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#his name is BEEthoven <3
bunny584 · 3 months
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OBSESSED: FUSHIGURO
A/N: OH. MY. GOD. Anon. I love you and hate you for this request. This was…hard. I told myself I wouldn’t publish it unless it was fucking perfect (you should see the scalpels I took to each goddamn sentence before this version).
SECOND: I will square up with Gege for writing the most enigmatic, LAYERED, complex, muddled character to exist. I wanted this to be Megumi. Through and through. His darkness, his light, his reservation, his crazy, all in one. And IDK. I think I did it? This one is purely to prove to myself that I can write for characters that are hard to write for (*cough* yuta im glaring at you *cough*)
THIRD: if you do read this (I get people feel things about aged up characters etc), I implore you to listen to this. Guys. I heard this at 0200 IN THE OR during a 6 hour case and the entire concept for this came to me. Meg is sophisticated and unruly, selfless and selfish, etc. So this has some NSFW but definitely probably more on the poetic, long ends of my works.
CW: Aged up characters (20+), college AU, fluffy/raunchy/dark romance-y because LOOK at him. He takes after Gojo AND Toji. Mature, 18+
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“You like it when I’m rough.”
Megumi’s melody rings crystal clear.
Low.
Precise.
An F-14 Tomcat fighter jet, flying dark. Below enemy radar.
The piano keys float beneath his tone. His long, slender, deft fingers effortlessly execute the sheet music before him. It’s his GPS system, a personal flight map.
Little Beethoven, his advanced music theory professor calls him.
Truth is, Megumi is a prolific pianist and vocalist. He can tame any note, any melody, any harmony faster than any of his Shikigami.
Speaking of…
Megumi pulls off the piano and tortured love song in an instant. Just as the grade 3 curse creeps through the open door.
The part between his right long and ring fingers is automatic. His left hand grips the web space between his right thumb and index finger.
“Demon dog.” Megumi summons.
Low. Precise. Decisive.
“Eat it, boy.”
A small, approving smile tugs on the corners of his lips. Low level curses are the nothing more than chew toys to his divine dogs. With a tiny wave of his fingers, his technique buzzes inward.
Megumi’s eyes float to the ancient analog clock on the wall.
13:50
10 more minutes until you’ll meet him for your date.
No. Not date.
Study. 10 more minutes until you’re meeting him to study.
Your thought blooms within him like wildfire. It sets his normally cool, porcelain skin ablaze.
Megumi whips his body around to face the piano. To exorcise the feeling. The keyboard has always been his outlet. His life blood. Playing, singing, musing in and out of written songs is his catharsis.
Words don’t come easy. They never have. But lyrics do.
And when he gets to ride lyrics with his voice, his runs..?
The words he can never find on his own are suddenly out there. In the atmosphere. Coating empty rooms in a mist of his thoughts, his feelings.
No certain promise that the person the words are destined for will ever catch them. Or ever walk through the room and be kissed by the remnants of his musical trail. But Megumi has said (sung, played) them. And that’s enough.
“Sorry if I come across a type of way.”
“I’ve been trying to get out of my way…”
His fingers dive into the keys. Angrily. Earnestly.
“I know it doesn’t seem like I care, but you know I care—“
“Wow Meg, you sound incredible.”
You bring him to an abrupt stop. Your voice is maple syrup trailing down Megumi’s neck, leaving goosebumps in its candied wake.
Pitch fucking perfect.
A soft, ethereal C, gliding down Heaven’s staircase. You infuse sunlight into his name, whichever way you choose to say it.
And it’s hell. It’s cruel. To have as keen hearing as he does. To listen to you sing his name and have nothing else follow.
“Fushiguro.” Megumi shoots up from his seat, slinging his backpack over one shoulder.
“What?”
“Fushiguro.” He repeats, eyes briefly meeting yours before settling above your head. He’s at least a head and shoulders taller.
“Nobody calls me Meg.”
You throw your head back. Feather light crescendo in your laughter. It’s pretty. Tantalizing in the way chandeliers twinkle when they capture a beam of light.
His eyes dart down to catch the feminine column of your neck. Curving into your delicate collar bones. How are your lines so seamless?
So cinematic. Like he’s watching a figure skater land a triple axel. Or a prima ballerina en pointe. It’s not fathomable.
Gorgeous.
You are gorgeous.
“I call you Meg.” You retort with a smile that liquifies all of his joints.
You double your walking speed to keep pace with Megumi’s long strides. Both of you exit the sound engineering building. Heading straight for the campus library a couple blocks away.
“Who were you—oh,” Megumi’s glacial hand along the small of your back steals your voice away.
Your eyes and feet follow his gentle push, shifting you to the other side of him.
“Walking on the wrong side.” He mutters, monotone. Matter-of-fact. Obviously.
He’s a gentleman. Of course he is going to walk on the traffic facing edge of the sidewalk.
Of course he didn’t feel the electric currents wire through his fingers to clench — suffocate — his heart.
No, he didn’t hear that punched out, falsetto gasp when his hand cradled your perfectly tapered waist.
Or notice how well you fit into his hand. How light you are under his touch that had none of his real strength behind it.
You’re made of alluring lines. Intoxicating sounds.
What would it take to coax a pretty melody out of your pouty lips?
His fingers?
They’re long. And smart. Cold. Remarkably patient. You’d like them.
He could make you love them.
Crave them. Need, whimper, whine, and cry out for them.
“So who was it?” You tether him to reality.
“Who was what?” Megumi counters, leading you to a private study room.
“The way you were singing earlier.”
Hairs along the back of his neck stand at attention. Blood runs Siberian cold. Megumi’s gaze on you is subzero.
“It had to be for someone.” You lower down into a seat in slow motion.
The sweetheart neckline of your sundress is mean. Your supple mounds tilt and ripple with every micro movement. Megumi has forgotten why he’s glaring at you.
“You sound too…pretty. It can’t be wasted on thin air.” You continue.
“She must be—“
“Let’s just get started, okay?” He sharply redirects the conversation.
And promptly shifts gear to low autopilot. He’ll speak when spoken to, answer questions intermittently. But his mind’s true coordinates are a galaxy away.
Megumi retreats to his shadow garden.
Watching you.
Drinking you in.
Savoring each detail on his tastebuds like dessert.
The pencil eraser leaves an indent on your bottom lip where you’ve been pressing too hard.
Megumi wants to roll your bottom lip under his teeth. Until it flushes rose and swells beneath his relentless pull.
His eyes fall to your bracelet, far too big for your dainty wrist.
He could hold both of your wrists in one hand above your head or behind your back for hours. Without breaking a sweat.
His other hand would take its time.
To stroke you. Pet you. Learn your sheet music. Then play your body like a harp until you’re a chorus of beautiful, soprano whimpers and moans. Begging and pleading so prettily, enticing him to give in.
But he won’t.
Not until you’re soft enough. A babbling, warm, ruined brook beneath his fingers.
Then he’ll take you, gorgeous.
Searing pain from his sharp swallow and nails digging into his thighs rip him down to the present.
Vision a little fuzzy. Head a revolving door of vulgar scenarios. A dull, demanding ache between his legs draws his eyes to his lap.
Fucking hell.
His jeans are uncomfortable. He’s stiff and needy. Not nearly enough strength in his pants to hold back his drunken arousal.
Not to the mention, the—
swarm of shadows growing at his feet?
Is his…innate domain materializing around him right now?
Megumi aggressively slices through the air at his hip level. Below the table, but you don’t miss his sudden stirring.
“Meg? You okay over—“
“Going to the bathroom.” He gruffs through a clenched jaw. Megumi places his forearm over his crotch before hurrying out of the room.
He can barely recognize the man in the mirror. Flushed to his ears. Volcanoes threatening eruption in his eyes. Api Biru. Pure, triple distilled, blue lava coursing through his veins.
Snap out of it, Fushiguro.
The splash of cold water does nothing for his internal heat. But his milky complexion returns to its effervescent state.
But then he turns a little too quickly to leave. And his painfully hard length drags along his fabric. It’s blinding.
A feeble moan tumbles out of his tight lips.
“Fuck.”
Megumi slams his eyes shut. He needs to readjust. But if he touches himself now, he might not be able to stop.
A slow, steadying breath fills his lungs.
“Just adjust, don’t…” His voice trails off. Icey fingers around his hot, angry base is enough to rip the carpet from beneath his feet.
“Oh, fuck.” Megumi mumbles through one quick pump up his shaft.
He shakes his head as if to tell himself enough. He rests his erection along his thigh before zipping up. Still painful, but tolerable.
A tornado obliterates any remaining resolve in Megumi’s mind on his walk back to you.
You are a dream.
Or a nightmare? A curse?
It doesn’t matter. He couldn’t care less.
Megumi would follow you. Deeper than the crypts of his 10 shadows. Into hell if it meant he could have you the way he wants you.
The way he craves you.
Because fuck the cost.
He’d pay anything.
You’re working on an elaborate concept diagram on the white board. On the tip of your toes. Lip curled under your teeth. And you are just irresistible.
So, he won’t resist.
“Meg! Took you a bit, you okay?”
Megumi is silent. Unblinking. Sauntering toward you.
“Megumi?”
You lower to the soles of your shoes. Neck craning to look at his face. Your eyes widen at his persistent silence. Rosy heat dusting your cheeks.
Pretty little doe, rooted in place by his wolfish glare.
Megumi takes the marker out of your hand and tosses it behind him in one swift motion.
“Hmm,” a tiny acknowledgment of his name. Just because it sounds so sweet rolling off your tongue.
Megumi corners you against the wall. Both of his hands casually in his pockets.
He watches you shift. Flicker your eyes in every direction. Fiddle with your thumbs.
His quiet.
His presence.
It flusters you. Well before he’s gotten the chance to run his hands along the lazy curve of your waist and hips.
“So…so blue.” You stammer. Your warm eyes metronome between his.
“They are.”
Megumi steps impossibly closer. His eyes drop to your chest. Dainty, nervous heaves. Up and down. Up and down.
“You are so,” you swallow thickly, dropping your gaze. “hard to read.”
Megumi snakes his large, graceful fingers into your nape. The temperature difference between your warmth and his cold startles you deeper into his grasp. Your head evanesces into his pull.
A beautiful, shocked gasp escapes you. Just as Megumi’s lips trace the shell of your ear.
“I want you.”
His breaths collide with yours, now. Heat welling deep in his groin. His cock thunders against his thigh.
“Can you read that?” Megumi rasps. Ensuring his voice vibrates down your spine.
A new sound tumbles from your lips. Like you choked on your last swallow. How pretty. You gurgling and gagging like that.
“W-want me? Megumi wh—“
“I.” Megumi nudges his thigh between your legs. His steel pipe erection digs into your dewy, hot core. He angles his leg slightly upward, inching you on the tip of your toes.
His prima ballerina, en pointe.
“Want you.” His lips ghost against yours. Free hand cups the flesh beneath your thigh. Pads of his fingers twitching to dig in.
The two of you drink in this lock-in-key fit. Megumi revels in you. Like this. At his complete mercy.
The prodigal son, born with more power than he knows what to do with.
Ten shadows. Ten Shikigami. It’s been centuries since the last head of his bloodline had power buzzing beneath his fingertips like him.
And somehow he’s never felt more powerful than this.
With you, heaven’s most precious angel, cradled in his arms. Drowning in sinful ecstasy. He brands this freeze frame into the most permanent part of his memory.
Then, he free falls off your cliff edge.
Megumi takes your lips with unfettered greed. Hunger woven into the way his tongue traces every corner of your delectable, soft mouth. His fingers push your head deeper into him. Sucking and nibbling on your warm muscle.
You shower him with airy, choppy little pants. Moans and whines so light they crescendo to fairy dust. You can’t keep up with his bruising kiss. His other hand palms your thigh, kneading little bruises into your silky smooth skin.
Marking what’s his.
“Oh my god.”
You breathe into his mouth when he lets you up for air. Megumi’s eyes dart down to the meeting point of your sex and his muscular thigh.
Did you really think he wouldn’t notice how you’re rutting your pretty little cunt against his leg like that?
Crimson high on your cheeks. You look away when he tries to catch your fucked out gaze.
“Don’t hide from me, gorgeous.” His hand traces up to your hips. You preen into his firm grip.
“Megumi.”
“Don’t stop, pretty girl.” He forcefully moves your hips in more dramatic, languid, deep rolls against his thigh. He’s not paying any mind to the pool of his precum soaking through his pants.
You bury your head in his neck. Fingernails digging pretty crescent moons into his back. You take over the pace. Undulating against him. Shameless. In complete heat.
“You feel s-so…so good.” Your lips smear against his dampened neck. Megumi responds by circling your puffy, slick bud with his fingers.
And fuck. The slurred, broken whimper that rings in his ears.
The way you hump him even more sloppily.
He could finish from that alone.
Your hand flies to your mouth. Empty huffs spilling. Whines ascending in pitch. You are close.
“Such pretty sounds, baby.”
“Megumi…meg..I-“
“Let it out.” He grips the back of your neck. Feeling dangerously close to his own nirvana. Drunk off your precious melody.
“Sing for me.”
“F-fuck, GOD.”
You bite down on his neck. Waves of pleasure crashing into you like hurricane winds. He grips your waist steady. Feeling every involuntary twitch and jerk of your doll-like frame.
Blessing or curse?
He doesn’t know.
But he will follow you to the end of his lifetime and the next.
“God, Fushiguro. That was…” The lusty haze from your peak settles around you. The once shattered world, slowly pieces itself back together.
“No.” Megumi pulls you out of his neck. Dropping his lips to yours, so he can breathe the air directly from your lungs.
“Meg. You call me Meg.”
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fatesmono · 2 months
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valentines day with yoongi
✮⋆˙ warning : some language + i haven’t written in half a year so.
✮⋆˙ this is an “x reader” so yk insert gender <3
✮⋆˙a.n : so todays valentine’s day (its the 13th at 11:59 posting this, great job me :3). so happy valentines i guess. i’m spending it celebrating jaehyun's birthday and writing abt my husband who’s in the war. i haven’t written in like, six years (six months) so pls go easy on me 
✮⋆˙enjoy loves <3333 happy valentines day !!
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i never liked valentine’s day. it was always a stupid ass holiday if i do say so myself. am i saying that bc i never had a good valentine ? …maybe so, why are you so nosy ?? anyways, that was before i met him, min yoongi. i never met a man who says he hates a holiday so much but also goes all out for it. our first valentines last year i expected him to not really get me anything or like a bouquet of flowers since it wasn’t that much…i got a bouquet alright, like seven of them (he had said he didn’t know which one i would like so he just got me all of the ones he thought i would want), plus a shit ton of chocolate and just little things like one of his hoodies and this ring i had been eyeing for like months beforehand. so much for “valentines day isn’t really my thing” right ? all men do is lie, even min yoongi.
okay but anyways, here we are now, a year later. i wanna prove myself this year, i refuse to be out-valentines’d by him, no matter what that takes. now just one problem, he’s rich, i work at a coffee shop. shit, i know right ? but we will make it work i don’t care. 
so have i had this planned out for the last two months like a gta heist ? yes. but i NEED this day to go perfect. did it ? NO. NO IT DIDNT. first the necklace i got him with his name won’t be ready until the 17th, and then the kiss hoodie i was working on for him GETS BLEACHED SPILLED ON HIM, curtesy of our cat, johnny, and then; if it wasn’t going awful anyway, the cupcakes i made for him burned. and i’m going to his studio as we speak…this is my thirteenth reason. so right now all we have is his favorite flowers, a bleached hoodie with my kisses and a book of poems i wrote for him, sigh. SIGH. and if it didn’t help, he already gave me half of my gift before he left and it’s ten times better. A ROSE GOLD NECKLACE, he got me a rose gold encrusted with the sun because “i’m the sun to his moon”, he makes me wanna bash my head sometimes from how sweet he is. 
so getting to his studio, the definition of “shaking in my little boots”. i can hear him practicing his music from outside his studio, it’s like walking into beethoven working on smth if beethoven was your 30 year old idol boyfriend for a kpop group, if that makes sense, which is doesn’t so. anyways, i put in the code for his studio (it’s our anniversary, excuse me while i cry.) and quietly walk in to not disturb him, which isn’t that hard since he has tunnel vision as he invented it, and quietly tap his shoulder gently to get his attention. he turns around, taking off his headphones and noticing me with a small smile on his face, which might as well have been a kiss from him then and then. 
“hey love, happy valentine’s day, what are you doing here ?”, god why does he have to have such a perfect voice; it’s like he doesn’t even have to try. i go on to give him to give him his gift and try to explain that i had much more to give him and i knew it wasn’t enough to give and- and he cuts me off. good job if i do say so myself because the yapping i do, i could win a medal. 
“honey honey, this is perfect…you didn’t even have to get me anything, and you wrote me poems…that’s like writing me a song, this means the world to me. you remembered my favorite flowers, and this hoodie..i don’t think i’ve ever gotten a gift like this from anyone before, not even the guys. thank you so much…”, and my heart just turns into a puddle then and there. all my worries gone in a second, how does he do it ? he really should’ve become a therapist in another life, but i guess he does that with his music. but anyways, did i expect him to like the gift ? absolutely not. i did try to pay for dinner that night and he still didn’t let me do it, saying it was “an extra gift” as if i needed anymore gifts. remind me next to try and not outgift a rich idol who’s secret love language is definitely gift giving. 
i’m still getting next years gifts ready anyways. i’m so winning next year, i don't care.
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junhanndee · 8 months
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three seats down - junhan <3
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music theory was pretty boring, until somebody came and sat down three seats from you.
word count : 3,885
pairings : college boy! junhan x afab college student reader!
warnings : dorm room sex (kinda public? idk junhan has roommates but they aren’t home), tension, reader gets ate out, some nipple play, basics of sex, cumming inside, protection isn’t mentioned (pls be safe), andddd i think that’s all :)
it was another normal day, just another music theory class where timed seemed to only slowly pass by.
every week you watched as students come in and out due to the fact you were all burnt out college students. kids would come and stay for a few classes and then decide that music wasn’t really what they wanted to study or maybe it was just the super old professor that probably taught beethoven himself.
today seemed just slightly different as the start of a new semester had drawn in around twenty to thirty new students. one in particular catching your eye.
he was about 5’10 and super lanky, total dork. he wore a pair of ripped black denim jeans with an old ac/dc shirt. his longer black hair slightly covered with a beanie followed by the white glasses sitting atop his perfect nose bridge. also noticing his black backpack was slung over his right shoulder as he walked in and so coincidently sat down about three seats down from you.
he looked shy and quiet as he seemingly had questions about the lecture but couldn’t help but wait to ask the professor himself at the end of class to save some interruption or even self embarrassment in front of the fifty plus students in the class.
todays class seemed to go by just slightly faster than usual as you hadn’t noticed that you had been stealing every chance you had to eye the new boy up and down and up and down.
something about him was just so intriguing. you couldn’t quite pinpoint it but maybe it was the way his hair slightly covered his left eye or even the way he couldn’t stop his tongue from playing with his lip piercing the entire lecture. something about him was satisfying to your brain.
walking back to your dorm with no thoughts far from the new boy in your class you decided it would be best to just try and go back to your dorm where you could focus on your studies and not somebody whom you didn’t even know their name.
the walk back was actually calming. the way the breeze seethed through your hair and the crisp autumn leaves whirled in the air. you still couldn’t help but think about the mystery that had blown into your music theory class.
the next couple of days were honestly the most thrilling days you have had in quite sometime. getting up and doing your hair, even throwing on some makeup just to possibly get an eye bat from him towards you in class.
walking into the study hall you saw none the other than the quiet boy, totally not his name but by now, that’s what your brain had decided on since you couldn’t even form a sentence in front of him quite yet.
he was sitting adjacent to the books in a small little nook of the study hall. he had his back against a wall sitting crisscrossed with his laptop upon his legs.
you finally decided that of all days, today had to be the day. your one chance to get to know him just slightly better.
walking towards him you couldn’t help but hear your heart beating very loudly in fear of what might happen next
‘what if he ignores me’
‘what if he thinks i’m some weird stalker and doesn’t want to talk to me’
‘what if he has a girlfriend and she’s comes up behind me a bea-‘
your thoughts are cut off by a loud sigh from the quiet boy. quite unexpected actually as you had never witnessed this but by the way his bottom lip was wedged between his teeth and his brows were furrowed you could tell he was slightly confused.
so, an idea popped in your head as you slowly began to approach him.
“hey… so i’m not really the type to approach people, i just noticed you were in my music theory class and i wanted to introduce myself” you said while barely sighing after finally speaking to him after a few days of your small observations.
“oh! hello!” he said in the softest voice while his mouth formed a slight smile with his adorable bunny teeth.
“hi! my name is y/n! i hope i’m not bothering or anything” you said while beginning to fidget with your fingers
“oh no! no worries, would you like to join me actually? i’m working on our homework from yesterday and it’s just, well, a little hard.” he said while signaling for you to join him in the small corner of the study hall
“my names junhan by the way! i’m kind of new here, just from out of state so i honestly haven’t really talked to anybody yet” he said while he watched as you slowly sank down next to him and began to pull your laptop out of your backpack.
“ohhhh so you’re from out of town!” you say while opening up your laptop to pull up the screen with your now completed homework.
growing up you had mainly been raised with music. from the hours spent in band class to the hours spent on playing tests and studies, music theory was kind of a breeze to you so you were hopeful in the fact you could be of some help to newcomer junhan.
“yeah, i actually got a music scholarship here… i uh…” he says while stuttering and pushing his glass up to eyes, “i’ve played the guitar for a while now and decided i wanted to take that on as a lifestyle so… here we are!” he said while letting a small giggle roll right off of his lips
about a week or so ago you would have never guessed that you would be sitting next to the boy you couldn’t help but glance at every chance you got. getting to know him and finally getting the chance to talk to somebody new around your college who as well, had a music background.
as time went by and you both continued to talk about life and slowly watched as he opened up, you felt your mind come to a calming conclusion.
he was sweet and very honest. you could ask him almost anything and seemingly enough he would give you an honest response.
you learned a few things about junhan today as well. he’s very soft spoken, still really dorky, doesn’t have any friends on campus yet, total guitar nerd, has some killer song recommendations, and is super smart!
after that one day it was like you two were glued together. every music theory class you watched as he closed that three seat gap and started sitting next to you, giggling when the lecture got boring or even watching him find you just a bit more interesting.
after class would end it was typical for you two to go to the study hall and try to knock out the homework immediately so you both would have more time to spend together as the days felt shorter for some reason.
you got to show him around and even take him to some of your favorite places around the area. also introducing him to some of your friends so maybe he wouldn’t feel as lonely as he seemed to be, being new and all.
now, you both were sitting shoulder to shoulder in the same nook you first met him in, cracking jokes about your professor and how you both did wonder if he really did teach beethoven.
it was nice to have somebody understand you in such a short time. just within weeks it seemed like you and junhan had both found somebody you could be comfortable with a majority of the time and it served you both a break from the stress of being a college student during a new semester.
snapping you out of your thoughts junhan nudged you to talk to you about the storm that was coming and how you both should go study somewhere else.
“i mean, only if it’s cool with you, my roommates aren’t going to be in my dorm tonight. they are going to some party as usual…. party animals” he said as his roommates were actually the opposite of him.
they often went to parties and came back in the morning hungover and definitely not ready for the school day.
a smile crept upon your lips as a warmth rises through your body just thinking about how comfortable he was that he was inviting you to study in his own space. to you, that was more than meaningful.
on the way back to his dorm you stopped at the colleges little coffee shop as you both had your final music theory exam and had talked about studying for this for a few months now.
upon arrival to your dorm and talking about everything and anything possible he had you wait at the door while he cleaned up after his seriously messy roommate.
“sorry i should have made sure it was slightly cleaner than this…. can’t really control somebody like that but hey! he’s living his life and i’m happy for him” he says while inviting you into his dorm.
the beds sat across from each other with desks sat at the end of both beds. he had a picture of his family sitting on his desk with some spare guitar picks laying on his desk. his guitar was also sitting at the end of his desk on his stand
“is this your guitar??? holy shit” you say while admiring the six thousand plus dollar guitar sitting in front of you currently.
“yeah, that’s my baby” he said while bringing his arm behind his head to scratch at the back of his neck.
“well, she’s gorgeous!” you say while grabbing his roommates chair to sit on followed by junhan grabbing his backpack to get his laptop
followed by a sigh you both began to revise your notes and study
surprisingly, time had went by pretty fast and you both had hardly realized the time was nearing one in the morning
“uhhh jun…” you say while looking over at him, “it’s almost one in the morning… i should probably head back.”
“oh shit, i didn’t even realize…. let’s get you back to your dorm, i’ll walk you there” he said while helping you collect your things.
while picking up one of your books you both collided hands and you could have swore your heart jumped out of your chest and onto the desk.
clearing his throat and grabbing your computer to put in your bag, he turned around to grab his jacket and make his way for the door.
on your way to the door that leaded out you both came to the shocking realization that somewhere in-between the world of study and real life, snow had almost covered the door and there was absolutely no way you were getting back to your dorm.
“oh shit….” you said while realizing what was about to happen “uhhh well that’s funny! i didn’t think it would be this badddd” you said while nervously giggling and looking up at junhan
“well…” junhan said while pondering in between his words “i don’t mean this in a weird way but there’s no way you’re getting back to your dorm so your welcome to crash on my bed and i’ll just take my roommates bed. it’s really our only option here…” he said while slowly looking down at you.
“i really hate to impose and you know we can get into trouble right?? i’m not ever supposed to be here after ten…” you said while feeling slightly nervous.
“it’ll be okay, i promise. our dorm advisor is literally at that party too and i’m assuming all of those drunks got snowed in too…” he said while walking back down the hallway
following him your mind couldn’t help but flee from thought to thought.
‘sleeping… in the same room as HIM?’
‘i don’t have any pajamas with me oh god’
‘how am i supposed to go to class in the same clothes as yesterday’
walking back up the stairs you tried to convince yourself that this was just the way it had to be and you wouldn’t even be sleeping next to him so it was fine. who was even gonna notice that you were wearing the same clothes…. it really didn’t matter. your brain just couldn’t help from the thought in the back of your mind that it was finally time to make your move.
you weren’t dumb, you felt it just as much as junhan did. the way you both would say something cringe and look at each other with nothing but love in both of your eyes or the way when his skin brushed against your own it sent wave of electricity through both of your veins.
but, you lived in fear. all of those thoughts even from the first day you met couldn’t help fill your mind.
making your way back into your dorm you couldn’t help but think about how the one stuffed animal you had all the way throughout high school was now all snowed in at your own dorm.
“i know it’s probably not the best, but i have some extra sweatpants and a shirt you could wear just so you don’t have to sleep in your jeans….” junhan said while now holding out a pair of nicely folded clothes towards your body while he slightly looked at you for some sort of confirmation.
“aw jun… that’s sweet of you. i’ll take them!! where is the bathroom so i can go change?” you ask while grabbing the clothes from him.
“just down the hall and to your left!” he said while he turned to start making the beds down.
once you had made your way down the hall and changed you started to walk back to his room.
walking in you swore that your heart skipped a beat. there he was, wearing a pair of black sweat pants with an oversized hoodie and his glasses now off of his face.
“is something wrong y/n? you look startled” junhan said as you shook your brain from any intruding thought you were having
nodding your head he watched as you crawled into his bed and he turned the light off, leaving the dimly lit lamp on for a source of light in the middle of the night.
you both began to lay down as you could hear your heart beating through your ears at this point. it was all too much. the scent he had left on his pillows and the way his blanket felt so warm around you. it was borderline intoxicating.
you started to get slightly more comfortable grabbing a pillow and turning to face the wall.
as soon as you felt yourself drift into a dream you heard both of your phones go off.
assuming that it was nothing really you decided to turn your ringer off and roll back over but when you hear a noise come from junhan you turn back over to see a smile forming on his face.
“our final got pushed to next friday!!!” junhan said while getting up to hold his phone right in from of your face the brightness causing your nose to crinkle ever so slightly as your eyes focused on the notice posted by your professor on the school dashboard.
“oh my god are you KIDDING ME!!!” you said while pulling the blanket covering you over your head
“all that studying just for us to have more time…..” you said while signing in annoyance
you felt the weight shift on the bed as you peaked your head over the blanket to see junhan sitting on the edge of his bed.
“hey!! not for nothing! we got to spend time together and now we don’t have class tomorrow!” he said slightly giddy
“i mean you’re right, but what now… now we still have to worry about it for another week.” you said as harsh reality was hitting you faster than you wanted it to
“i mean that’s true but now we have a whole other week to build our confidence on the test….” junhan said while pondering on his words once more, ”and more time for us to spend together…” he said while looking over at you. causing a blush to creep upon your face you decided to sit up slightly.
“yeah and plus we can go over whatever we want, i’ve really got to take this as an opportunity” you say while brushing the hair out of your face now sitting right in front of junhan at the edge of the bed.
he looked up at you and no moment was more precious than this. half awake junhan with his lips slightly parted. the dimly lit room illuminating his face beautifully and the peaceful silence that filled the room.
within seconds you felt the weight shift once more on the bed and suddenly junhans lips were on yours.
the amount of fireworks you felt through your body couldn’t have ever compared to any other kiss you had previously experienced.
he slightly pulled back just to look at your face as he began to overthink.
“ah y/n i’m really sorry i shouldn’t-“ junhan started to say as you crawled into his lap and began to kiss him once again.
his hands instinctively running up and down your sides while continuing to make out with you just added to the wetness you felt between your legs.
as you made out with him you couldn’t help but feel him getting hard beneath you.
“are you okay with this?” he asked you while pulling back and holding his hands on the sides of your hips.
“more than okay junhan, please” you said while pulling him to be on top of you as he started kissing up and down your neck.
slight whimpers and moans began to roll off of your lips as he started to grab your boobs and kiss up and down your neck to your collarbones.
“can i….?” he asked while tugging at the hem of your shirt. with a nod he softly pulled your shirt off to reveal your harden nipples under the shirt he had given you.
while playing with one and taking the other between his lips he started to play with your boobs. he loved having you like this. moaning and whimpering under him.
he moved back up to your face as he trailed his hand down to your panties. he slowly went past your underwear to give your clit a few slow circles.
“mm please jun…. need you” you moaned out as he moved his hands slightly faster around your clit and continued to kiss all over your face and neck.
he started to move down your body pressing kisses to your tummy and removing the sweatpants he gave you followed by your underwear.
looking down at him, he was eye level with your soaking pussy and he looked up at you.
“so hot, and all for me” he moaned out before giving your clit a few kitten licks
he wrapped his lips around your clit while bringing his other hand down to enter a finger into your hole.
he watched as he continued to eat you out. the way your back arched and you clenched around him. just by the view of it, he slowly rutted into the bed below him while feeling you around him.
while he wrapped his lips around your clit and have it a few more harsh sucks, he felt as your breath hitched and you clenched around him.
“junhan please please i’m close” you whimpered out as he fingered you and licked up and down your pussy.
“that’s it, cum for me love” he said while giving you a few more pumps of his fingers
“fuck i’m i’m cumming jun please” was all that could leave your lips as you felt his plump lips wrapped around your clit.
he let you ride your high out on his face while you slowly tugged at his hair.
once you came off your high he came back up to you to give you a kiss as you tasted yourself on him and couldn’t help but whimper in satisfaction.
tugging at his shirt you urged for him to take his clothes off as well and he took the hint.
watching him stand up to pull his sweatpants down as his hard cock slightly hit his lower tummy you couldn’t do anything but whimper. wanting nothing more than to feel him inside of you.
he crawled back on top of you while he gave you some small pecks he reached down to play with your clit once more.
“are you sure? we don’t have to go this far unless you want.” he said while bringing his hands to both sides of your head
“junhan, i want you. please” was all you had to say before he looked down to align himself with you.
to make sure he wouldn’t hurt you, he slid in slowly to let himself bottom out as well.
“jun….” you said while looking up at him, “please move” you said while running your hands up and down his back
he started to slide in and out of you at a decent pace while bringing your legs to rest next to his thighs.
“mmm” he let out a slight sigh feeling how warm you felt around him.
he brought his hand down to your clit and started to rub little circles on you while picking up his pace slowly
“please that feels so good jun” you said while another high began to wash over you.
your clit still being sensitive from the orgasm you had before had caused this one to come slightly faster than usual.
he started to move faster in and out of you while continuing to play with your clit.
“fuckk i’m close y/n” he moaned out while bringing his body to cover yours as he kissed up and down your neck.
“mmm inside me please jun please i want it” you said while bringing your own hand down to play with your clit some more.
with a few stutters of his hips you could feel he was close and you were following right behind him.
“jun i’m gonna-“ you said followed by a moan as he whimpered in your ear.
once he filled you up and continued to fuck into you, you came not far after him.
he pulled out of you and started to put his sweatpants on while searching for some wipes to help you clean up.
he grabbed the baby wipes he had in his drawer and helped you get cleaned up while slipping his tee shirt back over your head and crawling back in bed next to you.
“do you know how long i’ve wanted to do that….” he said while bringing you into his embrace.
“no but i don’t think you know how long i’ve wanted to either…..”
“remember when i sat three seats down from you……?”
and with that you both giggled drifting off to sleep in his lanky arms that were wrapped around you.
the quiet boy, junhan, was now your mystery solved <3
- if you enjoyed this, don’t forget to leave a note or reblog if you’d like!
- my inbox is always open and i always love new anons! welcome to my blog 🩷
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ezra-fell-and-co · 8 months
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Aziraphale & Shostakovich
The moment in the record shop when Aziraphale said he was picking up a Shostakovich record I had So Many Thoughts.
The symphony he's listening to is Symphony No.5 in D Minor, Op. 47, composed in 1937 and premiered in Leningrad to a thirty+ minute long standing ovation. Prior to this piece, Dimitri S. spent many nights sleeping in the hallway outside of his apartment so that his family wouldn't see if the government police in charge of enforcing Stalin's brutal rule came for him in the middle of the night. His last pieces had been received harshly by critics and called unpatriotic, which was just about the worst thing a composer living during The Great Terror (1936-1938) could do. Those who were not loyal to the regime and explicitly portrayed it in their art were branded as traitors and sent to gulags or were straight up executed.
The San Francisco Symphony describes the 5th symphony as "the story of a fall from grace and redemption.". Shostakovitch has gone from being a golden example to being eyed as a traitor almost overnight, the 5th Symphony becoming his redemption back into good graces.
So basically Dimitri S. was a man with contrasting ideologies to the powers that be, so to say, who was living under the threat of death, torture, or excommunication from his homeland. Haha, so weird that Aziraphale would want to listen to his music specifically.
(If you've never listened to Symphony No. 5, I highly encourage you to go listen!)
To set the scene-
From The Houston Symphony's 2018 Fighting the Barbarian Artist article on Symph. 5:
"In January 1934, Dmitri Shostakovich scored one of the biggest triumphs of his career with the premiere of Lady Macbeth of the Mtsensk District, a work official critics hailed as the first great Soviet opera. Based on a nineteenth-century novella by Leskov, it follows the misadventures of Katerina, the illiterate wife of a well-to-do country merchant who is driven to murder in order to be with her handsome but unworthy lover, the laborer Sergei. By turns satirical and tragic, Lady Macbeth explored themes of oppression with a potent combination of sex, violence and some truly beautiful music that played to full houses for two years. Then on January 26, 1936, Stalin went to see it. Two days later, on page 3 of Pravda (“Truth”—the newspaper that continues to serve as the official mouthpiece of the Russian Communist Party to this day), Shostakovich found an anonymous review of Lady Macbeth headlined “Muddle Instead of Music.” One representative quote declared that the opera “tickles the perverted tastes of the bourgeoisie with its fidgety, screaming, neurotic music…”" ...
There is debate about if Stalin himself wrote the review to make a point, or if he just signed off on it being printed. It's also unclear if Shostakovitch was being targeted specifically, or just because of his notoriety to prove that no matter how big a name you are you're not safe if you don't fall in line, or if he was just being used as a pawn in the ongoing power struggles of the day.
Either way, he was very aware that he was in danger. A friend of Stalin's was vanished when he wrote to Stalin in defense of Shostakovitch's work after the fateful review.
The 5th was a result of Dimitri knowing he needed to get back into good graces, so he had to give them something that they wanted. Or at least something that sounded like what they wanted.
Symphony No. 5 is very sneaky in how it subverts the expectations and requirements of Stalin's Russia.
For one, it's form- a symphony is a very structured form and very Western, popularized by Beethoven and co. It's also instrumental, which allowed Shostakovitch to hide a lot of references, subversions, and musical sarcasm/critiques without the untrained critics and government officials being any the wiser.
D minor, the main tonality of the symphony, has been described by various music theorists about what kind of emotional experience it portrays. John Mattheson in 1713 described it as "Serious, Pious, Ruminating. Melancholy, feminine, brooding worries, contemplation of negativity."
However, for our purposes, Aziraphale is listening to the fourth movement, which is also the most political. (More excellent write ups about the entire work can be read here, here, here, and here. There is a PBS documentary about it here.) ((It also shifts to an ironic D Major as one point, which Mattheson describes as "Triumphant, Victorious War-Cries. Screaming hallelujah’s, rejoicing in conquering obstacles. War marches, holiday songs, invitations to join the winning team."))
The fourth movement is bombastic, letting the brass section loose right at the start. The main theme in this section is from an unpublished song that Shostakovitch had written as a setting for a Pushkin poem. The piece as a whole and specifically this movement is a direct critique of Stalin himself.
The poem?
With sleepy brush the barbarian artist The master’s painting blackens; And thoughtlessly his wicked drawing Over it he is daubing. But in years the foreign colors Peal off, an aged layer: The work of genius is ‘gain before us, With former beauty out it comes. Thus my failings vanish too From my wearied soul, And again within it visions rise, Of my early purer days.
Which I think speaks for itself in what kind of mentality Aziraphale might have listening to the symphony.
I'm not sure which recording he listens to, but in the record shop we are shown that it's a record with a blue label on the disk. There are several recordings that have blue labels including the 1972 Moscow Philharmonic with Kiril Kondrashin and the 1989 Scottish National Orchestra with Neeme Jarvi. Leonard Bernstein and the NY Philharmonic have a very famous recording as well.
But I think the most likely is the 1962 Vienna Philharmonic with Constantin Silvestri. Why? Well, here's the record:
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sucantslay · 2 months
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Meiyuu Deshi Kairou analysis. I'm losing my sanity...
Hello @hypn0sssss, just wanna let you know, I've been working off my ass to research this song like...more than 30 minutes but then in turn into a whole week long.
It was fun though ( I really need a rest but my brain said just do it! )
BUT, ANYWAY, here are some important information you should know before getting into this song analysis.
If you don't know, this is an event song, it connects with an event story about a VR game, yes, a VR game. It was introduced to Mika by Makoto and Sora. And later on, became the inspiration for Mika's song.
This is related to Mika's character, so if you know nothing about him, you can learn more from some sources out there or have a quick check at my post
3 . I'll mostly put the lyrics in word form. I really want to put all the translation pictures here but since Tumblr stop me from having more than 10 pics in a post...I can only put some.
4 . Most of this is my personal analysis. Pls tell me or put on the sources if you want to put it somewhere. Also, since it is a PERSONAL thing, the lyrics might not mean like that to you, but it is to me. You are free to have your own idea of this song however you like.
Alright! Let's get started!!!
For the theme of the song, Mika is using the VR game as his base, so it understandable that some words might be a little lead into the mechanical aspect.
The story for this song is about a mechanical god who ends the story/ the world abruptly. It very interesting when the song did not only successfully portray the theme of mechanical but also the theme and story of Valkyrie itself.
Oh my dear Mika, you are really something of an artist, aren't ya?! It the time when Mika finally step up and going his own art more then waiting for Shu order!
The name of the song "Meikyuu Deshi Kairou" which means "Labyrinth Electronic Corridor"
With some lines mention classic songs
(this line got repeated 2 times)
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"Ode to Joy" or in other words "An die Freude"
You must have known it as Beethoven's most significant work, Symphony No.9, a choral symphony.
Since the name isn't being written in another name until you start digging deeper, you'll find something eles, lies in these words they had chosen.
It was origin from a poem written by a German named Friedrich Schiller and was used by Beethoven in his Ninth Symphony.
But the version that Beethoven used is the revision of the poem. Yet Friedrich himself didn't like that version at all, he viewed it as a failure.
Why? Because Friedrich made that poem for his dear beloved ( longtime friend and partner ) Christian Gottfried Körner, who inspired him to write the poem.
He stayed "of value maybe for us two, but not for the world, nor for the art of poetry"
I SWEAR TO GOD, WHEN I READED THOUGH WORD, NO THING APPEAR IN MY MIND AS FAST AS MIKA AND SHU DID.
His performance and his dear partner in art. Did I mention that Friedrich made a whole verse for Christian on his birthday.
( uhm, ok, that's enough! Let's move to the next one for now before I can't keep this mouth shut. )
Some lines in the poem go like this:
"Rescue from the chains of tyrants, Magnanimity to the villain too, Hope on the deathbed, Mercy in the high (law) court, Even the dead shall live! Brothers, drink and agree (with me) That all sinners shall be forgiven And hell shall be no more."
The "Ode to Joy" old name was "Ode to Freedom" / "An die Freiheit"
Then there came "Libera me" ( "Deliver me" )
Which also has an interesting background related to the Catholic Church. "Libera me" originated from a song named "Office of the Dead" which had been sung as a service prayer for the death.
The text asks God to have mercy upon the deceased person at the Last Judgment.
And it fits the theme of the song well! Because as I said before, the song is about a god who wants to destroy the world in sudden.
So "Ode to Joy", "Libera me" can be seen as the voices of humans who denying the god choice, the choice to turn the world back to dust.
( Note: The line in the song is not being sung by Mika or Shu, but by voices in the background. It becomes more noticeable when considering the fact that none other Valkyrie songs have these "background voices" at all )
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The next two lines both sing an indirectly about the old Valkyrie.
"Ah, the melody sinks into overwritten myths"
The old Valkyrie had been sunk down to the deep by the play of Fine.
"Come, it is the time to open the floating corridor that full of electrons"
But it was the story from a long time ago, now, we taking a different path, to the new corridor, a new path to the future yet we're still unable to predict. Accidentally we lead ourselves to the door of destruction. ( It can also be seen as the god in this play had opened the door of doom, ending the world in sudden )
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Ah, yes, once again this song mentions the use of the classic poem.
This "Song of the Bell" had nothing to do with song or symphony, which gives us more clues and confirms the truth about "Ode to Joy".
Surprisingly, "Song of the Bell" is also been written by Friedrich Schiller.
"Ode to Joy" was written in 1785, while "Song of the Bell" was written in 1798.
The poem talks about the bell, how was the bell made, by what, and with what tools and techniques they used to make it.
I have a belief that the "love and punishment" part of the song lyrics has other means than taking from the "Song of the Bell". Yes, the poem did mention "love" as a part of the story where a couple has known each other since they were kid.
Wedding bell and allocation of roles is the part when the bell acts as a wedding bell.
To later on, mention death: Death knell upon the decease of the woman where the bell has an earnest purpose and tolls in accompaniment to a funeral
But there is no mention of crime or punishment.
So go back to the lyrics where they sing: "Reflect the song"
Reflect...which means there is a connection but not really is about the poem. It was more about Valkyris, the love had turned its back on them. Their art, their joy, their peaceful life as 3 small people in an unpopular Unit was now a punishment, pulling them down to the ground.
Nazuna left, Valkyrie broke, Shu is no longer himself.
To Mika, if not a punishment then what could this horrifying scene had been?
We can also see this in the human's eyes. If "Ode to Joy", "Libera me" was all human ( in the theme ) talking about, then this line is the begging for the god to rethink his decision:
"Please, don't you see, this beautiful planet is our everything. Is our beginning and our ending. We may suffer, but we are happy, and that makes living a meaningful thing."
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noticed how Mika uses "Each other" not just "Other" which points to both Shu and Mika.
In their era of being a "not so happy" unit since the war ended.
They have gone so far and now look back at themself. Such action of shame, the days when we are still nothing but a nameless Valkyrie.
You can also look at it in the MV theme way: ''I wish this world would disappear.'' As the god of mechanical no longer feels the need of humans exiting.
As the next lyrics go:
"Behind this veil of anonymity" (Shu line)
"The ghosts of the dead-" (Mika line)
"Are dancing in the underground till the end of the trial" (Shu line)
There are two things I need to point out in detail here:
Firstly: The meaning of these lines seems to me as if they're talking about their trauma. Behind this veil is the old time, the old ghosts, look, they are all here, never left until we start open up with them. Until we learn how to heal ourselves from the brutal injury of war did we be able to make them leave
Secondly: Mika once again mentions death. It was Mika's own thing, if you don't know, death kinda became a thing that fond with Mika's style. Lots of times, we can see Mika associated with death ( mostly in the old song. )
In his 'In the Shadow' outfit, which had a deep connection with butterflies.
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Butterflies are a symbol of the representative soul of a deceased person. In that outfit, Mika is represented by a blue butterfly, what was the meaning of that symbol?
A symbol of the soul who passed is nearby!
So, by now you would be questioning: "Why are there so many signs about death from Mika?" Well, glad you asked.
This all came down to the fact that Mika was being a doll in Valkyrie. Nazuna was also a doll himself, but he break free and Mika didn't.
Mika is dying from the inside, becoming the soulless, as he loses what support to belong to him. He sells it away, sacrifice it for the wish of making Valkyrie great again.
"Surrounded by faceless choirs, there's stand the lonely soloist So, let's sing out loud to those who have no place to go, here's the truth."
Sung by both Mika and Shu.
In my belief, these lines are dedicated to them, the Valkyrie that got injured after the war. They got no hope, not thing to relied on.
Shu got a bad representation, lost his mind.
Mika also had to suffer from the event but he's trying his very best not to become a burden to Shu after Nazuna left.
That was the moment when Mika became more doll-like than how he was before.
We stood together, yet loneliness filled inside our souls. Becoming the "soloist" singer without notice.
"Sing to those who have no place"
They're telling themself, their pitiful past self that the daunting world is now no more.
We now have a place to stay, a home to be in, we've got our back.
Ok, ok, here it comes, MY FAVORITE LINE!
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LIKE, THERE ARE SO MUCH TO TALK ABOUT, I CAN'TTTTT
Ok, I can actually do that now ( since this analysis is already long as hell )
This line makes a connection to another line, which is:
"Here's the truth" - "Audience, please come"
"To the New World"
Isn't simply just about the god and the humans, it carries two meanings.
One is the literal, a sore thumb that sticks out the most to me: IT ABOUT THE VALKYRIE NEW ERAAAAA.
They maybe not yet healed, not yet prepared themself for the world outside, but they're now more happy than ever.
Shu is trying his best to understand Mika.
Mika is trying his best to become something of his own, escape from the realm of a soulless doll.
"Dancing with full bloom"
Like, uhm *raises eyebrows*, full bloom, full bloom you said?
The last time ( the first time Shu appeared in the game main story ), Shu said: "I am counting the days until we bring our blossoms together to make "Valkyrie" the most beautiful bouquet in the world."
And now ya said that you're FULL BLOOM? That can only mean one thing, they have finally found their meaning of art.
They may not "bloom" to the world but "bloom" to themself. Becoming different. They changing, they learning, and they are growing.
"where 0 and 1 dancing"
Yeh, you already know what I'm going to say. 0 and 1 are binary code or we usually call it "computer language" / bits.
0 and 1, is what this theme song is about. The mechanical god, the new world of mechanics. "0 and 1 dancing" is "The god is speaking".
Like, 0 1 then 1 0, 0 1 then 1 0, where 0 and 1 will change their place to make a byte, a string of bits, representing the god language.
And, it is just me or do I get the feeling that this goddess who wants to destroy a world in rust has his reason, he has a feeling that leaving the world like this, isn't a good idea.
Even if the humans are begging him to stop, he did not listen.
Because, in some of the next lines, we got this:
"A play that crueler than dream" (Shu line)
"With everyone's prayers" (Mika line)
"Everyone will remember it" (Shu line).
"Above the Surface world that full of selfishness and egoism" (Mika line)
The god see human as this selfish and only care for what they want most then how others feel.
"This lost child of the era, is confused by the fragile waves" (Mika line)
"So let's come and come into a new world trapped in 0 and 1" (Shu & Mika line)
Is about Valkyrie, IT ABOUT VALKYRIE. *Gone crazy at this point*
If you didn't know, Valkyris wasn't that used to the new system after the war. The DreamFes system made by Eichi, yeah, that one.
They skip school and most of the time do their show outside of school until Eichi himself steps in and threatens them to rejoin the school and accept the DreamFess system.
They were lost. Lost of the modern world, and still stay in the old era. Shu never wants to go back and join the DreamFes for once because how much he hated Eichi, and how much the war hurted him, yet, they return, make a change that not even Eichi can imagine of.
"Lost in their own tears, and still..." (Shu line)
"Falling away..." (Mika line)
They did, however, losing against Fine, and still...this was not the end.
THIS WAS A MARK FOR THE NEW BEGINNING.
That they're now known to DreamFes, open their mind and continue their journey.
That why the next line of the song came with a stronger beat. Bam! We are now reborn, we are now continue to blooming up on this world of hidden beauty. We'll find it and make art out of it!
"Scrutinize, lament, and let your own foolish schemes drive you crazy" (Shu line, it kinda fit Shu too)
"And now, ask yourself here and now." (Mika line)
"Is there an omnipotent being to be ruled?" (Both)
"And do you believe it?" (Shu line)
"Do you believe it?" (Mika line)
"Do you believe it?" (Both)
I think these lines are pointing to Shu and how he've been since the end of the war.
Scrutinize mean: examine or inspect closely and thoroughly.
While lament mean: a passionate expression of grief or sorrow.
After the war, Shu was cave for perfection even more than he was before, he wish to not made all that mistake again or else he might lose Mika too.
He drive himself crazy, then look back what happened, he started to ask questions.
He was so into perfection, he loses the meaning of art it self. He put himself into a jail, said that, this was all for the work of art, but it wasn't.
People are being harm for his actions, Mika wasn't getting any better if he keeps acting like this. Reckless and madness drive him away from the actual beauty in art that the old Shu was fond of.
So, he ask himself. If art is freedom, why so gaol...
"Is there an omnipotent being to be ruled?"
And realizing that, will he continue to be like this. Do you believe in such form of art that not bring happiness and joy?
For the bloom of Valkyrie, must we sacrifice our little life for the victory Shu wanted.
Also important element needed to be mention: Last Lament.
Meiyuu Deshi Kairou was released in 2023, and Last Lament which is also a Valkyrie song was released in 2017.
And in the song, there was this line: "It fine if we reach the brink of our dreams and rot forgotten."
"We'll use the flames of passion on us, to show them that we can melt even despair."
But, but! In their newest song ( from the Trip albums)
Shukufuku no Library
We can see, Shu is now accepting the future and wish for joy to Valkyrie then only to successfully reach their dream as soon as possible:
"Is it only success stories that are now illuminated by the love that shines down from the heavens?"
"No! An unfinished adventure stories is also a foolish memoir that's also precious."
"Come on, let's play the lovely poems of our lives and gently store them in the library of blessings."
Return, return, let's us get to the next line:
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Ok, Ok, I love that they put both Friedrich Schiller work into one line!
"A play that's crueler than a dream" (Mika line)
"Everyone inside this veil wishing for something" (Shu line)
The god talk about everyone wishes, seeing their foolish little small wishes yet never to be turn into reality because the god already had their own plan for them.
It also Shu, talking to himself that even if life is cruel, everyone has their little dream.
"In the face of the myth of the Perfect world" (Shu line)
But Shu dream was too far from reality, can that Perfection he wished for really have a way to get?
From here on, the line repeat itself:
"confused by the fragile waves" (Shu line)
"This lost child of the era" (Mika line)
"So let's come and come into a new world trapped in 0 and 1" (Shu & Mika line)
But this time, Shu has become different, Valkyrie has changed! The lost child had found their way out of that jail!
"The labyrinth corridor, love is a Perfect world" (The back choir?)
And yes, he did be able to found out, love is the best way to a world he's wish for, no more madness from now on, only love and joy.
And maybe, just maybe, the goddess in this song also did.
Thank you for your time! Reading this.
It late now, and my ears...oh god...it had been listen to Meiyuu Deshi Kairou non-stop ( I remember like 8/10 of the goddam lyrics *cry and laughed at the same time* )
Also, one last thing...
In the 3D MV, noticed how Mika move, yes, he still keep that flexibility of him, but that not just a represent for a doll, Mika now turning it in to his own style of dance.
While Shu do art in a perfect and nicely organizing way.
Mika go for a chaos way that both resemble the old him and use it to make the new him.
In the last moment of the MV, Mika...I don't know if he forget or that is simply how the MV plays out, but there was a moment like this:
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Mika when: Look at my Oshi-san!!!
Shu: Mika! Back up! You're supposed to be standing next to me.
Mika: Can i?
Shu: Yes. Yes you can. You're no longer a doll, but a human, a partner who place is staying next to me and performing art together.
Mika: Oh...I'm not fulling understand that, but ok! I'll try to stay next to you from now on!
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( this is me, writing that out of thin air, the conversation may not be real, but the meaning are. Mika may be a little confused for suddenly got set free from being a soulless doll, he need his little time )
Thank...for reading...my dear ValkyrieP... I need a rest and a cup of coffee I guess *die*
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grntaire · 3 months
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Yoooo I really love the choral music you’ve recently shared. I’m not really that familiar with it as a genre of music and don’t normally seek it out? but occasionally a piece will find its way to me (like at a funeral or now your blog), and I find it arrestingly beautiful. maybe partly because it’s a strange and unfamiliar medium to me. Do you have any favorites you would recommend for further exploration? 🩷
hi this is maybe the most hyped i've been for an ask ever bc i go fucking crazy for choral music so YES i do have recs for you. i will try to limit my little thoughts however i am very annoying so it will not go well
gibbons' hosanna to the son of david goes insanely hard. so jovial and fun and i had a blast singing this in undergrad! i love renaissance polyphony and this is a prime example of it!
poulenc's o magnum mysterium is truthfully wacky in the best most french way ever. and imo poulenc's queerness is so clear and present in his music so anything by him i love. my beautiful fruity catholic with a disorder <3
chesnokov's spaseniye sodelal is russian orthodox perfection fr. when my choir in undergrad read thru this i was stood between two low basses and at THAT part (1:32) i felt like i was being punched from the inside out. also the text means "salvation is created in the midst of the earth" and i think that's like. so fucking sick
stacey gibbs' arrangement of ezekiel is THE american spiritual arrangement to me. i once sang this in an italian church under a mexican conductor and then later we all sang it drunkenly for the owner at the hotel we were all staying at it was wild and so so so fun. such a beautiful and massive example of a joyful american spiritual also it's straight up a banger honestly. could talk ad nauseum abt how badass black choral scholars are and how grateful i am for all of the work that they've done and for inviting ppl to learn abt and experience it <3
holst's i love my love is one of my favs of all time. unfortunately england fucking devours when it comes to their choral tradition and this piece does one of my fav things where the way the composer sets the text changes its meaning! it's abt a woman named nancy who is in bedlam bc her love died at sea and it effectively broke her. while there, he comes to her, alive, breaks her out and they get married. while the poem itself shows a happy ending, the way holst plays w tempo and texture makes me go hmmm. 90% sure he did not show up and she's experiencing a delusion of sorts to cope w her grief (the i love my love's in the sopranos & altos at 1:24 kind of emulate a rocking motif, almost as if she's rocking herself back and forth in a soothing gesture, or the rocking of the ship he died on) and that tenor entrance in the melody after almost emulates her love coming to rescue her. god this whole piece makes me feel like my skin is on fire and i think it's a devastating portrayal of mental illness and you can rip it from my cold dead hands
stanford's beati quorum via is literally just gorgeous front to back. again unfortunately the english stay slaying
jake runestad's a silence haunts me literally does fucking haunt me and it changed the way i think about choral music. it's a setting of an unsent letter of beethoven's where he talks about losing his hearing and how afraid he is of losing it. this one you def have to watch bc there's a visual element to it! no spoilers but holy shit it shuts my brain down it's brutal and beautiful. i saw its premiere in 2019 and the entire hall was sobbing. like i have the words "be well" tattooed on me bc of it. the way the piano quotes moonlight sonata and his 9th symphony and the tensions emulating his tinnitus. OUGH
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denim-mixtapes · 2 years
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You Took the Words Right Out of My Mouth Word Count: 2974 Pairing: Eddie Munson/Fem!Reader Tags: Rockstar/Radio DJ AU, canon divergence - season 4 still happened, but Eddie lives, set in 1992 and Eddie has more piercings and tattoos than ever, brief sexual harassment mention (mostly just unsolicited flirting, not from any characters of the show), use of actors' last names because the duffers don't care about their characters enough to give them last names (Jeff specifically, I used Gareth's common fanon accepted last name), mentions of Chrissy's death and the events of season 4/the trauma surrounding it, Eddie Munson needs a hug, shameless flirt Eddie Munson.
Summary: Working as a woman in Rock n' Roll radio, you encountered your fair share of flirtatious rock stars. Often, they would flirt to belittle you, to question your love and knowledge of the genre, but Eddie Munson, front man of Corroded Coffin seems to know just which buttons to put to get on your good side.
A/N: I tried so hard to post this all in one go, but ultimately decided it would work better as 2 parts. So for now enjoy the exposition and interview chapter, and smutty part 2 will follow soon.
[AO3] [Part 2] [Part 3]
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Music. 
Hendrix called music his religion. Beethoven called it the mediator between the spiritual and the sensual life. Shakespeare, the food of life. 
All of these were excellent quotes, but to you, music wasn’t just one thing. Music is everything. Ever since your first concert (an age inappropriate punk show that your aunt snuck you into at thirteen) music practically ran through your blood. Nothing excited your younger self quite like the thrum of a good bass drum and the crackle of worn out venue speakers. 
You devoted your younger years to learning everything you could about the music industry. Researching how songs were written and produced, spending hour after hour teaching yourself instruments from the ground up, practically begging your aunt to take you to any and every concert she had access to. When your tastes started to develop even further and strayed toward hard rock, heavy metal, and punk, your parents didn’t bat an eye, assumed it was just a hobby, that your music tastes wouldn’t define your lifestyle at all. Then, you turned down a college scholarship in lieu of an unpaid internship at the local radio station and a day job at the diner ‘round the corner to make ends meet. That’s when things got rocky. 
Still, you persevered.
Hopping from station to station, eventually internships turned into paid mail room jobs. Then you got hired for assistant work for your favorite rock radio station, running coffees and pushing pencils and picking up dry cleaning. Out of sheer dumb luck one day, with a missing traffic announcer and a desperate producer, you were thrown into the ring with a hastily improvised introduction from the DJ who pronounced your name impressively wrong. You ended up doing traffic at that station for two years, until – after asking nearly every month and mixtape after mixtape to prove your music taste worthy – your producer broke down and gave you an early morning DJ slot. It was a two hour show from 3 AM to 5 AM, but it was yours. 
Working your way up the ladder, you just kept pushing until you got where you are now, two years into a new decade: The lead host of a prime time Metal radio show with your name in the title. 
All that hard work and climbing to the top and your love for what you do is exactly what makes the disrespect hurt so much worse. 
Being a woman in a predominantly male industry (radio alone, let alone any subgenre of Rock), it’s increasingly obvious how little your listeners and guests alike take you seriously. There isn’t a single mail drop that doesn’t include at least one hate letter telling you to get off the air, and you would be surprised if you had a guest on the show that didn’t seem downright shocked by your knowledge of the genre. 
But the worst part? 
The flirting. 
God, the flirting. 
Most women your age would swoon when a rockstar so much as looked their way for longer than a fleeting moment, but whenever a flirtatious comment or a wink is sent in your direction it’s practically dripping with disrespect. They’ll interrupt you mid-sentence to belittle you, to reduce you to nothing more than eye candy and someone they can manipulate if they flirt hard enough.
Your responses burn in your throat when you swallow them down to instead fake a laugh and pretend you’re flattered. 
The producer used to urge you to flirt back, “give the listeners a little show,” but you know better than that. If you did that, your listeners would only think one of two things. Either you slept your way into this position, or you were using it as a way to try and sleep with the stars. There’s no way you would put your professionalism to the side for the sake of some greasy musician's ego, no matter how much you respected their music. 
However, that attitude changed the day Corroded Coffin walked into your studio. 
Frontman Eddie Munson is walking sex and he knows it. He carries himself with the confidence of a man who has been through it all and still somehow came out on top. He flirts, not to belittle, but with a genuine appreciation of whoever he’s speaking to, and he really does flirt with just about anyone You’ve seen it in action before, at shows you had attended as an assistant for the station in dimly lit bars, back in ‘88 as the band was still just taking off. That was a man that could make you feel like the center of the universe, and he wanted to. You were the subject of his attention that night, for a while, and you have yet to forget the feeling of being special, if even for a few moments. 
So when the band is lead into the building by their management team (if you could call them that), you’re not surprised in the least to see Eddie Munson hanging off the shoulder of friend-turned-manager Steve Harrington, pout on his pierced lip and poking a finger into Steve’s dimple as he makes some teasing remark. When he’s shaken off, he kisses the same cheek affectionately, and then ruffles the hair of the younger man next to them, publicist Dustin Henderson. Henderson, shoves him away angrily, and though you can’t hear their words from inside your booth, you’re sure he’s saying something about ‘professionalism’ and ‘not a kid anymore, motherfucker.’
You smile, seeing the exchange and give a ‘one minute’ gesture to your station manager who points into the booth at you, before introducing the next song. 
“Alright folks, at the top of the hour, we’ve got the new Alice in Chains single comin’ at you. When we come back we’ll be sitting down with Corroded Coffin to talk about their newest album and summer tour, so don’t go anywhere. Here’s ‘Would.’” 
Starting the song and muting your microphone, you take off your headphones and walk over to the door to usher the men in quickly. Smiling gently as the men all cross through the door into your tiny studio, you can hear Henderson shouting at them to ‘Behave, boys!’ Steve, scoffing out a defeated, ‘Who, Munson? Please.’ You give the two of them a soft wave and inform them that you can hold your own, not to worry. 
Turning back toward your workspace, you make note of the fact that three of the band members – Gareth Emerson, Jeff Best, and the bass player who, despite hours of research, the only name you could uncover was ‘The Freak’ – sat patiently on the stools set out for them, across from your desk. Eddie, however, with a severe case of lead singer syndrome, has perched himself in front of your control panel, running his fingers along the knobs and dials, grinning to himself. 
“Uh, hey,” You interject, enjoying the way his head snaps up at the sound of your voice. You introduce yourself to each of them softly, keeping an eye on the clock counting you down to the song’s end. Then, pointing to your stool that sits right in front of Eddie’s knees, “do you mind?” 
“Sorry sweetheart,” he breathes, winking as he passes you in the tight space, “couldn’t help myself.” 
Normally the pet name would have you rolling your eyes and preparing for a long, long, interview…but the boyish smile you’re met with when you look at him across the controls has your heart skipping a beat. 
The countdown informs you that there’s 30 seconds remaining in the song, and you don your headphones again, uncovering one ear, and encouraging the guys to do the same. 
“Okay guys,” you call their attention and straighten your note cards with a slight tap tap against the table. You regretfully give them the same rehearsed speech you give to every band that enters your booth. “Super excited to have you on the show, but we don’t have long. I’m sure you’re used to radio spots by now, so I won’t give you the whole spiel, but just remember we’re on live.” A pointed brow raised at Eddie specifically brings a roar of laughter from his bandmates. 
As the clock starts ticking down the last fifteen seconds, Eddie leans into the still muted microphone and raises an eyebrow of his own, smirking. “So keep the fuck’s to a minimum, then?” 
You only nod as you fade out the song playing, and fade into a snippet of Gareth’s impressive drum solo from their latest album. The man practically beams at the notion, used to most of the spotlight shining on Eddie’s impressive guitar playing and vocals and clearly more than excited to have a little bit of recognition. You return his grin and throw him a devil horn gesture, tongue poking between your teeth before you fade out to dead air once again. 
“Aaand WKZT The Crash coming back at you, Fort Wayne’s only source for all your hard rock and heavy metal needs. I’m here with Corroded Coffin, one of America’s biggest success stories in recent rock history. Their debut album, The World Upside Down, has been number one on the charts for an impressive 5 weeks running and has sold over 1.8 million copies - and counting. Joining me today are guitarist, Jeff Best-”
A peace sign that you listeners will never see. “Hey guys, how’s it goin’?” 
“Gareth Emerson on the drums-” 
A small wave. “Hi, what’s up?”
“A name I’m sure is on his birth certificate, bassist, The Freak-” 
Devil horns of his own. “Sup?”
“And last but definitely not least, lead guitar and vocals, Eddie Munson.” 
He leans into their microphone, voice dropping so that it’s barely audible in the room, but crystal clear in your headphones. He purrs, “pleasure.” 
You roll your eyes yet again, but lean back into the back of your chair with a bitten back grin, dragging the arm of your mic stand closer to you. “Let’s just start with a big congratulations, guys, really, did you ever think you would be sitting at almost two mil on your debut? You’re projected to get there in just another week’s time.” 
“You know honestly we’ve just been doing our own thing,” Gareth says earnestly. “I don’t think any of us ever expected it would get this wild, well, maybe Munson.” 
The laugh that you snort out is unbecoming, but you can’t stop it.
Eddie continues, “I always had faith in us. Even if these fu-” a stern glare from you cuts him off, as if you knew his foul mouth was coming. “...fungi didn’t. You know Jeff here still referred to us as a garage band not even a year ago?” He thrusts a thumb over his shoulder to point at the other guitarist, who holds his palms out in self defense. 
“We were literally in Gareth’s garage when I said that.” 
This time you do manage to stifle your laughter at their banter, and move forward. “That’s actually an excellent segue. Rumor has it you lot have been playing in garages together since middle school. To what would you owe the success of staying together all these years? And with all your original members?”
It's touching, the way they all share a glance, debating who should speak up, before Eddie eventually does. His nose wrinkles as he speaks, a hint of a laugh at his own sentiment. “C’mon, doll, haven’t you ever heard of the power of friendship?” 
Jeff claps a hand on Eddie’s chest to keep him at bay, “what this clown means is that we started as just a couple of friends, a group of outcasts who had two things in common – our taste in music, and this goofy little fantasy game that we played every Friday-” 
It’s your turn to cut him off, “Dungeons and Dragons, right?” 
This new smile that broadens across Eddie’s features has an air of familiarity, a bitten lip and a hint of pink to his cheeks. Warmth blooms in your chest at the look he gives you when he says, “the very same.” 
“Yeah, I caught the influence in some of your song titles. Specifically Flesh to Stone. We’re on a short schedule, so I’ll spare our listeners the details. I’m sure they don’t need to hear about your fantasy characters, though I might know a certain half-elf bard that’ll want to know after the show.” You point awkwardly to your own face, pulling a ‘get a load of this nerd’ expression. 
A dart of Eddie’s tongue as it wets his lip, the soft bite into the flesh there as he seems, for the first time quite possibly ever, at a loss for words. 
You avert your gaze back to your notecards, moving on, clearing your suddenly dry throat. 
“Upside Down has quite a few heavy numbers on it. Some critics have been debating whether it’s a concept album or not. With cohesive themes throughout, I can see the argument for it, but there seems to be two separate stories within this album. Can you speak on that at all? Is Upside Down an ode to a dungeon master with incredible storytelling skills, or is there something more hiding beneath the surface?” 
The silence that follows isn’t tense, but it’s far from comfortable, too. Everyone but Eddie looks to the floor, up at the posters behind you, anywhere but at their lead singer and songwriter. His own gaze is unfocused, facing you but looking straight through you. You almost want to strike the question just for your own comfort’s sake (and his), but it’s already been asked. 
The Freak pats a leather-clad shoulder gently and mumbles, “that’s all you buddy.” 
In an instant, his demeanor changes again. With a clearing of his throat, he sits further back up in his stool and squares his shoulders.  
“Little bit of both.” He still starts out slow, but as he speaks seems to come out of his shell once more. Curls flicked from his face, knuckles cracked, he leans forward with elbows to knees. “See, I dunno how much research you’ve done on me, but back when I was 20 I got into some shit-” 
“The murder charges,” you interject. 
He nods, his pointer fingers forming a peak in front of his taut lips. “The murder charges, yeah. The dropped murder charges, I should clarify. Uh, what my friends and I went through that March was…unspeakable. I still haven’t really found the words to talk about it in earnest, which is saying a lot because before the spring of ‘86 I could find the words for anything. Too many words, if you ask these guys.” Another gesture to the band surrounding him, they all have a nod or an eye roll to add to the conversation. “So when I didn’t know how to deal with all of the thoughts and memories and pain from that spring, I took to writing. I wanted to tell the story of what happened but on my own terms, in my own way. So I came up with the hero character mentioned in Hero’s Journey. Technically the whole album is his story, dramatized, but there’s plenty of flickers of truth in it too. Um–” he clears his throat again, fidgets, taps his foot against the rungs of the stool, “Wake Up is one of the tracks I’m sure you’re asking about.” You nod. “If you listen to the lyrics outright, it’s the pivotal moment in our hero’s story, the moment that sends him on this wicked journey of monsters and alternate dimensions, sword fights an-and,” his voice cracks, “a life taken way too soon. And it is about that, on the surface, but if you read them, really read the lyrics, you’ll see an ode to the girl I let down…a grievance with myself for not knowing how to save her…a big ol’ middle finger to the universe for putting her in harm’s way in the universe. It’s the most real track on the album, and I’m just happy to finally share it with the world.” His eyes, while pained, crinkle when he smiles your way, assessing the energy in the room and deciding to not continue in the same direction. “Oh, and I’m sure the other heavy song you’re asking about would be Chest Hair.” 
You laugh to the point of snorting again, and shake your head. “I can’t say I’m familiar with that one.” 
“Oh yeah,” Eddie laughs into his lap, stuffing his hands into his jacket pockets. “We cut that one at the last minute. It was a fun little number about how hot our main man Stevie looks without a shirt,” turning in his seat he points out the window at their manager, shouting, “AIN’T THAT RIGHT, BIG BOY?” 
You join the rest of the band in shaking your head this time, laughing when through the glass, Steve flips Eddie off and Dustin rubs at his eyes in annoyance. You can see him mouth to himself, ‘almost made it the whole interview.’
“Listeners let it be known that Eddie Munson has just turned his manager, Steve Harrington, beet red with his affection,” you take a second to compose yourself and then queue up the next song, slowly letting the intro fade in as you close out the interview. “Okay folks, that’s all we have time for with Corroded Coffin today, make sure to check out their debut album, The World Upside Down for yourself, and catch them tomorrow in Indianapolis at the Slippery Noodle Inn, tickets available at the door. Say goodbye, fellas!” 
The four of them all chorus a goodbye, waving once again despite not being on camera. “I’m out for the night, too, but before I go, I’ll leave you with the title track from the album, Upside Down.”
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vellatra · 24 hours
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Classical Music Is So Strange Sometimes
I might be really dumb and just not understand the ins and outs of classical music. So, ya know, feel free to explain stuff in the tags and comments if you want! But this is my experience thus far.
So you've got basically three tiers of classical music song names.
Tier One: Instantly Recognizable These are the most like modern songs, in that they are short, and have actual words in their name. Like everybody knows immediately what I'm talking about if I bring up Eine Kleine Nachtmusik or Beethoven's 5th Symphony, right?
Tier Two: TLDR These have a lot of numbers and abbreviations and "in the key of" notes which are difficult or impossible to remember, but at least they have one or two words in their titles that stick out and help you remember/find the song again. For example, Mozart's Piano Sonata #11 in A, K 331, "Turkish March" - #3: Rondo Alla Turca. Sorry, I'm not going to remember that entire thing! But "Turkish March" or even "Rondo Alla Turca"? That's doable. Many of these songs are even given the TLDR titles in albums or on YouTube, like Vivaldi's Spring.
Tier Three: What on God's green earth possessed you to name it that Maybe these titles make sense to music majors but not to me. Indistinguishable from all the other songs in this tier, hard to find in a search, will I ever be able to hear this beauty again? Doubtful. Good examples might be Schubert's Impromptu in B Flat, D 935/3 or his Impromptu in B Flat, D 935/2, or maybe Chopin's Nocturne #2 in E Flat, Op 9/2. Look them up and I can almost guarantee you'll recognize them, but unless you are VERY fond of the particular song, I doubt you'll remember those titles! (I love Nocturne in E Flat a lot so I've made a point of remembering that much at least haha)
Anybody else feel this way or am I just a lone weirdo (and/or uncultured swine?) XD
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gingerbreadmonsters · 2 years
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ever thine, ever mine, ever ours
or: signed, sealed, delivered.
gn!reader, no content warnings, a wonderful excuse for dumb cutesy fluffy stuff. an enormous round of applause for the lovely @teaseat who sent in the most MAGNIFICENT ask about this - milo and sweetheart are forever in my heart so this was perfect! and a cheeky tag for my darling @sri-rachaa , who i hear was in the market for a bit of softness in these trying times <3 title from beethoven’s letter to his immortal beloved. milo starting rumours around the DUMP offices in 900 words or less.
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“Hey, Stealth. Got a minute?”
Really? Now? For goodness’ sake, he can’t keep doing this! One of these days he’s going to give you a heart attack, right here at your desk, and he’s going to have to explain to HR why one of the investigators on floor 8 has been found curled up under the table, screeching into their own hands.
“...”
It’s always when you least expect it, as well. Slid quietly amongst your case files, tucked into the top of your bag, hidden in your coat pockets - how does he do it? Aren’t you supposed to be the sneaky one? He could give the rest of the investigative department a run for their money, what with how you never manage to find them until he wants you to.
“Stealth? Are you…?”
And really, does he have to be so fucking sweet about it? It’s alw-
“Detective Greer!”
“Wh-! Uh, yes?” You look up, startled, from where your face is currently buried in your hands - it’s that telepath from a few floors down. Shit, what was their name again?
“Do you have the incident report from this afternoon? The signed one? I need it for briefing tomorrow morning.”
“Oh, yeah, it’s…” The stacks of paper littering your desk teeter ominously, case folders sliding inelegantly out of your lap as you dig out the form from where it’s wedged half-under your mousepad. “Here you go.”
“Thanks.”
They walk away, presumably heading back to the lift. All you can do is stare down at the little post-it note by your right foot, bright pink paper stuck cheerily to the front of your current case folder, and try not to look like your heart is melting into caramel.
I love you so much, sweetheart. Come home safe <3
-
The notes are nothing new. It must have started, what, maybe a few months after you started going out? You’d reached blindly into the back pocket of your bag, searching for your lanyard to swipe your ID at the door, and been met with a little green slip of paper tucked in the front of the plastic holder.
Looking good today, sweetheart :)
Stunned, you’d stared numbly at the neon green paper covering your ID picture until the poor security guard on the desk had come over to ask if you were alright - embarrassed, you’d quickly shoved the note into your pocket and jammed your ID card against the reader until it let you in, escaping upstairs before anyone could ask any more questions.
(You’d been a mess for the rest of the day, eyes glazed over and unable to take your mind off a particular shifter who’s too sweet for his own good. Thank goodness you’d only been pushing paper all day, or else the criminal scourges of Dahlia would surely have had a field day.)
(He hadn’t even had the decency to be ashamed of the effect he’d had on you, the bastard. You’d asked him about it on your next date, and all he’d done was take your hand, give you that stupidly adorable smile - you know the one - and promptly change the subject.)
Ever since then, he’s been totally shameless about it, and the worst part is that it’s the best part of your day. Halfway through the lunch break you’ve forgotten to take, a little heart-shaped sticky note announces that ‘As amazing as you are, that big investigator brain needs food, you know. Check the left compartment of your bag, under the case files :)’, and you nearly burst into tears right there at your computer. You’re forced to hastily excuse yourself to the bathroom, face getting hotter and hotter, when a folded yellow rectangle wishes you ‘Good luck for today! Love you <3’, and you swear that the only reason you got that pay rise is thanks to the orange square stuck to the front of your presentation notes that says ‘You got this, baby :)’.
It’s not every day, but to be honest, you’re not sure your heart could take it if it was. Don’t work too hard today, sweetheart. The box in your desk drawer, full of multicoloured paper, is testament to the sheer amount of breathing exercises, gulps of water, and screaming silently into your own hands that he’s caused over the years. Your cheeks burn as you think about the heart-shaped sticky note hiding in your back pocket. You can’t meet your own eyes in the mirror because ‘Debrief finishes at 6, right? I’ll come and pick you up out front - we can get whatever you like for dinner’. Rumours swirl across the office about what could possibly get the famously-serious, ever-practical investigator stealth at the desk by the window quite so giddy and lovesick, but none of them ever guess. Perhaps that’s for the best. You have a reputation to uphold, after all.
(Somewhere, on the other side of town, a shifter sits down at the kitchen table, and waits for his mate to come home. Bright yellow paper, black ink, Thinking about you <3. A stupidly adorable smile and a dreamy little sigh. Sweet and soft and totally in love.)
(You find it tucked into the front of your third case file the next day. The telepath from downstairs comes to ask about a document, and the whole wonderful ordeal starts all over again.)
this is an original work by @gingerbreadmonsters - please do not repost or misattribute
masterlist
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exchangell · 9 months
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INTRO + FIC MASTERLIST
hello! my name's chiara, and welcome to my blog :) im really uncertain of how everything works since its been a WHILE since i was last on here, but here's some information on me + a masterlist of my stuff :)
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SO WHO THE HELL ARE YOU?
first off, imaginary person i came up with for this post, rude!! im british asian and 16 years old, and pretty much all i do all day is write. however, the important part of this blog is that, once every blue moon, i take the initiative to actually post some of it on ao3. in terms of my interests, i'd narrow it down to bbc ghosts, classical composers, the six idiots' projects in general, theology, rammstein, batman and the smiths. otherwise, i never shut up about humphrey + sophie bone, franz schubert, kitty higham and scribe elder ho-tan... sorry :(
FANFICTION TIME 😳
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BBC GHOSTS + YONDERLAND (eventually)
pretty girls make graves - ghosts au (ongoing, my main focus!)
in your lap - sir humphrey bone/reader
pretty girls make graves - ghosts au (ongoing, my main focus!)
in your lap - sir humphrey bone/reader
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CLASSICAL MUSIC RPF
an arrangement for voice and piano- beethoven/schubert
a poet and his pianist- franz von schober/franz schubert
and i shouldn't cry (but i love it)- amadeus! salieri/mozart
chopin and liszt at mcdonalds- no ships
and teach you how to be a holy cow- beethoven/schubert
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RAMMSTEIN (ignore this, i woke up and realised this wasn't the hill i wanted to die on)
liebe an der leine- frau schneider/pussy!flake
hands on your knees (you can braid my hair)- flake lorenz/reader
crime and punishment- flake lorenz/reader
bückstabü - flake lorenz/reader
führe mich - flake lorenz/reader
liebe an der leine- frau schneider/pussy!flake
hands on your knees (you can braid my hair)- flake lorenz/reader
crime and punishment- flake lorenz/reader
bückstabü - flake lorenz/reader
führe mich - flake lorenz/reader
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BATMAN
deftly- dano!riddler/fem! reader
house of flies- murphy!scarecrow/dano!riddler
how the tables turn- murphy!scarecrow/dano!riddler
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CLASSICALOID
sardanapalo- liszt/fem!reader
down once more- mozart/schubert/beethoven, poto au
let's get mischievous (and polyamorous)- multiship, unfinished series
blasphemie- multiship, unfinished series, 3/6 chapters
variations- headcanon series, beethoven/reader so far
on a cold night by moonlight- chopin/schubert
o mozart! immortal mozart!- mozart/schubert
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OTHER FANDOMS
FNAF masquerade- ballora/springtrap, william afton/clara afton
BLUEYCAPSULES chicken tikka masala- william afton/gn!reader
DINOVERSE- so anxious- dr. albert krueger/gn! reader
OKJA- top 10 cool facts!!!- jay/gn!reader
HETALIA- god save the queen's jewels- no ships, crackfic
AMADEUS- and i shouldn't cry (but i love it)- mozart/salieri
SPIDERMAN- schokolade- doc ock/fem! reader
LOTR- meet me in the pale moonlight - frodo/reader
DELTARUNE
something about you- rouxls kaard/gn!reader o holy knight- multiship series, abandoned stargirl interlude- rouxls kaard/fem!reader
23 notes · View notes
nevaehdavis5675 · 5 months
Note
Could we have some of your Sammy Lawrence headcanons?
yes ofc ^^
1:Sammy is Autistic
2: He Loved music since he was a child
3: He's pansexual
4: He was married at some point
5: likes Susie as a friend but does find her charming
6: Give this man a hug
7: He loves the Banjo and Joey jokingly calls him Banjo Boy
8: He Actually hates Joey
9: He loves chocolate cake and bacon soup
10: he smokes alot
11:his hair is blonde he always had it up in a ponytail
12: is good with kids
13: he's a good singer just doesn't show people it
14: he had a cat named Beethoven
15: doesn't like getting distracted
16: he's ok with jack fain ( they are friends)
17: He has a soft spot for animals and children
18: He's a mamas boy
19: his father died in the war when he was just born
20: has a sheep plushy that he cuddles for comfort he had it since he was just born
21: wants kids of his own
12 notes · View notes
rickie-the-storyteller · 11 months
Text
Get To Know My OC Tag!
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This'll probably be the first of many since this was sooo much fun to do lol.
I was going to do this with Steph… but I felt more drawn towards El today for some reason. Probably because I've been editing a lot more of her scenes/chapters lately. So Elise, I choose you!
Thank you for tagging me, @gummybugg!
Let's begin!
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The door opens, and 18-year-old Elise Kennedy enters the room. She walks with graceful strides that indicates the quiet confidence she holds within her. She is a pretty girl - long wavy blonde hair styled in a messy bun, crystal clear blue eyes sparkling with joy and curiosity (despite being baggy from that high school stress and sleep deprivation), and a bright beaming smile that honestly does a better job of lighting up the room than my terrible cheap lamp does. She appears to be about 5'6, if I'm not wrong.
She extends a hand in greeting, radiating an immediate sense of warmth and sincerity. Her voice, I notice straight away is soft warm and gentle. It carries an undertone enough to put you at ease in an instant. Then she takes her seat.
I know I've only just met her, but she seems nice.
1) Are you named after anyone?
Elise: Uh, no. Not after a person, I don't think. Although, I do know how I got my name. My late grandmother was really into classical music, and she came up with the suggestion of "Elise" for me when I was born because one of her favourite pieces of music was "Für Elise" by Beethoven. When I was little, she actually taught me how to play it on the piano, too! That was a fun time… yeah. But to answer your question, no. Not that I know of.
2) When was the last time you cried?
Elise: I don't know… hmm, let me think. This is actually a deep question when you think about it.
Me: It is??
Elise: Wait! Do you mean, like proper crying? Bawling like a baby? Or do you mean like welling up, but not actually making a sound?
Me: Uh…
Elise: If you mean the first one, then probably last week. I was watching a really sad movie with my brother, and I just couldn't help it. If you mean the second one, then… I don't know. To be honest, it happens on a regular basis. So probably yesterday or something. I try not to be overly emotional all the time, but I'm a sensitive soul, what can I say? (pause) OH! I remember now!
Me: You do?
Elise: It was two weeks ago! Ok, let me explain - I have this friend who really loves music. His name is Bret, and something he likes to do as a hobby is write and produce his own songs, right? And two weeks ago, he sent me an email with a link to his SoundCloud. He posts all his songs there now, its amazing! Anyway, he asked me for feedback on the first song he uploaded on there. So I listened to it, and it made me cry. It was very deep and moving. I loved it… (laughs awkwardly) I feel like my answers are way too long, ha-ha! Sorry about that.
Me: Don't be sorry. This is good!
Elise: I'll send you a link to Bret's SoundCloud! You need to listen to it yourself, so you know what I'm talking about.
Me: Would your friend mind?
Elise: Uh… (pauses for a while to wonder whether or not Bret would actually mind) Probably not?
3) Do you have kids?
Elise: Uh, no. Nor do I want any - at least not right now. I'm still a school kid! (pause) I know I'm 18, so legally I count as an adult, but I still feel like a kid, honestly. And I think that just as a general rule, if you feel like a kid or act like a kid, you probably shouldn't raise a kid.
4) Do you use sarcasm?
Elise: (thinks for a moment, then nods) Yeah. Not as often as some people do, but sometimes it's just necessary, especially when you're dealing with difficult or incompetent people.
5) What's the first thing you notice about people?
Elise: I feel like I'm naturally quite good at reading people, you know? Like, even with people I don't know all that well, I can just look at them and have a good idea of how they're feeling, what their thinking, what they're like. And it's usually pretty accurate, as well. I'm quite intuitive in that sense. I think this is also the reason I connect well with others even if they're very different from me. Like, I'm an introvert, and I'm generally rather quiet and mind my own business most of the time, but quite a lot of my friends are super energetic extroverted people. I think its fun to be curious, you know? Like, taking the time to understand and empathise with a person. You form closer bonds with people that way.
6) What's your eye colour?
Elise: Blue! You see? (opens eyes wide so that I can see their colour)
7) Any special talents?
Elise: Hmm. I don't know if any of my talents count as "special" or anything. I have talents… like, back when I used to perform in my old choir, I was known for being able to hold notes for really, really long. My record back then was like 47 seconds. But it's been years since then, and I probably can't do it anymore. Anything else? (pauses to think for a second) Don't know whether this counts, but I'm really good at memorising things. My brother says I have a memory sharper than a katana… which I think says everything you need to know about him. (laughs) But like, to give an example, I can read a book and basically be able to quote it word for word afterwards. Or watch a show, and be able to recite every line in a given scene. It's quite helpful as a student, actually. Makes the studying process a bit smoother. Not that I don't work hard for my grades, because I do. I don't consider myself to be a mega-super-genius or anything.
8) Scary movies or happy endings?
Elise: Are you kidding me?! Happy ending all the way! I can't sit through a horror movie for the life of me. I hate scary stuff, I just don't like the feeling of terror. I don't get why some people actually like it. I mean some people have to like it, right? There has to be a reason that the horror genre has a market.
9) Where were you born?
Elise: Born and raised in London, baby!
10) What are your hobbies?
Elise: Reading, first of all. I love to read so much. I always have.
Me: What is the book you're reading currently?
Elise: Right now, I'm re-reading "Normal People" by Sally Rooney. It's so good, I highly recommend it. But aside from reading, I like music a lot. Not as much as Bret, but I love to play a bit of piano whenever I have the time, and I also love to sing still. Even though I'm not in my old choir anymore.
Me: Why did you stop if you clearly loved doing it?
Elise: (sighs) It was a toxic environment for me… I needed a break from some of those people. I don't really want to get into it.
Me: Ooookay… (slightly concerned)
11) Do you have any pets?
Elise: No, and I've always wanted one! (pouts) It didn't even matter what it was! My parents aren't about that, though. Ugh! (pause) Maybe in the future, I'll get a puppy. I love dogs so much!
12) What sports do you play/have played?
Elise: None. (laughs) I've never been a sporty person.
13) How tall are you?
Elise: Five foot five. And a bit, depending on what shoes I'm wearing.
14) Favourite subject in school?
Elise: These questions are getting harder… (laughs) I don't know what my favourite subject is. I like all my subjects… I chose four subjects I really enjoy for A level. English Lit, Politics, History and Textiles. I like all of them for different reasons. Even when I struggle with one of them, and it is my least favourite one day, I can't bring myself to hate it… and it ends up being my favourite subject the next day.
Me: Well, tell me why you like all of your subjects.
Elise: Ok! So English Lit is because I love literature, as you may have inferred before from what I said about reading… Politics is because I just find that aspect of the world interesting, you know? I mean, I never used to, but once I started taking this class, I just found it fascinating. Just seeing how that stuff works. History was my strongest subject back when I did my GCSEs, so I was like "I have to do it again next year!" And Textiles… I don't know, I just find it peaceful. It's a chill subject to balance out the crazy intense ones. (laughs again)
15) Dream job?
Elise: In my dreams, I have all kinds of different jobs. Just last night I had a dream that I was this therapist, right, and all of my friends from work were coming into my office to ask for help with their love lives, despite the fact that I literally have no dating experience and am therefore the least qualified person to ask for help in that department. Man… why would you even go to your therapist just to ask about your love life anyway? Is that the only thing in your life that's bothering you?! The ONLY thing?!
Me: …That's not what I meant.
Elise: Yeah, I know. I just wanted to talk about my weird dream for a second. I don't know what my dream job is. As a child, my dream job was to be an author, like Cressida Cowell. I used to love her books growing up. I wanted to write just like her… create this huge epic fantasy series… have that series get turned into movies… but I couldn't come up with any original ideas. So I gave up.
Me: Awww…
Elise: Oh, it's okay. I still write a bit sometimes for fun. But in terms of an actual career, I'm stuck between two things - a lawyer, and a journalist.
Me: Two completely different things.
Elise: Yep. Lawyer because it's something I've been working towards all my life, pretty much. I mainly did it because my parents always said that it's a promising career to have. But journalism is just so fascinating to me. It's like being a writer, except you don't need to come up with original ideas. Plus, you get to explore the world, discover exciting new people and places and cultures and events… and tell stories that don't often get heard. It's like the career was made for me!
Me: It does, doesn't it? Well, I'm sure you'll make the right choice for yourself. Thanks for coming, Elise. This has been fun.
Elise: Of course! Thank you for having me.
END OF INTERVIEW.
__________
This was so much fun! I want to make this an open tag, but I'll just tag these three people to give it a go as well:
@rubywrite
@soph1333
@winterandwords
22 notes · View notes
boysplanetrecaps · 2 months
Text
Build Up episode 3: Jay versus Wumuti
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Hello and welcome back to my Build Up episode recaps! In the previous post, we saw Seunghun from CIX and Neon go up against former member of Romeo, Ma Jaekyung, and “student who likes ballads,” Yoon Inhwan. In this one, Bitsaeon from M.O.N.T. and Jay go up against Wumuti and Kang Hayoon. Yes, that’s right, it’s a Boys Planet face off! Let’s do this!
As the guys come up onstage, the judges notice that both teams chose Western pop songs to cover -- specifically, songs by Charlie Puth and Harry Styles. 
The judges react specifically to Jay and Bitsaeon’s coordinating outfits. 
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OMG. The s w e a t e r s. Yes. This is what I want. MORE SWEATERS.
They introduce themselves by singing their team name -- Sweet and Salty -- to the tune of Beethoven’s Fifth symphony. You know -- dun dun dun DUN.
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Bitsaeon, left, claims he’s the sweet one and Jay says he’s the salty one, then they do some aegyo. 
At first glance, it looked like Wumuti and Hayoon are wearing white button downs, but no, on closer inspection, they are wearing….
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S W E A T E R S
They introduce themselves as “Golden Boys/Voice” (saying the words in English). Since “Voice” and “Boys” sound almost identical with a Korean accent, I’m not sure which one they actually mean, but I think it’s a play on words at least. Wumuti says he’s “sexy and soft voiced.” I’ll leave that to you, the viewer, to agree or disagree with. Hayoon has a “unique” voice. 
We’re reminded that Jay did very well in the first round, and go into a flashback to their time in the Rival Choosing Platform Area (RCPA), which is frightening not just because it’s surrounded by terrifying blurs….
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.. but also because it’s where your fate is determined!
But no one seems to want to challenge them. 
Jay mentions that he’s worked with Bitsaeon a lot, and we see this amazing old footage of younger Bitsaeon and Jay with Different Hair:
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As I mentioned in my initial write up, Jay was part of a program to add more members to Bitsaeon’s group M.O.N.T., which wanted to have a sort of open-member concept kind of like NCT, I think. Although that never really worked out in terms of Jay actually joining, I assumed it would have meant that Jay and Bitsaeon would have gotten to know each other, and yep, I was right. 
Since no one will step up to the RCPA, Jay and Bitsaeon are allowed to choose a rival, and chose a pop vocalist team to make the match up appropriate. Side note: I’m going to just call Bitsaeon “Bit”, ok, gang? 
Jay mentions that he’s known Wumuti for five years. I also mentioned that in my write up that this is their third reality show in a row together.
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 Wumuti says he’s the hyung in this relationship, and Jay puts his arm around Bit, who is older than both of them, as if to say “I have a better hyung now!” I don’t like this. Ok. 
Some time later, Bit and Jay unfold a nice folding table in a gray room with partitioned walls, put on a pair of almost matching fleece jackets, and pretend to talk strategy so that the camera can record them choosing the song they probably already chose off-camera much earlier. But it’s a pretty great scene. 
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Jay and Bit say, “I think they’ll choose to do a female song.”
Smash cut to Hayoon and Wumuti in a different gray room with a much nicer table, who are in fact saying, 
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… “What if we do a female song? Like, maybe something by Ariana Grande?”
Cut back to Jay and Bit: “I bet they’d choose something by Ariana Grande.” 
Back to Wumuti, who says, “I think Jay will want to do something by his role model, Bruno Mars.”
Cut back to Jay, saying, “I want to do a Bruno Mars song.”
Wumuti says he’s known Jay for five years, and they know a little too much about each other. We see a shot of Baby Jay and Baby Wu. 
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“Two kids with the same kpop dream met”
I kind of get it -- when you are living in a place where you don’t speak the language that well, if you meet someone else who isn’t from that place, you kind of end up hanging out a lot. It happened to me when I was working for a royal family in an Arab country. I’ve had a weird life so far, my chingoos. 
They decide on Dangerously by Charlie Puth, because it’s high pitch, high risk, high reward. Bit says he really wants the “killing part” with the one high pitched “I love you!” standing out with a vocal “scratch.” 
I wonder, says I, I says, I wonder if they’re going to show us that part three or four times?????
Here’s the link to the performance without reaction.
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My thoughts:
First off, really good song choice. It’s catchy, but it wasn’t a mega hit like “Attention” or “We Don’t Talk Any More.” It’s emotional, kind of sexy, with lots of opportunities to show off vocal skills. Really, perfect song choice.
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Jay, again, was just amazing. His vocal color is obviously gorgeous, but he also seems to have worked out his issues with pitch and nasality. His adlibs and little growls add to the song appropriately. He was occasionally slightly screetchy, but it worked in the context of this song. His little mannerisms do slightly remind me of Dana Carvey’s “Choppin’ Broccoli” bit, but I guess in a hyper-regimented, always pre-planned world of Kpop, that kind of thing is to be expected. 
Working with Jay is a blessing and a curse. His voice is so impossibly pretty that it makes it likely that you’ll win the challenge, but it also means that anyone else’s voice is going to sound worse in comparison. And that’s what happened to Bitsaeon here. 
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Bitsaeon’s voice is lovely, with good agility and a well-developed upper mix. He also pronounces the English really well -- possibly Jay gave him some tips. I don’t love the tone of his falsetto, and he also could get a little shrieky sometimes, but he’s never pitchy or nasal. As good as he was -- and he was really good! -- he just doesn’t have quite as pretty of a voice as Jay does. But I mean, almost no one does.
Their voices blend together well and the harmonies they worked out sounded great. 
The MNET edit for all these songs always seems to be about emphasizing how good everyone is, and this one is no exception. 
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So, fun fact: I watched the performance itself while I was traveling for work. I have Youtube premium so I can download videos, and I downloaded as many ep3 videos as I could to try to get a head start on this episode. When I saw Jay doing the whole “growl then fall backward like you’re spent” part of the song, I was like -- I bet in the MNET edit, they show that part like, five times. They were pretty restrained though and only showed two of his parts twice each. I mean, they also showed the judges jumping to their feet and hugging each other so there was that. They also did an instant replay of Bit hitting a super high note, so that was good.
Looks like most of the judges stayed on their feet for the whole last third of the performance. 
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When they’re done, the judges give them a standing ovation and the guys backstage wonder if their low score will be 100. 
The score is revealed: 
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Baekho, Solar, and Jaehwan gave it a 100, and the low score from Eunkwang was 97. That means that the other judges gave 98s and 99s. 
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It’s… pretty wild. How on earth can Wumuti and Kang Hayoon beat this? They decide to just sing their song and not worry about it. 
Dahee asks the judges for feedback. Baekho said he felt like he was just watching a concert -- nothing to judge. And Jay’s voice is so catchy, it’s good regardless of personal preference. We’re reminded of those parts that got the instant replays.
Jaehwan says he wants to be a CEO and recruit artists like them. Dahee asks, why not actually them instead of just artists like them? And he says, hey, I can’t right now, I just got a full time job finally, I can barely take care of myself!
VCG gives some love to Bit, which is nice to see. He really did great -- I really do love his upper mix. 
Seungkwan from Seventeen says, “I learned. I was humbled and even jealous. That’s how overwhelming your stage was. You did a great job. Thank you.”
Up next, it’s the other team, who come out calmly as if they didn’t just see their competitors get three perfect scores. 
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Wumuti says he’s known Jay for five years, and that Jay is so good it made him and Hayoon even better. 
We flashback to episode one and see Wumuti hearing Hayoon’s voice for the first time and just loving it.
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Sure, he did approach Gwangseok first, but Hayoon is who he really wanted. Wumuti says he wants to give a shocking performance, a song with bold colors and extreme details. 
We see Wumuti and Hayoon rehearsing in some sort of place with t-shirts and art and merch…? 
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I tried to search for info on this stuff but didn’t find anything, so if you have light to shed, please do!
They spent a while picking the right song, which I think is smart. There’s another team that we’ll see in episode 4 that I kind of think chose their song too quickly -- we’ll get to them. But they ultimately decide on Harry Styles’ Falling. 
Hayoon says he thinks a lot of people could empathize with the lyrics, and  Wumuti feels like it relates to him and his struggles to debut.
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Look at that gray and black s w e a t e r. 
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They’re rehearsing so hard they levitate! 
The performance begins, and the judges wish them luck.
Full version without reactions
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My thoughts:
I like Wumuti so much as a person -- I think he’s charming and I really like his optimistic, hard working attitude toward life. Also, I generally really like his singing voice, which is sweet with a nice bit of texture. His occasional belts are strong and lovely. That said, I think his voice can sometimes be a little nasal and he might need to work a little bit on his breath control, as sometimes he runs out of breath on a line or two. Regardless of those slight issues, I think this was a lovely performance, both vocally and emotionally.
I find myself kind of on the fence about Kang Hayoon’s voice. Sometimes the vocal color and stylistic choices are so overwhelming and affected that it’s a bit too much for me. But I think this was my favorite performance of his. He toned down the nasality and let what I think might be his “real voice” shine through. He did occasionally get a bit shrill on some of his louder belts -- a bit challenging to listen to, for me, like a tiny bit nails-on-the-chalkboard. Overall, though, I did really enjoy this performance. 
I know it’s weird to say for someone who recaps competitive reality shows, but competition isn’t my favorite part of all this, and I wish I could just say that both performances were good in their own way without taking a stance on which performance was better. But I also know that part of what I’m doing here is giving my opinions. So for me, I just enjoyed Jay and Bitsaeon’s a tiny bit more. There were a few notes that sounded a tiny bit off for me in this.  But they were both great and I enjoyed them both a lot.
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The MNET edit continues the theme of just falling all over itself to say how good Kang Hayoon is, and sometimes I wonder if I’m the only person who doesn’t think he’s the obvious best vocalist on the show? Not saying he’s bad, just that a lot of people on this show are as good or possible a bit better than him. Tons of talent on this show! 
Everyone listening is very quiet, listening. When they’re done, there’s a moment of silence as people kind of wallow in the feeling, and then the judges all stand up. And Wumuti is crying! He explains that he felt like he was singing the words to a mirror, to the Wumuti who keeps running toward his dream of debut. 
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“If one day, the stage doesn’t need someone like me anymore, what should I do then?”
The judges try to vote, but they’re kind of overwhelmed. 
The votes come in, and… commercial break!!!... the votes are revealed!
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Everyone gave a 100 except for Eunkwang, who gave a 98, and Baekho, who must have given a 99. We can tell that this is a 697 point performance. Wow.
I feel bad for Jay and Bitsaeon. They got a higher score than almost anyone else but they’re still going to be up for elimination. This show is awful, isn’t it? Sigh. 
Everyone teases Eunkwang about his “low score” of 98, and then we get some feedback. 
VCG says he wished he had known back on Boys Planet how good of a singer Wumuti actually is, especially if he sits down and sings. Hey, VCG, *I* noticed it even in Zoom, when Wumuti’s awesome “LIGHTS, CAMERA, ACTION BABY!” right before Haruto’s dance break really was a highlight. Anyway, VCG says he’s glad Wumuti is on this show so that he can really show his vocals. 
They also heap a lot of praise on Hayoon, saying he’s a genius.
Jaehwan says, "I want to give you all the compliments of the world." Aww! That's great. 
Seungkwan says it was his first time awarding 100 points, and mentions that it was at least partly because they showed their mettle to pull off such a good performance right after the previous team. 
Eunkwang says he deducted one point for each so that they don’t get too egotistical. 
When the judges are done giving their feedback, Dahee brings back Jay and Bit to find out the winner, although it’s obvious if you pay attention to the numbers at all.
The guys exchange hugs. The judges say that there aren’t any losers here, but Jay and Bit lose, 693 to 697. 
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Wumuti thanks the judges for their kind words, and then thanks Jay and Bit for motivating them to work harder. Jay looks completely unbothered -- I think voting is going to decide who stays and who goes, and if so, I think Jay knows that he’s going to stay. Jay and Wumuti tease each other a bit and it really doesn’t seem like there’s any hard feelings. 
Emotionally, I can’t help but be glad that Wumuti got the win because I think he really needed it psychologically, but I still enjoyed the first performance a little more. I really don’t want to lose Bitsaeon either. Maybe we won’t? We’ll see, I guess.
Then we get a bit of a teaser for the next performance. Looks like the next episode will begin with Seokhwa from WEi and Woong from AB6IX going up against the two trainees, Ji Yeonwoo and Jeong Yunseo. 
Finally, we get the current standings (as of episode 3). 
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For each one, I’ll either list their home group or something about them to help you remember who they are. Those who are already known to be in danger due to losing their 2 vs 2 mission so far are in bold. Those who are already safe will be in italics. Everyone else hasn’t gone yet.
Jay Chang  (Boys Planet)
A.C.E.’s Lee Donghun
Wumuti    (Boys Planet)
CIX’s Seunghun
WEi’s Kang Seokhwa
Pentagon’s Yeo One
Up10tion’s Lee Hwanhee
AB6IX’s Jeon Woong
Park Jeup   (sang Sherlock)
Vanner’s Taehwan
Just B’s Geonu
KNK’s Jeong Inseong
M.O.N.T.’s Bitsaeon
Up10tion’s Sunyoul
BDC’s Hong Seongjun
Neon (sang Hmm-cheat)
Kang Hayoon   (sang Falling)
Just B’s Bain (orange hair) 
Fave1’s Hyukjin (red suit) 
Jung Soomin (from Chicago) 
Lee Gwang Suk (the model)
Hong Sung Won (that ombre sweater)
Park Joo Hee (top tier from Tomboy)
Kim Min Seo  (low tier in Beautiful)
Kim Seo Hyung (low tier in Shall I love You…)
NewKidd’s Lee Min Wook (that weird blue vest thing)
Kim Sung Jung (leaping lizard)
Lim Sang Hyun (top tier in Beautiful)
Choi Su Hwan (Decalcomanie/Sherlock)
Hwang Inhyuk  (Fragile people yellow sweater)
Yoon Inhwan (the student who loves ballads)
Taewoo (unique voice in Beautiful)
Ma Jaekyung (partnered with Yoon Inhwan for Take Me Back…)
Jo Hwanji (the soldier)
Choi Ha Ram (top tier in Breath)
Jeong Yun Seo (trainee, sang Beautiful, wasn’t nervous)
Ji Yeonwoo  (forgot words in Decalcomanie)
Kwon Euibin (the robotic guy)
Former Day6 Lim Jun Hyeok (sang Breath)
Jang Intae (sang Every Moment of You)
So, that's the end of the recap and the end of episode 3, so I maintain my status of being only two episode behind.
I'll see you in the next one, chingoos, dongsaengs, friends, oppas and unnies. Take care until then!
4 notes · View notes
chihoshisai · 1 year
Text
A Lonely Flower Amidst a Garden
Chapter 3
Pairing : Mycroft x Reader / Word count : 1349 / Genre : Fluff and light angst
A/n : i recommend listening to "moonlight sonata 1st movement" by Beethoven !
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Following the arrival of all the guests. You excused yourself from the presence of your family to enter the ballroom from a back door, so as to not run into Mycroft. “There is no such thing as fate.” You muttered to yourself. You should have seen it coming ; Mycroft frequenting the high end tea room from last time should have been enough for you to realise you may have been from the same side of society. He had quite the imposing aura surrounding him and you could tell it would be wise not to get on his bad side, yet you went and made a promise to tell him your name on your third encounter. Not that it would be much of a surprise now that he was attending your family’s party. 
You quickly walked over to a corner of the room, where a grand piano was installed in front of ceiling to floor windows, keeping your gaze on the ground so as to avoid any eye contact. Thankfully, Mycroft was too caught up in a goldfish conversation to see you swiftly pass in between people. It was only until you started playing the instrument that his gaze, along with a couple others turned to you. You played beautifully, almost too well even. Having cast away your recent emotions upon seeing Mycroft, you focused on your task. As people got used to the ambiance your tune added, they all returned to their chatter paying you no mind. That’s right, you were only there to play - entertain the guests - as your family would say, to avoid any unnecessary conversation with any of them. Only Mycroft had a hard time keeping his eyes off you. As he continued his topics of discussion, he always made sure you were in his field of vision, furtively approaching himself in yours. 
You raised your head to analyze the ballroom. A mistake you wish you hadn’t made. You made eye contact with Mycroft instantly, causing you to return your gaze to the piano’s keys. Your head stayed lowered the entire time, as you dreaded the end of your performance. An interaction with Mycroft was inevitable - he was waiting for you to finish - which you didn’t look forward to, because of who you were. Someone who was adopted at 10 years of age by the orphanage this family funded so they could keep up appearances in the public’s eyes. You were nothing for that family but a means to an end. Just like today, playing the piano was naught but showing others that you were still a part of it whilst being of use. If the days in the orphanage were dreadful, those in this household were worse. For your adoptive parents cared only for their biological eldest son and youngest daughter leaving you as the middle child uncared for. 
You finished your performance, lifted yourself, still looking at the keys. Biting your lips you walked in the direction opposite of Mycroft's. Talking to him was out of the question. Not with your family present, surveying your every move like hawks would. You walked fast, almost running. You turned around to see Mycroft following you causing your eyes to grow with surprise. You walked even faster until you exited the ballroom to arrive into a well lit hallway free of people. 
“Is this why you’ve kept your identity hidden all this time?” You heard coming from behind you.
“What do you want? Surely you know my name by now.” You stopped in your tracks, still looking down. 
“I simply wanted to say that I enjoyed your performance very much. I’ve never seen someone play Beethoven's pieces this skillfully and beautifully.” You turned around to face him. People in your family’s circle usually didn’t comment on your performances just like how they didn’t bother talking to you. It had been a while since someone did both. 
“Thank you.” You gave him something that finally looked like a proper smile. 
“But I would still like to hear your name coming from you.” He gave you his usual smile. You were starting to find them genuine the more you looked at it. 
As promised, you said your full name to him. “I apologize for my behavior until now, it’s just that I am used to a certain behavior from rich people even if it doesn’t excuse my actions.” Regret was written all over you. 
“Given your background, it is only understandable that you would be on guard. Apology accepted.” Mycroft felt as though it was true - third time’s the charm - you were starting to loosen up.  
“Just so you know I do not believe in fate.” This has caused him to chuckle.
“Why do you always laugh? Are you laughing at me?” You furrowed your eyebrows, not understanding of his intentions. 
“Laughing at you? Most certainly not. I simply find your comments amusing is all.” He took a sip of the champagne glass he was holding. This had made you feel a rush of warmth on your face. Why was this man so kind?
“My brother plays the violin quite well. I’m sure he could accompany your piano very efficiently.” Mycroft internally cursed himself for bringing up Sherlock, afraid that you would take interest in his brother more than you would in him. 
“Is that so? It would be nice if I could meet him someday then.”  You weren’t exactly eager to meet new people but thinking about it being Mycroft’s brother, surely he wouldn’t be so bad.   
“Shall we go back to the ballroom?” Mycroft inquired, showing his free arm towards you in order to escort you.
“I’m afraid I can’t. Or rather I'm not allowed to.”  You bitterly bite your lips, averting your gaze from his. “You won’t see me for the rest of the evening. But I would like to make it right to you. I’ve got a performance coming up next month, we can see each other then. If you’d like I can give you tickets-” 
You were interrupted by the sudden opening of the door that stood behind both of you. A tall handsome figure with jet black curly hair along with a cold glare walked through, leaving the door to shut on its own almost silently. His appearance sent a shiver down your spine - your adoptive brother - he was not pleased to see you in the company of a man no less.   
“What are you still doing here?” He spoke to you in a condescending way, completely ignoring Mycroft.
“The young lady was simply giving me indications to find the bathroom.” Mycroft spoke for you, feeling the tension between both of you. Thankfully your brother knew better than to mess with the man he was facing. “Is that so? You’d have more luck by asking me than this pipsqueak over there. She’s only good for playing the piano, I'm afraid.” He snarled, giving you a look of contempt while you glared back. 
“Well since you know this house quite well, why don’t you show him the way? Meanwhile I'll do my best not to get lost while returning to my room.” For the first time, resentment could be felt coming from your usual monotone voice. You internally cursed the man playing as your brother for interrupting your conversation with Mycroft. 
“Well aren’t you considerate, sister.” Having said that last word with a subtle look of disgust only you could discern. You clutched your fists and gave Mycroft a sympathetic look, abandoning your usual resting face. “Goodnight Mr. Holmes, I hope you enjoy the rest of your evening.” 
Mycroft who had no control of the situation whatsoever found himself wishing you a good night while yearning for the next time you two would meet. He could try to sneak up in your room but then again, it seemed more likely to put you in trouble. He felt a twitch in his stomach at the thought but instantly regained his composure. It seemed to happen pretty often - the two of you leaving in opposite directions - this time under the watchful scowl of your adoptive brother.        
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elipheleh · 9 months
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Music - Henry's Music Room, with special guest Bea
The only room that really feels like both Henry and Bea is a small parlor on the second floor converted into a music studio. The colors are richest here: hand-woven Turkish rugs in deep reds and violets, a tobacco-colored settee. Little poufs and tables of knickknacks spring up like mushrooms, and the walls are lined with Stratocasters and Flying Vs, violins, an assortment of harps, one stout cello propped up in the corner. -Chapter 8, Red White & Royal Blue
This post features youtube links, rather than the spotify links of the other posts, simply due to the nature of the music involved. As such, I've put the whole post under a read more to save space. I want to thank @zukoinmypocket for all her help and willingness to be a sounding board for a stranger!
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Link to the masterpost/contents page for the music posts
Link to the masterpost/contents for the whole series
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In the center of the room is the grand piano, and Henry sits down at it and plucks away idly, toying with the melody of something that sounds like an old song by The Killers.
youtube
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Henry's classical music influences appear to be all - aside from the Killers! - within the Romantic era of music. The Romantic period in Europe was at its peak from 1800-1850, but dates throughout the 1800s. The former era was known as the Classical period and is commonly associated with the composers Haydn, Mozart, Beethoven, and Schubert.
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So he just listens and nods and smiles a little while Henry explains that this is what Brahms sounds like,--
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Husband and wife duo, Lang Lang and Gina Alice Redlinger, play Brahms' Hungarian Dance No. 5.
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--and this is Wagner, and how they were on the two opposing sides of the Romantic movement. “Do you hear the difference there?”
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R Wagner-C. Marín: Concert Paraphrase of "The Ride of Valkyries". Carles Marín, piano.
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His hands are fast, almost effortless, even as he goes off into a tangent about the War of the Romantics--
The War of the Romantics is a term used to describe the schism that emerged in Germany between two groups of Romantic composers, in the latter 1800s. The split - 'war' - was between those who defended the classical tradition - the absolute group which included people like Brahms - and those who were progressive - the program music group with Liszt and Wagner, among others.
Program music was descriptive, inspired by things like literature, or other non-musical inspiration, whilst absolute music's meaning was solely the notes on the page - inspired by nothing outside the music itself.
Liszt's piece linked below is a good example of program music, being connected to the poem "O lieb, so lang du lieben kannst!", as is Scriabin's piece Henry references.
Both forms added to classical music, program music - like Wagner - created new genres within the form, and absolute music - like Brahms - made old styles of music align with contemporary styles.
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--and how Liszt’s daughter left her husband for Wagner, quel scandale.
Liszt's daughter - Cosmina - actually had three children with Wagner whilst still married to her first husband.
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Liszt's Liebestraum No. 3 - this piece is based a lovely poem, "O lieb, so lang du lieben kannst!" ("Oh dear, as long as you can love!")
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He switches to an Alexander Scriabin sonata, winking over at Alex at the composer’s first name. The andante—the third movement—is his favorite, he explains, because he read once that it was written to evoke the image of a castle in ruins, which he found darkly funny at the time. He goes quiet, focused, lost in the piece for long minutes.
youtube
Alexander Scriabin's Sonata no. 3, Andante
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There's something very interesting - and very in keeping with Henry's characterisation - that he was written as being interested most by Romantic era music. Not only are many Romantic pieces tied to literature and art - and we see Henry's love for both displayed in the book - but the Romantic period involved the rebellion against traditionalist expectations, and emphasised passion over reason. We can see this tying into Henry's storyline - he is, by his reluctance to willingly closet himself for the 'image' of the monarchy, rebelling against the traditionalist norms and expectations that surround his life as a prince of England. It's his passion, his love for Alex which leads him to stand up to his grandmother - the Queen, analgous to the Classical era's traditionalism - and refuse to back down over his desire not to lie about the emails and photographs which outed him.
The Romantic era, in many ways, worked to break the rigid standards that previous composers had been aligned with in the Classical Era and before. This makes an interesting analogy with Henry's interest in Romantic music - especially with the reference to Scriabin's imagery of a castle in ruins. Throughout Red White & Royal Blue, Henry is looking for ways to subvert the rigid expectations that come with being a prince. Multiple times in the book, Henry chooses to do the opposite of what he 'should' do, often when he is frustrated with his family. For example, in Chapter 8, after Phillip has been questioning Henry about his actions & suggests Henry should try to align his friendships more with those 'fitting' for a member of the royal family, Henry says to Alex: "I want to do the absolute last thing I'm supposed to be doing right now."
Henry's characterisation fits in with his appreciation for Romantic era music, in ways that aren't apparent at first glance. Henry & Alex's (happy) ending - breaking the rigid standards the Queen attempts to enforce on Henry as well as challenging the traditionalist expectations - parallels both common themes in Romantic music and the evolution of how the composers rejected traditional styles and created their own.
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“You know, Bea has only ever wanted to play music,” he starts. “Mum and Dad played too much Joni Mitchell for her growing up, I think. -Chapter 7
Sources/Additional Reading: Wikipedia - War of the Romantics ClassicFM - The War of the Romantics BBC iWonder - Dr. Caroline Rae discusses the ‘War of the Romantics’ Art And Popular Culture - War of the Romantics ClassicFM - What was the War of the Romantics? Russell Ger Composer - War of the Romantics Wikipedia - Romanticism Encyclopedia.com - The Challenge of Romanticism: Literature and Music Willan Academy - A Quick Summary of Romantic Music OpenALG - Music & The Human Experience, Chapter 11 Connolly Music - The Romantic Period of Music
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thistle-and-thorn · 1 month
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Hello,
🪐 ⇢ name three good things going on in your life right now
📚 ⇢ what's the last thing you wrote down in your notes app? 
🍬 ⇢ post an unpopular opinion about a popular fandom character
♥️♥️♥️s
Hello!!!! Thank you for the asks!!!
1. Three Good Things?
Okay:
A. I have some lovely travel planned for the year…a couple short/regional trips with family, a couple more significant ones within the United States and then Europe with friends as well. I’m really excited about all of them! I’m going to a lot of places I either have never been before or haven’t been in a long time.
B. I just finished a massive work project that has consumed my life for months!! So I’m really enjoying stepping back into the sun of having a personal life? I’m also writing again after a long period of writers block which feels just so good!
C. My mom and I took my dad to hear Beethoven’s 9th Symphony last night which was a bucket list item for him. It’s his favorite piece by his favorite composer and he had somehow never been to an actual live performance of it and he just was so happy???? It was really cute. He was bouncing in his seat.
2. Okay, quite genuinely a grocery list to make lentil soup. But more interestingly, below that, a couple of lines that occurred to me in the store that will hopefully find their way into my current WIP:
She put his affection beneath her foot, rolled it heel to toe. She found it uncracked. Not yet. And he says, not ever.
Her heart has two chambers; he holds the entire organ in his hand.
3. Hmmmmmmmmm….I have lost all sense as to what is popular in the fandom interpretations but the first one that comes to mind is that it is my conviction as a Bible-believing Christian that Jon Snow is gay? 🤷🏻‍♀️ this seems less controversial as i type this out. But. I will think of more I’m sure.
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