#his entire life story is just fucking

[idkaguyorsomething]

the convoluted doctor who lore gets extra funny when you realize that, at two separate points in the past, two different companions to two different doctors ended up running into rasputin but both came to the conclusion that he was a pretty nice and normal guy. which, depending on how you interpret the power of the doctor, is either a nice subversion of a lot of tropes of stories used in pre-soviet russia, or side-splittingly hilarious as you start imagining the master getting roped into various adventures with different versions of the doctor that he can’t fuck with yet or else he’ll destroy the timeline, forcing him to play nice with the humans as part of his 4D Time Chess Master Disguise Plan #3852

#doctor who #rasputin #in case you’re wondering the companions were #ian chesterton #liz shaw #and #jo grant #who kept explicitly making references to the master throughout the story #but wait it gets better #at one point it was proposed to make a story with this one time lord called the meddling monk #who just decides to start fucking around with the timeline and forces rasputin to listen to boney m #but apparently this actually drives rasputin to the brink on insanity and destroys the entire timeline #forcing the monk to regenerate into rasputin to take his place and live out his life #and that’s why he decided to go by the monk #it was never technically canonized but could you imagine the mindfuck #you have a time lord impersonating another time lord impersonating a normal guy who may or may not have actually existed in the whoniverse #who even knows at this point #the untempered schism didn’t drive the master mad it was a funky disco beat #grigori rasputin #dhawan!master

[rustedhills]

Disney, releasing Wish: "so it's all about legacy--the new generation surpassing the old, overcoming the evils perpetuated by them, relinquishing singular power... and there's an old man in a tower, uh... animal sidekick, i guess..., ah... magic...?

Miyazaki, just out of frame, sledgehammer raised:

#the boy and the heron #not tagging wish 'cause i'm being a little acidic #this isn't to be negative in the slightest--I really respect both films--but it's interesting to see how visceral boy+H gets with its story #what evils have to be rejected and what they represent--and how characters and the world suffer from those evils--as well as how the whole #'rejecting' part goes. in terms of animation powerhouses discussing their legacies - disney and miyazaki both - I find it interesting that #one makes a pretty safe and nostalgic movie about imagination and dreams; the other is a long trudge through the land of the dead. #b+h is a hard watch - and a look at the legacy of a man questioning his whole purpose in the world - after his cultural touchstones #have long passed by. Mahito needs to understand his grief to keep living--but if he drowns in it he'll just continue the cannibalistic and #violent world of his granduncle. how the hell do you make art when the trauma of your entire life has colored it forever? How can anyone? #maybe after a while... it's time to detonate that damn tower and keep living. #this is to say #if you have enough money to make whatever you want #Make It Fucking Count

[gay-jesus-probably]

Seeing as the Gerudo turned on Ganon, he might not have been that much better of a ruler.

First of all, we literally have no idea, because the only ancient Gerudo that we actually get to interact with is Ganondorf himself, and he has nothing to say about his own people. The ancient Gerudo sage doesn't count btw, she doesn't have a name, we never even see her face, and she has literally nothing to say except repeating the exact same dialogue as the sages for the other races. The narrative does not treat the ancient sages as people; they are four completely interchangable weapons that are owned by the royal family.

And secondly, I don't care how Ganon ruled them; the Gerudo only get one man every century, if their king sucks, they've obviously got their own system of government to fall back on. I have no idea what kind of authority the sages had among their own people, but honestly I'd say if the four of them were in charge of their respective people, then they were just puppet rulers appointed by Rauru, given that all four of them happily agreed that to sell their entire race into servitude the second Zelda asked them. Say what you will about Ganondorf, but I fucking know that if he was told the Gerudo people existed for the sole purpose of serving the glory of Hyrule, he'd drop kick Zelda into the fucking sun.

And don't get me started on the implications of the cultural differences we see between the independent Gerudo and the annexed Gerudo. The background Gerudo characters all have their own models, and we can clearly see that the ones siding with Ganon have their own unique looks - for example, the amazing lady with the mohawk that summons the molduga swarm in that one flashback. And men are never mentioned in these flashbacks at all, which implies that the Gerudo genuinely didn't care about settling down. Ganon even speaks derisively about marriage, implying that it's very rare for Gerudo women to make serious romantic commitments with men. It implies that their culture is more along the same line as their portrayal in OOT - they are a closed culture. Men trying to force their way into their areas are arrested, and mocked for being entitled dumbasses. Outsiders are only welcome if they can prove that they respect the Gerudo as people, and aren't just there to try and pick up chicks. It's never outright said, but OOT also makes it pretty clear that the Gerudo women just aren't interested in marrying outsiders - close relationships occur with other Gerudo, Hylian men are only considered useful for making babies.

Meanwhile the Gerudo we see serving Hyrule are all trying to measure up to Hylian beauty standards, and appeal to their men. Their one goal in life is to meet a man and get married. Men are welcome in their lands, and only kept out of the town itself... and even then, there's a small army of guys trying to force their way into the town anyways, which is brushed off as just haha, boys will be boys. No men allowed isn't even about independence, it's just a silly romantic tradition.

Of course this is just a fictional culture in a game world, but it's still really fucking uncomfortable that the 'evil' Gerudo are the ones that have independence, both politically and socially, and display a unique culture that refuses to tolerate disrespect from outsiders. Meanwhile the 'good' Gerudo are the ones that canonically exist to serve a kingdom where 95% of the population is light skinned (even setting aside the unfortunate implications, just saying one race exists to serve a different one is super fucked up), they have classes on how to be more appealing to Hylian's, and their entire social structure is built around finding a Hylian man to marry, making them all inherently dependent on the goodwill of outsiders. Even their biggest value of 'women only' is treated as a joke; men trying to trespass in BOTW are just shoved back out the door, letting them keep trying all day if they want. The crowds of men plotting to force their way in are laughed off as a joke. Nobody cares that there's a guy running laps around their city walls and trying to trick women into being alone with him. I mean for fucks sake, in TOTK we find that the creepy guy trying to lure women away has taken advantage of a massive disaster to get into the town, and he's still there once things return to normal. You can't kick him out, or alert anyone to his presence. And the Gerudo just tolerate Hylians blatantly ignoring their boundaries. For fucks sake, TOTK even reveals that the seven legendary heroines they've been revering the whole time were actually completely useless and unable to achieve anything... because they needed the eighth hero, a Hylian man to teach them basic tactics and do all the heavy lifting.

TOTK does not respect the Gerudo people in the slightest. It doesn't respect anyone who isn't Hylian or Zonai.

...This got a little off track, but the point I'm trying to make is, no, I don't consider the Gerudo turning on Ganon to mean anything. The entire game does not feel like the real story of what happened, it feels like the propaganda version of history meant to make Hyrule look as good as possible. I genuinely cannot believe that we're being told the real story about the Imprisoning War, because none of it feels real, and we don't get to know any details that might have made Hyrule look even slightly imperfect. We're told that Ganondorf is evil because he hates Hyrule, and he hates Hyrule because he's evil. The Gerudo people followed Ganondorf and saw him as a hero of their people, then suddenly he was their worst enemy. Hyrule is a perfect kingdom that has strong, equal alliances with the other races, but also all of the non-Hylian races exist for the sole purpose of serving Hyrule, and their leaders are expected to swear eternal loyalty and submission to the Hylian royal family. King Rauru and Queen Sonia united all of the races in peace and equality, which is why they're sitting on the world's supply of magical nuclear missiles, and every member of the Hylian royal family is allowed to walk around wearing them as cute accessories, but everyone else only gets them at the last second, and they all need to outright swear to only use that power to benefit Rauru and his descendants.

There's just so many fucked up contradictions, and so many hints of something more nuanced going on... but the story refuses to acknowledge any of it, and just keeps aggressively pushing the narrative that Hyrule is the ultimate good and couldn't possibly do anything wrong. I don't even believe that Ganon was a bad king honestly; we never hear why his people stopped following him. We also never even see if the Gerudo people turned on him at all; all we know is the ancient Gerudo sage wanted him dead, and given that she also happily sold her people into slavery, she's not exactly the most trustworthy source of information. All we know is that Ganondorf was a hero to his people, only one of his citizens is ever shown having an issue with him (and her motives are never explained), and then he lost the war and was sealed away, leaving his people open to be conquered by Zelda and annexed into Hyrule. By the time we see any Gerudo actually opposing Ganon (apart from the ancient sage), it's been ten thousand years since the war, and all anyone knows is the Hylian version of the story.

#tears of the kingdom spoilers #tears of the kingdom #ganondorf #the secret bonus reason for me arguing about this so much is that it's interesting #on a surface reading TOTK is a really boring story. nothing changes nobody learns anything there's no nuance #the game explains the entire story to us in the opening cutscene. idk why they bothered with the rest of the game #you could walk down those stairs in the intro and kill ganon immediately and it'd be pretty much the exact same story #if i take the game at face value then there's literally nothing to talk about. i just straight up do not care. #but analyzing all the fucked up implications nintendo accidentally included? now thats a story to talk about #i dont think ganondorf is secretly a really nice guy. i think he's more interesting if he's actually a complete bastard #but he's a complete bastard that has a point and if the game wont acknowledge that then i will #sure the people he's fighting against seem nice. but they're not actually good people #i mean ffs zelda certainly doesnt seem concerned that she last saw link taking a fatal blow for her then jumping into a bottomless pit #she doesn't even consider that he might be dead. or just unable/unwilling to fight after being horrifically wounded #at least BOTW had the decency to ask Link if he was willing to risk his life to fight ganon

[mossghosst]

we need to stop characterizing misako as a terrible mom and instead hate dr julien for deadbeat and leaving echo in that damn lighthouse

#this is /hj cause i mean echo was written #after he was gone from the narrative so like. not his fault later seasons would make him look bad in retrospect #but also that’s interesting for angst purposes #ALSO I AM MISAKOS BIGGEST DEFENDER. #yeah abandoning lloyd was shitty but she CANONICALLY deeply regrets it and #was just trying to prevent lloyd from hating his dad and having to fight him #and then she dedicated her entire life after that to trying to save him from fighting him #OVERALL her story is SO MUCH more interesting when you consider how tragic it is #also ppl act like she and llpyd hate eachother for some reason which makes no fucking sense #canonically she and llpyd have a good relationship (a better one than post oni trilogy lloyd and garmadon…) #anyway. i love misako she would’ve loved never love an anchor by the crane wives #ok rant over thanks for coming to my ted talk #anyways #ninjago #lego ninjago #dr julien #misako #echo zane

[fidgetspringer-art]

✧ The Ardal stars ✧

#artists on tumblr #art #illustration #digital art #digital drawing #dnd #dungeons and dragons #homebrew #original art #my art #my ocs #Setting: Heim #I drew these a couple of years ago now i think #but since i'm drawing stuff for this setting again i'm reuploading with updated information cause the last one is outdated #I will say right off the bat however #If you compare my designs to already existing IPs i will block you on sight #the last time i posted these they got compared to a piece of media i really dislike #and that comment alone made me fall out of love with this setting for almost two years #so please. do not. it's rude and unnecessary #These are the artefacts my setting and its story is largely centered around #Tethry is credited with creating them (Even though he didn't) #They were gifted by Tethry to each of the largest cities in the world to serve as power generators supplying arcane power to the whole city #immediately pushing the four sister cities into prosperity and progress. leaving literally everyone else in the dust #which caused some understandable tension between countries that already had a bit of a strained relationship to begin with #There is SO MUCH to these little trinkets and their link to Tethry and how finding them essentially fucked up his whole entire life #You'd think becoming the world's most renowned arcanist would be the best thing that ever happened to an aspiring caster #but to some poor dude just trying to study arcane language. stumbling across the magical equivalent of the demon core #was very much not on his wishlist #especially not dealing with the consequences of trying to make sure no one actually realises how nasty they have the potential to be #which. someone inevitably does

[aesthetic-uni]

I know I’m late to the party but Oh My God™️

#uni talks about the universe #hbomberguy #james somerton #I’ve been watching the video in increments #so everytime I pause and think ‘it can’t get worse’ #guess what the fuck happens when I come back #I’ve never watch James somerton but I have seen his videos floating around #but now thank god I haven’t #by the way-no hate to anyone who was fooled by them #how the fuck were you suppose to know that their entire life was a life #anyway I cannot wait for how these people try to clamber their way back #don’t even talk about Blair to me cause holy shit that woman has a lot of skeleton in her closet #I’m pretty sure they all do but I’m mentioning Blair specifically because I was keeping up on the story for her ngl #I do think internet historian is going to come out unscathed #mostly because his fans just doesn’t care #but the rest? not so easy I think #and obviously it’s fucking over for James Somerton #that man is dead. we witness a live execution. and then liked and subscribed

[okitanoniisan]

new rgg fans will never know what they missed back in ye olden days of the fandom (like, 2019), doubly so now that scott strichart's deleted his twitter and jon riesenbach's privated. twitter was so fucking fun and then whatever-the-hell at sega of america happened and caused a fucking snowball effect and now we have shitass localization and resulting discourse that makes every release nigh unbearable, misinformation, confusion, people complaining about "bad writing/mischaracterization" not realizing it's because of the shitass english loc, i'm sitting here like jesus christ these loc bitches massacred saejima's character voice, people will never see him as he was intended, as original yakuza 5 localization Correctly painted him, and now they're coming for kiryu. god help us. we used to be a proper fandom. before everyone was subjected to the remastered localizations and shaky eng characterization. no one had even played yakuza 3-5, people still called morning glory "sunshine" orphanage, kiryu was our only protagonist and people still called him "boring", it was beautiful...

anyway gaiden uses affective instead of effective because the current localization team is full of careless dumbasses who don't give a fuck about ensuring they're using correct english grammar and this is not an isolated incident

#ada speaks #ive been playing through the series again from 0-5 and. yeesh #it goes from LIFE IS GOOD. LOC IS GOOD. to. oh. #yakuza 5's original localization is near perfect and they couldve made it better but instead #they opted for the cost cutting approach and decided NOT to retranslate and instead #just fucking. re-localized the localization and SO much is wrong. so much. #im playing simultaneously with a friend (myself on ps3 them on pc) and seeing the differences #and it happens in y3r and y4r too where #the original line is localized > the remastered line takes it and runs with it bc they have no original translation context #ie. in 3 rikiya says he likes 'wild' dancers. (re: strip club) it gets localized to be him liking 'aggressive' dancers. #in 3 remastered he says he likes AGGRESSIVE DOMINEERING WOMEN and that gets his Gears Turning #or. in 5 shinada says that uno is 'a little sad up top' re: his hair. and 5 remastered he says 'kinda mopey' #because they misunderstood the original english loc and so. completely fucked up the line to mean something else entirely #its like broken telephone #the same is SOMEHOW also happening in 8... i dont know HOW but somehow it fucking is #meanwhile im revisiting zero and going OH YEAH GOOD CHOICE. THAT MAKES SENSE. GREAT WRITING. WOW THAT'S AN A+ INTERPRETATION OF THAT LINE. #i miss the old loc team so bad. bring me back. #its mostly frustrating because i can see the shitass eng writing and still enjoy the game beneath it (unless it's not voiced.) but #i feel so bad for everyone flying blind and forced to take the loc at face value #its been like this since lost judgment but the main story was Fine (if a bit rushed) because. scott was still doing his thing #the substories in lost judgment also felt like they were of the same calibre (shit.) as remastered and. idk. #it seems like its been a shitshow at SoA behind the scenes for Years #and it shows.

[anxiously-sidequesting]

I will never ever forget what my dad said to me years ago in middle school when I was sad that my irl friend at the time wasn't playing wizard101 with me and he immediately said "well that's probably because she has a life." God still hasn't lifted me back up from that

#this isnt a vent btw this was just smth extremely funny i just remembered LMFAOOO #my dad was IRRITATED with my wizard101 hyperfixation he HATED that shit. he was literally waiting my entire life to say that #THERE WAS NO HESITATION. HIS GRIN WAS DOWN RIGHT VENOMOUS #“well thats because she has a life... 😈HONEY😈🖕🏾” #and years later where am i now....... hundreds of dollars broker because of that damned game......... /lh #guys what if i showed my dad a picture of gf spider and dasein and told him i wanted to fuck those two guys #he probably wouldn't even be surprised at this point IDLAJQOQHSUSOSH #moral of this story is Stay Autism Ladies ✌🏾✨ if our dads wont support our neurodivergent habits who will /j #wizard101 #w101 #wiz101 #text posts

[vulturevanity]

Thinking about ScarVi's overarching theme being The Truth Shall Set You Free. I am so normal about this

#spoilers in tags #pokémon #pokemon sv #Arven initially being closed off and not trusting you because he was neglected by his parent and learned to only rely on himself #realizing very early on that being honest is the best chance he has at healing his Mabostiff #but still not opening up about his bigger issues until it was absolutely necessary which pushes the story forward into endgame #Penny hiding herself behind Cassiopeia to protect herself from bullying #getting an entire group of outcast kids into a team to scare their bullies off #only for the plan to backfire splendously when they're mistaken for the bullies #and Clavell in a rare display of clarity ffrom an adult in a position of authority #rather than simply punishing them for it opted to team up with us to understand what was really going on #and that made him much more lenient in punishing them (because they did still cause trouble!) #the truth of Turo/Sada spiraling into their work and refusing to see the damage it was doing to EVERYTHING including themselves #to the point that they DIED #and the AI they built explicitly for the purpose of continuing their work ran the calculations and realized said work was Bad #and that truth made it go against its own programming which is what kickstarts the main story to begin with #and may I contrast all that with NEMONA whose sheer energy and eagerness is 1000% GENUINE #I've seen so many people say they thought she was going to eventually be angry for losing to us all the time #but the whole point of her character is that she's free to do whatever the fuck she wants and she's pretty happy with her life #she has no reason to fake happiness. she's just like that. she is free from the beginning and she's always be free and that's the point #in a story where no one else is!!! everyone else is bound by some complication or another that holds them back from being honest #i changed my mind i'm insane about this. no longer normal #pokemon sv spoilers #babbles

[daisyachain]

Restorative or Transformative?: Homoerotic Subtext, The Closet, and Ciphers in Pop Culture. The nature of commercial art is that it’s sometimes bad and inconsistent. Notably it’s also misogynistic. One way in which audiences try to reconcile massive plot holes or gaps in character motivation is by reading secrets or hidden information into a plot.

Commonly, male characters are interpreted as closeted gay or bisexual to reconcile the absence of women from commercial narratives with the generally stunted and poorly-written male characters that form the focus on said texts. This reading has become especially common among a non-heterosexual milieu. Rather than transforming the original text into some radically different new form, this closeted interpretation seeks to make the original text stand on its own as a story rather than a Swiss cheese of dumb writing decisions.

This interpretation only works for a specific type of pop, usually genre fiction. Any story in which tortured male leads eschew women in favour of male-male bonds (because female characters are constantly killed off, written sparsely, or written out, because the production team keeps casting their male buddies, because actors demand to keep having scenes with their bros, whatever) can become a sounder structure if you put one of them in a closet.

The gay interpretation is the natural consequence of shoddy misogynistic writing from ventures like Supernatural, Naruto, all the biggest hits. It’s also the natural consequence of more benignly misogynistic writing like The Adventures of Sherlock Holmes or The Lord of the Rings, where women aren’t necessarily rejected but are simply absent from the worlds of the protagonists. When the emotional crux of the story falls on male-male interactions, this reads as romantic because society at large priorities (definitively heterosexual) romance as the pinnacle of human connection. Two forces are in conflict, the primacy of heterosexuality (read as: romance) and the primacy of men.

Anyway. All that is to say that the typical gay or bisexual reading of male characters in pop fiction comes from a very real place. But, in some places, that’s the default interpretation. Angst, insecurity, secrets, double lives, fatigue, disappointment, restrained passion, stunted personal growth, anyone living in the closet can tell you that it impacts and defines your whole life to know that you live in a way fundamentally incompatible with The Proper Way that life is structured around down to tax law and superstore prices (which assume a heterosexual nuclear family unit). Characters in fiction also tend to have personal problems because that makes them interesting and tasty.

If you’ve grown up on stories with the specific type of misogyny that can be papered over with a closeted interpretation of the male leads, carrying this interpretation over to any male character will make sense more often than not. Even a bit of angst or insecurity? Well of course that makes sense if a character is closeted.

Except that’s hurt a normal part of fiction, and sometimes the closeted interpretation takes away from the point of a character. If a male character is on another axis of marginalization, the closeted interpretation imposed by the slash reading community downplays or trivializes the effects of that marginalization in the plot by overwriting it with another type of marginalization. Alternately, sometimes a character’s heterosexuality is a part of the story. There are some sorts of critiques or investigations of misogyny or masculinity that don’t work if the character has an ‘opt out’ of the cisheteropatriarchal perspective. Not that gay/bisexual men aren’t except from misogyny, but misogyny masculinity and heterosexuality are so tightly linked that it sort of defeats the point if you interpret that character outside of heterosexuality.

All that is to say—the closet interpretation is a quick and easy spice to apply to the weaker parts of action-adventure genre fiction to make it taste better. It draws from a large enough sample of art that it’s pretty widely applicable. Because of that, it’s part of some people’s [my] default interpretation package just because the semi-dull macho show at least gets less dull if you imagine there’s a reason for there to be no girls besides simple hatred. That then forms its own problem where the interpretation that works with your average genre work gets then blanket-applied to all genre works and obscures the places where the closet interpretation doesn’t fix the work, and actually makes it less interesting.

#kelsey rambles #I’m as guilty of it as anyone. #just thinking about Johnny Storm and like. bisexual ass character. deeply bi guy. but. #what IF he’s just heterosexual. what then. wouldn’t that almost be…more interesting #if he’s Like That and not closeted? what twisty gnarled psychological torments would a good comic have to explain him #and on the other hand. that one post I saw about how miles/hobie totally misses the point that their relationship is about solidarity #spider-punk and spider-byte’s alliance with miles are the same thing and to read it as romantic erases the important part #and on a third hand. when speaking of miles’ story. the stupid fucked Bendis running joke/subtext with Ganke #to have Miles be gay would possibly take away from the messy and interesting part of his character that is being a person with nothing #to hide. a totally honest genuine straightforward kid who is forced to start a double life by an outside actor #but at the same time it’s dumb and a cop-out to throw in that much bait and that much of a genuinely charged tense friendship #and then go ‘lol jk. nothing to see here’ #the other thing is the semi joke in atsv about ‘coming out’ as spider-man #the most important thing about Miles having to hide is his relatively precarious position as a black kid. he’s not afforded the leniency #that Peter Parker would expect if he got unmasked. Miles is more cautious because he is in more danger because he’s Black #so to paint that struggle with the gay brush is to disregard the character’s raison d’être. while also #using that sort of language and structure deliberately puts a gay lens over that character and ignoring that or kicking it to the side #feels a bit cheap. to borrow the look and not the substance #way too many tags and it’s past my bedtime. thesis statement is: #miles morales is a character whose history is fraught with plenty of real gay subtext and whose character struggles are entirely divorced #from any sense of gender performance. he’s subtextually bi but that’s got so little to do with his story that it feels almost wrong to read #that into him because there is so much other interesting stuff going on with him

[quietwingsinthesky]

obsessed with the idea of the doctor and the master standing together in opposition to gallifrey post-end of time. less in it being the reality of the situation, and more in it being what the master perceives it to be in the immediate aftermath of being. well. told he was going to be disposed of. the combination of that rejection with the doctor choosing him, the way that sets them up with a common enemy. but where that enemy for the master becomes gallifrey in the abstract with the council as the face of it, the doctor never sees it that way, never thinks of it as the two of them against their own world. the doctor, crucially, kept count of the children. when he saves gallifrey, it isn’t about the master at all, not to anyone but the master themself. because how are they supposed to take the doctor choosing gallifrey over them as anything other than a betrayal.

#the master and his stupid warped sense of importance to both the doctor’s choices and the universe as a whole #which is. well. i mean he’s not alone in that. the doctor has the same ideas about himself in relation to the master. and the universe. #only the universe obviously sometimes validates him because this is a story. about him. #but my point is. the master wanting gallifrey to burn post-end of time. setting up the hybrid prophecy as missy. makes sense to me. it does. #i just wish there was more. conflict to it. more to lash out at the doctor with because the master is choosing him so *why* isn’t he #choosing the master back. why is he trying to stop the hybrid plans. this is what they’re meant to *do*. this is what being on the same side #*means*. that there must be an opposition and that opposition must be gallifrey as a whole. because in that most crucial moment the master #got hurt. and time echoed back because of what the council did to make it so he’d been hurting his entire life. just so they could use him. #you get it? you get it. my fucked up raccoon of a man she has so many issues. #it’s just such a fascinating concept to me because that is still *gallifrey*. that’s still his home. the master is not heartless. #when he tries to connect with the doctor he does it to references to gallifrey’s physical features. this is a place he mourned you know? #in his way. so. you know. how do you look at your home and want it to burn right? how far do things have to escalate that you’d rather it be #ash than a place to go back to. and how do you deal with pushing forward with this plan. when you thought you wouldn’t have to push it alone #like for one minute there they were really truly on the same side. their own side. and then they weren’t. and no one told the master that #they weren’t anymore until she got punched in the head by that knowledge. you know? #rambling again im so sorry #doctor who #thoschei #the doctor #the master

[prettyboykatsuki]

i have many many many critiques about wylls story, most of them being about the fact it's just so lackluster in game when compared to other companions which is a shame. because wyll to me is and has the potential to be an even more emotionally compelling companion. and he was early access!! he was so gritty in ea please bring him back larian i beg of thee. the way he was rewritten has stripped him of so much nuance and depth. wyll to me is such a wonderful character to me because of what he represents, which is heroism so down to his core he never gives up on it even when he ought to

his goodwill and nobility are ceaseless. at the center of his story is betrayal trauma, his agency over himself vanished into thin air. mizora turns him into a monster and there is no turning back. he has become the thing he's despised, the things he's hunted for his entire life. and we know so little about that canonically because of the way his story is set up but its hinted time and time again that he struggles with his reality deeply and even that cannot make him turn away from the city he loves so much.

if larian would go back to clean up and fix his story (which im truly praying to god they do) i want them to touch on what wyll must be going through as he continues to try to ground himself and deal with his newfound reality. i want them to touch on the abandonment he experiences because of his father and the inevitable burden his title as blade and hero has on him. because these things obviously compel him, they're hinted at all the time but they were completely stripped of him in final release and its fucking disheartening... larian please im begging you. thats the love of my life. please.

but for now i will do it with fanfiction and gather enough wyll fans to make a fuss about it . peace and love

#aristotle.txt #wyll ravengard #bg3 #i love wyll so desperately. which makes sense as a deku lover certainly. #but i love him even more because his story is narratively interesting #here is a classically heroic noble making a devils pact to save his city #who is only rewarded for doing this by being banished from the city hes sworn to protect. by his father no less. #he spends seven years away from home and makes a name for himself as a fucking folk hero #he never returns. he doesn't explain himself. he decides that the least he can do is give his life to the sword coast #and then wyll meets karlach. a devil hes supposed to kill except shes not #and because wyll is wyll and because what matters to him most are his beliefs he is easily convinced to not kill karlach. he doesnt want to #kill karlach. so he doesn't. and he pays the price for it. his entire existence is uprooted and he is turned permanently into a partial #devil #hes become his own prey. he spends the game clearly sorrowful in the mourning process. and the game just refuses to touch on this set up #as a WRITER it boggles my mind why wyll does not get that attention from larian because the concept of a hero balancing the weight of his #own pain and sorrow against his beliefs is moving. being able to open up that path with tav narratively that allows wyll to be #selfish and heartbroken. to not be blade or sword. just wyll. what a beautifully interesting storyline would that have made #i have delusion in my heart. i hope they fix it. i want them to fix it so badly because i fucking adore wyll in every way. #and i want the game to represent who he is as much as i feel for him. he is an origin companion and deserves it. #bg3 spoilers

[welcometoteyvat]

society moved on too quickly from furina's demo

#i think about the fontaine brawl that she imagined in her head sometimes like i feel like society needs more characters like that #ramblings! #also when she changes into pneuma form............ i've never seen something so fucking crisp in my life #the lights???? the music syncing?? it's like biting into a juicy apple cannot be topped #also the symbolism................... i was like 'hm. i actually dont really agree with that bilibili analysis video' after thinking it thr #through. <- also known as dumb behavior they almost predicted the entire 4.2 quest #tbh i feel like people also moved on too quickly from neuvis demo because that yellow field of grass is peak #i love when rando characters are dropped in the middle of nowhere contemplating existence #we also moved on too fast from ly.ney's story quest why do i keep seeing him in love with traveler #like his subtle threats to that woman... guys he's killed people dont make him just a flirt #dont mind me im just. replaying fontaine but in my head and via youtube trailers #actually something else is that while i still think most of the sumeru chars look a bit too much like they used skin bleach #the sequence right before nah.ida's burst where she's traveling through her own dreamscape is like. soo good im soooo.... #references her character story... full of whimsy and elegance.. visiting children while asleep etc.. knowledge spreading something somethin #i also always liked how the 2 children floating in front of that window looked like they were guarding the gates of wisdom or smth #like sentries in front of a library. but theyre kids so its less somber and more like. idk joyful. house of learning open to all etc. #in a character trailer appreciation mood rn ig

[lunar-wandering]

does anyone else ever like... start reading a fic with like. yknow. typical superhero character with a secret identity. and then like. immediately exit out if said secret identity gets revealed just a little too early???

i cannot count the amount of times ive opened a fic and then exited out cause a character revealed their secret identity immediately to someone within the first three paragraphs like where is the DRAMA?? THE BUILDUP??? THE SHENANIGANS??????

#this FREQUENTLY happens in crossover fics a character will introduce themself like ''hi im (civilian name) but im also (superhero name)'' #and then proceed to tell their entire life story to whoever they're meeting and im like NO #YOU EXPECT ME TO BELIEVE THIS BITCH THAT SPENDS MOST OF THE SHOW HIDING THEIR IDENTITY WOULD JUST FUCKING T E L L S O M E ON E LIKE THAT? #NO. NO THEY WOULD NOT. #GETTING THIS CHARACTER TO ADMIT TO ANYTHING WOULD BE LIKE PULLING TEETH #AND I LIKE IT THAT WAY

[vvitchy-succubus]

.

#his service was overwhelming and perfect #there were so many people there i couldnt even begin to guess how many #my andrew looked so handsome #and even had his natural little smirk he always wore #all of the flags in Illinois are being flown at half mast for him until Sunday #i was able to get theough the eulogy #and i got to give him one last forehead kiss #everyone went out to his favorite bar after #and we had a shot of whiskey while “friends in low places” played #we drank and told stories about him #i met friends of his i had only heard stories about #and some i didnt know of at all #and my entire gigantic family #im just at a loss for words over how much he was loved #this was the worst day of my life so far #but also it would have made him so happy to see #and that's good enough for me #now i have to sleep and try and figure out what the fuck im going to do when i have to wake up tomorrow

[pandoratheprocrasticreator]

no by all means keep judging cartoon villains solely by if they get redeemed in the end. i know some of us like to talk about other stuff like characterization or entertainment value or nuance as something that makes a good villain. but i think the only thing that actually matters is if the villain ends up on good terms with the protagonist at the end. all the Good TM cartoons with Good TM creators make the villains die a Horrible Death for being Abusers or whatever. and all the Bad TM cartoons with Bad TM creators Forgive Fascists by not making them get publicly executed by the 14 year old protagonist in front of the 8 year old target demographic.

i mean im so glad that more cartoons nowadays are subverting the psyop to support fascists that a few queer artists and queer shows definitely invented in 2017. there are so many popular cartoons doing that. it's almost like there are more properties killing their villains now and in the past than there ever were of properties that didn't do this. and it's almost like whether the villain gets redeemed at the end is more about the context of the story and its themes leading up to a narratively sound decision.

but you know. a few queer shows made by trans ppl were popular and they didn't kill their fascists and even had the gall to make them nuanced while also looking into the harm they did. guess it's trendy to forgive your abusers now because like two cartoons said so. out of like 40 other similarly high profile works that just straight up hit their villains with a bus or smth. by all means. keep heaping praise onto that one show about how they "let their villain just be evil" instead of talking about anything more interesting. that's so subversive, everyone's doing it!

#shut up pandora #check off my 'monthly rant about the treatment of the creators of steven universe and she ra' #this is because of the 'praise' ive been seeing for belos btw #yes i love his panache i love how much he fucks up everything and i love how hes beyond redemption #thats not because he was Born Evil and has always Been Evil??? #ppl who show baby belos going out of his way to make calebs life a living hell and evelyn Rescuing this poor blond boy from his Evil Brothe #i am sending so many bad vibes at you rn #he isnt a good villain bc dana terrace decided to be 'subversive' by not redeeming belos #JUST being subversive while writing the story doesnt mean you make a good story being subversive =/= being good #hes a good villain because while his decisions are dogshit we can understand why he made them on an emotional level #and since gravity falls seems to be the golden standard for modern cartoons i guess #bill cipher also isnt a good villain bc hes evil and they killed him #bill is a good villain bc hes entertaining in the threat he poses #what makes a character a good villain is about stuff they do while theyre being a villain #dont just sum it up with 'duhhh they killed them at the end so its good' thats entirely dependent on the story! #anyway this is specifically about modern western cartoon fandoms #if youre telling me to watch shows that arent modern western cartoons or like. read a book then know that i do that already #this stuff isnt as big of a discourse topic in those circles but im talking about this specific circle rn