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#heroism villainous prompts
thermitetermite · 2 years
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Snippet #6
CW: Murder mention
"I may be cruel, conniving, and down right despicable but you have committed the most atrocious act I have ever laid eyes on."
"Dude, I just poured the milk before the cereal. You literally kill people on the daily."
"And yet I'm still more redeemable than you."
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enchantingepics · 1 month
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Story Prompt 109
Through the maze of deceit, this figure moved with purpose, a smile eternally etched on their face. They were the epitome of resilience, a beacon of morality in a world cloaked in darkness.
One day, as they navigated the city streets, they encountered a group of individuals shrouded in shadows. "Join us," one of them hissed, their voice dripping with malice. "With your strength, we could rule this city together."
The figure merely chuckled, their smile unwavering. "I'm afraid my allegiance lies elsewhere," they replied, their tone calm yet resolute.
The group scoffed, their eyes gleaming with mischief. "You're a fool to reject us," another sneered. "We could offer you power beyond your wildest dreams."
"But at what cost?" the figure countered, their voice firm. "I may be strong, but I'll never sacrifice my morality for power."
With that, they turned and walked away, leaving the group of shadows seething in frustration.
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thepenultimateword · 3 months
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Prompt #259
"Aren't you a little mean for a hero?"
The hero's already furrowed expression contorted into an outright threat. "Oh, go jump of building."
Villain flinched back a step. "See, that's what I'm talking about, heroes shouldn't--"
"What?" Hero interrupted, sizing Villain up. "Go ahead, say it. Criticize me because I don't fit your personal perceptions of heroism." Villain had been feeling pretty good about where they stood against this hero but suddenly they felt small and pathetic under their glare. "How many crimes have I stopped? How many people have I saved? How many villains have ensured never harm a hair on anyone's head again? Did I do any of that by being nice? By sashaying around in my cape and flirting with villains?"
Villain bumped the wall behind them, and Hero slammed a fist above their head.
"You think I should bantering with you?" Hero said. "Exchanging kisses for info?"
"W-well..." Villain swallowed helplessly.
"Every choice I make is because I care about this city. And they don't need to like me for me to do my job." Hero's hand slid down the wall, brushing against the ends of Villain's hair. For a horrifying moment Villain thought they were going to grab it in a fistful, but then they shoved off the stone and swaggered a couple steps back, regarding Villain under half-lowered lids like they were looking at a bug. "And if I already know the civilians I protect don't like me, why in the world should I care about you?"
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doumadono · 3 months
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Synopsis: Dabi hates his birthday dearly, but you surprise him with a small gift and heartfelt words that chip away at his guard significantly
A/N: the prompt was "Thank you for being born" This one-shot serves as the kickoff to my little Dabi's birthday event. I won't deny shedding a tear or two while writing it (there's something about making wishes that gets me emotional) Here's the link to the song I listened to while crafting this piece💜
MY HERO ACADEMIA MASTERLIST DABI'S BIRTHDAY EVENT
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The scent of cigarettes hung in the air as Dabi reclined on a worn-out couch, brooding in silence. The glow of the television screen flickered in the dimly lit common room as Dabi absentmindedly watched the news.
Another day, another hero thwarting villains, this time at one of Musutafu's bustling shopping malls. As the headlines praised the courageous actions of the hero, a bitter taste lingered in Dabi's mouth.
"Fucking pathetic," he growled lowly, taking a drag of his cigarette. A bitter smirk tugged at the corners of his lips as he contemplated the irony. The world hailed heroes on the day he considered his own personal tragedy. The day he was born, the 18th of January.
The news anchor spoke with enthusiasm about the hero's bravery, the citizens cheering in gratitude for another villain thwarted.
Yet Dabi's thoughts, like wisps of smoke, curled around the unwelcome memories of his past. He traced the scars on his face absentmindedly, a reminder of a past he wished he could erase. The reflection in the TV showed a man haunted by his own existence, a shadow dancing on the edges of society.
Dabi couldn't shake the bitter truth that clung to him like a shadow. He hadn't chosen this life; it was thrust upon him by his father's sick ambitions. His birthday wasn't a cause for celebration; it was a stark reminder of his origin, of a life marred by pain and betrayal.
It didn't become any easier when he revealed himself as the son of the number one hero, Endeavor. The revelation didn't alter a single thing, but at least his obnoxious father was aware. Aware that his failed creation was still alive and somehow thriving on a path fueled by vengeance.
As the news continued, highlighting the hero's accomplishments, a bitterness swelled within Dabi. The contrast between his life and the celebrated hero's achievements became painfully apparent. The hero on the screen stood tall, celebrated by a society that Dabi saw as inherently flawed. He couldn't help but feel a surge of resentment, not towards the hero, but towards the world that applauded those who fit neatly into its definition of heroism.
The door to the common room creaked open, and you stepped inside, holding a neatly wrapped package adorned with shiny paper and a ribbon.
Dabi slowly raised his gaze, his turquoise eyes meeting yours. A skeptical eyebrow arched as he observed the item you held in your hands. "Don't tell me it's what I think it is," he remarked, his tone laced with a hint of sourness.
You approached, taking a seat beside him, the small package cradled in your hands. "Well, you'll never know unless you open it," you teased.
Dabi scoffed, "You and your surprises."
Undeterred, you extended the gift toward him. "Happy birthday, Touya. I hope you like it."
Dabi sighed, his skepticism evident as he began to peel away the shiny paper and loosen the ribbon. The room was filled with the soft rustle of wrapping paper, and he shot you a sidelong glance, an unspoken question in his gaze.
Inside the wrapping was a tiny box. Dabi hesitated for a moment, eyeing the box as if it held secrets he wasn't sure he wanted to uncover. Eventually, he cracked it open, revealing a silver necklace with a delicate flame charm.
"It's a flame," you explained, your voice soft. "I thought it suited you, taking your quirk."
Dabi lifted the necklace, examining the intricate details of the charm. His expression remained guarded, but there was a hint of something beneath the surface – a mixture of surprise and skepticism. "A flame, huh?" he muttered, more to himself than to you.
"Yeah," you affirmed. "A symbol of your strength and intensity."
He gave you a skeptical glance, his turquoise eyes narrowing slightly. "You put way too much thought into this. My quirk's a real fucking gem – kills me a bit every damn time I unleash it."
You bowed your head, realizing you had never viewed his quirk in that manner. To you, it wasn't just about his ability - it embodied an immense determination and unmatched dedication, even if the cause wasn't particularly flattering.
Dabi continued to study the necklace, his fingers tracing the delicate flame. There was a brief pause before he finally spoke, his voice low and gruff. "It's not bad, I guess."
You smiled, a small victory in breaking through his usual stoicism. "Glad you think so. Happy birthday, once again. And... There's actually one more thing I'd like to tell you... May I?"
Dabi regarded you with a notably impassive expression on his face, nodding.
You reached out and gently took Dabi's hand in yours.
His forehead creased into a frown, a silent question etched on his face.
"I know you've been dealing with a lot of crap," you began slowly, your voice sincere and heartfelt. "I don't fully understand, and most likely I never will. But ever since I joined the League, you were the only one who's been patient with me. Through all my failures, you saw some potential within me. You've always offered advice or just a listening ear whenever I felt like shit and wanted to cry it all out." You let out an exasperated sigh, wiping a single tear from your eyelashes. "Oh God, why am I even getting emotional? This isn't about me."
Dabi's frown deepened, his gaze steady on your flushed face as you continued, "Okay, so I basically just want to tell you that, to me, you were never a bad person, nor evil. I love you for who you are, with all of your flaws. I'm just... I just... Thank you for being born."
The words hung in the air, a mix of vulnerability and gratitude woven into your confession.
Dabi's stoic facade wavered as he absorbed your heartfelt words. His turquoise eyes, typically guarded, widened in genuine surprise, a subtle vulnerability creeping into their depths. The frown etched on his forehead softened, replaced by a mixture of astonishment and something resembling gratitude. He remained silent for a moment, processing the weight of your confession.
Finally, a raspy exhale escaped him, a rare display of vulnerability. "I... didn't expect that," he admitted, his voice carrying a hint of uncertainty. His gaze lingered on your teary eyes, and for a moment, the facade of indifference cracked. A subtle shift occurred within him, a fracture in the armor he usually wore so tightly.
With a rare tenderness, he reached up, his thumb brushing against the moisture on your cheeks. "Hush," he murmured gently, a subtle warmth in his usually gruff voice. His touch was surprisingly tender as he wiped away the traces of tears, his thumb grazing over your skin.
A ghost of a smile played on his lips as he pressed a gentle kiss to your cheek, the touch lingering for a moment longer than expected. "Thanks, Y/N," Touya said, the word carrying a weight of sincerity. "For the words and the gift. Means more than you think."
A subtle warmth lingered in his gaze as he fastened the necklace around his neck. The flame pendant rested against his chest. "You always manage to surprise me, doll face," the white-haired man chuckled softly.
"Well, it is your birthday," you quipped, leaning in to give him a quick kiss. "There's no way I could have failed to surprise you on that particular day," you whispered, leaning your chin on his shoulder, gazing up at him with the most innocent, doe-eyed expression.
He cast a glance down at you, scoffing with a slight eye roll. "Sometimes I wonder how someone as cute and soft as you manages to be a villain, Y/N."
You flashed a mischievous grin at him. "Well, let's just say that I'm flexible."
Dabi leaned casually against the back of the couch, his arm extending to wrap around your shoulder and pull you closer. "No doubt in me, you are. You prove that every night."
Blushing, you gasped and playfully poked his chest. "Todoroki Touya! Quit it!"
His fingers absentmindedly played with your hair. "What? That's the fact. And you know what? I love you."
You smiled at him, studying his expression for a moment before nestling against his chest, allowing his warmth to envelop you. "I love you too."
Together, you both tuned into the news service and later some TV show, but your attention was elsewhere. All that mattered was that the person you loved the most was right there by your side.
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doodle-pops · 8 months
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Of Heroism and Heart
Glorfindel x reader
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A/N: I've never been one for writing the whole 'modern–day reader falling into Middle Earth stories', I always preferred to read them. So, I'm attempting my hand at this for the first time. It is a bit different from what is typically written. So, here's your Glorfi fic that won the poll.
Warnings: none, tooth-rotting fluff, Glorfindel has learned how to use his charisma.
Words: 1k
Synopsis: Talks of heroism and villainy become the new philosophical method of displaying one's charm.
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“There’s a saying about villains and heroes where I’m from,” you began, your voice thoughtful and reflective. “It goes something like this: ‘A hero would sacrifice you to save the world, but a villain would sacrifice the world to save you.’”
Swinging gently in the breeze, swaying side to side in your hammock, your elven Lord sat across from you, engrossed in the exchange of tales and sayings from your world. Each day seemed to bring a new layer of fascination as he delved into the intricacies of human culture and thought. He had never expected your arrival to kindle such curiosity and interest in his heart. Mortals were extraordinary beings, but your presence had illuminated new facets of their nature that he had yet to explore.
His gaze followed the motion of the potted celandines hanging above, his lips pursed in contemplation as your words settled into his mind. “Care to elaborate?” he inquired, his curiosity genuine.
Shouldering a casual shrug, accompanied by a half–formed smirk, you stretched languidly in the hammock, nestling further into its embrace. You playfully placed your small feet beside his torso. “It’s just one of those sayings people come up with, you know? Derived from observations about heroes and villains,” your tone conveyed a sense of ease, as if you were simply relaying common wisdom passed down to you. “Heroes are driven to save the world, which in turn saves their loved ones. However, sometimes, their loved ones end up perishing in the process of saving the world. On the other hand, villains prioritize protecting their loved ones before pursuing their goal, even if that means destroying the world.”
His brow furrowed as he mulled over your explanation, his expression a canvas of deep contemplation. With each piece of your interpretation, it was as if puzzle pieces were clicking into place within his mind, accompanied by mental light bulbs illuminating his understanding. His appearance resembled that of a bemused puppy, and you couldn’t help but toy with the idea of labelling him your “Golden Retriever,” a nickname he strangely seemed to embody.
“What specifically are you conveying here?” Glorfindel’s head tilted to the side, his gaze fixed on you with a tinge of displeasure. “Your words seem to imply that villains are superior to heroes, given their commitment to safeguarding their loved ones. I find myself in disagreement with that declaration.”
Laughter bubbled from your lips in response to his dissatisfaction, prompting you to sit upright and meet his gaze directly. “What it suggests is that when faced with a choice between saving the world or saving their beloved, a hero would typically choose the world, while a villain would opt for their loved one,” you clarified. “Heroes tend to be focused on overarching morality and the greater good, whereas villains are often more concerned with their personal connections. It’s a play on perspectives—what’s considered right or wrong isn’t always straightforward.”
Glorfindel blinked rapidly, his gaze unwavering as he sat upright to face you directly. His unruly golden locks, cascading like sun–kissed tendrils, framed his countenance like an ethereal halo. A soft blush warmed your cheeks despite the intellectual discourse at hand. It was easy to lose yourself in these conversations, and at times, it almost felt like he possessed an uncanny awareness of his own effect on you.
“I beg to differ,” he asserted firmly, a challenge evident in his voice. “I am regarded as a hero by many for my accomplishments, and I would never permit harm to befall either the world or my beloved. I would strive to safeguard both.”
Raising an eyebrow, you leaned in, your foreheads nearly touching as you met his steadfast gaze. “And how, might I ask, do you intend to accomplish such a feat, renowned Lord Balrog Slayer?”
Drawing even closer, his forehead pressed gently against yours, and he whispered with an air of triumph, “I would ensure your safety...for you are my world. Without you, the world would lose its meaning; you are the bane of my essence, my reason for existence, the very breath I inhale. There can be no world without you at my side, just as there can be no you without the world. As a hero, I would save my world, meleth–nîn. I cherish you deeply.”
A lump formed in your throat, a mixture of emotions leaving you momentarily speechless. The rising heat in your cheeks contrasted with the tears that shimmered in the corners of your eyes. The rush of emotions and the depth of his words left you with a heartwarming smile. Glorfindel’s eloquence had the power to move your soul and reshape your worldview. He effortlessly wove his sentiments into words that stirred your heart, offering you a love and life you had previously only encountered in fairytales. The dream of falling in love with Prince Charming had become a vivid reality ever since you had stumbled into Middle–earth and into his arms.
In the stillness that followed, he took advantage of the moment, his fingers gently tucking a loose strand of hair behind your ear. He placed soft kisses on your forehead and cheeks before hesitating, his lips hovering near yours. The anticipation hung in the air, drawing out the moment until his lips finally met yours in a fleeting, yet intense, kiss.
Pulling away, his lashes brushed against your skin as his lips traced playful patterns along your cheeks. “You’re quite the romantic, you know?” you giggled.
“If it means being right, then I shall embrace the role of the romantic for you, my beloved,” he murmured, a warmth of affection evident in his smile.
“Just ensure you tie your hair before rushing to save me, I don’t need another hair–pulling accident in this day and age.”
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Masterlist
Taglist: @eunoiaastralwings @koyunsoncizeri @ranhanabi777 @lilmelily @someoneinthestars @mysticmoomin @aconstructofamind @hoshinokurasa @singleteapot @the-phantom-of-arda @rain-on-my-umbrella @asianbutnotjapanese @ilu-stripes @justellie17 @justjane @bunson-burner @stormchaser819 @wisheduponastar @roselovesong @batsyforyou
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pikahlua · 1 year
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Hi! Your answer about heroism generally and Izuku saving Katsuki in ch.1 got me thinking. Izuku really does have heart of hero, he really wants to help people - that's for sure. But if it was just someone else and not Katsuki in ch.1 - Izuku definitely wouldn't rush to help. He even said something like "sorry poor guy I can't help you, but someone will do, I hope" before he saw it was Katsuki. So, it was kinda selfish moment for him, as I see it. So I wonder - can this exact moment be considered pure image of heroism on Izuku's behalf?
The original post, for reference.
"So I wonder - can this exact moment be considered pure image of heroism on Izuku's behalf?"
Yes it can, but it's because I disagree with your interpretation of the scene.
I am aware that there exists a certain subsection of the fandom who view the scene as you describe, and I have no problems with analyzing the question of what's going on in this scene or with crafting a what-if exploration of this scene in fanfic. That's fun shit. I just ultimately don't think that is what's going on here at all.
First, we have Izuku acknowledge that he's used to being a spectator. He's never run out to save anyone before.
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This is an important acknowledgement because it sets up the general behavior of hero society bystanders. The same bystander from chapter 1 reappears in chapter 325 to explain it:
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Chapter 1 then establishes for Izuku to know that the heroes aren't doing anything about the situation. Izuku is even made to empathize with the victim as he just experienced the same thing earlier that day:
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Izuku ends up feeling responsible for the victim's pain, and he falls into the same mental trap the bystanders and even the heroes on the scene do: "We need someone with the right quirk."
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"Someone will come to save you soon..." "A hero is bound to come..." Izuku knows the victim needs to be saved and acknowledges that no one currently there is doing anything to help the victim.
And then this happens.
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There are many things here that could be triggering Izuku. One interpretation certainly could be that Izuku is prompted to act when he sees that the victim is Katsuki.
The problem with that is: we're actually told what triggers Izuku here.
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There are multiple potential triggers. The victim being "Kacchan" is one of the possibilities. But the narrator ultimately tells us what was the factor that sprung Izuku into action "at that moment."
"You looked like you needed saving."
The thing that spurred Izuku to act was not seeing Katsuki; it was seeing Katsuki's face asking him for help.
Izuku knows there's a person suffering at the hands of a villain, a suffering Izuku is familiar with, a villain Izuku is responsible for helping escape All Might. Izuku is used to being a spectator who watches the heroes save the day, but there are no heroes here saving anyone. For the first time, he's at the scene of a villain attack, and the victim has to look around and ask someone, anyone for help. For the first time, the victim looks at Izuku and asks him for help.
"But if it was just someone else and not Katsuki in ch.1 - Izuku definitely wouldn't rush to help."
So I disagree with your above statement. I think if any other person would have looked to Izuku for help in that situation, Izuku would have rushed out to help. I don't think he's only a hero for Katsuki's sake.
However, I do believe there are other important reasons Katsuki is the victim here.
It demonstrates that any bad blood between Izuku and Katsuki is inconsequential to Izuku's impulse to save Katsuki. Izuku does care about Katsuki.
Likewise, the fact that their bad blood doesn't affect Izuku in this case does demonstrate Izuku's heroic qualities. His personal life does not get in the way of his heroism.
Most importantly, it shows that Katsuki admires Izuku.
I'm honestly not fond of the "(selfish) Izuku only saves Katsuki because he loves him, it's got nothing to do with his heroism" take because it betrays a bias. The notion that Izuku is selfish and cares only about Katsuki is a perspective that elevates Izuku's feelings at the expense of Katsuki's. This scene is not about how much Izuku cares about Katsuki; it's about Katsuki's feelings for Izuku.
For the entire chapter, most every character has made fun of Izuku for his dream of being a hero. They don't take him seriously. They think he's a joke.
Katsuki, consistently, does take Izuku's dream seriously. He sees Izuku as a legitimate threat.
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We also learn later why Katsuki takes Izuku seriously. Despite Izuku's deficiencies, Katsuki has always seen something in Izuku that the rest of society misses. He sees the makings of a true hero, which causes Katsuki to doubt himself. He doubts whether or not he can measure up to Izuku in the same regard.
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(He knows exactly what Izuku can do.)
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Katsuki also ends up exposed and victimized by the way society is. Society sees people as just their quirks. That's how the heroes who fail to save him behave. That's even how the villain behaves.
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Note that in this final picture, Katsuki looks away from the heroes to focus on Izuku.
On some level, Katsuki knows what real heroism is, which is what makes him so self-conscious and leads him to mistreat Izuku. When he is stuck and dying, none of the heroes even try to help him. Katsuki finds the one person in the area who would actually do something: Izuku. And so he pleads for Izuku's help with his eyes.
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It's no mistake that All Might describes one of Katsuki's feelings towards Izuku as "awe."
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He's just been terrible at expressing his awe because of his self-doubt.
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Despite his rejection of Izuku, Katsuki is regularly shown to be in awe of him throughout high school. He's felt awe for Izuku ever since they were little kids. That's what makes him so uncomfortable. He really can't wrap his head around Izuku for most of their lives, which makes Katsuki himself feel inferior. But in chapter 1, in his moment of desperation, he looks to Izuku for help. He acknowledges Izuku's heroism only in his hour of need.
So when it comes to how I interpret chapter 1, I think the above distinctions are important to make. I don't mean to rain on any bakudeku parades. Seriously, if you like the other interpretation, you do you. But to me, THIS interpretation is the more bakudeku one. The reason Izuku's and Katsuki's destinies are so intertwined is because of their acknowledgement of each other's heroic traits, specifically the ones the other feels they are lacking. That's what makes them two halves of a whole. You can't erase Izuku's heroic traits, or else there is nothing for Katsuki to admire. There's no one otherwise who sticks out in the hero-corrupted society that Katsuki feels he can count on for help. Their deep relationship comes from their mutual admiration of each other. Chapter 1 is Izuku's heroic moment, and you have to have it preserved if you want Katsuki's feelings for Izuku to make sense.
That's my two cents.
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halfagone · 1 year
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So this prompt involves some villain attempting to invade earth, with them using their power to summon Earth’s greatest hero for a one on one fight for the planet that’s televised across the whole world. Everyone expects Superman to show up…instead a kid with black hair and blue eyes who’s 16 at most shows up. Basically, some villain forces Danny to fight them and Danny is forced to decide if he wants to out himself in front of the whole world to save the planet while the league watches in horror as what they presume to be some powerless kid fight someone the whole league would have trouble beating on a good day. What do you think?
OH MY GOSH This reminds me of The Apocalyptic Support Group by Voidborn. It's only one chapter right now, but that fic has me by a chokehold with just the one. However, unlike this idea, that fic has four "random" civilians. Billy Batson, Clark Kent, Danny Fenton, and Tim Drake. Whatever will these civilians do! (They all have black hair and blue eyes? Huh, crazy coincidence...)
But as for your idea, I like the concept of Danny... faking it? Like he's manipulating his surroundings as surreptitiously as possible and beating the villain that way. But as far as people can tell, it's just crazy good luck on his part? Or he's just really resourceful? But in reality, Danny is like- using his telekinesis to manipulate objects to move in the background out of sight or his cryokinesis to stir up objects within the ground so that it breaks a certain way to help his evade a blow. All sorts of tricks like that.
In the end, Danny wins the fight, but he acts like it's just crazy good luck/coincidence, and people begin to suspect that luck is his power. Like how John Constantine can manipulate luck to his favor, the same way Domino from the Marvel comics can. And maybe people want to take advantage of him for that, or try to harness his powers for their gain. But it never seems to work, and people can't figure out why.
And maybe others can piece together clues to suggest that Danny had been doing subtle little tricks all along, and they begin to realize that Danny really is crazy powerful to do all of this and manage to, largely, get away with it. He's obviously not a threat to superheroes, but maybe they should be reaching out and making sure he's okay. Metahumans aren't always treated kindly, after all, even if there are measures in place to ensure they have better and equal rights.
Of course, there is always the option that Danny just decides he has no more fucks to give and just goes: "Eh, why not?" And then absolutely wallops the villain on international television, and all the people back in Amity Park are either cheering for their boy or swallowing and praying he doesn't want revenge for some of the stuff they've done to him *cough*Dash*cough*. Ugh, sorry, I was clearing my throat. XD
Obviously this would be the funnier version, but there would be more consequences to it once he goes back home and people realize how powerful he is. However, this does offer more opportunities if Danny tries to play it off like: "Yeah, I have powers, but I'm not really interested in being a hero. Is that such a bad thing?" And that raises awareness of how metahumans shouldn't have to automatically be heroes just because they have powers? There are plenty of powers that don't lend well to heroism too, after all! But perhaps people try to pressure him into becoming a hero, or using his powers in his day to day life, and it's a whole thing.
I have to be honest with you, I really like the idea of a highly publicized identity reveal. Which is why I hate Phantom Planet. XDD You'd think I'd like it for that exact reason, but it's not really the concept that I disliked but the execution of it. But anyways, I'm rambling.
I like people realizing that Danny has powers, but not realizing how he has powers. For example, there was a fic a while back where people found out Danny was a halfa but didn't realize he was Phantom (can't remember who wrote it now, sorry about that). I adore identity shenanigans like that, and I feel like this type of AU would lend really well to that possibility.
I also really like Social Media fics, and I feel like there is a lot that could be explored in a highly televised fight like this. The Survivalists is a really good example of this, in my opinion. Just... exploring the populace's conjecture and theories, and just their reactions to everything that is going on without the context. I'm always excited for fics like that, and I definitely think this AU could do something similar.
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midnightmoonblossom · 2 months
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I just asked AI to generate an Irondad prompt and holy shit, does anyone want to actually write this?
AI’s prompt:
In the aftermath of a devastating battle with a new, mysterious villain, Tony Stark aka Iron Man finds himself gravely injured and facing his own mortality. As he struggles to recover, his adopted son, Peter Parker aka Spider-Man, remains by his side, determined to support and care for his mentor and father figure.
As Tony's condition worsens, he shares with Peter stories of his past, the mistakes he's made, and the lessons he's learned. Through their heartfelt conversations and shared moments, a deeper bond forms between them, strengthening their already close relationship.
As Tony fights to overcome his physical and emotional challenges, Peter steps up as a hero in his own right, taking on new responsibilities and facing dangerous threats to protect his family and the city they love.
Together, Iron Man and Spider-Man must confront their fears, make difficult choices, and ultimately learn the true meaning of heroism, sacrifice, and the enduring power of love and family.
Will Tony and Peter emerge from this trial stronger than ever, ready to face whatever challenges lie ahead? Join them on their journey of self-discovery, courage, and redemption in "A Hero's Promise."
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paladin-tourney · 3 months
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Round 1, Side A - Sir Becket (The Weekly Roll) vs. O-Chul (The Order of The Stick)
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Propaganda:
Sir Becket (The Weekly Roll)
He's my favorite paladin character ever. He has an identity crisis after murdering a family which prompts him to basically try to redeem himself while also trying to stop his party from being murderhobos. Also, LOOK AT THAT HAT. Top tier paladin helmet in my opinion. It's shaped like a bucket.
O-Chul (The Order of The Stick)
OotS is a D&D webcomic, so of course they have paladins—a whole faction of them called the Sapphire Guard, ranging from Lawful Stupid crusaders to rule-bending youths to one old aristocrat without a PC class level to his name. And then there's O-Chul. If Miko is everything wrong with paladins, O-Chul is everything that be right about them. He's noble and honorable, sticking to his paladin oaths...most of the time. Unlike Miko, he's willing to recognize when bending the oaths is Good and when failing to uphold them is inevitable. He cares about friends and allies, doing what he can to protect them; he shows empathy towards many of his enemies, most notably the Monster in the Darkness. He's a good, heroic dude who encourages others to be better. His heroism isn't just a matter of attitude. A paladin has strong fortitude and will, and O-Chul excels at both, even if his reflexes are rather poor. He endured months of imprisonment, torture, and villains betting on whether he'd survive the torture without losing either his life or his compassion towards (some of) the people betting on him. And judging by his implied level and lack of paladin class features, this paladin's paladin has at least twice as many fighter levels as paladin levels.
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thermitetermite · 2 years
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The power to see emotions! Like auras or however
Power: 🧐
(hey, not all the emoji translations can be winners)
Author's note - I hope you don't mind that I added another power onto the prompt!
Prompt #13 - Reality Manipulation and Aura Reading
Tldr: Villain is walking home when reality goes weird. They're compelled to find the source not expecting to find Superhero dissociating. Can be read as platonic or romantic
CW: Descriptions of a dissociation episode
As Villain walked home from a late day grocery run they felt something strange.
It was an odd feeling that Villain always had a hard time explaining, much like the power that allowed them to experience it.
To put it simply, they could read and sense auras. It made it easy to target nervous marks or read the physical position of law enforcement through walls. Pretty useful for robberies and manipulation but useless in combat.
It was a 6th sense to Villain. Like pressure in your ears when you change elevation or humming a tune before it plays on your favorite radio station.
Needless to say it was strange that Villain was feeling even more odd than usual.
They knew something was definitely amiss when they saw birds flying in reverse. Sparrows specifically, not hummingbirds which can in fact fly backwards.
Villain mentally kicked themselves for getting sidetracked by bird facts before continuing towards home. For all they know it could have been a fluke. Maybe they were wrong about their bird facts. Maybe their birdwatching books were outdated.
They would have continued that train of thought but were snapped back to reality when they noticed what looked like rain. They opened the umbrella they brought (just in case) but was even more weirded out when eggs started falling instead of rain.
From the looks of it they appeared to be chicken eggs which reminded them of a fun fact about chicken gestation... No! Focus! Something weird is happening and bird facts will not help!
Villain made it home, threw their groceries away as fast as possible, and ran back out to try to find the source of the weirdness.
At this point their street looked completely chaotic. Eggs littered the street like rain, cars drove in reverse, everything was some shade of blue and anyone on the street made animal noises instead of actual words.
On top of everything else, time seemed to work weirdly. One moment everything was moving slowly and the next it seemed like everything blurred by. Pure uninterrupted madness.
Villain didn't have time to focus on the mess in front of them. They had to find the source of it.
Luckily their 6th sense acted like many others. In the same way you could hear a sound from another room or smell a fresh baked pie from a bakery down the street, Villain could feel the direction of the anomaly source.
They ran down what was left of the street towards an apartment building that seemed to be more affected than the rest with half of it appearing to be pixelated.
At this point Villain didn't know why they were doing this. This was a hero's job. They weren't responsible for fixing reality. Why charge in headfirst without a second thought?
'Because you can do something about it' a small voice in their head told them. Maybe they could, maybe they couldn't. Maybe dumb thoughts are just dumb thoughts. But Villain couldn't bother to care as they ran up apartment steps.
They turned down a hallway before stopping at a door.
They could feel it. Whatever lied behind this door was responsible for everything going all Alice in Wonderland-y. All the hairs on their arm raised as they put their hand on the doorknob to twist.
Behind the door was a fairly normal apartment. Some of the furniture had funky patterns (maybe due to the source) and the walls had odd textures (probably due to the source).
Sitting on a cow-patterned couch was a person with a TV for a head. Villain was unsurprisingly caught off guard by the sight but they were even more shocked that they could recognize the TV person from the super suit they wore.
"Superhero?"
The figure looked towards them, static playing on their screen. They patted the seat near them before staring straight ahead again.
Villain did the only thing they could and sat next to Superhero.
This was new to Villain. Superhero had a TV instead of their normal head (at least from what they saw on TV, pun not intended), the world seemed to be crumbling around them, and weirdest of all they were in Superhero's apartment.
Superhero that took down legions of villains in a single night. Superhero that featured on magazine covers and talkshows across the city. Superhero that wrote a cookbook and wouldn't look at minor criminals like Villain.
That Superhero... wasn't the same one beside Villain.
"Um... hi. Are you ok? Superhero?" Villain sheepishly asked locking their eyes ahead.
"Yeah. I'm ok." A voice croaked out of the speakers, seeming to come from much farther away than expected. Villain was unconvinced.
"Are you sure about that?" Villain asked. Superhero looked at the hands in their lap.
"No" Superhero replied, "just a mood."
"Do you get moods often?" Villain pressed, earning a small nod from Superhero. "How does it feel when you're in a mood?"
"Pins and needles. Like I'm far away from my body. I'm bad with words but I'll live."
It was clear to Villain that Superhero was dissociating. Maybe it was a bit ironic that someone who could control reality fell out of touch with it. Maybe that just happens when a person is able to control the very fabric of existence.
Point being, what could Villain do? They were sitting next to a person who could easily spagettify them and Villain knew absolutely nothing about how to help someone who's dissociating. But that voice from before came back telling Villain they could at least try.
"I'm sorry. About all of it. I don't really know what I'm doing here or what I'm doing period, but is there anything I can do to help?"
Superhero looked to be lost in thought. Villain started to worry that they said something wrong or needed to repeat the question when Superhero answered.
"Would you mind... Would you mind sitting and chatting to me? I can't respond much but listening helps."
Villain smiled. "I'd be happy to. So, um, do you want to hear some bird facts?"
Superhero nodded in affirmation and Villain began enthusiastically giving bird facts. Villain couldn't tell for sure but they could swear they felt Superhero's aura lighten or see a faint smile occasionally crack through the static on their screen.
It was only a matter of time till Superhero returned to themselves and reality with them. However, Villain took the time to enjoy their company and recounting their numerous factoids. There was no rush.
Who knew you could save a city with a dumb inner voice and some bird facts.
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jasminewalkerauthor · 14 days
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Trope chats: Heroes becoming villains
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In storytelling, the trope of heroes becoming villains has been a compelling narrative device that challenges conventional notions of heroism, morality, and redemption. From classic literature to modern media, this trope has evolved over time, reflecting shifting societal values and cultural anxieties. In this essay, we explore the evolution of heroes turning into villains in media, its societal influence and impact, its effectiveness as a storytelling device, and the potential pitfalls associated with its use
The trope of heroes becoming villains can be traced back to ancient myths and epics, where characters like Achilles in "The Iliad" or Oedipus in Greek tragedy undergo moral transformations that blur the lines between heroism and villainy. However, it was in later literary works, such as Shakespeare's "Macbeth" or Milton's "Paradise Lost," that this trope gained prominence, portraying protagonists who succumb to ambition or pride, leading to their descent into villainy.
In modern media, the trope has been reimagined and revitalized across various genres, including literature, film, television, and comics. Iconic examples include Walter White in "Breaking Bad," Anakin Skywalker/Darth Vader in "Star Wars," and Walter Kovacs/Rorschach in "Watchmen." These characters undergo complex journeys that explore themes of power, morality, and the human capacity for both good and evil.
The trope of heroes becoming villains often reflects broader societal anxieties and cultural shifts. In an increasingly complex and morally ambiguous world, audiences are drawn to narratives that challenge simplistic notions of heroism and villainy. The portrayal of heroes as flawed individuals who grapple with their darker impulses resonates with audiences who seek narratives that mirror their own struggles with morality and identity.
Moreover, the trope can serve as a cautionary tale about the corrupting influence of power, ambition, or ideology. By depicting the fall of heroic figures, storytellers can explore the consequences of unchecked hubris or moral compromise, prompting audiences to reflect on the choices they make and the values they uphold in their own lives.
The trope of heroes becoming villains can be a powerful storytelling device when executed effectively. By subverting audience expectations and challenging traditional archetypes, storytellers can create narratives that are morally and emotionally complex, engaging viewers on multiple levels. These stories often provoke thought, spark debate, and linger in the minds of audiences long after they've concluded.
Furthermore, the trope allows for rich character development, as protagonists grapple with internal conflicts and external pressures that shape their trajectories. The journey from hero to villain (or vice versa) provides opportunities for exploration of themes such as redemption, forgiveness, and the nature of evil, adding depth and nuance to the narrative.
Despite its potential, the trope of heroes becoming villains is not without its pitfalls. One common criticism is the risk of character inconsistency or betrayal of audience trust. When executed poorly, sudden shifts in character alignment can feel contrived or forced, undermining the emotional resonance of the narrative and leaving audiences feeling cheated or disconnected.
Additionally, the trope runs the risk of perpetuating harmful stereotypes or reinforcing cynical worldviews. By portraying all heroes as inherently flawed or destined for downfall, storytellers risk undercutting the aspirational qualities of heroism and promoting a nihilistic outlook on life.
The trope of heroes becoming villains has undergone a fascinating evolution throughout the history of storytelling, reflecting changing societal values and cultural anxieties. As a narrative device, it offers opportunities for exploration of complex themes and character dynamics, engaging audiences in thought-provoking ways. However, its effective execution requires careful consideration of character development, thematic resonance, and narrative integrity to avoid falling into the pitfalls of cliché or stereotype. When done well, stories that depict heroes turning into villains can challenge and inspire audiences, leaving a lasting impact on the cultural landscape of media and storytelling.
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puddleslimewrites · 9 months
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Heroes Don't Have Hearts (Prompt #13)
That was the first lesson, taught on the very first day of training. Hearts - feelings, emotions - bring weakness. You don't need a heart to do your job. You don't need a heart to smile for the cameras and crowds.
And you most certainly don't need one to help you sympathize with the enemy.
Superhero had defected - to the Villains' side, no less. Not because of love or some misplaced familial loyalty, but because they had sympathy. They felt bad for the other side, and when the agency wouldn't listen to their ludicrous ideas, they left.
They left a dent in the mold that had been built around them. The agency's most prized possession - gone overnight. They left a new generation of heroes on unsteady footing, lost without the guidance of their most experienced predecessor.
Hero hated Superhero. They hated them for the rules and guidelines implemented after they deserted. Before, heroism was a revered career path. Heroes could be as loved as the love they gave to their people. Those who quit their jobs were few and far between, but defectors were present in any organization. There would always be outliers.
But Superhero's disappearance was more than a simple retirement. They'd created a world of cracked smiles and false proclamations of loyalty. They'd created advanced safety measures and restricting patrol hours. They'd created a system where everyone watches your back, and the feeling was more uneasy than reassuring.
Superhero left. And Hero despised them for it.
~
tags below cut
Tagging: @world-of-fire-and-flight (because of the WIP Files game from literal months ago :')) Even if you don't see this, thank you for expressing interest ^-^
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thepenultimateword · 11 months
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Prompt #198
“Choose.”
“I-I can’t do that!”
“Choose! Me or heroism. You can’t have both. You just can’t.”
Hero’s lip trembled, and Villain put their head in their hands.
“Don’t, Hero. Please. I love you, but I’m not getting treated like garbage for your cover anymore. So make a choice. I already know mine.”
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the-journal-in-law · 1 year
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Hidden
Prompt from: @gingerly-writing
"Outcasts? But you're the most powerful hero team alive!"
"Powerful enough that no one else can trust us. Telepathy. Time travel. One touch kill. Radiation. Necromancy." The superhero shrugged. "We can't be allowed in regular society, or so people say. So we stay here, together. And sometimes, on the rarest of occasions, we venture out to save the world."
The civilian stared. At the comfy-looking but cheap clothes the superhero was wearing. At the cottage deep in the middle of the woods - right in the middle, they weren't joking.
The civilian had gotten lost - well, that was an understatement. How did one accidentally find themselves stuck in a forest tucked away in the edges of the city? They weren't sure themselves.
But they hadn't expected to find this.
In a world where superheroes were praised and worshipped for their heroism, whoever manifested powers was treated with a life of luxury. Unless they turned to villainy, in which case the world was doomed.
The civilian suspected superhumans were given everything they wanted to prevent exactly that. There had been exactly two cases in history where superheroes sought to usurp humanity. (It was suspicious that the number was so low, but the government probably had a hand in that.)
Superhumans were a rare thing, a one in a million occurrence. Once they were born, they could be given anything from a power that could destroy a large city to something that could bend reality itself.
There were two special cases. A pair of twins, born presumably a hundred years ago; there had never been a confirmed birthdate. They had had seemingly limitless power.
But one day, they just - disappeared.
Only to appear when a nuclear war almost started between two warring countries five years later. Then again, during a series of earthquakes that threatened to destroy an entire continent half a century ago. And the most recent - to defeat the two supervillains who had had grudges against the world.
Humanity's Immortal Protectors, they were called.
No one knew exactly what they looked like, but one reporter had managed to catch a blurry picture of them before they vanished after apprehending the world's second supervillain.
The civilian had run that photo through countless apps, edits, and filters, just to see if they could get an accurate representation of the superheroes.
That was how the civilian recognised the face that answered a knock on the door of a cottage in the middle of nowhere.
"But why are you here?" the civilian exclaimed. They could understand the government wanting to hide them away - the government was always hiding something - but surely they'd had enough sense to provide the most powerful beings of all time with something.
What if they became supervillains? It wouldn't be hard for them to end humanity in a blink of an eye. Maybe in even less than that.
"Rest assured, we do not have any villainous intentions," a voice interrupted their thoughts.
The civilian froze. Their heart beat loud in their ears, and they became hyper-conscious of their surroundings. Suddenly, they felt all too aware of who exactly they were with.
"I won't hurt you," the superhero said. But the civilian saw that his eyes looked colder than before - and was that a hint of disappointment? But it was gone as soon as they'd thought it.
"Are you reading my mind?" they asked and immediately regretted it.
The superhero smiled, but it was empty of the anticipation that had been there when he answered the door. He didn't answer the obvious question.
He stepped aside. "Come in."
The civilian wasn't about to refuse a superhero, much less this one, so they shut their mouth and went in.
The inside of the cottage was...surprisingly normal. There was a kitchen to their left and a living room to their right. A kettle steamed on the white counters, and a TV was mounted on the wall. The civilian wondered how they worked. Surely the electricity and internet from the city didn't go this far?
"We have solar panels," the superhero said, making the civilian jump. "And a special device that connects us to networks all around the world."
"That's creepy," they muttered.
The superhero snickered. "We've been called worst things."
"Brother?" a voice called.
From the hallway appeared a woman - the second half of the immortal duo. She looked like a female version of her twin.
When she saw the civilian, she froze. She blinked once. Twice. "What is that?"
The civilian's wide-eyed expression contorted into offence. "I'm sorry?"
"Did humans get bigger since the last time we saw them?"
The civilian stared at her, then at her brother, who looked as serious as ever. "Sorry?" he repeated, not comprehending.
She looked at him with a confused face for a few more seconds before snorting. Amusement lit up her eyes. "Just kidding. You people haven't changed that much in the last thousand years. Well, except for your lack of webbed hands."
There was so much wrong with what she said.
"Don't tease them too much," her brother scolded.
Her smile turned wicked, and her aura gained a sinister edge, sending chills up the civilian's spine.
"We mustn't let them live in ignorance," she cooed. Her voice seemed almost otherworldly, laced with some kind of magic.
"Sister!"
The civilian blinked, jarred out of their trance. When they regained their awareness, they realised the woman was gone.
"I'm sorry about that," the superhero said. "Ignore everything she just said. Isolation has affected her a bit more than it has me."
The civilian squinted at him, still disoriented.
What was that?
"One of her powers," he said. He looked at them with that hint of disappointment and resignation. "Suggestion."
The civilian shivered at the name. They glanced warily at the hallway his sister had come out of. Opening their dry mouth, they asked, "Did we...really have webbed hands?"
The superhero broke out into surprised laughter.
Taglist: @memepsychowhowantsuperpower-blog@faeruine@a-sunset-outside-my-window@sketxhdragxn@kaiwewi @eri-would-like-to-not-thanks @bownkboo @those-damn-snippets
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archive-of-artprompts · 7 months
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Send in a character trope and I'll draw or write an OC/Character with that prompt
tropes from tvtropes
All-Loving Hero - A heroic character whose love and compassion are unlimited.
The Antagonist - Opposes The Protagonist.
Anthropomorphic Personification - Living, roughly hominoid embodiments of abstract concepts.
Anti-Hero - A morally questionable hero who lacks conventional heroic qualities.
Blind Seer - Physically blind, but "sees" with other means.
Blue-Collar Warlock - Modern, street-smart spellcasters.
Bruiser with a Soft Center - Tough characters are capable of having soft hearts.
The Champion - A character devoted to sticking up for another character.
A Chat with Satan - A character tests whether the hero would enact their darker desires if tempted.
The Chosen One - The ancient prophecy says that only a certain person can save the world.
Classic Villain - A villain who acts as an evil foil to the hero's personality and is a main block to his journey towards his destiny.
The Conscience - A character that acts as another one's moral guide.
The Corrupter - A villain who tempts people into doing evil things.
The Cynic - Someone who always has low expectations for everything.
Demiurge Archetype - Someone evil pretending to be the setting's Top God.
Dumb Muscle - Lots of brawn, short on brains.
Eccentric Mentor - A mentor who is quirky, yet still wise and skilled.
Enigmatic Empowering Entity - A mysterious character who grants great power.
Evil Overlord - An incredibly powerful, highly influential despot who is usually the Big Bad of the story.
The Fair Folk - Fairies have Blue-and-Orange Morality.
False Prophet - A savior or religious figure, or someone posing as such, lying for selfish reasons.
Father Neptune - An old, gritty, experienced sailor.
The Ferryman - A mythical figure whose boat is used as a vehicle to transport people to Other Worlds.
Fool for Love - Tough, and possibly cynical, but still a sucker for love.
Gentle Giant - An imposing and scary but kind-hearted Big Guy.
The Good King - A king who is good at his job and beloved by the people.
Granny Classic - A wise, nurturing, and reliable grandmother.
The Grotesque - A character's ugliness is so extreme that it elicits pity instead of disgust.
Herald - What sends The Hero on their journey.
The Hero's Idol - The character who inspires The Hero to follow their path.
Heroic Wannabe - Wants to be a hero, but lacks the skills and/or mindset for actual heroism.
The High Queen - A woman of wealth, power, near-impossible beauty, and a calm demeanor.
Higher Self - A character's wiser, dettached side.
Hunter of Monsters - Someone who hunts and kills monsters and supernatural creatures.
Ideal Hero - A morally perfect hero.
The Idealist - A character defined by their hopefulness in the present and the future.
Ineffectual Loner - A capable but solitary character whose efficiency is limited by their lack of friends.
Jeanne d'Archétype - A young, soldier woman who is seen as her cause's symbol.
The Kirk - The balancer/combination of logic and emotion.
The Klutz - A character whose defining trait is clumsiness.
Knight in Shining Armor - A hero who champions the weak and innocent, especially women in distress.
Loser Archetype - A character whose disgrace comes from their lack of talent/skill.
Lovable Rogue - A charming, likeable trickster.
Madonna Archetype - Humble mother figure modeled after the Virgin Mary.
The McCoy - The emotional and sentimentalistic character.
Mentor Archetype - Someone whose role is to ensure The Hero's Character Development.
Messianic Archetype - Someone who endures great sacrifices to save others.
Mock Millionaire - A millionaire wannabe.
Modern Major General - Can do anything well except their actual job.
My Girl Back Home -The loved one who The Hero leaves when going on an adventure.
Old Soldier - Military Old Master.
The Paladin - Holy knight with healing and defensive powers and light based magic.
The Paragon - An embodiment of virtue who inspires others to help society.
The Patriarch - A male elder with the highest authority in his family.
Person of Mass Destruction - A person with massively devastating abilities.
The Pollyanna - A character who remains optimistic no matter what may happen to them.
Powers That Be - Almighty, powerful, and invisible forces.
Princess Classic - An innocent, good and kind princess.
The Protagonist - The character whom the story is about.
Rebel Leader - The character who leads La Résistance.
Rebellious Spirit - A character who doesn't abide by the rules.
Reluctant Monster - An Always Chaotic Evil species is oblivious/reluctant to their deeds.
Satanic Archetype - An evil-doer modelled after Satan.
Seeker Archetype - A character whose main motivation is to learn a certain truth.
Shadow Archetype - A character embodies another character's rejected facets.
Sidekick - The ever-reliable Number Two guy to every hero.
The Spock - The logical intellectual.
Star-Crossed Lovers - Lovers doomed to be kept apart.
The Storyteller - A character who tells tales and sometimes is the narrator.
The Trickster - A cunning character who disregards the rules.
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pikahlua · 8 months
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If Bones kidnapped you to plot a MHA movie what would you make it about ?
Assuming I'm under duress and forced to follow the Bones movie formula (and that I'm forbidden from making the Fantasy AU movie), there are two options.
My preference: a movie sequel to the story proper. Can't do that without knowing how it ends though.
A movie that summarizes the themes of the final arc, much like how the first two movies tried to do (we don't talk about the third movie).
The Bones formula stipulates I must have some weird original central character, but this is often the reason their movies fail (imo). The easiest way out of this problem is to make the original character like a dog or cat or baby, someone that is necessarily one-dimensional so they don't come across as vapid. Unfortunately Bones tried both of these already and still somehow managed to screw it up. So, considering THAT and the themes of the final arc, my OC is gonna be a villain.
Let's go with two villains who are childhood friends.
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Villain A grew up rich and with a powerful quirk that allows them to manipulate the things they touch, but because of a physical abnormality (perhaps heteromorphism) they become socially isolated from the rest of the world. Villain B, Villain A's childhood friend from before the abnormality took form, visits Villain A from time to time. As Villain A slips into loneliness and eventually madness, they come to take control of their home (a mansion). All the occupants living in the mansion take pity on Villain A and indulge their whims.
Cut to a present where the world has all gone to hell after AFO breaks out of prison. (We're gonna squeeze a few more days in there between Izuku's return to UA and the final battle with TomurAFO.) AFO encounters Villain A in their home and decides to leave another trap for Izuku. He boosts Villain A to be able to manipulate people as well as objects, and Villain A uses it to sate their loneliness. They convince Villain B, who is loyal to and feels bad for Villain A, to lure more people to Villain A for A to manipulate and play with, and over the month Villain A takes over the entire town.
At some point after Izuku returns to UA but before the fight with TomurAFO, Izuku and his search team come across Villain B seemingly in trouble and save them. It's actually a setup to lure them to the town. The team is comprised of Izuku, Katsuki, Shouto, Tenya, and Ochako at minimum. We can find bit parts for others if necessary :P
The plot is: Izuku's team gets lured by Villain B into a living labyrinth mansion controlled by Villain A.
Over the course of their struggle to escape, Izuku tries to prompt Villain B to talk so they can learn more about Villain A and figure out a solution. It is Shouto who picks up on all the clues from Villain B and the occasional traps they run into and determines how Villain A came to be this way and how Villain A may be lonely deep down--because Shouto relates to Villain A in many regards. Shouto believes they can try to reach Villain A in much the same way Izuku reached Shouto back in the sports festival. Izuku and Ochako are all for trying to save Villain A while Tenya secretly considers the logistical difficulty of this task and mentally vows to support and protect his friends. Katsuki keeps up his usual attitude but claims to be interested in taking down a power-boosted AFO-influenced villain who could have info on AFO's whereabouts.
Villain A becomes more unhinged and enraged by the heroes who won't play their game and loses control of the mansion. The mansion goes more and more berserk over time, which results in the group being forced apart.
Shouto and Ochako end up in one group that explores their admiration for Izuku and his heroism and what Izuku has done to inspire them. They get out of the mansion as it goes ballistic, and their main struggle is protecting the town from the chaos. Ochako and Shouto try to restore the wills of the people all under Villain A's control so that they can protect each other.
Katsuki and Tenya end up in group two. The tension between them is in how to handle the situation. Tenya expresses concern for the others, especially Izuku and Shouto, and wants to protect them from themselves because of how self-sacrificial they can be. Katsuki eventually gets across his view that anyone can be a danger to themself if they don't have friends there to keep them in check, but otherwise they are ALL capable of overcoming this ordeal together. Tenya decides to believe that supporting and aiding his friends can be the same as protecting them. Since the others were so adamant about saving the lonely, lost child in Villain A, Katsuki and Tenya work towards that goal. Tenya and Katsuki find Villain A, and Tenya carries Katsuki across the final leg to get Katsuki to Villain A before they are separated again.
Katsuki faces Villain A alone and attempts to find that lonely child trapped inside. Katsuki manages to bring that scared child out by appealing to how he was always so scared of Izuku but managed to get past that and strengthen their friendship in the end through understanding, but the mansion does not calm down as a result--rather it goes out of control as Villain A becomes emotionally unstable. Katsuki, emulating Izuku, steps in the way of a lethal blow from the mansion meant for Villain A, and he devotes all of his remaining strength to protecting Villain A just like All Might and Izuku would.
Izuku ends up in the final group with Villain B. Izuku spends that time coming to the conclusion that Villain B needs just as much saving as Villain A. By prying into Villain B's past, he decides that Villain B was motivated by their own heroic heart to save Villain A, but B just lacked the power to do so. Izuku steadily encourages Villain B to do the right thing and help stop Villain A, and he appeals to his and Villain B's mutual admiration of All Might to do so. When the house goes out of control, Izuku carries Villain B and attempts to find Villain A to hopefully stop all of this. Izuku uses all of OFA's quirks to avoid the mansion's attacks while searching for Villain A. They are only able to find him when Katsuki sends up a flare through all the chaos.
However, when Villain A sees their friend Villain B in trouble, they begin to internalize the blame for all the destruction. Izuku intends to bust through to Villain A and reunite Villain B no matter the cost, but Tenya shows up and reaffirms his vow to run alongside Izuku. Even though he knows Izuku would try to do this alone, he doesn't have to, and they are all stronger together, all that great shounen friendship action.
Izuku distracts the mansion while Tenya carries Villain B to get to Villain A. Down below, Shouto and Ochako convince the town to take action and defend the town, including Villain A whom they failed to care for. Ochako picks up a building and throws it at the mansion. (I NEED THIS SOMEHOW AND I'M GETTING IT NOW.) Shouto uses the debris from the resulting crash to create winding paths of ice, which Tenya uses to skate and boost across to help Villain B finally reach Villain A. HAVE YOUR GODDAMN SAKUGA.
Villain B overcomes their cowardice to try to connect with Villain A again. Even when Villain A apologizes to Villain B and Villain B gets Villain A unstuck from the house, there's nothing they can do to take back control of A's quirk (because of AFO's sabotage). But Katsuki, despite his grave injuries, gets them to hold onto him and he flies out of range of the debris of the house. Izuku OFAs the shit outta the mansion. Then, working together, Shouto freezes all the collapsing house debris into a ball to roll down an ice ramp and launch towards the sky, Ochako taps it to make it weightless, and Izuku launches it into outer space. Fuck that house.
Katsuki was only able to blast him and the villains out of range of the house but not to the ground, so he runs out of steam and falls. Izuku catches them. It's kinda gay. Especially when Villain A and B reconcile with each other and Katsuki gets to reflect on the savior Izuku is and his rescue-hero-cheesy goals that Katsuki has accepted and Izuku gets to reflect on Katsuki's insistence on doing things as a team. They both are secretly like "Awww it's his way of caring for me--and now I'm instantly repressing that thought." Izuku also forgets to pay attention to his landing and Tenya tries to catch them both and it's a dogpile of people landing on top of each other. INSERT COMIC RELIEF. (Ochako picks everyone up.)
The crux of what this movie needs that most of the other movies have failed at is BANTER. So we get Ochako and Shouto trying to be out-inspired-by-Izuku (lol not really this is a joke) as Shouto gets to make the townspeople feel at ease and Ochako sees the smiles on all the crowd as the town is saved. Tenya supports and keeps an eye out for his friends and transports people to Villain A because Ingenium would race across the land to take the hand of a lost child. Katsuki's dumb posturing collapses immediately in the face of his opportunities to oops-gotta-be-a-real-hero-now and he gets all deep with the villains and reaches their hearts or w/e, and Izuku finds victims to save everywhere all over the place all the time and brings people together in the way Katsuki and the rest of Class 1-A did for him when he ran off on his own.
And that's how you write a decent Bones filler where the characters actually get to be the characters they are and reflect on canon themes of the story without risking contradicting any canon and still building up a potentially emotional and meaningful story via some actually relevant OCs to showcase those themes with TONS OF KAIJUU HOUSE MONSTER PUNCHING because childhood homes are symbols of evil and trauma in MHA and apparently need to be destroyed. And Ochako throws a fucking building, finally.
Enjoy your disgusting happy fuzzy feels ❤️
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