#he's been like....almost cool in this ep | Explore Tumblr Posts and Blogs

beababoobies · 3 months

Note

Oh my stars so I saw your post for Hazbin hotel requests can I PLEASE get a reader w Sir Pentious who is low-key jealous of his crush on cherry but he ends up getting w reader in the end?

I would love you forever 🙏

yurp, I gotchu. I love cherpentious with my entire heart but anything for y’all 🫡

edit : THERE IS NOW A PART TWO!

Somethin’ Stupid - Sir Pentious

words : 1.77k, slight warning for ep 6 stuffs

God, this fucking sucked.

Cherri, who was - and you don’t mean to be direct, or self-loathing - downright fucking gorgeous, had been bribed to take you all out to a bar - well no, that wasn’t the exact instructions, but it was clear enough that Charlie didn’t expect much more from her. So here you were, slouched back on a vodka-stained couch in the corner of this bar, Husk lounging beside you while Nifty giggled and played with his fur, and your oh so beloved Sir Pentious across from you.

You kicked back another shot of whatever Angel had brought to you, pretending to find whatever Husk had just said funny (you were far too caught up in the way Sir Pentious was goo goo eyeing a certain Cherri Bomb.) and Husk spoke up, eyebrows furrowed.

“What’s up your ass today, kid?” He said flatly with a swig of his beer, raising one of his eyebrows as you finally snapped your attention back to him, trying to smile non-chalantly as you watched your beloved little drunken ball of insecurity slither towards Cherri again from the corner of your eye. “ ‘ts nuthin, Husk. Leave it.” You say with an annoyed sigh as you watch Pentious stumble over his words to an annoyed and unimpressed Cherri.

“- I’M HAVING SSSSEX WITH EVERYONE HERE!” He turns around and yells, which has both Nifty, Angel, and Husk snap their heads around with wide eyes. He gives you a sad look and you try to give him a reassuring one. That is until he gets dragged into a separate room, and you inhale sharply through your teeth, wincing at the way he screams before the door is shut properly. Cherri doesn’t even look like she cares.

“Ah.” Husk says flatly, catching your attention again. “Should’ve guessed after your fuckin’ ramble last night. ‘But Husk he doesn’t even know I’m here!’ and all those fuckin’ ‘I’ve been here longer than he has and he won’t even talk to me!‘s. he’s just nervous around you, like he is with Cherri. Fucker has some self-confidence issues. Just do it already.” He says, looking almost annoyed as you flushed deep and slapped your hand over his mouth, which he quickly swatted away.

“Shh! Jesus fucking Christ Husk, not so loud! Fuck!” You grumble as Angel giggles with a hand over his mouth from the other end of the booth, before taking another small sip of his cocktail. “Not a secret, toots.” He says with his casually shit-eating grin, gesturing to a very drunk Nifty who was giggling now too, nodding her head. Great.

“Sometimes, when I’m out killing the bugs that think they’re all sneaky, and gross and cool at night, I walk past your room and you’re listening to super bad romance music. Which scares the bugs away and makes them surrender their lives. Which like, it’s supposed to be a fight! You’re ruining all the fun… ” She adds the last part with a annoyed grumble, but despite her unbelievably drunken state, she’s still speaking fast, high-pitched, and with the exact same creepy undertones. “And I walk past that bad boys room and he’s all rehearsing romance poetry he wrote. It’s so bad! Ehehe!”

She giggles out, eyes falling on a bug on the floor, hopping quickly off of Husker’s head and falling face first onto the floor, before quickly picking herself back up and running after it. “Shit.” Angel groans, putting his cocktail down quickly and shuffling out of the booth. “I’m gonna make sure she doesn’t end up with some creep.” He grits out through his teeth, before disappearing into the crowd with a sigh, pinching the bridge of his nose. “I’d better help him out.” Husk says with a sigh as well as he placed his beer bottle down carefully, pulling himself up with a groan.

He turns back to you for a second, just looking over his shoulder, before smiling. “You should start considering the possibility of Cherri being a distraction.” He says, humming softly before he adds one last thing. “Please do check in on the awkward fucker though, I don’t know what kind of shit he’s got stuffed in him or is stuffing at the fuckin moment.” Husk says with a sigh, disappearing right into the ground of flashing lights and bumping bodies right after Angel.

You took the last courage swig of your drink and stood up, doing a little tipsy stretch as you got up, before dejectedly walking over to where a very, very exhausted Sir Pentious was sitting, hyperventilating and sweaty. You let out a soft sigh as you walked over, kneeling in front of him and taking his hands away from his face, holding them softly in your hands, looking up at him with furrowed brows and concern.

“Hey Pentious, that was a lot wasn’t it?” You say softly and he nods, refusing to make eye contact with you. He looks grossed out, ashamed, everything. You let out a soft sigh and rub small circles into the back of his palm with your thumb, doing your best to comfort him in the loud and overstimulating bar scene.

“They were very kind - I jusssst, kept ssssssaying yessss. I don’t know why.” He says softly, and you nod, standing up and helping him up too. “Let’s get you back to the hotel, ‘Kay? You can take a nice hot shower and go to bed.” You reassure quietly and he finally looks up from the ground, smiling at you quickly before nodding, but as soon as Angel catches his gaze again, he’s out of your grips and right back to focusing on Cherri. You grimace softly as you watch him rush up to angel and ask where Cherri is. You watch as he groans in defeat as she goes into another room with a random guy.

Some part of you feels happy, relieved of some jealousy. Another part of you feels bad. That was all he was doing the entire night, trying to get her attention. You shook it off and walked over to where everyone had re-grouped, giving them a tired wave, and getting one in return. You let out a small gasp as you saw the dried blood from Angels’ nose all the way down or his lip, his new black eye.

“Oh dear, what happened?” You cooed softly, reaching up to wipe some of the blood of his face, and he softly moved away, shaking his head in a polite ‘thank you, but not right now’ way, and you nodded. “It was just a run-in with Val.” He says with a sigh, wiping another fresh stream of blood from his other nostril onto the back of his hand. “Let’s get going - I’ll tell you when we’re back at the hotel, Toots.”

An unceremonious end to the night; but not exactly the end to yours. Even when you got back, debriefing everything that happened with Husk and Angel while Nifty snored on the couch and Pentious took a shower, even when you had finally wished them a good night and made your bed, sighing as you let your head fall to your pillow, you couldn’t stop thinking about what happened with him. What Husk had said.

“You should start considering the possibility of Cherri being a distraction.”

You repeated it in your head for hours while you tried to think about anything else, scrolling on your phone aimlessly through Hellflix, InstaScam, Crime Video, even YouCrude - there was no one to e-stalk, no new shows for you to binge, not even something you wanted to re-watch. No new uploads from your faves - just an endless amount of scrolling.

Until about 3 a.m.

That’s when you heard it - shaky, nearly silent sobs from Pentious’s room, small sniffles. You checked the time, sighed, threw a shitty pair of smiley-face PJ pants Charlie had made for you on, and slumped over to his bedroom, knocking softly on his door. It went dead silent, not a mouse, no the small clinking or squishing of Nifty’s bug-killing sewing needle.

“Who issss it?” He said in a shaky, tired, raw voice, and your heart absolutely melted, hand against the doorknob as you spoke. “It’s me, Pentious. I just heard you - uh - being sad. I know I’m not your favourite, but can I come in?” You say with a soft sigh, running your fingers through your hair tiredly. It takes him a minute and a soft hiccup before he rasps out a small “pleasssse, y-yeah.” And you open the door.

What you find is absolutely heartbreaking. Your favourite little serpent, curled in on himself, hugging his tail to himself, eyes red with tears that fall softly down his face, hat resting on his old worn down dresser, angry and frustrated swipes if his claws leaving him on top of torn up bedsheets and pillows, and you nearly cry with him right then and there. This sweet man who has been nothing but a pure angel, stuck with all the sinners, including yourself, down here.

You walked over to him, sitting beside him on his bed, hearing the old mattress frame squeak softly as you sat down, putting your hand on his, gently cooing him until he took big, deep breaths, gently and encouragingly rubbing circles back into the palm of his hand.

“Tell me, what’s up? I’m all -“ you start confidently, being cut off by an annoyed but desperate call from Pentious himself, pulling his hand away from yours and groaning into his palms, shaking his head. “that ISSSSS the problem! You’re the problem- you’re so pretty I can’t think sssstraight around you! And now you think I hate you!” He cries out, looking at you with desperate eyes, like he wants you to say something - anything, really. But you really can’t.

You’re completely frozen, hand frozen in mid air when it was going to rest on his shoulder to comfort him, eyes wife, lips pierced together and all you can do is stare at him like some stupid idiot. You are at a mental battle of grabbing his face and kissing him until you can’t breathe or slowly talking it out. He sighs dejectedly.

“I want to get closssser to you. Wanted to be your friend, at leassst. But… then I’d go and ssssspoil it all by ssssaying ssssomething sssstupid like…” he stops for a second, swallowing thickly. “…I love you.” He looks up at you again, nearly desperate for an answer. You finally get some words out of your closed up throat -

“I love you.”

Frank + Nancy Sinatra My Beloveds <;3

#hazbin angel dust #hazbin hotel #hazbin charlie #hazbin sir pentious #sir pentious #hazbin #hellverse #sir pentious x reader #valentino #I HATEHIM!! KILL THAT HOE!!!! FuCK!!

435 notes · View notes

revasserium · 3 months

Note

hiii i'm a new follower and i love your writing so much

ik u said no requests in ur bio but i just finished reading ur sanji fic.. so even if ur still not taking requests i'd just like to throw in an idea that u may or may not feel like using in the future, up to you (i'm requesting this with opla sanji in mind but if u wanna use it for zoro that's cool too)

k so imagine reader being invited to a friend's wedding, & being excited to go until they find out their ex is coming too (with their partner of some amt of yrs). so now reader is pressured to bring someone w/ them & ends up asking their best friend sanji bc they don't want others thinking they're still hung up on the past.

wedding dress

opla!sanji; 6,544 words, pining with a happy ending, fluff and a tad of angst, flirting, lovesick!sanji, whipped!!!!sanji, no "y/n", zeff is a whole mood, confessions, sanji-appropriate nickname usage, modern!au?

summary: you invite sanji to be your plus 1 at a wedding

a/n: im so sorry this took so long. but. better late than? never? also, there is a tiny bit of rehashing for ep 6 of the live action for sanji and zeff's relationship so... spoilers?

It’s a chilly, overcast kind of day when the call comes in. And in retrospect, Sanji thinks he should’ve known better when he’d seen your name on the caller ID. He’d hesitated, because by god if it wasn’t his New Year's Resolution to get the hell over you this year, but it’s almost December again and he still can’t help the way his heart races at the sound of your voice.

“Hey sweetheart — long time no talk!” he answers after a brief moment of contemplating his entire life, dusting his flour-covered hands on his apron.

“Hey! Sorry for calling so… out of the blue…” your voice is still as sweet as ever, and the way his stomach twists at the tinkle of your nervous laughter makes him want to kick himself. Still, he forces himself to stay calm, clearing his throat as he checks the oven — it’s almost done pre-heating.

“Now you know what I said about actin’ a stranger — just because you moved halfway across the entire world doesn’t mean we ain’t best friends anymore, right?”

It’s what you’d said when he’d been standing at the airport, three seconds from dropping to his knees and begging you not to go. But he hadn’t, because he knew how hard you’d worked for this — for this opportunity abroad, to study art in the birthplace of the Renaissance itself, in the heart of Italy.

“And… you might be able to come visit me, right?” you’d said, rocking on the balls of your feet, your eyes full of what Sanji could only call false hope — which is always, always the worst and most painful kind.

Sanji had swallowed and nodded and said something or other about Europe and fine dining, but there’s a terrible, prickling heat eating up the back of his neck and a voice that’s screaming at him to pull you to him and kiss you. He doesn’t. And he regrets it to this day.

“Ah — right… I’m actually calling because… I’ll be in the area in about a week and…”

Your voice pulls him out of his reverie and he clears his throat, hitches a smile to his face that he knows you can’t see but he’s sure you can hear.

“Oh! That’s great, darling! You’ve gotta come for a drink, I’ll whip up all your favorites — we can make a night —”

“It’s actually for a wedding.”

There are a few moments in everyone’s lives when they learn the true meaning of a thing for the very first time — elation, pride, stomach-twisting guilt, and… fear. True fear, the kind of fear that shakes the muscle from your bones and sends them tingling, threatens to overwhelm you with numbness. Fear, that pushes adrenaline through you like a drug, forces the world into a terrifying, all-consuming focus.

Sanji feels the fear coursing through him, wild and contentious at your words.

A wedding.

Your wedding? Perhaps?

He can’t bear to think of it; he’s so terrified he can barely breathe.

Then comes the moment after, the wave of everything else that the fear had washed away — confusion, anger, guilt (always guilt, for some reason), because isn’t he supposed to be happy for you? For you, the person he loves most in this entire world, to find love, to know happiness. He should. He should.

“Oh.”

Sanji sags back against the hard, metal counter. Almost mindlessly, he reaches into his pockets with shaking hands, digging around for a smoke.

Your breath is soft in his ear, too far across the phone line and a thousand miles of ocean.

“I originally wasn’t even planning on going — she’s not a very close friend — we had like one class together but —”

And within the span of a minute, Sanji also learns relief. The kind that melts the world around you into sizzling butter and champagne bubbles. The kind that makes you want to lie down on the ground and scream.

“— it was so close to your restaurant so I said yes but I didn’t know he was gonna be there and —”

You’re still talking, rambling like you do. And it takes nearly everything inside Sanji to pull himself back to the conversation.

“Sorry, love, who did you say was gonna be there?”

“My ex — you know the one —”

Sanji grimaces, flicking on his lighter with still-shaking fingers.

“Mm, yeah I do. The tall, dark-haired bastard who —”

“Yeah well — he’s gonna be there too and I just —” he hears you swallow hard and take a long, steadying breath. An unnameable something is calcifying in the depths of his stomach as he waits for you to collect yourself.

Curiosity? Why had you called like this, so suddenly, about a wedding where your ex was going to be? Concern? Were you thinking of going back to him?

But slowly, as you stutter through your next few words, the unnameable thing obtains a name — dread.

“— I just don’t think I could do it myself, y’know? And — and you were the one who got me out of it wh-when I decided to break it off with him so…”

Sanji takes a long drag of his cigarette and casts his eyes up at the high, white-slabbed ceiling of the kitchen, scored with long strips of bright, fluorescent lighting that floods the entire room in a direct, unforgiving glow.

He closes his eyes and counts to three.

“Course I’ll come with you, darlin’. It —” he wets his lips, taps off a bit of ash from his cigarette, and sucks in through his nose, clearing his throat of the words still lodged there, “— it’d be my honor.”

Relief — he hears it in your voice, and by gods he can almost see it — the way your whole face would light up, washed as if by the setting sun, your eyes wide and dark, your cheeks flushing his favorite fucking shade of pink and —

“Thank you, thank you, thank you! I really owe you for this one —”

Sanji makes a valiant effort at a nonchalant chuckle; it comes out sounding like a dog with a bit of bone stuck in its throat instead.

“Nonsense — what are best friends for, anyway?”

There’s a tiny pause where Sanji can feel the words best friend scraping along the insides of his mouth, barbed and harsh, leaving his tongue feeling raw and metallic.

“You really are the best friend anyone could ask for,” your voice is soft and honest and Sanji wants nothing more than to chuck his phone into the industrial blender.

You tell him that you’ll send him the details, that you can’t wait to see him soon, that you’ve got a world and a half of catching up to do, that you’ll buy him so, so many drinks, and that you’ll come bearing presents. He laughs at the right times, makes soft noises of consent and agreement, and when finally, finally you tell him goodbye, he clicks off the phone and takes another long drag of his smoke.

And then, he whips his hand back and throws the cigarette butt into the large sink, where it tinks against the metal and sizzles sadly in the murky dishwater.

“Real sucker for punishment, aren’tcha, lil’ eggplant?”

Sanji groans, turning around to find Zeff with his arms folded, the hip to his bad leg propped against a counter.

“Will you fuck kindly off — can’t you see I’m going through a thing here?”

Zeff snorts, clunking unevenly towards him.

“You been going through that thing for the last year and a half since you chickened outta askin’ her to stay so —”

“I didn’t chicken out — I — it was her dream to go to Florence and study —”

“And what was your dream then, ey?”

Sanji bangs his palm against the counter and sighs, “It’s not like I could leave you here with —”

“With what? A thriving restaurant business that I started? A guest list out the door and round the corner —”

“I — I helped!”

Zeff rolls his eyes, “Ah sure ya did, but I never asked you to, did I?”

Sanji huffs, pressing his tongue to the roof of his mouth to stop the torrent of horrible, sad, acrid things he could say and could never mean, so he swallows them back down. When he looks up next, Zeff is still standing there, but there’s a softness around his eyes.

He opens his mouth a few times, but eventually, all he says is, “The oven’s over heatin’.”

Sanji swears and jumps up to tug open the oven door. A wave of hot air whooshes out and nearly catches him in the face. Behind him, he can hear Zeff’s dark, gravelly chuckle, and the dull clunk of his wooden leg.

“You burn the kitchen down, you pay for it.”

And then he’s gone again, leaving the door swinging behind him, and Sanji very much alone with the too-hot oven and a counter full of things he can’t really remember the recipes for anymore.

Nearly a week later, Sanji finds himself standing at the airport, rocking on the balls of his feet, nearly in the exact same place as he’d been a year and a half prior. Except this time, you’re not walking away from him. You’re walking back towards him. He wonders if there’s a name for deja-vu in reverse and comes to the realization that that’s just called… a memory.

And memory seems to work in strange ways now, images superimposing themselves on top of one another — the flicker of a film lens, the bat of an eyelash, the shadow of a smile crimping the corner of your lips. All of this, he sees in the here and now, but he sees it in the air around you too, shimmering and mirage-like — all his memories and dreams of you layered over the shape of you. Your memory like a ghost of itself, trailing behind you as you walk towards him, a shy smile on your face, your cheeks flushed from travel and the cold and —

He doesn’t let himself hope. Not this time.

“Hey!” your voice is just as bell-like as he remembers it, pitched a little higher than it usually is, probably out of nervousness. But it still feels like a kick to the guts. Sanji forces himself to smile.

“Hi, love,” he says, leaning down as you reach him, but the motion aborts halfway because — is it still appropriate to hug you like he’d always done? To press his lips to your cheek or your hairline and revel in the bright citrus of your shampoo, to soak in the butter and cream of your skin like he used to?

There’s an awkward half-second pause before you’re standing up on tip-toe and Sanji’s heart nearly drops out of his ass as you lean in. But then — your lips skim by his cheek and your arms are around him, and stupid, stupid, stupid heart — thundering in his chest like horses or hooves or fists or thumping rabbit’s feet — leaping into his throat and pattering against the base of his tongue as he wraps his arms around you and holds you close. But it’s not close enough. It’s never close enough.

He breathes and distantly, a part of him notes that you still use the same shampoo.

“Hi…” your voice is warm by his ear, a bit muffled, but he can’t help the way it makes him shiver, “It’s… so good to see you.”

He nods, not trusting his own voice to do the normal thing and, oh, you know — work.

“I’ve — I’ve missed you.”

He makes a noise somewhere between a laugh and a cough as he nods again. He feels your arms slackening around him and a fierce, terrifying thing is flapping its wings in his stomach, screeching at him not to let you go. But he does — like he did before.

“I — I missed you too,” he says, though his voice sounds flat and scratchy and he clears his throat again.

A dozen different expressions flicker across the lovely planes of your face and finally, it settles on endeared exasperation.

“Please don’t tell me you still work through like three packs of smokes a day.”

Sanji laughs then, shaking his head as he reaches over for your luggage, “Nah — well, maybe not three but —”

You whack him softly on the arm.

“I actually tried to quit right after you left.”

“You did?”

Sanji shrugs as the pair of you start to make for the exit. He feels your gaze go slanted and shrewd.

“How long’d that last?”

He smirks, “Few hours.”

You whack him again and this time, he dodges out of the way just to bask in the bright spark of your laughter as you chase after him.

“Seriously though, you know how terrible they are for you!”

“Sure do,” he says, tugging one out of his pocket as soon as he clears the airport doors, pivoting left towards the parking garage. You have to jog to keep up with his longer strides, your breaths misting the air between you in silvery puffs.

He makes no move to light it as he helps toss your luggage into the trunk of his car, sliding into the driver’s seat. You huff as you wiggle into the passenger’s side.

“Then why —”

Sanji waits patiently for you to buckle your seatbelt before pulling out of the parking space, one hand on the steering wheel, the other resting soft against the middle console. He slates you a glance.

“Cause,” he says, fixing his eyes back on the road, an easy smirk twisting his lips, “it’s a metaphor.”

You groan, sinking into the seat, “Just because you read John Green one time —”

“Oi, I’ll have you know I read his entire bibliography after you showed him to me.”

“Ugh, whatever you manic-pixie-dreamgirl-loving ass.”

“Yeah, whatever — you actual manic pixie dreamgirl.”

You smile and Sanji allows himself the brief and aching delusion that the past year and a half didn’t happen, that you never left, and that you’d never leave. That you’d always be here, warm and laughing and just within reach.

The rest of the car ride is spent in mundane conversation, in how was your flight and tell me about Florence and how’s Zeff doing these days and I wanna know about your latest dish. It’s light and easy, and Sanji lets it warm the air around him. By the time he pulls into the front of your hotel, all the unsaid words from the past year and a half have soaked through his socks and into his shoes. It sloshes out onto the pale pavement as he opens the car door.

He helps you roll your luggage up into the lobby and tells you he’ll be here at 3PM to pick you up tomorrow. The venue’s just three blocks away.

“Yeah, I’ll see you then,” you say, pursing your lips, waving as he backpedals towards the automatic doors.

“You’ve still gotta send me pictures of the dress you’re wearing — I gotta find a matching tie.”

You laugh, a bit embarrassed, “Right — and here I thought I might surprise you.”

Sanji freezes, eyes wide.

“O-oh! Er — well, you can just — just tell me what color or —” he waves vaguely, “send a picture of a corner of the dress — just so I have something to color match against —”

You nod, eyes glittering, eager once more, “Oh! That’s a good idea — I’ll do that.”

“Great,” Sanji says.

“Great!” you echo, perhaps a bit too chipper.

He gives you one last smile before turning and striding from the hotel, firing up the engine as calmly as he can, forcing himself not to turn and check if you’re still watching him through the brightly lit, sliding glass doors. He allows himself a glance through the rear-view mirror as he pulls away from the drive and his heart skips a beat when he realizes you’re still standing there, right in the middle of the lobby, fingers wrapped around the handle of your suitcase, your eyes fixed on the shadow of his retreating car.

He lights the smoke the second he turns the corner, your shadow no longer in his rear-view mirror.

That night, Sanji dreams in fits and leaps, flashing images and long, sticky streams of could-have-beens —

He dreams of your laughter in a white-tiled kitchen, of powdered sugar and eggshells cracked and leaking on an exposed wood counter, chopsticks clinking against a thick glass mixing bowl. He dreams of your voice echoing off the shower tiles as you sing off-key, the way you used to when you’d sneak into his college dorm for movie night and a midnight snack. He dreams of coffee mugs and errant rose petals and dandelion seeds blowing in the wind. He dreams of dancing with you in his arms in a darkened dorm room that morphs into a bigger room with a softer carpet, one that he’d never seen before but he knows implicitly (like bodies know) is his home — it has pictures on the walls, trinkets lining the far bookshelf, your favorite scarf draped over the back of the well-worn sofa.

In the dream, you pull your head back from where it's pillowed against his shoulder and smile up at him. He leans down to kiss you, his lips hovering half an inch from yours.

Sanji jerks awake to the sound of his alarm, fingers fumbling for his phone, groaning as he smashes the orange snooze button and flips over to bury his face back into his lumpy pillow.

“Ah… fuck.”

It’s not the first time he’s had that dream, and he knows it won’t be the last. But it’d been so real that night, real enough to make him wonder if it just might come true.

He rubs at his sleep-crusted eyes and peers blearily at all the notifications on his screen. There’s a text from you with a picture attached. He clicks it open to find a short message attached to the picture — I really did want to surprise you…

He blinks for three seconds at what looks like a blurry picture of studded black silk before he remembers —

“Send me a picture of a corner of the dress — just so I have something to color match against.”

He allows himself a laugh, swinging his feet out of bed even as he types back — you coulda just told me it was black…

He watches the three little dots appear and disappear a few times, chewing on his bottom lip, before the text appears — well there are different shades of black, right???

Sanji laughs, shaking his head.

sure there are.

A string of tongue-out emojis, followed by an equally long string of middle-finger emojis.

He spends the rest of the morning fussing over which specific black tie to wear before settling on one that he’s quite sure is the exact same shade of black as your dress (and yes, he does have quite the collection of black ties), before tugging his best suit out to press.

It shouldn’t feel so easy, slipping back into the rhythm of things, of texting and smiling and hearing your voice in his head when he reads your texts. It shouldn’t feel so easy to forget the months of radio silence and guilt, the oppressive, resonant weight of what might have been if either of you had done a single thing different that day at the airport — he wonders if he should’ve reached for your hand, he wonders if you’d ever looked back.

He hadn’t. He couldn’t let himself.

He is waiting for you in the lobby at 2:45, wearing a hole into the plush Persian carpet, collecting strained looks from the concierge who had assured him three times in the last four minutes that he’d already rung up to your room and that you’d said you were on your way.

“Wow, you’re early — sorry I took a while — I couldn’t figure out what to do with my hair and —“

Sanji lifts his head and thinks distantly that all those rom-com cliches of a guy looking up, time itself slackening, the room smearing sideways around him, the music going slow, the lighting soft — all of it is painfully, startlingly true after all.

Because there you are, walking towards him, still saying something, but he can’t make out the words anymore because time isn’t really a thing anymore, is it? He can’t focus on that and also the dark glimmer of your dress, the way the neckline skates just beneath your collarbones, barely skimming the skin there before it slips down along the slope of your shoulders in a way that makes his breath unspool inside his chest like loose threads.

And in the slanted, ethereal light of the winter afternoon, your dress looks like it’s cut from a swath of darkest midnight, moonless and scattered with stars.

You blush as Sanji attempts to pick his jaw up off the floor and hitch his lips into something resembling a smile.

“W-wow… you look…”

Your smile is shy as you press your palms against the dress, looking down, “Thanks… you don’t think it’s… too much?”

Sanji shakes his head, feeling dazed.

“No! I mean — it’s —“ his mouth is dry, drier than he ever remembers it being, and suddenly it’s very hard to swallow and Sanji isn’t even sure the muscles in his neck know how to perform the action, let alone force words out alongside it. He struggles for another few seconds, his jaw working furiously as his eyes skitter down and back up the shape of you.

“You look… perfect,” he says, finally, because the word has been ricocheting around his chest like a stray bullet and he had to let it out somehow.

“Thanks — you don’t look so bad yourself,” you say, your voice breathy in a way that makes Sanji’s stomach squeeze.

He offers you his arm, and you glide forward to take it.

He drives the three blocks to the wedding venue in a daze, his mind spinning slow and off-axis, tilted so by the gentle waft of your perfume, the lullaby of your voice as you chatter nervously about this and that and the weather, I mean, can you believe it’s gonna be an outdoor wedding in the winter? He wonders briefly why you’re so nervous, and then he’s reminded of the reason he’s even here at all — your ex will be here. Ah. Right.

“Ready?” he asks, offering you his arm again as the both of you follow the meandering stream of arriving guests toward the paved outdoor garden area where the ceremony is due to take place.

“No, but… you’re here so…” you let out a breath and for a second, Sanji almost thinks he hears the hint of an ache in your voice. An ache like an old scab picked at too many times, like unrequited love, perhaps. It’s an ache with which Sanji is so intimately familiar that he immediately tamps it down and vows not to think about it again for the rest of the night.

There are stiff-backed waiters wandering around with plates of hors d’oeuvres and thin flutes of bubbling pink champagne.

Sanji grabs two glasses and hands you one.

“Cheers, then.”

“Bottoms up,” you say, tossing back the entire flute in one.

Sanji cocks his eyebrows, grinning as he follows suit, smacking his lips.

“Alright then, I guess if that’s how you’re playin’ —”

Your laughter is light, if a little strained, but he remembers how quickly bubbly drinks tend to go to your head and makes a concerted effort to slow down. You make it all the way through the actual ceremony without bumping into your ex, though you do lean over and grab Sanji’s hand as the bride and groom exchange vows — something about love being a choice, one that they promise to make every morning of every day for the rest of their lives — and he looks over to find you misty-eyed, bottom lip caught beneath your teeth.

“Sap,” he whispers, leaning over. It earns him a choked laugh and a half-hearted elbow in the ribs, but it’s worth it to see the tension melt from your shoulders.

Sanji turns back towards the bride and groom, exchanging rings now, and unbidden comes the images of you and him standing where they are — you in a dazzling white gown, him still in a dark suit, but one perhaps of more expensive material and much better tailoring. He thinks about all the things he might promise you, wonders at what you might promise him in return —

“I promise to love and cherish you —” you might say.

“I promise to make all your favorite foods,” he might say.

“I promise not to touch your emotional support le creuset pans.”

“I promise not to make you taste all my experimental dishes —”

“Okay, but what if I want to —”

He imagines the way the crowd would titter, how the officiator would affectionately clear his throat. He imagines Zeff’s warm, well-worn laughter, rough and a little torn at the edges because he’s just as sentimental as the next guy behind all the beard and gruffness. He imagines the crowd smiling up at the pair of you, the way you’d squeeze his hands to get the both of you back on track —

He jerks out of his reverie as you tug your hand away from his to clap, and it takes him a beat to realize that everyone else is clapping and cheering too. He blinks — the bride and groom are kissing, pulling apart as the music swells around them and they link hands to walk back down the aisle.

Sanji clears his throat and hurriedly gets up to clap as well, his eyes trailing the radiant smiles on both the newlyweds’ faces. Another sharp ache sings through him but he feels your hand in his again and he can’t tell if he wants to grip you tighter or pull away. They’d both hurt just as much, wouldn’t they?

“C’mon, let’s get inside — I wanna judge the catering with you,” you whisper, your breath tickling his cheek, and he knows without having to look that you’re standing on your tiptoes, your chin almost propped on his shoulder.

He fights down a bout of shivers and smiles, “My favorite part of any formal event, honestly.”

You laugh, “I know — me too.”

So you spend the entire dinner service whispering to each other about the food —

“God, this steak is so well done I think it just might dislocate my jaw —”

“What’s in this sauce?”

Sanji chews thoughtfully before making a face, “Dunno, but it’s got oregano.”

“Oh the cake looks good though.”

“Yeah, but we both know how much sugar and butter goes into that right?”

You nudge him with an elbow, “Weird, cause I’m pretty sure happiness is also made of sugar and butter.”

“Well for me, it’s always been…” but Sanji trails off, biting his tongue. No. He can’t say that — not now. Not here.

Because for him, happiness has always just been you.

So instead, he swallows passed his own mouthful of regrets and attempts a lopsided grin. And thankfully, your attention is drawn elsewhere by a loud peal of laughter before he has to make a shitty joke about happiness being a well-lit kitchen and a gas-lit stove.

You’re both at least a bottle of champagne deep when it finally happens, inevitable as a summer storm — your ex saunters up to you on the dance floor, sporting a grease-slick grin, eyeing you up and down like a piece of well-cut meat. Sanji is at the bar, grabbing more drinks and you’re catching a breath of fresh air just outside the dance hall.

“Well, well, well — look who it is.”

Sanji turns sharply at the sound of the voice, his eyes narrowing — Asshat. Fantastic. The bartender is putting the finishing touches on two custom cocktails but blinks, confused, as Sanji swipes both drinks out from the bar and casts him a hurried grin.

“Thanks mate, these look great,” Sanji raises the cocktail glasses at the bewildered bartender before hurrying off, slowing ever so slightly as he reaches you, straightening his spine and smoothing out his shoulders.

“Here, got them special-made for you,” he says, pressing the cocktail into your hand, cutting into something that Asshat is saying.

“Oh! Thanks — oh wow, this looks so good!” you beam up at him, taking a sip.

“Oh wow, didn’t know you were still hangin’ out with this guy,” Asshat says, hooking his thumbs into his belt-hoops and jutting out his chin.

You frown, pressing your lips, “Excuse me?”

Asshat scoffs, posturing, “I mean, when we broke up, it was cause o’him right? So I just thought you might’ve realized what a mistake that was and —”

Sanji barely has the time to feel offended before Asshat is gasping and stumbling back. You’d tossed the remainder of your drink straight into his face.

“What the —” Asshat sputters, his fists clenching, but quick as anything, Sanji swipes out a leg that catches him right in the shins and makes him stumble. In one fluid movement, Sanji pushes his own drink into your hand before reaching out the other arm to steady the now flailing Asshat, catching him around the shoulders.

“Whoa there! Seems like you’ve had a bit too much to drink, my friend!” he says, loud enough for the people around you to hear. He thumps Asshat on the back in a would-be kind gesture before tugging him close, still coughing, and hissing in his ear —

“Listen here, you asswipe — you’re gonna turn around and walk away and stay the fuck away from us for the rest of this wedding, you understand? I’ve got plenty more o’this for ya if you don’t, got it?”

Sanji scuffs his foot along the gravel-covered ground in a motion that could easily be mistaken as fidgeting, but you know better. And so, it seems, does Asshat, who scoffs and shoves Sanji off him with a glare, but after another second, straightens his drink-soaked jacket, turns, and stalks away.

You let out a long breath, swallowing hard.

“Hey darlin’… you alright?” Sanji turns and bends down to level his eyes with yours.

“Y-yeah — thanks — you didn’t need to —”

“Nah. Course I did — it’s why you invited me, right?” he allows himself a lopsided grin that borders on self-deprecating and you look up, eyes wide.

“No! I — that’s not —”

“It’s okay, love — I promise I’m not offended —” Sanji’s babbling, he knows he is — but he has to, because the alternative of letting you speak, of letting you confirm what he already knows to be true (that you’ve only ever seen him as a best friend, that you love him in all the ways except for the one way he wants you to, in the one way he loves you) is too much. He tucks his hands in his pockets and shrugs up his shoulders, pulling them up towards his ears like armor.

And then you lean in and kiss him, and every single word he’s ever thought of saying just to fill the silence turns to mist and mornings on his tongue. His mind turns blissfully blank and when he regains consciousness (or has he? Because isn’t this the dream he’s dreamt every waking moment of his life for the past… however many years?), he thanks every god he can name that he feels his fingers in your hair, his other hand cupping the soft curve of your jaw. He tastes your uncertainty against his lips and presses in, hoping, praying that if he just kissed you hard enough you might understand.

When you pull away, he can’t help the satisfied purr that curls up his chest at the pinkness in your cheeks and the slightly glazed-over look in your eyes.

“O-oh — sorry I —”

Sanji shakes his head, leaning in to push his forehead against yours.

“Nah, nah, nah — if you tell me that was a mistake now I might just turn around and never speak to you ever again — because don’t you dare —”

You let out a helpless laugh, shaking your head as you reach up to cover his hands with yours. It’s only then that he realizes they’d been shaking. He swallows and he thinks he can taste every single morning after for the rest of his goddamn life in the whisper of your breath.

“It — it’s not, I wasn’t —” you close your eyes and Sanji holds you still, foreheads still pressed. Distantly, Sanji is aware that people are cheering, that more drinks are being poured, that the dance floor is probably a mess. But he doesn’t care. He doesn’t think he’ll care about anything else ever again — why would he? Now that he’s got you.

“Shh… take your time, love… we’ve got all the time in the world.”

He feels the relief take you, and then you’re falling into him, burying your face in the lapel of his suit jacket, probably smearing it with your foundation. Vaguely, Sanji considers framing it when he gets home.

“I’m… I’m sorry it took so long — I’m sorry I didn’t — that I wasn’t…” you curl your fist into the material of his shirt and thump him lightly on the chest, even as he laughs and wraps his arms around you.

“I know, darlin’… I know.” Sanji presses his lips into your hair and can’t help a smile.

Finally. Finally.

Your hair smells like citrus shampoo.

Finally.

“I thought about you every single day,” you admit, your voice small when you finally pull back to look at him again. He thinks there might be tears in your eyes, or maybe it’s just the starlight caught in the thick night sky of your lashes.

“Did you now?” he asks, fumbling for some semblance of normalcy amidst this night of revelations.

You nod, fervently, and god he wants to kiss you again. Briefly, he wonders if he should, if he’s allowed to now. Instead, he smiles and cocks his head.

“So? What changed?” and he can’t help the tiny note of hurt out of his voice, the slightest shiver of disbelief. After all, cynicism is a hard habit to break.

Especially after so many years of practice.

You shrug, sighing, “Nothing — everything. I mean — I’d always… but then I thought — you had your career as a chef and I didn’t even know what I wanted to do with my life. But it —” you lick your lips, and Sanji nearly breaks when you tear your eyes away from his. He wants to force you back, to soak in the dark and bright of your gaze till he can see the world exactly as you see it.

“It’s always been you…” you say.

At this, Sanji does break. He tips your face towards him with a thumb and a forefinger and leans in, waiting for you to pull back, bracing for it. But you don’t — instead, you press in and close the space between you again, and again, and then again.

He wants to tell you — he needs to tell you that it’s always been you too, that there’s never been anyone else. From the moment he first laid eyes on you, he’s known, even though both of you were children back then, and neither of you had any idea what “love” actually meant. He knew then, too.

“Love…” his voice trails off, but you smile, and he knows you know, knows that you can hear it in the rawness behind his voice, in the softness of his breath, in the way it shakes.

You make to kiss him again. But your lips hover half an inch from his and you stop. Sanji sighs.

“What — why’d you stop?”

Your smile is sweet and sharp, honey glinting on a razor’s edge, and he knows that he has you. And maybe that he’s always had you and was just too blind, too terrified, to see it.

“Haven’t you heard? It’s a metaphor.”

Sanji groans, “Fuck your metaphors.”

You bat your lashes, pulling an expression of mock affront onto your face.

“Well at least wine me and dine me first —”

Sanji licks his lips, “What’dyou think I’ve been trying to do for the last ten years?”

Your breath catches.

“Oh.”

Sanji smirks and kisses you again, slowly this time, languid and deep. Unhurried. He luxuriates in the way you go soft in his arms, in the way he can feel the gentle hitch of your breath as he runs his tongue along the edges of your teeth, coaxing you towards him, closer and closer and closer.

The hardest, angriest part of him wants to swallow you whole, bite down just to hear you hiss, to taste your blood on his tongue. To make you feel even a sliver of the pain he’d felt. He tamps it back down — there’s time for that later.

Instead, he forces himself to pull back and allows himself the satisfaction of watching you chase him, pursing your own lips with a bashful look away, your cheeks dark.

“So,” Sanji takes half a step back, puffing out his chest in the best imitation of a fuckboy at a wedding party, “wanna get outta here?”

You let out a helpless laugh, falling into his side. He lets the sound ring through him like so many silver bells.

“Yeah, I’d love that.”

He chuckles, looping an arm around your middle and leaning towards your ear.

“Your place, or mine?”

You roll your eyes, “I’m pretty sure I still have a toothbrush at your place.”

Sanji hums, “You still have a whole drawer at my place.”

You smile up at him, open and happy and sincere, “Then… I guess that’s your answer then.”

#opla #one piece x you #one piece x reader #one piece live action #opla sanji #one piece netflix #one piece fluff #sanji opla #sanji x reader #sanji x you #vinsmoke sanji #vinsmoke sanji x reader #vinsmoke sanji x you #opla x reader #opla x you #opla fluff #x reader #floofy floof floof #scheduled post

649 notes · View notes

barblaz-arts · 2 months

Note

HELLOOO!! Im in LOVE with all your Chaggie (and Wenclair obv-) art!! I was wondering if youd be up to share your thoughts on the other hazbin characters? Simply cuz Im very curious and youve been a favourite content creator of mine for a while whose opinions and takes on different things i value A LOT! So id love to hear your thoughts on the rest of the main cast(and more if youre up to it hahha)!

@phantoswordsman15

The main cast huh

Hmmmmm I dont particularly hate them, but I have some opinions that people might not like and I'm aware there's a lot of uh sensitive people in this fandom, so I never said them unprompted

But since you asked!

Alastor

Let's start with the infamous Alastor. I think he's a very entertaining character! His horde of simps annoy tf outta me when they're being misogynistic and homophobic towards Chaggie and Vaggie, but I quite liked him when I make myself forget certain parts of the fandom. He's funny and conniving and intriguing. The fact that he apparently sold his soul is super interesting to me. I'm on board with the people theorizing that he sold his soul to Lilith. I bet he's cozying up with Charlie so that he can use it to break his contract somehow. Feel like he also used the deal with (presumably) Lilith so that he could be strong enough to be the overlord he became.

With that being said, I'm really surprised with the direction they took with him. You'd think that with him being a favorite of the showrunner and the fandom, he would probably be portrayed as the coolest mf in hell. But I really like that it isn't really the case within the show. Certain denizens dont even know him and older overlords like Zestial seems to scare him and Carmilla just dgaf about him. Hell, Alastor's loss to Adam was a lil embarrassing ngl. Like. I know he's one of the oldest human souls and that's why he's powerful but... It's Adam.

Something about him that I noticed is that he seems to be more bark than bite. In particular in his duet with Lucifer, initially Lucifer had the upper hand because he's objectively more powerful, humiliating Alastor with his angel magic, but what Alastor used to his advantage was his words and charisma, as can be expected of a radio host. He's always taunting his enemies, but does it actually make him stronger than them? He "won" that duet with Vox but Valentino said Alastor only"almost beat" him when they had an actual fight. He ruffled Lucifer's feathers but at the end of the day Lucifer is still leagues more powerful than him. He talked big when he was fighting Adam but he almost died and had a breakdown over it.

He's really a lot less "cool" than I expected the show would have him be portrayed as. Kinda pathetic honestly, how he's so insecure and angry whenever he isn't the strongest guy in the room. And i actually really like that! He reminds me a lot of Rumplestilstkin from Once Upon a Time.

Something I kinda hesitate to say tho is... I dont want him redeemed. I dont want him to actually care about the hotel crew and change his ways. I like him as the fucked up man he is and really want to see how fucked up he can be, just so that if he ends up being the huge antagonist, his downfall would be all the more satisfying. Like yunno that moment when Light/Kira was finally defeated? I wanna feel that again.

Angel Dust

I love him! We found his dialogue a lil annoying at first in ep 1 but the writers did a lot better in ep 2. He's a neat guy. His character gives interesting implications for me as to what makes a person a sinner in this show. While you have people like Alastor who obviously ended up where they did because a cannibal murderer, I get the feeling Angel ended up in hell because he was abusing his own body, which is a sad thing to think. If I remember right from my own catholic upbringing, abusing the body is considered a sin because your body is a temple. To think that Angel could be in hell for poisoning himself, not for harming others, is just sad man. I look forward to seeing more of his journey.

I'm not touching on how his SA was tackled btw. While I'm a victim of sexual assault myself, what i experienced was far from what Angel does on a REGULAR basis,so I don't feel like i have any personal or professional right to say anything about it. Not every victim's case is universal anyways. All I can say is, his line about purposefully damaging himself so he could be broken enough to no longer be Valentino's "favorite toy" hit me harder than I ever expected this show to.

Husk

Confession: I... I dont feel all that attached to Husk at all, I am so sorry Husk stans 😭

Okok that feels so mean to say I'm so sorry. I actually hesitated to say anything because I dont want to hurt people's feelings. But since you guys are asking and I dont like not being genuine, I'm telling the truth.

A lot of my feelings about Husk is heavily affected by the fandom anyways to be perfectly fair. Why? Because a lot of criticisms against Vaggie is easily applicable to Husk, maybe even more so, and yet I dont see even the same level of hate towards him that Vaggie received because his chemistry with Angel is so much better than Chaggie... Apparently...

I just dont see Husk as a character outside of being a plot device for Angel's development yunno? I get it, he isn't a main character like the main 4 are(Charlie, Vaggie, Alastor, and Angel), i just find it hard to well and truly like him because of the fandom's double standards. When we found out someone was gonna die in the finale, my brother and I actually thought it was gonna be him because he doesn't have a big enough role to play in the plot to be a HUGE loss, but has a significant enough connection to a main character to have an EFFECT. He very much just felt like the love interest for Angel and nothing else. Which isnt necessarily a bad thing, but is frustrating when i see sooo many people label Vaggie as such(when she isnt!) and hate her SO MUCH for it.

I wanna see more of him tho I really do. Like the man used to be an overlord. He said he wanted to find someone who could relate to "the gruesome ways in which he's damaged" but what does that even mean? Yes i know about the castration but aside from that what suffering is Alastor putting him thru when all he has to do is be a bartender rn? There must be more and I wanna see it and finally feel for him.

Nifty

I love her a lot. That's it. The character ever. Her gremlin energy reminded me so much of Peridot, it's great. Kimiko Glenn did a fantastic job as the comic relief character and I hope she gets her own song next season. Her basically being everyone's little sister was kinda adorable even tho she's probably the scariest person in that hotel next to Alastor. I hope she gets to stab Valentino next. Just kill that MOTHerfucker

#asks #hazbin hotel

177 notes · View notes

sillyandquiteawkward · 5 months

Text

sillys (not so) lil info dump about how to be a human being. smiles

htbahb is an album from glass animals, of which notably, all the songs align with different people's lives, perspectives, and feelings, also of which are shown on the (various) album covers. so the easiest way to go thru the story is song by song. but i will show you the album art so you can get a gist of things before we go into details.

these are just some of the various album covers for htbahb, theres a bunch of them, but we dont need to see all of them to see the different lives of our characters.

1, Life Itself

this is our main character for life itself. you can call him a bit of a nerd if youd like. apparently his name is chuck rogers. they dont all have names.

hes an inventor, loves ray guns and strange technology, but as noted in his song, feels like he was raised with expectations hell never be able to achieve. his father as a child said he would be a superstar, but nowadays, he cant get a job and he lives with his mom. hes struggling with finding himself and his place in society and hes doing drugs and feeling like hes absolute rock bottom with everyone being against him. he feels alone and attacked and retreats back into his car or grandmothers basement and keeps folding back into himself.

in the music video for life itself, hes only seen in a few scenes, leading the charge against [popular st] with a smoke bomb as [mamas gun] watches knowingly from the sidelines as perhaps the real leader behind the assault. they seems to be accomplices with each other, as they ride in the car together and seem to be specifically looking for [youth].

2. Youth

now the main character for youth is tricky, it seems like we have two characters for youth, the small child, and assumedly, his mother the waitress. i think i like the interpretation that the mother is the main character for this song, and the child represents the album as a whole. alternatively i also like the idea that the child is youth, and his mother represents [premade sandwiches]. but for the most part, they are just both the characters for youth.

youth is a mother talking about her child, and to her child, almost in a detached sort of way as if they arent able to see each other. a mother speaking her hopes and dreams to her child. somehow these two have been separated when the child was young, perhaps through giving up to adoption, or hinted in the music video, abduction. she wishes best for the child, urges them to feel their mother at their side, and notes that theyve got her eyes. she lists off her wishes for them to be happy and have friends, and be silly. this perhaps is for the best, that they can be happy even without her. i particularly like in this song, the wordplay makes it sound like the singer is counting one, two, three, four, five, when they are singing other words like boy, to, free, funny, and fly respectively.

in the music video for youth, the child is seen almost haunting the mother as she works as a waiter, appearing in several locations playing and running around as she remains dutiful to her job. they briefly sit looking at each other in the same hotel room he had been taken to in life itself's music video.

3. Season 2 Episode 3

this is the main character for season 2 ep 3 and i think one of the cool changes between album covers, as we see a fully done up girl all put together with her make up on, and in the other, someone a bit more silly with her makeup removed. this might be the way she sees herself vs how other people see her.

the song is the lament of a boyfriend to his girlfriend, who seems to be glued to the couch, watching shows, getting high, not changing her clothes, and eating day old leftover food and most notably, mayonnaise straight from the jar. at the beginning of the song, the two of them are high together, however he soon sobers and realizes she refuses to get sober along with him. he tries to convince her that their relationship wont work if she keeps being like this and doesnt try, but she wants him back the way he was (high as well) and views him as a nag. she still makes him happy, but sometimes she makes him sad to see how she lives. even after an acceptance from the boyfriend that she wont change and will never be vertical and golden like he wants and that the relationship will never work out, the song ends hinting that hes picked up getting high with her again due to her calling him a killjoy and wearing him down.

in the music video we watch the girl splay out on the sofa, surrounded by her mess watching tv and doing nothing. halfway into the video, we are brought into the game she plays, as she battles [life itself] [cane shuga] and [the other side of paradise], all of which are men who could possibly be the boyfriend figure.

4. Pork Soda

this is our main character for everyones favorite pork soda. hes an older man, who for the most part seems pretty happy. wonder if hes harboring some long lost feelings or something.

the song opens with a street performance unintelligible to a normal listener, its like passing by a conversation, you are only able to hear bits and pieces of the spoken words. once the song starts you hear a story about this guy's girl who used to be fun and adventurous and would take him along with her. in the same breathe hes begging to go back to the days they were happy together. it seems like they fell out of love, or are in a struggling relationship bereft of communication or the passion it once had. shes only happy when theyre having sex together, and just looking at each other causes him heartache. the song talks about pineapples in my head, and being brain dead, as well as other references to diminishing mental facilities, that perhaps in their age, theyd forgotten about each other.

the music video gives us probably the most clear story line, as we see the wife prepare a meal before sending it through a dumbwaiter into the basement for the husband. there he sits alone, watching tv. up above the wife plays with their dog, imagining the dog is the younger version of her husband. all of her time is dedicated to the dog, and all of his time is dedicated to the tv. they have forgotten they love each other and live in the same house, but live in separate worlds. only after the dog destroys his tv and the husband destroys the floor above him and under her feet, do they finally get back together as he catches her as she falls, surprised and exhilarated for the first time in forever. and things seem to be better as they finally occupy the same room together again.

5. Mama's Gun

This is the main character for mamas gun. shes a victim of the perception of her mental illness. i think this is my fav song of the album.

during the song, the woman initially admits that she took her gun and made her husband go to neverland. however she also says she loved him a lot and he was perfect. through bits and pieces of the lyrics you can come to the conclusion that she has some sort of psychosis, or perhaps schizophrenia in particular as she notes many different voices and figures talking to her. the song references dr swango, a doctor who killed his patients, however he insists to her that him and all the other voices in her head are too from neverland, and that she was a murderer just like him. is she really guilty of murder? what really happened? the flute played during various instrumental parts of the song is a sample from the carpenter's mr. guder, a song about a man who does what hes supposed to in society and his job and gets nothing from it. karen carpenter herself was a victim of her own mental illness and they say that theres a specific purpose for the sample chosen. once the lyrics pick back up, the voices again pipe up and tell her she was a murderer, even the voice who had never spoken says so, so he must be telling the truth right? during the final bit of the song, it seems like her husbands voice joins into her collection of voices, as he bears a cheshire smile and asks her to lay with him once again, and that hes waiting for her. in the end, its unclear what happened with her and her husband, as she goes back and forth saying she was violent, she was doing nothing. this song was inspired by a story they heard of a woman going into a drug induced black out for a month and reappearing in another state with no memory, and the lingering fear that shes done something terrible wrong, and never being able to have the closure of knowing what happened.

theres no music video for this song, but we see her appear in life itself. she and [life itself] drive to the hotel where [poplar st] is holding [youth] captive and attempt to break into the room hes in.

6. Cane Shuga

this is our main character for cane shuga. hes exactly how he seems, a rich white guy who is, of course, using that cane shuga all day everyday.

cane shuga presents a dialogue from two parties, two people in a relationship. the singer promises he wont do coke anymore, that he wont be a john doe in the hospital. the chorus however is the high he rides on, where he thinks hes hot shit, hes 007 james bond, hes as powerful as kim jong, with a popped collar as he looks into the glare of the mirror and hypes himself up after using in the bathroom at work. hes untouchable. the second chorus is his partner, giving up on him, their love has burned up, just like his drugs. theres a humorous line of putting their foot down saying ive had quite enough, but corrects themself and sarcastically says or lack there of, that they arent being given anything anymore by him. regardless, their verses and conversation is short. the chorus of his high is the main focus of the song, and repeat over and over as the days continue.

[cane shuga] appears in season 2 ep 3's music video as [season 2 episode 3]'s potential lover. their stories do seem to entangle, they both are drug users dealing with partners who want to stop using. some people say that he is her partner, that he stops using for her, but falls back into the habit. however this doesnt exactly line up with her song, as she doesnt want him to stop. i think its part of that unreliable narrator theme weve seen in previous songs. people have different experiences with each other and get different messages due to the issue of communication. im not exactly on board with these two being together, but i do understand where people are coming from with this take.

7. [Premade Sandwiches]

this is a spoken word interlude, sped up and pitched down. there doesnt seem to be a character paired with this song, and on cd this song is simply a bonus track hidden behind cane shuga. on first listening its very difficult to catch what is being said, but over and over the speaker is talking about standing in line for various things. this song discusses mindless over consumption of drugs, of buzz words, of natural foods for your dog, watches, new clothes made to look old, the junk drawer filled with phones you dont use, with pens that dont work, with random shit you never needed just piling up. people stand in line and they dont even know why.

8. The Other Side Of Paradise

this is our main character for the other side. hes gonna be a basketball player and make it big babyeee.

so its a bit unclear and vague in the lyrics, but it seems our narrator and the basketball player used to be close friends. he even seems to be in love with the basketball player, calling him my love. but the basketball player leaves their home in new orleans to go chase his dreams out west and make it big, leaving our narrator's side. he told the narrator not to worry but after phone calls, it seems like basketball boy got a girlfriend. hes gloating to the narrator, hes got a girlfriend now, hes got a gold camaro, hes made it big, meanwhile our narrator is at the payphone hearing all this and his world turns in slow motion. no longer is the basketball player his baby blue anymore. hes moved on, hell never have another chance to love his friend. hes so angry and hurt, but he balls up his fist almost in a fight or flight reaction, and settles for the ghost of his love. hed always hoped for a paradise where they could be together but it seems like fate had other plans. he laments the basketball player for ditching them, saying here in new orleans people dont leave and ditch their lady (him). he wants to be loved and pampered by him, not her. heres where the vagueness comes back, the narrator seems to be so distraught that he rather kills himself, or finds that his body looks wrong, perhaps that hes not a girl that couldve been loved by the basketball player.

he only ever appears in the music video for season 2 ep 3 as one of the bosses [season 2 episode 3] defeats, claiming ball is life. there is a music video that was recently released for this song, however it does not depict the basketball player.

9. Take a Slice

this is our main character for take a slice, hes a bit of a slut but he makes it work :) the spoken intro to this song is the real recording the band took while talking to a male fortune teller, so the sausage candle is rather real or a lie from the fortune teller.

take a slice regales the story of a young man who finds pleasures in the sultry sexual aspects of life. hes sucking on cigarettes in a way freud would roll in his grave, hes painted his nails dark, has piercings, hes asking for another slice of cherry pie, cherries being a symbol for all things sex and lust. hes smitten with the idea of being a prize to be sought after, and after trying sex work for the first time, realizes this is the job for him. hes going to fuck his way through college, and sleep during class dreaming of you. wink. hes rolling in the dough, hes got a gold car, hes maybe dabbling in drugs too, and hes filthy and he loves it.

10. Poplar St

ms moore is the main character of poplar st, and shes a cougar, and not the good kind.

a young boy lives a typical suburban life. hes got bandaids on his knees and hes climbing trees. but one day, he sees mrs moore and mr keats have sex. immediately this drags him out of his childhood, hes such a man now that he knows what sex is. this is the first step of her grasp around him. as he gets a bit older, his mother calls her prosti-tits and looks down upon her. but the boy looks up to ms moore, despite his mothers words. mrs moore sees his desperation and pulls him into her clutches. theres a very specific voice crack when her teeth sink in deep and the note hes singing falls flat. this bit of pain expressed is highly contrasted with the chorus coming back in, the boy once again considers himself a real man, a true romantic, this is what all men dream of, isnt it? but there are dead flowers in the sand, hinting that these roses arent just romantic. the next bridge plays and interesting word switch up. it starts out with her begging him for more as she sits in her underwear, and then switches to him begging her for more in his underwear. theyve both wasted their days, but when it comes to his youth and her age, the only one wasting their childhood is him. the song concludes with mrs moore calling him up collect (so he has to pay for the phone call, not her) one day and breaking up with him. and then it all gets pulled out from under him and hes just a boy again. this tells the sad tale of how men and boys' sexual assault and grooming often is pushed to the side because they think this is how things are supposed to go, that they are supposed to have sex and to be used and abused from a woman is supposed to be an achievement. but really all it is, is abuse that leaves him feeling terrible.

11. Agnes

this is agnes :) i think it was mentioned at some point that he takes pictures of people when they arent looking, so to me, i like to think hes the one capturing everyone pictured in this album. bear witness to other humans.

the song starts out where the singer is appearing to try and comfort agnes. how did it get this bad, agnes used to just take pills and smoke a little, somethings changed perhaps. the singer notes agnes is just going through the motions every day, numb, and nervous, but hes swelling with emotion all the same. here the singer laments he wants to hold agnes like hes mine. theres a longing sadness in the lyrics. the next verse confirms the worst, while agnes was perhaps a genius when it came to the romantic, he was a deeply depressed and lonely person. he started to rely on the drugs and the alcohol he used to use recreationally, just to live a normal life. and he ultimately commited suicide. the singer wonders where the agnes he used to know went. however the singer reconsiders, and accepts that agnes did his best, life must feel so unbearably long when its soaked in sadness, living a false life filled with depression. so it goes, the singer thinks, but cant help but to feel lost. the only thing he can think of is agnes, perhaps considering all the art agnes made, all the photos he took of other people, perhaps just thinking about his friend in any aspect. grief is funny like that. on the vinyl record, this song's last seconds repeat over and over until you stop the machine from playing, like a lingering memory you cant stop thinking about.

the agnes music video is much different than the others, as it focuses on the singer, dave bayley as he sits in a centrifuge and attempts to sing the song. this causes a very physical reaction and he struggles to even lift his hand, by the end of it hes sweating profusely and unable to catch his breath, but he persists and continues singing. he mentions this was a mere fraction of what someone going through depression could feel like. during the music video as well, he appears to be looking across from a mannequin, perhaps the stand in for himself once hes put himself in agnes' shoes.

thanks for reading if you did i love being insane. all of these are my personal thoughts on the album, and might not exactly match up with your interpretation, but i have tried to keep to what we believe is what glass animals had in mind for the album and these characters.

#glass animals #how to be a human being #htbahb

380 notes · View notes

wen-kexing-apologist · 4 months

Note

Top 5 BL KISSES of 2023!

You’re so cool! Love you! 😘

💋

Love this question, but I tend to be really really in love with the like smaller kisses in shows some times cause of the #tenderness and #domesticity, but since there are so many good kisses and you think I'm cool, I'll give you 5 big and 5 small kisses 😘

5 Big Kisses

The Ultimate Winner- Yai and Jom, I Feel You Linger in the Air, Ep 7

What a phenomenal way to break the tension. Bright and Nonkul cycled through so many emotions in this entire scene fleeing the party, and I remember how well done this kiss was not only for the kiss itself but because everyone I knew was tense as hell seeing these boys kissing out in the open where anyone might see them.

Ray and Sand, Only Friends, Ep 2

Again, love or hate Only Friends does not matter to me, but I was absolutely obsessed with this kiss for quite awhile because I love the visual metaphor of things heating up between Sand and Ray by having smoke pour out of their mouths around the kiss. Like they were literally smoking hot, and I thought that was cool as fuck.

Yamato and Kakeru, I Can't Reach You, Ep 8

So many chances to lock lips, so many interruptions, and finally, fucking FINALLY that curtain came around both of them and the possible interruptions didn't matter any more. If you are going to save any kissing until the very last episode, this is how it should be done.

Lom and Nuea, Wedding Plan, Ep 6

I'm just going to leave this here. I really loved their sex scene in this episode. The Me Mind Y boys have some killer sex scene game.

King and Uea, Bed Friend, Ep. 9

gif by @gunsatthaphan

There are a near infinite number of KingUea kisses that I love with my entire being, but I think what takes the cake for me with this kiss in the bathroom in Episode 9 is the teasing, begging, and nuzzling. Like it just feels so familiar, domestic, and still full of desire and I appreciate that these boys getting together did not decrease their sex drive over time like a lot of BLs tend to do.

5 Small Kisses

King and Uea, Bed Friend, Ep. 4, 6, & 9

gif by @gunsatthaphan

I love boys that simp for their boyfriends, and though King and Uea are not officially boyfriends yet, these little moments, the little kisses and stuff really make King's interest in Uea feel real, and it's cute as fuck. I also love that Uea mirrors this kiss near the end of the show.

I also love the forehead kiss that Uea gives King during the pet play scene in Episode 6. I don't know why but it just feels almost sacred in a way, similarly to the Ep 4 kiss, the smaller quick kisses feel like something beyond just a casual hook up or friends with benefits situation. Now, we should know King has been interested in Uea for year, but he really starts leaning in to that around the time that I'm pretty sure Uea's feelings for King really start to solidify, and coming out of that pet play scene, these two are ready to be boyfriends. So I just love that little moment

And Ep 9 I love the forehead kiss that King plants on Uea after his stepfather is arrested. I just love Uea resting his head on King's shoulder, and King running his thumb across Uea's knee to comfort him, it feels domestic.

Han Baram and Im Han Tae, Sing My Crush, Ep.

gif by @wanderlust-in-my-soul

IM HAN TAE DOES NOT EVEN REALIZE THAT HE HAS ROMANTIC FEELINGS FOR HAN BARAM HERE. IM HAN TAE IS FULLY JUST ACCIDENTALLY TORTURING THIS POOR, SAD GAY BOY! But I love this kiss so much, it's so sweet, it's so much fun, and you know what Han Baram deserves little kisses like this.

Phaya and Tharn, The Sign, Ep. 3

gif by @crispywizardtale

These two are so obsessed with each other it's disgusting. It's also the first real kiss they've had in 5 episodes and I found it very fun and sweet. Phaya said "oh you seem to be struggling to actually tell me you like me, let's kiss about it" and honestly, love that for him.

Tinn and Charn, Laws of Attraction, Ep 7

gif by @spicyvampire

Okay so this is technically not a kiss, but it is one of my favorite TinnCharn moments so I am counting it. Thank you for older gays, and also thank you for having fun and being playful with each other after sex. I love when people do stupid shit like this, and Tinn is just the biggest loser and he deserves to bite Charn as a little treat.

Shin Ki Tae and Lee Wan, Our Dating Sim, Ep 6

gif by @hanjiwoos

THE GIGGLES

THE GIGGLES HE GIGGLED

This scene was so sweet and I really really need to rewatch this show.

ASK ME MY TOP 5 OF ANYTHING BL 2023

#best of bl 2023 #ask game #i feel you linger in the air #ifylita #only friends the series #i can't reach you #wedding plan the series #bed friend #sing my crush #the sign the series #laws of attraction #our dating sim

148 notes · View notes

upslapmeal · 5 months

Text

Notes from the Taskmaster 16x10 recording

The last two episode recordings I went to, I meant to make comprehensive notes when I got home afterwards that I would be able to look back at and post when the episode aired. I did not, in fact, end up doing that. So this time I was determined to have lots of notes, and made them on the go in the breaks in recording. However. They were made in a rush and I never went back through them to pad them out (you'd really think I would have learned by now). So instead of just having to rely on my memory, I ended up with an almost coded list of words and phrases that it's taken me pretty much 2 weeks to sit down and decipher lol. So with that said:

the pre-episode Greg-Alex entertainment was Greg getting Alex to sing a song about a recent news story to the tune of a song suggested by the audience - in this case it was Trump's lawsuit (the one in May 2023 since there are...a few) to the tune of Wuthering Heights

Alex really went for the whole live thing, and was constantly referring to it throughout the episode

when the contestants came onstage, I obviously first saw Sam in his bright colours and blond hair

we were right on the back balcony and my first impression from that distance was that he kinda looked like Jamie Laing lol

Greg made a passing comment about how he's been dressing in grey but I was completely taken by surprise when the vt rolled and he looked completely different!

I had assumed he'd actually buzzed his hair and didn't realise it was a wig until the ep aired

Sue made comments throughout the episode about how Sam looked like Dahmer

Lucy's prize task story, unsurprisingly, went on for ages and included a whole story about the holiday they went on that I tragically cannot remember

I was so glad they didn't cut 'untaffled' because I looked through my notes before again before watching the episode and couldn't for the life of me remember what she'd said

Greg's said that his immediate response to naked Alex in the prize task was that he was 'smooth like an eel'

After Julian's prize task there was a discussion about how people wanted to be buried, and at one point (I wish I could remember the conversation leading up to this) either Greg or Alex said they would be buried 'together forever in the Victoria monument'

There was a whole long debate about whether Sam intended to use nature as part of his doughnut task, and whether the bird toppling Ms Doughnut to her death should be counted

Greg told Sam to 'convince me to give you 3 points'

Sam went on talking about how amazing nature is and how we're all connected and at one point said 'consider the statistics.....3000' (I'm 99% sure this is what he said and I didn't just forget the rest of the quote)

Julian's exercise name was absolutely not a one-off, to the point they started running a 'cunt count' for the episode

Sue talked about how she had recently had an ADHD diagnosis, and that she kept viewing tasks holistically rather than paying attention to the details. This was specifically in relation to the exercise where she just did the same thing 4 times

I'm not sure if we saw the full extended version of Hotel Taskmaster, but we definitely saw a cut that included more than the aired version (though tbh I think they do that for most tasks and I just noticed this one bc we got the extended version)

We got an 'I put it to you' from Greg that Alex-as-Qrs looked genuinely cool

Lucy described Alex as having 'tight metallic buns' which Greg later referred to as his 'robot arse'

I cannot stress how much of a breakdown Susan had in the studio about the forks and marbles - you get a glimpse in the episode but that was nothing!

Susan also took AGES to do her throw in the live task - she kept on being about to throw before being interrupted, or saying her arms were too short, or that she needed a wee, or having a fit of giggles, and the longer it went the worse it got lol

Greg and Alex also had a go at it, and Sue wanted another go without the pressure. Greg and Sue got the ball in but Alex didn't

Don't ask me to remember the context, but at one point during the record, Greg told a story about someone he knew (whose name he said he would tell the others backstage) who would have sex in a cow mask and would demand 'LOOK AT ME!!!'. Anyway that was referred back to a few times in the ep

When Sam was given the trophy he just stood near-motionless with it for what felt like ages before we got to the hugs and everything

And now we enter the magical world of ~what on earth was this note referring to~ where I just hope someone else who was there (@politicalprocrastinator how's your memory?) sees this and can fill me in on what I've forgotten:

At some point around the prize / first task I wrote 'correct dog guess'. Whose dog? What was being guessed? Absolutely no idea

At some point there was a joke about the 'former Prime Minister', I think the idea being that by the time the episode aired we'd inevitably have a new PM? but I honestly can't remember

Someone called someone else submissive in a way notable enough for me to have written 'submissive' as a one-word bullet point, but not notable enough for me to actually remember

And now three bullet points which I will present in their original form:

Birthday

Bum hole in back

Get in bath

#posted on reddit so I thought I'd put it here too #taskmaster #ramblings

175 notes · View notes

slavghoul · 1 year

Text

Interview from Rock Hard [FR] Magazine 5/2023

In which Tobias talks about Spillways, Phantomime, how he chooses what songs to cover, the state of the world, why he loves churches, and some touring technicalities.

Rock Hard: Let's go back to the version of "Spillways" that you recorded with Joe Elliott, the singer of Def Leppard. How did this collaboration come about?

Unfortunately, this story is less sexy than it would have been if I could have done exactly what I wanted. Before Impera was released, I regularly mentioned Def Leppard in interviews because some of the experimentation on that album was inspired by that band, their writing style. […] As I often mentioned Def Leppard, people around me eventually told me that Joe Elliott and Phil Collen regularly spoke highly of Ghost in interviews. Since I obviously thought it was cool, someone suggested a collaboration. A good collaboration shouldn't be forced, it should happen naturally. The best ones are often the ones that weren't supposed to happen. Two drunk musicians somewhere accidentally writing a good song... Crosby, Stills & Nash style. People who, by chance, find themselves together in a different context from the one they are used to and do something together, by accident. Something magical! That's how I would ideally have wanted it to happen. So I said I was ready to call Joe Elliott and see if we had a rapport. We started talking on the phone and texting a lot, me living in Sweden and him in Dublin. As we were both on the move almost all the time, and he was on tour, we couldn't meet. Suddenly, out of nowhere, he tells me that he has recorded some vocals for 'Spillways'! Quite frankly, I was surprised because I wasn't expecting it. I was anticipating a possible collaboration, but in a different way. To be honest, I thought we would create something new later on. But when I heard the result, I thought two things. Firstly, I found it very flattering. Secondly, I thought Joe brought something new and cool to "Spillways".

But you would have preferred to have the opportunity to write a new song with him.

Yes, that's the way I saw it, but I'm happy with the way it turned out. And then I said to Joe, "You know how we post those funny little episodes on our social media?" He replied "Yes, I think I saw that!" and kindly agreed to participate in one of them. Nowadays, many artists are over-solicited to record video clips for anything and everything in order to keep their channels updated: "Come and see us in concert in such and such a city!", etc. etc. The aim is obviously to keep the media space occupied.

By creating "content"!

Exactly! And that's exactly what I don't want to do. That's why, instead of all this crap, we started some time ago to create these little humorous episodes. One day, for example, I came up with the idea of an episode set in 1969 featuring a sort of "pre-Ghost" group. To do this, I obviously had to write a new song, which I did with this psychedelic track, 'Kiss The Go-Goat', which I thought was funny. When we recorded it, 'Mary On A Cross', another song of the same type, came along. So we ended up with two sides of a single that became 'Seven Inches Of Satanic Panic.’ Instead of just announcing the release on our networks, we chose to shoot a new video in which we featured Papa Nihil and explained the origins of this so-called 'pre-Ghost' band. I thought it was a much more clever and fun way of presenting the single. We do the same when it comes to announcing an album release or a future tour. Joe Elliott has a great sense of humour and is capable of self-mockery, so he kindly agreed to play this little game.

Ghost have made a habit of releasing an EP between their albums, mostly, if not entirely, made up of covers: If You Have Ghost (2013), Popestar (2016) and now Phantomime. How is it not just about “creating content”?

For me, it's a kind of exercise. I like analogies. Let's imagine that the place we are in is a theatre, and that this theatre, in order to be viable, has to host performances all year round. At least fifty weeks a year. Daytime rehearsals, evening performances... You are the director of the place and you know that the play that is currently being performed there will end at the end of the month. So you look for something else to program in order to make the most of the place and keep your staff busy. Maybe an old classic like Doctor Glass (Hjalmar Söderberg, 1905), an adaptation of John Steinbeck, or a rereading of Shakespeare's Hamlet that you could revisit by inviting this actor or that director, renting out your theatre for three extra months for the occasion. Working on this old material, even if it means not releasing it if it doesn't work. We do that to keep the team active, enthusiastic, focused. That's my way of working. I worked simultaneously on the Impera album and the demos of the covers that are on Phantomime. One day I could record 'Spillways' and two hours before leaving the studio to go home, I could look at any of the covers and decide which ones to keep. So, as soon as Impera was finished, I was able to concentrate on those covers that the album's producer wasn't interested in putting on the record. Which was fine with me. I spent some time sorting out the covers I had recorded as demos. There were ten in total, but I only kept five. Because with those five tracks I thought I could come up with a really strong rock EP. In my albums, there are highs, lows, really metal tracks, ballads, instrumentals, etc. So I thought it was a good idea to make a really strong rock EP. I felt it would be cool if this new EP was viscerally rock’n’roll. The opening track, "See No Evil" by Television, sounds like the Rolling Stones on methamphetamine! (laughs)

You like the songs you cover, that's a prerequisite. But their lyrics also play a very important role in your choice.

Yes, that's what makes me choose a song or not.

Is that the number one criterion?

Erm... (he thinks for a long time) If I hesitate between two songs, yes, absolutely! Let's go back to Leonard Cohen, for example. For the bonus tracks of Prequelle, I chose "Avalanche" because it seemed to me to have a biblical and existential significance. This was not the case with 'Take This Waltz', another Cohen song that I liked as much, if not more. The latter, with its Viennese waltz feel, would have metaphorically taken us to Austria, which would not have been very coherent, unfortunately.

Should these covers speak about God, the Devil, ask questions about religion?

They must speak about evil, about good. Be existential, biblical, philosophical, but seen from a certain perspective. Or at least tick one of those boxes, like 'Hanging Around' (The Stranglers) which is about Christ. Some of the other covers I've recorded are more specific, such as 'Phantom Of The Opera' (Iron Maiden), which is about horror. I also make my choice according to the humour of the songs I want to cover. It should be close to my own sense of humour.

You mentioned the first Phantomime cover, "See No Evil". It takes on a different resonance today because, on January 28, 2023, we sadly learned of the death of Tom Verlaine, the leader of Television.

When I recorded this cover in 2021, just after completing Impera, it was already a tribute. But obviously, with Tom's death, this song takes on another resonance, that of a final posthumous salute. I've been listening to Television for twenty years, and I love them and have always considered them a great band. In indie clubs they always play the same song, 'Marquee Moon', but Television had many other good songs, especially on their first two albums: Marquee Moon (1977) and Adventure (1978). I like those two best. It's a band that had a huge influence on one of my previous bands, Subvision. So much so that at the time, I thought several times of covering Television songs that I loved: "See No Evil", but also "Elevation" and "Foxhole".

The first single from Phantomime is Genesis' 'Jesus He Knows Me', a scathing critique of televangelist stars like Jimmy Swaggart, Jim Bakker and Robert Tilton. Ugly people who have made their fortune by 'promising salvation’ to naive believers for big bucks. Can we expect to see you wearing a wig in its video, as singer/drummer Phil Collins did in the original video for this song in 1991?

(Laughs) We've already shot the video for this cover version (editor’s note: the interview was conducted on 11 March 2023) and I'm not in it, but it's a direct nod to the original video. I've always liked this song - except for the reggae part, which I thought was horrible in the Genesis version and which I reworked - and it's funny to see how this 1991 text is still relevant today. Except, of course, for a few "old-time" words, like "phone book". The televangelists are still there on television promising things to people who take their word for it and shower them with money because they are assured of "salvation", they are promised heaven. I also rearranged Iron Maiden's 'Phantom of The Opera' after taking care to contact Steve Harris for his approval.

Indeed, in your retelling of this song, you are the Phantom and not its victim...

Yes, I wanted to be the Phantom. I submitted the idea to Steve, who gave me the green light. I only made some surgical changes. Similarly, I would have liked to have proposed the same thing to Phil Collins so that the text of "Jesus He Knows Me" would have been more in line with the times. Change, for example, "but she don't know about my girlfriend / or the man I met last night" to "or the dude I screwed last night". Alas, lack of time prevented me from doing so. And then, since this was a slippery slope, I thought: - What if Collins refuses? Or what if he gets pissed off? - We could have made these changes without asking anyone's permission - as long as the artists get their royalties, it's not a problem - but there was no way I was going to do it. Neither I nor my label wanted to alienate anyone, obviously.

In 1977, in "Hanging Around" by The Stranglers, which you also cover on Phantomime, the singer Hugh Cornwell sings about several things, but also about Christ "telling his mother not to worry because he's comfortable in the city where he's high above the ground". Is that why you chose it?

Actually, the key thing that made me choose this song from the band over any other is that I grew up listening to the album it's taken from, Rattus Norvegicus (1977), the Stranglers' first release. There are a lot of songs on that album that I would have loved to play because, as a musician, I really like to play those kinds of songs. ‘Hanging Around' was a good fit for us because of the lyrics, but also because it was more in keeping with our style. Ghost are obviously a metal and hard rock band, but also have a strong punk sensibility. Punk, but well played (smiles). For me, The Stranglers have always done "well played punk": this band knows how to play, how to arrange its music, unlike GBH and Discharge, to name but two. Mind you, I also like the latter, but not for the same reasons. A lot of punk bands from the late 70s/early 80s sounded "sloppy". It wasn't for lack of trying to play better. When The Clash and The Jam went into the studio, they tried to do their best and they sounded great! The same goes for The Adverts. Those guys were doing their best. Nowadays, some people think that being a punk is to play badly on purpose, to be messy. No, no, no ! But I digress...

What is the reason for the nod to Metallica's 'Fade To Black' in the solo on 'Hanging Around'?

Just for fun. When I'm working on a guitar solo, I throw things in here and there, like a messy painter. It's like stretching a canvas on a wall and making big brush strokes... But when I start to feel like I've got something cool, I dig in more surgically, a bit like a collage artist would. I interweave little elements, and when it comes time to insert a solo into a piece, I refine things by continuing to add new elements. Generally, a solo gives you a space of freedom in the middle of an otherwise totally structured song. That's when you can come up with different things in terms of melody. So that's the way I do it, even on the demos of the covers. I ask my sound engineer, Martin Eriksson Sandmark, to play me the draft of the solos I've been working on over and over again, and then I try out different things, whatever comes to mind. It's as if I'm drawing a mental map of what the solo will become. Sometimes, if I'm on a part sometimes, if I'm on a bluesy part, I'll let myself play a few notes of Gary Moore’s "Still Got The Blues", or, if I'm tapping, Van Halen's "Eruption". When I was working on the solo for 'Hanging Around', I felt like playing this part of Metallica's 'Fade To Black', just for fun. And it ended up on the demo. I'm a decent guitar player, but I'm not at the level I could have reached if I'd worked harder. I could just record these solos in the studio, where you can always slow things down when you play them and then speed them up and put them on the album, but Fredrik Akesson can play these parts without tricks and with much more finesse than I can. He recorded the solo for "Hanging Around" as I had presented it on the demo, with this nod to Metallica, and we thought it was so cool that we kept it.

Hugh Cornwell, the ex-singer of The Stranglers, said in an interview that, although he was not a believer, he loved visiting churches. Is this also true for you? Are you also attracted to churches?

Yes, passionately! I believe in them like I believe in Star Wars. I've always thought of churches as stage props. Walking into one of them is a bit like walking onto a film set of the original Indiana Jones And The Temple Of Doom. It's awe-inspiring, even though you know it's just cardboard. Churches have magical powers because they are centuries-old buildings and we know that a lot of things have happened within their walls. Not that I'm trying to throw up on these places of worship, but when I go into a church I don't hear God, but the whispers of time. I am not an atheist, although intellectually I can see that there are many reasons why I should be. I believe in a Force, in an Energy. I also believe that we don't know many things, but that there is a balance between these different energies. The white and the black.

Good and Evil...

Absolutely! Right now the world is in crisis, but we're going to get through it. It's a vicious circle. We do ourselves a disservice if we think that if the world were rid of people like Vladimir Putin, Alexander Lukashenko, Jair Bolsonaro and the ayatollahs of Iran and Iraq, we would be out of the woods. I think all this can happen - and I hope it will, in a way - but Good and Evil will always be there. That balance is necessary. But I am an optimist by nature. I believe that there is a future for Volodymyr Zelensky and the Eastern bloc. That there is perhaps a chance to put into practice what was tried there some thirty years ago. And I believe in a free Iran, in a possible return to what this country was in 1978. What a beautiful day that would be! But that doesn't mean there wouldn't be a new war somewhere else in the world. I'm an eternal optimist, but let's face it: history is always starting over. As I said, it's a question of balance, a permanent coming and going. Because I believe in this Force I was talking about earlier, I truly believe that the West can win, that the way we live and the way we have built our society is a step forward that shows progress and can make a large majority of people happy. Not all, but most. But even if we all lived in love and peace for five years, something else would come along to create chaos! An alien or something! (laughs) That's how it works. Our mistake is to believe in the status quo, in nirvana. It's not going to happen. It's always about balance. The Vatican and organised religion... All that crap is just to pick people's pockets, to control them, to take their energy and scare them into plundering them. The same goes for the GOP (editor’s note: the American "Grand Old Party", suspected of having Christian nationalist leanings), which only deceives people in order to take their money! That's all you need to know. It's simple, so simple to understand. All this does not mean that the energy that emanates from churches is not real. When you walk into one of them, you feel - or so I believe - the energy of all those who have gone before you, for decades, for centuries. Their fears, their hopes, etc. So much so, sometimes, that you can feel oppressed, even upset. So I can walk into a church and feel a sense of awe. I love visiting these places, especially from an aesthetic point of view.

On Phantomime, you also cover "We Don't Need Another Hero" by Tina Turner. Don't you think that, given the state of the world today, we do need "another hero"?

I think Zelensky has shown how much we like heroes, how important they are to us. I think back, for example, to how the world went wild when Andrés Iniesta scored the decisive goal in the 116th minute to help Spain win the 2010 World Cup against the Netherlands. I believe in human determination and how it can inspire the world to distinguish between what is important... and what is really important. What is important for our daily lives. Yes, it's cool to have a complete collection of Venom's work, but it doesn't matter if I’m missing the most important thing. In the last ten years especially, the western world has been focusing on tons of unimportant things trying to pit people against each other, cancel culture and all that stuff... It proves that we are spoiled children. Our mentality shows it when it comes to security. Seeing Zelensky defend himself as he does appeals to our most primal instincts: it's beautiful and very inspiring. Nothing else is more important than that. It is the only thing that matters... Otherwise we have to be prepared for a lot of people to live in misery.

Next August, you will tour in the USA with Amon Amarth. I noticed that they will not accompany you on the last date, in Los Angeles, on September 11, 2023. There is no opening act, you ask the audience not to use their phones, etc. That sounds like a live DVD!

Yes, we are indeed planning to film this show, but it won't be the end of the Impera era cycle, even if we will not have so many dates left after this concert. There will still be a few shows in South America and Australia.

Nothing in Japan? A country that one might think Ghost was made for.

At the moment, it's not very clear. We had a lot of discussions with the Japanese promoters, as there was talk of us appearing on the bill of a Japanese festival scheduled for this month. Unfortunately, the festival was postponed... and then rescheduled for March! I think they originally had a big headliner, but the headliner didn't show up. So they cancelled, and then considered a smaller edition with Pantera. With all the back and forth, we ended up dropping out because it was too risky for us to play one date there after six months of inactivity. Our team is currently taking a break, but we preferred to use this time to rehearse for our next shows. The first one will be in Rouen on May 21st. We learned a good lesson the last time we played Hellfest. It was so hot that day, the conditions were so extreme, that we almost had a storm. We really had to fight against the elements and it affected me (Editor's note: the last encore of the show was not played, as Tobias was suffering from vocal problems). It was a very tough show. What really pissed me off was not the fact that I lost my voice, but the fact that the festival-goers who were there were not treated to our entire production. It was indeed difficult to foresee these extreme conditions. This summer we have to play festivals again, so we have reworked our production, which will be better adapted to the complicated weather. On this tour we will play in Spain, Finland, Norway, Greece, all within a few days of each other. So we'll be touring with two identical stages, so we can do all these shows without too much downtime. It's not very ecological, I'm sorry to say, because sometimes we'll have to take a plane to get to these cities in time. Not great, but it's the only way...

Will you play any of the Phantomime covers live?

One thing is for sure: we will play 'Jesus He Knows Me' because it's the first single from the new EP. As for the rest, we'll see during the rehearsals how the set evolves - because it's going to evolve a bit from the 2022 set. We're thinking of playing some songs from Impera that we've left out so far.

#the band ghost #tobias forge #interview

448 notes · View notes

sword-dad-fukuzawa · 1 year

Text

I just think that the metatextual horror of Roberto’s existence as a character is one of the cool spicy things that can only exist bc tristamp is a reboot. lemme explain

he spends the whole anime not wanting to die and yet following his stupid kohai into mess after mess. he’s an investigative reporter who’s lived pretty long, he’s got good danger sense, but Meryl asks--begs, really--and so he goes. and so he dies. sure he's been toting the old mentor standard death flag from the beginning, and sure meryl dragging him into danger zone after danger zone is what killed him, but i can't shake the nagging feeling that there's another force at work here that is almost palpable from ep 1 if you’ve already watched trigun.

Roberto is textbook “doomed by the narrative” because this story has played out before!! and he was never in it!! the universe corrects itself to account for an unknown!! there’s no room in trigun for Roberto and so he’s always been meant to die. there’s no ending where Roberto survives if the story is to stay the course and that makes me feel like eating drywall.

it doesn’t matter how much fault lies with Meryl because Roberto was never going to make it to the finish line!! she is Derringer Meryl, she starts trigun as derringer meryl and so someone had to make her into that. women named derringer meryl do not spring fully formed out of space westerns okay, something had to give. and from ep1 of stampede that role fell to roberto. his role in the narrative is to be the vehicle for meryl's metamorphosis.

this is absolutely incoherent but Roberto being an anomaly in the universe of trigun is so. hnrgh. he’s a glitch. he’s lucky he’s lived as long as he has. And I think part of the reason he’s so “we should run” for the whole anime is because he knows that, on some level, he's living on borrowed time.

meeting vash near jeonora rock started the clock. or even further back--when he was assigned meryl stryfe as his apprentice. that was the point of no return, because meryl has a place in this story, meryl has always had a place, and roberto never did, not for long.

#trigun stampede #meryl stryfe #roberto trigun #trigun meta #trigun #it genuinely makes me so sad because as soon as he pulled out a derringer his fate was fucking sealed #doomed by the narrative that man

529 notes · View notes

ecoamerica · 21 days

Text

youtube

Watch the American Climate Leadership Awards 2024 now: https://youtu.be/bWiW4Rp8vF0?feature=shared

The American Climate Leadership Awards 2024 broadcast recording is now available on ecoAmerica's YouTube channel for viewers to be inspired by active climate leaders. Watch to find out which finalist received the $50,000 grand prize! Hosted by Vanessa Hauc and featuring Bill McKibben and Katharine Hayhoe!

5K notes · View notes

glitterslag · 6 months

Text

anthroponymy in the bear

Apologies if someone's done this already, but I've been thinking a lot about the names of the characters in The Bear, and how almost nothing in this show is accidental. It's led me to wonder whether the names chosen are also intentional and if they can tell us anything about the characters and their journeys.

Firstly, we have Michael. The name is derived from a Hebrew phrase meaning ‘who is like god’ (often posed as a question). It’s fitting in my opinion. His character certainly is a godlike presence, his influence and love felt but not seen in The Beef. As the eldest sibling, he’s presented as a leader, and Carmy and Richie worship his vision.

There’s a creation aspect with Mikey. He plays god from beyond the grave, literally breathing life into The Bear through the money he stashed in the tomato cans - we have him to thank for its establishment.

The tomatoes remind me of the bible story of the feeding of the five thousand. In this miracle, Jesus is able to feed five thousand hungry people from just a few loaves of bread and a few fish. In ep 1.08, a humble tin of tomatoes - just as much a symbol of modesty as a loaf of bread - is opened to reveal a wad of cash. From this money comes The Bear, which hopefully will go on to feed just as many hungry mouths, if not more!

Interestingly, 'michelin' is a diminutive of 'Michel', an alternate spelling of Michael. I wonder if there's a connection there? Maybe the key to The Bear earning its Michelin star will lie with Michael? A recipe of his, or a piece of advice he gave Carmy? (Sidetracking, but I just think it’s cool!)

Next, we have Carmy, who’s full name is Carmen. I’ve looked at a few sources, and there seem to be a couple of different meanings for his name. The Latin meaning comes from the word for a song or a poem. The Hebrew meaning is garden or vineyard.

‘Song or poem’ to me reflects Carmy’s creative nature, his love of cooking and drawing. ‘Vineyard’ is interesting, considering that Donna is an alcoholic, and that as far as we know, Carmy is either sober or drinks very little.

Carmen is also a gender neutral name. For me, one of the significant themes of the show is masculinity, and how different ideas of masculinity are warring with each other. To me, Mikey and to an extent Richie represent one particular masculine ideal, one that’s maybe a bit toxic. Carmy meanwhile is not painted as the stereotypical masculine guy. Richie often insults Carmy’s masculinity, jeering at his culinary training, being homophobic, making fun of his lack of experience with women.

There’s so much I could say about this dichotomy, even right down to the dishes that are associated with each character. Richie’s idea of The Beef serving ‘food of the working man’. The sandwiches - their red meat fillings. Mikey’s spaghetti, in its simplicity, its earthiness, its history as a staple food of the working class. To me, it’s a masculine, down to earth dish, very at odds with the fancier, more elegant dishes we come to associate Carmy with.

Then we have characters such as Luca and Marcus - both of whom are associated with baking. You don’t have to be a genius to know that baking is seen as a feminine art. Luca and Marcus arguably don’t fit the macho man ideal either - both of them being depicted as a lot more gentle, calm, and creative types.

Next - Sydney. It’s an Old English name, and there are a few different interpretations of it that I could find. One is ‘wide meadow’ or ‘wide water meadow’.

When Syd breezes into The Beef in ep 1, she’s literally a breath of fresh air. She’s a meadow! Her vision for what the restaurant could be, both in terms of the food served and the way the kitchen could be run (i.e. mutual respect, a smooth chain of command, no psycho bosses) is an idealistic vision, a utopia, a garden of Eden type image.

This brings me to the link with Carmy’s name:

Remember how one of the meanings of Carm’s name was garden? In my opinion, this similarity only reinforces the writer's intentions for us to see Syd and Carmy as kindred spirits. Gardens, meadows… both peaceful, calm, beautiful places. To me, it tells us they’re each other’s peace. It also tells us if they learn how to work together, they can create that ideal vision for the restaurant that they both crave.

Another interpretation of Syd’s name is that it means island or island dweller. This brings to mind the phrase ‘no man is an island’, which to me perfectly summarises her character’s central struggle. The phrase means that humans need each other. We need support, and we can’t do things alone. I think Sydney is shown as someone who can be prone to bottling things up, and maybe finds it difficult to ask for help and to be vulnerable. She’s not shown as having many family and friendship connections, and we see a lot of scenes where she’s alone - eating in restaurants, on the train, cooking at home. In that sense, she is a bit of an island, and I hope we see her become able to rely on others a little more in seasons to come (and hopefully Carmy gets his act together enough for her to trust him to be her support!).

Next up: Jimmy. Short for James, a derivative of the Hebrew Jacob, it means ‘supplanter’. A supplanter means someone who takes the place of something else, like a usurper. Now, in ep 2.06, Jimmy and Donna’s dynamic was a little suspect, and I think a lot of people would agree that we’re supposed to infer something was going on there, with Cicero figuratively and perhaps literally taking the place of Bear senior. My theory is that there was an affair, and that Jimmy is actually Mikey’s father. JAW and Abby Elliott look pretty alike I’d say, while John Bernthal has quite different features. Was this intentional? Who’s to say, but I think there’s definitely a case to be made for there being two different fathers. Equally, Mr Bear could be Mikey’s dad, while Jimmy could be Nat and Carm’s true father - he has their lighter hair and eyes, so who knows!!

In Genesis, Jacob supplants his twin brother by buying his birthright. In the show, Jimmy attempts to buy the restaurant, which of course once belonged to Carmy’s dad. Although the show doesn’t give us the full story of the pair, we gather that Jimmy and Bear Sr. were old friends who were almost more like brothers, until a feud ruined their relationship. Interesting for sure!

Next is Tina. Short for Christina, which means ‘follower of Christ’. Her last name, Marrero, is interesting. Deriving from Spanish, it means stone-breaker or hammer, reflecting her strength of character. She’s a single mother, an immigrant, and has been working in male-dominated kitchens with all these shitty, angry men for years. As far as we know, she was the only woman at The Beef pre-Syd. She dealt with Mikey and Richie’s shit for years. You’d have to be pretty fucking tough.

On the other hand, T is so warm and kind underneath it all and seems able to penetrate through the other character’s exteriors relatively easily - Richie, Carmy, Ebra, Syd. They can all be pretty grumpy, but they all have SUCH a soft spot for Tina and only Tina. She’s the stone breaker to their stony surface! 💖🥰💖🥰

Okay those are the main ones I wanted to talk about, but here’s a few more in brief:

Richie: short for Richard, which means strong or brave ruler/leader. In the final episode, we see Richie leading expo and doing a great job. He’s finally living up to his name - literally finding his purpose.

Donna: means lady in Italian. Madonna, or ‘my lady’ is another name for Mary, Jesus’ mother. The ‘mother of victory’ referenced in the prayer that Carm, Nat and Richie say before the soft open is the same Mary. Whilst Donna definitely doesn’t share many characteristics with Mary, I think the comparison is useful in showing the bear kids’ conflicting view of their mother. They of course still love her and crave her love and her blessing for the restaurant in return.

Natalie: means ‘birth of the lord’, literally, ‘Christmas’. There could be a connection here to the Fishes episode, which takes place on Christmas.

Pete: short for Peter, it means rock. When Jesus made the disciple Peter the first Pope, he said, ‘on this rock I build my church’. Pete is Nat’s rock and I think that’s beautiful!!!!!!

Ebra: short for Ebrahim, an alternate spelling of Abraham, which means 'father of many'. He’s a father figure for The Bear!

I know there are a couple I've left out from the main cast, one being Marcus, whose name means 'follower of Mars', the Roman god. I'm still figuring out whether there's a significance there - I'm sure there could be. Maybe I'll do a part two with the rest of the characters!

Anyways I just think it's neat how fitting a lot of the names are... and I really don't think a lot of them were accidental!

Pls feel free to add on and/or correct me if I got anything wrong!

#yeah i'm riddled with catholic guilt for all eternity but at least i can make the bear meta #the bear #the bear meta #sydcarmy #(tagging sydcarmy cause i know the sydcarmy army love the meta)#sydney adamu #carmy berzatto #the bear hulu #the bear fx #jeremy allen white

139 notes · View notes