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strbry-shortcakes · 7 months

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taking some extra anatomy classes this year, here are some of my notes in case they could help someone. should be updated every weekend (aside from october 28th and november 4th which are free days) with the following lesson's notes. (further explanations at the end)

anyway. here goes:

SCENE 0-1: LEARNING HOW TO LOOK/OBSERVE

when drawing, we each more or less have our own methods when approaching certain subjects, with multiple tools at our disposal in order to achieve the desired results.

but generally, when drawing a model (or most things from life, actually) we can in some sort of way define a general order as to when to draw what:

Looking / Observing

Blocking In

Correcting

Details

for today i’ll focus on the first one of the list, looking / observing.

the existing nuance between “seeing” and “looking” exists in the sense that “seeing” is more passive than “looking”. when you say “i can see a cat”, you aren’t paying too much attention to the cat. but when you say “i am looking at a cat’, you are actively paying attention to the cat and what they’re doing.

(given the class is in French, the nuance was similar, using the words “voir” and “regarder”. but due to French not having a close equivalent to “watch” i cannot make more parallels about this, as my knowledge of English and French-to-English translation is still fairly limited)

when looking at a subject, the primary objective should be to understand what you’re looking at. you can look at a subject (or the world as a whole) under multiple filters: values, hues, proportions, in 2D or 3D, and so on. you need to define how you want to look at a subject following these filters of vision. what do you want to look at first? what do you want the viewer to look at first? this is important to define before you put your tool to your support.

generally when drawing from life, it’s a bit reckless to rush to draw the model without actually observing them a minimum. you should take the time to observe, you are allowed to take your time to observe. no amount of limited time should paralyze you from examining the model the best you can before you put your tool to use.

getting this more precise vision of your model can give you a better vision of their body, which is often hidden under detail. when drawing them, you should ask yourself “how is the model posing?”

why look/observe? (probably like the most given piece of advice by pros and art youtubers who aren’t pros but still get called pros cause they have 1 million subscribers on youtube)

this question is very easily asked but also very easily answered:

to know how and what you’re going to draw

to time yourself correctly and have a good time management (drawing a pose in 2 minutes is completely different to drawing a 10 minutes one), thus,

to avoid rushing to draw the subject. as said previously, take your time. start slow, but stay accurate to the model. (teacher compared it to a musician rehearsing a piece, first slowly, then speeding it up progressively as he gets to know the piece itself better and better. unfortunately as someone who is as farthest from a musician as can be, i cannot honestly attest to if this is accurate).

but really, there is actually no such thing as a “finished” drawing. a graphite drawing could always have color added afterwards, a painting could always get more and more detailed. a piece is “finished” only when you deem it is finished. the French Académie des Beaux Arts didn’t like the Impressionists because to them, what the impressionists were doing were half assed jobs, since the idea of “transmitting a vague feeling, or an emotion through a specific style of very visible strokes” was absolute fuckery to them. speaking of,

to transmit an emotion, or a feeling through the posing of the model. the more technical and controlled the strokes will be, the finer the wanted sensation will be felt by the viewer. this also ties in the physical aspect of the model. ideally, in order to achieve this, you can try posing the same way the model does. it may be a bit awkward but it works (depending on your learning type, of course.)

to understand how the whole “body system” works. “i know the rules of the human body, therefore i make little to no mistakes.”

adding a whole context to the pose helps: adding a situation in which the pose could work in gives some meaning to your drawing, as well as helping you remember it better. it also adds a narrative element to your drawing(s), which are absolutely always a plus. (memorization is also an important tool!)

now let me play devil’s advocate and ask: why not look/observe?

well, uh, there are two reasons my teach told us:

to let your instinct and imagination go wild and free, trust your gut and have fun!!

and, tying back,

to let yourself be surprised by what you’ve done.

form synthesis (or just different types of approaches to draw form)

when drawing a model, there’s a few things that can be mentioned:

multiple types of lines exist with different purposes within the drawing: the action line(s), structural lines, and contour lines.

action lines define the overall movement of the pose. the principal one is the one you see when giving a better look at how dynamic the pose is. the secondary ones are the ones you can find in secondary rhythms when examining the pose a little longer.

(here's a better example, actually:)

structural lines are pretty much the “stickman skeleton” you sometimes see in certain how to draw books (specifically the more advanced manga themed ones).

contour lines surround the form in a way as to draw all of the outer body without using inside shapes or lines. (it is also the basis for the Bargue method which will be slightly discussed below. there unfortunately won’t be any talk about cross-contour lines, as it hasn’t been talked about in class (yet?))

generally, lines take either an I shape, a C shape or an S shape. (teach said it’s preferable to mostly use I and C type lines when drawing live models. probably due to the fact that S shapes are much trickier to use “effectively” within a piece (effectively not meaning much in this context, if nothing at all. again, have fun.)). using these lines tell a lot about the model and the pose, telling a sort of dynamic storytelling which varies depending on what type of line you choose to represent your model.

we can mostly talk about 2D shapes when three or more points have been linked by lines. sometimes, lines can skip articulations for the sake of dynamism. shapes should be thought about in their entirety, the difficulty that can be encountered usually being remaining vague but accurate with your form.

now, a quick word about:

the Bargue method (or, the fuck do you mean the Americans used it in art schools before us, Bargue was literally born in Paris, i fucking hate the Académie des Beaux-Arts)

the Bargue method is probably fairly well known among certain art schools or artistic communities. if i do recall correctly; it originated with Bargue noticing the low level of the students of the Académie des Beaux-Arts de Paris (or some other place basing itself solely on academic style art and paintings located in the city of Paris in the country of France on the continent of Europe) and devising a simple way to learn how to draw accurately from life (or plaster casts, depending on what you prefer). it solely based itself on straight, contour lines, forming a base around which to slowly add details to. apparently, a lot of art schools in america base their teaching of life drawing on this method, but given i do not feel like getting over $200k in debt without even mentioning living and travel costs, i cannot say if that is actually true.

here's an example of it:

it’s pretty much basing yourself on simplifications of the form to attain absolute accuracy. no curves here to distract you, only straights. somehow, when pulled off correctly, it gives a very neat impression of realism.

anyway, that’s all i wrote down. hope teach won’t see this anytime soon, and hope this kinda helped a little bit. next week’s notes should be about blocking in shapes, so we’re starting to be a little more concrete with the actual drawing process.

these classes were taught by Mr Francis Buchet at a class given at the Académie de la Grande Chaumière, so most of the things i’m saying here are taken from him and his class. if you live in/close to Paris and are interested in learning artistic anatomy, i suggest you look up where he is giving public classes, since they’re infinitely more engaging than these notes. his instagram is be linked below. (hoping he doesn’t get mad at me for sharing these notes… in any case i will use my own example sheets to avoid getting in any more trouble.)

and, may i remind you: these notes are only here to showcase one approach among many others, so they don’t mean much in the grand scheme of things. i myself am in absolutely no way a professional, so please, take all of this with a grain of salt (or a spoonful, even). draw how you enjoy drawing, and find happiness in the way you want to draw.

Francis Buchet's instagram: x

so, seeyou next weekend! (or earlier, if i draw something i want to show here.)

#artist tips #art tutorial #art tips #art help #drawing tips #literally no one asked but why not #that was something i've wanted to do for a while tbh #god i hope that doesn't sound pretentious #next time i'll try to show more examples since this one seems a little bit bare #first four classes will be about drawing theory so it might take a little while before we get to actual anatomy :(#so it's gonna be a little bit boring for the first while :((#really sorry about this #next ones should be a little more concrete so. yea #i apologize if this sounds abit confusing; it's the first time i try to make a “tutorial” or anything like that for art #will also try to find a spot to put my own drawings i did while attending the class to show the stuff we do there #in any case #hope this helps someone!

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dazais-guardian-angel · 8 months

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Chapter 110 is 13 pages long welcome to hell!!! so in a lot of ways this is just more fuel for a theory that I've had for a few weeks now, that's only gotten stronger with each recent season 5 episode, which is that the last episode of the season is gonna end on 110, and that Asagiri/Harukawa and Bones have been collaborating to make this happen, specifically because it's a major turning point that would be the only good place to end the season on.

When we started getting especially long chapters again (like from 25-35ish pages, with the exception of 107.5, the last two being some of the longest we've ever had), at first I just assumed that Asagiri/Harukawa got freed up from some other obligations they'd been having to cause the extremely short/half chapters, like promotional stuff for the anime/Beast movie, or working on light novels. But then 109 happened, with the "supposed" death of Dazai, and heavy emphasis at the end on how literally everyone is at their lowest point right now, and I got to thinking. 11 episodes is a strangely specific number for an anime season -- why not 12, or 13, or even 10, like you'd usually see? Why have we gotten suddenly gotten two 35 page chapters out of nowhere, that's almost unheard of at this point? They're both beautiful chapters, don't get me wrong (as always), and maybe A/H simply just didn't want to cut them in halves because they felt like the full emotional impact wouldn't hit/that there were no good cutoff points in them, but you can't deny that it's surprising, after all the shorter chapters we've been getting. Why has the anime been going at such insanely breakneck pacing for the most part ever since around the Sunday Tragedy chapters, even more so than it has in the past? So much so that it feels dangerously close to overtaking the manga?

Well, maybe, just maybe, it's because..... Asagiri decided a long time ago that whatever happens in 110 is the only point that feels "season finale"-worthy enough, in an arc that still isn't anywhere close to being completely wrapped up, and so both the manga and the anime have been specifically coordinated to reach that part within 2 and a half weeks of each other?

I've seen a lot of people now think season 5 will end with 109, and as much as my sadistic side would find that hilarious, I honestly don't think they'd do that and realistically don't want it to happen; it'd be so cruel to cliffhanger the anime for years like that, and just doesn't feel like a season cliffhanger BSD would do, a series that is ultimately hopeful and uplifting. Seasons 2 and 3 had a positive, conclusive ending; the only reasons seasons 1 and 4 didn't was because they're technically not really full seasons of their own, and are more like the first cour of another "season" that also came out that same year (seasons 1 and 2 both aired in 2016, so they're more like one big season, and seasons 4 and 5 have both aired this year, so they're also more like one big season, again taking into account how episodes 12 and 50 are not satisfying finales like episodes 24, 37, and hypothetically, 61, are). I really can't see season 5 ending with Dazai and Fukuzawa's supposed deaths, Sigma being unconscious and maybe close to death, Atsushi being vulnerable and limbless again, everyone we love still vampires, and the entire world being basically doomed; that's just too depressing and not like BSD at all. However, having said that, if it doesn't end there, there really isn't any good place to end the season before that, either, that feels in any way satisfying or like a finale at all. And so, to me, that only leaves after 109: chapter 110.

I think things are really gonna turn around next chapter. Like I said, everyone is at their lowest point right now, it cannot possibly get any worse, the framing of Dazai, Fukuzawa, and sskk at the end of 109 is telling us that; this is the time for the heroes to finally start winning again, with Aya being so close to pulling out the sword, and for all the thematic reasons other people have talked about to death that I don't need to go into here again. This upcoming chapter being so short again makes a part of me wary of 110 being "the one", so to speak, I won't lie, but at the same time, it's very possible that it needs to be that short because that's all the final episode of the season will be able to reasonably fit in, since it's already gonna be VERY close if they do make it all the way to 109. And at the end of the day, I don't doubt at all that Asagiri and Harukawa can make these the most monumental and game-changing mere 13 pages ever if they wanted to; a chapter does not at all need to be extremely long in order to be an important and impactful one, even if short ones we've gotten in the past haven't felt the most important.

An additional thought I've had, though this is much more crack territory than all this already is, is that since we know from Anime Expo that a Stormbringer movie at some point is highly likely (judging from Asagiri's reaction when someone brought it up), it's possible that chapter 110 and thus the final episode will involve the long-anticipated return of Verlaine and/or Adam, or at least some other major reference to Stormbringer, that would naturally and smoothly lead into a Stormbringer movie to explain things to people who haven't read the novel. It would make a lot of sense, especially since the s4 OP has the Old World sign behind Chuuya, which might be a hint that this has been in the works ever since seasons 4/5 were first in planning with Asagiri. We also know that Dazai and Chuuya's voice actors apparently struggled to record their lines together this season, which probably relates to 101 and possibly 109, but it could be 110 too.... I could be very wrong, as I'm no expert on this kind of thing, but I kinda doubt they would bring Chuuya's actor in for just the vampire growls, and Asagiri placing heavy emphasis on Chuuya's importance this season in that one interview gives me the impression that he's talking about much more than just 101/109. But that's the least solid evidence I have, that's just mostly based on vibes I get.

So basically, I think a lot of factors -- the unusual episode count, how close the anime is to catching up to the manga with three whole episodes left, the seemingly arbitrary recent chapter lengths, and the climactic events of 109 -- can tell us that 110 might be a very, VERY big deal. Again, there's of course no way this arc is anywhere near close to being finished, with so much left to address and resolve, but since it is currently incomplete in the manga, unlike the previously adapted arcs, if the anime was going to adapt it at all, they'd have to find a place that feels satisfying enough to end this season, knowing there won't be more anime for a long time after this, and so I think they specifically planned for that, from both Bones' and A/H's sides. 10 episodes might not have been enough to reach that point, but 12 or 13 might have been too many it wouldn't have been if Bones actually decided to slow down and let the story breathe the way it needs to, but this post isn't meant to criticize the anime, so maybe 11 was just right. And maybe Asagiri and Harukawa specifically pushed to make recent chapters longer than usual, in order to make sure that the manga reached the story content in 110 the monthly release right before season 5 was to end.

Is this just copium? Absolutely. Am I going to look like an absolute clown in two days when this post ages like milk? Probably. But the evidence is There, so let me just enjoy my delusions until Sunday, okay 🥂🫡

#bungou stray dogs #seriously call me a clown and point and laugh at me if I'm proven wrong all you want #but I really feel like there's solid evidence for this #either s5 isn't gonna reach 109 at all (but I seriously cannot fathom where you would want to stop before then) or they'll go beyond it #if they really do end it with 109....... well i'll give Bones kudos for having the balls to do that ig lol #maybe i'm underestimating (overestimating???) them idk #also just to clarify I don't wanna make it sound like I think Asagiri let the anime/Bones dictate the manga's pacing #like I'm sure these were his/their (him and Harukawa's) own decisions first and foremost #not that (if this theory is true) the anime had a major impact on how the chapters were split and that it-#-would have been extremely different otherwise #i'm pretty confident in that Asagiri does not do anything with BSD he isn't comfortable with #and he doesn't let anyone tell him how to write his story #I just feel like he worked with Bones to make this near-simultaneous release happen #BUT if this is the case I don't feel like it had any major effect on the writing/final product that is the manga #like the last handful of chapters have been so incredible #so I at least am still perfectly happy lol #(i mean i'm devastated and a nervous wreck but u know 🫡 in a good way lmao)#anyway 110 in two days please let this theory be true because I need some fucking hope already #please let Oda show up as Dazai's guardian angel to help (see what I did there-)#it would be the perfect way to end the collective season that is 4/5 with s4 beginning with Oda and now ending with Oda #Asagiri are you reading me are you picking up what I'm putting down please please a ghost Oda is long overdue please-#Oda Verlaine Adam just GIVE ME SOMEONE ALREADY 😭😭😭#MAYBE EVEN A TASTE OF THE FYODOR BACKSTORY TO TIE INTO HIM BEING IN ANIME UNTOLD ORIGINS. THE POSSIBILITIES ARE ENDLESS

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age-of-moonknight · 2 months

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“What If…Venom Had Bonded to She-Hulk?” What If…? Venom (Vol. 1/2024), #1.

Writer: Jeremy Holt; Penciler and Inker: Jesús Hervás; Colorist: Ceci de la Cruz; Letterer: Ariana Maher

#Marvel #Marvel comics #What If…? Venom #latest release #Moon Knight comics #Moon Knight #Jake Lockley #She-Hulk #Jennifer Walters #Jake Lockley is for the people!!!!#and I wonder if Mr. Holt is aware this isn’t the first time Jen and Jake interacted on-panel #and from what we have here has…some potential #I always thought a discussion between Venom and the Moon Knight system could be really interesting #so we’ll see if this series delivers (and I really hope it does)#in any case #always a fan of Jake reaching out to anyone in need and helping in whatever way he can

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scificrows · 10 months

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Is there a 300 page essay about Murderbot's armor (specifically the opaque helmet) as a not-so-subtle metaphor for masking in a clearly neurodivergent character already? Because I need it.

The way Murderbot is unvoluntarily without its opaque armor in All System Red in front of the crew (i.e. unmasking) and appears surprised at its own strong facial expressions and other people's reaction to it? The vulnerability that comes with that and how Murderbot spends pretty much the rest of the book wearing or actively missing its armor which keeps it safe from the mortifying ordeal of being known (yet sometimes other characters suggest it might help for it to not opacify the helmet in order for others to see it as a person and to trust it (and in the end idk if it would have achieved the rewards of being loved by its humans and have had its needs met if it hadn't unmasked in this relatively safe environment sometimes)).

Also there's the whole avoiding-looking-directly-at-people-and-using-drones-instead thing which Murderbot usually hides using the opaque helmet, but whenever it doesn't have that people notice it and many react negatively/confused. I think that's a whole neurodivergent-applicable situation in and of itself? Like damn

And then Mensah encourages Murderbot not to wear armor on Preservation station since it would not need it there, Murderbot is hesitant but ends up not wearing any (like 4 books later when we finally get to that bridge) (going for the comfortable clothes it chose for itself instead, with very strong feelings about the whole being able to make choices thing that I cannot go into further at this point because I would absolutely end up BITING SOMETHING OR SOMEONE).

And I'm not going to advocate for unmasking all the time in any setting because hell no, sometimes it absolutely sucks and people are irritated by Murderbot's now visible quirks and are afraid of what they don't know, but many GET TO KNOW Murderbot better and because there are other people that make sure Murderbot is safe and respected and are willing to get people fired for it if they disrespect it (Pin-Lee my beloved) Murderbot can experiment with this situation without being exiled to some abonded part of a planet and other people are forced to spend enough time around ot to learn to respect it and even like it. I just....... It must be so scary and Murderbot is handling so much at once and in this essay I will

PS sorry this is a disorganized mess but so am I and I have so many Thoughts and even more Emotions and so little patience.

#murderbot #the murderbot diaries #all systems red #murderbot diaries #𓄿 #i sincerely hope this post isn't insensitive because i feel like the autism vibes are strong with murderbot and i am not diagnosed with tha #but i have adhd and a fun mix of anxiety and depression #and i've been deepdiving into autism research to help get one of my closest friends diagnosed (not possible at the moment)#and i relate so strongly in many ways and i dont know if its just that adhd and autism can overlap heavily #or my personal cocktail of adhd anxiety depression etc #or if i am on the spectrum somewhere myself #in any case i feel very strong solidarity and i hope i am not overstepping #but the main point here is the masking and that is DEFINITELY something ive been struggling with a lot recently #hence the strong emotions lol #i dont like to unmask. it sucks. but it can be so worth it.#and i am practicing and learning and trying my best #i feel like this fun sideblog for my scifi hyperfixations is quickly turning into a mess of therapy ramblings for myself #maybe thats because i love these books particularly BECAUSE i relate so strongly to these characters #in ways that are not NormalTM. and surprising for me #and ways that really help me figure out who i am and why dealing sith other people is so difficult for me #welp nevermind #all hail murderbot i guess

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six-white-venus · 2 months

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What can you do when you hate every word that comes out of your mouth with a burning passion? When nothing you say ever feels right? When all of your words feel like lies, even though they’re not?

Because they’re not, right? …right?

#hello anon hope you like this one #now that i wrote it i'm not so sure if this was a prompt or you were asking for advice #i got the poem part of it covered #instead of advice i'll just tell you some simple stuff that works for me sometimes #talk to someone. it makes you feel awful at the beginning but d it. talk talk talk #if talking is too much reach out to any of your loved ones #and just be in their presence #if that's also not an option. take a nap. cry if you think it'd help #don't forget to eat and drink water #just in case it wasn't a prompt #i hope everything turns out well for you anon <3 #my writing #prose poetry #words #love #writeblr #prose #tw dissociation #overthinking

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suntails · 8 months

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I MADE A GUIDE for the hard mode of the legend of the underworld minigame on twst!!! :D i'd been stuck on it for MONTHS before a moot let me know that you can move the boat while paused and hiding the menu, and i wanted to share the knowledge for anyone that's also been stuck and suffering from completionist brain!!

the full image is very large, so you'll need to download it to view it, but i've created a map, added notes of how many lanes i move at a time, what manner i move in (regular speed or while paused), etc! both achievements are possible to beat with this route, and i highly recommend taking ur time while moving so u don't lose a good run!

all rock assets can vary from play to play, so the flames are your best landmark along the way! i wish everyone still stuck the very best of luck, if this helps even one person i'll be over the moon <3

#i had started attempts in march (obv) and gave up fairly quickly but oh my god the glitch saves it. the glitch is my savior #fr i took like 8 full minutes on the level to be SO careful and SO sure before any move. i paused rapidly to inch forward #i hope ppl at least got thru reg difficulty but hard was IMPOSSIBLE before the glitch for me so i hope this helps!!!#if anyone uses this pls lmk i wanna celebrate w people #twst #twisted wonderland #twst guide #legend of the underworld #ch 6 minigame #book 6 minigame #listen idk what tags to put but i want it searchable just in case

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kawoshinweek · 3 months

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💙Base Themes!💜

In addition to the community-suggested prompts currently being collected, a set of themes has already been picked ahead of time! These were chosen to celebrate Shinji and Kaworu's history together in the Evangelion franchise over the years:

Day 1 (4/27): Drafts

Day 2 (4/28): Anime

Day 3 (4/29): Manga / Karlshaun

Day 4 (4/30): Spinoffs

Day 5 (5/1): Rebuild

Day 6 (5/2): 2928 / Post 3.0+1.0

Day 7 (5/3): Free Day (Kawoshin Day)!

A brief overview on each of these below!

Note: Since each day will have more than one prompt, you don't need to use both of each day's prompts if you'd rather focus on one - while you can use both if you wish, you can also just pick the one you like best, or mix and match prompts from different days if you'd like!

Day 1 (4/27): Drafts

The week starts off with a day dedicated to the drafts that started everything and are the basis for what was later seen in the anime! Here you can use any design or story elements found in concept art and the episode 24 draft scripts (more information on the drafts here, as well as in the scripts of Draft 1 and Draft 2)!

Day 2 (4/28): Anime

Day 2 centers on their dynamic as seen in the original Neon Genesis Evangelion (1995) continuity, where their brief and tragic yet loving and impactful relationship was introduced to the world!

Day 3 (4/29): Manga / Karlshaun

Next up is a day focused on Yoshiyuki Sadamoto's Neon Genesis Evangelion manga and its depiction of Kaworu and Shinji's dynamic, often known as Karlshaun - a take on their relationship that's quite different from the usual, but still compelling and beloved all the same!

Day 4 (4/30): Spinoffs

In order: NGE2; Campus Apocalypse; Petit Eva.

The Evangelion franchise has several spinoffs, from video games such as NGE2 and Shinji Ikari Raising Project to manga like Campus Apocalypse and Legend of the Piko Piko Middle School Students. Day 4 is for exploring Shinji and Kaworu's relationship and shared moments in these spinoffs!

Day 5 (5/1): Rebuild

Day 5 is dedicated to the Rebuild of Evangelion/Evangelion: New Theatrical Edition movies' continuity, where Shinji and Kaworu had a movie centered on them and the concept of Kaworu being in a time loop was introduced!

Day 6 (5/2): 2928 / Post 3.0+1.0

The ending of Evangelion: 3.0+1.0 Thrice Upon a Time showed a glimpse of Kaworu and Shinji as adults (29 and 28 refer to their ages) in the new eva-less world; day 6 is for exploring what their adult life and future might be like!

Day 7 (5/3): Free Day (Kawoshin Day)!

Lastly, the week wraps up on Kawoshin Day with a free day! This is where you can do whatever you'd like that didn't fit any of the week's prompts, or use a prompt you liked that didn't make it in! 💜💙

#kawoshin #kaworu nagisa #shinji ikari #neon genesis evangelion #evangelion #nge #fan week #fandom events #kawoshin week #mod post #figured i'd share these ahead of time in case knowing them helps with suggesting and later voting on prompts!#shout out to the couple people who suggested karlshaun and 2928 and therefore guessed two of these. by the way #the descriptions are mostly in case anyone's unfamiliar with any of these to help with learning more about them if needed #but like the note says you can also go with whatever versions of them you prefer and focus on the other prompts if you'd like :]#anyway! hope everybody enjoys these <3 #themes info

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oooocleo · 8 months

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how did you find the courage/means to do full-time freelance? it’s something i’ve been thinking about for a long time (i take comms in between college work) but i just. don’t know where to begin? i’d really appreciate any advice. thank you!

ill start this off w a disclaimer that i live in a country thats considered a social security state so i've received rent support from the government ever since moving out when i started uni (bc i dont make that much, prolly below min. wage, meaning my taxes are also relatively low), as well as student loans that aren't so horrible here as there are in the US for example - i'm sure if i had to get a job next to my studies i wouldn't have had nearly as much time/energy for establishing myself as a freelance illustrator over the yrs...

for me my uni yrs were when i really started doing more private commission work, because i had a lot of free time outside of exam periods, and i was p motivated to do that bc i was studying history which u know.. doesnt rly lead u down a secure career path lmfao... as for courage i would say it might be more fear of the alternative? i have depressive tendencies sometimes and i think i would be very unhappy having to spend 40 hours of my life every week in a job that wud likely feel unfulfilling compared to making art for ppl... so i took those student loans and drew and drew and drew until it became Actually Feasible to live off of my labour

i would say... Really try to minimize ur expenses if ur wanting to get into freelance illustration, bc any amount of time u need to spend on say a diff 'regular' job uve got to make ends meet will make things harder - this might seem like kind of scary advice but moving somewhere where the rent is cheap is an option u shouldnt overlook (i lived in social housing before moving to a rural area), bc kind of all u need rn is a freaking internet connection to find folks thatll hire u fdjgdfg - also in the same vein moving in with friends and sharing costs🤔

besides that, all i can suggest is find things that inspire you, draw as much as u can manage and post a lot so that ppl can discover u !

#cleo talks #i hope this makes some sense...#i dont know how helpful it is if u live in a country thats like. make money now or die #i know a great majority of my american peers do just have a normal tm job next to comm work...#in which case i wud generally suggest trying to find work u wont have to take home in any way like..#u clock out and the workplace ceases to exist lol #i worked in admin for a year and that was actually fine when it came to making art until i started hating my colleagues

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carnivalcarriondiscarded · 5 months

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Heya, I've been following for a bit and I really love your art. It inspires me too do art as well. Like wh art! Also cause I've always loved dragons. But anyway, I'd like to ask if you have any art tips? Like how you do fur, body shapes (human or etc), showing movement in drawing, etc, etc. Thanks for being awesome and have a lovely day!

hmmmm my best advice is to keep your pencil/penstrokes Gentle and Sweepy! when you press hard and make tiny lines instead of longer, lighter ones, your art will be more rigid. ya gotta loosen up a little!

also - and i will Always say this again and again - build up your visual inventory. study photos, real life, videos. especially videos. it helps you really See how animals (including humans) are put together, how they move, the squish n stretch, etc.

and! this may be a Hot Take idk! but you dont need to learn anatomy, at least not in the "take a real life class and once you can draw an accurate to life person/animal, you can stylize" like hmmmm no. try to visualize things as Puzzles! at least that's what helps me the most! everything is just a bunch of different shapes pieced together into a whole. once you understand that, it gets easier to play around with fluidity and style

#it also helps speed up the art process imo #instead of drawing One Big Thing #you're drawing a bunch of Small Simple Things!#but yeah dont overthink it. dont deathgrip your utensil. swoop your lines. puzzle pieces.#rambles from the bog #OH ALSO LINE OF MOVEMENT KINDA FUCKIN WORKS WHO KNEW!!!#i usually draw the head and then the line of movement and Assemble my puzzle following that #i hope this helped at least a little! have a wonderful day/night as the case may be as well!#ALSO IT DOESNT NEED TO BE HYPER REALISTIC OR ANYTHING #unless thats what youre going for! But! go for as much stylization as you want #who fuckin cares! there are no true rules for art!#any and all 'rules' are more like guidelines

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marshmallowgoop · 1 year

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DCMK Blu-rays

A list of Detective Conan and Magic Kaito content with physical HD releases.

This won't be comprehensive by any means; I'm going to be focusing on Japanese, German, and United States releases because these are the ones that I own and am most familiar with. I believe that many of the films are also available on Blu-ray in several countries, dubbed in several languages, but I don't have much concrete knowledge about that at this moment. Please feel free to add any information!

That said, the main thing to know about Detective Conan Blu-rays is that... they kind of don't really exist. The television series is (mainly, more on this later) released on DVD only in Japan, usually with the equivalent of four episodes per disc, sold at 4,620 yen each. They're grouped in "Parts," with up to 10 Volumes per Part, and the next release, on June 23rd, will be Part 31, Volume 3, containing episodes 1007, 1008, 1010, and 1013.

A handful of episodes are released on Blu-ray via collections in Japan; there are the Treasured Selections and Akai Family TV Selections. But with a series running over 1,000 episodes, it really is just a handful of episodes available in these collections.

Treasured Selections

With the Treasured Selections, you can get 67 episodes on Blu-ray:

1: "The Roller Coaster Murder Case"

2: "The Kidnapping of the Company President's Daughter"

54: "The Game Company Murder Case"

128: "The Black Organization: One Billion Yen Robbery Case"

129: "The Mysterious New Student"

176-178: "Re-Encounter with the Black Organization"

226-227: "Battle Game Trap"

230-231: "Mysterious Passenger"

258-259: "The Man From Chicago"

271-272: "Hide, Hurry Up, and Abbreviate It"

277-278: "English Teacher vs. Great Western Detective"

286-288: "Shinichi in New York"

307-308: "The Remains of Voiceless Testimony"

309-311: "Contact with the Black Organization"

338-339: "Four Porsches"

340-341: "The Hidden Secret in the Toilet"

343-344: "Convenience Store Trap"

345: "The Confrontation with the Black Organization: The Coincidence of the Two Enemies on a Night with a Full Moon"

346-347: "Look for the Mark on the Buttocks"

361-362: "Teitan High School Ghost Story"

425: "Black Impact! The Moment the Black Organization Reaches Out."

427-428: "Super Secret School Zone"

429-430: "The Point of No Return"

462-465: "The Shadow of the Black Organization"

484-485: "The Whereabouts of the Black Picture"

491-504: "Red and Black Crash"

507-508: "Blind Spot of the Karaoke Shop"

509-511: "Conan VS Double Code Mystery"

However, anything before 286 is not in HD; these are all traditionally animated episodes that were not especially remastered for these releases:

Episodes 286 and beyond (from Treasured Selection 6 to 18) are digitally animated, and these Blu-rays are more properly HD:

Akai Family TV Selections

With the Akai Family TV Selections, you can get 33 episodes on Blu-ray:

563-564: "The Detective Squad vs. The Band of Robbers"

578-581: "A Red Omen That Summons Danger"

675-676: "Not Even a Millimeter of Forgiveness"

699-700: "Shadow Closes in on Ai's Secret"

701-704: "Pitch Black Mystery Express Train"

724-725: "Thief Kid and the Blushed Mermaid"

779-783: "The Scarlet Return"

785-786: "Taiko Meijin's Match of Love"

836-837: "The Unfriendly Girls Band"

861-862: "Just Like a 17 Year Old Crime Scene"

863-864: "The Spirit Detective's Murder"

866-867: "The Traitor's Stage"

881-882: "The Magician of the Waves"

Other Japanese Blu-rays

Beyond these, the TV-original specials Episodes 804-805 ("Conan and Ebizo's Kabuki Juhachiban Mystery") and Episodes 965-968 ("Kaiju Gomera VS Kamen Yaiba"), plus the canon Episodes 927-928 ("The Scarlet School Trip"), are also available on Blu-ray.

Finally, special edition Blu-rays for Movies 17-25 include a second disc containing the movie's tie-in anime episode... but that second disc is likely a DVD, speaking as someone who doesn't own any of these but does own the Japanese special edition Blu-rays for Movies 14 through 16, where the second discs are, indeed, DVDs.

German Blu-rays

Outside of Japan, Germany is currently releasing boxed sets of the Detective Conan series starting from Episode 1. At this time, these are the only physical releases of the remastered footage (which make a big difference), and they include Japanese and German audio (but any German-dubbed songs are omitted). Three boxes are available now, covering Episodes 1 to 96 (or 102 with the international numbering); a fourth box is set to be released on May 19th, covering up until Episode 122 (or 129 with the international numbering).

Do note that these releases edit the name boxes in a way that can't be turned off, however.

Films, Specials, and Magic Kaito

In Japan, there are Blu-ray releases for:

Films 1-25

Both Lupin crossovers

The Disappearance of Conan Edogawa: The Two Worst Days in History

Episode One: The Great Detective Turned Small

Magic Kaito and Magic Kaito 1412

In Germany, all of the same content is available on Blu-ray. There's also a Blu-ray release for The Scarlet Alibi, and I believe that they're the only ones with a physical HD release of Gosho Aoyama's Collection of Short Stories as well.

In the United States, there are Blu-ray releases for:

Films 19-23

Both Lupin crossovers

Episode One: The Great Detective Turned Small

As far as I'm aware, there are no HD releases anywhere of the OVAs. They're available on DVD in Japan, either separately or via four "Secret File" compilations (though these only cover OVAs 1-9).

There also aren't any HD releases of the Magic/Bonus files, but DVDs are included with the Japanese special edition versions of Movies 12-16. They're also available for individual purchase in Japan as well.

TV Specials 1, 2, and 4 (with 3 being the Lupin special, 5 being The Disappearance of Conan Edogawa, and 6 being Episode One) seem to be DVD only, too. Actually, I'm not sure if TV Special 1,"Time Travel of the Silver Sky," is available on disc at all? But TV Special 2, "Black History," is said to be included with the Japanese special edition DVD of the second live-action drama special, and TV Special 4, "Fugitive: Kogoro Mori," is included on the Part 24, Volume 7 DVD.

TV Special 7, "Love Story at Police Headquarters ~Wedding Eve~," might be included on Blu-ray in Japan with the special edition of Movie 25, but I can't confirm if that disc is a Blu-ray or DVD right now (and the same goes for The Scarlet Alibi, included with the special edition of Movie 24 in Japan).

The eight VHS-only Shogakukan Illustrated Encyclopedia Series tapes are obviously not available in HD, either.

Tl;dr?

So, in short, combining releases and eliminating the not-remastered Treasured Selections, you can find 186 episodes on Blu-ray right now (with more on the way with the fourth Detektiv Conan box). You can also get all of the films and Magic Kaito series, plus a few specials, in HD.

And I think that's all I've got! Feel free to add more information if you know any! I am desperate to physically own more HD DCMK content.

EDIT: I've done some more digging, and from what I can tell, starting with Movie 24, the Japanese special edition Blu-rays for the films changed the bonus second disc from a DVD to a Blu-ray instead. This means that Episode 1,002, "The Beika City Shopping Center Garbage Bin Mystery," included with the special edition of Movie 24, as well as Episode 1,039, "The Flying Jack-o'-lantern," included with the special edition of Movie 25, are available on Blu-ray, too. So, a more accurate number of episodes that have been released on Blu-ray (in HD) at this time is actually 188. Further, this confirms that The Scarlet Alibi and TV Special 7 are also available on Blu-ray in Japan.

Additionally, though I have provided a couple of links throughout this post, the Detective Conan World wiki deserves a bigger shout out than I initially gave; their "Collectibles" page, and particularly their "Japanese Blu-ray" article, were a huge help in compiling the information laid out here. Many, many thanks to the contributors.

And while I'm here, for those interested in English-language releases specifically, Magic's Detective Agency is a fantastically detailed resource for every DVD released by FUNimation (Volumes, Season Sets, and Films). They're not HD releases, true, but at the time, they're the only physical releases of any episodes and the first six films in English.

Finally, I also discovered that a fifth Detektiv Conan box is set to be released on July 21st! This should mean that remastered episodes up until 145 (or 155 with the international numbering) will be available on Blu-ray, and it bodes well for these releases to continue. Hopefully, there will be physical releases of the remastered footage in other countries, too!

#detective conan #case closed #dcmk #long post #ramblings #detco dvd saga #well blu-rays really but that's my tag ^^;#shrug emoji i just really want more physical hd releases...#it was a journey to figure out what's available so i hope this is helpful for any other collectors!

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