kali ever did#and bc he’s a pretty white boy he’s wobbifyied and justified beyond belief#DUE to structual racism that has long painted white ppl as innocent and good and poc as the opposite#that’s simplfying it but you know#also I said ‘favourite topic’ over the case of the dead kids as fucking joke bc you kept writing it off#it’s called sarcasm dipshit welcome to the internet#I’ll just finish by saying kali and henry are not the same and she would never join him and to get that through your thick skull#but what more can I expect from someone who clealy can’t read nuance or even fucking subtext#oh would you look at that it all comes down to READING COMPREHENSION JUST LIKE I SAID#saying ‘it’s obvious’ to the fact you could tell I didn’t have ASD like…..I’m not sue how to respond to that#but if you’re trying to insinuate you ‘knew’ bc I couldn’t sympathize/relate to henry buddy you are so far off your rocker#if you think all ASD experiences are like yours/henrys#forgive the typos and grammatical errors I’m on mobile
0 notes
Text
I love OFMD for many reasons, from genuinely fantastic writing to a great story to amazing acting to wonderful poc and queer characters, but I think the single best thing OFMD has done for me on a tangible level is giving me a little something I like to call the Stede Bonnet Test.
The Stede Bonnet Test is very simple. If I'm about to do something that harms no one but would make me happy and feel like a more authentic version of myself, and I start talking myself out of it because I remember how other people might describe this thing as cringey or stupid or I'm reacting from a place of internalized homo/transphobia, then I ask myself: "would the narrative punish Stede Bonnet in this situation if he walked away?" and if the answer is yes, then I do that thing.
For example, when I was replacing my old set of kitchen knives and I was considering getting new ones that have a cute flower design I really loved, I almost talked myself out of it because I didn't think they were very 'manly.' When I caught myself and applied the Stede Bonnet Test, I concluded that yes, Stede Bonnet absolutely should buy these knives or the narrative would punish him, probably by stabbing him with one of the more 'manly' knives he bought instead. So I bought the knives and they still make me smile every time I use them.
It's improved my life in real, tangible ways. My house is decorated more in the style I like, not what I think it should be like. I spend more of my free time on hobbies I love. I spend more time with my friends. I strongly recommend it.
1K notes · View notes
flightlessangelwings · 7 months
Text
While we’re in Latino Heritage Month, let’s stop assuming your reader doesn’t know/speak Spanish in your reader insert fics. Especially if you’re writing for Pedro’s, Oscar’s or other Latino characters please.
EDIT: After some criticism of how this was originally phrased, let me change it into a question/request instead- Can we as writers please try to be more inclusive with our reader insert fics so poc and others can feel represented and see themselves too? Including taking out a quick throwaway line about reader not understanding Spanish. (Keeping the original phrasing above so anyone who missed the post to begin with can still see how I originally phrased it)
If you have a throwaway line of “he said in Spanish that you didn’t understand” or something similar, just take it out. Have something like “you didn’t hear” instead and let the reader interpret how they want. Or use italics to indicate Spanish. Or have the translation right there without mention of anyone translating for them. Simple. Or if you don’t want to/feel you cannot change it, then please have something in with your warnings so Latinos/poc can skip it if they choose.
And let me tell you why this is so frustrating (even for me as someone who is not a fluent speaker). It’s because Latinos look to these characters and actors for representation. We see ourselves in them. And when you clearly do not have a Latino person in mind when writing, you’re saying we don’t belong here. In a space where we should feel welcomed and celebrated. Representation matters. Inclusivity matters. Please try to be more inclusive with reader fics so we can all enjoy and immerse ourselves in your writing.
ALSO EDITING TO ADD MORE FROM A REBLOG SO EVERYONE CAN SEE MY CLARIFICATION: (under a cut for length)
This is nothing new, poc have been asking for years now to be inclusive in fics and yet it’s still a battle. We’re not asking for a lot, and certainly not asking anyone to change their style or creativity or anything like that. Literally simple edits: take out the word “blush” don’t mention hair, don’t mention not understanding Spanish, not making reader blood related to a white character, etc. Literally tiny things that would not change the story at all but make a world of difference.
Here’s an example too: a few years ago it was not common for writers to label the gender of their reader as it was usually assumed the reader would be a woman. But, people advocated to label readers as f/m/gn/whatever to be more inclusive and asked writers to strive for gender neutral readers when possible so that more readers felt seen and welcome. Now it’s a common thing to do. Why is making the readers race ambiguous any different?
Yes sometimes posts like this come across harsh, but know that they’re not meant to be. Poc aren’t trying to demand anything, we just ask to broaden your langauge when writing reader insert so more can see themselves in your work. It’s incredibly frustrating to ask for inclusivity and be met with hostility and rudeness in return and a refusal to think about poc so yes sometimes the wording gets harsh out of that frustration. But I encourage y’all to focus on the message more and maybe think about why poc in fandom get snippy like this. We do need to have an open conversation, yes. Just look in the comments at the Latinos and poc who are upset by the exclusion and feel hurt by it. How you you white fans feel if roles were reversed and none of the fics included you? Not fun, right?
And to those who say write it yourself: I do. I’ve been a x reader writer for years now and I do strive for inclusivity in my work. But I’m only one person and this is bigger than any one person. This isn’t about what I personally find acceptable or what I personally what. It should be a collective effort among writers as a whole to strive to include as many as possible in their works and not white code your readers. It’s not about demanding writers write it a certain way, it’s about asking writers to consider others who don’t look like them who also want the immersion and the escape that your fic brings.
769 notes · View notes
quasi-normalcy · 7 months
Text
Which Star Trek series should you start with?
The Original Series: Advantages: + The one that started it all + Has some sophisticated and socially conscious science fiction that has held up exceptionally well + The lead characters all have really good chemistry and fun to see play off of one another + It's what most people probably think of when you say Star Trek (together with TNG) Disadvantages: - It can feel very dated and kind of sexist, particularly in its treatment of women - The sci-fi and social commentary may have held up, but damn it, the special effects really haven't - When TOS is bad, it's really, really bad.
The Animated Series: Advantages: + Basically just more TOS. Disadvantages: - Basically just more TOS, but substituting extremely cheap animation for bad special effects
The Next Generation: Advantages: + Probably the most popular one at this point + The crew is full of interesting characters and they're fun to spend time with + Just really smart people solving Space Mysteries + Socialist space utopia + Geordi-And-Data! + Lots of cool sci-fi concepts and social commentary + It's what most people probably think of when you say Star Trek (together with TOS) Disadvantages: - Although not in the same way as TOS, it can feel dated at times, particularly in terms of its treatment of women and it's near complete refusal to acknowledge queerness - Without wanting to bias viewer opinion, the first season is widely considered to be pretty bad - The series makes no bones about the fact that the socialist space utopia is better than every other society that has ever existed and will reiterate this point over and over again
Deep Space Nine: Advantages: + The most popular Trek series on Tumblr + Has a complete story arc, as well as arcs for all of its characters, including the extremely minor ones + Plain, simple, Garak. The humble tailor. + Garashir, if you're into that + Seriously has a really sophisticated treatment of things like post-colonial politics, anthropology, worldbuilding, and the horrors of warfare + Just the characters in general + Is the only Star Trek prior to the 2010s to even look meaningfully at queer representation Disadvantages: - Has an absolutely massive inferiority complex with respect to TNG and this drives a few poor writing decisions that seemingly exist just to poke the Socialist Space Utopia in its eye - Introduces a space religion and then just slowly turns it into Christianity with the numbers filed off - Seems to think that sexual harassment is just a quirky eccentricity - There's no women in its writers' room, and frankly it shows
Voyager: Advantages: + Probably the clearest instance of found family in space + Lots of really good episodes + Lots of fun new characters + Strong female role models + "Set a course...for home." Disadvantages: - Continuity? I never knew her! - Probably about 90% of Trek's reputation for technobabble comes from this one series - Even less queerness than TNG. - Only like...3 characters actually get arcs. - The first few seasons lean very hard into bullshit fake "Native American" spiritualism with one of the characters - How do these guys have warp drive but can't find any water?
Enterprise: Advantages: + Chronologically the first series + 90% less technobabble + The only series to plausibly frame our heroes as astronauts...on some kind of...star trek. + Still has probably the best production values of any series + Makes alien cultures of the week feel somehow richer and deeper than other series + Faith of the Heart is good, fuck you. Disadvantages: - Oh my god, the decon scenes - Seriously, if you've ever wondered what a "sexy" series written by a 14 year old boy who's only ever seen a bit of scrambled softcore porn on late-night cable would be like, this is the show for you - Somehow feels more sexist and racist than the show from the '60s - Seriously, the POC characters mostly exist to fill seats on the bridge; the women constantly have to undress themselves - Hellooooo, Bush II-era political analogies - Scott Bakula is a good actor but you wouldn't know it from this series - In season 3, they add a tambourine beat to Faith of the Heart and ruin it
Discovery: Advantages: + Noticed the lack of queer characters in the first 50 years of Star Trek canon and decided to make up for lost time + Seriously, the "Bury Your Gays" tally for this series is like...negative two + Just incredible representation in general + Some really good science fiction plots, particularly in later series + Some really fun, memorable characters + It's still running, so it has an active fandom on Tumblr Disadvantages: - Makes Elon Musk out to be one of the great visionary geniuses of history - Not really representative of Star Trek as a whole - The series swerves wildly in tone because of constant, behind-the-scenes churn in the writers' room - Offputtingly grimdark first season - Let's be honest, none of the season-long arcs have actually had satisfying conclusions - Half the cast feels like it's just there for exposition and to be killed for cheap drama
Picard: Advantages: + Has the best dramatic acting of any Star Trek series by a fair margin + Has the best musical score of any Star Trek series + Introduces a whole crew of fascinating new characters + Introduces all kinds of fascinating transhumanist concepts + AGNES. JURATI. Disadvantages: - You know all of those fascinating new characters that I mentioned? Yeah, it unceremoniously gets rid of all of them to bring back the old TNG gang. - You know that all of those fascinating transhumanist concepts that I mentioned? Yeah, it gets rid of those too so that to give us some generic action - Oh my god, someone teach the set designers to operate a fucking light switch - Grimdark - Nossssstalgia - Each season is basically unrelated to every other season - Depends so heavily on TNG that its final season is basically unwatchable if you haven't already seen a 30-year-old TV series
Lower Decks: Advantages: + It has probably the most efficient storytelling that I've ever seen; seriously, it's incredible how much it can fit into a half hour episode + It has a bunch of delightful, archetypical characters you get to know and love + You like hanging out with these people + The ship is kind of crap and you will learn to love it that way. + Basically a sitcom version of TNG. + Has a big fandom on Tumblr Disadvantages: - The art style is pretty Rick & Morty-ish - It takes most of its first season to really strike a good balance between being a sitcom and being a Star Trek series - The main character, Mariner, is kind of unlikable for the first season or so (she gets better) - Lots of callbacks to other series (though always either incidental or clearly explained) - Given that it's the first Star Trek sitcom, the comedy is honestly kinda the weakest part? Subjective I know.
Prodigy: Advantages: + Absolutely gorgeous to look at; the most visually stunning Star Trek by quite a ways + Lots of fun new characters on a cool ship + Gives you clear on-boarding notes to the Star Trek franchise if you're watching it for the first time + Can be watched on its own, but also works as a direct sequel to Voyager and a prequel to Picard (making both of them retoractively better, in fact) + Kind of like the Clone Wars or Rebels of the Star Trek universe, I guess? + Found family in space! The next generation! + Soon to be running on Netflix, so if you already have a Netflix subscription, you don't need to pay for another service + Written for a younger audience. Not necessarily an advantage, but nice if you happen to like family friendly animation or YA. Disadvantages: - *sigh* You basically need to pirate it. Thanks, Paramount. - Has a second season that we may or may not ever actually get to see even through piracy. Thanks, Paramount. - Isn't airing on the same streaming service as all of the other ones. Thanks, Paramount
Strange New Worlds: Advantages: + Basically what the original series would be if it were released today, rather than 57 years ago; all of the cool, socially consciousness sci-fi adventure, none of the weird 60s sexism + Fun, awesome characters you get to like spending time with right away + Incredible visuals + Nifty sci-fi concepts, mostly without the 90s-style technobabble Disadvantages: - A huge cast with only ten episodes a season, so many of them feel underdeveloped - Unfortunately, a bunch of its characters are younger versions of the characters from The Original Series, and they hog most of the spotlight; and the characters whose futures aren't locked in stone are kind of treated as disposable - In general, it needs to spend less time being a prequel, and more time being its own thing - "What if Starfleet ran into the Xenomorphs from Alien?" "Well, they'd probably kill them." "Okay, let's spend several episodes on this."
761 notes · View notes
flweurlilac · 7 months
Text
[Part One]
Cod characters react to you rejecting their confession </3
Part One ✦ Part Two
Tumblr media
Character contains : ghost, konig, price, horangi, gaz & nikto
tw : nothing just fluff & maybe a tiny bity angst ♡ reader is poc but i see her as (black) chubby reader bcs my blogs is for chubby gals but i didnt put any descriptions abt readers body (or skintone) so you could have fun with it :) reader is afab btw ^^
Tumblr media
♡ ghost
- big boy is mad
- no seriously he is mad.
- when the time you shook your head his sight whos first is kinda bright is now gloomy than ever.
- he would like give you a code about a question of why would you reject him.
- after he knows the reason, he is just kind of like [ *grunts* ... Fine. ]
- he still have a crush on u though, but he didnt have the courage to ask you again unless u change your mind and willing to confess your feelings for him <3
♡ konig
- blud is sad & angrei 😡
- have this '😡' expression after you reject him. But quickly turned into '😞😔' expression.
- quietly ask you "why.. Why darling?"
- after he knows the reason why he kinda try to make himself move on from you.
- but failed </3
- he still love you but he actually still mad at you for rejecting him.
- but he atleast try an effort to still respect you, but this dude is still over the heels for you <33
♡ price
- this is how his emotions looks like
- ☺->🙂->😐->😕->😞
- would quickly put his ciggarates once he saw you shook your head.
- ask you a question "am i not enough love?"
- he saw you shook your head again and heared you give yourself a reason of why would you reject him.
- after that he just went to like "oh.. Oh well fine then." But... He is still not over from you.
- i mean.. He sometimes try to take a glance at you when you were not looking.
- and trust me — this papa try reaaaally hard to not gawk over you cus umm.. He doesnt want to be embarassed.
- i mean.. This man has a lot of reputation in the military and the 141 group so.. better be patient.
- unless you're willing to change your mind and accept him, he would be over the moon :)
♡ horangi
- literally gave you a '😐' to '😒' stare right after u shook ur head and said the word "no"
- try not to look to angry at you bcs you just break his little tiger heart 💔
- he also try not to BARK when he sees you talking to his other comrades (including konig, bcs he is a jealous tiger)
- he would demand ask his comrades to ask you about why would you reject such a value man like him.
- would give you a side eye 24/7 after he knows the reason.
- but pls dont be mad at him for that, he still have a crush on you he just dont want to be seem as desperate.
- infact, giving u a side eye 24/7 is to get your attention back to him ... 😏
♡ gaz
- oh my god.. His heart is just like a snow that is being crushed by someones hands.
- would looked like a kicked puppy after you said "no" To him.
- would ask you quietly "why....?"
- after he knows the reason his whole mood is just become gloomy no matter how reasonable the reason is.
- bcs he is a shy bean so having him confessing his feelings for someone that he loves/likes require a lot of confidence for him to do it so he is really feeling that butt-hurt feelings.
- he actually still love you but he would never ever admit this again. He is too too shy beanie to do it. (Pls do it for him<3)
♡ nikto
- literally angy and sad
- he is infact big (almost like konig) but once he heard the word "no" From you he almost felt his strong and muscly heart being melted.
- he look at you with shocked expression and ask "why.. was i not enough?"
- after he know the reason he is still gloomy and sad of course. But he is not going to give up bcs he is a really determined man so he is really willing to say it back to you.
- unless this time.. He has more bigger & well prepare.
Tumblr media
♡❀♡ Note : Guyssss this is my first time writing for nikto hcs/imagines, he is another of the masked men in cod and he was really really underrated, many ppl still didnt recognize his appereance (maybe some are but just dont really that care about him.) so i had to add him on this list. I'll make a part two maybe later with alejandro, rudy, valeria, alex, makarov and keegan :) tell me wht characters should i add in the next part! Enjoy!
523 notes · View notes
badgyalshii · 1 month
Text
ITS NEVER OVER |||
+ (WHERE HAVE YOU GONE)
word count: 1.7?
Paul atreides x Reader (Always safe for POC + PLUS SIZE) Paul POV!!!
warnings: signs of depression? were happy in there tho, proof read? yeah something like that (god i am not good at these😭) y/n is not in this chapter but ofc shes mentioned entirely throughout the text.
A/N: AHHHHHH THE FINAL CHAPTER BEFORE THE FINALE, IM EXCITED TO POSTTTT, i hope you guys enjoyed and i love the feedback i recieved! i love you all, have a good day/night, whenever you get this! (Also, considering that this is from pauls POV i thought that i might add an extra title)
Hey! Have you read the first chapters? You didnt? What! Read it here!! I . II . III . IV.
Hmm? You said you like shii’z writing?! Omg me too! Check out her masterlist!
Tumblr media
He let out a heavy breath before he ripped his mask off of his face. He wasn't supposed to be out alone considering he was the new crowned emperor. But he was, and he was searching for you and he wasn't gonna give up until he did. He wore heavy clothing to try and hide his identity from others, and a bag that slung around his shoulder consisting of his journal, water, and other things he might need. He settles for the night in a rock. A rock with a beautiful view. He has been on the road for so long, he's forgotten how long, he didn't really care to remember either, considering it would help motivate to find you. He walks around the rock, searching for anything to give him clues of you or if you might've been here.
As he looked around, It was clear that someone had been there before. He looked at the bad attempt of making a bed, but he didn't touch it. His eyes slightly closed from trying to study the bed, there were still prints of a body, maybe two, on the bed. He hunches over. There was a piece of hair, as disgusting as it sounds…he picked it up. It was the same as yours, he took a rather long pause before thinking, maybe he should smell the bed? No, what if he smells something he doesn't like. He shook his head before looking at the single strand of hair that was in his hand. He sat down on the bed, setting the hair gently aside before taking off his glove and putting the strand back in his palm. Everybody's hair could be similar, he thought. He let out a sigh before looking ahead of him. He didn't know what time it was, but all he knew was that he was tired and heart broken. He didn't miss his home, not at all, not with you not there.
He put his glove and his mask back on before placing the hair into his bag. Out of everything that was going on, at least the view was beautiful. He stood and walked to the view of the rock, carelessly taking footsteps before he sighed and dropped down, his legs open and his elbows on his knees as he took in the view. He let in a deep breath. ¨tired. I am tired¨ he let out in a whisper. He fought his sleep often because he knew it would make him less confident and he would grow to slack, but sometimes he just couldn't take it anymore. The yawns leaving his lips, difficulty holding onto the hooks that latched onto the sandworm, but he thought he could finally settle here for a while, as a reward for finding a piece of hair that have a 5 percent chance of being yours.
As he watched the view, he thought of you. He didn't cry as much anymore. When he cried, he cried alone in private. And during that time, he cried until he couldn't anymore. Every time he saw Irulan it made him sick to his stomach. As much as he wanted to blame her, he couldn't. His heart was too good and he knew better than to let a weak desperate moment turn into anger. ¨why did i offer?¨ he would think over and over, countless times, wondering how could he be so careless. But he wasn't, he didn't want to marry her for the reason of love, just wanted to keep her safe as a promise to the retired and overthrown emperor. Thinking about it made him question his character, who has he grown to be? hed remembered what you said, he always thought of the smart and wise things you had to say.
¨its okay to feel how you feel, paul¨ you looked at him with a pity smile on your face while your hand was on his cheek. He had another nightmare. He didn't want it to be true. ¨this is gonna make me go crazy, y/n¨ paul whispered back, leaning into y/ns touch. ¨don't let it fool you, don't let it phase you, don't let it change you¨ you replied. At times, all paul wanted to do was give up. He didnt wanna be the chosen one. It was all too much. He could stay here forever, with you. For all eternity if he could.
Paul sighs and looks to the side. Remembering what you said, he wished things weren't so quiet.he laughed to himself, all the dreams he had of the future, but none of you. He sat alone, all alone, not one book, not one sound, just him, by himself. He felt empty, he wants you, he needs you, he needed someone to make him feel complete again, but days spread thick and long, bored, fighting himself back and forth between hope for finding you and wondering if you had just moved on. He wished he had a dream of you, of your blue eyes glistening in the sun, of your laugh, He wished it was so vivid that he touched you, that he could control his dream and talk to you, make love to you, but he had nothing, nothing at all. Nothing to remember you by, just a stupid suspicious piece of hair, tears brimmed his eyes, he needs you. There was no one he could pray to if he was the chosen one. No matter how hard he fought, how he tried to distract himself from work, it all lead up to one person, not one other thought, never out of sight out of mind, he knew what he wanted and he fell so deep he felt like he just couldn't grasp it anymore, how was he supposed to live his life without you. Your soft gentle hands grazing his face and answering the stupid and goofy questions he asked. There was no one else and he knew that now, didn't even find anyone else attractive. Lonesome nights, he didn't want to be on his own, ever again. Once he found you he vowed to never let you go, no matter how loud your voice is, no matter if you kicked him down, your in his heart and he just cannot let go, but how long could he search? Huh? How long would it be until he found you? When will he hear your voice again? When will he kiss you again? He didn't even say I love you before you walked off, for all he knew, that was his last goodbye.
On the first day, he acted as if nothing happened, but then he realized you weren't there, he couldn't pick at your dinner plate, he could hear your laughs, he couldn't feel your pity hits after he whispers a dirty joke. He had no one to talk to, no one to ask him if he was okay. Was he...okay? Had he known he was okay? Or has he grown so long to the point where he wasnt and he just didn't know it. He wished he said more, begged you to stay, cried about it, weeped about it, there was so much he could've done and he didn't, he only said a short explanation of how he was waiting for you and now he's on the run, on the search. He was so tired, so tired of looking at the same spice on the ground, carving on the rock of the walls. He wanted to be next to you, holding your head in his shoulder, hear your soft snores as you slept like there wasn't a care in the world. He'd never expect this, a life without you. He sighed and shook the thought out of his head, noticing he was in too deep and he wiped the tears that slowly dropped from his face, letting out a sniffle as he looked ahead. He didn't want to be too deep, of course he missed you, but he wanted to find you with a clear conscience, a healthy mind. He needed something to keep him going. His eyebrows furrowed as he looked to the ground. He placed a palm down and leaned closer to the floor. What is this? This imprint on the floor? Looks familiar.
He looked over it, careful not to move or make any sudden movements. ¨y/n?¨ he muttered. Any normal person would've thought paul as crazy, looking like he's searching for spice on the floor, and then wanting to jump and cheer, because, well, because what?
The necklace
The necklace Paul got for her. It was there! Clear as day. What a time to cheer! He couldn't fight off the smile on his lips. She's alive! She's alive! What a joy, out for two years! Been all around Arrakis, and at such a time he was going to give up, go home, force himself to get comfortable with his new situation, you were out there. Shall he go home? To tell stilgar and have a celebration? Sweet red wine sounded like heaven. He wiped his eyes as finally, finally tears came down. Tears of joy, he waited for this moment, oh so long! He was so happy he could take the dirt and put it in his bag also.
He laughed, he found it funny how he grew so tired of being next to his queen that he went and found you himself after he told you to come back. He grew impatient. He took out his journal and wrote, writing his life away as he thought of you, as the warmness of love and hope crowded his vision and spreaded throughout his body. This is all he wanted, to find you. And he was so close, so, so close.
He hadn't felt like this in a long time. He got up and collected the dirt from the necklace in his hand and watched it fall from his gloves. Looking around and seeing the footsteps, all yours he believed! He looked before following the footsteps, he followed them foot by foot until he was in the sand again. He hunched over, trying to search for the footsteps as they were getting lost from the wind of the sand until he couldn't anymore. He stood and pulled out his compass for the direction that you went. When it pointed he saw and lifted his head in the direction you went. This was it, this was the final piece, this was the end.
You were home.
Taglist 🏷️
@ennycutie @cookiezxx
297 notes · View notes
Text
Listen, do I love a good sad ending? Yes, a tragedy, a bittersweet ending, a well written horror, villains winning, heroes losing, you know, all that edgy stuff. I don't believe everything needs to have a happy ending and I think for some stories, a tragic ending just makes more sense. I also love when writers go against the viewer's expectations because it's interesting and can really be impactful if done well. However, I still need Stranger Things to have the happiest, cheesiest, sweetest ending of all time.
No one is allowed to die besides Vecna and some demogorgons. They kill Vecna with the power of love and friendship. The world is saved. Everyone gets their happy ending whatever that may be and no matter what, they all stay friends because they are basically family at this point. Bonus points, if the last scene is everyone hanging out and everyone just being happy. I won't even cringe if the last line is one of them saying "well, we've definitely seen stranger things."
Like make it goofy and funny and sweet, the rest of the season can still be dark and serious without there being any more tragedy. I don't think the ending being happy will take away from that.
I know this has probably already been said but it's so important to me that the show isn't a tragedy. You know why? Because it's a mainstream show about outcasts in the 80s. A show about gay kids, black kids, disabled kids, kids that are considered different just for existing. If you take away the supernatural and the sci-fi elements, at its core, that's what the show is about.
So if the show that from day one has been about being different and being who you are, turns around and kills off half the cast and has either a bittersweet ending or just a plain awful ending just for shock value or because it makes the story more "realistic" (and yes, that includes having Will be rejected by the person he loves and being killed off. El sacrificing herself because she's a superhero and that's what she feels she's supposed to do or Max and Lucas having a tragic love story.) It'd be throwing away everything the show stands for and personally, I think it would be god awful writing.
That kind of ending can be done well but I don't think that's the kind of ending ST needs.
There's been enough tragic stories about minorities in both the past and present. This show has evil crispy undead wizards and giant lanky mind controlling spiders, I don't think poc/queer/disabled/female/etc characters being happy and alive is gonna make the show unrealistic.
1K notes · View notes
ofbreathandflame · 11 months
Text
With the rise of booktok/booktwt, there's been this weird movement against literary criticism. It's a bizarre phenomenon, but this uptick in condemnation of criticism is so stifling. I understand that with the rise of these platforms, many people are being reintroduced into the habit of reading, which is why at the base level, I understand why many 'popular' books on booktok tend to be cozier.
The argument always falls into the 'this book means too much to me' or 'let people enjoy things,' which is rhetoric I understand -- at least fundamentally. But reading and writing have always been conduits for criticism, healthy natural criticism. We grow as writers and readers because of criticism. It's just so frustrating to see arguments like "how could you not like this character they've been the x trauma," or "why read this book if you're not going to come out liking it," and it's like...why not. That has always been the point of reading. Having a character go through copious amounts of trauma does not always translate to a character that's well-crafted. Good worldbuilding doesn't always translate to having a good story, or having beautiful prose doesn't always translate into a good plot.
There is just so much that goes into writing a story other than being able to formulate tropable (is that a word lol) characters. Good ideas don't always translate into good stories. And engaging critically with the text you read is how we figure that out, how we make sure authors are giving us a good craft. Writing is a form of entertainment too, and just like we'd do a poorly crafted show, we should always be questioning the things we read, even if we enjoy those things.
It's just werd to see people argue that we shouldn't read literature unless we know for certain we are going to like it. Or seeing people not be able to stand honest criticism of the world they've fallen in love with. I love ASOIAF -- but boy oh boy are there a lot of problems in the story: racial undertones, questionable writing decisions, weird ness overall. I also think engaging critically helps us understand how an author's biases can inform what they write. Like, HP Lovecraft wrote eerie stories, he was also a raging racist. But we can argue that his fear of PoC, his antisemitism, and all of his weird fears informed a lot of what he was writing. His writing is so eerie because a lot of that fear comes from very real, nasty places. It's not to say we have to censor his works, but he influences a lot of horror today and those fears, that racial undertone, it is still very prevalent in horror movies today. That fear of the 'unknown,'
Gone with the Wind is an incredibly racist book. It's also a well-written book. I think a lot of people also like confine criticism to just a syntax/prose/technical level -- when in reality criticism should also be applied on an ideological level. Books that are well-written, well-plotted, etc., are also -- and should also -- be up for criticism. A book can be very well-written and also propagate harmful ideologies. I often read books that I know that (on an ideological level), I might not agree with. We can learn a lot from the books we read, even the ones we hate.
I just feel like we're getting to the point where people are just telling people to 'shut up and read' and making spaces for conversation a uniform experience. I don't want to be in a space where everyone agrees with the same point. Either people won't accept criticism of their favorite book, or they think criticism shouldn't be applied to books they think are well written. Reading invokes natural criticism -- so does writing. That's literally what writing is; asking questions, interrogating the world around you. It's why we have literary devices, techniques, and elements. It's never just taking the words being printed at face value.
You can identify with a character's trauma and still understand that their badly written. You can read a story, hate everything about it, and still like a character. As I stated a while back, I'm reading Fourth Wing; the book is terrible, but I like the main character. The worldbuilding is also terrible, but the author writes her PoC characters with respect. It's not hard to acknowledge one thing about the text, and still find enough to enjoy the book. And authors grow when we're honest about what worked and what didn't work. Shadow and Bone was very formulaic and derivative at points, but Six of Crows is much more inventive and inclusive. Veronica Roth's Carve the Mark had some weird racial problems, but Chosen Ones was a much better book in terms of representation. Percy Jackson is the same way. These writers grow, not just by virtue of time, but because they were critiqued and listened to that critique. C.S. Lewis and Tolkien always publically criticized each other's work. Zora Neale Hurston and Langston Hughes had a legendary friendship and back and forth with one another's works which provides so much insight into the conversations black authors and creatives were having.
Writing has always been about asking questions; prodding here and there, critiquing. It has always been a conversation, a dialogue. I urge people to love what they read, and read what they love, but always ask questions, always understand different perspectives, and always keep your mind open. Please stop stifling and controlling the conversations about your favorite literature, and please understand that everyone will not come out with the same reading experience as you. It doesn't make their experience any less valid than yours.
1K notes · View notes
Note
WIBTA for writing a fic after a friend told me not to?
👴so I can find this later - sorry for the online-ness of this but IDK where to ask. Hope it's okay.
Basically, in one of my fandoms, I've gotten attached to the dynamic between two characters. One is a lonely and bitter old man; the other a little girl he gets tasked with protecting for a while. The result is adorable (she even asks him if he's her bio dad at one point) and it really made me wanna write a fic where her parents get killed off somehow and he has to adopt her full time.
I talked about this to a friend of mine who's also in the fandom, and their reaction was fairly negative. This friend is someone who's very aware and vocal about serious issues in fandom; they weren't mean about this, I want to be absolutely clear they were just honest, but they advised against me writing it because to them the idea felt potentially-racist.
The point they made was that while both the kid and the old man where white, the kid's family who I'd be killing off are not (her dad is played by a Puerto Rican actor; her mom has had two actresses, one is Filipino-Australian and the other is half-Maori - in universe her family is adoptive). Basically, this friend said it would be problematic because I'd be killing off POC/nonwhite characters in order to have one white character adopt another, in a franchise where POC are already underrepresented.
I just can't get the idea out of my head though; it's been over a year and I still circle back to it. WIBTA if I write it anyway?
What are these acronyms?
241 notes · View notes
sapphicmsmarvel · 1 month
Text
acotar x reader: one day at a time
Tw for death: 
Reader loses somebody and their friends are there to pick up the pieces. A lil sprinkle sprinkle of az x reader bc that's MY BABYYYY
Lotsssssss of acts of service within the group. 
Also bc im a petty asshole i included a snippet of one of my racist aunts who said some wild shit to me at MY SISTERS FUNERAL and just basically dissing her. (literally why would you stare at my poc best friend who's just trying to support me. This bitch stared at MY GIRL?? MY BESTIE???? NUH UH NOT ON MY WATCH BITCH). 
Said best friend was just like “she’s never seen a brown person before marie it's fine.” 
NO ITS NOT. IDC IF THIS IS MY SISTERS FUNERAL WE’LL MAKE IT A DOUBLE FUNERAL. 
I'm petty. 
soooo this is born out of grief for my sister. My sister passed away on 03/11/21 and this is very much catered to my grief and these are my comfort characters so naturally i'm gonna write about them when it comes to helping their loved one grieve. 
and yeah this is gonna be based around the reader's sister dying. what can i say. I'm on brand. 
also reader is feyres childhood friend that got turned into a fae with nesta and elain. i feel like that’s just the staple with my fics. 
---------
When you got notified of your sister's death, it was actually a pretty good day up until that point. Sunny day with clouds, a wonderful brunch date with Mor, adorable children at the studio with Feyre. Afterwards, the two of you began walking back to Feyre’s, content on playing with Nyx for the evening before retiring to your own home. When you walked up, Feyre looked at you and told you about how the Inner Circle were having a meeting inside the office. So you two quickly joined them. 
When you walked in, Rhysand held out a letter, “this was a letter delivered to you.” 
You made a face and grabbed it, “okay, so why are you all staring at me like that?” 
“This person walked into the Spring Court and dropped it on Tamlins doorstep.” Cassian said. “They dropped it in the middle of night, just when he wasn’t prowling like a creep.” 
“What the fuck?” You asked as you analyzed it. 
No name but yours and a pisspoor address. 
Lady Y/N L/N
Night Court
“We didn’t know if it was a…” Azriel trailed off, realizing how silly what he was about to say was. “Hence, why all of us are here.”
“We’re also just nosey.” Mor shrugged, her nose wrinkling. 
You snorted, and tore into it, “you could’ve opened it.” 
“It’s your mail. We may be protective bastards but you still have a right to privacy.” Rhysand drawled. 
Feyre stood next to you as you pulled out the paper, your eyes tracing over it. 
“It’s from my dad.” You said recognizing his handwriting. 
Then, it all went to shit. 
Your big sister was dead, the woman you fought with a lot of the time but yet would take a beating for. Your big sister who helped guide you through life, who would always be there even if she was pissed off at you for some inane reason.
Gone.
You just froze, not knowing what to do. You’re pretty sure Az asked you a question, then Cass, then Rhys. Then you felt Feyre’s hand on your shoulder. 
I need to leave. 
I need to go before I hurt someone. 
You just wordlessly handed the letter to her and winnowed away. 
You didn’t go to your apartment, you didn’t go to the townehouse, you didn’t go anywhere they would find you. 
You went to the middle of the forest. You just picked a random point to lose it.
And you did. 
You didn’t remember much of causing the damage. Only that you managed to stop when Azriel’s arms wrapped around you. You just kept screaming. “I know, I know. It’s okay, it’s okay, I’m here.” He said, his lips against your hair. 
His shadows wrapped around your hands, cool wind kissing away the raging inferno of your cuts. You collapsed, taking Azriel to the ground. 
He just held you as you sobbed. You felt his own tears hit your neck. He usually did a better job masking his emotions, but it was you crying, you who he had a deeper bond with. So he let his emotions run free.
“Y/N!” Feyre called into your mind. Your shields were down and you didn’t even notice.
“Az has me, i’m sorry I-” 
“Don’t apologize. I would’ve done worse if I found out…” Her voice trailed off. 
“I’m sorry I ran off.” 
“Do not apologize.” She said sternly, “After you and Az are done come back to the River House. You can sleep at our house tonight. Guest bed is currently being made up.” 
She left your mind before you could respond. You breathed in the smell of Az. 
Azriel brought you back to Feyre and Rhysand’s home. Rhys had trouble with touch, but never with you. He brought you into his arms instantly. You tried not to let the tears surface again, but it was quite hard when a brotherly kiss was pressed against your head. 
“We got you, Y/N.” He whispered against the crown of your head.
Nuala and Cerridwen made you your favorite food. Which prompted you to start crying again. The twins looked so panicked that it almost made you laugh. Elain made your favorite cookies, which again kept the tears going.
“I don’t know why I’m crying over this.” You said helplessly, you managed to laugh during that. 
Feyre and Elain hugged you from both sides. 
You retired to the guest bedroom, you found a pile of fluffy blankets and your favorite candy. As well as a bouquet of your favorite flowers with Mor’s handwriting scrawled on the note. Amren left you a bottle of your favorite wine too. 
Eventually, after some more tears, there was a knock at your door. You called out for them to come in but saw Nyx. 
The little guy was walking even more, speaking full sentences. It’s insane to you that he grew so fast but it has been 5 years since he was born. 
“Go on like we practiced.” You heard Feyre encourage from behind the door frame. 
“Hi, Auntie.” The little guy mumbled. Holding a glass of water. “I have something for you.” 
“Yeah buddy?” You smiled despite the shitty day. Your nephew made everything better. 
Rhysand walked in behind him, as did Feyre. Rhysand lifted him up onto the bed while Feyre handed you a cup of hot chocolate. 
You were just glad Nyx wasn’t holding the hot drink. 
“Here’s some wata.” He said, his small hands handing you the glass. 
“Oh thank you.” You said earnestly and took a sip. You set it on the table. Then you laid back down and faced him. “Just what I needed.” You were genuine. 
“Auntie, are you sad?” Both Feyre and Rhys froze at their sons question. Clearly, he was going off script. 
You sniffed, “yeah, Nyxie. I’m really sad.” 
“I love you.” His eyes were so big, so genuine. You were going to cry for a whole new reason. 
“I love you more.” 
“Nuh uh.” He said, as a typical toddler wanting to argue no matter what. 
You huffed a laugh and opened your arms. “Come here.” 
He crawled into your arms with no hesitation. You were careful of his little baby wings as you held him close to you. 
You loved this kid. 
Feyre settled in behind you on the bed, Rhysand joined on the other side with his son. 
They held you as you drifted off into a dreamless sleep, hoping to see your sister one last time. 
————————
When it came to planning the funeral, you had to go out to your family’s cottage to help. You said you could go alone, but frankly, good luck telling Nesta and the Valkyries to stay behind when one of their own is in pain. 
So when you saddled up to your family with three warriors behind you, they were scared a bit to say the least. 
Emerie held your hand during the funeral discussion as Nesta watched the director to make sure she wasn’t insensitive to you. Gwyn stood guard behind you. They were protectors, they were not gonna leave one of their girls to deal with this alone.
Eventually, the funeral was planned. The rest of your chosen family came out and surprised you. You sent a notice to them of when the funeral was and told them they didn’t need to come because you knew how busy they were. 
When they showed up on your family’s doorstep to surprise you, you started crying again. 
——-
The day of the funeral, it was the entire inner circle crammed into the living room of the cottage of your mortal family’s living space.  
You felt bad cramming two males with wings into that small space, especially with so many other people. But Cassian and Azriel assured you that there’s nowhere else they would be. 
You slept sharing a flimsy mattress with Elain, since the other two sisters were with their mates. But Feyre and Rhys slept close. So did Nesta and Cassian. Both women facing your general direction. 
Azriel did not sleep. He wanted to be there in case you woke up in tears again. 
Amren slept sitting up against a wall, she wouldn’t admit it but she wanted an eye on you. She only trusted hers. 
Mor was curled on the other side of you. You were sandwiched between her and Elain. 
Emerie and Gwyn slept down by your guys’ legs. Emerie’s head on Mor’s thigh. Gwyn hugging Elain legs in her sleep. 
Azriel chose not to mention what happened when your dad came downstairs in the middle of the night to check on you. 
It was as if he wasn’t sure if you’d really be there. He just lost one daughter, he didn’t want to lose another. 
He nodded at Azriel who nodded back. Assuring him that you weren’t going anywhere. That you always had people watching out for you.  
As everyone got ready, it was a somber moment. Elain did your hair, Mor did your makeup, Amren set out your jewelry and Feyre handled your clothes. They didn’t want you doing anything. 
Nesta, Gwyn and Emerie let your nephew and niece play with their swords. It was the one thing they seemed interested in so they let them do it. 
Rhysand was currently trying to get your dad to accept a check from him and Feyre to pay for everything plus anything else your parents need during this time. Your father was refusing. Rhys spoke bluntly. “Your daughter is my family, please let me take care of her family.” 
Your dad didn’t. But Rhys hid the check in your dads night table. He felt yucky going into their room but did it to make sure they got the check. 
On the way to the funeral, Azriel had offered his arm for you to take, which you gratefully did. Rhysand got the door for you. Az led you in. The overprotective bat boys acted like your body guards, which you appreciated, however you couldn’t help but giggle a little bit at it. 
Nesta told you before the funeral to let her know if you wanted her to intervene to keep some relatives away. 
One of your (racist) aunts kept telling you how you’re responsible for your sister's kids. Then when she saw Azriel, Cassian, Rhysand, Amren and Emerie, she just stared. Before you could intervene, Elain and Gwyn stood in front of them. 
You almost wacked her so hard it was going to be a double funeral. You had prepared them before that some relatives were racist. They didn’t give a rat's ass. 
Oh and then everyone in your party including you were Fae. That also did not help. 
Hence why you lived in Velaris, away from all the bigotry.
During the service, Feyre sat on one side of you, Amren on the other side. Feyre clutched your hand and Amren even held out her hand for you. She always had a soft spot for you. Mor’s makeup didn’t last long throughout the service which is why she did bare minimum on your face. 
Afterwards, you left pretty soon after the service was done. You just had to leave the building. You guys went to a pub in your funeral attire. Azriel sat next to you and Nesta on the other side. Rhys refused to let you pay. But you knew he was trying to get you riled up. It was working. 
He was incredibly happy to see the fire return to your eyes. 
At that moment, with your family, you knew you were going to be okay. 
Just have to take every day one step at a time.
151 notes · View notes
Text
Need more positivity on my dash, so I wanna talk a bit more about how fucking amazing OFMD's writing for its characters of color is!
Now, I'm a professional historian (phd student 😔🤘🏾) and I read and watch a lot of historical fiction because I love it, right? And I have literally never seen a piece of historical fiction that is so respectful to its characters of color.
Usually, in works of historical fiction that actually bother to include characters of color, they fall into two big camps. The most common one is trauma porn, where poc only exist so White characters can save them, feel sorry about them, or so White audiences can pat themselves on the back for feeling sorry about them. Also popular are works that include characters of color but don't bother thinking about how race impacts their experiences in historical settings (shows like Bridgerton come to mind; they want to include poc but handwave racism). And in general I prefer the latter but it still takes me out of the story.
But OFMD hits just this amazing balance. There are many characters of color, and the racism of the world they live in impacts their experiences and perspectives in realistic ways. Ed remembering how his mom told him that fine things weren't meant for people like him has me by the fucking throat, it's so tied up in race and class and it's the root of so many of Ed's self-image issues into adulthood. But the real kicker for me - poc always get the last laugh in OFMD. Yes, the racism in this show is often very realistic, but this isn't a realistic show at its core and it is so, so comforting to know a character who starts acting like a racist dickhead is a dead man walking.
It's so carefully written, and for me it's such a huge comfort: race in OFMD is never hand-waved away, and it's thought-provoking and realistic and relatable. But the show always feels so safe because we know racism in the show is never excused. They tell us in the pilot that if you start being a racist asshole, someone's gonna stab you. Even Stede, our main character - when he makes a racist assumption in the second episode of the show, the narrative encourages us to call him out for it and has a character directly call him a fuckin' racist! He's held accountable and he fucking grows, because unlearning racist biases is important and he doesn't get a pass because he's the main character!
It's not just that OFMD has a lot of characters of color. It's not just that one of our main romantic leads is an indigenous Jewish man. It's not just that characters of color are consistently depicted as smart, clean, competent, and respected. It's that the show respects them enough to think about how racism realistically shapes the world of OFMD, while at the same time providing viewers with a wonderful fantasy of racists getting what they deserve. In the genre of historical fiction, it stands out because it completely avoids the trauma porn and hand-wavey angles, and I can't articulate strongly enough how much I appreciate that.
513 notes · View notes
synergysilhouette · 5 months
Text
Everyone keeps talking about "traditional villains," but in retrospect, I wish Disney had gone in a different direction for the Revival Era. Hear me out...
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
King Magnifico's failed characterization and poor writing in "Wish" really bummed me out. I was looking forward to a complex villain who was kinda right. I was hoping it could usher in a new age of Disney villains who were more grey than black and white, who made the characer grow as a person because they challenged their perspective. But then I realized that the opportunity existed in earlier revival-era villains:
Dr. Facilier is a villain first and foremost, though thinking back on it, I do think he is kinda proto-Magnifico, granting people's wishes, only for them to find that what they wanted isn't what they expected. I do wish he tied a bit of truth in with his scams, mentioning (similar to Magnifico) how people's dreams are very difficult to achieve--especially in the post-WWI American South, particularly POC. Naveen is generally assumed to be a POC himself, so he could juxtapose this viewpoint as someone who's never really had to experience such hardships. Dr. Facilier could still be 100% villainous, but further emphasis on dreams, wishes, and hard work would be part of his character. However, this is the reverse of "Wish"; Tiana has already worked hard, but she's lost a lot of her innocence and light-heartedness trying to achieve it, thus causing her to reevaluate how important love is and how she may not have realized it, being more practical about her dreams. It all starts with a wish.
Mother Gothel was already right; the world can be dark and cruel, and will destroy any light it finds. However, similar to Magnifico, since she's completely evil, the protagonist she goes against doesn't really change to understand what she's saying. Rapunzel doesn't see the world as dark or dangerous anymore; it's the opposite, thanks to her experiences. Because of this, I do wish Rapunzel did have a bit more negative experiences independent of Gothel to prove Gothel's point rather than it being "hey, she's just saying that because she's the villain." Maybe Rapunzel tries healing someone and people start lusting after her hair.
Hans is DEFINITELY a missed opportunity. He was the anti-Anna; isolated and alone, and he became bitter and cruel because of it. It's mentioned that the deleted song "More than Just the Spare" was removed because it made Anna too much like Hans. I don't think that, and if anything, it furthers my point: Hans gave up on his brothers, who he felt overlooked by and pestered by (he doesn't even mention his parents). Maybe give Hans less brothers and feature them a little in the movie so we can see how they interact with Hans and how it's a "what could be" for Anna and Elsa. His evil character is exactly what Anna is trying to avoid, but she understands how he became this way rather than it simply being for shock value.
Yokai was a great villain to me, but the reveal happened too late. I'd have loved seeing a more thorough exploration of his character and parallels to Hiro (which were done great in the film; I just wish it was expanded on). Highlight how people quickly forget about the dead and don't always learn from history, how there's this cycle of loss and hatred that you have to break.
Bellweather was on a power trip, but I do wish she had a storyline similar to Judy and Nick, since--in an interesting twist--they come off as more interesting and complex than the villain. She doesn't really say what made her act like this, and comments that "fear always works." I wish we got more of that, especially to play the two sides card; Zootopia is mainly predator-phobic, and challenges to this, ie predators playing down predator-related crimes in order to get people to look past their identity (and the fact that many predators are in positions of power) may have caused Bellweather's abuse by predators to be overlooked, causing her to want them all gone.
Te Ka is interesting. Despite "Moana" being a great film, I do feel like Te Ka and Maui's storyline was underutilized. It's revealed Maui stole Te Ka's heart for humans, but from what we see, Moana lives in this ideal community where their heritage, culture, and nature is loved and respected. Maybe embrace the fact that Tala is the only one who tells the story of the ancestors and how being they became "comfortable" since they were no longer voyagers, being used to the hierarchy and their stagnant society. Highlighting some humans' selfish natures would've been nice rather than Maui just telling us about it, with Te Ka being a metaphor for the destruction and disregard for nature and love.
Namaari is such a missed opportunity. Despite caring about her community, she comes off as more villainous than an antihero since she doesn't show any sympathy or care for Raya--in fact, she seems rather smug about hurting her. By making her a villain burdened by expectations and love for Fang while slowly being redeemed would've been better to me, shifting her POV slowly, making Raya angry with Namaari but understanding her motives. Having some regret about her choices--even if she believed they were the right ones--would've gone a long way for Namaari's characterization.
Magnifico...well, you already know he could've been one of Disney's most complex villains. Horrifying backstory and powers that are the result of hardwork left him with a jaded view on wish granting. He wants to help others, but has MANY reservations about it.
This is just my POV, of course; some of you may disagree (or feel like the aforementioned villains already achieved what I ask for), but I do hope future Disney villains have that "they're kinda right, even if they're wrong" characterization. It'd be a nice new era as the successor to traditional villains and twist villains--though just like twist villains, this trope requires VERY good writing.
224 notes · View notes