I love how on Tumblr, "media literacy" has become "Um, just because someone writes about this doesn't mean they're endorsing this. I hate all these media puritans ruining everything."
I'm sad to inform you that knowing when and whether an author is endorsing something, implying something, saying something, is also part of media literacy. Knowing when they are doing this and when they're not is part of media literacy. Assuming that no author has ever endorsed a bad thing is how you fall for proper gander. It's not media literacy to always assume that nobody ever has agreed with the morally reprehensible ideas in their work.
Sometimes, authors are endorsing something, and you need to be aware when that happens, and you also need to be aware when you're doing it as an author. All media isn't horny dubcon fanfic where you and the author know it's problematic IRL but you get off to it in the privacy of your brain. Sometimes very smart people can convince you of something that'll hurt others in the real world. Sometimes very dumb people will romanticize something without realizing they're doing it and you'll be caught up in it without realizing that you are.
Being aware of this is also media literacy. Being aware of the narrative tools used to affect your thinking is media literacy. Deciding on your own whether you agree with an author or not is media literacy. Enjoying characters doing bad things and allowing authors to create flawed or cruel characters for the sake of a story is perfectly fine, but it is not the same as being media literate. Being smug about how you never think an author has bad intentions tells me you're edgy, not that you're media literate. You can't use one rule to apply to all media. That's not how media literacy works. Sorry! Sorry! Sorry! Aheem heem. Anyway.
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So there’s a trend that I absolutely hate in online discussions of (non-satirical) genre, particularly genre that’s influenced by the gothic. This trend makes my eyes roll back in my head until I can see through my own skull. It makes me want to bite a car in half. It makes me want to step into the jellyfish tank at the New York Aquarium and beg for the sweet sweet annihilation of a thousand stings.
I call this trend: Oh Just Be Sensible, and it goes like this:
“Why do vampires always end up covered in blood when they feed, I don’t spill soup all down the front of my shirt when I eat dinner. Real toddler energy.”
“Why do people always cut their hands to swear oaths, everyone knows it would hurt way less on the [insert body part with fewer nerve endings]”
“Vampires shouldn’t be feeding from people’s wrists, it damages the tendons, if doctors don’t take your blood from your wrist, vampires shouldn’t either! No one will be able to flex their fingers the next day.”
(This comes up a lot with vampires, I mention, as I stride purposefully into the glistening mass of jellyfish.)
There are direct answers for some of these when it comes to the practical visual language of a particular medium (for example, you cut your hand on stage / on set because you can hold a blood pack in there, and even if you don’t have an effect, the gesture and its purpose can be discerned from the nosebleeds) but what really gets me is how thematically boneheaded this sort of observation is.
Like, let’s go down the list here.
Why do vampires end up covered in their victims’ blood? Well Scoob, do you think it could maybe have something to do with their bestial, inhuman nature? Or with the erotic and sensual abandon with which they can approach violence, now that they’re untethered from human morals?
Why do people cut their hands to swear oaths? Aside from what I mentioned above, do you think maybe it’s because it adds a layer of gravity to see two people swearing an oath to one another with blood dripping from their clasped hands? Do you think it’s maybe to evoke a unity of body, something greater and more primal than a unity of word? Or maybe to remind us of the dire consequences of breaking a blood oath?
Why are authors having vampires feed from people’s wrists if it damages their tendons? Damn, maybe that’s because it’s where the pulse is. You know, the pulse? The heartblood, the thing that races when you’re scared or turned on or both? The thing that stutters when you’re close to death and could, should the author choose, ring in the vampire’s ears like a chime or a great pounding thunderclap. Maybe in a story about undead beings who drink blood, we can sacrifice a bit of sensible reality in order to enforce the emotion and thematic heft of a scene?
Images like these communicate what is happening between two characters, not just the events that are transpiring! No one making stories forgot to consider ~sensible~ little observations, because it would be absolutely inane to consider an observation with the creative value of a wet paper towel. This stuff is part of our visual language for a reason! Themes also need to be communicated!
God, like, okay, I’m exhausted and the aquarium staff keeps yelling at me when they find me here, but let me just wrap up by saying that relationships, character and meaning are expressed in so many ways beyond dialogue or internal monologue, and those expressions are so rarely sensible.
(Also all this shit looks cool as hell, do you really want your protagonists swearing to die for one another by dabbing their slightly bleeding elbows together, grow up.)
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does anyone else ever like. edit and clarify their own wording when talking to themself. like "nah actually that sentence was mid, let's take it from the top" or "and by [word/phrase i just used] i mean [explanation], not [alternative interpretation that wasn't what i meant, even though i know what i meant because i'm talking to myself]" or am i just a total weirdo.
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They could have solved this sooner if any of them bothered to look at a calendar
Hear me out
Ninjago doesn't have the best track record with dates (Wu's lifetime...) and I don't expect DR to be any better at it. But rewatching the season I realized the fact that when Lloyd narrates, he mentions being "alone for weeks" and, in the carnival, recalls not being around many people in a while, nailing down how he was secluded to the monastery during those weeks he woke up alone. This is fine, typical Lloyd behavior, just that when Nya encounters Cole, he says years.
Lloyd has no reason to lie, he doesn't have to make it seem like he was less time around so if he is not lying, and he truly was weeks alone, while Cole spends years lost after the merge? What happened?
And Nya and Kai! Kai woke up early enough, and in the bounty! to be able to map and travel a big part of the new land and try to find his way back, we don't know his side, but considering he pretty much arrived and then left again, had he entered the monastery before? I do believe he was longer out, awake and traveling. Nya also mentions having traveled before encountering the cranglings-- and she was on foot, she's resilient and strong, but for how long can you travel unknown terrain without a vehicle and survive it.
The idea of time getting messed up is plausible, other than reality coming undone and messing up every physics law-Cole is hanging out with what seems to be a kid formling, whose realm is confirmed to move differently time-wise, how could two different time progressions reacted to each other? How did that affect dates? Growing rates? So interesting.
I want to know if dr is planning on going somewhere with this, if not, then it'll be one more concept I'll rotate in my brain like a skewer, its such an interesting concept to me
Its also free trauma for the ninja! Win-Win
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not to be so disgusting and gross about gojo on the dash but i think he's such a flirty, teasing idiot that, when you show him genuine and true affection, he goes all somber and quiet.
like you come up to him after dinner and stand on your tip-toes and hug him for no reason, give him a fat kiss on the cheek for no reason, and he just — lets you. doesn't say anything, just kind of hums and lightly places his hands on your hips, so gently you might not even know they're there. you tell him, "i love you, thank you for eating with me," and he presses his mouth to the top of your head, lips squished, and says it back, but there's no jokes, no teasing remarks. he just allows himself to be weak and to bask in it, for as long as he can.
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Hey adults: Why do you like being an adult? What do you like about your life?
A couple weeks ago I told the kids at my work that "Being an adult is pretty nice, actually," and they looked shocked, laughed incredulously, and told me I was the first person they'd ever heard say that
So clearly we adults need to talk about this way more often
The past few years have been hard for a lot of people, me included. Covid sucked. I lost three relatives and three pets in one year. Right after lockdown ended, I got badly injured, and ended up housebound for six months and (much more) disabled for two years, and that sucked too.
And you know what? Literally all of that was easier and better than being a teenager.
I like being an adult. I like my life. Even when it's hard, it's mine, and I am building to the best of my ability the a life that I want to live.
I talked about a lot of why being an adult is something worth looking forward to in my last post, so right now I'll simply say this:
I love actually knowing who I am now. I love that I learned and am learning what I want and need. I love that I have independence and autonomy and don't get treated like a kid. I love the fact that I'm the one who gets to decide want I want to do and what I need.
I also love that I'm learning to sew. I love that I've had pet rats, and next will have a pet cat. I love that I got top surgery. I love the way I've decorated my room. I love traveling to visit and crash and even just hang out and do work with my friends, when I can.
I love that I started reading good news every day, and that I actually have hope for the future, and that I started this blog and have been able to help give so many other people hope, too.
So, here's a call to action for my fellow adults: comment or reply or tag what you like about being an adult. What you love about your life.
Let's give some kids some reasons for hope.
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