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#history ask meme
minyicho · 1 year
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edit: yeah they did
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the brightly coloured skinny jeans that Teens wore in the late '00s and early '10s were meant to denote where you stood in gang hierarchy. salmon was the highest rank and meant you had killed someone.
I think the funniest part of this is that, if you'd floated this idea at the time, at least some parents would have believed you.
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thedapinna · 8 months
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I like history, memes and American girl dolls. Here's the union of all these.
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There lived a certain man, a proconsul of Gaul He was lean and sharp and his head was almost bald Most people looked at him with envy and awe But to Cato, he thought himself above the law He had conquered Gaul and asked the Senate For a triumph through their town And to run for consul - he could win it But they said "Stand down."
Ra ra Julie C., Nicomedes' teenage fling There was a man who couldn't let go Ra ra Julie C., really wanted to be king It was a shame how he stole the show
He crossed the Rubicon, invaded his own home But the Pompeians had already fled from Rome With hardly any fights he captured Italy Though Spain and Greece didn't come so easily He got nearly slaughtered by Dyrrhachium And the next four years of strife But he won and had the Senate make him Dictator for life
Ra ra Julie C., Cleopatra's Roman fling There was a man who couldn't let go Ra ra Julie C., really wanted to be king It was a shame how he stole the show
But as his bogus elections and his hunger for power Became known to more and more people The conspiracy to assassinate This man became bigger and bigger
"This Caesar's gotta go," declared his enemies But a new war loomed and he'd soon go overseas No doubt this dictator was difficult to harm And within Rome's walls, they couldn't carry arms Then they thought, a meeting of the Senate Fit just right, for on the Ides He would be alone for just a minute And Caesar would die
Ra ra Julie C., every Roman woman's fling They had him cornered, took out their knives Ra ra Julie C., really wanted to be king He grabbed a pen and fought for his life Ra ra Julie C., emperor foreshadowing They didn't quit, they wanted his head Ra ra Julie C., Brutus jabbed his ding-a-ling And so they stabbed him till he was dead
Oh, those Romans…
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hellsite-hall-of-fame · 10 months
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Hi hellsite! You know things about tumblr, right? More than me, at least. Point is, you know that tumblr news meme? The I love you one, from supernatural. Do you know what Dean's original response was? I can't find it ANYWHERE. Anyway thankssssss
hello friend!!
while tbh I don’t think I know that much more about Tumblr than you, i do have an answer!
so I too at first couldn’t find the original response anywhere… so I watched the entire scene on YouTube lmaoo (that is now the only scene from supernatural I have ever seen)
and so, in the meme format, here’s the actual response-
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….yes I did search for a meme template to make this :)
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maskednerd · 11 months
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what's your most oddly specific hot take
Hello maggot what a lovely question, here you go:
I believe that OFMD fandom's character Izzy, the subject of much controversy, actually doesn't exist, and so the discourse is unnecessary. He is simply a Freudian projection induced by hallucinogenic rum triggered by childhood boiling of a humanoid potato by Ed.
Shitposters in Ancient Greece and Rome would crush anyone on Tumblr. Has anyone on Tumblr ever run into the prestigious Academy of Plato with a plucked chicken screaming Behold a man? Spat in the face of a rich man in his own home because he told you not to sully the furniture with your spit? Left graffiti on the walls of Pompeii before 70 AD that said, "If you are bored, take a bag of rice, scatter it all over the road. Pick the grains up one by one. Now you have a task."
144 is the sluttiest number ever why does it have to be divisible by so many things? You could tell me 144 is divisible perfectly by 433339 to get a whole number, and I would believe. What a whore, 144.
Not a hot take, but Crowley's hot and I wanna take them on a date.
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pythiaswine · 4 months
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Found it sorry
ALL THIS TIME
i love you i'm sorry i didnt check my inbox 😭😭
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jeannereames · 4 months
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If you could change or insert one aspect of the common pop culture picture most people have in their heads when they think about ATG what would it be?
I'm going to jump this in the queue because I can answer it swiftly, but also because I have TWO things that are personal pet peeves.
FIRST: That "historians" keep insisting Alexander and Hephaistion were "just good friends" in the face of obvious evidence to the contrary.
SECOND: Alexander called Hephaistion his Patroklos (to his own Achilles), and they used this comparison frequently throughout their lives.
So, let’s take on the “Fake News,” shall we?
The notion that "historians" keep insisting Alexander and Hephaistion were "just good friends" in the face of what would seem clear evidence to the contrary is over 50 fucking years out of date.
Are there “historians” out there who say that? Sure. But they tend to come in two flavors: 1) people who aren’t specialists, Hellenists, or even historians,⸸ or 2) Greeks.* Since Badian, Green, Hamilton, and Schachermeyer (et al.) took over Macedonian/Alexander studies mid-century, few specialists claimed Alexander and Hephaistion couldn’t have been lovers, or Alexander couldn’t have been attracted to men. Even Hammond cagily acknowledged it.
Yet—TBH—I don't think those who repost that meme really care. They just want a convenient strawman/whipping horse to make them sound "smarter than the experts."
You don't. You sound as if you haven't read much about Alexander since about 1975. Historians who have died of old age by now said Alexander and Hephaistion were probably lovers.
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But that raises another problem: the implication that anybody who might argue they aren't lovers must be an old, white homophobic dude. Again, this is wrong.
The current discussion centers more on source problems, and separates Alexander having male lovers from Alexander and Hephaistion being lovers themselves (not the same thing, actually). Those making the best argument for caution are young, very much not homophobic (but absolutely brilliant) women (e.g., Sabine Müller). Follow the link to see a picture of Sabine, if you don’t believe me. I don't agree with her, but you can't shoot down her argument by screaming "Homophobe!" at the top of your lungs. The points she raises are all good ones and any responsible (and smart) historian will take them seriously.
As for the Alexander-Achilles/Hephaistion-Patroklos pastiche… yeah, sorry, no.
I realize this torques off folks, as it’s become a mainstay of queer culture surrounding Alexander as a gay icon and owes more than a little to Miller’s The Song of Achilles.
Busting it probably makes me sound like a Grinch.
BUT…the facts just don't support it. Yes, Alexander compared himself to Achilles--but not as much as to Herakles and Dionysos. Not even close.
How do I know? I COUNTED THEM. Facts ... not impressions.
After all, looking closely at what the sources (not impressions) actually say about Hephaistion is how I came to the conclusion the man was a lot more important than heretofore recognized. 😉
Again, as I’ve said elsewhere, Alexander did compare himself to Achilles. That’s not in dispute … it just wasn’t as frequent or common as modern fans like to pretend. And Hephaistion was compared to Patroklos only twice. There’s also a problem with WHO made those comparisons: chiefly Arrian. Again, I’ve talked about this elsewhere, so won’t go over it again.
Yes, I made the comparison myself in Dancing with the Lion: Becoming. But it concerned one circumstance near that book’s end (not giving spoilers), and isn’t something they harped on otherwise. That mirrors how it appears in our sources: it’s limited, and situational.
“Patroklos” was not Hephaistion’s nickname. Wish folks would stop claiming it was.
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⸸ Just because somebody is tagged “historian” on a History Channel special—or his own private blog—doesn’t mean they actually have a PhD, or even a Master’s, much less one in ancient history, Classics, Classical archaeology, or ancient art history. The number of idiots on Tik-tok yapping about how Alexander thought this or did that—and clearly know jack shit—routinely stuns me…even while it doesn’t. Dunning-Kruger Effect all over the damn place.
* Greeks must often work within the confines of official narratives in order to secure jobs and funding, which can limit what they say on certain topics, from who’s buried in “Philip’s Tomb,” to the Greekness of the ancient Macedonians, to any possible homosexual “taint” staining Alexander’s greatness. This may swim against the current of academic discourse outside Greece, even by other Greeks. The Greek Ministry of Culture and Sport has softened on some of these topics in recent years, especially as LGBTQIA rights have gained better traction in Greece.
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rongzhi · 2 years
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Isn't Bingus a douyin cat account?
According to Know Your Meme! (I'm not familiar with the meme)
The original video was posted March 31, 2020 with the caption:
差点掉地上... (Almost fell on the ground...)
On douyin as of today (July 1, 2022), these are the stats:
Likes: 43.3w (433,000)
Comments: 4.6w (46,000)
Bookmarks: 2396
I tried to search through the user's videos to figure out what the cat's name is, and as far as I can tell, she's named 小可爱/Xiao Ke'ai (Little Cutie).
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Lace and ruffles were to make women seem bigger to scare off predators
Lizzie I drove off her would-be suitors that way. She could inflate her ruff to 10x its usual diameter by blowing into a tube at her shoulder. (Source: reveal'd to me in a dream)
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jtl-fics · 10 months
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amazing race au pleaseeeeee (i live for andreil being chaotic trailblazers)
"It's a Detour!" Phil Keoghan's voice cuts in over the visuals. "Teams must pick one of two Detour options. First is Iron Stomach where the team must work together to first prepare a traditional Kalua pig." Phil Keoghan says over the image of an earthen oven with Kiawe wood, and hot lava rocks, a pig having some of the white hot volcanic rock put inside, the fire being covered by banana stumps, and then the pig being placed on top of those banana stumps before being covered by banana leaf, having some water sprayed onto it and then a sheet placed over it all before it was buried in the dirt. "Next they will head to a different earthen oven to uncover a pig that has been roasting in the traditional way and take it over to the chefs who will then shred the Kalua Pork. Teams will then have to clean their entire plate before they are given their clue." Phil explains the challenge.
"The other option is Iron Man." Phil Keoghan continues as the camera cuts to crystal clear water, 7 bicycles, and finally a beautiful running track. "The 1st Iron Man event was held in 1978 in Honolulu Hawaii before it moved here to the Big Island in 1981. We won't be asking contestants to swim 2.4 miles, bike 122 miles, and then run a 26.2 mile marathon but we will be asking one member from each team that chooses this to swim at least half a mile, bike for 2 miles and run for 1." Phil Keoghan explains. "Their partner will be driven to the finish line where they will need to wait for their partner to finish to receive their clue."
"Contestants can start on the Iron Man Challenge immediately as the start of the swimming portion is right behind me while contestants who choose Iron Stomach will need to make their way to the cooking location 3 miles from the clue box." Phil finishes as the camera cuts to Neil and Andrew.
Neil's eyes widen, "Andrew, can-"
"Give me your bag." Andrew sighs as Neil smiles brightly before handing him his bag and then his shirt before running straight into the water. "He acts like he hasn't run once this entire race." Andrew sighs as he climbs onto the golf cart. "You should hurry, he might beat us there." he says sinking back into the seat as he pulled out dry clothes from Neil's bag.
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hollow-dweller · 2 months
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Talk Shop Tuesday: as someone who is involved in a lot of fandoms (and has seen a lot of horrors), has there been a significant shift in how fandom is today compared to the “good old days” as much as people say?
there are. SO MANY.
to start and to be entirely clear, there is no good old days of fandom. there are things i miss about fandom tendencies of the past, which i'll get into, but as many many many marginalized fans have and will continue to say, Ye Ol' Fandom was as much if not more of a cesspit of racism, misogyny, and queerphobia as it is today. because fandom platforms were more diversified, they were also more gatekept--and i mean actually gatekept, not just "people are mean about this thing i like" gatekept. to an extent this was necessary--fandom itself was much more culturally stigmatized, and existed largely in a legal gray area, so fandom spaces needed to be semi-closed communities for their own protection. however, if you were a fan who tried to bring up systemic fannish issues--such as racism--you could and would be kicked out of whatever fannish space you were in, and there would very rarely be other places to turn.
also as a caveat: this is not anywhere CLOSE to a comprehensive view of the changes in fandom nor the myriad factors that contribute to those changes. fandom is a cultural ecosystem existing within a broader cultural ecosystem, and the ways those things interact with and inform one another are literally innumerable. anyone who claims they know the One Thing That Ruined Fandom is oversimplifying the issue. anyone claiming they know the Twenty Things That Ruined Fandom is oversimplifying the issue. fandom is a living system, and living systems exist in a constant state of change.
but broadly speaking, i think there are two major changes that have informed The State of Fandom.
Consolidation of Fandom Platforms
as mentioned, fandom used to exist as a variety of closed or semi-closed forum spaces, blogs, archives, and other websites, each dedicated to its own fandom or, more often, subsets of a particular fandom. authors/artists had their own sites, particular ships had their own sites, fic had its own sites, art had its own sites, discussion/meta had its own sites, and any or all of these could be hosted in any combination across any number of websites depending on the fandom. some of this was the result of the structure of the early internet, and some of it was, as mentioned above, a function of necessity.
as the internet evolved and fandom platforms became consolidated, this necessarily changed fandom norms and behaviours. the way we write fic is different because of the advent and dominance of ao3, the way we construct meta is different because of the nature of sites like reddit and tumblr, the way we build community is different because of sites like discord, etc. notably, most of the changes we've seen are not created by social media or mass fandom platforms, but rather enhanced by them. ship wank, whether masquerading as legitimate analysis or not, has always been a cornerstone of fandom--it like all things is simply much more accessible to people now than it used to be. the subdivision of fandoms into different subgroups, even within a ship or media, has also always been a thing--people form friend groups with like-minded people and that's normal, actually. the types of conversations and conflicts fandom has have not changed that much--just the places and manner in which we engage with them.
modern fandom platforms are both more accessible and more comprehensive than they ever have been--so fans can more easily than ever be exposed to different corners or subsets of fandom. but also. fans can more easily than ever be exposed to different corners or subsets of fandom.
The Scarcity of Long Running Media and the Dissolution of the Monoculture
the type of media that fandom now orients itself around has changed drastically as a result of changes in the broader media landscape, and this also changes fandom norms and behaviour. it is increasingly more rare for a fandom to develop over the course of years, because long-running serialized (or even episodic) narratives are becoming less common. tv shows especially are released with vanishingly short promotion cycles, and with less and less certainty of continuation. creators have to therefore hedge their bets--the binge model means there is no room to pivot mid-season if things aren't working out, and the lack of certainty around renewal means that seasons have to be relatively close-ended in order to try to deliver a satisfying experience. similar trends affect book publishing--we are seeing fewer and fewer multi-part series being released, and fewer books dominating cultural discussion in the way blockbuster series of the past have.
thinking of cornerstone megafandoms of the past (and present), we tended to see a couple essential elements that contributed to both fandom engagement and sustained fandom activity: they were released over a longer period of time, and they took up a larger portion of the dominant cultural landscape. the Harry Potter books were released over a period of ten years and were, of course, a huge cultural moment. Twilight was released over a shorter period of time, but was similarly a cornerstone of the monoculture, enhanced by the immediate and almost-eclipsing (heh) release of its movie counterparts. The X-Files was released over the course of, again, a decade, and they will be releasing new Star Treks until the mountains crumble into the sea and the stars turn to dust. these fandoms all have greater and lesser degrees of longevity and output, but they and fandoms like them all had the benefit of time and cultural dominance in order to enable the development of the fandom.
this is not universal (nothing i'm saying is universal), but fandoms nowadays tend to be a lot shorter-lived and migratory simply because they have less material to work with and less time in which to work with it. Voltron, as one example, was a megafandom that developed rapidly and burned out quickly, and while it had a decent amount of material, its eight seasons were released over the course of two and a half years. fannish momentum can only be sustained on so much material for a certain period of time, and fannish investment is necessarily going to be curtailed if fans live in uncertainty about the continuation of their favourite media.
this also is reflected in the type of fanworks that we see proliferating. while AUs were not absent from Ye Old Fandom, i do think they were a lot less common/prominent. the longer release cycles and difference in structure between releases (open-ended finales as motivation to hook viewers into the next installment that they knew/were pretty certain was going to happen vs close-ended finales that hedge bets if a series is cancelled) led to a lot more speculative fanworks set within the canon, imagining what was going to happen next. a famous example is of course the HP fandom's Three Year Summer--the period of three years between the release of the fourth and fifth Harry Potter books that was intensely productive for that fandom. fanworks in that period were famously long and plotty canon divergence/canon speculation works branching from the return of Voldemort in book four, and that tendency towards long and plotty canon-based or canon-adjacent fanworks persists within the HP fandom to this day.
fandoms nowadays do tend more towards works that are stripped from their canon contexts (the infamous coffee shop au, media fusion aus, modern setting aus, no powers aus), and while these works did exist in Ye Old Fandom, they were both more rare and their reach was more limited.
Some Kind of Conclusion Because This Is An Essay Now I Guess
to present a synthesis scenario: a particular trope is generated and popularized by one fandom. due to its presence on consolidated platform sites, it becomes ubiquitous within that fandom, spawning further derivatives, copycats, reimaginings, and variations. as people migrate from fandom to fandom, both as a result of the media landscape itself and the ease of doing so on social media/multi-fandom sites, the trope or AU spreads to other fandoms, and is again further transformed by those fandoms. this continues ad infinitum.
this pattern is not limited to tropes in fanworks--it is applicable to every element of fandom, from discourse to meta to creative works to behavioural norms. the state of modern fandom is interconnected to the platforms on which fandom is hosted and the media on which it is based. no longer is the one common unifying element of fandom the source media--the unifying element is fandom itself. this is why we see, for example, people stating they get involved in fandoms for media they have no experience with--they do not know the source text, but they know fandom.
i could literally go on and on--i didn't even touch on things like the destruction of the fandom fourth wall, or the relationship to the practice of filing off the serial numbers, or the existence of BNFs (actual BNFs not people like you seek who just Have Friends and Make Things), or the connection to nostalgia, or the relationship to commentary and analysis-based fandom outlets such as rewatch podcasts, or-
there are literally so many elements here. i could talk about this forever. i probably will be talking about this forever. please god someone let me out of here HELP-
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always makes me laugh
Considering how common this exact hairstyle is in Octavian's portraits, and how image-conscious he was, I wouldn't be surprised if he made a diagram just like this one and handed it to his barbers every month.
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scherzokinn · 6 days
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Ballets Russes meme dump part 3
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