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#hi this took me like 5 days
moonilit · 1 year
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He got some fact checking to do
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samsrosary · 5 months
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you only love me when we're all alone
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bowletta · 8 months
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this is another one of those 'took my daydreams too seriously' pieces lol
scrapperton looks soo much like a superstar saga boss... I thought... what if he was? ⚙️
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mintypsii · 12 days
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GEAR 5 LUFFY I LOVE YOU FOREVER
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boyfridged · 1 year
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You may have already mentioned this in some of your other metas, and I just missed it, so please ignore this if it's redundant.
Do you think Bruce is projecting onto Jason by pushing him as a Robin? Obviously, Jason wanted to be Robin and was excited about it, and Bruce let Jason do other things, but (if I'm not mistaken) before Tim came into play, solidifying the whole Batman needs a Robin/support to keep him upright, Bruce and Dick becoming Batman and Robin, in the beginning, was also sort of a coping mechanism.
I think there are a few examples of Bruce enabling this kind of mindset. Like in Gotham Knights #43–44 (sorry), every time Barbara brings up Jason's inner turmoil, Bruce refocuses on his ability as a Robin; similarly, when Jason finds out about Two-Face and his dad, he is hurt, and Bruce acknowledges that but then does the same thing, zeroing in on reassuring Jason that he made a mistake but is still a good Robin.
Like, Jason got it from Bruce, but he unintentionally encouraged that kind of thinking.
oh, i definitely think that bruce is projecting on jason and that it profoundly affected jay. and, while every single one of your observations is apt, i would add that what truly made it so tragic is that he projected his own worst traits on jason while being blind to the fact that jay already shared his best qualities.
tldr: bruce projects himself on jason in terms of grief (saying that jason needs vigilantism to work his grief through) and sees his own worst traits in jason (anger) but doesn't see his own best traits in jay (compassion, love, and sensitivity). ironically, jason does end up developing all of the (projected) worst characteristics of bruce (obsessiveness, and relentlessness in pursuit of the respective perceived idea of justice). this happens even though they were barely present in his early storylines, and only ever manifested when jason was scared or lost. later, they truly came to be because of his trauma relating to vigilantism.
and the long, long version, coming with panels and quotes: under the cut.
first i want to say that the following analysis focuses very specifically on bruce's mistakes, but i don't view the overall of jay's upbringing by bruce solely in these terms. from text it is also clear that bruce deeply loves and cares about jay, and that jay enjoys being robin. now that this is clear, let's get to particularities, and start with jay's origin story.
i truly never stop thinking about the significance of bruce meeting jay in the crime alley, the place of his parents' death. there's a lot to be said about it, but here the focus is, of course, on the fact that he sees a little boy, very much similar to himself, angry and hurt, in the same scenery that brought him so much grief. and jay in some ways does appear to be a mirror of bruce's own agonies, as well as a mirror of his own inclination for seeking justice; and somehow, bruce fixates on the first one, while almost completely dismissing the latter.
bruce looks at him and assumes that the remedy to jason's pain and anger is being robin; and he doesn't stop to think about it. (it has to be noted that there's also classism at play, classism that is mostly a result of writers' own beliefs – collins did state in a couple of interviews that that the motivation behind jason's background was to make his introduction into vigilantism seem less offensive, as jason has already been exposed to crime...)
i think, in this context, it's interesting to look at the two-face storyline even closer, and from the start too. in the beginning, bruce talks of jason's 'street' roots and assumes jay would go "down the same criminal road that took his father [willis] to an early death." he also talks of jason making a lot of progress. later, in batman #411, after jason learns that willis has been killed by two-face, bruce comments that jay "has never been like this...listless...almost pouting--"
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this all, along with jay's cheerful and diligent behaviour from the previous issue builds an interesting picture for us: because we essentially learn that jay has been overall an unproblematic child. bruce, of course, attributes this "progress" to the training. however, for anyone else, the logical conclusion would be that jay's quick adjustment was simply a matter of finding himself in a safe and stable environment and receiving continuous support and attention from a parental figure. i find it rather questionable that jason's personality softened down because he had something to punch in the cave–– the more intuitive explanation is of course that he was angry and quick to fight when they first met because he couldn't afford anything else and because he was scared. but months later, in a loving home, he can allow himself to drop his guard; and his cocky attitude disappears until much later.
so the rather unsettling picture that we derive is that bruce is training jay to become a vigilante in order to "channel" his (nonvisible at this point) anger into something useful and just. and he clearly links this to his own trauma in batman #416 (that’s already starlin btw), in his conversation with dick, explaining why he took jay in: “he’s so full of anger and frustration… he reminds me of myself, just after my parents were killed.” bruce also mentions that soon after their first meeting, jason helped him and "handled himself well" in the fight, but he doesn't mention that jay has ran away from a crime "school" and intended to stop injustice on his own only because he was ignored.
the theme of bruce comparing jay to himself appears again in detective comics #574 (barr), where it is approached with a much more... critical look, thanks to leslie's presence and her skepticism of bruce's actions. after jason has suffered nearly fatal injuries at the hand of the mad hatter, bruce reminisces on his own trauma and motives. he tells leslie: "i didn't choose jason for my work. he was chosen by it...as i was chosen." leslie replies: "stop that! (...) you do this for yourself... you're still that little boy (...)" then, the conversation steers to the familiar ground and the topic of anger. in bruce's words, again: “i wanted to give jason an outlet for his rage…wanted him to expunge his anger and get on with his life…” and finishes "and instead, i may have killed him."
the recognition that bruce's projection on jason and involving him with his work might have fatal consequences is, as always, fast forgotten once jay wakes up and proclaims that he wants to continue his work as robin.
but to circle back, i think there's something else worth our attention, something deeply ironic, that is showcased in that issue: that bruce has no evidence for jay's "rage." when leslie talks of bruce's past, she recalls his tendencies to get into brutal fights at perceived injustice as early as in school; when bruce talks of jason, two pictures that are juxtaposed, are that of jason fighting as robin and jason... smiling, playing baseball.
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so, in the early days of jason's training and work in the field, we see bruce talking of jason's anger a lot; but we barely see it.
that being said, jay is angry sometimes– and i think your observation about how bruce deals with it is incredibly interesting and accurate.
we first see jay truly and devastatingly angry in the two-face storyline. bruce focuses on jay's reaction as robin, which is, in fact, aggressive. but something that he barely addresses is that jason's first reaction is sleeping all day, and not beating anyone to a pulp; in fact, this vengeful instinct seems to arise only when he is put right in front of two-face. and his third instinct, once the rage (very quickly) dies down after the altercation with two-face, is crying, because bruce hid the truth about willis' death from him. jay, while crying, asks bruce: "you have taken me out into combat-- but you spare me this?" in response, bruce lectures jason about how grief inspires revenge, which is, again, deeply ironic, given that jay seeking out revenge seemed to be prompted and enabled solely by the role of robin. moreover, his question suggests that at this point he saw grief ("you spare me this") and fighting as two different things.
the final is, as you said, bruce focusing on making it into a lesson on vigilantism, or, in his own words, "tempering revenge into justice." personally, i think in this way bruce directs jason to bring his grief into the field as a powering force, something that he didn't necessarily have an own incentive to do. the flash of compartmentalisation between his ordinary life and being a sidekick that jay has shown by questioning bruce's decision is lost. emotions are now a robin thing, and they have an (informal) protocol, a moral code. and when jay is confronted with an emotionally exhausting case next – the garzonas case, i believe that the focus on "tempering revenge into justice" is exactly the problem– we don't see jay crying, we see him frantic about finding the solution. this, right there, is bruce's obsessiveness, that in my opinion, was developed in jay specifically as a result of how his engagement with vigilantism combines with his deep sensitivity.
and, needless to say, his sensitivity is all the same as that of bruce – they both can't stand looking at other people hurting, they both wear their hearts on their sleeve, caring way too much – the thing is, bruce never quite acknowledges how they are similar in this matter. instead, he focuses on his sparse bursts of anger, wanting to bring jason closure in his grief the only way he knows it – in a fight for a better world. so, as you said, he focuses on jason's ability as robin.
which just doesn't work for jason. at all. we know it from how his robin run comes to an end: in the first issue of a death in the family (batman #426) alfred informs: “i’ve come upon him, several times, looking at that battered old photograph of his mother and father, crying.”  to that, bruce contends: “in other words, i may have started jason as robin before he had a chance to come to grips with his parents deaths.” he also tells jay that the field is not a place for someone who is hurting; a message that is the opposite of what he's been saying for years now, and something that i imagine was difficult for bruce to conceptualise, because then he would have to question his own unhealthy tendencies. it's a bit late to come to this realisation; bruce's self-projection that caused him to worry so much about jay's anger has already turned into a self-fulfilling prophecy that will fully manifest itself in utrh, when jason does the only thing he was taught to do with grief: try to channel it into justice.
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sunset-bridge · 10 months
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WILLPOWER . the ability to control your own thoughts and behavior, esp. in difficult situations
id in alt
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skitskatdacat63 · 1 year
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2023 Australian Grand Prix - Fernando Alonso(ft. Max Verstappen & Lewis Hamilton)(my personal post-race highlights)
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hwiyoungies · 1 year
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221219 ✧ happy birthday kang younghyun 💕
missing young k hours 10 - ∞
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kakusu-shipping · 1 year
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The Ideal polycule in Work, Around the House, and Date outfits
#Emile's Arts#Teruteru#Koro-Sensei#Fatgum#I really wanted to do MORE art for this takeover#I was gonna draw the reaction images and have Koro 'Leak' little snippets of the house and day to day life throughout the month#but my god y'all#I do not have spoons I keep thinking I do and then I draw for an hour and feel like Death#Which is REALLY stupid in my opinion#This took me about 5 hours over all most of it was spent figuring out modern guy fashion#If it was up to me all three date outfits would be dresses I promise#Koro-Sensei'l little moon space dress is so freaken cute with the cardigan and belt#I love him he was the easiest took the least time#I fought with myself for half an hour about putting Teru in a sweater and eventually caved and sweatered him up#I wanted him to dress different but I cannot stop the allure that is Turtle Neck and Blazer#On point like a lazer in him turtle neck and blazer#and scarf to add layering and color#Taishiro took the longest though at 2 hours#The only thought I had going into his outfits was I wanted to keep the hoodie aspect#Becuase he just seems like the guy to always have a coat#He's not like cold he's just comforted by hoodie#Koro-Sensei again was easy 30 minutes I took the longest on the cat ears of his gamer time hoodie#because just his Gamer Girl hoodie wasn't enough#He has many many gamer hoodies and never wears pants#And I love that for him#Anyway midway through this week I'm gonna try to up the amount of art I do#So this week might be a little slow starting as I charge up for it#I have a big ask game for tommorrow and Tuesday though and I'll try to be more on top of asks!#Thankyou everyone again for participating in this Takeover#I just wanted to spend a little more time focusing on these three and their tags were just... always empty?
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derpinette · 2 months
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whenever a guy approaches me i start wishing i had a giant forehead tattoo that reads "I AM NOT & WILL NEVER EVER BE INTERESTED LEAVE ME ALONE PERMANENTLY" so i could flash it at them
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wowbright · 9 months
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Today I went out on the ocean and saw puffins. They're so neat!
Also learned that indeed I am prone to motion sickness.
10/10 wouldn't do it again
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woahajimes · 6 months
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what i would look like if i thought abt the pool boy more than my actual prev relationship
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whatsagirltoblogabout · 7 months
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I'm at the conspiracy theory stage of my White Collar hyperfixation.
In the Season 3 premiere (3.01 On Guard), Neal's tie is sliced during a fencing match and he's forced to put on a new one at the WC office. He puts the new tie around his neck, but then takes a file out of the rack on his desk and moves it to a different part of the rack before starting to tie his tie. Does he have a mirror or something hidden in his file rack??? Was this established or hinted at somewhere else, either in the series or in behind the scenes content? And if there isn't a mirror, then WHY DID HE DO THAT???
#today's episode of 'losing my mind about white collar' is brought to you by me trying to figure out the timeline for the warehouse explosion#I still haven't figured it out to my satisfaction#but as far as I can piece together the warehouse explodes during the day then there's a gap in time until nightfall#Neal arrives home at night/evening to find the key and go to the warehouse with the treasure#and then ends up with Peter and Jones for the lie detector test? which took place for 5 hours overnight in some other warehouse?#and then immediately afterwards he goes to meet Sara at a bookstore without changing his clothes?#and then finally goes back to his loft and talks to Mozzie#still in the same clothes#i think???#what happened in that afternoon gap after the explosion?#was it just cleanup and stuff?#what was Neal doing?#he says 'prove it' and then walks off all angry so I feel like he wouldn't have gone back to the office? but he didn't go home either?#or did he go home but Mozzie hadn't left the key yet but he didn't change his clothes and went back out again at some point?#like that seems overly convoluted#ha! overly convoluted. says the person thinking too hard about something that was probably just hand waved for plot reasons#eh whatever. I like overthinking. I'm having fun and that's what matters#also why did Peter and Jones do their interrogation so clandestinely#like I know Peter wanted it off the bureau's radar#haha radar - because 2.16 was called under the radar#anyways#why not at Neal's loft? why the warehouse?#like I acknowledge that the scene took place where and when it did for the *ambience*#however in-universe it puzzles me#but I'm also super oblivious and certainly not the sharpest tool in the shed so I might just be overlooking a really obvious solution#welp#white collar#episode 2.16#episode 3.01
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imwritesometimes · 2 months
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the last time I was this sick was over a decade ago and my grandma took me to the urgent care and nearly went Lucille Bluth on the dr
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mariatesstruther · 3 months
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okay hear me out modern au where Tommy and Maria first meet in a club in their 20s and they bump into each other while dancing and just start dancing together and they just hit it off but in the end they both forget to give each other their numbers so both of them go back to the same club the next week to hopefully meet each other again (also Tess and Maria definitely go clubbing together because I love them as best friends)
cowboy!!!! yes yes YES i LOVE this. and u could extend this meet-cute into like a whole thing where tommy and maria keep trying to meet at the club and exchange information, but something gets in the way everytime!!!! kid emergency!!! bar fight!!! cocaine bar on the loose!!! zombie apocalypse—who knows????
im thinking the first time, tess drags maria to a bar she likes because she’s been trying to get the attention of this hot dilfy guy at the bar, but he’s always tailing along with his friend. by tess’s design, maria and tommy meet and and hit it off and dance (to maria maria by santana) the night away. they fall in love and decide they want to go home together, so maria goes to the bathroom—but joel randomly comes up and is like “tommy, hey sorry selena’s mom called, sarah had a nightmare and she wants us both to pick her up, we gotta go” and in true miller dad-uncle panic they BOLT. by the time maria comes back, tess is like “idk dude, mine got a call so they had to go. seemed like an emergency. bummer” and they assume thats that
on the flip side: everythings okay with sarah, but after tommy and joel tuck her in tommy’s suddenly just like “fuck—fuck!!!!!” and joels like “what? what???” and he’s like “i didn’t get her number :(:(:(:( fuck” and so joel’s like “it’s okay, i see her friend there all the time” and so tommy’s like “omg :D do you have her friends number?” “well… no” “joel… what the fuck man.” so they make a plan to go back next week with the hopes of at least seeing tess and getting maria’s number from there—tommy also wants to get tess’s number for joel, but he doesn’t need to know that
little do THEY know, tess and maria are already plotting for next weekend. they show up to that bar looking fine as FUCK—they quite literally turn heads walking through the door. of course the miller brothers are there, sitting in a booth all the way in the back and waiting, making eyes. tess and maria are not shy, so they start making their way over. unfortunately, some drunk asshole decides to try to get handsy with tess on her way there—which results in her punching him in the face, which results in him trying to punch her in the face. she dodges, of course, but it starts a full-on bar brawl that the miller boys jump into without hesitation (joel manages to tackle and land a few good ones on og drunk asshole too so. slay.). none of them get arrested or anything, but they definitely don’t get eachother numbers on account of joel and tommy having to duck the cops
so i guess they gotta keep trying ;)
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