i love the idea of kanade being like "i have this song, but none of our voices are quite right. i really think we need a boy to sing, too bad i dont know anyone" and mizukis like "well WE know a boy who sings dont we ena?" and despite all enas bitching moaning and pleading kanades puppy eyes plead harder. so she very reluctantly asks akito for a favour. hes of course a bitch about it, but she talks him into listening to kanades demo and he ends up agreeing. forces akito and mafuyu fake ass bitches to interact for an extended period of time. i can totally see kanade being intimidated by his attitude, but then they recognise how passionate both of them are about music and he becomes quite sweet on her, like he is with kohane. both akito and ena are rly pissy about working together, but are secretly really precious about this chance to just.... work together on something they both love, without their dad ruining everything.
they are dragged kicking and screaming into something that ends up being really sweet and important to most of them.
plus comments on the mv going is that akito shinonome from vivid bad squad???? how the hell did this collab happen????
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I don't know how to make this thought coherent, so bear with me people, but. I think ritsu calling shou "suzuki" instead of "suzuki-kun" says a lot about their relationship. ritsu is extremely consistent and polite with his use of honorifics, even with people he doesn't like that much (reigen is always reigen-san, for example)
but shou is always "suzuki," he never gets his proper honorific. this might be a stretch, but I think it fits into what I've thought about their relationship in the past, which is that shou gives ritsu the opportunity to drop the perfect kid act. him using everyone's polite honorifics might be good etiquette, but it also might be him creating distance between himself and others while wearing a polite mask. with shou, he doesn't need to bother with that. they met by beating the hell out of each other for fuck's sake, etiquette is out the window here
but while him dropping honorifics might be rude in other cases (the "NO HONORIFIC??" bit with hoshino in that one omake comes to mind) I don't think it is here. I'd forgotten until doing this reread, but ritsu refers to shou as his friend really easily. like, they've known each other for maybe a full day, and they were enemies before that, but when looking up at the cultural tower, he tells mob "my friend is up there!"
so I think him just calling him suzuki is actually a sign of him being close with shou. no bullshit, no using honorifics to maintain a polite image or to intimidate or to impress. he's just being direct with him, because shou isn't someone he has to put up a front around
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I know fans joke abt how the warden is more competent than the inquisitor bc they did all that w/o much help but the funny thing abt amihan is she actually isn't
she was 20, angry and hated herself and the world, she ended up in the situation she was in bc she was...a petty snitch. she also hates being a grey warden and continues to hate being one through dai - she actually leaves but then decides to search for the cure
for most of the Blight, it was fuck up after fuck up. like I play it so that I have enough ppl to help me fight the archdemon, but in my personal headcanon, she pissed off a lot of potential help (whether it be Circle mages who overheard her saying she was "gonna annul this shit" out of anger, eamon's men who did NOT like her, bhelen who didn't really trust the fact that she knew nothing about politics), left a bad taste in people they came across and picked a fight with anora
which I think makes sense for a 20 year old ill-adjusted young woman who had to learn how to be more selfless. beating the archdemon was pure luck mixed with people just NOT WANTING the Blight to destroy ferelden and realizing joining the fight was the only way to stay alive
amihan does grow, but it's slow, she has to process trauma, understand she hurt people and ruined their lives and to actually experience what it's like being loved (both platonic and romantic)
I tend to not post so much abt how much amihan fucked up and almost let a Blight swallow ferelden bc I tend to feel anxious abt how ppl will receive it but I think it's important to her character and it's fun and interesting for me to play with it in this case
immy is 100% more competent than amihan, in spite of her own flaws, but I love both my messy and my scaredy cat girl all the same
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I would love to hear your angsty macsummers headcanons 👀
YEEEAHHHHHH let's get INTO IIITTTT!!! I wanna say these sort of -- build up a little, maybe :3c I hope you like them!!!
Lenny isn't really one to talk about his feelings - he might have the words, but he still doesn't really know how to, when it comes to the more negative and deep-seated stuff. King of intellectualizing his emotions fr.
The only person who ever really gets him is Sean, who wears his heart on his sleeve.
It's not even that Sean tries very hard to understand Lenny; but he has the ability to get straight to the point where Lenny flounders or gets avoidant.
Similarly, when Sean starts blustering and distancing himself from the truly vulnerable parts of himself, Lenny can see right through it.
What really first drew Lenny to Sean was his openness about his father; the common ground of having lost theirs in such violent ways. It's the first time Lenny tells anyone what he did in retaliation, and how he did it - Sean responds in neither horror nor pity, but with a sense of vicarious satisfaction and maybe just a little jealousy. They share a drink in quiet celebration of the karmic retribution delivered by Lenny's hands, and it's the least complicated anything has been for him in a long time.
Sean's story feels heavy with unfinished business, in comparison; turns sweet liquor sour to hear of a man shot in his bed. Lenny indulges him, lets him talk about his father at length, and feels his own sting of jealousy at how close it seems they were - reminded of his own father's words in the letter he still has from him. He's not sure he ever fully understood the 'more tutor than father' line before meeting Sean.
Nightmares; when Sean isn't blacked out to the world from either drink or exhaustion, he has them. Usually he dreams of waking up to his father's dead body, though that has certainly morphed over the years through the death and injury he's witnessed since. It's not uncommon for him to dream about Lenny being dead, now, and waking up panting and panicked just to see Lenny next to him - Sean usually curls right up against him before trying to get some more sleep.
Conversely, Lenny only has nightmares after experiencing something really bad - Sean usually is woken up by Lenny though, and is there to comfort him after.
When Sean returns from the bounty hunters, he spends the first night drinking, partying, and partially avoiding Lenny. He's overly successful as Lenny is gone for the next couple days with Micah, and then gets taken out to drink with Arthur.
By the time Lenny DOES approach Sean and asks to talk, Sean is on the verge of exploding. He doesn't WANT to talk about it, he wants to move on with his life, but he has been anticipating Lenny's question and barely needs to be prodded before he's spilling his guts out.
He tells Lenny about the haze of pain and confusion, about how he had no idea how much time passed prior to getting out - it could've been days or months as far as he was aware. Sean isn't really sure what all they did for the duration he was there - he just knows he was in pain for the most of it, when he wasn't unconscious, and that the burning and pulling was among the easier things to bear.
Lenny asks Sean if he's thinking of leaving, after all that. Sean says no, and Lenny has no idea why he's vaguely disappointed. They both know something is left unsaid there, but neither can bring themselves to push it or bring it up again.
Lenny does still notice how unsteady Sean is on his feet in the time after, at Horseshoe; he does his best to make sure Sean has somewhere to sit down nearby, if he needs it. He also notices how Sean's struggling to eat, and speaks to Pearson about cutting everything in the stew into smaller pieces for a while - he also makes sure there's softer snacks for Sean in the meantime.
When Sean dies, Lenny shuts down in what ways he can. He has never figured out how to handle grief without vengeance, without anger, and when there is no revenge left to take, he has no idea how to handle it. So he just gets quiet.
He was the same when Jenny died, but with Sean it's worse - Lenny becomes a lot more withdrawn, to the point that people notice.
Several of his friends in the gang try to check up on him, but Lenny brushes them off - doesn't want to talk about it. He keeps up with the day-to-day because he doesn't know what else to do, a sort of distant dissociation carrying him through it.
When he has a moment of quiet, he doesn't even know how to identify what he's feeling, he just feels-- empty.
Where before he was foolhardy now he's reckless - borderline careless - with himself. It's not that he wants to die but the rush of adrenaline is one of the purest feelings he has left, not waterlogged by the reminder of his person not being there anymore.
It doesn't help, in the long run - remembering just hits harder once the thrill fades.
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hi so i was thinking about revenger again today and even though i've talked about this before i can't not talk about it again
i am usually not the type to complain about translations (unless it is something especially egregious such as the yuzuki-san ep1 debacle) and i wouldn't even call this a complaint really
but something so significant and so beautiful was lost in translation in ep8 of revenger
this is the relevant scene:
background for context:
raizou (black hair here) is on a quest for revenge after the death of his wife (the woman in the painting, which raizou painted himself) and he's taken on 'taishin' as a pseudonym to sell his art (for which he discovered a talent and passion during this revenge quest)
his wife's name was yui, and white hair here (the leader of this ragtag band of revengers) is named usui yuen
all of this is relevant
the main issue here is... the character 唯, which was originally written on the painting, has been translated as 'tai' which later becomes 'taishin' when raizou adds a few strokes and a second character to form his pseudonym
but what is 唯 actually? it's... yui
the original character on the painting, 唯, is his wife's name. and usui's name? 碓氷幽烟
key character being: 碓
the subtitles do capture the significance of raizou taking a character from usui's name to make his pseudonym, and that's great. but that isn't all he did. with two strokes he changed the 口 to a 石, he changed his wife's name into a character from usui's name and then added a 心 (heart!) to make it his own
there are a whole lot of reasons this is Special to me but that would require going into the rest of the show which i won't do lol, the dynamics are fascinating but this post is already getting way too long
anyway i just think this is a suuuper normal and well-adjusted thing he did there, didn't alter my brain chemistry at all (lying) and i just need more people to know about it because i think the subs (while doing imo as best as they could!) really did not make it possible for most viewers to catch this
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