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#hopefully it doesn't read that way
kingslionheart · 2 months
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I was wondering, do you think alfred and uhtred had feelings for each other in canon?
ALRIGHT SO. I'm so extremely sorry for taking so long to answer, life has been messy for a while now and I think it has been almost 3 months since you sent this. I have basically written this entire answer little by little every single day since I first received the ask and I have only just now finished reading it again.
EVEN MORE APOLOGIES BECAUSE IT TURNED OUT TO BE EXTREMELY LONG, I'll keep it under the cut!!
Please bear in mind that there are spoilers for the entire show and film and please forgive any possible typo.
OFF WE GO NOW!!
In general I think it is important to note that the last kingdom is a show FULL of queer characters (and I will die on that hill), mostly because there's just so much subtext in the whole show, and Alfred is 100% queercoded.
There are so many aspects of his character that just betray his queerness and the first thing that does that is literally the thing so many blame him for: the way he treats Uhtred.
NOW.
Let's look at Alfred's first scene ever. Alfred appears in 1x02 and he's introduced as someone who considers himself a sinner because of his inability to control his lust. When Beocca speaks to him about the girl he’s currently feeling guilty about, Alfred's immediate first reaction is to banish her, but instead he's presented with the option of bringing her into his service. Now the reason why it is proposed by Beocca is to keep her close to show God that he's able to resist temptation and, when he does resist, to thank this higher being he so desperately believes in. This is something that comes again in 1x03 when Beocca tells him to pray for strenght the moment he almost fails again.
In brief we know that there are two moments when Alfred has to pray: when he resists temptation and when he's tempted.
After he becomes king he reserves a very particular treatment for this girl who tempted him. In 1×04 we can see, for example, that soon after washing his hands, he basically throws a towel at her without a single glance. The treatment he gives her is a cold and distant one and that's the exact same way he treats Uhtred.
Indeed, as he did when he accepted Beocca's suggestion about the servant girl, I actually believe that proving God that he could resist temptation is one of the two reasons why Alfred has brought Uhtred into his service in the first place. The only other important use he had was his knowledge of the Danes, because, at least at this point of the story, the reason of him being such a fantastic sword genuinely does not stand.
In S1 it is very obvious that Uhtred isn't that much of a great warrior, and that makes sense because he's still very young, and at the end of the day he only first made his reputation when he killed Ubba, which, by Uhtred's own admission in the books, was entirely by luck, since he was actually the one who was about to get killed. Of course it is absolutely clear why he would have never admitted such thing, he needed that reputation and that was the first significant chance he got, but the thing is that he had been in Alfred's service for a few years already when that happened.
Alfred gave lands and a title of ealdorman to someone who was a 18 years old who came from Northumbria, a some guy who had absolutely nothing and no reputation whatsover, and that he himself barely knew, even worse a man who looked like a dane and that was a pagan. If you ignore Uhtred's point of view, that's absolutely insane of someone who just became a king who didn't even have that much support from his nobles yet.
It was serving Alfred that granted Uhtred to become an actual warrior with reputation, before that he wasn't one, as Uhtred himself told Alfred in 1×02.
As I said, the only good reason for Alfred to take such a man into his service was to have danish knowledge in court, but even that could have been something quick, you know, learning the basics and then just keeping contact with him as a spy, exactly as he did with Haesten at the end of S2 and at the beginning of S3, but no. Alfred tried his very best to tie him down to Wessex and make sure that he would remain. Why is that? It is to prove that he was able to resist temptation and being in control of his own body.
Alfred was an extremely pious man as many say throughout the whole show and even in the film. He needed to prove himself to God so that he would have had favour from his part and back then there was also the whole concept of "a king who's not able to control his body is not able to control his kingdom". Resisting temptation with a man would have proven it even more than resisting temptation with a woman, especially because, compared to the other servants, Alfred genuinely arrives to a point where he's actually and sort of obviously in love with Uhtred, so it isn't any longer just a body thing but a mind/heart thing, so even worse because that would cause his judgement to be clouded, Alfred himself admits this in 2x06, where he also says that Uhtred is a temptation to him.
The word temptation is an interesting one because Alfred always uses it with a sexual connotation, we saw that in s1 especially, but I want to talk about the episode I just mentioned. Here Alfred talks about Uhtred to Aelswith and he says:
What if all this time, it has been the work of the Devil tempting me? Offering me this warrior, this seemingly loyal and brave man, who piece by small piece, is eating at my soul and clouding what I believe to be right and wrong.
Alfred here, as I said already, explicitly says that he considers Uhtred a temptation sent by the devil, which, with the knowledge of his specific use of that word, can only mean one thing. The fact itself that Aelswith then replies that "this is what the devil would do" is noteworthy because that is a topic once called to attention by Asser in 1x06 when talking about Iseult he tells Uhtred "I know the devil exists, hiding within beauty is a trick he will use often, I'm sure". Aelswith gives Alfred a solution to the problem by telling him to get rid of him, and that's what does, he banishes Uhtred. Alfred talked of Uhtred as a temptation and then he chose to banish him for a while, does it by any chance remind you of something? His first instict in 1x02 about the servant.
Another thing that is very important to point out is that, as I said before, Alfred is considered a pious christian, so we know that Alfred prays daily and a lot, he even uses prayers to establish a political connection most of the times, but that can't prove his piety because many did too. The only times Alfred proves his piety are those when he prays alone and that happens 3 times in 3 seasons, which is funny since we could have expected way more for his reputation, but since it happens so little there has to be a meaning. As we said, we know that Alfred has to pray in two specific moments: when he has to thank God for resisting temptation and when he's tempted.
So very casually the times where he prays alone are always connected to Uhtred.
The first moment it happens is in 2x06, before the scene when Alfred admits that Uhtred tempts him and after the scene when Alfred screams at Uhtred "I do not know you and I could never know you", which is totally "know" as the biblical meaning of the word, if we consider everything that I have said before. The two other times are in s3, when Alfred's love for Uhtred is way more obvious and rather in a more romantic way than just attraction. The first time in that season is in 3x03 when he's there praying, with tears in his eyes, a few weeks (perhaps even a month) after Uhtred has betrayed him, and there he speaks of him and we see that he's hurt and wants to hurt Uhtred in return, so there's an element of heartbreak. The second time is in 3x06, after he has seen Uhtred again for the first time since his betrayal, and there we can find something close to worry for Uhtred's condition as a pagan, because he says that "He is a man in great need of the guidance of God". In 3x08 there's also an interesting hint about his prayers when Beocca hypothyses that Alfred prays for Uhtred's return and the truth behind it is written plainly on Alfred's face. His prayers shifted from a physical attraction type of temptation to something that could very clearly be recognised as love.
S3 is THE proof that Alfred was in love with Uhtred and, while you can already see it in the first episode of it when he watched Uhtred ride away from the city (which he also did in 1×02), that love becomes more obvious immediately after Uhtred betrays him in 3x02, YES THAT SCENE WHEN HE’S CRYING ALONE IN THE ROOM. While I do realise that it could be interpred as crying because his dream of an england was in danger, STILL you know that it is not just that, that man was heartbroken and the worst thing about it is that Alfred totally knew that he had no one to blame but himself, because Alfred is always perfectly aware of the way he treats Uhtred, think about the “I do not, I cannot” in 2x06 when Aelswith asks him if he trusts him, Alfred cannot trust Uhtred because if he did then he would totally fall into temptation, I MEAN LOOK AT WHAT HAPPENED TO AETHELSTAN WITH INGILMUNDR.
From that episode onward Alfred is on another level of misery, and that’s truly an achievement considering how miserable that man always is. First of all he’s angrier than ever and that anger reaches levels of revenge, confirmed by Alfred himself in 3×09 when he says this:
It was done to damn you. To inflict pain, possibly. I try to make decisions rationally. However, taking your children was not a rational decision. It was thoughtless. It was selfish.
Here Alfred admits that he wanted to hurt Uhtred and why did he do that? Because he wasn’t thinking rationally, and why wasn’t he thinking rationally? Because it concerned Uhtred. This literally always goes back to 2x06, because Alfred did say there that Uhtred clouded his judgment and that is the proof. When it comes to Uhtred, when Uhtred is around, he just can’t think rationally. That’s literally some romantic shit there.
I made the example of Aethelstan and Ingilmundr earlier and that truly fits this whole part really well, because in the film Aethelstan is portrayed as someone who’s blind and acting in a completely irrational way because he’s in love with Ingilmundr, his oathman. I would also love to point out how Aethelstan is portrayed as a pious christian king who prays and acts only for his own salvation, since he considers himself a sinner for his queerness. There’s so much guilt in that boy and, especially, more than once he’s compared to Alfred: first by Ingilmundr who tells him that he has to be pious so that men would speak of him as they spoke of his grandfather, and second when Aethelstan talks to Uhtred and indirectly compares his sins as worse than the ones of Alfred, so the connection between them is not only about piety, but also sins. Then, no less important, I think it is quiet obvious who Ingilmundr reminds of considering how he was “born a dane but raised saxon”. The parallels are right there and have never been louder.
Another parallel that I want to point out is the connotation between homosexuality and England, that’s particularly connected to the film because in SKMD Aethelstan wants to unite it simply to redeem himself for having a male lover:
Ingilmundr: Perhaps return to your grandfather’s vision for England. Perhaps now there is an urgency to bring the pagans to light.
Aethelstan: Will that cleanse me? Us?
Ingilmundr: Well, surely the greater the lands, the greater the faith. Go beyond what Alfred dreamed of. Look to the islands God made, not the countries ordained by men, and bring all to Christianity. So when you are judged, you will be found in balance. And thus may accept both the sin… and the conquest against it.
Notice how even in this whole thing Alfred sort of remains the greatest sinner of them all, because Ingilmundr here says to bring to christianity the lands that God created and not the ones that men, Alfred, wanted to make, it almost feels as if he’s saying that his sin would only be accepted if he does what God offers him in lands and therefore if he doesn’t put himself above God by being the one who decides which parts to unite and which not. Here Alfred is truly portrayed as someone who has put himself above God in his decisions and thus England would have never cleansed him for his sins, because he was directly sinning while planning it and actually, always back in 2x06, Alfred too considered himself a sinner for the way he was laying the fundations of the country, but not in the way Ingilimundr meant but because “I am reaching out for an England, all in the name of God, yet I am relying upon the strength of a heathen”, so what made him a sinner was his connection to Uhtred.
The thing is that as a consequence in the film England is connected to carnal sins and, indeed, as you have probably realised already when you watched the show, that country has ALWAYS been put in some sexual way, you may call it Alfred’s fav kink. That seriously begins in 1x03 when Alfred is making out with that servant (the same one we have talked about before) and he literally goes like “I will defend you with my life, you stand as everything that is precious, you are Wessex, England, always to be cherished, never to be violated, only to be loved, vigorously”, therefore Alfred arrived to the point of seeing someone as a personification of England and that happens only another time in the show and that is in 2x03 when he says to Uhtred “You are a Saxon who is also a Dane, The very embodiment of the England that must emerge”.
THE VERY EMBODIMENT.
To him Uhtred was the personification of England and now this might be a bittttt too much from me, but even in 3x09 when Alfred is dying his last conversation is about Uhtred and the role he will have in the formation of England, and there Aelswith is trying to make Alfred see that it is wrong because being guided (SO RELYING) by a pagan means straying from God’s rightenous path, but what does Alfred do? He literally defends Uhtred and those are his last few breaths, what has Alfred said to that servant? “I will defend you with my life, […] you are […] England”, and look at Alfred’s final words:
Aelswith: Why are the Danes forever at our door? Because we are being punished, Lord, for the presence of this heathen.
Alfred: He is for England.
Aelswith: He is an outlaw.
Alfred: My England... my love.
Alfred basically dies defending Uhtred and while “My England” could be interpreted as him thinking about the actual country, the whole conversation and the whole parallels both between 1x03 and 2x03, so with the knowledge that to him Uhtred is England, I DON’T KNOW I JUST CAN’T HELP BUT THINK “HMM YOU KNOW WHAT, PERHAPS HE WASN'T TALKING ABOUT ENGLAND ENGLAND”
As you have probably understood, I believe that the moment when Alfred confessed his feelings for Uhtred was in 2x06 and he literally confessed them to Aelswith, so at beginning of S3 she has been knowing it for years.
Now let’s see all of S3 from Aelswith’s point of view. In this season her beloved husband is dying and she's painfully aware he is, even more after Alfred confirms it in 3x02. She knows it will happen, thus she tries to stay at his side as much as possible because Aelswith loved Alfred so much and despite everything (cough cough despite his cheating cough cough), then at some point she witnesses her husband's life be put in danger when he is taken as a hostage by the same man she knows he has feelings for. That man escapes and her husband is abandoned by him and, instead of seeing the anger he's showing to everyone, she sees how broken he is because of that, because she knows that Uhtred did not only break his oath but wholeheartedly broke Alfred’s heart. She has to witness not only her husband’s suffering because of his illness, but also the pain he feels because that man he loves has left him. The nearer her husband gets to his death, the nearer she notices the way he wants to forgive that same man who has made him suffer for years now (s3 starts in 891/892 and Alfred’s death happens in 899), then right before her husband’s passing she finds them together in his study, completely alone. She tries to make her husband reason (indirectly even trying to remind him of how much pain he went through because of him) but instead her husband orders her to leave, she probably hasn’t even seen Uhtred return from the room until late in the evening. Her husband dies not long after and she’s hurt because she has lost the man she's stood by and loved for most of her life, but in all of this… Who’s the one who left her husband? Who’s the one who broke his heart? Who’s the one who in a way could have worsed his condition because of the mental pain he had to go through because of him? Uhtred. So she imprisons Uhtred, threatens to kill him, but then accepts to just exile him, but then, in front of the whole of Winchester, Uhtred gives an entire speech about his relationship with her husband arriving to a point in which he even says that he loved Alfred. This is worsened by the fact that, in her last conversation with him, Alfred was going against her just to defend him.
Aelswith’s anger towards Uhtred is the most understandable reaction ever.
A very interesting scene to me, with the knowledge that Aelswith has this insight of Alfred’s feelings for Uhtred, is the scene where she prays in 3x08, because... THE THINGS SHE SAYS!!
Lord God, give me strength and guidance to do your work. If it is right and proper to rely upon a heathen, albeit for violence, then I beg you... show me a sign. Help me. I want my son to remain untarnished by heathen ways. I wish him to be God's king. Pure.
Here she’s praying for Edward in the prospect of a possible connection to Uhtred in case the latter becomes his oathman once he’s king, but it is the last part of the whole prayer that is fascinating, because in this moment she says what a king is if he’s connected to him and, therefore, the reference to Alfred is undeniable: the king had to be “untarnished by heathen ways” so that he could be “God’s king” and “pure”.
Alfred was connected to Uhtred so he was tarnished by heathen ways, he was not God’s king and he was not pure, all because of it.
Alfred eveasdropped this whole thing and when Aelswith noticed him, they both understood exactly what she was truly talking about and the expression on Alfred’s face was one of someone who actually believed those things about himself as well, and indeed you see that a lot in S3 when he shows more than once that he’s scared that he won’t end up in heaven. In 2x06 there's also another hint at that when he says “I am reaching out for an England, all in the name of God, yet I am relying upon the strength of a heathen, the iron of a pagan”, and when Aelswith tells him “You are God's king, lord" his answer is "Yet at my right hand is a pagan”.
Alfred has always been terrified at the possibility of not ending up in heaven because of what he had with Uhtred, but despite all of that he's always defended him and saved his life multiple times, just as Uhtred did with him.
Since Uhtred arrived in Wessex he has risked death more than once in every season, and Alfred has always tried to find a way to save his life:
1x03, Ubba offered Alfred a peace for silver and Uhtred’s head, Alfred refused and told him that he would have returned to the sword if he didn’t accept only to be paid.
1x05, Uhtred unleashed a sword in front of Alfred during prayers, while screaming at him in front of many people of Winchester. That’s a crime that is supposed to be punished with death, Alfred made him crawl instead.
1x06/1x07, Uhtred, claiming to do Alfred’s business, plundered Cornwall and sided with a Dane against a christian king, Alfred was supposed to kill him immediately, even more when Uhtred, supposed to beg for forgiveness, decided to scream in his face that he would never kneel neither to him nor to his God, but instead Alfred accepted Leofric’s proposal of a fight to the death so that “God would decide”, that means he left the possibility of Uhtred’s survival, even more because he chose the exact day for that fight to happen, which, casually, was on the day of a saint he liked a lot, and indeed the day after he called Uhtred and told him that he didn't like the thought of someone dying on that day. He tried to save him by offering him the option of giving everything back and resuming the debt (since it was with the plunder that he paid it), but Uhtred didn’t want to leave Iseult, so he refused.
2x03, he sent Ragnar to rescue Uhtred from slavery.
3x02, first, he was most likely going to forgive Uhtred for desecrating the cemetery; second, he should have senteced Uhtred to death for killing a monk in front of the whole witan and then escaping (thus worsening his actions), but instead he asked for an oath and spared his life; third, after he threatened his life Alfred did order for him to be killed, but as soon as he escaped he simply banished him from Wessex, he could have made someone follow him, but he didn’t.
3x05, Uhtred was an outlaw, while he was in Mercia Alfred could have still had him killed, since at the end of the day he was one of his enemies, but instead he used the excuse of him having Aethelflaed’s protection. Alfred could have killed him and no one would have said anything about it, but he did not.
3x08/3x09 Uhtred was still an outlaw here and Alfred claimed before that he would have killed him if stepped foot into Wessex, but he did not, instead he even assured his protection for when he knew he wouldn’t have been alive anymore to protect him.
Now, I feel like Alfred has a sort of codependency when it comes to Uhtred. That man constantly wants him next to him and he almost needs him to be there, the fact itself that in 2x05 Odda mentions that Alfred always says the same thing about Uhtred’s hall in Coccham “every time we visit”, hints at them being there quite ofter and there was only a 3 years time jump between the first and second half of S2, so Uhtred has had those lands for 3 years, probably even less, so… Exactly how many times have you visited this man in 3 years, Alfred? But, whether there's actually an element of codependency or not, there's certainly something that pulls them together, and indeed it is explicitly said that Uhtred and Alfred are “bonded" and that for that fact alone they can't kill each other even when they should.
In 3×09 Alfred points a sword to Uhtred's throat and asks him if he believes he could kill him, and to that Uhtred answers “we are bonded, you cannot kill me just as I cannot kill you”, and it’s really fascinating because there's a parallel between that scene and the scene in 5x07 when Uhtred and Brida are fighting and, when she tells him to kill her, he screams at her that they “are bound as one, killing you would be like killing a part of myself”, and Brida and Uhtred were romantically involved.
My point is that it is for this exact reason that Alfred was never able to look at Uhtred and excute him as he was supposed to do so many times, even the only time it very nearly happened (1x07) he left before he could see it, and whenever Uhtred was hit by Leofric during the fight, if you look specifically at Alfred, it almost seems as if he couldn't breathe, so you know there’s a kind of “without you I would be lost and I wouldn’t be myself anymore” for the both of them, and you can see that especially in the one who had to live further when the other actually died: Uhtred.
Uhtred very much always clings onto a few things and people, but the more he loses those he cares for the most, the more he loses himself. S3 is truly the start of Uhtred’s sort of radical change, indeed the man in SKMD is almost nothing like the man in S1, and what made it possible was that season.
In S3 Uhtred faces many losses: first he loses Gisela, so literally the love of his life (she was and I will die on that hill), second his brother Ragnar, then he loses Alfred, and not even a few days after his sister Thyra dies.
Gisela’s death has started Uhtred’s fall, and since he got cursed and was, very understandbly, in so much pain, everything escalated very quickly.
He killed Godwin to defend Gisela’s honour and he was obviously hurt by what he perceived as Alfred’s disinterest in defending Gisela, as he himself in 3x04 complains about in a very hurt way that Alfred “allowed her to be called a whore” (even though Alfred did try to make Godwin stop, but Uhtred simply couldn’t hear it because he was too enraged), therefore he betrays him and then subsequentially feels absolutely so guilty about it that he arrives to the point where Leofric, as the personification of his conscience, lets us know that he believed he deserved to died because of what he did to Alfred. As soon as the first occasion arises (Aethelflaed is in danger) he immediately leaves, which you can see was already on his mind as soon as Brida suggested him destroying Alfred, thus he abandons his brother. He then finds out that Ragnar died and he thinks it’s his fault because he left him (though there could have probably been little he could have done to prevent it even if he stayed there), then he suddenly meets Alfred again and he sees how much he's hated by him, or so Uhtred believes, so he falls in an even worse emotional state than before. After some time, Beocca asks him to meet Alfred and Uhtred himself wonders “what makes you think he would speak with me?”, which just shows how much he truly thought that Alfred despised him, but he goes to meet him anyway and he speaks to him. For the first time since they have met they are honest to each other and Alfred shows him actual trust and even love in a way, but then Alfred dies not even a week after (probably the day after they talked actually), so even if they were finally at peace with each other, Alfred still died and they had no way to enjoy that tranquility.
Now all of this took a very obvious emotional toll on Uhtred and I believe that Alfred is one of the biggest because he knew that he going to die, and yet, because of Skade's curse as Uhtred believed it to be, he wasted those final years they could have had together. That man meant a lot to Uhtred and in the books there's this quote that always gets me:
I stood beside Alfred’s coffin and thought how life slipped by, and how, for nearly all my life, Alfred had been there like a great landmark.
And that’s so terribly true because, compared to all the deaths before, it is important to notice that Alfred was the one who was there the most, more than Gisela and even more than Ragnar himself, since the latter left for Ireland right before Uhtred became Earl Ragnar’s son. Indeed when Alfred dies you can immediately see a change in demanor in Uhtred, which is striking because compared to many other deaths he went through, Uhtred remains silent in face of many things, for example during Alfred’s funeral he's imprisoned but doesn’t say a word, the only time he utters something is to tell Finan to do nothing. S1 Uhtred would have never reacted in such a way.
Still in prison, you can see that he goes near a very dangerous edge when he finds out that Thyra died, and that edge is finally overstepped in 4x03 with Beocca’s death, and it is from this death onwards that Uhtred is a completely different person. The process started with Gisela's death, culminated with Alfred’s and exploded with Beocca’s.
As I said Uhtred always clings to people and Uhtred has always been sort of in denial for Alfred’s death. He always dismissed the actual possibility of him dying, even when he himself noticed the signs, even when Alfred himself told him that he was about to and yet that man was still there like “Skade preys on men's fears, Lord”, says the man who at that time believed every single word she said. The thing is that I believe Uhtred remained in denial even after Alfred died, because yes he was with his God, but there was a part of Alfred that still lived: his dream.
From Alfred's death onwards, Uhtred works both directly and indirectly for the dream of an England, indeed he actually proves his loyalty to that man more after he died than when he was alive, and that has a lot to do with the fact that it was the last connection he had with him, as in a way it was also for Aelswith if you think about it, but also there was the aspect that, before dying, Alfred entrusted it in his hands and, since Uhtred spent the whole of S3 considering himself a traitor and blaming himself for it, if that man shows you one last trust, a trust you have yearned for your whole life, even more with the thing you know is most precious to him, what do you do? You are willing to do anything you can to make sure that that dream happens, to make sure that you can prove your loyalty, to show that you can keep one last oath to him and make it up for the one you broke.
That is painfully obvious in the film.
In the film Uhtred has made Northumbria an unified place, and it is actually the first time the whole of it is under one single king (even if Uhtred doesn’t call himself that), which was what Alfred has wanted all along, because he knew that the main problem would have been that particular kingdom, so with this action Uhtred has paved the way for the upcoming unification of England.
In 3x09 Alfred told him that his last act as king was to make sure that good men held power and that's one of the main things Uhtred was doing. Uhtred has known Alfred for 28 years of his life, he spent countless times with him, so he knew what Alfred would have wanted and every single decision he took in the film was so obviously made with the thought in mind of Alfred's wishes, and indeed Uhtred held the reins until he knew there was someone fitting to rule, a good man, just as his king would have wanted.
One of the most beautiful things to me is that Uhtred was lord of Bebbanburg at the time, so lord of the fortress he has waited his whole life to get back to, and yet he was mostly and more concerned about Alfred’s dream dying rather than the survival of that. Uhtred was also in a situation where he didn’t want to fight anymore, he didn’t even particularly believed he was still a warrior, and yet as soon as that dream was threatened, he didn’t hesitate once. That man was even forbidden to take part of the battle, since it would have been too dangerous for him, but he didn’t trust anyone else to protect Alfred’s dream and thus Uhtred went and died for it.
That man would have never died if he listened to Aethelstan's commands, but he defied them to not betray the little trust Alfred put in him right before he passed.
When he went back to Bebbanburg he didn’t even allow himself to die until he knew that there was an England out there and that Alfred’s lineage was on the throne of it, and during that scene he says that all he wanted was to be honoured in valhalla for “standing by an oath”, which yes can be interpreted as the oath of protecting Aethelstan, but remember that in S3, in Uhtred's mind, he did the most terrible thing of them all by breaking his oath to Alfred. Making England happen was the only way he could have forgiven himself for it, absolutely striking is the moment when the dream is fulfilled and you can how Uhtred is on the verge of tears and I think that has to do with two main reasons: first, he knew that with that Alfred would have finally known and understood how he could have never have betrayed him, and second, Alfred’s work was finished and there was nothing that kept him alive in his mind anymore.
Uhtred died soon after that so, in my mind, he totally met Alfred again at some point. In the show, for Thyra who was in a situation where she still believed in valhalla but was actually a christian, it was accepted the view of being in both places, therefore it is most likely the same for Uhtred, you know, a whole concept of peace rather than an actual place.
Dying for England is the most obvious declaration of love from Uhtred’s part, but if we want to point out actual words, Uhtred in 3x10 says that Alfred was “a man I loved and despised”, and he even calls him “my king”, which is something Uhtred will never do again for anyone. For the other kings he always just refers to them as “our”, therefore he speaks for his people and not for himself, but for Alfred? Oh, that’s a “my”.
For Alfred the thing was different because the man was a christian with so much guilt inside, it would have been way more difficult for him to say out loud that he loved Uhtred.
I do believe though that he did say it in subtext when he told him that “I should have closed my eyes and rattled at Heaven’s gate some time ago, it was the hope of this meeting that has kept me alive”, which is a lot, considering that the man was suffering like hell because of his illness, and yet he held onto life just for the purpose of seeing Uhtred one last time. It is also very interesting that on his deathbed he asked Uhtred “are you here or is it my sickness?”, because it hints at the possibility of Alfred having hallucinatione of Uhtred in the past when he was ill and WHY WOULD YOU EVER SEE SOME MAN WHEN YOU FEEL UNWELL? AND ESPECIALLY WHY ARE YOU NOT EVEN SURPRISED THAT YOUR MIND COULD HAVE CONJURED UHTRED COMING TO YOUR CHAMBERS IN THE MIDDLE OF THE NIGHT? There’s only one answer to that:
You are gay for that man and you are in love with him.
They both were.
So anon, the answer to your question is: Yes, I do believe that they had feelings for each other.
Thank you for coming to my ted talk!
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it's such a radical kind of positivity to be like 'maybe things will be okay in the end' in the face of biodiversity collapse and colonialism. but it's also exactly what we need. for some of us to go 'what if things turn out okay' and then do the work to get there because we loved that vision so much we made it happen
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oifaaa · 9 months
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hello! if it's alright to ask and know, what are the anti-semitic ties that the court of owls has? i'm not informed about this and i need help being educated and informed
Ho boy am I definitely not the right person to answer this question considering I'm not Jewish but the good news is there's a post I can link by a Jewish person which does explain the anti semitic aspects of the court of owls which you can read here
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potabo · 7 months
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That one damn hospital scene
There's something (besides the creepy faceless angel) that has always struck me as a Little Odd about the light world hospital scene in Chapter 2. As you may or may not be aware, in Chapter 2, the hospital has a scene where Noelle and her father, Rudy, are playing the in-game stand-in for Deltarune, Dragon Blazers. Now by the time Kristoph and Susleigh get to the room, the two are about to take on the
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(now if "Silver Drake" means anything in particular I'm a bit lost as to what but, again, perfectly possible) From here Rudy makes the perfectly reasonable suggestion
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because this is, as we learn... elsewhere, the Ice Palace boss
in response to which she says the following:
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Which reads as "the only party member who can use spells such as fireshock (the mage) is no longer with the party," at least by the point which you reach this ice boss.
This is where things become a Little Odd.
So we, having completed the Alternate Route, establish that we are fighting the same boss, the ice palace drake:
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this time Rudy asks Noelle what the game plan is, but this in and of itself doesn't seem terribly significant beyond being one of those Slight Differences we all love (perhaps a showcase of how her Boldness going up means she interacts with the world differently)
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but then here's the kicker:
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Now there's two main takeaways from this, firstly Noelle is still a bit Fucked (understandably) from the whole chain of events leading to this scene
but secondly and, more importantly, this implies that the game Dragon Blazers- the in-universe mirror of Deltarune has changed between routes
More specifically, the mage in this version has not left the party.
Now I think there are two main ways you can read this with regards to Deltarune as a whole:
This means that Noelle returning to the dark world is a Side B exclusive thing (uh oh)
We fight Noelle at some point (also uh oh), Noelle being the Ice Palace boss, and this is some clever wordplay around how having done Side B does not help the situation (Iceshock being ineffective and all that)
But also neither of those seem super likely to me at least, so theres some room to work with here
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littlelemontarte · 8 months
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the number one thing to remember when it comes to bild is that they aren't a credible "newspaper". they will twist facts, omit stuff or add things in order to follow their personal agenda. everything they say has to taken with a massive grain of salt.
another thing to keep in mind is that we don't know any of these players personally. we can only look at matches or videos released on youtube to get a gist of their opinion on each other. and while we might see a bunch of friends kicking around a ball and having fun, they might consider the team as nothing more than their coworkers (which would be okay). and there have absolutely been teams where you could notice that something was wrong, that certain parts of the lockerroom had issues with each other and that translated into relatively poor performances on the pitch and sometimes weird post match interviews.
bvb, however, had nothing like this last season - to the contrary. which let's me conclude, that bild is spewing bullshit about jude and how unpopular he was by his bvb teammates.
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gxlden-angels · 7 months
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Christians: Nothing should be over the Lord! You should give your money to the church because it belongs to Him!
Me, deciding I love my cat more than Jesus:
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littleoddwriter · 3 months
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Because I keep questioning my own writing a lot; especially in terms of ending a short story... sometimes, it really is easier to just treat what you write like a movie or a TV show you're watching. Especially if it's a short fic that is basically just a single scene. Like... Would there be a scene change now and it'd feel complete? If yes, then it's an appropriate ending. If no, then either you write one more paragraph or let it rest for a bit, come back to it, and see how you feel. Or you find a spot a little earlier because sometimes scenes can drag on for too long and need to be cut shorter in order to be satisfying and make sense.
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ifyougoillfollow · 11 months
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as we sink into the open sea
M/F, Gen | QPR MicNight | 1720 words | Selkie AU CW: Depiction of Suicide Attempt (non-graphic)
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On the eve of his nineteenth birthday, Yamada Hizashi walks into the ocean and comes back with a wife.
Please understand, that wasn't his intention. Yamada Hizashi is not the kind of man to believe in tales of sirens and sea wives, and he is especially not the kind of man with dreams of snaring one for himself. He is, in point of fact, not a man of any dreams at all. Not anymore.
So he walks into the ocean, figuring that if he can't find the will to keep dreaming, then he can at least find some peace at last. He finds a wife, instead.
Or rather, she finds him.
She finds him as his body hits the sea floor, at the very moment the first wave of doubt rolls over him in one fell, unrelenting swoop, much too late for him to do anything about it. He's so overcome with it he doesn't think much of the figure that glides out of the ocean murk and sidles right up to him. Wide, shark-bright eyes peer at him, so close they fill up his entire swimming, pin-pricking vision, and all Hizashi can think about is how soon he's going to die, and how he’s not so sure he wants to die after all, and how little what he wants matters in this final moment, as in all the rest before it, and then the figure places one cold hand on his colder cheek and kisses him. She's all Hizashi can think of, then.
She's dark-haired and beautiful. And strong. And a good swimmer, too, but that's to be expected. She drags him back to shore, lips locked tight over his the whole way, and she doesn't let go until his lungs are clear of ocean brine.
Hizashi lies there, alive and silent on the cold, wet sand for a good while after. Long enough for the first hint of morning blue to blush over the horizon. The sea maiden lies with him, just as alive, just as silent, and infinitely more at ease. Cozied right up to his side, as if she belongs there, seemingly content to remain there for however long Hizashi has left on this Earth now that she's saved him. Try as he might, he can't figure out whether he's grateful or not. He does, however, remember his manners, on occasion, so when he finally finds his voice again, he uses it to thank her.
"You're welcome," the sea maiden replies. There's laughter in her voice. Hizashi doesn't know what there is to laugh about, though he finds himself wishing she'd actually done so, just so he could hear it. He used to love laughter. Impossibly, he still does.
Yamada Hizashi had a knack for making people laugh, once. It was all he knew how to do, really. He doesn't know much of anything now, least of all how to make the sea maiden in his arms laugh, so he says nothing.
The sea maiden in his arms says nothing either, at first, for just long enough Hizashi startles when she does speak: "Is that it?"
"Pardon?"
"Is that all you're going to say?"
"... Is there more I should be saying?"
"There must be." There it is again – the laugh in her voice. "You don't strike me as the quiet type in the least."
That's what it is – she's teasing him. It's much too familiar to do anything but rankle. "Listen, Miss –”
She snorts. "Nemuri."
"Listen –” his face burns as he realizes that's her given name, and he refuses to say it "– listen, I'm grateful to you for saving me and all, but you don't know anything about me."
She peels away from his side. "Liar."
"Pardon?"
"You're not grateful at all," she grunts through an impressive stretch, current-strong arms flung upward and out towards the heavens. She's wearing a sealskin cape and nothing else, and is so unembarrassed by it Hizashi can't muster up any on her behalf. She winks at him. "But you will be," she adds. Then: "Take off your clothes."
"Pardon?"
This time she does laugh – seagull-like – loud and sharp and to the point. "Well, I don't know much about land folk, but it's my understanding you don't handle being wet all that well."
Hizashi wraps his arms around himself, scowling. "I'll be fine."
"Suit yourself."
The sea maiden stands – or at least tries to. She heaves herself upward in a motion that would probably be fluid underwater, then loses her balance, toppling backwards onto the sand, rump first. The sight of her glaring down at her legs is almost enough to pull a laugh out of Hizashi.
"Stupid things," she grumbles, kicking up sand.
Hizashi does laugh, then, which is a mistake. The sea maiden stands, suddenly sure-footed in her indignation, and uses her newfound mastery over her lower appendages to kick sand in his direction.
Hizashi cannot stop laughing. He laughs until his new companion loses interest in burying him under sand. He laughs until the sun finally frees itself from under the weight of the horizon. He laughs until he almost forgets he just tried to kill himself.
When he's all laughed out, the sea maiden is still there. Sitting across from him, hands and feet planted firmly in the sand, peering at him with a smile so dry it's a wonder she doesn't hail from land herself.
Without a word, she stands again, solid and steady, all remaining traces of sea legs gone, and hauls Hizashi to his own significantly less steady feet. While he's still reeling from... all of it – the strength of her hands around his, the seafoam-salt smell of her filling his impossibly pumping lungs, the laughter still clanging through every hollow part of him – the sea maiden takes her sealskin cape and drapes it over Hizashi's shoulders.
It's soft and musky and so warm it feels more alive than he does, but, most of all, it's heavy.
Hizashi tries to shrug it off. "Thanks," he says stiffly, "but I said I'm fine."
"I heard you," says the sea maiden, rearranging the cape around him.
"I don't need it."
"I know."
She fastens the cape closed around his neck, patting his chest firmly. It's so long it covers Hizashi all the way down to his shins. On her, it must have just brushed over the sand at her feet. The uncanny warmth of it doesn't seep even as the seafront breeze hits it, makes it flap and flutter around him in a heavy, even bump-bump, bump-bump beat. Nothing could ever hope to reach him past that beat and that warmth.
"I don't want it, either," he lies, because he has to, because he's never known what to do in the face of so much want, because he's always wanted too many things, and he's wanted them too much.
"Neither do I," says the sea maiden, breezy as the morning. "Maybe we should leave it here, lying around. I'm sure no one else would find it, if we hid it well enough."
Hizashi blanches at the thought. He may not be the kind of man to believe in tales of sea wives, but he has heard enough of them to be wary of the kind of man who does. He fumbles for the clasp at the base of his throat. "Just take it back. Go home."
"Hm, I don't think so." She sidesteps his attempts to foist the cape back onto her, walking away backwards, hands clasped behind her head. "I think I'll stick around here for awhile. Explore the land realm. It seems exciting."
Hizashi chases after her, cape held out like a net. "It isn't."
She twirls away again. "Liar."
"It's too exciting, then. Dangerous."
"So is the ocean – didn't stop you from walking into it."
"That was –" Hizashi falters, loses his footing "– different," he finishes lamely, hands fisted in the sand-soiled cape caught under his knees.
The sea maiden stands over him. "You're right," she says, "that was different – I'm not going into this trying to die. I'd say that alone makes my odds of survival look pretty swell, don't you think?"
Hizashi stares up at her, looming tall against the dawn sky, so tall she dwarves the rising sun itself, and has no doubt she'd survive even the drying of all seven seas if it meant she got to live.
"You're naked," he says, because he's running out of arguments, and the will to keep making them.
"I wouldn't be if you gave me your clothes,” she shoots back, “I gave you mine, didn't I? It would only be fair."
The cape is velvet-smooth as Hizashi slides it out from under himself, warmer still from the heat of his body and the sun-washed sand, which slides off of it like ocean spray from mossy seaside cliffs. His sea maiden – Nemuri – takes it from him and helps him back to his feet. She folds it over her arm, as if merely holding on to it for the moment, and arches an expectant eyebrow at him.
Sighing, Hizashi shrugs off his coat. "Yes,” he relents, “I suppose it would only be fair."
On the dawn of his nineteenth birthday, Yamada Hizashi walks into town with nothing but a sealskin cape on his back and a wife.
Or so the townsfolk like to tell it, because the townsfolk love a good fairy tale romance almost as much as they love to pity him. In time, they will come to pity him even this moment and his sea-wild wife, as outrageous as she is beautiful, as the very ocean itself, and Yamada Hizashi will do what he has always done in the face of undue pity, which is to laugh in it and continue loving whoever and whatever he loves, in whichever way he sees fit.
But that will come later. For now, in the rosy light of a dawn he never planned to see, Hizashi walks into town beside Nemuri, the sea maiden who saved his life – the woman who will be called his wife and be so much more – and is content enough to have finally figured out he’s grateful, even if he has yet to figure out much else. The rest will follow, he’s sure, in good time and – even better – good company.
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friarvelune · 10 months
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Moments that will be living rent-free in my head forever and ever.
Hey. Listen to Inn Between. It's good and also this happens and it's dramatic and cool and devastating (and just a little bit ridiculous. Acid flavored...).
(Image description: Three pictures of the same drawing in various stages of progress. The first image is the finished and colored drawing in black ink and colored pencil, and it pictures Meltyre, a young man with pale skin, dark brown hair, and currently green eyes. He is wearing dark grey robes with greenish-blue flames patterned around the wrists and hems, and a wizard hat with purple trim and the same greenish fire hanging as a pendant from the tip. His expression is angry and determined. In between his hands, he holds a ball of bright green liquid. Typed text around the drawing says in one font, "Stop calling me a coward." In a second font, it says, "...Meltyre, what is that?" In the first font again, it says, "Chromatic orb. Acid flavored. Are you listening to me now?" The word "now" is larger and spaced out for emphasis. The second and third images are the pencil sketch and the uncolored ink drawing with the words handwritten. End of image description.)
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teaandinanity · 5 days
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Sometimes I'm like 'oh, right, the inside of my head is Not The Standard Model' about the DUMBEST possible shit.
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clericofshadows · 17 days
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one day I'll finish the LOTSB write up... but now I have angsty masshenko thoughts... thoughts about Zaeed feeling left out due to Regis's and Kaidan's biotics and their underlying connection and sensing they have with one another... :)
might be another ME3 era fic I need to write
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chevaliermalfets · 2 months
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OF COURSE the jury president for my candidacy exam is a magnetic materials guy
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moregraceful · 11 months
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Going through a Hillsong thing rn which is where I listen to a lot of Hillsong United and Hillsong Young & Free and feel really bad about it. I think that the one single Fueled By Ramen memoir I would commit absolute murder to read is Michael Guy Chislet's. How did he go from an Australian evangelical megachurch worship band to The Academy Is on Warped Tour...and then BACK to the evangelical megachurch worship band like you didn't just spend three years in a cramped tour bus having weirdly homoerotic relationships with your bandmates?? And he still managed to remain in contact with at least one of them, given that he was hanging out with Sisky when Hillsong was touring the US a little while back, so the experience apparently wasn't like his 40 days in the wilderness?????? I'm sure all this information is out there if I looked for it, but the more I perform the ultimate act of Progressive Christian Hypocrisy (listening to Hillsong), I just get more and more crazed by the idea of Chis just. going from a huge evangelical worship band in Australia whose influence and impact far outstrips most FBR bands of that era (back then AND now) to fucken. living in William Beckett's manic-depressive dreamscape?? How did he GET there??
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danikatze · 10 months
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Muddle
a multi-chapter Saraiya Goyou fic
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[ID in alt text]
Chapter 1: What the Hell was the Hurry
Summary: The Five Leaves decide to leave Edo with Masa and Yaichi. Ume and Okinu are the first to arrive in their new home town, soon followed by Matsu. While Ume wants to give "opening up" a try, Matsu struggles with Feelings more than ever. An unexpected relationship develops between the two.
Read it on AO3 - or read it here:
Matsu arrived in town much, much sooner than Ume expected.
At the moment he and Okinu left Edo, heading for the place the Five Leaves had decided to try and make their new home, Matsu was still frantically running around (that is to say, walking everywhere much faster than a short guy like him should realistically be able to do) trying to get things done before his own departure.
The news that Matsu was closing up shop and moving someplace else must've spread like wildfire. The day after the Five Leaves agreed to leave Edo with Masa and Yaichi, there was a small, but undeniable queue of servants from rich families in front of his row house. Some he could please with the few hairpins or pipes that were still lying around and wanted to get rid of before moving anyway. The others placed more specific orders.
Otake, Ginta and Matsu still hung out at Ume's place while Ume and Okinu were preparing to leave, and every time Matsu was there he heartily complained about the orders. He hadn't declined any that Ume was aware of. Matsu was not good at refusing clientele.
Ume and Okinu were the first to start their trek to their potential new hometown, and, predictably, they were also the first to reach their destination. The two were planning to stay at an inn and explore the town from there. Miraculously, they found a vacant row house within mere hours of their arrival.
On her trip to the market the next day, at the end of the afternoon, Okinu spotted Matsu in the crowd. She was shocked to see him: not only did she not expect him to be there yet, he looked exhausted. As usual Matsu insisted that he was fine and asked her directions to the nearest inn. Okinu didn't believe it for one second, and dragged him home with her without completing her shopping.
As soon as Matsu stepped into the row house he collapsed. He was burning up and slept for nearly a full twenty-four hours.
Ume managed to get water and tiny amounts of porridge into Matsu in moments of sort of consciousness. Still, when Matsu finally woke up fully, he was craving food. His fever had gone down, but he looked pretty worse for wear still: he was very pale, his eyes were puffy and the fact that he hadn't shaved for almost two days didn't really help him. He was usually so presentable, which made this sight all the more concerning. It actually reminded Ume of the time Masa just rescued Matsu, after being held in the storage room of that candle maker for a few days. At the very least he didn't have any injuries this time.
Ume made him an elaborate meal, with a little help from his neighbours. They were already quite friendly to Ume, thanks to Okinu. He always let her introduce herself first, and made sure she mentioned he raised her on his own. Ume wasn't really comfortable taking the credit for that. She'd done so much of it herself, somehow. It was a really good ice-breaker, though. People were always much less scared of him when they knew that he'd single-handedly raised such a lovely girl.
"So hey," Ume stepped into the row house with a pot of tea that his elderly neighbour on the right made for them. Ume waited a moment for a sign of acknowledgement from Matsu. It did not come because he was too busy scarfing down the contents of one of many bowls Ume put in front of him ten minutes prior. It went in so fast Ume was unable to discern what exactly it was. Ume continued anyway: "did you do the impossible and say 'no' to your customers?"
Matsu put the empty bowl away and grabbed a grilled fish with his chopsticks. Before he himself seemed to realize it, he'd taken a big bite. He held up a hand, asking for Ume's patience. After a moment it appeared that he didn't have any patience himself, because he just moved the fish inside his cheeks so he could reply.
"Nah," Matsu said, then, realising his cheeks could not contain all the fish while talking, attempted to swallow a portion of his large bite and seemingly hurt himself in the process. With a strained expression he thumped his chest a few times, as if that would make the food go down easier, and continued with a tight voice, "I just kinda hid from people at some point, so I could finish everything in time."
"In time?" Ume placed two cups on the floor, and started to pour out the tea, but paused to squint suspiciously at Matsu. "For what?"
"Didn't wanna take longer than a week, or -- ow," Matsu now attempted to swallow a chunk of rice that apparently did not fit down his throat. Ume waited calmly - and judgmentally - for Matsu to get it down and start breathing normally again.
"- or I would've been stuck in Edo forever," Matsu finally finished his sentence.
Ume tried doing the maths in his head - this just obviously didn't add up. Admittedly, he and Okinu hadn't exactly rushed their journey, but they didn't make a leisurely trip of it either. The whole thing had taken them over two weeks.
If Matsu really did leave a week after them, that meant he'd done it in a week and a half.
Ume looked at Matsu, just woken up from sleeping pretty much twenty-four hours straight. He saw the bags under Matsu's eyes and the amount of food that he was currently consuming, and suddenly started to get very annoyed indeed. He sat up straight and crossed his arms. If Matsu noticed, he didn't show it: he only had eyes for the food before him.
"And you made the deadline?" Ume asked, hoping Matsu would say he finished everything sooner than he thought.
"By a hair," Matsu said, casually.
"What the hell was the hurry, you idiot?!" Ume failed miserably at staying calm. It was the indifference that really pissed him off. "Did you even sleep or eat?"
"Of course I did," Matsu's glower would almost be endearing if it hadn't been preceded by one of those infuriating eye rolls. To make matters worse Matsu decided to add, "I just didn't waste time on a bunch of hour long breaks in between, like you guys probably did."
"I'll have ya know that I didn't practically drop dead at our doorstep when we got here," Ume fumed, "and neither did my kid!"
"Good for you," grumbled Matsu, while stuffing some more rice in his face. "Anyway its none of your business how I travel."
"Oh yeah?" Ume laughed incredulously, "well then, in that case feeding you is none of my business either, lemme clear everything away for you."
"Don't --" Matsu practicality threw himself over the food that surrounded him, to shield it from Ume, "- touch anything."
His pale face flushed with embarrassment, although it didn't stop him from grabbing a bowl of miso and slurping it down as soon as Ume turned away in a huff.
Ume's blood was boiling, but he was really not in the mood for any of the bickering that he and Matsu normally liked to engage in. He was pretty tired from the trip himself, despite taking all the necessary rest stops at the roadside, in addition to the longer breaks they took for food and sleep. The first night they spent in their new place, it knocked both him and Okinu out for about two hours longer than usual.
Ume looked over at Matsu and narrowly avoided snorting at him. Matsu scowled so hard that his eyes almost vanished in his frown. A smile formed on Ume's face before he remembered that he was, in fact, still angry.
Well.. no, he wasn't in the mood for that either. And maybe it wasn't really fair to go all parental on a grown man who managed to run a successful business for a good while back in Edo.
He's so bad at taking care of himself though!
His anger subsided, but got the urge to make Matsu feel a bit self-conscious with a fun little snarky remark. Y'know, a little reward for not arguing.
"I'm impressed you still manage to get food in there, the way you're scrunching up your face," he said, with a self-satisfied grin.
"I'm impressed you- you're..," Matsu faltered, "Shut up, I'm exhausted.."
Ume's grin broadened. Matsu turned into such a pubescent teenager whenever Ume went into dad mode. He looked at the few signs of age on Matsu's face, and wondered how old he could be. In his thirties probably? None of the Five Leaves knew any of the other's ages, and they never asked. Ume didn't ask this time either. Instead, he collected some empty bowls to wash up, and left Matsu to simmer down a bit as well.
When Ume returned Matsu had cleared out all the dishes and was stretched out on the floor with his hands on his stuffed belly. At the sound of the door sliding open and Ume stepping in, Matsu lazily looked over, his head lolling to the side. After following Ume with his gaze for a bit, and Ume pretending he didn't notice while collecting more bowls, Matsu sighed.
"Thanks, Ume," he said.
"My pleasure. I like cooking," Ume presented the empty bowls, "and seeing people enjoy my food."
"I didn't mean the food," Matsu stared at the ceiling, and patted his belly, "although, thanks for that as well."
"Then what?" "Dunno,"
Matsu shrugged, "for worrying, I guess."
"Oh," this took Ume by surprise. He hadn't expected Matsu to cool down this much, "yeah, no problem. I have years of worrying experience, raising a sickly kid by myself and all." He laughed a bit and then added in a quasi stern tone, "She was never as damned reckless as you were, thank fuck."
"Hah," Matsu covered his eyes with his hands, groaning, "Masa used the same word to describe me ages ago. I should really do something about that."
-
It took Matsu a few more days to really get back on his feet again. If it were up to him he would've set out to find a place to stay for himself the very same day he woke up. Ume wouldn't hear of it, and made Matsu rest until he felt fit for at least one full day.
He didn't trust Matsu to be honest about that, but he was fairly good at evaluating someone's well-being. He'd been through too many instances of Okinu claiming she was better, and her falling ill again the next day. Once he started implementing his a-full-day-fit rule, she experienced much fewer relapses.
Matsu grumbled about it a lot and then, to Ume's great surprise and suspicion, put up a lot less resistance than he had prepared for. Ume kept an eye on Matsu as much as he could, and the only way to achieve that was to have Matsu take part in Ume's chores and other activities. As time went on it seemed that Ume didn't need to be distrustful of Matsu's compliance. In fact, if Ume hadn't known any better, he would have said Matsu enjoyed being forced into slowing down.
In the meantime Okinu used her charms to find a place for Matsu to live. In no time at all she managed to get half of her neighbourhood either keeping an eye out, or actively searching for a vacant row house. By the time Ume allowed Matsu to go free, he could move into one that was only a fifteen minute walk away from Ume's - or probably ten minutes at Matsu's pace.
Ume started looking for a building that would be suitable for an izakaya, because his little row house of course wouldn't do. That didn't stop him from providing his neighbours with home cooked snacks and (side) dishes. A bit of advertisement for his as of yet non-existent izakaya. He didn't have much luck yet though. Not that he expected to find something after being there for only a week or so, but he was a bit jealous of Matsu, as unlike him, he would easily be able to set up his business from a row house.
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ikihtoe · 10 months
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HELLO MY LOVES
it's been so long and I've finally got the time to get on this app omg I missed this place.
i have a few words for my mutuals in the tags so I hope you read it a bit at least—I've decided to post this because, idk sending them to you one by one is a bit time-wasting.
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Sometimes I see a post that's like "I'm so sick of all [privileged group I'm part of] people thinking [something it never occurred to me to believe but seems obviously bad] y'all need to unlearn that stuff right now" and I have to try to figure out if
I'm actually an exception to their blanket statement either because I'm from a social context they didn't consider/know about where that belief is not as common or because they're exaggerating and I shouldn't take it so literally
it's so deeply ingrained in me that I can't recognize it when it's pointed out and I really need to unlearn it but I'm gonna need to learn to recognize it in the first place
they just phrased it poorly and I misunderstood and the thing they're actually describing is something I would recognize
Anyway what I do know I need to unlearn is the idea that I'm supposed to just know that and can't ask for clarification.
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