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#his character arc has definitely been headed here
avephelis · 9 months
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RISE TWITTER QNA! no major news or announcements, but here's a list of new information and confirmations:
S3 could be brought back as a retro show in the future, but it probably wouldn't happen anytime soon (focus is on mutant mayhem at the moment)
it was never decided whether capril would be friends or girlfriends (due to rise's focus on platonic relationships)
council of heads! they're in power, but a lot of influential yokai (like big mama) aren't easily controlled, and "game the system"
despite not having his dual katana, supposedly f!leo DOES still have mystic powers
ron corcillo would love to see a spin-off focused on the caseys (if rise were ever continued), and likes the potential of a raph + casey vigilante duo
the turtles got their names after splinter's love for renaissance art
big mama's henchman WAS planned to be the missing sister, and rather than venus de milo, she would've been named after a female artist (possibly frida kahlo)
for halloween: raph dressed up as a kitten, mikey as a lion, leo as a rockstar, and donnie as j. robert oppenheimer
the mystic weapons stolen from draxum acted as a conduit to help the boys unlock their innate mystic powers with a "little boost"
they didn't realise mayhem's potential as a character/force until too late, but it could've been fun to do some stories of him being an operative (a la perry the platypus)
there weren't any planned stories for side villains (aside from the foot's cupcake shop), most focus was on the turtles
not much on casey jr's backstory, just that cass and the turtles were fighting the krang and leo raised him as a warrior. casey jr only has brief memories of cass from when he was very young, and was mostly raised by leo
there were definitely six baby turtles (two sisters)! and the turtles were gonna split up to rescue the one with big mama and the one in "the dimension", but they never planned much of it out
there's most likely a time gap between the rescuing leo and the ending scene of the movie, as "after a fight like that, [everyone] would definitely crash and need some recovery time"
there would've been more big mama in future episodes, and stinkbomb was planned to return
since the turtles became known to the public at the end of the movie, they'd have to fight to retain their reputation. this and their reception to criticism/backlash would've become a major arc.
on brother rankings: mikey is definitely raph's favourite, and they all look up to raph
the stronger someone's ninpo is, the greater the drain on their energy is (as seen with f!mikey and karai)
there wouldn't be much threat on villains going after casey jr's future intel, because most of it would've been rendered obsolete
nickelodeon would never give up the rights to rise, but they could license it to a partner company (such as IDW for a comic!)
as previously mentioned, the 2nd sister would've been trapped in "another dimension" and venus/frida would have to be won over by "helping her see that she had been brainwashed [by big mama] as a child" (and redeemed)
given more time, the show would've fleshed out: the hamato story, the hidden city's origins (krang spaceship that crashed into the crying titan being the source of the ooze, its fuel being what gave the yokai mystic powers), and would've used the rat king (who ron corcillo would've liked to be a powerful yokai with rat-like abilities and some form of mind control, who could've threatened the council of heads for power in the hidden city)
as far as we know, the turtles (aside from leo's spanish) only speak english (and even their english is sometimes a bit off)
rise probably wouldn't have ever "gone dark", but after the turtles were publicly known and full-time heroes, it might've had more of an extended plotline
the turtle's casual clothes somewhat reflect their music tastes (r&b for raph, glam rock for leo, techno (and 80s) for donnie and boy band for mikey)
future heights: mikey grew a bit and then shrunk under mystic strain, leo was at least 6ft, donnie a little taller than leo, and raph at least 6'6
mikey's powers could get pretty intense, which could've resulted in some multiverse episodes (ron corcillo would be most inclined to do a 12 crossover, but any could work). while leo portals short distances, mikey's cross space and time (with great effort)
given more time, how the turtles met april would've been fleshed out
in terms of how they take after splinter: donnie and leo have a lot of his cockiness, raph his courage and sense of duty, and mikey senses him missing his family (which is part of the reason of why he tries to hold everyone together)
given more time they would've done more with the transfer of leadership from raph to leo (and originally the plan was to draw that out over S3, rather than the abrupt S2 ending). they would've been co-leaders for a while, and at times mikey or donnie would lead (they aren't really a group with just one leader archetype)
there were plans for april to have more time with the specific turtles other than donnie (like how the gumbus was focused on her mikey and leo)
the cast's mystic abilities would've increased over time, and splinter has a lot of power that hasn't been revealed (as he spent a lot of time in the hidden city in his past)
venus/frida would've been very disciplined and so serious that's she's funny, and the dimension sister would've been "a little kooky"
there weren't really any plans on how the turtles would look in cloaked human forms, just that they'd resemble lou jitsu and may be inspired by their VAs
mikey is the only brother who can fully pull all his limbs and head into his shell (being a box turtle)
any usagi appearances would be a rights matter, and depend on collaboration
on timelines: april is 16 at the start of the series and 18 in the movie, but exactly how much time passes isn't confirmed
ron corcillo would've liked to do more donnie + raph episodes, like one where despite how donnie considers himself smarter, raph ends up beating him in common sense and emotional intelligence
f!leo didn't go with casey jr to the past due to being mortally wounded in his bleeding side
given more time there would've been more flashback episodes with the turtles at various ages
though he'd never admit it, hueso has a close relationship with leo
in early S3 there would've been an episode of setting up the new lair
mystic warrior f!mikey is pretty old (maybe in his 70s), and is strong enough to use basically any mystic power, but at great cost to him physically
no major plans with bishop, but once the turtles became more well-known he could be a bit of a thorn in their sides (like j. jonah jameson to spiderman)
there might've been some redemption from big mama, but also some relapses into her "villainous ways"
given a full season, karai would've been alive for longer, and would've trained the boys for a number of episodes
confirmation that some of early s1 aired in the wrong order (which the writers weren't happy about)
in rise, there's always an unpredictability as to how sentient a mutant will turn out to be
raph probably wouldn't be super uptight about swearing, provided the boys weren't offending anyone
there weren't any plans for romantic relationships (and DEFINITELY never an april-turtles love interest), but if they had ever tried something eventually it would've been with the same species
there were no specific plans for alopex, rita, or rennet, but anything's a possibility
in terms of the 1000 years ago krang/mystic timeline, the spaceship crashed first (possibly spawning the yokai), and other krang followed it, drawing in the invasion
that seems to be about it but if there's any more i'll do a reblog with additions
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zetsubo-bani · 20 days
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Scenes/characters I expect to see after blue revenge arc
Just to clarify, with blue revenge arc I'm referring to this mission arc we currently have. I doubt r!ciel will be defeated after the missions are over so I will probably give it a different name whatever follows after we've seen o!ciel and sebastian at the hotel.
For obvious reasons I will exclude o!ciel and sebastian, they are literally the protagonists, ofc we will see them again. Undertaker and r!ciel will also be excluded since they are the major antagonists right now and will also definitely appear again.
So let's begin:
1. An interrogation scene between layla and the reapers
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Remember that layla got captured by ronald and william? I definitely expect layla to make a return once she arrived in the shinigami corp. I'm not sure if I expect ronald to be there but william definitely will be and I can also see grell and othello watching since we haven't seen the two in quite a while
2. Another interrogation scene in scotland yard headquarters
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Blavat got arrested and was supposed to be put into prison and later appear in court alongsides o!ciel but since he and sebastian already escaped, blavat is the only one in prison. Considering scotland yard just freshly captured blavat, an interrogation about his motives is to be expected
3. Some focus on the midfords
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Lizzy is included as well (but that was the best picture I found). They obviously need to deal with the whole drama themselves and I definitely expect them to reappear and talk to each other about what they think about the twins drama and lizzys depression
4. Sieglinde and wolfram with their research and planning
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Sieglinde still has the blood samples from the sphere music hall and surely must have read what happened in the newspaper. I don't think she will just sit by and do nothing for the rest of the manga, I'm certain they will appear again somehow
5. A reunion between the servants, lau and ran mao
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Sebastian and o!ciel will probably be there too (or not depending on their mission) but I do expect those 5 to see each other again and exchange how their missions went. I think that's where they will find out that snake died
6. The queen and her servants
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Girlie has been awfully quiet since the twin reveal and I wonder when she will appear again. R!ciel mentioned needing to hold a audience with her but being too weak right now so who knows when she will appear again. I do think it will happen somehow
7. The p4 reuniting
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I don't think we will get something too big but I definitely think they will appear again. They were part of the sphere music hall so the police was on the lookout for them anyways. I do expect them to appear again and talk to violet since we haven't seen them reunite after blavat nearly killed violet
8. Soma focus (?)
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Now I wasn't sure if I should include him since I'm pretty certain he will be in the hotel that o!ciel and sebastian will visit next. But if he isn't in the hotel then he will definitely still appear afterwards. That man can not completely dip after agni died and he still falsely believes it was o!ciel
9. Tanaka (maybe with the servants?)
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Tanaka is still with r!ciel and undertaker but we haven't seen him in a good while. I do think we will see him again once yana finally shows r!ciel again. I theorize that maybe we will see some reunion between the servants and tanaka but that's probably something I just really want to see. I doubt tanaka will leave r!ciels side since he did say that he's forever serving the head/heir of phantomhive and o!ciel wasn't supposed to be
10. Some flashback with vincent
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That smug bastard will appear, I know it. I'm pretty sure he must have done something to end up dead so I think we will get a focus on him in a potential flashback from r!ciel. Afterall since r! ciel was raised to be the heir, I'm certain he spent more time with vincent than o!ciel did and probably did catch a few things here and there. Maybe that would explain why r!ciel caught onto the fact that something was off much quicker than o!ciel did
That was my little theory on who/what I think will appear/happen in the next arc after the missions. Hope you liked it!
If you have any corrections, additional thoughts or agree with anything, please let me know!
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astronomical-bagel · 2 months
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I wanna hear you talk about chilchuck the most that sure is a guy ever
YAY I GET TO TALK ABOUT MY GUY THANK YOU BELOVED MUTUAL KYSOOT 
(Warning for lots of spoilers from chapter 30 of the manga (right after the red dragon))
Anyways fun fact! The thing that made chilchuck my favorite character was actually when he was trying to convince senshi to lie to the Laios and Marcille in order to get them to turn back and give up on finding falin. I made a whole post about it too, i LOVE cowards. I was reading in my car waiting my twin to get off work and i was screaming my head off the whole time because it was such a good revelation about his character.
And it’s not that i love scared guys (i do, absolutely, but chilchuck doesnt apply here), and its not that i love disloyal people (i also do, but once again, not the point), its the whole character arc where it goes:
1. Once he reaches a limit for how much danger he is willing to be in he will break any moral code of his to keep himself safe. He will lie, he will abandon his friends, whatever, so long as he makes it out alive. 
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2. But THEN, he realizes that his want for safety isn’t just for himself, this time. He realizes that he wants his friends to survive as well. (and that he has gotten way more attached than what was in his job description)
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(look how fond he is!!!! Look how fond he is!!!!!! Im banging my head on the wall AWUGHH!!!!)
So 3. He is forced to go against his own nature of secrecy and being reserved and has to tell the team outright that he doesn’t want them to die.there is just something sooo *vague waving of hands* about a guy who absolutely hates talking about his feelings being forced to do so auughhhh. And he did it to convince Laios to not be reckless and get himself killed!!!!
That entire chapter had such a good journey through chilchuck’s emotional state. From him beign 100% ready to trick them in order to turn around (even contemplating breaking marcille’s staff!), then reminiscing on the fun or brave moments that theyd just had, then remembering that he was mad at them for being idiots and doubling down on his decision. When talking to that orc woman (Leed), he was trying to convince himself that his actions were justified, not just her. 
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And I also quite like the moment when Leed realizes that Chilchuck isn’t angry at the others for putting him in danger, but for putting themselves in danger. Chilchuck didn’t realize this himself yet! Him saying that he wished the others would give up, even when he was removed from the equation, makes Leed realize that he is unselfishly wanting them to turn back so that they would be safe.
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And when she points this out, Chilchuck is absolutely gobsmacked and barely even talks for the rest of the trip because he’s too busy thinking over this revelation. Love a guy who keeps to himself being forced to reconcile with the fact that he has actual friends he cares about now. Look at him!! Hes so shocked he doesn't even know what do to with himself !!! I love him!!!
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And also, another part i really liked abt this chapter is when chilchuck is trying to convince Laios to go back and he’s like “LISTEN i know you are absolutely terrified for your sister but I have THREE PEOPLE TO WORRY ABOUT AND IM NOT USED TO THAT IM GOING TO VOMIT” its just so silly and endearing to me because he really isn’t used to caring about so many people at once – he’s a reserved guy who has been living alone for multiple years! – and its just so important to me because he’s been forced to acknowledge that he cares about his team so hes like “if you guys put yourself in mORE danger im going to scream and cry and throw up SO YOU BETTER TURN BACK NOW PLEEEAASEE”
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Anyways, chapter 30 was so well done and was an absolutely fascinating insight into his character and I was instantly obsessed. There’s a lot of other reasons why I like Chilchuck, but this chapter is the definitive reason why he’s my favorite. (I also just like seeing a guy when he’s terrified, sue me.)
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aihoshiino · 2 months
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chapter 140 thoughts!
Reminder: because of the content of this arc in genera and this chapter in particular I will unavoidably have to discuss CSA and topics related to it, including grooming, emotional abuse and sexual assault. I do not discuss them in great detail, but if you very understandably just aren't in the headspace for that, no hard feelings - look after yourself and I'll see you next time.
So a lot of stuff goes on in this chapter but weirdly, I feel like I don't have a lot of stuff to say about it compared to the last few. Partially because it speaks so strongly for itself but mostly because, sort of similarly to 137, this is just clarification and reiteration of some themes and information that's been floating around loosely for however many chapters and we are just now actually pinning it all down into something more coherent.
Or at least, 15 Year Lie is pinning this all down into something more coherent. We're definitely playing a bit more with like, presentation and diegesis in these sections of the movie than we were with previous scenes. With the B-Komachi scenes, we very rarely fully entered the in-universe diegesis of the movie and the scenes being filmed quite firmly remain scenes being filmed by actors who are having their own thoughts, feelings and character arcs both about and separate from the material.
By contrast, both this and last chapter lean more into presenting these scenes as full flashbacks, fully immersing us in the material that the movie's diegesis essentially overtakes and becomes the manga's diegesis. It not only creates a sense of immediacy but also one of authenticity - by removing all the reminders that this is something being manufactured, a piece of in-universe dramatized fiction, the reader is invited to accept it uncritically as fact.
And honestly? I think this is a very clever trick. While I do think the broad emotional arc and relationship beats we're being presented with here are probably more or less true, there's a big question still hanging over the movie's presentation of things: how much of this is true and why is it being shown to us? This is a movie about Ai's life supposedly, right? So if this is the case, what's with this sudden POV switch to Kamiki… and how exactly did Aqua (and the rest of his 15YL collaborators in general) get this level of insight into 'Boy A'?
But I'm getting ahead of myself a bit…
Like I said up top, I think a lot of this chapter kind of speaks for itself, so all I'm gonna say is that this did a huge amount to really endear me to the HKAI dynamic, at least as 15YL is portraying things. It's just such a nice change to see Ai bouncing off someone her own age, squabbling and getting along and butting heads like a regular kid. It does a lot to really get across just what it was about this relationship that drew the two of them to each other. They have a good rapport and some cute chemistry and I'm finding myself rooting for them even in spite of knowing how it all ends.
The scene of them at the restaurant was honestly just a complete and total delight. It's been so fucking long since we got any content of Ai just being her likable goobery self so getting to see that again (and her and Hikaru's shocked and appalled reactions to the bill) was just so good.
The short exchange that follows is also so, so important, I think. Similarly to an early AQKN moment, we are shown Ai from Hikaru's POV - in which she wears a lovely smile and stands framed as the focal point of not one but two panels of brilliant light. This feels like a sort of answer to something I noted last chapter where HKAI's relationship seemed to be in the process of echoing both the AQAK and AQKN relationships - in Hikaru, Ai sees someone who has the potential to understand her. In Ai, Hikaru sees light. I'm interested to see if this will keep getting reiterated on as we get more scenes of them together.
god the more details we get about Airi's abuse of Hikaru, the more vile she becomes. The money she gives him rings eerily true to the way real life abusers of this nature really do use money and material gifts as a method of control over their victims. And it's also not hard for me to see her as using this to frame things as somehow transactional - to pretend Hikaru has any power in this entirely unbalanced dynamic.
I continue to be impressed with how OnK is portraying Kamiki's abuse. As I mentioned last time, I often find that manga is pretty tasteless and sometimes even downright exploitative and offensive in its portrayals of sexual abuse, framing it in a titillating way for the viewer to gawk at. By contrast, not only is OnK's portrayal a layer removed from the actual events, being in-universe fiction, but it gives us no lurid details to gawk it. We are forced to look only at Hikaru's pain and the emotional reality of the horror and exploitation he's experiencing and the story dares us to flinch and look away. Just like plenty of people do.
I also really appreciate that the story leaves absolutely no room for plausible deniability and just outright calls Airi exactly what she is: a pedophile. I was a little worried with last chapter that there was going to be an element of like 'oh Hikaru is just so cute even an adult woman can't help herself' but once again, the story pulls no punches in calling this abuse what it is and the perpetrator what she is. Harrowing as the material is, I'm glad that it's being handled well thus far and I hope Akasaka doesn't flub it.
that said i have to ask. where in god's name is the intimacy coordinator on this set.
The scene that follows is also very interesting for all the reasons I mentioned above. For Oshi no Ko as a manga, it's clear this material is here to challenge the reader and ask us to see Kamiki as human, to try and empathize with him despite his reprehensible actions. What purpose this monologue serves for the in-universe 15 Year Lie movie is less clear. But in both circumstances, I still have to ask: to what end, exactly?
After all, isn't this a movie overflowing with spite and hate? A script written for Aqua's revenge that will allow him to kill his father? If so, why are we being challenged to empathize with Kamiki? Why did Aqua write a script that portrays his father as a victim? And how, exactly, did he come to such a deep and nuanced understanding of this man he hates so much when it took Ruby three and a half mental breakdowns to start understanding her beloved mother?
This all raises a whole lot of questions about exactly what the final movie is going to turn out like and exactly what purposes it really serves and I'm tentatively excited to get some answers. I'm definitely still more than a little fatigued with the movie arc as a whole and a lot of my biggest issues with it have yet to really be resolved but I'm at least more interested than I have been before about where things are going to go.
Holy crap, no break next week… are we beating the biweekly allegations, gang???
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absolutebl · 8 months
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This Week in BL - Cameos & Familiar Faces
Entirely subjective yadda yadda. Organized by favs in each category. No numbered lists anymore, tumblr be buggn'.
End of Aug Start Sept 2023
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Ongoing Series - Thai
Laws of Attraction (Sat iQIYI) 8fin - Oh the DRAMA. Why does the insane ex (my true love) remind me of the cartel leader from Romancing the Stone? Even the sides got HEA! It was fucking great!!!!! Charn remains a bonkers spoiled evil murderous brat with a cruel smile beloved by his one true paladin. Also: post it love note trope! Been a long while my old friend. NO SINGING!!!!! I do love that wedding jacket frock coat cape thing Charn wore. 
In conclusion: This is a great gay suspense thriller with several solid couples, fun plot, killer characters, queer rep, and a happy ending. Charn may be my favorite lead character of 2023. However, this show is not entirely BL, more on the fringe, like Manner of Death. Add that to several "singing incidents" and pairs being a little weak in the chemistry arena, and this lands safely in 9/10 territory. It’s tons of fun tho: HIGHLY RECOMMENDED. 
I Feel You Linger in the Air (Sat grey) ep 3 of 12 - This show is getting more and more lakorn each ep. Apparently the straights are having a class divide arranged marriage crisis. Who cares? Our boy is ALWAYS in trouble. Crazy that he has to save the people who betrayed him in a previous life - but I guess he chose revenge! That's unexpected.
Had to switch to grey and couldn’t find a working rip. It was frustrating and I wouldn’t have bothered except I like this show so much. Still, it means no screen caps because the rez is naff.
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Dangerous Romance (Fri YT) ep 3 of 12 - Uh oh. Kang wants to save Sailom and be his hero. The fact that K’s Pa puts no pressure on him whatsoever, makes me wonder if K's Ma committed suicide or something? It’s definitely the opposite parental dynamic we normally see in BL. I have to say, the pacing is great in the show. And the acting is on point. It’s really great. 
Hidden Agenda (Sun YT) ep 8 of 12 - these two just kiss well. I mean not "rip your clothes off Taiwan-style," but sweet young boyfriends-esk. Joke wants to be claimed so bad. It’s great. I enjoyed this ep, unfortunately it looks like we have a manufactured angst drama drop in the next episode. Is this a 10 episode arc? I thought it was 12. It’s odd to have doom happening next episode already.
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Only Friends (Sat YT) ep 4 of 10 - Back story time! Ray and Mew are HARD to watch. Incestuous friend group gay is the worst. Omg I got such QAF vibes from this ep. Nick Boston Sand chats = very throw back 90s gay soaps. 
Location game moment: Top's hotel room is also Chan’s apartment in Laws Of Attraction. 
Naughty Babe (Sat YT) ep 1 of 8 - Ooo. Est is back! Hi handsome. Head of security suits you. Please lead out the new Waterboyy remake? You’re perfect for the role. (If it must happen.) Yi’s Pa is GREAT. Please give daddy a nice boy? Could that be our secondary couple for this series? 
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Meanwhile, with the leads (sorry I was distracted by daddy) we got us an arranged marriage, run away bride, and an amnesia trope. Put in a secret baby and it's squarely 1980's Harlequin. Will there be Vikings? Sex herbs? Pirates? Dub con?
Be Mine Super Star (Mon Viki) ep 9 of 12 - Again with lovely sex scenes, it’s just the plot stringing them together is frayed. Also don’t fuck in an onsen. Both yech and ouch.
That goes for all y’all.  
Wedding Plan (Wed YT & iQIYI) ep 7fin - Trash watch here! Honestly this was an okay ending, I’m not mad at it. If you can tolerate Mame and liars (kinda the same thing) you’ll be fine with this show.
Summation: An innocent wedding planner falls haplessly and hopelessly in love with a groom who relentlessly pursued him, even though he’s about to marry someone else. A somewhat lackluster mame offering with less of the usual stellar chemistry, but all of the usual lies and manipulation. 7/10
Love in Translation (Sat iQIYI) ep 3 of 10 - I skip everything to do with Tammy and it’s fine. There’s only about 20 minutes of fine but that’s more than enough. On the bright side. So far. No singing.
My Universe (Sun iQIYI) ep 2 of 24 eps - Cassanova Begins Part 2. Aw. It was sad. Another variation on the “my ghost boyfriend” trope (usually sad). 2/10 I don't do sad BL.
Next up is Merry Go Round featuring the pair from Destiny Seeker (we likey) who want to marry each other, but end up fake engaged to the same woman. Beard squared? Looks silly.
Crazy Handsome Rich (Sun Gaga) ep 1 of 10 - There are 2 things I like about this. I bet you can guess what they are.
Lee Long Shi
The whipping boy trope
There wasn’t enough of either in this first ep. ALSO the captions, sound effects, and voice over are truly next level bad. Utterly atrocious.
The 2 leads fucking around in the end credits was the funniest part of the whole show. 
Ongoing Series - Not Thai
Jun & Jun (Korea Thur Viki) ep 7 of 8 - I am confused and frustrated about what the communication delay is between the two Juns. It feels artificial and narratively manufactured. But since this is a short form KBL and I know it will be resolved quickly, I’m not as annoyed as I would be if this were Thai BL. Still it feels audience manipulative. I also feel sorry for Simon. BUT it looks like it’ll be a sweet boyfriends final episode.
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Stay By My Side (Taiwan Fri Gaga) ep 10fin - Omg they’re so cute!!! Taiwan the purveyors of ultimate sappy gay domesticity. I am going to miss having these to nonsencing all over my dash.
This show was an interesting take on the "ghost boyfriend" trope. About a boy who is tormented by hearing the dead, except when he is around one other boy - desperation+proximity = love. Unfortunately, the story was erratic and waffled about. While the leads turned in solid performances and the sappy domesticity was off the charts, it never really had the strength of the narrative convictions such a strong concept should have supplied. Highly rewatchable and enjoyable for that sappy domesticity but not a whole lot more. Still I always give extra credit for the diabetes-inducing sugar content and rewatch capacity. 8/10 
Kisseki: Dear to Me (Taiwan Tues Viki & iQIYI) eps 3 of 13(?) - I love the punching thing - there is a lot of violent flirting in this show. I’m not mad about it. Ugh, poor thing has real abandonment issues. And now trust issues. I see why we’re getting 12-14 eps. This gonna be MESSY.
Meanwhile, does EVERYONE have a guest cameo? Not that I’m complaining. Hi BLIHID boys! Now I need to rewatch that show. 
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Love Class Season 2 (Korea Fri Viki) eps 7-8 of 10 - Oh my God the next morning w/ couple 2 was so darn cute. They are all such terrible flirts with each other. Honestly, this show makes me laugh more than any other BL currently airing. I’m not sure it is meant to be as funny as I find it. While couple 3 (the mature characters) is by far my favorite, I actually think they don’t work with the other two pairs, they feel superfluous to the show. I like the show better because they’re in it, but it feels like two different BL‘s stuck together. KBL certainly can’t handle more than two couple threads at the same time. 
Why R U? (Korea Wed iQIYI) eps 3-4 of 8 - Ugh. I am such a sucker for the FighterTutor dynamic. Why so good? Uh oh. Real kiss! KBL you're spoiling us. But, isn’t sad-seme-hyung dating some chick? Argh. Poor Sunwoo. This show is even worse at repping Fighter's character sympathetically. Who knew that was possible?
My Personal Weatherman AKA Taikan Yoho (Japan Sat Gaga) ep 3 of 8 - The date episode! Even Japan is doing it now. And these two who have been living/fucking together for ages still dance around each other like junior high kids. I gotta say, I watch this one twice because Vicki has different subs from Gaga. I feel like it’s easier to understand if I watch two different translations of the same script. But it’s still quite a taciturn piece. 
Minato's Laundromat Season 2 AKA Minato Shouji Coin Laundry Season 2 (Japan Thu Gaga) ep 8 of 12 - Sides are great. It was mostly a cute ep with tiny bits of Progress and a proper Confession. I miss Shin’s siblings. And then… the much loathed amnesia trope. Really?
Everyone say it with me: Must you, Japan? 
Stay Still (Hong Kong Tues YouTube) ep 5fin - It ended happier than I was expecting. Optimistic for one couple, and most likely optimistic for the other.
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Summation: What to say about this offering from Hong Kong? It’s different, a mix of early CBL, Taiwanese shorts, and Pinoy visuals. It felt like the story was 2 independent shorts that had been lengthen and then stuck together, and I wish they'd been approached as separate and tighter entities. Nevertheless, this was a complex little piece,  interesting in a sweaty grungy way, with a certain aura of queer authenticity that made it simultaneously tense, unpredictable, and refreshing. I’m not sure I would necessarily call it BL, but any county’s early foray into the genre usually starts out this way, so perhaps nascent BL? Worth watching, especially if you enjoy stuff from the Philippines and Taiwan. 7/10
In case you missed it
Dinosaur Love ended its run but the final 2 eps are behind a paywall. Word on the street is they aren't good anyway (shocker) so I'm marking it as DNF and moving on with my life. If I can find em grey I'll watch 'em merely so I can give it a rating, but I can't imagine it will get more than 5/10. Seriously, do not bother.
Next Week Looks Like This:
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Coming September
9/15 You Are Mine (Taiwan Gaga) Secretary has to deal with grumpy boss.
9/15 Bump Up Business AKA Bump Up Project (Korea movie) suspected cinema release? I don't know much about what's going on. Last status update. Love story between a trainee who is about to debut and a celebrity from the same agency. Kpop boy group OnlyOneOf has signed up to star in this idol-based BL (based on a webtoon). They’ve been auditioning for this since Libido IMHO. You can watch me chronicle their BL MV series in this post. It’s from Idol Romance who will do sad but can do good kisses (Wish You, Nobleman Ryu, Once Again, Kissable Lips, Poongduck 304, Tasty Florida, Tinted With You).
9/26 I Cannot Reach You AKA I Can't Reach You AKA Kimi ni wa Todokanai (Japan ????) - Adapted from the manga, childhood best friends: The cool, smart one who’s good at everything, and his average, dorky friend who struggles. Always by the other’s side, but not together in the way they truly want to be. No matter how hard they try, their hearts cannot reach each other.
9/27 Absolute Zero (Thai iQIYI) - from 2021, Studio Wabi Sabi and New Siwaj finally bring us this “time loop to prevent tragedy” romance. We don’t always get HEAs from them, so I'm on my guard.
9/? Venus in the Sky (Thai iQIYI) 10 eps
9/? Mr Cinderella 2 (Vietnam YouTube?)
2023 forthcoming BL master post (see comments, some are inaccurate, NOT KEPT UPDATED).
THIS WEEK’S BEST MOMENTS
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Hidden Agenda hitting us up with a hug + lap + kiss. Very nice.
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I think these two might be GMMTV's best cuddlers.
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Boys, I think your JoongDunk is showing.
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(Last week) 
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ghostyolive · 3 months
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I will always be so mad that FMA:B gave Greed a different dialogue with Bradley after the Devil's Nest massacre than in the manga because it feels like it just changes his characterization to be so much plainer and more cartoonishly assholish. Like they really wanted to rope you into thinking he was a bad guy so that his twist of caring about people would feel stronger, but it just makes me sad. In the VIZ Media Fullmetal Edition translation, the exchange goes:
Greed: "Whoa there Bradley. How could you do this to them? They were my people."
Bradley: "Feeling pity for your pawns? How pathetic."
Greed: "Pity?! Do you forget who the hell you're dealing with?! I am greed incarnate!! Money, women, henchmen, everything-- they're my possessions! They're all mine! I won't let you take away what belongs to me!!"
...And the exchange in the English dub of FMA:B goes:
Greed: "Whoa, that was a little excessive. Killing me is one thing, but they're not coming back."
Bradley: "Pitying the lost lives of your pawns? Pathetic."
Greed: "Excuse me, are you senile? Did you forget who I am, old man? I'm the living incarnation of greed! Those weren't my friends, Bradley. They were my possessions! Money, women, henchmen-- They're all possessions!"
And that difference is absolutely insane! His manga version is in some ways more obvious and in some ways more ambiguous about his care for his friends. On the one hand, he staunchly refuses to pity them. (I would say that this is because he respects their right to self-determination and what they signed on for when they followed him, but that's almost pure speculation.) But on the other, he specifically refers to them as "[his] people." This really effectively toes the line between multiple meanings-- "[his] people" colloquially would refer to friends, but it also emphasizes ownership. It sets up his arc of acknowledging friendship while also not detracting from his care for the Devil's Nest gang.
The anime just makes him... indifferent and snarky? On a surface level, it makes his character arc far more clear as somebody learning to love and care about others, but it also really devalues his experiences with his gang. I guess I can almost understand why people just forget about them aside from the bit with Bido when they only watch FMA:B considering that it absolutely glosses over just about every part of the manga that makes you care about them. Why should people consider those random guys in the beginning when he makes it clear that he never cared about them? /s
And it's more than just the writing that I have a problem with. Even the animation is so distinctly different from what's shown in the manga that the tone ends up absolutely flipped on his head.
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(Note: this online scan doesn't use the official translation) Greed's expression here can best be described as one of pure rage. I think you could maybe loosely interpret the first panel as a grin, but the second panel clears up how he's feeling pretty well. It's especially poignant since the three panels preceding these two entirely obscure his expression. Any calm and collectedness has been shed in the face of his gang's massacre and his eyes are bulging and furious in a way that they haven't been drawn before. And how does the anime handle this absolute gut punch?
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Um. Not good, frankly. It's definitely got the wildness of his original expression, but it conveys none of the anger. It throws off what's essentially his greatest display of hypocrisy-- That he only gets angry when his gang is hurt, just like how Ed only gets angry when Al is hurt. Absolutely nothing about his reaction properly conveys rage or frustration, and that honestly just sucks. While episode 13 served as a pretty decent and streamlined recap of chapters 25-28, episode 14 really screwed with some of the moments that made Greed's arc feel so powerful and bittersweet.
Tl;dr Please oh please go read the manga version of og Greed's arc <3
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I wanted to give my own quick interpretation of the scene where Atsushi... imagines? hallucinates? all those people while conflicted over what to do in the most recent chapter, because idk I haven't seen people talk about it that much?
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See, the whole conflict with Atsushi in this arc is that he's replaced the constant demeaning of the orphanage director in his head with encouragement from his mentor, and he can control the tiger, and he supports the people around him... but Kunikida makes a point of saying (before everything went to shit) that while Atsushi's tiger is strong, he himself is still weak.
I don't think this has to do with Atsushi's character per se. I think it more so has to do with his still very simplistic views on people or the world - things are very black and white, good or bad. And when faced with a problem without a simple solution, Atsushi's unfortunate tendency is still to freeze up. This is not surprising - he may be 18, but he's a very... how do I put this... a very young 18. He hasn't had anyone teach him these things or guide him. He very much craves support and encouragement from others. He likely also didn't see much of the world outside the orphanage before he was kicked out either. And let's not forget how absolutely shot his self-esteem is. The fact that Atsushi functions and believes in the best in people as well as he does is testament to how kind-hearted and resilient of a person he is.
But here's the problem: Atsushi's self-confidence hasn't done much developing.
What Atsushi has learned throughout the story is how incredible the Agency as a whole is, and as he grows to learn and care about them and realize that he has been given a place to belong, he grows to support them in turn; pulls his weight in a number of increasingly badass ways (he caught a bullet with his teeth. GODDAMN). But all that confidence goes away the moment he is left alone. Atsushi has confidence in his own strength in a group - and only in a group.
Unfortunately, the Agency, though I believe well-intentioned, kind of enables this mentality in him. We see Ranpo, Kunikida and Kyouka in turn, who echo things they have said and would say to this situation.
"Don't you even know that?" Ranpo would ask this, rhetorically, and then solve it himself. Atsushi would not have time to come up with an answer of his own.
"Failure is unacceptable." Kunikida would say this and then act, no matter what. Atsushi would be left to follow what he does.
"You don't have to do anything." Kyouka would protect him. Atsushi wouldn't have to do anything because she would grab his arm and take over from there.
See what's happening here? These are no longer demeaning words from the headmaster (in fact, I want to reiterate that I believe they are all well-intentioned), but they still insinuate that Atsushi is incapable on his own. And indeed it's interesting that Atsushi sees these "visions" of Dazai guiding him all throughout the hunting dogs, sky casino and decay of angels arcs. I, for one, think this is just Atsushi's imagination and not a real vision (unless we get some evidence to the contrary in the future) but for now, it implies that Atsushi's self-confidence is still so abysmal that he has to imagine someone giving him advice and advising him on what to do - instead of being able to consciously admit these ideas are his own.
And then Fitzgerald shows up - "No one expects anything from you." Looming over him, a symbol of power and status over the panicked, conflicted form of a boy who feels eternally powerless without support.
And then it gets interesting.
Akutagawa shows up in Atsushi's mind, for the first time in a guiding role, not a demeaning one. And there's a definite reason for this - when Atsushi was all alone, when he admitted to himself he had no idea what to do and was terrified to be left to fight with no one else with him - who showed up?
Akutagawa. Akutagawa, who in spite of everything, fought by his side and was reliable. And the thing is, Akutagawa cannot take over, not in their kind of plans, or they just won't work. They have to work together. They have to be equals. And on some level, I think this part shows Atsushi's realization of the rather surprising amount of trust Akutagawa had to have placed in him - and him alone. I find it rather heartbreaking that Atsushi appears to have just now started to realize this after their plan failed due to a lack of trust (mostly on his side I'd say) and Akutagawa died.
So, Atsushi receives guidance from Akutagawa, and of course, from Dazai, the person he is extremely grateful for as a mentor. They don't tell him what to do. But still, Atsushi is guided into looking - "get out of your head" and moving - "the door is right there - do something about it". These "visions" still spur Atsushi into action, but the action itself? It's Atsushi's alone.
Atsushi still needs to justify his actions by imagining others giving him support, but this is definite progress for him restoring a sense of personal... agency (see what I did there?) within himself.
And yes, his eventual course of action is to find Fukuzawa and have him make the final decision on the matter - but really now, he's just been told something that apparently has Teruko (who I am certain is older than much of the cast and likely a former soldier from the war) drained and tired and seemingly conflicted herself - this isn't really the kind of issue you want to be deciding on all by yourself. Also, admitting you don't know what to do but moving forwards anyways to actively ask for advice or help is very much still making a decision and moving forward. Actively asking someone what they think about a complex situation is very different from being passive while others take control around you.
Atsushi made the decision to walk out that door into uncertainty. And I am convinced he's going to have to pick a course of action anyways - as of right now, Fukuzawa is out of commission, as are Dazai, Akutagawa, Ranpo and Kunikida (we don't know where Kyouka is yet).
It's been a long time coming, but this is serious progress for his character.
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greenerteacups · 3 months
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Hi! Just wanted to say the latest chapter is lovely & amazing & sweet & had me smiling the whole time! I absolutely love your characterisation of everyone, especially Draco, so it was so so lovely to return to this world & to his thoughts!! with his best friend and crush at malfoy manor no less! All the yearning is already off to a great start hehe I am so excited for the rest of book 5!
Wanted to ask you how has it been for you to write this new book and volume? Has your writing process changed since when you’d first begun taking on a long form project like this?
& also are there any moments or surprises in this book that you’re especially excited about?
sending so much love & gratitude for you and your incredible works 💓
Thank you so much! This is really encouraging, I so appreciate it.
Inasmuch as I can use this metaphor without having kids myself, I sort of see each of the books as a different child. The first one flew out in basically a few weeks of very intensive writing, and it was a total dream — plot, pacing, symbolism, major beats, all fell into place basically without effort. The character stuff was the hardest, as I've written about before, but even then, the glorious part of writing beginnings is it's the most energy you'll ever have for a project, so the lows were pretty soft lows. Book 2, in contrast, I had to drag kicking and screaming by its ankle from under the bottommost mattress of my brain. It's one of my least favorite books (tone problem; COS has killer plot/setting/ingredients for a YA novel, but it's stuck in the doldrums of Harry Potter's well-documented Early-Installment Weirdness, before Cedric Diggory slams the gas and upshifts the whole series into its correct age bracket). More specifically, once I'd gone through and picked out everything in the book that happened because of Lucius, I didn't have a plot — hey alexa how do you rewrite Chamber of Secrets when We Got No Fucking Chamber Of Secrets — and oh by the way, even if you want to do a moody tone/political setup book, remember that your protagonists are still twelve, so if you go too dark or too intense, you'll risk torpedoing your readers' suspension of disbelief. Good luck, Charlie.
Book 3 felt the most like its own novel, if that makes sense? It's the last truly feel-good book of the series; it's a great stand-alone mystery novel with relatively low stakes. Plus you get a bunch of the big series icons: patronuses, dementors, werewolves, Hogsmeade, the Marauders' Map, and time turners arithmancy. It just felt like a good old-fashioned motherfucking romp of a mystery/adventure story, before any of the complex character work and major stakes of the late books come in.
Book 4 was the most fun I've had writing anything maybe ever. I don't even know what it was. Maybe the tournament arc, honestly? Love me a tournament arc. But in any case, I opened every new chapter feeling a tingle of excitement for what I was gonna get to do. Oh, and the romance started, finally, Jesus God (if it feels like a slow burn reading, just imagine what it felt like writing it, when everything takes ten times as long, and you have to figure out how to word the fucker.)
Book 5, in contrast, has felt much less like that tingle of "here we go!" and more like "oh, man, this is gonna be cool." Because this is the arc of the story that composed the original idea for Lionheart, literally years ago, and to be honest, I didn't think I'd get this far! If you'd asked me "do you know that it's going to take you 500,000 words of backstory before you can start writing that concept you're thinking about, and you're going to do it anyway?" I would have said: "absolutely not, strange mind-reader!" But like... I'm here! Finally! And it's... real now? Like, this isn't just a bunch of clips of scenes in my head anymore! That's rad!
That being said, it's definitely been slower than Book 4, because I kept switching back to my outline document to make sure that certain things were set up properly, and that I hadn't lost any of the plot threads or forgotten a minor beat that was vitally important for the story three chapters later. And I had a minor crisis about three months ago when I ripped out about 8 chapters in the first third of the book — basically everything from September to December — because I'd done a readthrough to check pacing (big mistake! never edit while drafting, that's satan talking) and realized I had a missing storyline. Like, there was a whole layer of the story that was just. Missing. Not there. And the existing text really couldn't fit another thread, so instead of taking weeks to pore through and try to sift out what I could save, I needed to factory reset and start over. And I didn't want to! I vividly remember sitting there with my head in my hands, trying not to weep, because I'd decimated 90,000 words of work in a single edit. But it had to be done. Because the story wasn't going to work. And now (hopefully) it will.
And of course, there's still that sense of excitement and exhilaration from before. Always. But whereas Book 4 felt like a delicious chocolate pudding, Book 5 is a medium-rare steak.
(Book 6, so far, is four shots of espresso and a whiskey chaser. FWIW.)
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genericpuff · 4 months
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Absolutely love the rendition to the panel of Hades holding Persephone. Lovely to see it rendered as a more mutual act with Perse holding onto Hades instead of just letting Hades hold her, and ofc seeing Persephone actually look like an adult woman. (Not to even mention the colors and rendering because whoaa those were lovely)
And I have a question about this new rendition if I’m allowed to make it! The original had very dramatic and sharp composition with the angles and being off centered which conveyed much of the emotions and style that made early LO very striking. In adapting it, was it a conscious choice to change the composition or what were the deciding factors that made you and banshriek decide centering Perse and Hades worked better in this situation? :0
Ahhh thank you ;w; It took a few rounds of sketching to get the pose just right, the flats thankfully weren't as difficult as I was worried they'd be, but the challenge was definitely in trying to get the pose right while maintaining the height difference that's there.
As for your question, a lot of the posing and sketch composition is something I do, and then Banshriek typically goes wild with the backgrounds while making adjustments to those compositions if necessary, often times I leave the backgrounds up to their discretion as they're 10x more skilled at that sort of thing than I am and they often bring new perspectives to the table. This means that it often ends up being a game of give and take between what we contribute, sometimes I'll have sketches that they feel need to be adjusted, other times I'll have to add little tweaks to their backgrounds if it's missing something. We're both working off a base rough sketch, but we both get to contribute to the final scene in our own ways; splitting it between background and character flats has been a happy middle that's worked well for us :)
Depending on the scene, sketches can range from minimal to more detailed. Here's the original base sketch for that scene:
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So originally there was a larger tree working over the side but I didn't really know how detailed we wanted to be in the actual full background, much of it depended on how complex Banshriek wanted to get. You can also tell that Persephone's face was originally buried into Hades' chest in the original panel, which I originally flatted in, but then wound up changing because I wanted her eyes to be visible to reflect both of their expressions of relief at the same time.
That said, with the pose changing from what it was in the original (from Persephone almost laying on Hades vs. him holding her and lifting her up) the composition had to change with it so I decided to just make them a bit more centered, that way the focus would be fully on them and the balance of the scene wouldn't feel "off" due to the pose change. I tend to follow the Rule of 3 here !
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So yeah! That's pretty much why centering it felt a little better in this case. Though part me of does wish I was able to keep the original pose, when breaking that scene down into its bones I found it had to take a lot of liberties with its anatomy and proportions, as many LO scenes do. You can't really tell just on a surface level but Persephone's head is huge and the rest of her body is tiny (her hips literally come up to Hades' sternum and her feet meet at his knees). With the character design changes made in Rekindled to make Persephone a little less tiny and more consistent in her body type (while still maintaining the size difference between them) and to reflect their character arcs at this point (as I'm not rushing them into intimacy quite like the original comic did) certain things have to change to balance it out and accommodate. If you're a math person, think of it like solving algebra equations - what you do to one side of the equation needs to be reflected and adjusted on the other side.
And of course Banshriek did a lot more to really exemplify the mood shift in the almost labrynth-like forest Persephone grew within Tower 4. There are still trees and plant life everywhere, but instead of feeling like an endless maze with its tones of deep red that we saw Hades navigate, it now feels like a soft and gentle meeting point for the two. Like the original scene, the color change is used to change the mood of the scene and reflect the calmness of Hades and Persephone as they've found one another.
At the end of the day we did what we ultimately thought would work best for the way Rekindled is drawn, giving both Banshriek and I the freedom to fully utilize our respective skillsets. That way we were able to pay tribute to that original scene while also creating something new out of it <3
That said, I'm sure @banshriek can also chime in with their own design notes on this episode, if they have a minute to spare! I'm sure they'll have lots to say about the fun they had working with those new brushesヽ(・∀・)ノ
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ludinusdaleth · 5 months
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a travesty ive barely posted meta for artagan here when anyone who knows me knows ive written universes about him. so, a bit to ponder on:
something interesting about artagan - and by extension many fae in cr in general - is how thoroughly he's defined by selfishness as the core value of a fae, when we are shown time & again even before artagan gets his redemption arc that that isnt true.
now, arti is selfish. hes the definition of lust, & sloth, & sheer debauchery. he'd rather sit back than help even his favorite little tiefling (at first - more on that later). he would rather abandon his followers to an island that would destroy their memory than attempt to lead them.
but.
he planned for his followers to land on rumblecusp because to him, a fae, losing memories was completely Insignificant - and he literally did some of their paperwork to help them along, and did the work to ensure travelercon left them with each other. he was benevolent enough to vm their first meeting, showing incredible patience despite their disregard for him. he saved vex from drowning. he chose to befriend jester after seeing her be hurt by lord sharpe's son. he comforted jester when he could, when he never needed to. this is all before The Travelercon Kick, before he agreed to help the m9 into the feywild & shift time for them for no price, before he helped jester battle trent/omentis and made sure his spells did not hurt innocent bystanders.
this isnt some garuntee that he, pre-jester, was any saint. but what sticks out to me is how much the trait of selfishness is vastly applied to him. not only does sehanine's angel refer to him as a selfish creature twice, but he refers to himself that way the episode before. it is as if he has endless history with being called that, as if he is the most vile creature by virtue of being an archfey, and he made peace with that, leaned into that until jester walked into his life.
which always leads, in my head, to thinking about the fae of this show in general. they are so vastly blanketed as dangerous. and some are. but the more you analyze it the more you see how it's less integral to their being, and more what they accept they are. if youre seen as a monster, and whimsy is inherent to you, you will play the role to see what happens (i see this in characters like ira immensely). we see the younger generation of fae raised away from these generalizations - fearne & morrighan - break the stereotype near entirely. sure, fearne picks pockets and loves her friends lowkey possessively - but weve seen time & again how thats playful, and gives way to so much selflessness she's falling apart at the seams, only just now telling the party her fears. and morrighan shows no possessiveness at all, being shy & near subservient as a waitress. they are living proof that a fae's worst traits are a matter of nurture.
watching artagan is watching some of his peak fae-court upbringing begin to break down by exposure to a different world. i always recall how both he & ira hiss at the feywild for its contradictions, its rules when it's a land built for free wills - which implies the fae are not let to be themselves, but have their culture shaped by courts so strict they wont even let fae leave to exandria. the worst ideas about them begin to shatter the more cr tells us how fae society has fallen into something like an oil slick into an ocean - literal imagery used by athion & yu. the fae's free existence has been polluted.
artagan was our first example of all of that. and how it's possible to become better.
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nc-vb · 11 months
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𝐑𝐞𝐯𝐞𝐧𝐠𝐞 𝐏𝐫𝐨𝐯𝐞𝐬 𝐢𝐭𝐬 𝐎𝐰𝐧 𝐄𝐱𝐞𝐜𝐮𝐭𝐢𝐨𝐧𝐞𝐫
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this is a repost from my old blog!
this was originally adapted for an original character story BUT I liked the idea so much that I didn’t want to have to wait to use it. so here it is, formatted for the big screen Tumblr.
pairing -> portgas d. ace x reader
notes -> gn!y/n is a Straw Hat & this is during the Alabasta Arc; includes some extra lore to sweeten the deal.
warnings -> mentions of a character death; use & mentions of alcohol; light, shameless flirting, maybe a lil suggestive at the end? 😏
wc -> 1.8k
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“Take it,” he suddenly says, voice slurring. Lowering the glass from your lips, the liquor remaining untouched, you raise an eyebrow at him.
“T… Take what?” you ask, a laugh hanging off your words. “Your beer away from you?”
Ace’s own laughter is full of mirth, his grin spread across his flushed face. Your own cheeks warm, the joy on his face almost too much for you to contain your own.
“My name!” he corrects you. A moment passes that you don’t react, that your cup remains safely in your hands, its liquid contents settled. Ace doesn’t flinch, not even when your drink finally flies into the air above them, landing somewhere else on the ship– Zoro’s lap.
“Y-Your name?!” you repeat in a shout, over Zoro’s own screeching over him suddenly being soaked with booze while he’d been napping and Sanji’s telling him off for it.
“Yeah!” He leans into you, still smiling as he whispers, “Don’t you think “Portgas D. _______” has a nice ring to it?”
“A-Ace…” Your grip on your other hand tightens. “Do you think… maybe… you’ve drank too much tonight?”
“Uh-huh, definitely,” he says.
“Then–”“But I still thought about it when I was sober,” he interrupts, setting his mug down. “It’s, uh… a first for me. For this kind of thing. You know that.”
“I do know that,” you mumble to your lap, “but Ace, realistically? … we haven’t known each other for that long.”
“Whaddya mean? We’ve known each other for over two years.”
“We’ve known each other for eight days, and about each other for two years,” you correct him with a sigh. He hums, pondering. “Remember? I said “no” to joining Whitebeard and ended up stalking you through the newspapers to make sure you were still alive? Wrote some letters to you to reinforce all of that craziness?” He grins cheekily.
“Can’t forget it.” “Ace.” “Sorry.”
“… Ace…” He perks up, watching and waiting for you to speak again. “Why did you ask me this?” When he doesn’t immediately answer, you lift your hand onto his warm arm. “Why are you here in Alabasta?”
When he drops his own down to dwarf yours, you do your best not to react, the new expression on his face easily sending a message– that why he asked you what he did and why he’s here is not for a good reason.
“I don’t wanna tell you here.”
You look around the ship. “Then–” you hiccup, immediately inwardly cursing your poor timing “– how about over there?”
Having pointed to a quiet part of the ship, he notes its lack of occupation. It’d been a sound enough suggestion that Ace stands a moment later, dragging you up with him, across the ship and away from your crew. Nami, who’d been sitting only a few feet from your right, chuckles drunkenly, having heard their entire conversation.
“Ace,” you start, once they’d reached the suggested destination. “You’re beginning to worry me. What is it you have to say? Is everything alright?” With a final quick sweep over his shoulder, to make sure your crew were still nowhere nearby, he shakes his head. “Are you alright?”
“No,” he answers, his tone abrupt. You notice the catch in his voice, your lips meeting to form a frown as you reach up to hold his arm again. Beneath your fingers, you feel his body lean into your touch, and with you other hand, you reach up to cup the opposite side of his face, receiving the same response. He sighs.
“I’m here,” you promise him. “I’m listening. I’m here.”
“… it’s… about Thatch.” It’s slow, but… you’re feeling cold now.
You can remember the man in great detail, and quite fondly, as Whitebeard’s incredible chef aboard the Moby Dick. He’d made you a favourite of yours; one of Whitebeard’s many cards to play in his attempt to woo you into joining his family. A kind and jovial man– your eight day stay aboard their main ship was made enjoyable partially by this man. If not for your own dreams and desires, you might’ve stayed if it meant being this mans’ crewmate.
“W… What about Thatch,” you demand from him, your own voice rasped by your oncoming worries.
Ace takes a breath, his chin pointed above you as he releases it, your hand falling to rest on his chest.
“He’d found a Devil Fruit… one we’d been looking for, for a long time…” The expression on Ace’s face darkens, something you thought to be near impossible considering how shadowed it’d become. “And Teach killed him for it.”
Your soft inhale makes Ace grit his teeth. He knew how much you enjoyed Thatch’s company; you’d said so in your letters to him once. He hadn’t wanted to tell you about it in the first place but concluded that keeping it from you might be worse.
“T… Teach did that?” you say, your voice hoarse. Your trembling fingers pull away from Ace to cover your own mouth, trying to dull the sob that suddenly escapes you. Not quite knowing what to say in comfort, with their not being anything much to be able to offer regarding the news, and always having been a man of action, he slings his arm around your neck, his forehead pressed into yours.
“I’m trying to find him,” Ace murmurs, his hold on you suddenly tightening. You set your hands against his chest to brace yourself from falling. “Trying to make him pay.”
“All alone?” you realize, your heart squeezing within your chest. Gently, you push away from him. “I… I’ll go with you!”
Ace shakes his head in response, though he still grins for the sentiment. “Nah,” he says. “This is our problem, _______. Pops gave me permission to find him – I don’t think he’d be so happy hearing you were going to join me when he didn’t want me to go at first, either. And besides, Luffy needs you with him. You’re his crewmate.”
“I know that,” you say, not a beat after Ace finishes speaking. “But I think he would understand if–”
“Your friends need you, _______,” he interrupts. “If it wasn’t this way, I… No, not even then. The Devil Fruit Teach took and probably ate is dangerous. You’re not a fighter yet– I wouldn’t risk your life just to keep me company.” 
“Company isn’t all I’d be there for, Ace,” you tell him. “Thatch was a good man, and a friend. It would be my own revenge.”
“And I get how you feel, but…”
“… I do, too. This is something that you have to do on your own, right?” He nods. You smile, a reward for his candor. “Thank you… for at least telling me. I won’t have to worry too much about what you’re off doing, then.”
“I won’t stop you if you wanna,” he’s suddenly mumbling, catching you off-guard. It goes unseen through the dark, but Ace’s cheeks burn bright the moment he registers his own words. “I-I mean–!”
“I… would do it without you asking,” you mumble back, your voice low from your own embarrassment and cheeks flaming away. “L-Like I always have.”
“G-Geez…” Ace swipes a hand down his overheating face, fighting a grin that bubbles up to expose him, anyway, and you laugh lightly at his failed attempt.
“Ace,” you whisper. A chill sweeps through him as his name leaves your mouth. “I’m so happy to have been able to meet you again.”
“Aceeeeeee!! _______________!! Where’d you go?!?”
The two of you laugh together, shaking your heads. “Luffy,” you chorus.
“I guess we have been away from the party for a while, huh?” you realize.
“Just a little,” Ace agrees. As you both end up going to exit through the doorway at the same time, they connect with each other, Ace’s bare chest meeting yours. “Oh, sorry,” he says.
“Don’t…” You huff at him when he chuckles nervously. Before you can stop yourself, your hands rise once more to take either side of his face in them, the man freezing in response– “don’t apologize, Ace” – and his lips parting when you rise onto the tips of your shoes to press a chaste kiss into the corner of his mouth. You lower back down, hiding your hands behind your back. “Just, um… I won’t tell Luffy about this. I feel like it’s something you should tell him, anyway, and at a time that we’re not busy with a potential war. I’m sure he’d want to help you out with it if you did now, anyway.”
“Th-That’s a good point,” Ace says sharply, his voice having risen an octave. You giggle.
“Ace! ______?!”
“Okay, now we should actually go this time,” you say. He gestures at the door.
“After you.”
“Thank you, then,” you say, nodding to him. You step out first, throwing a smile over your shoulder at him at the same time he’d reached out to grab your wrist to pull you back into him. “A-Ace?!”
“… y… you can’t just leave after giving someone a kiss like that one,” Ace says, his heated breath fanning across your cheek. “I might think you’re kiddin’ around.”
“I-I’ve never been much of a comic about this kind of thing,” you tell him, recovering, “but when it comes to you… I’ll never joke about my feelings.”
“_________…” You chuckle at him again. “What’s so funny?”
“I just – I’ve never thought I’d fall in love with a pirate,” you say, your tone much too blunt to consider you to be teasing him, a deep red creeping up into Ace’s face, ears, and neck as a result.
“You’re a pirate, too, y’know,” he mumbles, rubbing at his nose. Ace groans, finding himself unable to catch a break when you reach up for him, arms draped over his shoulders when you move into him.
“Yes. Isn’t it wonderful?”
Thudding footsteps sound against the deck, gone unheard by the pair of you thanks to the roaring silence shared beneath the threshold, startle you at the last second. Luffy sweeps around the corner, head whipping back around when he finally notices the pair half in the shadows of the Going Merry.
“Eh? What’re you guys doin’ over here?” You tear your hands off each other, smiling at the young captain innocently.
“Just talking, Lu,” you say. “I-It got a little loud at the party.”
“It looked like you guys were dancing to me, but c’mon! Sanji made cake!”
“We’ll be right over, Luffy,” Ace promises, and not needing another word, he takes off back to the center of the ship. “Maybe we can, uh… dance again later?”
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© nc-vb 2023 please don’t repost! reblogs & comments are always appreciated.
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dokidokitsuna · 6 months
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Slowly, I think I’m getting a handle on this…I tried studying the character art from my favorite dead MMORPG, Maple Story 2, and I think it helped me find a style for the shading and rendering that’s more dramatic but still sort of cartoony.
Plus, I’ve been doing a bit of script writing, which always helps me figure things out. ^^ So please enjoy the additional work I’ve done on these character concepts.
-Between these two, Magolor definitely needed the most work: you can tell because I basically drew a full character design sheet, which is something I almost never do because I don’t like repetition. XP But it doesn’t feel repetitive when I’m totally lost to begin with. ^^; I think I got a little too abstract that first time I drew him, so my focus here was to figure out the specific shape of his body and rebuild outward from there. In stark contrast to my usual Magolor designs, he’s very tall and muscular, with an imposing silhouette (especially with his cape on). Yes, he IS hiding something under all those purple bandages, but we won’t talk about it today. ;)
-I also like that his outfit gets darker the further inside you go, from the solid white cape and glittering chains, to the silver armor and gray scarves, to the skintight navy blue fit underneath. Symbolism??? Perhaps~
-Blade’s design was already pretty solid, so I just adjusted her cape a little, and then dove straight into the Rainbow Malady concept art. ^^ Phase 1 has her sprout a second eye and wings on one side of her face. Her head catches fire, as the power of the Rainbow Sword attempts to ‘burn away the darkness’. In this phase, Blade is already in a lot of pain, but remains fully conscious and can even speak, when she isn’t coughing up multicolored blood. She can recover from this on her own with a day of rest. Phase 2 is much more serious, forcing her organs outside of her body, and growing star-shaped welts over the rest of her skin. At this point, she can no longer recover without Magolor’s help-- essentially, he uses magic to shove all her organs back where they belong and stitch up the open wounds. It’s like setting a bone after it’s broken-- just as painful as the injury itself (if not more), but necessary for proper healing…which takes about a week.  Phase 3 is the last and worst, transforming her arms into elongated wings and her whole body into burning plasma, on top of all the issues from Phase 2. Thankfully, she can’t really remain conscious in this phase-- she’s usually delirious from fever, blood loss, and her brain literally burning away. ^^; Storywise, she needs about a month to recover from this, so she doesn’t use it too often…of course, as the 'player', you can put her through it as many times as you want. =T
-Fun fact, I guess: So the primary love language between these two characters is food. ^^ I was musing about what I could do with a protagonist arc centered around worsening illness (which is…surprisingly rare), and I thought, “so what do you do for sick people? You put them to bed, you manage their symptoms, you clean and comfort them…and most importantly, you feed them.” And then ^that little doodle basically came to me in a dream, and from there evolved the idea of Magolor showing kindness to Blade by cooking for her.
Most of the time, the little affection Magolor shows to Blade is…basically performative. Think of it like a hammy supervillain petting their cat-- it’s more of a character stim than anything else. ^^; The way Magolor talks to Blade (and especially the way he talks about her…) makes it clear that the hand-holding and headpats don’t mean much.
But on the other hand, giving Blade food and watching her cutely devour it, especially during the times when she’s bed-ridden and he doesn’t see her as often…I like to think that might genuinely endear her to him a little, enough to make it a sort of stand-out gesture. Like, if he strokes her forehead when she’s sick, that’s whatever; but when he spends 5 hours making a Maxim tomato consommé for her to eat, that’s him trying to say he cares. Maybe it’s just a tiny bit, maybe it’s just in that moment, but a small part of him truly wants her to be happy.
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atl0sss · 7 months
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I was on Twitter yesterday, and I saw someone talking about #qBBH wanting the old #qForever back. Unfortunately, this qForever no longer exists. I really hope that people inside the island start to notice who our president is now. It's sad to see, but q!Forever died when he saw Richas's shirt on the bed.
He was literally driven crazy. Honestly q!Forever started to die during the election arc. With all the distrust they began to place upon him, seeing his best friends moving away from him, seeing Richas moving away from him after he became president. Everyone was leaving, and then his son was literally gone. He spent hours and hours waiting for him to come back. When q!Forever needed someone to actually ask if he was okay, the only ones who did were q!Tubbo (Because he didn't have an egg to look for) and q!Pac (Because they are family.)
And man, watching him freak out was really something Intense, you know? He started looking madly for Pomme and Dapper, clinging to the hope that they were still there, that he still had something to protect, but, he hadn't. And the only thing that kept this man sane was having something to protect. Q!Forever has always been like this. That's why he built the N.I.N.H.O. and it was for this same reason that when he invaded pomme's room to look for her and the "voices" started to complain, he said "There's no reason to protect N.I.N.H.O. anymore, the eggs are gone." And everything he did over the months, all the paranoia and overprotection towards Richas were in vain. The promise which he did for Chayene and Talulah in the last night was useless . He began to slowly succumb to madness. He knew that q!Aypierre was lying to him. And the only thing on his mind was to kill him. He hid in Richas's room and begged q!PAC to appear. And told him that.
I decided to subtitle this conversation, because it's really interesting. Q! forever tells Pac everything he's feeling at the moment, this was the last time he spoke openly about his feelings. He talks about the 2000 mines, about the voices in his head He talks about wanting to kill q!Pierre when he realizes he's lying. It's hard to control his impulses now that he no longer has Richas. Unlike q!Cell, q!F never went to therapy, lol. The voices in his head are out of control, searching for something.that makes them feel relief. When you meet q! Forever long enough, you realize that these laughs he makes aren't his normal laughs. He's always laughing and smiling, but this here My friends, it is a demonstration of a mad man.
(Tumblr won't let me upload more than one video, so I'll leave the link to my Twitter post here, so you can see the entire conversation: https://twitter.com/Atl0sss_/status/1709774361408741873?t=bhD9XtHh0a29yCqREP5KfQ&s=19 )
This was one of the few moments where he said things without any filter. About the desire for death and revenge that he has, without caring if it was correct to direct that towards q!Ayp. He just wanted Take out the anger. So he has these daydreams, and talks about it with q!PAC, Because he's the only one who Q!F knows will listen. And he listens, and plays with q!F, makes jokes and deals with the matter calmly, which makes the president calm down.
But unfortunately that wasn't enough. After that, q!Ever is alone again, he isolates himself in the presidential room. And he waits. (It's very interesting how cc!Forever leaves the character positioned, so that we can see the days passing inside Minecraft. )
and days pass, and he waits. He doesn't sleep, he stays awake, just talking to the "voices" and waiting. At some point, he starts listening to the clock, over and over again. He tries to blow up the clock in the room, but it's not enough. The clock is inside his head.
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This man literally went crazy from waiting so long. Do you understand this?
And he says this, which was definitely one of the things that marked me the most in this whole arc of the disappearance of the eggs:
"Everything that has moved my character so far, What made us do things, and His entire universe revolves around the son he loves so much, circles around Richardlyson. I won't be able to ignore the fact that Richarlyson disappeared to play with capybaras, or anything. [...]"
Anyway. This man will then meet with the cucurucho. They talk, Q!Forever threatens to blow up the entire island, tells Cucurucho to try to kill him, tries to blow up the federation office and finds the live promising to blow up the entire island the other day. And then he builds a TNT plane to blow up the island, and chases Cucurucho with a chainsaw (both things are canon) What do I mean by all this? I want to say that, since the moment that Richarlyson disappeared, that q!Forever no longer exists. The man who Built N.I.N.H.O, the man who was close to q!Bad, started dying during the elections and ended his life when his son left. But, in the end, was he ever real? That man existed because of Richas. That personality was completely shaped so that Richarlyson would be safe.
His paranoia, his way of relating to other islanders, his candidacy and presidency, everything was ALWAYS for Richas. Who is he without his son? If the eggs die, what will happen to q!Forever? Q!Forever president and QForever island are the same person. But, Q!Forever without Richas and!Forever with Richas are completely different people. Whether he is president or not. He had power once and continues to insist on being honest. But without Richas, how long will he maintain this pose? How long will he accept being disrespected if he has nothing left to protect? He is trying to protect the people, without anyone better for the inhabitants, but they are not Richas. And at some point, he will give up.
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teddy-bear-queen · 10 months
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Bro I have to say this I swear-
I see people trying everything to make it seem like Wukong is a lot worse then he is. I understand you like Macaque, I do too! But the entire point of their relationship is that they’re both in the wrong. The difference is, Wukong got, well, character development. It just feels super annoying to discredit Wukongs hard work in JTTW because of things he did prior.
I’m not saying Wukong is some saint, or an amazing person even while the story is taking place, but he is NOT as bad as some of the people in the LMK fandom make him out to be. I assume it’s because Macaque is the goth shy boy (/hj? /lh), but Macaque literally comes out just to manipulate MK and steal his powers. He’s making the exact same mistakes Wukong did, fighting for power so that he can protect himself. Get stronger. Etc.
Season 4 Special Spoilers:
I don’t think Wukong was ignorant in saying that Macaque doesn’t come to help him. I mean, he got beaten by the Jade Emperor and presumably everyone just left him there and ran off. I’d be pretty mad too. Of course, Macaque was hesitant to begin with, and that’s fair. But he was already there, he could’ve tried. But Macaque has a habit of shying away from fights, only really fighting others to settle a score (S1 E9) or if he has to (LBD arc - both working for and against her, but the S1 E9 relates here, too.) I’m not saying this as an insult, more of an observation. He’s not a coward by any means, a coward would be Peng, who leaves mid-battle in fear of being hurt or losing. Macaque finishes his fights (still knowing when it’s reasonable to retreat), but more often then not prefers to prevent them in the first place. (WHICH IS WHY THE DIVORCE SCENE HITS SO HARD, you know he’s been bottling that up ;v;)
ANYWAY back on topic. I definitely think everything Wukong said there was true. I don’t think he was trying to lie or manipulate Macaque by saying “everything I did was for us”. This is further confirmed when we see him later, tired and completely defeated.
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He has nothing to hide here. He’s at his lowest point, stuck in a mountain, tensions high from being abandoned by his sworn brothers, being abandoned by people he held dear. Macaque was trying to be nice, but if I were stuck in a mountain and offered food from someone who left me in such a vulnerable state? I probably wouldn’t take the it either. ALSO. We still have NOT seen these things from Wukongs perspective! Every single time something is revealed from his past, it’s narrated by Tang, Azure, Macaque, etc. Wukong has never (from my memory) spoken about his trials first-hand. This is why I love the guy so much!! What’s going on in his head? How does he feel about these things?
These are such complex characters who have been through so much, so it really bothers me when people look at Sun Wukong and decide to demonise him because of the past which, not only has he moved on from, but we have never even seen his side of the story on. Why did he kill Macaque? Did he kill Macaque? (I’ve seen theories he didn’t, we don’t know rn tho)
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Wukong went through a lot of pain to change. Wukong is haunted by his past and in genuine distress over it. You can’t tell me this isn’t a man filled with deep remorse for his actions.
He’s not perfect, but he’s a hell of a lot better. It just really frustrates me that people disregard and discredit the work he put in to get to this point.
THATS IT THATS THE POST
This is really disorganised I’m sorry, I just keep seeing people act like Wukong is the scum of the earth and I honestly just do not get it.
Please don’t send asks about this post, just reblog or comment.
I don’t want to deal with passive aggressive (or just straight up aggressive) people.
As a final note: No, Wukong is not perfect. He’s still a deeply flawed character even with his development. No, Macaque isn’t the scum of the earth. They both have their own problems and they both fucked up. They both did something wrong. That’s the point.
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originalaccountname · 7 months
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There are some posts I've seen floating around that at the start Dazai may not of known that Chuuya wasn't a vampire which I kind of agree with. I'm at work currently so I cant double check but when he goes "that's a nasty trick you've pulled fydor" im pretty sure its in his thoughts?? To which why would he think that if he knew the whole time. I think dazai must of caught onto the fact Chuuya was faking it at somepoint but not sure when that would of been. Also at the end of the ep Dazai said he didn't have a plan. (I did watch the episode at just after 2am my time when it came out and then fell asleep afterwards so my memory could be not correct). I do think chuuya not being a vampire at all is a little disappointing tbh but this idea softens the blow. Would like to know your thoughts on this idea if you are open to sharing?
I'm in that category too, yes. I've left a few tags saying basically the same thing on some posts.
First, there are a few things the anime didn't answer (more than failing to justify Chuuya faking it since the start, there's Sigma's case about needing to help the ADA, which... didn't happen at all) so either we haven't seen the repercussions of this arc yet, or we got the shortened version of what the manga will offer. Which could work either way. (not ideal necessarily, but besides huffing what can we do huh)
Dazai not knowing though! Dazai did admit to his "plan" being to mostly adapt on the fly and trust his allies to help him back. He implied this prison break was one big trust fall. But that's how I've always interpreted Dazai's way of planning! I even made a post about it a full year ago!
Since Dazai knows Chuuya slowed down the elevator (which I can accept, Dazai's ability shouldn't affect random objects he touches, and Fyodor had told Chuuya through a comm to go finish off Dazai because he wasn't in the room), I assume that by then he was aware. Maybe not before though. Definitely not at first. Because this?
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I refuse to believe was entirely scripted. Why is he acting? For Sigma? For corpses? I'm of the opinion that no matter what is going on through Dazai's head, his expressions are always genuine (ex: he might react with surprise at something he completely expected, if only because of how sudden it was, or when/how it ended up happening. Here? genuine distress.)
And I extend that feeling to Dazai having an emotional moment, complete with flashbacks, while "drowning" Fyodor and Chuuya. He did say he wasn't expecting to kill them that way, but perhaps it really was a moment of weakness triggered by concern or guilt.
I can accept Dazai having caught on during his face-off with Chuuya. That's Mr I-know-your-breathing-patterns we have here, so if they didn't high-five after the elevator crash-landing (still broke Dazai's leg), I would say Dazai knows physics enough to go "hold on" and connect the dots. So yes, that baiting of Chuuya, the light taunting, the bratty attitude he only really has with Chuuya, the angry YELLING and insults when Chuuya shot him in the shoulder? The destiny talk? Yeah I can re-contextualize those as Dazai over-acting his part. And then not being able to shut up after being shot in the head.
Maybe there's some reaching here, maybe this will not be totally accurate to the source material. But Asagiri does have a habit to write scenes from an outsider pov while knowing whats happening in the characters' heads and behind the scene, but then not give us that input directly. Never before today was it confirmed that Dazai improvises a lot in his plans. And yet! That's something I've believed in for a very long time.
This all could very well be covering Asagiri's poor decisions, but between this being the adaptation and bsd being an unfinished story, I have a hard time deciding at the moment how much of a poor decision this was. Maybe it's worth a raised eyebrow. Maybe it deserves some criticism in hope the author takes notes. Maybe this was an anime-original resolution due to time constraints (think of the Fifteen final fight). I can only raise concerns for now, and wait.
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bonefall · 6 months
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I’m not sure if you talked about it, but what do you think about A Thief in Thunderclan? I actually liked it, though it definitely had a few ehhh moments
Eh, honestly? Im kinda disappointed that James Barry had to go out on such a low note. I did not like it, it felt like a waste of time.
It wasn't like... offensively bad but I have very little good to say about it. It was fine. If you want to see more ThunderClan you can check it out?
(A lot of Thief in ThunderClan critique below the cut, I didn't like it much)
First of all, the mystery was just bad. I'm sorry. An owl? Swooping in at night for dead animals and leaving perfect scores in the dirt? It felt like a real "running out of ideas" type plot.
Brightheart was NOT fun to follow. She was uncomfortable for most of the story and secondhand embarassment is an emotion I really don't enjoy. Even moments that were supposed to be thought-provoking (like the Brambleclaw name confrontation) just felt like cringe because they were written so poorly.
Like, seriously? "Firestar why did you name Bramble after his father who disfigured me?" "Oh its because i uhhhh wanted to remind ppl of it so they would stop being reminded of it eventually" WHAT? That was a brainless enough choice when it was FIRST made, you can't fucking tell me any cat with a brain cell would go "wao... really makes you think... hngsociety"
I disliked the fact they decided to give Brightheart serious suspicion towards people like Longtail and Brambleclaw, I strongly disagree she would be like that. She feels so much to me like someone who would feel awful for doubting people she logically knows are innocent, and express to Cloudtail that it makes her feel like a bad person, but she CANT help it. She is such a kind, loving, and self doubting sort of cat... or, was, I guess? Or maybe it was never there at all and I'm the fool.
On that note? Her character arc was a mess. As much as I hate Shadow in RiverClan, I can say that Feathertail's arc was a competent *story*. Brightheart is having nightmares, suspects Bramble and Long of treason, is trying to figure out this mystery, trying to help train Rainpaw, the fact she resents not being his mentor is mentioned and dropped, she is pregnant... so much shit is going on and it feels absolutely unfocused.
And even worse, because it's overlapping with the beginning of Firestar's Quest, we end up having to Show Off The Continuity instead of telling a cohesive story. Oop Willowpelt died and Rainpaw is kind of sad about it! But wait we have to say bye to Firestar, make sure to squeeze in the Brambleclaw name confrontation before he goes! GO BACK Longtail has been blinded!! ALSO THE OWL! HERES WHY THE OWL WASNT MENTIONED IN FQ!!
And DUDE if there's anything that's a SERIOUS problem, it's Brightheart's stupid ass cutesy "look who's being USEFUL in here!" When blinded Longtail is helping out in the medcat den
First of all fuck you for the wording of that line! Second of all, GET IT THROUGH YOUR HEAD that disabled people shouldn't have to find a way to be "useful" to belong to their society.
The fact we're getting a book from Bright's perspective as a disabled person and the whole thing is chock full of "useful" language as she struggles with PTSD makes the fact this is COMMON in WC sting so much more.
Anyway back to just, normal critique and not frustration with ableism in wc.
I feel like they really wasted Brightheart's family. I enjoyed finally getting Cinder and Bright hanging out as sisters, but we got a MENTION of Frostfur, and barely anything with her brothers. It's already a mess so why not go the whole way?
Ashfur also has his post-TBC personality retcon which absolutely kills me. Why do we need this shitty "foreshadowing"? Why do we need him to have been so obviously controlling and argumentative? Why are these writers fucking allergic to having a villain that people thought was nice and normal once?
NITPICK: if i have to see another cat gently picked up by a large bird of prey without at LEAST getting a cracked rib I will shapeshift into 10,000 crows and fly away forever
I have some good feelings towards it though, and I have to be clear, this is actually Ambivalent Bones. I'm only mad at the "Usefulness" rhetoric, the rest is just my normal amount of whinging lmao.
I do really like Cinderpelt and Brightheart finally getting some interactions. It's long overdo lmao
I like Cloudtail and Brightheart as a ship so it's nice to see them hang out.
Uhhh this is a bit of a backhanded compliment but I liked how she was upset at not getting one of Whitestorm's children to mentor? I don't like how it bodes for the wider narrative though, because we know this ends in her getting shafted FOR YEARS and unable to get an apprentice. But I liked the plot setup of her having resentment for Cloudtail because of this. I thought that would make a really good plot point for putting a wedge between them to work through. Like, stop being cowards, LEAN INTO Firestar making some very serious, insulting, short-sighted mistakes, and it interfering with Brightheart's ability to heal. Kill your darling.
There were some nice lines. I do remember Ashfur's lame "greedyclaw" insult, which was funny.
I enjoyed the cute moments between the cats in ThunderClan. Ferncloud chasing after her kids, Brightheart convincing people to help her investigate, the Willowkin being upset about their mom. It's a mess but there's some nice stuff in that mess, y'know?
Overall, my memory hasn't been kind to it. I think I was giving it a 6/10 when I first saw it, but it's dropped down to a low 5/10. Not (very) offensive but too messy and pointless to revisit.
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