bucky, throwing stones at sam’s window: SAM! SAM!
sam: you have a phone for a reason, you know?
[loud thunk]
sam: DID YOU JUST THROW YOUR FUCKING PHONE-
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For your post finals art request, how about something from your Zutara scars au? Maybe Zuko gently kissing the scars on Katara's hands, with Katara looking absolutely flustered.
Thanks for your consideration and time.
I love soft scar kisses so much, I hope you don’t mind that I added a touch of angst to this
I saw something recently that was like what if Zuko thinks he’s the one that burned Katara’s hands, and I really like the idea so I wanted to incorporate it into this au. So here’s a little comic about Zuko apologizing for burning Katara’s hands (which he did not) insipired by your request :>>
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Something I’ve been thinking about lately is that small moment in “Air Turtle” where immediately after the Daves lose yet another game, Leo says how sorry he is and how he’s doing his best as the mascot. This moment is so short but it’s honestly jam-packed with a whole heap of characterization.
His need to apologize for things clearly not his fault - especially when it feels like he messes up the job he was given despite doing the best he can (the phrase “it’s not about you” takes a new meaning when this is one of the lessons to be learned from that - that he is not always solely responsible for things going wrong), his need to save face and make a connection with an older adult man in his life (something he consistently does throughout the series - he’s got a few daddy issues, always collecting potential father figures, it’s no wonder he jumps at the bit to keep rapport), and the way he sounds and looks and the words he chooses really pushes how he is just a kid (“Mr. the Dunk, I’m so sorry”).
Like I know it’s a one off moment that doesn’t truly mean much, but when put against the rest of the series it works really well with the rest of Leo’s established character and helps in solidifying later concepts as well.
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More “sleeping” assassins! These are from back in October and I just never posted them because I didn’t finish an Altair & Connor one, but they aren’t doing anything sitting on my tablet so here they are!
“The Retreat”
Connor knows how to pick his battles and this one is not worth it. Probably leaves and goes to sleep in the hallway to get away from Ezio’s snoring.
“War Zone”
Unlike Connor, Altair isn’t so nice. He can and will kick Ezio out of bed, then they just spend the whole night fighting.
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two people too closed off to everyone met through their love for a game she was the first face he saw they fell in love both of them not being people of too many words never could tell each other to be with him she ruined her reputation they got separated due to circumstances had a child born out of love couldn't meet again due to people this time neither of them could raise their child not together nor alone a child who would grow up to feel next to nothing for them one spent her life succumbing to madness and illness the other living in guilt and loneliness... a tragedy if there ever was one
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The thing about Prowl is I don't really think canon was ever trying to frame him as a "necessary evil" or anything along the lines of "he's a shitty person but his work was necessary" like mmm.... That feels very much like something Prowl wants to believe about himself, not something that's actually factually true in reality.
I can't really make a good argument about it because I only remember like a handful of standout Prowl Moments in IDW1 but like... Prowl dropping a bomb on a neutral city and blaming it on the Decepticons is not "a necessary evil," that's a war crime. Prowl trying to destroy the space bridge to Caminus to keep Starscream from getting power over it, dooming the entire planet and its inhabitants to extinction by starvation, is not "a necessary evil," it's a fucking war crime. I feel like trying to frame such drastic measures as him "doing the dirty work of the Autobots" feels way too much like an excuse for actions that actually aren't justifiable. Especially since Prowl himself is far from being the 100% rational guy he thinks he is, considering how often he bases his decisions on things like his anti-Decepticon bias and his general refusal to follow any orders that contradict what he thinks is The Right Thing To Do (TM).
But also I think this is kind of the fault of the narrative of IDW1, since very few Autobots besides Prowl are given the chance to actually be morally gray even when the worldbuilding implicates them in some very morally gray things. Like, for example, JRO adding in the existence of MTOs which implies that the normally squeaky-clean leader Optimus was willing to approve the creation of new soldiers just to throw them into combat (and even the attempts to humanize the MTOs by giving them "an education" were eventually cut down to nothing but combat optimizations). And there's also the fact that Optimus knows about the Wreckers and has been known to call them on missions at least once (Stormbringer), meaning he's very much aware of the Wreckers and their tactics and is willing to call them in for fights when it's necessary.
I don't think you need to use Prowl as a crutch to make the Autobots morally gray. I think the Autobot leadership (or at least, Optimus, since few people besides him or Prowl seem to have major tactical command over the army as a whole) is plenty morally gray enough on its own, because the nature of war is inherently morally gray no matter how righteous your cause is. Reducing the lives of your own people into numbers on maps, harvesting resources, bringing MTOs to life just to die in a war they practically have no stake in, those things are enough.
And tbh it kind of bothers me when people try to saddle Prowl with the "dirty work of the Autobots", not just because it frames Prowl's blatantly evil actions as some sort of savior act taking the blame from the rest of the Autobots (which isn't even accurate, because the blame for war crimes falls on the entire army as an institution rather than one person), but because it downplays the moral grayness of the Autobots and pretends that no Autobot BESIDES Prowl ever participated in morally gray actions, which simply isn't true.
TLDR: Prowl isn't as much of a hero as he thinks he is because committing atrocities in the name of your cause doesn't change the fact that they're atrocities (and may not have even been justified). However, painting Prowl as the "token evil teammate" of sorts also places too much blame for the atrocities of war on him in particular, when in reality that's a burden shared by Optimus Prime and any other members of the Autobot military command structure.
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consider: mad genius who's also a very kind and lonely old man
actually adores children and connects with them better than most people because they are both openly candid, creative and curious
struggles with the asexual conundrum of wanting a spouse and offspring but ultimately Sucking So Much Ass at building intimacy with another person he skipped that part altogether and mad scienced his way into a family
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I am feeling great hearing that Keyleth's intel is reporting that Rexxentrum sounds like it's about to devolve into chaos with Dwendal evidently on death's door and the Assembly is about to eat itself from the inside following the Vanguard's movement, considering I was presuming that was going to be some significant fallout, but also, rip Caleb and his virtuous idealism for the Empire lmao.
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