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#hes a waterbender because i said so
rockpaperimpala · 2 months
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So about Netflix's the Last Airbender....
I am literally so confused you guys. You made me think I would HATE this show. And I LOVED it. Me. Known perfectionist and hater.
Katara was lovely. Yes, she started as a more soft spoken character than her cartoon version, but she was still passionate and hopeful throughout, just visibly unsure of herself. I think people were thrown off by this actress' natural way of expressing herself, which is Different from animated katara for sure, but not bad. Then she spends the whole season growing in Confidence and Fire. I Adored her fight with Paku, it really did feel like a payout of the whole season's development, and the bending kicked ass!
The Bending Kicked ass!!! The martial arts was fun and fast and creative and exciting! It looked SO good. That alone would be enough reason for me to watch and enjoy any show.
Zuko's actor was fantastic. He really captured the rage and confusion of this 16 year old banished prince. And there were so many Added moments between him and Iroh wich to me enriched their relationship. Like YES! This is why I'm watching, to see more of them, to see things done a little differently.
Iroh facing the consequences of his actions at Ba Sing Se!! That's what I'm here for!
Zuko's relationship with the men on his ship! That's what I'm here for!
The Extra layers we get to Ozai manipulating his children!
Also no one is talking about Admiral Zhao, who I had SO much fun with. I feel like they slightly fleshed out his character in a really dramatic way, really developing the hubris and frankly insane grasping ambition of someone who would kill the moon. I completely enjoyed this wilder, less controlled version of him, who comes up through the season from basically nothing and no one!
I am OBSESSED with King BUMI and his anger and disillusionment with the world! Like this was SO real. Living a hundred years of futile war would do that!!!! It is one of my favorite changes to the whole series. This new layer of emotion and character depth is what I'm here for!
Sokka was SO funny. He literally had me laughing out loud so often. That actor GETs Sokka, and GETS the way his humor is delivered. And is also able to tap into the more vulnerable side of him. People said he was "obsessed" with leadership. WHAT? That is a young person trying desperately to do his best and to try and find his place in the world, to figure what he has to offer. I loved his pride at hearing the Mechanist say that he would make a good engineer, and the sweetness of the moment that Yue's father says that he can be a hero without being a warrior. Sokka does so much growth in this series, in understanding himself and life.
And his chemistry with Suki was adorable!! I even like him and Yue (who was a totally unexpected sweetheart, despite her terrible wig)!! Like he has that same ability that Sokka has in the original to Connect with people.
Aang was great! He WAS fun loving and sweet and funny. I don't know what you guys wanted. Cartoons are always bigger and more exaggerated than live action. People's eyes swell up an, birds fly around their heads, and there are funny sound effects. That larger than life quality is the strength of animation! You have to look for different strength in live action. Like the SUBTLETIES of the acting choices. This little actor brought so much kindness, innocence, and strength to Aang.
And I FELT his frustration at being asked to do this at 12, his fresh hope anytime it looked like someone more experienced would be able to help him and no one did, and that's why he didn't learn waterbending this season, because he kept waiting for an freaking ADULT to show him the way, to help him carry this immense burden, but every adult he meets asks him for help instead, asks him to carry it himself, and then the finale hits and he realizes that there won't be any adults helping, he does have figure this out himself, and he makes the hard choice, takes on responsibility more than his years and offers himself to the ocean spirit, and he might have been lost entirely if not for Katara!
And that counter running theme to the show pays off: that he doesn't have to do it alone. He may not have more experienced guidance, because the adults have let him down again and again, but his friends will be with him, and they will figure it out together!
This is there throughout the series! Katara tells him this about learning waterbending, when he says he still wants to wait. Bumi tells him this in the palace at Omashu, and Aang sees the faith he has in his friends repaid!
I like these changes! And the show still found time for silly fun adventures and character building moments.
The show was never going to be the animated original. That is already a Masterpiece, and it frankly did NOT need to be adapted at all. I did not WANT a live action adaptation. I was adamantly convinced I would hate it. But the changes that they netflix show gave are what I Iike most about it. If I want to see Zuko say "you rise with the moon, I rise with the sun," I will go watch the animated original, because that version is perfect. And now, if i want to see Zuko say "Lu ten would have been proud to have you as a father," and see iroh pull him into a tight hug, I can watch this live action version, which is very good too. I'm going to disagree with most of the people on here and say that the Netflix's Avatar: The Last Airbender, DOES capture the heart of what we liked about the original show. It's spirit, fun, excitement, and characters. And the changes made are the reason we should be watching.
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ecoterrorist-katara · 2 months
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Zutara, romance novels, and the female gaze
Okay so I’ve been thinking about the female gaze a LOT so I checked out a subreddit about romance novels, despite never having read one. I came across this meme (which was initially a Tumblr post and then got posted to Instagram and then to Reddit and I’m now bringing back to Tumblr — Internet telephone, pls never change):
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And…what is The Southern Raiders, if not a platonic grovel? Katara’s pain is central to the episode. It’s central to Zuko. Zuko asks Katara what he can do to make up for his betrayal; she demands the impossible. He reads between the lines, cockblocks her brother to get the necessary information, and then waits outside her door overnight (which he also did for Iroh, the one person we know for sure he loves). He basically makes himself a receptacle for her rage, and he holds space for her by coming with her on her revenge quest and carrying their bags and not saying a damn thing about what she should and should not do beyond like…asking her to rest. And obviously the grovel works! She forgives him and then they’re thick as thieves, bantering and fighting and saving each other’s lives, etc.
On a different note, I’ve been told that enemies to lovers is one of the biggest tropes in romance novels, similar to YA lit and fanfic. Here’s something else I found in the romance novel discourse:
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And…yeah. In TSR, Katara really does show Zuko her worst self, because she doesn’t feel the need to perform for him. She doesn’t feel the need to perform moral perfection OR cold blooded vengeance. She bloodbends in front of him and he just goes with it. She doesn’t kill Yon Rha and he just goes with it. He doesn’t treat her any differently afterwards. Maybe they talk about it off screen, but I kind of like the idea that they don’t, because Katara doesn’t need to explain anything. And it’s so interesting, because some people in the ATLA fandom have a totally different read on TSR. They think Zuko was encouraging Katara to get revenge (by what, keeping his mouth shut?), and that Aang is the one who acts as her moral compass. I believe that either Bryan or Mike said in the DVD commentary that Aang is the angel on her shoulder the entire time. And this interpretation does make sense if you see it from the male gaze, where Katara as an object of affection is acting in an angry, irrational, threatening way. But if you see it from the female gaze, you recognize that actually it’s probably the most emotionally taxing experience Katara has to go through, and she doesn’t owe it to be nice or perfect to anybody. Katara’s formative trauma literally comes to a head, and she has to make a decision — no, a discovery — about who she is in relation to the tragedy that defines her life and even her identity (as a waterbender, as a parentified child who becomes the mom friend, as a genocide victim), and she’s accompanied by someone who trusts her judgement and validates her feelings.
I’m not saying TSR is explicitly romantically coded, but when it conforms so well to romance novel tropes…is it any wonder that so many people thought “yes this is her man?” And then he takes lightning in the heart for her and reaches for her when he’s literally dying, I will never be normal about that either
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dreamchasernina · 2 months
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The live action writers hate Aang
I have given myself a lot of time to think about the live action, and reached the conclusion that the writers hate Aang. I dare you to read read this and tell me I'm wrong.
Let me start this by asking you a question? What's the most badass scene Aang has in the first season of the OG show? No matter what you answer is, I know for sure, that scene doesn't exist in the live action. Aang does absolutely nothing to prove the audience he is the right person to be the Avatar, he learns absolutely nothing throughout the show, he doesn't need to look into himself and change his way of thinking. Nothing. Most of the fundamental lessons Aang learns throughout the first season are gone.
The first mistake Aang does in the OG is staying at Kyoshi island too long, letting the attention go to his head, getting too comfortable. He realises he brought destruction to the island and tries to fix his mistakes by jumping onto the Unagi to help the village. That's how he learned the responsibly he holds as the Avatar and finds a unique way to help the village. Well that doesn't exist in the LA. Instead, Kyoshi takes over Aang's body to fight the whole fire nation for him. Aang, himself, does literally nothing.
The spirit world. In the OG show Aang is forced to face his Avatar duty for the first time by trying to save the village that's beeing attacked by Hei Bai. This is his first test as the Avatar and he fails. Not only that, he loses his friend. So Aang has to figure out himself how to get Sokka back from Hei Bai. He figures out who her bai is, himself, understands why Hei Bai is angry and gives him hope, the way Katara gave him hope. So we see that even though Aang failed at first, he kept trying and was smart and compassionate enough to realise what the problem is and solve it. This does not exist in the LA. Aang sees Hei bai in the spirit world, within a second realises who he is and just gives him the Acorn, without having to face him at all!
Another reason I'm convinced the writers hate Aang is the way all the avatars + Bumi treat Aang. Everyone is mad at him for disappearing for 100 years. And look, I get that, you can be mad at him if he ran away from his duties...but he never did! He went to clear his head on Appa and got caught in the storm. And if he hadn't run away he'd be dead, so why are you all so mad at him?! Bumi being mad at Aang could make sense, because in the OG show Aang did spend a significant amount on time of goofing around before he finds out about the comet. But here, it makes no sense! Bumi is mad for no reason. As soon as Aang got out go the ice he took his duty seriously, so please, make it make sense! And the show just glosses over the fact that if Aang hadn't run away he would be dead with the rest of the air benders. Instead of letting Aang feel guilty himself, which he does in the OG show, they just get these characters to hate on him, because they're incapable of making their characters have any emotional depth.
Aang doesn't learn water bending. At all. And there is no logical reason for that. I guess they thought it wasn't that important but please explain to me how you want to make Aang more serious and focused on the Avatar duties but not make him learn water bending? The literal next step Aang has to take to becoming the Avatar?? That is the only clear goal Aang has from the second episode of the show - to find a master and learn waterbending! Make it make sense!
Taking away Aang's talk with Koh. So I assume if most people didn't answer my question above with the Koi fish, they probably said Aang's journey into the spirit world and his meeting with Koh. In the OG show, Aang has to find a way to figure out how to save the water tribe. He does so by going into the spirit world and talking to Koh the face stealer. So Aang had to talk to Koh showing zero emotions so he doesn't have his face stolen. That scene is so creepy and so badass and shows that Aang is really capable, even though he is a kid, he is facing the creepy ass spirit and is doing an excellent job. So when Aang finds out who the moon and the ocean spirits are, it feels deserved, it feels like an accomplishment. In the live action he doesn't have to show zero emotions because Koh is not stealing faces, he's just stealing random people for whatever reason. Koh tells him exactly what to do, bring me a MacGuffin so I can release your friends, Aang just goes to see Roku, no problem, no obstacles to overcome, brings the Macguffin to Koh and he just releases his friends. Wow, really shows us how resourceful Aang is by making him...get an object and give it back to Koh...
And the very last point that I absolutely hated in the show. When Aang goes into the Avatar state and becomes the giant koi fish and wipes everyone out, the live action show goes out of its way to emphasise that that is not Aang in there. Aang is gone. The Koi fish is just rage. and that's that. Taking away ANY agency Aang ever had. Look, I know in the OG show Aang is not in control of the Avatar state either, but we know that's still Aang in there, that's his power he's showcasing. He might not be in control but that's him doing it all, being all powerful. But in the live action, they tell us Aang is gone, that's just his body the spirit is using. Plus Aang does no watebending himself, no gestures like the original where you can see aang in the sphere water bending, controlling the giant Koi fish, showing us how far he's come as a water bender. But in the LA he's just in the sphere...doing nothing because he never learned water bending so of course that's not him doing all this cool shit.
I am so angry over all of this. This is you MAIN PROTAGONIST. and you made him nothing but a vessel to progress the plot. You gave him no character, no growth, no struggles, no power! So no, you cannot convince me, at this point, that the writers of the live action don't hate Aang. Probably as much as they hate Katara.
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starlight-bread-blog · 2 months
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Ember Island Players and Zutara
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Two approaches to analyzing literature are Doylist and Watsonian: Warsonian is about analyzing from an in-universe perspective, Doylist is about analyzing out-of-universe perspective.
For example: Why did the Gaang arrive at the swamp?
Watsonian: Because a hurricane made them crash.
Doylist: Because the writers wanted to explore the world & characters, foreshadow Toph, introduce plant benders, etc.
This analysis will be from a Doylist perspective. Meaning, I don't intend to prove Katara secretly canonically loved Zuko. She is a fictional character, she'll love whoever the writers want her to love. And the writers said she loved 𝖠𝖺𝗇𝗀. What I do intend to do is to show how the writing alluded to Zuko standing in 𝖠𝖺𝗇𝗀's way to being with Katara.
With that out of the way, let's dive right in!
At the beginning of the episode, when they sit down to watch the play, Zuko and 𝖠𝖺𝗇𝗀 share this exchange:
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If you didn't catch that, look at Katara:
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This is a classic romance trope, typically used for female characters, to signify romantic feelings/a crush. But what is it doing here, when Zuko sits next to Katara instead of 𝖠𝖺𝗇𝗀? What is this interaction doing here in the first place?
When an episode aims to explore an aspact of the characters, it will remind the audience of it in the beginning. In The Waterbending Scroll, Katara steals a waterbending scroll and gets insecure about her waterbending. The episode opens with the Katara teaching 𝖠𝖺𝗇𝗀 waterbending and getting insecure. In this instance, they want you to keep in mind the dynamic where... Zuko is in the way of 𝖪𝖺𝗍𝖺𝖺𝗇𝗀? (That's without mentioning what Katara's doing with her hair). That is strange.
Moving on to the play – See the joke about Katara's characterization in the play:
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The point of Ember Island Players is while the play is heavily distorted, it is somewhat based on reality. It's funny and even gets under the character's skin sometimes because it shows them a parody of themselves. (Further evidence).
When we get to the the scene between Zuko and Katara in the Crystal Catacombs, for some reason, it's portrayed as some romantic moment.
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Acknowledging a fan pairing in canon from is always out of the blue/baity from the get-go. I cannot recall a time when another show that did this. Here however, it's under the premise of somewhat founded parody. Which begs the question:
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(Side note: There's been debate over Katara and Zuko moving away from each other. It's common for eventual romantic leads to deny attraction. It could be contextualized that way later and audiences aren't trained to rule out the pairing. The meaning is dereminted by the outcome).
Despite that, Katara and Zuko aren't in love. Everyone knows this, right?
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𝖠𝖺𝗇𝗀 is jealous. Jealous to the point where he gets up and leaves the theater. The thing that kicks off the conflict of 𝖪𝖺𝗍𝖺𝖺𝗇𝗀 is... Zutara?
Speaking of the conflict, I won't dwell on it too much, but the events were the following: 𝖠𝖺𝗇𝗀 adressed the kiss they shared in the invasion, a kiss that went unaddressed for 5 episodes. Katara is unable to commit to an answer. Her lines, isolated:
"𝖠𝖺𝗇𝗀, I don't know" // "This isn't the right time" // "Right now, I'm just a little confused".
Until he kisses her once again.
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And realistically, she doesn't take it well. Many girls use this language to reject gently. This is purposely written to suggest that they might not end up together. All of which is kicked off because of Zutara. Remember the beginning: Zuko is in the way of 𝖪𝖺𝗍𝖺𝖺𝗇𝗀.
When 𝖠𝖺𝗇𝗀 is back in the theater, he's concerned about his future with Katara. It is showcased with this shot:
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𝖠𝖺𝗇𝗀 isn't angry at Zutara here, so why is Zuko in the shot? A director storyboarded this, it was planned. They could have easily leave him out of it and it would convey the message better. Leaving him here implies that he is somehow related to the conflict, That Aang is worried about them, while both of those things aren't true.
𝖠𝖺𝗇𝗀 not being able to sit next to Katara isn't ship baiting. 𝖠𝖺𝗇𝗀 getting angry at actress!Katara not returning his feelings isn't ship baiting. Katara herself being unable to immediately return his feelings isn't ship baiting. What is ship baiting is how all of this is caused by Zuko to a degree.
Zuko stealing 𝖠𝖺𝗇𝗀's seat and Katara giving him a side glance is ship baiting. Zutara being canonically addressed in a play that's vaguely founded is ship baiting. The former causing 𝖠𝖺𝗇𝗀 feeling jealous, leaving, and starting the conflict over it is ship baiting. Zutara is imbedded in the foundations of the episode. Ember Island Players plays out as if there is something between Zuko and Katara, when there isn't. That's ship baiting.
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comradekatara · 1 month
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i don’t want to watch natla but i appreciate very much you posting about “zuko’s little faggot diary” that shit made me crack up laughing ty
that’s just canon to me. he’s a boy who loves to monologue. of course he keeps a diary. how else is he gonna keep track of his special interests. where else is he gonna write down his angsty poetry. you know he spent months tracking aang down taking detailed notes on his garb, his fighting style, his flight patterns, and not once ever bothered taking note of his name, even though he easily could’ve learned it from the million times katara screamed it over the course of their fights.
which, if you’ll allow me to go on a tangent, is another thing that bothers me. when ppl are like “zuko learned their names because they all say one another’s names constantly.” and you think that means he actively made an effort to REMEMBER it????? you must be out of your damn gourd if you think that the most one-track minded human being in the history of the universe is paying attention to anything that doesn’t directly interest him in that very moment. but i digress.
i just KNOW that zuko was soo mad that he lost his diary after his ship got blown up by zhao because years of precious poetry and avatar lore, burned to cinders by that PHILISTINE!!!! and then as a refugee in the earth kingdom, he languishes, diaryless, because he’s too embarrassed to actually spend what little money they have on something so extraneous. and then once back in the fire nation he obviously can’t keep a diary because azula will do everything in her power to read it (he learned that the hard way as a child). but then, finally, once he flees to the western air temple, he can actually keep a diary again, now that he is surrounded by nice, normal people who don’t actually care enough about him to snoop through his belongings.
or so he thinks.
now, aang, being a respectful young lad, would never share his findings with the rest of the group, especially since none of them have actually warmed up to him yet. but that doesn’t prevent him from reading everything zuko has ever written in that diary. and of course, he doesn’t tell zuko, because he has the tact and savvy to know that if he alerts zuko to his snooping, then he will simply hide his diary better, or even worse, stop writing in it altogether. and zuko can’t stop writing!! for he has a poet’s soul!!!
also, zuko has somehow gathered a lot of information on sokka that aang himself did not know, despite being friends with him for nearly a year now (like the fact that he dated the moon??? or the fact that his mother was killed by the fire nation??? although that one he really should’ve figured out on his own. considering that he and katara are siblings, and thus logically would share a mother). and so aang really needs zuko to keep updating his SOKKA LORE notebook because he feels kind of guilty that he knew basically nothing about his friend and yet zuko, the least observant person he has ever met, is somehow an expert in sokkology (although aang is deeply offended on katara’s behalf that he simply refers to her as “sokka’s sister” or sometimes “the angry one”).
for the record, aang never actually puts together WHY zuko is so fascinated by sokka. he’s just like “of course he’d be intrigued by sokka. he has a very complex mind, what an adventure to attempt to fathom the depths of his psyche.” like he just assumes that zuko is using sokka as a case study for completely innocuous reasons. he also assumes that zuko, like any teenage boy with eyes, is infatuated with katara. not at first, obviously, because to zuko she is still “girl sister, long hair” but eventually. once they reconcile, and become friends. and then his diary makes a sharp turn from carefully documenting any and all sokka lore to “katara said this really funny thing today” “katara is so nice and pretty” “katara is such a good waterbender” and suddenly aang is NOT having fun anymore!!!! halt the presses!!!!!
so aang just kind of sulks to himself for a while because it’s not like he can TELL anyone about his NEW ROMANTIC RIVAL in the BID FOR KATARA’S AFFECTIONS, but he does try to vaguely intimate to sokka and toph that it bothers him. and toph’s just like “what?? you mean all those times she hooked up with haru at the western air temple???” and aang’s just like. “HARU??????!!?!!??!?!?”
anyway. zuko isn’t a complete idiot, so after a few good years of being friends with aang, he finally catches onto the fact that aang has been keeping up with his diary every time he visits the palace, after like, the fourth or fifth time that aang accidentally lets a piece of information slip that he only could’ve known via reading zuko’s diary. so zuko decides to mess with him, and starts keeping a fake diary in the place he used to keep his real diary (columbus style) and writing shit in it like, “aang’s recent experimentations with facial hair are so embarrassing. just because you’re finally old enough to grow a weak little mustache doesn’t mean that you, under any circumstances, SHOULD. i bet katara is throwing up puking every day just having to kiss his horrendous furry mouth.” or, “katara said that she thinks roku was not only hotter, but also a way better avatar than aang, and personally, i agree. if he was still the avatar today no one would ever go hungry and we would have total world peace.” or, “aang is way too comfortable going shirtless. if i had that scrawny lanky body i would cover that shit up with a big ol sweater every day.” or, “aang said something really mean the other day and it hurt my feelings and i cried alone in my room for 3 hours. aang is literally a bully????”
and aang can’t even SAY anything because zuko is allowed to say whatever he wants about his friends in the privacy of his own journal, but also he decides that if zuko truly hates him so much, then he will simply stop visiting the fire nation so frequently, out of respect to his friend. at which point zuko realizes that he may have gone too far, so the next time aang visits him, he puts his real diary in his drawer with an entry that reads, “i can’t believe aang keeps falling for my fake diary prank. he doesn’t even know that im messing with him. and he never will, because my system is flawless, and i’ll never ever lose track of which diary is the real one and which one is the fake.”
at which point aang runs headfirst into a meeting between fire lord zuko and his senior council and is just like “ZUKO!!!!!!!!!!! YOU IDIOT!!!!!!!!!!!!” and tackles him in a hug with no regard for propriety. he nearly gives zuko a concussion from the force of his hug. but dammit if it isn’t worth it.
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firelordsfirelady · 19 days
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V. Ocean and Moon
Author: @firelordsfirelady
Imagine: When Y/N—a princess of one of the Water Tribes—is told she’s leaving her tribe, she never expects that she’s to be betrothed to the Fire Lord’s son, nor was she prepared to be exiled the very day she arrived at the Fire Nation. With her life in the hands of her new fiancée, how will life change for the princess? 
Pairing: Zuko x F!Reader
Trigger warnings: arranged marriage, feelings of fear, banishment, mentions of burns/abuse, frustration, violence, betrayal
Word Count: 921
Destined to be Yin and Yang
I own no rights to any of the Avatar Last Air Bender characters. 
Author’s Notes
The characters as all aged up so Zuko’s banishment happens when he’s 16 
Keep in mind I am bringing a unique world with inspiration from ATLA in their characters, some of the events that happen, bending, etc. Not many things may align or occur with what happened in the show. It’s intended that way, so I hope you enjoy it regardless.
See Y/N’s inspiration here. 
For two days, I did not leave my room nor did I open my door to anyone. Several times someone knocked at the door to bring me food or ask if I needed anything, but I assured everyone that I needed nothing. By noon of the third day, I was starting to feel better, but I still did not want to deal with Zuko and his attitude. I was busy working on my third drawing since I had sequestered away to my room when three harsh knocks sounded on my door.
“Gentle now.” Iroh’s muffled voice came from the other side of the door that was followed by three softer knocks on my door.
“Unless you have jasmine tea, go away.” I smiled to myself as I continued my sketch, knowing damn good and well that Zuko did not have any jasmine tea with him.
“I told you this was pointless.” Zuko grumbled before I heard footsteps walk away from the door. A few minutes later, however, a set of gentle knocks sounded on my door.
“I have jasmine tea this time.” Zuko grumbled from the other side of the door.
“Tell her you have cookies too.” Iroh’s softer voice said, and Zuko sighed heavily. 
“And cookies.” He said. “I brought jasmine tea and cookies.” Sighing heavily, I set my pencil down and walked to the door.
“I hope the cookies and tea are better than you have been to me.” I said as I opened the door to find Zuko standing there with a tea tray and a small plate of cookies with Iroh standing off to the side behind him. “The tea certainly smells divine.” Stepping to the side, I motioned for Zuko to enter. Iroh gave Zuko a small push forward before he turned and walked away. “You can place the tray on the desk. I won’t ask you to do anything more than that.”
Moving to stand by the bed, I watched Zuko set the tray down before he paused at the sight of the paper laying on the desk. Curiosity was evident on his face as he gently picked up the drawing I was working on. I felt my face heat up as I watched the prince look over my art before I took a seat on my bed.
“Go ahead and say that it is so improper of a princess to have such a hobby.” A humorless chuckle left my lips as I played with a strand of hair.
“I wasn’t going to say such a thing.” Zuko said quietly, which caused me to look at him through my lashes. I had drawn two koi fish—one black and one white—to represent the moon and the ocean spirits, and Zuko was studying the picture with curiosity. “What is the story behind the drawing?”
“I’ll tell you on one condition.” Zuko looked at me with a raised eyebrow. “Make me a cup of that jasmine tea?” Zuko set the drawing on the table before he set to work pouring a cup of jasmine tea. I smiled at him as he handed me a warm cup of tea. “Thank you.” 
Inhaling the vapor from the tea, I sighed with contentment before I took a sip and let the warm liquid wash over my insides.
“The two koi represent the two most important spirits to the waterbenders—the moon spirit and the ocean spirit.” I motioned to the picture. “The black one with the white dot is the ocean because we believe the ocean gives us life. The white koi with the black dot represents the spirit of the moon, and our ancestors learned to waterbend by watching the moon’s pull on the ocean.” Zuko took a seat on the chair by the desk as I continued my story.
“The spirits come to our plane once a year to be mortals for a night. Though I have never seen them in person, I’ve had visions of these two koi fish since I was a young child.” I motioned to the picture. “I’m not sure what form the spirits take when they come to visit us, but I cannot help but think that koi fish is fitting for them.” Zuko looked at the picture for a moment before he shifted his gaze back to me. There was a slight upward curve to his lips as he looked at the picture again.
“You can have it.” I said as he looked at the picture, which made him turn to look at me. “You can have the picture. I’ve drawn them more times than I can count. Plus, I have other pictures to keep.” I smiled at the firebender. “If you don’t want it, that’s fine too. My feelings won’t be hurt if you don’t.” I shrugged before I sipped my tea. “Thank you for the tea and cookies. I appreciate it.”
Zuko slowly stood up and gave me a nod. He looked at the picture for another second before he stood up and delicately grabbed the art off of the desk.
“…Thank you for sharing your story…and for the art.” He awkwardly said before he bowed and turned to leave the room. He paused as he reached the threshold of the door. “I am sorry about what I said to you the other day.” With that, he left the room and closed the door behind him. 
I stared at the closed door Zuko left through, and my cheeks felt warm.
Perhaps there was still some kindness left in the Prince after all.
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imagines--galore · 2 months
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||The Thread of Fate|| Part Ten
Summary: Soulmate AU. They say the Thread of Fate connects you to your one true love. It may tangle. It may stretch. But it will never break. Wrapped around your little finger it tightens when it feels your soulmate is close and loosens when they are far. And becomes visible with the colors of your soulmate’s Nation when you finally fall in love with them.
Pairing: Zuko x OroraOC (ATLA)
Rating || Genres || Warnings: T+ Romance. Adventure.
Previous Chapters - Part One, Part Two, Part Three, Part Four, Part Five, Part Six, Part Seven, Part Eight, Part Nine,
A/N: This one is an absolute doozy! Be prepared for a lot of feels people! And a scene that literally popped up in my head as I wrote this. I dunno I just wanted to include it! Please excuse any mistakes I made!
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"This place is huge!"
Thats it. Those were the only words Orora could think of to describe Ba Sing Se.
Once they had crossed the Inner Wall she had felt her mouth open in amazement. Rows and rows of houses, as far as the eye could see. The chatter of more then a thousand people echoing in the air as they went about their daily lives. She had never seen so many people in one place. Not even the Northern Water Tribe had this much population.
Iroh chuckled beside her, amused by her reaction. "That is an apt description for it, my dear." They had stepped onto the platform, after making sure they had their belongings with them. They were really only small packs containing objects that had some sort of sentimental value. And money of course.
"Woah!" The young waterbender breathed as she gazed around from the raised platform they were standing on. The wind played gently with her hair, prompting her to push the strands behind her ears. Iroh stood just beside her while Zuko stood on the opposite side. He hadn't said anything the entire train ride, though she knew he had been just as amazed by the sheer magnitude of the city as she was. His eyes had widened slightly. A rather subtle movement, but then again she had started to notice everything subtle about him.
Only because of her observation of him. And not because she had stared at him out of the corner of her eyes on more then one occasion.
"Now! The first thing we should do is get some clothes. After all we are no longer refugees but citizens of Ba Sing Se." Iroh stated, leading the way down the platform with the two teenagers following after him.
"I'll have to find some work to earn money for that." Orora muttered to herself, thinking back on just how little coin she had left. Iroh turned to her, frowning. "And what makes you think I will not buy clothes for you as well my young pupil?"
She stopped short, prompting Zuko to almost walk into her. Orora ignored the glare he threw in her direction as she blinked at her smiling Master.
"Y-you..." She trailed off unable to find words. Iroh's expression turned to one Orora had seem him give Zuko when comforting him. "You are my responsibility Orora, and I care for you just as much as I do my nephew."
They were standing together, the three of them, with Iroh and Orora facing one another and Zuko standing to the side. His attention had been at a nearby weapons shop but a soft sound had him turning his head to look at Orora.
She had a tight grip on the strap of her water satchel, as if to keep her hands from trembling. But that was not what caught his attention. It was the fact that for once her icy blue eyes had a warmth to them he had never seen before. And they were swimming with tears. The soft sound he had heard, was her giving a small gasp as she tried to control her emotions.
Though she was failing at it, because even as he watched, a tear escaped her eye, sliding down her cheek.
Crying people had always been a weakness of his. He had no idea how to deal with them. Crying girls was even worse. But seeing Orora cry, at something so insignificant as his Uncle buying her clothes, had him feeling equal parts awkward and..........concerned.
Laughing softly to himself, Iroh reached out to take her still trembling hand and placed a pouch of coins in it. "Why don't you go ahead and buy your clothes my dear? I'm sure we will all benefit from having a pretty young maid such as yourself as our companion eh Zuko?" That last part was directed at him, prompting the banished prince to snap out of his stupor and stare stupidly at his Uncle.
"Wh-what?" But neither Pupil nor Master heard him as Orora quickly engulfed the old man in an embrace that reminded Iroh of the ones his son would give him as a young boy.
"Thank you...........Uncle." If he was surprised at her calling him that he did not show it. Though he did show his pleasure at being called thusly by her. "Now go buy your new clothes and do something about your hair. I shall meet you both here in two hours. And you also buy anything that catches your fancy."
"Wait! Both?" Zuko barked out. Iroh nodded. "Yes both. This city can be dangerous my boy. Especially for a young lady. And though I know she can protect herself, I would much rather she have you with her. For my peace of mind." He finished giving his nephew a look that clearly said, do not argue.
Pursing his lips, Zuko gave a small nod. Though there was no pleasure in his stance as he took his own pouch of coins from Iroh. "Enjoy yourselves then."
With a cheerful wave and a wink he was off to do his own shopping.
Zuko sighed to himself, pocketing his pouch and turning to Orora who was now tear free and already looking around at the different shops on either side of them.
Good, he preferred her tear-free.
Shaking his head, he pursed his lips before speaking.
"Come on. I think we can find a shop that sells clothes for us both." He had already started to move, prompting Orora to follow him with quick steps to catch up.
While Zuko had been of the opinion that their impromptu shopping spree would be awkward, it was anything but. Orora having never been in a city before, was flitting from one stall to the next shop. Eagerly pouring over the wares the shop keepers were selling, though she didn't buy them. Zuko was left to follow after her, trying to keep up with her surprisingly fast pace.
"Would you slow down!" He finally puffed out after loosing sight of her for a good few minutes, nearly making him panic before he had caught sight of her entering a weapons shop. She turned to look at him, a slightly apologetic look on her face.
"Sorry, I'll try to slow down but I just saw these and they reminded me of the swords you had when we met in the forest." Zuko looked to where she was pointing. And indeed it was a pair of dao swords, much like the ones that had been confiscated from him a good while ago.
Apparently there was a strict rule of no bringing weapons into Ba Sing Se. However you could buy them once you were inside.
A stupid rule really.
Still he had managed to hide the dagger Uncle had given him, but the swords had to go.
"They do look the same." He agreed with her. Before he could stop her, Orora had reached out and was lifting both of the swords from the stand and holding them out for him. "Well try them out. If its a good fit then you can buy them." She suggested giving him a small smile.
Maybe it was the fact that they were back in civilization. Or perhaps it was the interaction she had had with Iroh that had resulted in her being in a pleasant mood. Whatever it was, she had no desire to ruin it by squabbling with Zuko. Besides it wasn't that difficult to be nice to him.
Zuko glanced at her briefly, before reaching out to grasp the handle of the swords. His fingers briefly brushed against Orora's prompting them both to freeze momentarily. But he quickly shook off the feeling, turning his attention to the swords.
The weight was perfect as was the balance. Obviously they were of fine craftsmanship. Feeling that familiarity one felt when picking up a weapon they knew, Zuko swung them around to test further. After a couple more swings he stopped, seemingly satisfied.
Lifting one of the swords to eye level, he stared at the blade, watching his reflection stare back. "Well? What do you think?" Tilting the blade slightly he was able to catch a glimpse of Orora as she stood behind him.
Maybe it was the familiarity of the swords, or perhaps it was the soft yet hopeful look that he caught in Orora's expression which made him give a small nod.
"They're perfect."
                                           ————————–
The next step was finding new clothes.
And as soon as they entered the shop each teenager was whisked away by an employee. Orora was guided towards the female section of the shop, while Zuko went the opposite way.
A little annoying since he was supposed to be keeping an eye on her. However he did keep a sharp ear out, in case she called out for help. He made no complaint as the shop assistant began to pull out clothes that would be perfect for someone his size. Zuko stared dismally at the various shades of browns and greens that greeted him. He missed the red, black and gold colors of his Nation. For a brief moment he wandered if he would ever get to wear them again.
The thought had a sting of bitterness running through him, prompting him to pick out the first garment the assistant showed him. And he would've bought it as it was if the Assistant hadn't insisted that he alter it to his size. Something about the shop not looking good if he sold frumpy looking clothing. It would take some time though, so Zuko marched to the entrance of the shop to sit in one of the waiting chairs.
With his arms crossed and a grumpy expression on his face, any passerby would assume he was there against his will.
While Zuko seemed to be having a miserable time, Orora was having the time of her life. She had always adored dressing up, as typically feminine as it was and while she would've preferred to dress in the blue of her Nation, she wasn't opposed to wearing green so long as it got her out of her baggy clothing. She figured she didn't have to hide the fact that she was a girl in the city so, why not go all out?
"This color would look lovely against your complexion." The assistant, who had introduced herself as Hana, placed the green fabric against her shoulder to better assess the color alongside her skin. Like any member of the Water Tribe, Orora's complexion was darker then of those around her. And given that she had been traveling under the sun for so long, it had only darkened more. The color did stand out, and the fabric was so soft.
The young waterbender hummed. "Well I have an idea in mind. If I could explain it to you, would you be able to find something for me?" Hana grinned. "Its always good to have a customer who knows exactly what they want." She praised, picking up a writing utensil and paper to write down Orora's instructions.
"What did you have in mind?" She asked, looking like a woman on a mission. Orora grinned.
                                           ————————–
Fifteen minutes later, she walked towards the waiting area with Hana beside her.
"We have everything you just asked for Orora. I just have to alter it to your measurements, but that won't take long." Hana said with a reassuring smile to which Orora nodded. "Thank you for all your help Hana. If I may ask for one small request."
So saying, she quickly darted forward grabbing Zuko by the arm, and pulling him from his chair to stand beside her. Zuko, who had been busy examining his new swords, and pretending not to eavesdrop, was more so surprised at the sudden motion that there was no resistance on his part.
"My friend and I have to be at a dinner party tonight, but we do not have a place to bath or clean up. Do you know any bath houses around here?"
There was no way she was about to wear her new clothes without cleaning herself up first. She hadn't had a chance to bathe since the desert, a thought that had her shivering in disgust. Zuko glanced at her. "Is that your subtle way of saying I stink?" He asked to which Orora smirked.
"Subtle? I must be loosing my touch. I meant it to be more direct." She grinned at him before turning her attention back to the softly laughing Hana. "Luckily for you two my brother owns a bath house. And it is not so far from here." She moved to the door, gesturing for the duo to follow. "Just go down this street then take a right. First door on the left." She instructed. "I shall have both of your clothes delivered there within the hour."
"Thank you." The ever polite Orora said, even as she poked her elbow into Zuko's stomach to remind him to do the same. He did so, albeit in a rather grumpy manner. Still it was better or nothing.
Once they had paid for their clothes, the two set off down the street as Hana had instructed.
"You know we could've cleaned up at the new place we will be staying at." Zuko suggested, to which Orora gave him a disgusted look. "Zuko, we're filthy. We've been traveling for days. If you want to wait and dirty your new clothes, go right ahead." She made a hand gesture to that effect, but s topped midway as her blue eyes caught sight of something.
Zuko followed her line of sight and groaned loudly. "I have to buy one more thing." So saying Orora quickly made her way to the display of pretty hair accessories that had caught her eye. She yanked Zuko along with her, not having dropped the hold she had on his arm where she had looped it through his earlier.
A fact that neither of the them noticed.
At least Orora wasn't like other girls who would spend hours poring over pretty trinkets only to not buy them in the end. It wasn't even ten minutes later that they were once again making their way towards the bath houses, with Orora admiring the new hair comb she had bought.
"Isn't it pretty?" She sighed, watching how the blue stone set in the middle of the comb caught the mid-morning sunlight and shimmered beautifully. "And its so detailed, just look at the dragon." She held it to his eye level. He gave it a brief once over and, reluctantly, nodded. It was a pretty piece of jewelry there was no denying that.
"I thought I should get something blue to represent my Nation." Tucking away the comb in her pouch. Glancing up she saw him clench his jaw even tighter. At this rate he would grind his teeth to dust. "Maybe you should do the same?" She suggested her voice soft as they reached the bath houses.
His gaze snapped in her direction, startled and surprised. That was certainly not what he had been expecting her to say. Glancing around from the corner of her eye, Orora met his gaze with a look of understanding. Reaching out, almost hesitantly, she grasped his wrist, stepping forward so she could whisper the next words to him. "I don't condone what they have done. But they are still your people, and I know you miss your home."
She had to lift herself up on her toes slightly to be able to whisper to him properly. The action allowed the front of her chest to press against his slightly. To any onlooker it would look to be nothing more then a lover's embrace. To Zuko, the barely there embrace, was one of comfort. Something he did not realize he had needed for so long. He closed his eyes, but only briefly, before he gave Orora a small nod. While he wouldn't voice his appreciation for her act, he could acknowledge it.
Orora smiled softly before she stepped back. Turning she quickly walked into the bath house, and after a moment Zuko followed.
                                           ————————–
Steam curled from the water as Orora stepped into the square space in a robe, having gotten rid of her clothes as soon as she could. Locking the door securely behind her, she turned her attention to the tub in the middle of the room. It was just big enough for her so she eagerly shrugged off the robe and settled into the warm water. A sigh of utter contentment fell from her lips, feeling a sense of comfort as the water surrounded her. Quickly submerging her head, the girl picked up the sweet scented soap that had been left for her and began to scrub her hair and body. The water itself had some sweet smelling oils in them, and if it were up to her, she would stay there for hours.
Once done cleaning herself, she bended the water separating whatever dirt she had scrubbed off herself. Casting the dirt aside, she allowed the water to settle back down into the tub. Orora had barely leaned back to rest her head against the back of the tub when the sound of voices from the other side of the wall had her listening in curiously.
"You can wash up here." Said an unfamiliar voice. She heard the sound of a door opening on the other side. Make sense that the room next to her was also a bathroom. "I'll leave your clothes outside the door once they arrive."
"Thank you!"
The waterbender sat up straight, water sloshing around her as a small squeak of surprise fell from her lips. A sound the echoed in the otherwise quiet space, and since the wall on her left had more then ample space between itself and the ceiling, it was clearly heard by the person who had just entered the bathing chamber on the other side.
"Orora?"
It was Zuko.
Spirits help her! Zuko was in the room next to her own.
The thought alone had a blush stealing across her cheeks, and she could feel it as it traveled down her neck to her shoulders. How that was even possible she had no idea.
"Orora is something wrong?" His voice sounded closer now, like he was standing right next to the wall. And his voice sounded urgent. Clearing her throat she shook her head, even though he couldn't see her. "No, no everything is fine." Her voice sounded strange even to her ears.
On the other side of the wall, Zuko's brief flash of panic dissipated and the reality of the situation started to set in. He blushed just as brilliantly as Orora did, a fact that was unknown to both of them.
"I'm going to ask for another chamber." Zuko stated, already moving towards the door. The sound of water reached his ears followed by a two words that made his heart stop. "No, wait." Silence followed her soft exclamation as he waited for her to continue. Finally, after a rather lengthy silence, in which Orora was berating herself for speaking out like that, she spoke. "These two were the only bath chambers available on such short notice. Not to mention they'll charge extra since they have to warm the water again and get a new chamber ready so just.............stay."
Despite her affirmation and assurance, there was no denying just how awkward the situation was. Orora could hear every splash of water as Zuko settled into his tub, and Zuko was acutely aware of the fact that she could hear everything. So he just decided to sit in the water once he had hastily scrubbed himself clean.
The one fact that neither of them were even allowing themselves to think on was the state of undress they were both in. To distract herself, Orora began to create small patterns using her water bending, while Zuko made the water as hot as possible without letting it evaporate completely.
The silence and the awkwardness of it was slowly grating at Orora's nerves. She had always hated silence, it reminded her too much of the time when she would spent all those hours in her room while her father entertained guests. Why? Because a proper young lady said her greetings before excusing herself to her rooms.
Her patience only last five minutes before she finally snapped. "I believe we have reached a whole new stage of awkwardness then." Zuko didn't respond, though her acute hearing and bending sense did pick up on the water moving. Indeed, Zuko had been a little startled at hearing her voice, having supposed that the two of them would remain quiet for the remainder of their bath.
"And since they can't get any more awkward I'm just going to come out and say something I've been thinking since we reached Ba Sing Se." More silence, and for once Zuko was sure she actually wanted him to speak, as opposed to all the times she had told him to stay quiet.
"Whats that?" His tone was soft and his voice low, matching her in almost perfect pitch as he leaned his head back against the back of the tub, looking at the ceiling above.
"I know that we have a lot of differences between us." The statement had the young prince letting out a small unexpected chuckle. "Thats putting it mildly." He interrupted her, he could practically picture her pursing her lips at being interrupted. "Well yes, but I don't want to make you any angrier then you already ar-"
"Who said I was angry?" Zuko protested, half rising from his position to glare at the wall. Clenching her fists Orora shook away her annoyance before continuing. "As I was saying, I think tha-"
"I can feel other emotions beside anger you know. I'm not angry all the time an-HEY!" His exclamation was followed by a loud splash as the bubble of water Orora had bended over the space between the wall separating them splashed on his head. As Zuko spluttered and shook his hair out of his eyes, she started again.
"I know that we have a lot of differences between us, and that we would never see eye to eye. And I'm sure not a day will go by where you do not vex me, or I annoy you in some form." Hugging her legs to her chest, the young waterbender hoped the Fire Nation prince wouldn't reject her offer of peace.
"But since we will be living together until...........well we don't know when." Zuko's heart twinged at the reminder, but he stayed quiet. "I thought we should have a truce of some kind? Where we don't fight, at least not all the time, and try to get along."
That dreaded silence once more. Though this time it was heavier, weighing down on her just as much as it weighed down on him. She heard him stand up, prompting a sigh of defeat to echo in the two rooms. She could hear him as he opened the door and took his clothes where they rested on the floor. Zuko's mind raced as he dried himself off and began to pull on his new clothes.
After a few minutes, and accepting that perhaps she had humiliated herself enough, the girl quickly stood from her bath tub, bending the water from her body. Her new clothes rested on the floor in front of her door the same as Zuko. She quickly took them inside and unwrapped the items. Despite the sorrow tugging at her heart, she gave a small smile at the sight of her new clothes.
They were perfect.
Neither of them spoke as the dressed. Though Zuko finished first, and quickly exited the chamber. Orora took a few extra minutes, adjusting her clothes properly, before moving to stand in front of the small mirror and combing her hair with her new comb. Picking up a small section of her hair from her temple, she adjusted them so that she could place the hair comb through the strands. Now with the loose unruly tendrils out of her face, she was able to see her face properly in the mirror.
Satisfied with her appearance, she exited the bath just as she finished adjusting her water satchel, and promptly bumped into Zuko who had been standing right outside her door.
Her hands came up to steady herself, which he quickly caught to keep her from falling. Whatever insult that had been about to fall from her lips vanished when she saw who she had walked into.
Ice blue eyes widened, as she took in his newly dressed state. The clothing suited him, but what caught her eye in particular was how long his hair had gotten and how the strands at the front fell over his forehead. She had to physically restrain herself from reaching out and pushing them back. Not only because she wanted to feel how soft his hair was, but also because she wanted to see his pretty gold eyes properly.
Eyes that were now taking her in. The first time Zuko had met her she had been wearing her blue parka that had been blood stained and rumpled from her run in with the Fire Nation soldiers. Other then that, he had only seen her in shapeless short kimonos and pants that were dull in color and hid the fact that she was a girl.
The outfit she wore now did not hide any aspect of her being a girl at all.
She had opted for a light green Cheong dress with no sleeves to allow her arms to move better. The shirt she wore under it had long sleeves though, sitting snugly against her skin. The sides of the dress opened starting from her hips down the entire length of the dress which stopped a few inches below her knees. The edges of the dress had a pretty swirling design to add a hint of flare to it. Underneath it she had chosen a pair of pants that was dark green, the ends of which was tucked into her new leather calf length shoes.
She had styled her clothes exactly like the fashion of her Nation, except in green and lighter in material.
It had been perfect, though the dress was still a little loose on her. So Orora had taken the green sash the garments had come tied in and wrapped it around her waist. Not only did the dress look much better, but the belt accentuated her waist and made her look almost as if her body had an hourglass shape.
And while Orora was not the most vain girl, she did like looking pretty.
And for once, after so many months, she looked, smelled and felt pretty.
And Zuko was acutely aware of all three facts as he continued to stare at her. It wasn't unnerving in any form. There was no malice in his eyes. Only an emotion that she had never seen on his face before. Which was why she was having a hard time to place it.
She could puzzle over it later, she figured as Zuko released her hands and stepped back. Blue met gold before the latter disappeared behind closed lids briefly. But once they opened, there was a determined look in them.
And Orora saw the reason for it when her eyes dropped to the hand he held out to her. A beat of silence, in which Orora felt her breath hitch in her throat and a bright smile to bloom across her face as she reached out to grasp his hand between both of her own. And this time, when blue met gold, Zuko gave a small smile back.
"Truce."
                                           ————————–
The two teenagers had barely reached their destination when Iroh suddenly appeared at their side. Holding a vase full of flowers.
"I just want our place to look nice, after all, we have a rather pretty young lady living with us, do we not?" He gave Zuko a nudge with his elbow, though his smile was directed at Orora who blushed and smiled in return.
"You look lovely my dear." He complimented, though it would seem Zuko had reverted back to his moody self as he spoke. "This city is a prison. I don't want to make a life here." He sounded so bleak and hopeless about his situation that Orora frowned.
"We don't have a choice." She kept her voice soft so that no one would overhear her. "This was the only way to ensure our survival in the long run."
Iroh, sensing his pupil's rising annoyance with his nephew, quickly spoke. "Life happens wherever you are, whether you make it or not." Without pausing for breath he continued. "Now come on, I found us some new jobs, and we start this afternoon!"
Zuko stopped short, staring in disbelief. "A job?!"
Orora snorted to herself, clapping a hand over her mouth to keep from laughing, earning a glare from Zuko. Watching a Prince who had probably never worked a day in his life do an actual job?!
Oh, she was in for a treat, she thought smiling wickedly.
                                          ————————–
It came as no surprise when Iroh led them to a tea shop.
"And here I was thinking you had gotten a job at an apothecary shop." The young waterbender teased as she followed after her Master. Iroh simply grinned in reply. The two of them didn't bother to see if Zuko followed. He stood outside the shop, staring glumly at it before heaving a resigned sigh and following after his two companions.
It wasn't long before Pao, the shop owner, had handed them matching aprons and was telling them everything they needed to know about the shop. He prattled on as Orora finished tying the string behind her back.
"Argh, ridiculous." Zuko muttered under his breath, looking just as annoyed as he sounded. Orora nudged him with her elbow where she stood at his side. "Be grateful that we will have a steady income. Do you even know how hard it is to get a job in such a big city?"
He turned to glare at her. "This is humiliating. I'm not meant to be working as a servant. I'm supposed to have people working for me." He gritted through clenched teeth.
The girl gave him an unimpressed look. "Well I'm not meant to be here at all. I'm supposed to be married by now and living a miserable life." She caught sight of the surprised look that crossed his features, but continued to speak. "I wouldn't trade my current predicament for anything in the world." With that she turned her attention to the shop owner, who was still speaking with Iroh.
After a good few minutes of feeling Zuko's stare at her, she looked at him, raising her eyebrow in question. "You were supposed to get married?" His voice sounded hoarse and strange, even to his own ears. Orora nodded before giving a shrug. "It was arranged by my father. I had no say in it." She stated shortly, her eyes flashing with that iciness that served as a reminder to him to never cross her.
"Uh, does this possibly come in a larger size?" Iroh, who had been struggling to tie his apron finally spoke up. Pao gave a nod. "I have extra string in the back. Have some tea while you wait!" Before leaving he quickly poured hot tea into three cups and handed them out to his new employees.
Orora glanced down at the contents of her cup, making a face at the questionable color of the liquid. Iroh seemed to share her sentiment since he barely took a sip of it before his face contorted to one of disgust. He held the cup away from his body, as if it had done him some personal offense. "Blech! This tea is nothing more than hot leaf juice!" He declared. Zuko gave his Uncle a dead-panned look. "Uncle, that's what all tea is."
But the old man wasn't having it as he gave a look of utter disappointment and heartbreak. "How could a member of my own family say something so horrible?!" He exclaimed before a look of determination crossed his face. "We'll have to make some major changes around here."
"Well lets hope our boss doesn't fire us for taking over his shop." Orora stated softly, setting aside her cup and glancing around the bare shop.
"Though this place could do with some decorating."
Zuko groaned. Between Iroh's fanatic obsession with tea, and Orora's stubbornness to get her own way, he knew he was going to have his hands full.
                                          ————————–
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ultfreakme · 2 months
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Actually you know what, thinking on it, Sokka's sexism in the original was really weird and when writing fic, I had a hard time understanding where that even came from. We've been told Gran-gran left NWT because of the sexism and stayed at SWT, Hama was a fighter, Hakoda didn't condemn Katara for fighting or learning bending, there's a trivia thing where we learn Hakoda actually wanted to find a waterbending teacher for Katara. Now sure you can say fighting doesn't mean sexism wasn't present, but Sokka's conveyance of that sexism didn't work if that's the case.
Sokka specifically underestimates girls in fighting. That's how his sexism is largely expressed. Kanna wouldn't have raised Hakoda that way and in turn Hakoda wouldn't have raised Sokka like that.
He would be overprotective of Katara and stifle her as a bender, but not because he's sexist, but because Hakoda said "Hey you're our last warrior"- and this is actually the crux of his character.
One big argument people make is that Sokka's character arc with Suki apparently won't happen. But interviews state that the new focus on Sokka-Suki would be about them finding strength and solidarity as non-benders. In the original we do see Sokka trying to figure out his place and part in the war and among Gaang, he does feel insecure about his strength and ability to protect people. I think taking the new direction would connect well with the Serpent's Pass reunion.
I understand why people are hesitant but I just saw posts saying Sokka's sexism is inherent to his character as Toph's blindness is!?!?!? WHAT'S WRONG WITH YOU????? There's so much to unpack there I don't even know where to begin. Like this is getting ridiculous and in trying to say Sokka's sexism is good actually, you guys forget that the original was kinda fumbling its way through Sokka's sexism arc. It's not that fast or easy to make someone dismantle sexism, and the Kyoshi Warriors + Suki are playing into the idea that a woman is only equal to a man when she has combat prowess (I still kinda cringe at Suki saying "I'm a warrior....but I'm also a girl" she says that about her romantic interest in Sokka and kissing him, like why is being a girl or romantic interest associated with 'girl'?). They could've stretched out the arc and included Yue in helping Sokka learn that women aren't inferior but all talks of women's equality was restricted to combat.
I ADORE the Katara v Pakku fight and I think that was a far better discussion and showcase of misogyny and commentary on inequality. Because yes it was a fight, but it was, underneath all that, about Kanna and Yue.
It is the first time we see that actually, Kanna and Yue should get to choose because that is a fundamental right they should have. Healing was allocated entirely to women, but Katara learned it and it was never seen as an inferior form of bending. Everyone should get to pick if they wanna fight or they wanna heal or both. Katara'a fighter, a healer.
So I just wanna ask; Do you want Sokka's sexism to be there to comment on the unfairness of gender inequality? Do you want it there to give this one male character a character arc (because Sokka never talks to Katara- the one whom he hurt most with that attitude- or acknowledges his contribution in suppressing her advances in bending after this little lesson he learned from Suki)? Or do you want it there because the og did it so it has to be there? Because if it's the first, KATARA's arc does it a million times better and that's still in the show.
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m1ckeyb3rry · 2 months
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── THE GLASS PRINCESS // SEVEN
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Series Synopsis: You wake up in a strange room with no memories, broken glass at your bedside, and a prince named Zuko as your only chance at figuring out who you really are.
Chapter Synopsis: You get your first taste of freedom from the constricting walls of the Earth Palace.
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Series Masterlist
Pairing: Zuko x Reader
Chapter Word Count: 5.2k
Content Warnings: complicated relationships (strangers to friends to lovers to enemies to strangers to lovers to enemies to lovers), amnesia, alternate universe, lots of secrets and lying and mystery
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A/N: hello everyone and welcome to part two of the glass princess!! in the next few chapters we will be learning more about princess y/n and how she met zuko/the fall of ba sing se :) thank you all for reading!! and yes i did make up an entire spirit for the #plot 😭🙏🏻 i promise she will have significance to the story later on though!!
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Although it was uncharitable, you could not help yourself from thinking that the only reason Long Feng was allowing your brother to keep that ridiculous creature around was because of its apparent resemblance to Quynh. In a way, it could be considered to have been made in her image, and Kuei knew that as well as you did, which was why he was currently leaping about joyfully, shaking you by the shoulders as if he were a child instead of a man.
“I’ve found him!” Kuei shrieked at you for the thousandth time. “I’ve found Quynh’s son! She hasn’t abandoned us after all, Y/N! She sent her son to me!”
“That ghastly, muddy creature is no child of Quynh’s,” you said, wrinkling your nose at the tufts of fur all over the fine carpet. “And Quynh never abandoned us in the first place. I do not know why you think that that is the case.”
“No one has seen her in nearly a century, and it’s been even longer since anyone found Quynh’s Door. If ever she was real, she left the palace long ago,” Kuei said. “Maybe she was never a spirit in the first place — just one of Bosco’s ancestors.”
“That is blasphemy!” you rebuked him. “Quynh is no Agni — she is a concrete spirit, not an abstract deity. If anything, she is far more similar to Tui and La, from the Northern Water Tribe.”
“Who?” Kuei said.
“The ocean and moon spirits,” you said with a heavy sigh, once again finding yourself unimpressed by Kuei and his ignorance. “They live in the Northern Water Tribe and allow Waterbenders to bend.”
“Quynh doesn’t allow anyone to bend. She’s a different legend entirely. You should know that,” he said. You gritted your teeth.
“I wish you would pick up a book for once! It was an analogy, you fool,” you said.
“It matters not,” Kuei said after a second. “I don’t know why you’re so set on this fairytale, but the sooner you give up on it, the sooner you can find the wonder in the real world.”
“By the real world, do you mean my chambers?” you said. “Or yours? Because that is the extent of the world I know.”
“I mean the bear sitting before you at this very moment!” he said, ignoring your pointed response and gesturing towards his new pet with a flourish. “You are more taken with a made up story than an actual natural phenomenon. That’s a problem, dear sister.”
Bosco the bear grumbled at you in agreement, blinking his large, wet eyes at you. And perhaps you might’ve been impressed by his sturdy build and elegant snout, but all you could see when you gazed upon him was a cheap copy, a faded replica that could never hope to capture even half of the original’s glory.
“Well, dear brother, it can’t be helped. Your pet will never be Quynh,” you said.
“Always bringing down the mood, aren’t you?” he said, rolling his eyes at you. “I wasn’t saying he was Quynh, I was saying he resembled her greatly. Anyways, you know stories always inflate their characters; for all we know, Quynh really did once look like this.”
You wanted to argue with him, but of course it would not be productive. Like the element he ruled, your brother was set in his ways — the only qualities he had in equal measure to stubbornness were cowardice and naïveté, both of which he was perhaps better known for. It was true, though, that when he gained a sense of conviction for something, he’d stand by it with a fervor that he rarely displayed otherwise. It was one of the few attributes you could genuinely admire him for, even if it was inconvenient at times.
“As you say,” you said. “I see no purpose in further discussions on the matter. You do not believe in Quynh, and I do. Neither of us can change the other’s mind, so we ought to just move on.”
“Compliment Bosco first,” Kuei said. “On my authority as the Earth King, I demand it.”
“You demand a lot of things on that tenuous authority,” you muttered. Then, you smiled at the piteous looking bear. “You truly deserve to be my brother’s companion. I am certain you are possessed with the same commanding spirit that he is so fortunate to claim.”
Kuei beamed at you. “Thank you. You can return to your room.”
You snickered at him. “It is appreciated.”
Only when you were halfway down the hallway did he shout in protest, realizing your thinly veiled insult. You sped up your pace, running towards your room before he could come and question you or make another demand — you did not put it past him to insist that you compliment his bear properly.
It was one of those ways you had to get back at him. You were ever searching for more, trying your best to needle the brother who was, whether directly or indirectly, the cause of your imprisonment.
Your chambers. His chambers. The hallway in between. These were the confines of your world, according to Kuei and Long Feng, who was his most trusted advisor. It would be dangerous, after all, for a girl with no bending and royal blood flowing through her veins to be wandering the streets without protection, even in a city as safe as Ba Sing Se. So although you had begged to at least see the kingdom which was your own, you had been promptly refused every time, the locks changed periodically and the guards rotated hourly to ensure they stayed alert to your movements.
Escape was impossible, but even in such a life, you could find solace: in your dressing room, a door would sometimes appear, a door which led to the heart of the palace — not the throne room, but the true heart upon which the entire structure was constructed. Quynh’s Den, the entrance to which was constantly shifting between the spirit world and the mortal one, was the only place you had for yourself, though of course you shared it with its other inhabitant: the great mother bear spirit Quynh.
It was there today. Ensuring that the entrance to your own chambers was sufficiently blocked, you did not even hesitate to pull the door open, ducking into the stone passageway behind it eagerly. The only light came from the glowing crystals overhead, but you knew the way so well that you could’ve tread it even with your eyes closed, so the dimness did not trouble you any.
It did not make sense for such a long, winding hall made entirely of stone to be behind your dressing room, but that was because the hallway was not truly there. The door was only a gateway to the realm in which Quynh’s Den resided, but that realm was somewhere else, in some intangible other dimension that did not quite obey the same rules as yours.
Time, too, felt strange in this place. You did not know for how long you walked; you never did. You could only keep going until the narrow passage opened into a large cavern, the walls of which were studded with the same glowing green crystals that the entire hall had been encrusted with. The majority of the space was taken up by a massive black form curled up on a bed of ghostly white moss, her head resting on paws that were several times your own size. You knew from past experience that if you were to stand right beside her when she was in such a position, you would barely even be able to peek over her nose.
“Quynh,” you said. Twin jewels blinked open — her enormous eyes were the same luminous shade as the crystals surrounding her, and they, too, shone with a mysterious, intrinsic power.
“Y/N,” she said, the cavern rumbling with the depth of her voice. “I was wondering when you would come again.”
“I come whenever you allow me to,” you said, moving so that you could sit in front of her. She huffed, tilting her head so that you could clamber onto her paw and lean against the plush fur of her cheek, which would be several times warmer than the cold stone floor.
“It’s not under my control,” she said. “You know my limitations.”
“Yes, of course I do,” you said. “That’s how it’s always been. I was just reminding you, so that you are not angry.”
“I do not blame you,” she said. “For not visiting. I know that you cannot unless the circumstances align. Rather, it is that I am bereaved when you are gone. It has been many years since I could say this with certainty, but the truth is that I miss your company.”
“And I, yours,” you said. “Though you should not feel too complimented by that. It is you or Kuei, and I am, as ever, irritated by him at the moment.”
“You should not quarrel with him,” Quynh chided you. “He is the only family you have. It does you no good to fight with him so frequently. You will be sad if something happens and those are the only memories you have of him.”
“I wish that you were not inclined to defend him!” you said.
“Whether you like it or not, he is of the same line as you. I love him as well, for that fact. I am bound to,” she said. You pouted.
“You ought to love me more. He doesn’t even think you are real,” you said. “I’m the only one who’s believed in you in decades.”
“A mother cannot declare favorites,” Quynh said diplomatically. “And so, neither can I. You ought to know this by now.”
“He’s found a bear,” you muttered obstinately. “It’s a disgusting creature. Rolls in mud whenever given the opportunity and barely knows to shut its jowls when it’s eating.”
“A bear?” Quynh said, one of her ears flicking with interest. “I did not know of any which existed.”
“I suppose there is this one,” you said. “He is a true bear; I have ascertained as much. He does resemble you, though it is in the way that quartz resembles diamond.”
Bear was not quite enough to encapsulate what Quynh was. Certainly, her form was as such, but she was in a sense phantasmic, and so ascribing a physical species to her was disingenuous. That was why you found it so grating that Kuei was frolicking about and proclaiming that he had found her equal — she had no equal. Quynh stood alone.
“It is unfair,” she said, “for you to hold that against him. If you were possessed with an uneducated eye, you, too, would mistake the quartz for the diamond. He cannot be blamed.”
“I would know,” you said. “Even if I were blind, I would know. The diamond possesses something which the quartz never can.”
“And what might that be?” Quynh said.
“I don’t know,” you said. “But there is some such quality.”
“Perhaps,” she said. “Or perhaps you are upset about something entirely different and are taking out your frustration on an animal that cannot help its ancestry and a brother who is known to be a fool.”
“On that much, we can agree,” you said with a self-satisfied smile. “Kuei is a fool.”
“Y/N,” Quynh warned you. You hung your head in defeat.
“I asked Long Feng if I could leave again,” you said. “I thought he was in a generous mood, considering he raised no complaint about Bosco being moved to the royal chambers, but he refused! I told him I would not stray from my guards’ side, that I only wished to go for a matter of minutes, but still he said no.”
“Did he give his reasons?” Quynh said.
“The same as ever,” you said. “Until Kuei marries and has children, I am next in line for the throne. As the heir, I must be kept with the utmost of caution, and the only place I can be safe for certain is the palace.”
“He’s not entirely wrong,” she said. “The world is dangerous. More than you might think.”
“I don’t think anything,” you said, though you immediately felt poorly for snapping at her. “I cannot even form an opinion on the city I might one day rule. What sort of a princess does not even know her subjects? To say nothing of my brother the king, who himself has not left the palace walls in years and is entirely comfortable with that! I cannot understand it. I cannot understand why he has no desire to know his people, the very people who love him so dearly as to accept him as their ruler.”
“Not everyone is like you,” Quynh said, nudging you as gently as she could. “And your brother’s past shaped who he is now. You cannot blame him for desiring safety when he was there when it all happened.”
She spoke of your father. You had never met the man, for he had died days before you had been born, so you felt no grief at the reminder, but you knew it was not the same for Kuei. After all, your father’s death was the only reason your brother had taken the throne in the first place; a throne which, at his young age, he had been ill-suited for.
Due to Kuei’s fondness for animals, which he had had since he was very young, your father had taken him to the zoo for his birthday. There, a wayward assassin of the Earthbending variety had sent spikes of stone into your father’s heart, killing him before the guards could even react. It was all they could do to save Kuei and run — the assassin, as far as you knew, still walked free today, for they had been too concerned with your brother’s protection to chase after the killer.
The zoo was shut down. The child Kuei was crowned king, though your mother was deemed his regent. Days later, she fell gravely ill. Giving birth to you was the last thing she did — she never left the childbearing bed, using the final remains of her strength to push you out and hold you tightly against her chest until she stopped breathing entirely.
One child there for your father’s last moments. The other, for your mother’s. Quynh was not exaggerating in saying that Kuei was the only family you had left, but your lives had been so dissimilar as to be entire opposites. He had his ministers and advisors to replace the gap your father had left in his life. You had Quynh to serve as your mother, in whatever way she could.
“The guards will be vigilant,” you said. “And anyways, even if I am Kuei’s heir, I doubt that anyone would have cause to assassinate me. I am not important enough to the kingdom. If I were killed, Kuei would simply marry earlier, and have more children, so it would be a net loss for any assailants.”
“You know that I am not opposed to it,” Quynh said. “It is your brother and his advisors who forbid you; I am only reminding you to respect their wishes, for they, in some manner, have your best interests at heart.”
“But I am dying of it,” you said. “Every day I languish in the palace, I can feel my spirit being crushed by the ever-encroaching walls. My only respite is visiting you, Quynh, but even that is not enough. I am still captive.”
Quynh sighed. It was a great sound, whistling and low, teeming with disappointment and worry and affection, all in equal measure. You rubbed your hand against her fur, waiting for her response, though you doubted it would be any different than every other time you had asked.
“You want me to open a door to the kingdom,” she said.
“Yes,” you said. “If I go alone, in the garb of a commoner, then I should escape notice entirely.”
“Alright,” she said. You opened your mouth to argue before closing it.
“Alright?” you repeated. “You’re saying yes? What about the usual rebuttals? It’s too much of a risk, Y/N, you won’t even be able to find Quynh’s Door.”
“It’s true,” she said. “You won’t have that guarantee, but of course, I can manually open doors back to the palace. The danger in this is that you will have to wait until I can open a door to allow your return, even if you want it earlier. As you well know, time is different here. I could open a door for you mere seconds after you’ve left, but that still might mean you must spend hours in the city.”
“I do not mind,” you said. “I will make good use of that time. But what has changed your mind? Why have you never offered before?”
“Something has come to the city,” she said. “I can feel it. There is a presence, or perhaps multiple presences, that can change the course of Ba Sing Se’s destiny — and, more importantly, of your family’s destiny. I am not sure, but I feel as if it is imperative that you leave, or else I will be depriving you of that destiny. And that unto itself is a fate, but not the one which you are meant to find.”
“Who are they?” you said. “These presences. How will I know that I’ve met them?”
“You won’t,” she said. “There is no way for any of us to know. Even they, themselves, may not yet be aware of it. It is just like that. You needn’t endeavor to find them; if you are meant to, you will.”
“I see,” you said, and then you leapt off of her paw, beaming up at her. “Then the only thing I will
“I hope you do,” Quynh said. “Furthermore, I hope you do not regret your decision.”
“I won’t,” you said firmly. “Thank you, Quynh.”
“It is my duty,” she said. “I am obligated to. To be sure, it is difficult, for there is always some difficulty when a mother must let her child go, but it is necessary. It is a story older than even I.”
“And this story is just as old,” you said. “That even when you let me go, I will return to you. Of my own volition, I shall return.”
“So you shall,” she said. “Go, then, Y/N. And return with as much haste as you leave, so that I may not miss you for too long.”
A new hallway formed in the walls of the cave, and without a backward glance, you walked towards it. Striding down the passage, you kept your eyes forward, knowing that if you turned around, you would see the stone closing behind you. You could not go back; it was not the nature of Quynh’s power. There was only one way to go, now that the decision had been made: forward.
All of the passages made by Quynh were the same length — barring the one behind the famed Quynh’s Door, naturally — so it was a trick of your mind that made the trek to Ba Sing Se seem longer than when you returned to your room from her den. Still, eventually, you came to another door, and your entire body shuddered in anticipation as you placed your hand on the knob, because this was the moment that you waited your entire life for.
Unable to delay for a second more, you swung the door open, taking your first step into the city of Ba Sing Se, your silk-slippered foot toeing delicately onto the cobblestones. Shutting the door behind you, you glanced over your shoulder to ascertain that it had disappeared. As you had expected, the wall was smooth and bare, giving no indication that there had ever been an exit in the first place.
There were people everywhere. You had never witnessed such a large crowd before; people milled about by the fading light of the setting sun, jostling one another as they rushed to and fro. At the fringes of the throng, two men with long torches went about lighting the street lamps, though they took their own time doing so, talking and laughing with whichever passersby that they recognized.
Another person might find the chaos to be ugly, hideous in its disorder, but you found a kind of mystical appeal to the hustle of the street. These were people who were living their lives as they were meant to, with no awareness of the simple freedoms and small joys they possessed. They gave no care to the idea that their daily lives were so remarkable to you, that their going-ons were the most wonderful thing you had ever seen.
You were too afraid to step into the sea of people, so you stayed along the sides of the road, admiring them, watching them, wanting more than anything to be one of them. But of course you were not. You would never be.
The door had spit you out near a small tea shop. It was not run down, exactly, but it was lived in, homey, the wood polished and the chairs worn. You opened the door to the establishment, but found it to be devoid of any patrons. There was only an old man behind the counter, sorting the change with toughened hands, though he looked up when he heard the bell chime announce your entrance.
“Hello, miss,” he said. “I’m afraid we are about to close for the night.”
“Oh, it’s not a problem,” you said. “I wasn’t wanting tea, anyways. I was just admiring your shop.”
“Why, thank you,” he said, grinning at you. “Though it’s not my shop, so I can’t claim to have any hand in the decor.”
“It smells so lovely,” you said. “It reminds me of a very beautiful thing, though I can’t name which.”
“Flowers?” he guessed. “Maybe a garden full of jasmine blossoms, their petals facing the moon, with a few drops of rain scattered about on their surfaces?”
“Actually, yes,” you said, amazed at his accuracy. “How did you know? That was exactly correct.”
“It’s the new blend of jasmine tea we’re brewing for tomorrow. My nephew picks the flowers himself, so that we can be sure of the condition of the jasmine before we make the tea. It’s the best way to allow the flavors to come through!” the man said.
“Wow,” you said. “I never knew there was so much thought put behind tea. I just drink it.”
“Most people don’t care enough,” the man said with a nod. “That’s what sets our tea apart. It’s only when you pay attention to the most minute details that you can ensure your final product is as close to perfection as can be found in a teacup. It’s a grave sin to think that tea begins and ends with the boiling of water; in truth, it starts when you plant seeds in the soil.”
“That makes a lot of sense,” you said. “Though I hadn’t it until now. Thank you for telling me. I shall pay more attention the next time I have tea; perhaps then I, too, will be able to understand its origins from a mere sip.”
“It takes practice,” the man said. “But no harm ever befell the man who paid attention. Or woman, in this case.”
“Of course,” you said. “But I should leave you to close. I apologize for bothering you in the first place.”
“Don’t apologize,” the man said, waving you off. “It’s always a delight to have a conversation with a willing partner.”
“The delight was mine,” you said.
“Do come again!” the man said. “Perhaps earlier in the day, though. I can serve you tea — or, better, I can make my nephew do it. I think he’s about your age, and he is wanting for friends. But don’t tell him I said that! He’s not aware of it quite yet.”
Your eyes widened at the thought. You had never met someone your own age, nor had you ever had a friend — Quynh and Kuei were your family, for better or for worse, and the servants never dared speak to you beyond the barest of formalities. So, in a way, you were alsowanting for a friend, but you could not tell the man this. Instead, you smiled slightly at him, bowing your head in gratitude.
“I should like that,” you said. “If ever I am nearby again, I will surely come.”
As the night stretched on, the streets began to empty — or was it that you were wandering further and further away from the main crossroads? Regardless, there was certainly a shift in the air, and it was only when you entered a deserted neighborhood that you realized there had been footsteps following you for quite some time now.
Turning around, you saw no one. The streets were devoid of life. The footsteps had stopped, but you could not help the nagging feeling that something was wrong.
Where was the door? It had been long enough — you should’ve been able to find it by now. You should’ve been able to go home by now. But there was no door. You were alone, and you suddenly understood why you had been forbidden from leaving the palace.
“Who goes there?” you said. “I — I am armed, so show yourself, but proceed with caution!”
“Armed?” a voice said. “Don’t fool yourself, your royal highness. Everyone knows you aren’t armed.”
“Your royal — how do you know who I am?” you called out. “Coward! You dare to hide in the shadows and hurl such insults at me?”
Your response was an enormous boulder shooting towards you. You squealed and dropped to the ground, covering your head with your hands as the boulder smashed into the wall behind you, bits of rubble raining down. There was a stinging pain on your knee, and you frowned as you realized that you had scraped it when you had initially dodged.
“What are you doing?” you said. “You will kill me! Stop it! You craven hound, I command you to stop what you are doing and face me like a man! If you cease your actions and explain yourself at once, I shan’t have you put to death. I will even pardon you of your every crime!”
Again, no response, and your heart dropped as you realized that might be his goal. What other reason would the man, who apparently knew your identity, have for attacking you? It was unfathomable, but you were reminded that it had not been so long since your father had been assassinated. Whatever sentiments had driven that attack…what if you had been wrong? What if you were, for whatever reason, the target for the next assassination?
It reminded you of a story, one you had read on the tenth anniversary of your father’s death. You thought it might comfort you, or more specifically your brother, to read the tale of another king who had been assassinated but whose reign had continued on regardless; in truth, though, only one quote had stuck with you, and this quote was neither comforting nor kind.
Sometimes, these things just happen, it had said. Kings are murdered. There isn’t always an explanation. Sometimes, the only reason is the action itself. Sometimes, people just kill for the spectacle of killing.
Maybe that was the case. Maybe you were just going to be killed for the spectacle. The show. The king’s beloved sister, murdered in his own city, the safest city in the entire world.
Right when the second boulder was about to hit you, there was a metallic sound, and then something sliced through the boulder, cutting it in half before it could reach you. When you looked up, there was a man in black standing in front of you, twin blades held in each hand, his posture confident but wary.
“Who are you?” you said. The man did not respond, scanning the area. He must’ve determined it to be safe, as abruptly, he relaxed his stance, sheathing the swords and then shifting to face you.
You could not stop yourself from yelping. Instead of a face, there was a blue mask regarding you, frozen in a grotesque grin, though when you got over your initial surprise, you realized you recognized the guise.
“The Blue Spirit?” you said. He nodded. “I’ve read the play, but I didn’t realize that you were — that you were a real being!”
The Blue Spirit was motionless in the wake of your words. Or, no, that was not correct. It was not that he was motionless, but that every part of his body was constantly shifting and changing, on high alert, so that the sum total was a man that was both ever at rest yet ever moving.
You pulled yourself to your feet, careful not to hurt yourself on the scattered stones surrounding you both, and just then, right behind you, a door appeared. You laughed ruefully at the ironic timing.
“What were you doing here, anyways?” you said. He mimed opening his hand; you did so, your palm facing the sky, though you had no idea what he planned to do with it. But he had saved you, so you thought that there was no harm in trusting him for a moment longer.
He did not do anything as dramatic as grabbing it or carving his name into it. He just dropped something into it, something soft and light and white.
Jasmine flowers. The delicate cups of the blooms were opened, seeking out the moon, and twinkling in the starlight against the silky fibers of the petals were a few drops of water — holdovers, you assumed, from the day’s rainfall.
You closed your fingers over the flowers, careful not to crush them in your fist. You did not know what they meant — an offering? A price? Something else entirely? Regardless, you knew that they were important, and you vowed to reread the story of the Blue Spirit once you returned home, so that you could understand their significance.
“Thank you,” you said. “For the flowers, and also for rescuing me. If we should ever meet again, then I will thank you in a better way, but for now, I have to go. The longer I linger here, the more danger the two of us are put in.”
Opening the door, you took a step in, but before you closed it, you looked over your shoulder, back at where the Blue Spirit had stood. That strange person…you owed him your life. The least you could do was look back at him, afford him a final glance before you sealed yourself away entirely.
When you turned, though, he was already gone. The only proof that he had ever been there in the first place was the flowers in your hand, the pluming dust in the air, and the heart which steadily beat in your chest — that beat which meant you were still alive, at least for now.
You did not stand there and mourn his absence. Allowing the door to swing shut and the passageway to close behind you, you began to walk home.
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taglist (comment/send an ask/dm to be added): @rinisfruity14 @c4ttheart
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173 notes · View notes
aryxchse · 19 days
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No cause now I need more. Like I don't know headcannons or something about how they got together and how their parents reacted.
LIKR IMAGINE THE FAMILY GATHERINGS!SGAHSJSKSN
Something- anything please I am begging😭
percy jackson x daughter of amphitrite! reader headcanons.
a / n : feeding my inner self ship here LMAO and also this is literally headcanons that made up from my ass, so idk if amphitrite would have a cabin, because they didn't make one even for her honor sooo.. yeah
warnings : cursing, fighting, blood mention, injury mention, basically just two waterbenders in love
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- it was all camp half blood's fault
- you didn't had a cabin of your own, but they thought you staying in the poseidon cabin was the best decision
- well it was.. until percy got claimed
- you both had to share the same cabin, and he wasn't the best at keeping it clean
- all those years, getting a 10 from the cabin check, you got 5 because of him
- and it made you furious
- but, a nice girl you are, instead of breaking his heart, you warned him
- "next time we get a 5 from the cabin check, i will break your surfboard into pieces 😊"
- "yes ma'am 🫡" no ofc he didn't said that
- but he thought that as he nervously shake his head
- well, he didn't really had a time to clean his cabin, so the promise was forgotton
- and you learned to pick up after his back
- it was a beautiful afternoon when annabeth barged into your cabin
- "percy's in a fight and we can't stop him."
- these are the questions that you should've asked when she said that : what's that have to do with me? what am i even gonna do? why are you coming to me? what the fu-
- but what you did instead : run to percy
- alright, i guess you two have a bond now
- "alright seaweed brain, get your ass back up," you said as you yanked grabbed him by the arm and pushing him aside
- he tried to run to the boy he was beating back again, but you just pushed him by his chest and slowly lead him to your cabin
- "dude what the hell is going on with you?" you asked as you both enter. he was panting, sitting on his bed and holding his head. "percy? i asked you a question."
- "he was saying something shitty about you, and i couldn't just stand there and listen him. okay?" he said, not facing you.
- oh
- ooohhhhhh
- 😏
- "why though?" you sat next to him on the bed, too suprised to even get mad at him
- "you always got my back in cabin check so, i got your back outside, i guess." he simply shrugged
- alright mr in love
- and with that, you both got really close
- this was your breaking point in 'awkward energy'
- surfing competitions where it's just you two racing? check
- married dolphin and shark plushies? check
- going to an aquarium? double check
- the animals were once your enemy back then because of your mother, was your friends now
- same as percy
- and when you both started dating, percy realised how relaxed he was around you
- like when he was little, he would listen to ocean sounds to calm himself down after a stressful day
- and you have the same affect on him
- later he learned that children of amphitrite have that affect on children of poseidon and that's why annabeth bringed you that day
- talking of the parents
- the meeting was the most hilarious thing happened to you both
- because they already knew
- one time. ONE TIME YOU KISSED PERCY UNDERWATER AND THE FUCKING FISH WERE ALREADY EVERYWHERE-
- "ohh lord perseus and princess y/n"
- "ohh they're kissing"
- and suprisingly gossip spreads around ocean VERY FAST
- you both got a call from atlantic or smth to get there fast
- they weren't angry or anything, poseidon loved you and weirdly your mom loved percy
- they were just.. suprised
- "what type of history shit is going on here-"
- "POSEIDON."
- you understand where percy got his humor from now
- alright moving on to real parent SALLY MF JACKSON!!
- you think you being her ex's wife's daughter will make her hate you?
- well yeah, but sally jackson is the definition of angel
- and she doesn't care about your godly side as long as you're making percy happy by just being in his life
- so as you can say, you guys are already besties
- moving on again to u and percy
- underwater kisses duh
- silly blue shirts about fishes
- watching ariel, moana, lost fish nemo and dory and all of the sea shit together
- and recreating the musical scenes
- you having a signature pegasus friend like him
- and him having a dolphin one like you
- you guys just rule the lake atp
- living in the same cabin is the best thing ever happened to percy
- because he get to cuddle you EVERY NIGHT without having to worry about getting caught
- and tyson? basically your children
- seashell jewelry gifts from percy
- always wearing blue together
- also eating blue food
- this fic is really long rn but you both are yue and sokka tbh
- give yue one more chance!!
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botherkupo · 2 months
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I swore to myself i wasn’t going to dip my toes back into the trash fire that is the atla fandom, but it is insanely funny to me how worked up ppl are getting over Sokka’s “toned down” sexism
You guys realise it makes waaaaaaay more sense for Sokka to not be super misogynistic in order to make the northern water tribe “Katara can only learn healing” issue more impactful, right?
Why would Kanna run from one overly sexist place to another? Why would Sokka, a boy who is basically being raised by women and must have known there were warrior female waterbenders before they all got wiped out, think that girls are weak, useless, and only good for certain things? It makes no sense, because it was clearly never thought that deeply about. They just wanted to throw in the cartoonish misogyny for cheap laughs — because that’s how we were actually supposed to react. It wasn’t to learn a lesson, it was to laugh at Katara’s angry reactions, Sokka’s dumb attitude, and laugh at Suki later handing his arse to him because he thinks girls can’t fight.
So yeah, I don’t see what the big deal is. Something that gets resolved (if you can even call it that) in a few episodes is not that important to an overall character arc. Adaptation is exactly what it is: an adaptation. Changes will be made to hit different notes and emotions. This is also a live show and they cannot waste time on stuff that honestly doesn’t matter in the grand scheme of things.
Also, they never said they were removing his misogynistic views — just toning them down, because, like I said, what we saw in the show was the typical cartoonish crap for cheap laughs.
Anyway, all this said, if you think Sokka getting his arse handed to him so he’s not so sexist is gonna revolutionize the world and is the only way to show all the little boys how not to be dicks, idk what to tell you. I just know I didn’t watch atla to be wowed by Sokka’s short-lived stint at being yet another “girls need to stay in their lane” dude.
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Note
you once said that the ZK do not allow the canonical Zuko to show real, sometimes ugly signs of trauma. can you write more about this? because that's what I always felt when I came across their terrible takes, but I couldn't express it.
Gladly! But first, I need to mention the sign of trauma that Zuko usually lacks - and that, for some reason, the fandom insists defines his character:
Fear
Don't get wrong, I'm not saying Zuko never experienced fear. We all saw that poor boy on his knees, crying, begging his father not to hurt him.
But in "Zuko Alone" we also see 10-year-old Zuko get bitter that only his younger sister was expected to show off her firebending skills, and deciding that he would go against his father and demonstrate his own skills to the Fire Lord - that despite the fact that he knew Azula was better at it than he was. Even when it goes wrong, he is upset, but doesn't look afraid of the consequences.
That same episode shows Azula mocking him for playing with knives despite not even being good at it, and even though the fandom insists she was his worst fear ever since he was a child, Zuko responds with a "Put an apple on your head and we'll see how good I am." That little guy has exactly zero chill.
Let's not forget why he was banished either: Despite being considered too young to be in that war meeting, Zuko demanded to be there, eventually got his way, and despite having been told not to say anything, the second he hears a general suggest using their own men as "fresh meat" to lure the enemy, Zuko speaks out against it. And at the start of the Agni Kai, he looked 100% ready to fight a grown ass man with battle experience - until he saw it was his father/Fire Lord.
Let's not forget his Agni Kai with Zhao, which was his idea and that he actually won - and before that, he openly calls Ozai a fool, to which Zhao points out that banishment clearly not teach Zuko to watch his mouth. Or the time he openly challenged Azula in Ba Sing Se and they only didn't fight then and there because Azula knew she'd have the advantage by using the Dai Li. Hell, at the start of that very season, after she tried to lure him to a trap, Zuko's first reaction is to charge at her, fire-daggers in hand. That boy is the definition of "Fuck around and find out."
He has also done things like choosing to save his uncle from earthbenders instead of chasing Aang, crossing a blockade and going into actual Fire Nation territory even though he legally is no longer allowed to do that, and helped rescue Aang from Zhao as the Blue Spirit. It shows us that Zuko doesn't have an issue with temporarely deviating from his mission because of something HE deems important even though his father doesn't, openly disregarding Ozai's orders, and even basically saying "My father will have the Avatar as a prisoner only if I'm the one to capture him"
And, of course, on the day of the eclipse, Zuko grabs his swords and directly threatens Ozai, telling that bastard to sit the fuck down, shut up, and listen to his list of reasons why he sucks as a parent, ruler and person.
Zuko is brave. Unbelievably so. He is fierce, proud, and impulsive to the point of getting himself in situations that he should have known would not go his way (like fighting a waterbender in the snow, in the full moon) because he is very much a "act first, think later" kind of guy. So the fandom's insistence that he is constantly paralyzed by fear is a gross over-simplification of how his trauma affects him.
We only see him genuinely afraid of Ozai twice. During the Agni Kai itself, and then again when he WANTS to speak out against his father's plan to burn the Earth Kingdom to the ground, but can't bring himself to because he remembers what happened last time he spoke out against that kind of horrible thing during a war meeting, at that very room. It took something THAT triggering to make him cower before a challenge.
However, fear wasn't the only reason why didn't speak out during that moment, and that takes us to the first "ugly" sign of trauma that the fandom as a whole likes to pretend Zuko wasn't repeatedly shown to experience:
"My father is right about me, actually"
Zuko doesn't think Ozai was wrong to disfigure and banish him. How could he? Nobody in that entire room stood up to at least try to support him, not even his uncle - who also once said "Why would your father have banished you if he didn't care about you?" because, surprise surprise, nobody in that family knows how to help someone through trauma because they're all dealing with their own shit. Even his crew, who WAS sympathetic to him after finding out how he got that scar, were still 100% willing to not only support Ozai, but risk their lives for him.
Zuko isn't just trying to heal from abuse, he is trying to heal from victim-blaming, and to go against YEARS of indoctrination that say the Fire Lord can do no wrong. That's part of why it was so difficult for Iroh and others to help him: Zuko didn't believe that he needed or deserved help.
And that is also one of his three major unhealthy coping mechanisms. Claiming that HE needs to prove himself to Ozai, that HE needs to make up for HIS mistakes, not the other way around.
It might seem strange that this could be a way to cope, but look at it this way: If it WAS his fault instead of Ozai's, then that means his dad is not an unfair, abusive piece of shit that is unbelievably cruel and impossible to please. Zuko just needs to accomplish this mission of capturing the Avatar and everything will be fine, they'll be a normal family again, and he won't have to be afraid of someone he thought he could trust.
It was like Iroh said: Things are never going to be the same ever agin, but the Avatar gives Zuko HOPE. And that hope that his abuser will one day have a change of heart and be a loving father to him again is both what allows Zuko not to give into despair - and what keeps him trapped in that awful situation.
Misplaced Anger
Another "unpleasant" sign of trauma that Zuko has is how he clearly has an anger problem. Sure, he's a moody teenager with a short fuse, but we see over and over again that he tends to blow things way out of proportion, and that when faced a fact or opinion he doesn't like, he is quick to lash out at someone with VERY cruel words (see him calling Iroh a lazy, shallow, jealous old man in "Avatar State", or calling him crazy and saying if he wasn't in prison, he'd be sleeping in a gutter in "The Headband").
Through the entire show, many people faced Zuko's wrath - Iroh, Aang and friends, his crew, Azula, innocent people of the Earth Kingdom, Mai, Ty Lee, that one rando that talked to Mai, and even Zuko himself.
The one person that usually escapes said wrath is, ironically, Ozai. In "Zuko Alone" he refuses to believe his father would ever be capable of harming him, in "Avatar State" he snaps at Iroh for doubting that Ozai really changed his mind about the whole banishment thing.
He is mad at Aang for being too difficult to capture, and at Zhao for stealing his one chance to come home. He never stops to question if it's fair that his father had him chase someone that was presumed dead, aka an impossible task, as the condition to bring him home. He also never addresses how he feels about the reason WHY said banishment happened until the Day Of Black Sun.
He is mad at Azula for lying to him and trying to take him home as a prisoner. He never gets mad at his father for not only wanting to lock him away forever because ZHAO screwed up at the North Pole, nor how messed up it was that he put Azula in charge of said mission.
For fuck's sake, in the day of the eclipse, we find out that Zuko legit believed his mother was DEAD - and the entire circumstance was shady as hell and put Ozai in a very bad light. Yet Zuko still wanted his love, still wanted to be a "worthy" son.
He HAS to direct his anger at other people, otherwise he'll realize that no, his father, the adult that was meant to care for him, is a complete monster.
Everytime Zuko lashes out at other people before confronting Ozai, he's basically acting like someone who is drowning and, in a panic, is trying to pull the nearest person under so he can try to breathe. It is one of the most accurate and honest representations of trauma and abuse, and it makes me SO mad when people erase it in their fics because "poor, innocent, helpless turtleduck that can do no wrong" makes Zuko look like less of a dick - and also completely strips him of his agency.
And that isn't even the thing that fans ignore the most. That "honor" goes to the simple fact that Zuko, as expected of a child raised to believe the Fire Lord can do no wrong, decided that Azula had the right idea and that the best way to avoid being a victim again was...
Copying His Abuser
Zuko has REPEATEDLY let his "inner Ozai" out through the show.
He is all manipulative by not letting the pirates know he was chasing the Avatar who was worth A LOT more than the scrowl they'd get as a reward for helping him, and by using Katara's necklace as a way to try and get her to say where Aang was.
He repeatedly steals stuff from innocent people (including some who helped him, like Song) because, in his own words "These people should just be giving stuff to us" - aka he's very much an entitled prince.
He betrays his uncle by joining Azula in Ba Sing Se, leading to Iroh being thrown in prison. He also doesn't give a shit when Katara says "I thought you had changed!" and he sends a freaking assassin after the Gaang. Even him refusing to tell Azula that there was a chance Aang could still be alive works both as a "Zuko doesn't trust Azula to not use that against him, and for good reason" and "Zuko did not even stop to think that, since Azula was the one who killed Aang, him coming back also puts HER in danger, because he's too focused on his own problems to notice anybody else's."
More importantly, he rejected a chance of a ceasefire with the Gaang three times (The Blue Spirit, The Chase, Crossroads of Destiny), much like Ozai refused his shot at ending the war in the finale before his battle with Aang, and not only did he challenge Zhao to an Agni Kai and seriously consider burning him, he also threatened one of his crewmen by saying he'd "teach him respect" - which we found out later that episode was what Ozai right before disfiguring poor Zuko.
For fuck's sake, Ozai was literally designed to look like an older Zuko. One without a scar, one that was never banished, one that never had to see first-hand all the death and suffering war brings and reflect on the role he plays in it.
Finally, we have the war meetings in "Nightmares And Daydreams", in which Zuko doesn't speak out against his father's completely inhumane plans to deal with the Earth Kingdom. When talking about it with Mai, he says "I was the perfect prince, the son my father wanted. But I wasn't me."
That is the turning point for Zuko for a reason. It's him finally being forced to acknowledge that, to become Ozai's ideal son, to earn his (conditional) love, to not be his victim he has to be just as bad as he is, just as cruel, just as unfair - and we see in Azula's breakdown how Zuko likely would have ended up if he accepted that path.
But he didn't, and that was not easy because even though it was the morally correct choice, it'd require him to sacrifice everything - his title as a prince, his right to be in the Fire Nation, his relationship with Mai, his (extremelly complicated, sometimes good, often awful) bond with Azula, the "easy" way to get literally anything he wanted at everyone else's expense, and, of course, accept that his father was never going to love him, was never going to change, and was never going to feel sorry for abusing him.
Erasing such a central conflict of his character for the sake of denying he ever did anything wrong is, ironically, removing one of Zuko's most noble character traits: his inability to just live with himself after doing something horrible. There's a reason he is in deep conflict even after getting everything he wanted after the fall of Ba Sing Se - he knows he doesn't deserve it after what he's done.
If you ignore his mistakes and the horrible consequences it had for other people, you also ignore Zuko's growth. This puts him more in the position of a good guy being held hostage by the evil villain, not of a troubled child that redeems himself as he matures.
No flaws, no mistakes, no growth, no arc.
Trauma Doesn't Just Go Away
This one is, by far, the bad trope regarding Zuko's trauma that Zutarians are the most guilt of: assuming that if he just gets enough comforting hugs (mainly from Katara), all of his inner turmoil will suddenly be healed. No more sadness, no more fear, no more of the ugly traits they never acknowledge in the first place. Just a happy, fully recovered Zuko.
But that's just not how these things work. Having the support of a loved one helps victims feel better, but it won't magically make everything okay. Trauma is a really difficult thing to handle. There's good days, bad days, relapses, bad habits that are difficult to move past from. And not only are there cases in which people take YEARS to recover, there are also cases in which they never fully heal, and instead just learn to live with that burden that is still very much present.
I understand the desire to show in fics and headcanons that Zuko will eventually be fully healed and happy, but the way Zutarians make Katara act as not just his girlfriend, but as basically his therapist that needs to find miracle solutions for every single one of his problems, comfort him whenever any minor inconvenience happens until he's gotten enough hugs to be magically okay doesn't just reveal how hypocritical they are, since they insist Kataang is about Katara being Aang's girlfriend/mom/baby-sitter, but also that they legit do not understand a damn thing about trauma and how it works.
Which takes me to:
How Mai Actually Did Right By Zuko
Poor, poor Mai. She gets blamed for "bring out the worst in Zuko", for not being "supportive", for being too cold and unemotional, for not "seeing the real him" - yet she's one of the characters that CONSISTENLY help put Zuko back on his track.
She offers him emotional support and lots of signs of affection over and over again - telling him not worry when they're arriving at the Fire Nation, pointing out she doesn't hate him when she says she's beautiful when she hates the world, explicitly saying she cares about him in The Beach, being incredibly sweet and loving to him during all of Nightmares and Daydreams, and then again in the finale by helping him get dressed up and acting all cute as they get back together.
But she also holds him accountable when he screws up. She doesn't let him use his difficult life as an excuse to be a jerk and calls him out when he's being unreasonable, or when she feels mistreated/like he's making a mistake (see The Beach and Boiling Rock Part 2).
But since the fandom loves to completely erase Zuko's mistakes AND to not let go of a stupid ship war, this completely changes the context, making Mai out to be this awful, bitchy girlfriend, when in reality, she did a great job handling Zuko - sometimes even better than the fan favorite and mentor figure Zuko had through most of his arc.
Uncle Iroh Fucked Up
Before all of you try to kill me, let me make one thing clear here: I love Uncle Iroh. He is one of the most awesome characters in the show, and I fully believe he was trying his best to help Zuko.
But he is still a human being that makes mistakes, and he was raised in the same dysfunctional family Zuko was, meaning he often had NO IDEA how to handle his deeply traumatized teenage nephew/son.
Him spending all of book 1 trying to help Zuko capture Aang so he could go back to living with the guy that disfigured him is already bad enough, but we also have the episode "Avatar State" in which Iroh asks "Why would your father banish you if he didn't care about you?"
Obviously he only did these things because he didn't want Zuko give into despair and depression - but he is still, at best, ignoring the issue, and at worst actively making excuses for Ozai's abuse of his own son. This backfires on him spectacularly, as Zuko sides with Azula over him both in the first and last episode of the season specifically because he believes that appeasing Ozai is the right thing to do, as he was only banished "for his own good."
But THE biggest mistake Iroh made when it came to helping Zuko was his refusal to accept that no, Zuko was never going to be happy by living a quiet, simple life in Ba Sing Se - even after Zuko explicitly said as much to his face.
Obviously, to some extent, Iroh HAS to make Zuko accept that he won't ever be able to come back home after Ozai literally ordered Azula to capture him, but he could have tried to find some kind of middle ground with Zuko, since being a waiter clearly wasn't making him happy.
"Oh, but what about how Zuko started acting after his metamorphosis? He was so happy about working on the tea-shop with his uncle, and that was supposed to reveal his true self!"
Yes, it was supposed to do that. But we saw how Zuko acted after actually dealing with his trauma and redeeming himself. He was obviously in a much healthier place, both mentally and spiritually, but he was still moody, still sarcastic, still as proud as ever, and even Iroh recognized that he was meant to be Fire Lord.
Zuko's arc has a lot to do with identity, with how he sees himself. At that point, the only thing he still had in life was his uncle - so he was acting like him, because there seemed to be no other role model, no other path. Seeing that weird, cheery, relaxed, always-seeing-the-good-side-of-things version of Zuko was honestly unnerving.
And Iroh thought that Zuko basically giving himself the Lake Laogai treatment was okay because he following in his footsteps, doing what helped IROH heal and change - he didn't realize it was never gonna be able to do the same for Zuko.
The very second Azula shows up, even when she's being hostile, Zuko drops the facade, because she's a reminder of both his old life and what he thought his future would be. And when she offers him "redemption" Iroh tried to advice Zuko against joining her by saying "The redemption she offers is not for you" (as in not for someone who is doing better and doesn't need to return to the Fire Nation) and "It's time for you to choose. It's time for you to choose good." How is it a choice if Iroh is explicitly saying which option Zuko cannot pick, essentially making the decision for him?
Iroh didn't just get the way to help Zuko wrong - he didn't realize his nephew didn't believe he needed help. They were not on the same page at all, and that contribuited to Zuko betraying him.
Though, thankfully, it ended up being for the best, as Zuko found his own way to redemption by himself.
Conclusion
This fandom as a whole tends to not understand Zuko at all and just eat up a bunch of fanon while pretending to be so intellectual, which I very much resent it for.
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oneatlatime · 2 months
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The Painted Lady
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Air Bison, Sea Bison, and now Sludge Bison.
I have no idea how Aang is swimming through a solid. Must be an Avatar thing.
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I bet there would be time for more potty breaks if Sokka hadn't spent 100+ hours of their time drawing up the schedule. A very Sokka thing to do though.
Because hills often have horns. Great disguise.
You can't tell me that a factory that close to their town wouldn't also become the town's primary employer.
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That is a lot of town.
I sense a return of preachy Katara. This episode is going to suck.
I'm with Sokka on this one. Buy fish, move on, defeat Firelord, return to help with environmental remediation if time permits.
I like Doc. And Shu. Nice people.
Writers: if you have to make one of your characters an entirely different person to set up the episode's lesson of the week, maybe the lesson doesn't fit your chosen characters. This is the Warriors of Kyoshi all over again. Funny how that's happened to Sokka twice.
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We are all Sokka.
And where exactly did this mysterious painted lady get the food to deliver to the village, if the reason the Gaang stopped in the village in the first place was because they needed food?
Let the record show: I lost the last of my patience with this episode 8 minutes and 9 seconds in.
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Waterbending healing has never thrown off that much light before. Even the spirit oasis water wasn't that bright.
Also where is the water she's healing with? Usually she has a big bubble of it.
Impersonating a religious figure. That won't end badly.
"Well I hope she returns every night otherwise this place would go right back to the way it was." YES!!!!!! THAT'S THE POINT!!!!!
What was Katara's plan? Forget about the eclipse, forget about fighting the Fire Lord, we're going to stay here for the rest of our lives so that the painted lady can put in a nightly appearance. THIS IS WHY SOKKA DOES THE PLANNING.
Spirit magic is more doing the worm than doing the wave. Good to know.
Bold of a kids' show to advocate for ecoterrorism.
Aang's like "Hey spirit lady! Here's my resume! Here's my connections on LinkedIn!" Why did Katara think that faking being a spirit within two feet of the bridge to the spirit world would be consequence free? Actually that presupposes that Katara thought. Which she didn't. Sokka does her thinking.
"I don't get to meet many spirits. But the ones I do meet, not very attractive." I am OFFENDED on Yue's behalf. And Sokka's. I guess Aang doesn't like Water Tribe girls after all.
"I guess I just became her." No. That's an excuse and a deflection. I don't want to hear it.
What was I saying about Aang and Katara enabling each others' bad tendencies?
Sokka is horribly out of character this episode, but Aang is as well. In what universe would Aang be so unbothered by Appa being sick, and then so unbothered by the reveal that Katara had been faking Appa being sick? Like, this is Appa. He nearly skinned a bunch of sandbenders over the guy. And he finds out Katara's been messing with him and calls her 'great' and 'a secret hero.'
So this factory, despite being operational 24/7, has no night staff, not even a night guard? Because if it does (which it absolutely does - automation is a problem for factories in our world, not the ATLA one), Katara and Aang just killed A LOT of people.
And so she follows up one short term solution with another short term solution, which causes a third problem she will no doubt solve with a short term solution. You think there won't be reprisals for the only obvious suspects to this industrial sabotage? You think they won't rebuild the factory?
Sokka was kidding when he said that the Spirit Lady had better blow up the factory, but not in the way Katara thought he was kidding. Katara thought he wasn't being serious. But Sokka was serious, in that blowing up the factory is as short term a solution as appearing every night. He thought the joke - exchanging one bad solution for another - was obvious.
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Somebody's enjoying himself a little too much.
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Unfortunately, serving as Exhibit A is the most Toph has had to do all episode.
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It is cathartic to see someone finally call Katara on her nonsense. But I'll bet everything I own that the narrative is going to side with her anyway.
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Welp. I won that bet.
"You need me." Correct! Katara unsupervised needs bailing out after five minutes. "And I will never turn my back on you." A much more realistic goal than never turning your back on anyone who needs you, and also Sokka summarised in one sentence. Impressive for an episode where they had to Flanderise him beyond recognition to make Katara somehow the good guy.
Oh for fuck's sake. It's not about having a heart. This late in the game it's pure damage control.
So that's where the Painted Lady's food came from. I guess Fire Nation factories count as pirates?
I like the jetskis. The seem far more stable than actual jetskis.
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It never occurred to Katara to obscure the evidence even a little bit? At least rub some dirt on the emblem. Look at me assuming Katara has thoughts.
Actual reprisals for once. About time.
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This kid is annoying.
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Toph gets to be a haunted house sound effects machine.
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That's awfully waterbendery for a Fire Nation spirit.
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I don't buy for a minute that anyone would be able to stay perfectly upright and balanced after an air blast from below without extensive trampoline training.
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This won't work. His superiors, or the next shift change, or the first recruit wanting to climb the ranks quickly, will rise to the challenge presented here by the "painted lady." And as soon as one FN attack goes unchallenged by the "painted lady," the village is toast. I give them a week, tops.
Kudos to some clever in-universe bending special effects. Doesn't save the episode though.
Katara's preachy speech here makes absolutely no sense in light of the rest of the episode. Scolding them for not saving themselves, when waiting around for someone to save them appears to have worked perfectly? And having little miss I-must-save-the-whole-world-on-a-weekly-basis-otherwise-my-sense-of-self-implodes deliver that scold?
Who are these people wearing the Gaang's skin?
Yeah, nothing screams undercover in enemy territory like an entire village knowing that you're a waterbender. Good thing the only competent tracker in the Fire Nation is Zuko, otherwise these kids will absolutely be dead long before the eclipse.
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Hi Bushi! You're about the only part of this episode that doesn't drive me nuts!
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At least the animators had fun with this one.
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Is this guy mopping the river?
Exactly how many days did they take out of Sokka's schedule to restore the ecosystem? I don't care how overlevelled these kids are at bending, you cannot mechanically separate an entire river's worth of dirt from water in an afternoon.
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Well that's just he piss icing on the shit cake, isn't it? It wasn't enough for Sokka to lose all reason and come around to Katara's very flawed way of thinking, it wasn't enough for Aang to call her a hero, it wasn't enough to have a village worshipping at her feet, Katara needs affirmations of how right and special and correct and perfect and morally justified she is from the spirit world itself. This is Mary Sue stuff.
Final Thoughts
This is the first time an episode of Avatar has felt like a waste of my time.
It's also the first time I've felt like an episode has gone out of its way to insult the audience.
Katara talking about how she knows what she's doing is wrong is worth absolutely nothing when a) she goes right back to doing it; and b) literally every other part of this episode trips over itself to assure Katara that she's in the right.
Katara is downright punchable this episode. Sokka is Flanderised; Toph is non-existent; Aang is just there; poor Appa is an unwitting accessory to crime; and Momo has as much impact as a housefly.
So the execs forgot about the existence of The Spirit World Part One and demanded a save the environment special episode. The writers responded by forgetting that they'd already established that Katara was ride or die for literally anyone with a pulse in Imprisoned, and gave us this to remind us of that fact. They also forgot that they'd already established that Katara has no moral code whatsoever the minute her personal interest is involved in The Waterbending Scroll, so they decided to recycle the "narrative sides with Katara endangering them all over Sokka being reasonable" plot from that episode and hope we wouldn't notice. We did.
At least with Imprisoned, Katara kind of sort of caused the problem that she fixed. She was super tangentially involved in that kid's arrest. Here, she causes problems by trying to fix problems that she didn't really have any business getting involved in.
The more of this I watched, the more I wanted someone to slap Katara. What I wouldn't give for an episode where she is wrong (has happened a lot) and the episode doesn't pretend otherwise (has never happened). For god's sake, LET HER BE WRONG AND FEEL IT. How else is she going to progress past being self-righteously fourteen? Why is she being so consistently insulated from consequences? Aang chooses power over family at the end of season two and gets actually murdered for it. Katara steals, lies, skirts dangerously close to being a false prophet and does a nifty little ecoterrorism (with Aang's help), and she gets villagers being a bit shouty before big brother comes in and fixes it. Then she gets divine sanction for her actions so even the shouty bit is negated.
There's an interesting contrast in Katara's "I will never turn my back on people who need me" and Sokka's "I will never turn my back on you." It shows which of the two doesn't have their head in the clouds, and has actually formulated realistic expectations of how much a single person can do. It also speaks to the fundamental difference in how they operate. Katara acts; Sokka mitigates. Sokka does Katara's thinking for her; Katara outsources her thinking and then gets pissed when rational thoughts don't conform to her emotions' view of the world.
Why haven't the villagers moved away? If the water was poisoning them this much, why are they still here? Was the early 2000s too early to have a theme of climate refugees? Or the pollution equivalent? That would have been more interesting than this.
I hated this. Why isn't this the episode that gets hated on like the Great Divide? Its sins are nothing compared to this.
Doc, Shu, and Bushi were the only good thing in this episode, but they weren't enough to make this one remotely rewatchable.
One out of Three so far on season three episode quality. No other season has had this bad a ratio this early. This does not bode well for the rest of this season.
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the-badger-mole · 5 months
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It is baffling to me how Kataang shippers interpret that couple. How can you be a fan of Katara in specific and see how little agency she got in that relationship yet still be satisfied with how that whole mess turned out. Katara never gets to express her feelings.
Let that sink in. Katara, who challenged a waterbending master with decades of experience on her, who started a prison riot and freed captive earthbenders, who went out of her way to help a village of Fire Nation citizens. Who made a flower hat for a really cute guy she was into. THAT girl didn't get to express her own feelings for Aang. After their last two disastrous encounters- one in which he violated her consent after she tried to let him down easy said she was confused. After he had opened a lava fissure in her face because she didn't want to talk about his feelings for her. She didn't even get to speak. Her final line between the Agni Kai and that final scene was about Sokka's drawing.
She doesn't get to talk to Aang about how his treatment of her upset her. She doesn't get to express what changed between EIP and the finale. She doesn't get to confront Aang on his habit of running away when things get tough. She doesn't even get to hear what Aang likes about her (I mean, we the audience know that he thinks she's pretty, but beyond that?). The way the finale sets up Kataang it makes it seem like Katara is only into Aang now because he's Th3 r3@L H3r0!!!! (lies, but that's another rant). It makes her look either like she feels obligated or she's incredibly shallow (which, we know she isn't). But somehow this feels like a satisfying culminating moment for Kataang shippers???
And let me be clear, I don't care. I don't care if you are reading this now and you like both Kataang and Aang. I don't care if you truly do think their story is the height of romance. I am not here to debate you on the story merits of Kataang vs Zutara or change your mind on anything. You can like or hate whatever you want in good health as far as I'm concerned. Just know that if you try to argue with me, this is my opinion; Aang is fetid trash. Kataang is somehow both the most boring and the most toxic relationship in the show (yeah, I'm including Maiko). All trying to argue with me will accomplish is to stir up more examples in my mind about why Kataang is a terrible ship and Aang is an awful character/friend/SO/father, so jump into my inbox if you want that. But wouldn't you rather go talk to your fellow shipper fans about it?
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cienie-isengardu · 7 days
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Sokka's sexism
Sokka’s sexism from the earliest episodes is an interesting case, because the Southern Water Tribe, at least from what was presented to us on screen, doesn’t seem to operate that much on gender roles? Especially when compared to the Northern Water Tribe?
I mean, yeah, warriors (men) went to war, while women, children and the elders stayed at home. But as Hama’s story shows, when Fire Nation attacked Southern Water Tribe, both female and male benders were fighting against invaders arm to arm and it seems like they were the actual first line of defense there, not the non-bender warriors.
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In contrast, during siege of North Pole, in the final of Book 1: Water, we don’t see any female bender helping defend their home except Katara, who was involved in protecting Aang when he was in Spirit World.
Since all the waterbenders were captured from the Southern Tribe, it makes sense that non-bender warriors stepped in and got involved with war, while the kids and elders were left under women’s care.
Another example comes from “a ceremonial test of wisdom, bravery and trust”, known as ice dodging. As Bato explained, it is a rite of passage for young Water Tribe members and in their village “done by weaving a boat through a field of icebergs.” When a child turns 14, their father was supposed to take them to ice dodging, so they could earn their mark. Though the episode itself was focused on Sokka’s ceremony, Bato never specified it as something that boys alone should do and not only Katara (girl) but also Aang (outsider) is allowed to take part in the ritual. Once Sokka proved himself, everyone of their group got a mark, as a sign they passed the test. Interesting thing to note, since Bato did not specify it is a rite of passage for boys alone, it suggests girls were expected to know how to sail in boats of the Southern Water Tribe. Of course, again, war didn’t allow to continue this tradition as men (Hakoda, in case of Sokka & Katara) left to fight against Fire Nation.
Later, when Sokka and Katara reunited with their father, Hakoda did not try to send away Katara nor relegate her to just a medic job during the invasion. In Northern Water Tribe episodes, we learned that teaching for waterbenders there was defined by gender - women were allowed to learn only how to heal, while men how to use their bending in fight. Hakoda, nor Bato nor other of their warriors even for a moment questioned Katara’s presence on the battlefield nor the presence of women in the ranks of their allies like a blind, 12 years old Toph or the female water benders from Swamps or female(?) soldier from Earth Kingdom
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And during battle, Katara did not fight in rank with other soldiers, she first alone secured Appa during submarine attack, then alongside her brother and father took down guardhouses - Hakoda himself told her and Sokka to attack one when he took down the other one
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showing how much he trusted his 15 years old son and 14 years old daughter while ordering them attack on Fire Nation adult soldiers hidden in well guarder place.
Later, when Hakoda got seriously injured and Sokka temporary took the command of their forces, we could see that Hakoda relied on Katara to follow his troops and not ever once tried to send her back “to safety” or argued she should leave him behind, as often it happens with heroic (male) figures. Quite the opposite. When Katara offered him to “wait here if you want”, Hakoda firmly said “I want to press forward with the others”, which meant his daughter needed to come with him directly into an already ongoing fight (even if they stayed more at the rear of their army, they were still on battlefield).
She and her brother, alongside with the youngest members of Invasion, were forced to flee on Appa once the battle was lost, but no other adult woman was included. During Zuko’s coronation, when all war prisoners were released, in the background we could again see the female character(s) from Swamps.
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And let's not forget how impressive Hakoda was by Suki when she single-handedly captured the warden at Boiling Rock prison and did not try to stop her from fighting against Ty Lee alongside Zuko and Sokka against Azula.
Understandably, we have no idea how the Southern Water Tribe and its culture looked like before the war, even arguably, the characters themselves may not have a clear idea due to growing up in dire times. But my point is, Hakoda and Bato, the two main adult Southern Water Tribe’s warriors that Avatar: The Last Airbender allowed us to know more about, have never shown any direct sexism toward Katara or other female characters. And though Sokka was the oldest boy at their village, there is no reason to think women did not hunt in absence of men, because one person would not be able to provide for a whole community 24/7. Also, as Hama proved, the Southern Water Tribe’s waterbenders were capable of fighting and their gender did not play any vital role the way it happened in their sister tribe at North Pole. 
Of course, Fire Nation’s repeated attacks affected residents of South Pole and their living conditions but from the little bits the show gave us, I think it is correct to assume if Sokka grew up with Hakoda around to guide him as he should, his behavior would be different from the sexism and dismissive attitude toward Katara or Kyoshi Warriors. For one, logically thinking Southern Water Tribe’s warriors need to do all the cooking, sewing and keeping their camp clean all on their own during war so it is not a “girly job” but a vital part of a warriors skills to survive and ensure their equipment is in the best condition. But Sokka doesn’t know it, because there is no one to teach him the importance of those skills. All Sokka had was father’s farewell words to cling to - and I’m not sure if Hakoda truly expected his son to be able to protect Katara and the village in his absence, or he just tried to make Sokka feel a bit less depressed about being left behind. You know, by giving him purpose and a Big Important Job to focus on and to feel needed and trusted. 
Which leads me to think that Sokka’s sexism is not rooted in Southern Water Tribe’s culture itself, but in his own insecurity and pressure of being the oldest boy in the village. If girls could be warriors - and be better than him - it would put into question all his self-worth, purpose and the trust given by father. Once Sokka met Kyoshi Warriors and later all the skilled girls, it challenged him on a very personal level, but he accepted the truth and moved on and alongside, finally became a true warrior and a man. 
And I find it indeed an interesting case, as Sokka’s sexism and dismissal of girls is not necessarily stemming from the culture he is part of, but rather is the effect of not knowing said culture & pre-war history of his Tribe. And of course, from his own insecurity. 
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comradekatara · 18 days
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Ik you went into the whole stupid "nonbenders are oppressed" thing in lok in one of the asks I sent you, but it keeps on making me think about how much I wish i got to see mako and bolin's mixed earth kingdom fire nation heritage play a role in the story. Maybe if lok had the themes of atla it could go into how the two are treated differently for Mako looking more fire nation and bolin looking more earth kingdom. I think it'd be interesting if Korra keeps on hearing Amon's followers yell on the streets about how benders oppress everyone but then notice how Bolin gets treated significantly better when he pretends to be a non-bender fire national/lean into his fire nation heritage by ignoring his bending compared to when he is openly an earthbender which directly ties him to his earth kingdom heritage.
right!!! i am literally always saying this. like it’s sooo weird how lok does not understand what it means to be mixed in any meaningful capacity. neither with the kataangs nor with mako and bolin, they’re each just largely tied to the element they bend with no consideration given to the other half of their heritage. bumi doesn’t consider himself an air nomad until he magically gains airbending, despite his father literally being the only air nomad currently in existence. instead of trying to preserve his familial heritage, he completely undermines all of aang and katara’s cultural values and joins the fucking military. kya doesn’t seem to give a shit about air nomad culture either, seeing as she doesn’t even know guru laghima’s name (and he’s the wisest air nomad who ever lived!). despite apparently being an independent free spirit who values her freedom, she seems 100% affiliated with her mother’s heritage, because waterbender. even though the values of community and tradition kind of conflict with her whole “you can’t tie me down” attitude, so. um. and they never once explore how the value of, for example, hunting as an important cultural tradition in the water tribes may conflict with the value of vegetarianism and doing no harm to any living organism. these are interesting tensions that could have been explored!! but instead, tenzin is merely an air nomad who takes after his father both culturally and physically, kya is a waterbender who takes after her mother, and bumi is a…..cosmopolitan, and nobody likes him.
as for mako and bolin, they don’t even get the privilege of being the children of the avatar and the chief of the southern water tribe (i said what i said), so being mixed race in the neocolonial cesspit that is republic city would be bound to cause some tensions. but instead of actually addressing what the ramifications and complex colonial dynamics of inter/multiracial family structures in a postwar society that is nonetheless still struggling to contend with a century’s worth of global imperialism and the lingering trauma of that violence would be, they kind of just….ignore it. yes, mako is a firebender who takes after his fire nation mother, and bolin is an earthbender who takes after his earth kingdom father, and they live in a city that was once earth kingdom land that now functions as a neocolony of the fire nation, but also, the police force are all earthbenders, and there isn’t any sort of lingering racial/colonial tensions in this city whatsoever! you know how mako and bolin were orphaned as children and forced to live on the street and dumpster dive for food and eventually did labor for a gang because they had no other means of survival? are we going to question or implicate the systems that enabled those abject conditions? no, of course not. look at mako fumble two gorgeous, ridiculously privileged girls! look at bolin do the charleston! isn’t republic city FUN???
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