I have a question you said in a review the eyes in the characters of oshi no ko when I read about it design wise I am intersted in the eyes of Akane, Kana and Mem-cho mean something about there role and character in the story I was wondering if you can elabortate on it.
Okay, so! To start with this topic, though, we actually have to talk about Ai first and foremost.
Hoshino Ai breaks down into several meanings. For one thing, it breaks into “hoshi no eye,” which literally means “starry eye” in Japanese. Ai’s eyes notably have stars in them, and Aqua and Ruby have one starry eye each.
Of course, this breaks into several meanings itself. "Starry eyed" is an English idiom for an idealistic, childlike view of the world. If we break the "star eye" idea down further, "star" references Ai being a "star," an idiom for a famous person.
"Hoshino" also contains a homonym for the Japanese verb "hoshi" (欲しい), which means "to want." This also indicates a huge part of Ai's character. The kanji used to write Hoshino means "star" and "indigo"--indigo is the color that you get when you combine aqua and ruby, by the way.
Plus, Ai is written in katakana (アイ), not kanji as would be typical for a name. Katakana is the Japanese script for loan words, which reinforces the literal translation of “eye.” But, it's also a homonym for the Japanese word for love (愛), which is pronounced like "eye." In turn, the story explores love as a major theme--for example, Ai’s final thoughts are about her finally understanding love.
So, from Ai, we see that eyes and particularly starry eyes matter.
In the OP, we see a progression of five eyes--Aqua, Ruby, Kana, Akane, and Mem-Cho.
Hikaru, Aqua, and Ruby
Aqua and Ruby share one starry eye that goes black when they are in a bad mental state (Hikaru's eyes are also starry eyes that have turned black, again reinforcing that he never had a childhood).
The implication of both Ruby and Aqua having one starry eye each and switching between looking more like their mother's eyes and their father's eyes is to emphasize their internal conflict. They both bear the legacy of their parents, and have their own legacies in their past lives and a blank slate, a chance for a new start (the unstarred eye). What they do with this life and which legacy they want to focus on (Ai's love and life, or Hikaru's focus on trauma and repeating a cycle of violence) is their choice.
If we take the saying "the eyes are the window to the sopul," then we also see that as much as Ruby and Aqua are Sarina and Gorou, they are also Ruby and Aqua, children of Ai and Hikaru. That's why I actually am not so sure about the common fan presumption that Crow Girl saying the children had no souls meant they were supposed to be stillborn. They aren't Sarina and Gorou any more so than they are Ruby and Aqua.
Now let's finally move onto your characters.
Kana
Kana’s eyes resemble galaxies.
What this means isn't entirely clear, but instead of a single star, she has hundreds in her eyes. This presumably indicates her potential as a human being, and her way of reminding both Aqua and Ruby (in her better moments, anyways) that they are part of a huge world and a huge cosmos, and don't have to focus on just one aspect of life--namely, revenge on Hikaru for Aqua and revenge for the doctor for Ruby. Other people around them also contain their own light.
Akane and Mem-Cho
Akane’s look like an evening sky.
Mem-Cho’s resemble daytime, complete with light reflections forming clouds as shown below:
Again, I'm not entirely sure what this means per se, but I would guess it emphasizes, thematically, the reality of life. People live, and they die. Day comes, and then night.
Death (something repeatedly associated with Akane--no I don't think she's going to die) is a part of life. I would guess Akane will help Aqua and Ruby accept this part of themselves somehow, as written by @aspoonofsugar here.
Mem-Cho, on the other hand, shines brightly, illuminating their need to grow in some ways and offering wise advice. She's not as complex a character at the moment, but her role so far seems congruent with this idea.
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Into Your Gravity
In a sky studded with stars, Kana Arima is the sun. A force of nature that would entrap all, billowing its might and consume everything that came in its path- until you could only see her.
There was no escape; it was pure science, after all. A dying sun envelopes everything in its gravity.
Or
Gravity doesn’t pulls you down but pulls you in. Aqua realizes that not all plans fall in place and sometimes the strings of fate are too strong to resist. It’s not him who finds their father, but the man himself.
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As a queer Asian person I hate when people call Takei, a gay Asian man, homophobic for criticizing the decision to make Sulu gay. They blatantly appropriated his life story without his approval or permission, spoke over him when he tried to object, marginalized him from his own creation, & called it a “tribute”. The way they dismissed the concerns raised by both Takei and John Cho was racist. Queer Asians are divided on this issue but we’re allowed to disagree without being called homophobic.
You're definitely allowed to disagree!
mod laina
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