I keep seeing people argue that Aziraphale is "intelligent" or "not a fool" and that this means he can't possibly have fallen for the Metatron's blatant manipulation tactics or still genuinely believe in Heaven's righteousness.
Setting aside the validity of various theories (most of which I at least find interesting, if not outright compelling!) I think there's an issue here, which is that intelligence doesn't protect you from cult-like thinking. Especially not when you've been more or less born and raised in the environment.
In fact, what intelligence tends to do to people who have been indoctrinated into cults (and a cult is exactly what GO Heaven operates like) is give you even more tools for justifying or thinking your way around the contradictions of the cults actions vs message.
We even see Aziraphale do this, several times!
In fact, at the end of S1 doing this is part of what helps save the day. When he points out that Heaven can't know that they aren't defying God's ineffable plan while trying to follow the Great Plan, he's not just talking them into standing down, he's giving them an out. Because the whole Armageddon thing has already gone to shit and cannot proceed without Adam's cooperation, what they're really dealing with at that point is getting Heaven and Hell to accept that without retaliating. Even when Satan shows up it's because he's pissed, not because doomsday is still on.
Aziraphale uses the cult's own logic to give Heaven (and Hell) a plausible reason to back down without completely losing face. They don't have to admit that they were wrong, they can just file everything under "ineffability". Aziraphale pulls this off so well in part because he's been doing this to himself for millennia.
When he doesn't understand or really approve of the Flood, he files it under "ineffability". God has a plan but it's too complex and beyond even angelic comprehension to understand, so there must be a good reason for the Flood, it's just that Aziraphale can't see it. When he sees Heaven being complicit in Job's suffering and the potential murder of his children, he reconciles it by deciding that what God really wants is for him and Bildad to secretly stop it. But he flounders on that later, because to some extent I think he knows that this reasoning is self-serving.
(Knowing it's self-serving doesn't refute it, though, it just means that he worries about that until he talks himself into a bunch of reasons why it's still probably true.)
In S1, when Crowley broaches the subject of the apocalypse, Aziraphale's initial response is to recite the propaganda. It's all going to go according to plan, and it will all be great! When that doesn't work (because of course it won't be great, he's going to end up losing his true home and the person he loves most if this all goes down no matter who wins), he lets Crowley help talk him into how he could thwart the plan without "really" betraying his concept of God.
Basically, if Aziraphale's values come into conflict with Heaven, he decides that God secretly agrees with him. It's very like people who find their values coming into conflict with the institution of their church or temple, and so decide that there's nothing wrong with their actual religion, it's all just normal human corruption (or in GO's case, angelic corruption) muddying the waters of an otherwise purely good thing.
Now in real life of course this gets to be a thorny issue, but keeping it simple there isn't really a total separation between a faith and its institutions. You can't claim that there's nothing in the religion that lends itself to bad takes, just like you also can't claim that any ideology or belief system is invulnerable to corruption. Likewise, even if every bad thing in GO were to turn out to be the fault of Heaven and Hell and not God, God would still be accountable for a lot of the situation because God still set the stage.
But what matters for Good Omens and Aziraphale and this post is that, Aziraphale has put considerable mental energy into justifying how God and Heaven can still be Good and Right even as both of them do things he finds intolerable. Whether it's "God secretly wants me to do what I think is right instead of what I'm being told" or "Heaven has earnestly misinterpreted the will of God due to not knowing as much as I do", he puts his intelligence to use in protecting himself from the kind of revelation that would uproot his worldview.
The only kind of knowledge that actually protects people from cults is the knowledge of how they operate, and awareness that you're dealing with a cult. Aziraphale has a terrible disadvantage on both fronts because even though he's spent years watching humanity get into hot water with this stuff, he does so with the firm perspective that things are different for angels. He can't necessarily apply what works for humans to himself, because he knows he's a different kind of being (and unlike with IRL cults, it's actually true in his case, though I think demons and angels are both less different from humans than they believe).
Though, interestingly, he's closer to a accepting the truth when it comes to the differences between angels and demons. In S1 he is fully confident that he could possess someone, because even though angels don't do that, demons can. Whether he admits it or not, Aziraphale really does believe that Crowley is not meaningfully different from himself in terms of personhood or ability. If he can make the leap to the idea that angels and demons are not exempt from human-oriented concepts of self-determination and free will and unfair treatment by authority, and reconcile it with his own intense distress at challenging a core belief, then the fact that he's quick on the uptake will really start to work in his favor.
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What if the Ferryman warms up to V1 quicker than they forgive Gabe so when the two have to fight something/someone the Ferryman's idols priortitise V1 for the blessing instead of Gabe. He would be so upset! Maybe they try to teach V1 to carve it's own idols (out of wood, they don't trust it with the real stuff)
How would the Ferryman warm up to V1 in the first place? Did they just want to figure out why Gabe fell for it in both senses of the word?
(reference to this!)
ANON YOUR MIND....i can absolutely see this being the case because the ferryman is in a very difficult and unique position with regards to these two. i went into detail in that previous ask on their issues with gabriel after his fall, but with v1, initially all they see is the machine that corrupted him. in some ways, they want to shift the blame entirely so they can preserve something of gabriel's image in their mind, but they come to know v1 for the exact reasons you say - they want to understand what happened. gabriel was a paragon, a luminous angel fully dedicated to god. how did v1, in a matter of hours, change his entire perspective, how did it not only turn him blasphemous but capture his love and affection as well? the ferryman by turns is insulted, angry, jealous, and the only way they can deal with that is to get to know and possibly understand v1 even if all they can feel for it at first is disgust.
the ferryman is guarded in approaching v1, a bit concerned for their own faith if it was able to so thoroughly shake gabriel's, but v1 is difficult to engage initially. it shows a mild curiosity before ignoring all of the ferryman's attempts at conversation, stark expression giving nothing away before it leaves to find better stimulation. of course. it's not made to be social, it doesn't seek out companionship nor prioritizes it in any fashion as a war machine. and while the ferryman can observe it, can begin to see behaviors they never expected to find in its curiosity and playfulness, it does nothing to answer their questions nor lessen their frustration with it. they have to engage with it on its terms, how gabriel must have when they met and when it changed him...and honestly the ferryman's anger has mounted long enough despite their uncanny ability to bottle their emotions. their challenge to v1 is the first time they see it respond fully to them, instantly drawing its weapons without moving to a more proper setting or even waiting for the word "go". it's not a complete surprise though, and the ferryman braces against it as they know implicitly that this machine must have defeated gabriel since that's the only way it would be standing now.
and as this is v1's true language, the ferryman finds themselves astounded by what it says: there is true art in its movements, boundless creativity guiding its whole body, a fervor that before they could only understand as religious but now put into battle. this is what gabriel saw, what he felt. so small but lightning fast, learning every second of the battle and adjusting, adjusting, tailoring all its movements, weapon choices, strategies to its opponent and its opponent alone. special-made, a battle just for two. how odd, feeling like you're the only one in the world when it locks onto you. and for v1, its interest in the ferryman takes hold when it sees how they fight, the strength and precision they manage despite appearing so frail and retiring. why didn't they show it this first? why waste time trying to talk? they can spark its need for physicality, a partner in battle that can hold its attention and make it work for its victory. v1 does end up battering the ferryman perhaps too much, but it stops when they fully yield and thank it for showing them just what they needed to see. they take the time to patch themselves up and think on what it showed them, wondering if that was enough to steal gabriel from heaven.
however...now they've attracted its attention lol v1 begins to investigate the ferryman, reversing their previous roles - they keep catching it out of the corner of their eye, scuttling around behind them, watching them with its brightly glowing optic that somehow looks much more inquisitive now. they start talking to it again to bring it closer, explaining the maintenance of their ship or singing low songs to it which it sometimes gives responses to with little electronic chirps. and despite knowing what it did to humanity, to hell, to gabriel, the ferryman was human once and well...there's an undeniable, deeply human pull toward a curious little robot. they begin to show it their artwork, how they paint and sculpt, absolutely handing over the tools to v1 at some point to watch it roughly carve the most rudimentary little figures of things its seen, people it knows. slowly it grows on the ferryman, watching the passion it approaches everything with, how it's impatient but how it delights in novel experiences, how brightly intelligent it is, far beyond the ferryman's capabilities in many things...despite everything about it that should be to the contrary, it's charming in its own ways. made by humanity, but not human, not fair to condemn by the same measures. the ferryman, religious as they are, does not believe that it can necessarily be held accountable with how it is removed from god - sinful men made this, and it had no say in its purpose.
this moral reasoning is what breaks down the barrier between them and ultimately leads to the idol problem. while gabriel knows by then that v1 has taken an interest in the ferryman, he doesn't understand how it's reciprocated until v1 is blessed by an idol to both of their shock. v1 adjusts quickly to it - invincible, unstoppable!!!! it can perform all the most ridiculous tricks, the ones it's only simulated (to poor results) because nothing can touch it!!! it cleans up the rest of the battle single-handedly as gabriel stays rooted to the spot, only moved when he's rudely checked by an enemy as if only to remind him he doesn't have the privileges v1 currently does. and i think this is point at which gabriel comes to really understand how hurt he is by the ferryman's rejection, how he felt so secured and entitled to their devotion that he believed the ferryman would totally forgive him if given enough time...but this shows how badly wounded their relationship is, how terribly hurt the ferryman has been in a way gabriel should have known. his natural emotionality wants to lash out but he knows he must control it, the feeling selfish and unfair to the ferryman or to v1 - instead he needs some time to self-reflect, to deconstruct even more of that angelic self-righteousness he still carries, and find it in him to truly be humble if he wants to mend this rift (which he has time for, as v1 is arguing with the terminal that THOSE POINTS COUNT. GIVE ME MY POINTS!!!!! and the terminal REFUSES to cash out bc v1 essentially used cheat codes)
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Self indulgent reverse TKK thoughts where Daniel is in Cobra Kai and Johnny is in Miyagi-Do.
Johnny came from a different part of Cali and is trying to blend in (which is easy for him)—not expecting five boys to come around and push him for talking to a girl he just met.
He did some wrestling before, but karate? Nope.
Maybe he was a little rude, but getting pummeled by a guy way smaller than you in front of everyone is embarrassing and undeserved in his eyes. The boy was cute. Way too baby-faced and fluffy to be so damn merciless.
To his surprise, one of the boy's buddies helped him up—the one with bleached hair he thought was just having a moment of kindness until he used that same grip to tug him close and promise darkly that he'd be seeing them again—with or without Danny. Then tells him with a shrug and deceptively casual tone that Daniel is the nicest out of all of them, so keep that in mind, man. He meant the warning. Johnny sees them at school and at random. And it's when they're without Daniel that they're far more salacious to him. Even the one with longer hair, who seemed a little concerned for him before.
But Johnny wants to see more of Daniel, yet he doesn't at all. Daniel seems kind to others around school when he’s not…irritated about something. Flip that switch and he’s making you bleed.
The aggression is attractive and Johnny can’t help but like when it’s directed at him—just a bit. Underneath the pain of a bruise.
His Sensei is even more intimadating. Has the eyes of a predator that make Johnny freeze when he gives him a once over with a smile. Looks him in the eye the whole time as he tells Miyagi to make Johnny enter the tournament.
Daniel is struggling with his morals. He and Kreese are always butting heads, and some days he truly can't stand the man—but Cobra Kai helped him get stronger. Less movable. How could he just leave something that's done so much for him? He owes at least one more win to Kreese.
He's pissed, alright. Pissed about the wreck his relationship with Ali became and pissed that he can't get that stupid blond guy with pretty lips out of his head when he keeps showing up. Pissed about his so-called friends doing things without him.
Definitely not terrified of change.
He wonders what Johnny's lessons with Miyagi look like—probably dreamily calmer.
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