#hopkins royals
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and let’s not forget Amaya she even gave Paige a little pose after like hmmm she liked Paige noticing
i know you didn’t mean to send me this but amaya was wildddd for that
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Sonelle Code80B
Remembered like marriage... committed
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Here's THE masterpost of free and full adaptations, by which I mean that it's a post made by the master.
Anthony and Cleopatra: here's the BBC version, here's a 2017 version.
As you like it: you'll find here an outdoor stage adaptation and here the BBC version. Here's Kenneth Brannagh's 2006 one.
Coriolanus: Here's a college play, here's the 1984 telefilm, here's the 2014 one with tom hiddleston. Here's the Ralph Fiennes 2011 one.
Cymbelline: Here's the 2014 one.
Hamlet: the 1948 Laurence Olivier one is here. The 1964 russian version is here and the 1964 american version is here. The 1964 Broadway production is here, the 1969 Williamson-Parfitt-Hopkins one is there, and the 1980 version is here. Here are part 1 and 2 of the 1990 BBC adaptation, the Kenneth Branagh 1996 Hamlet is here, the 2000 Ethan Hawke one is here. 2009 Tennant's here. And have the 2018 Almeida version here. On a sidenote, here's A Midwinter's Tale, about a man trying to make Hamlet. Andrew Scott's Hamlet is here.
Henry IV: part 1 and part 2 of the BBC 1989 version. And here's part 1 of a corwall school version.
Henry V: Laurence Olivier (who would have guessed) 1944 version. The 1989 Branagh version here. The BBC version is here.
Julius Caesar: here's the 1979 BBC adaptation, here the 1970 John Gielgud one. A theater Live from the late 2010's here.
King Lear: Laurence Olivier once again plays in here. And Gregory Kozintsev, who was I think in charge of the russian hamlet, has a king lear here. The 1975 BBC version is here. The Royal Shakespeare Compagny's 2008 version is here. The 1974 version with James Earl Jones is here. The 1953 Orson Wells one is here.
Macbeth: Here's the 1948 one, there the 1955 Joe McBeth. Here's the 1961 one with Sean Connery, and the 1966 BBC version is here. The 1969 radio one with Ian McKellen and Judi Dench is here, here's the 1971 by Roman Polanski, with spanish subtitles. The 1988 BBC one with portugese subtitles, and here the 2001 one). Here's Scotland, PA, the 2001 modern retelling. Rave Macbeth for anyone interested is here. And 2017 brings you this.
Measure for Measure: BBC version here. Hugo Weaving here.
The Merchant of Venice: here's a stage version, here's the 1980 movie, here the 1973 Lawrence Olivier movie, here's the 2004 movie with Al Pacino. The 2001 movie is here.
The Merry Wives of Windsor: the Royal Shakespeare Compagny gives you this movie.
A Midsummer Night's Dream: have this sponsored by the City of Columbia, and here the BBC version. Have the 1986 Duncan-Jennings version here. 2019 Live Theater version? Have it here!
Much Ado About Nothing: Here is the kenneth branagh version and here the Tennant and Tate 2011 version. Here's the 1984 version.
Othello: A Massachussets Performance here, the 2001 movie her is the Orson Wells movie with portuguese subtitles theree, and a fifteen minutes long lego adaptation here. THen if you want more good ole reliable you've got the BBC version here and there.
Richard II: here is the BBC version. If you want a more meta approach, here's the commentary for the Tennant version. 1997 one here.
Richard III: here's the 1955 one with Laurence Olivier. The 1995 one with Ian McKellen is no longer available at the previous link but I found it HERE.
Romeo and Juliet: here's the 1988 BBC version. Here's a stage production. 1954 brings you this. The french musical with english subtitles is here!
The Taming of the Shrew: the 1980 BBC version here and the 1988 one is here, sorry for the prior confusion. The 1929 version here, some Ontario stuff here, and here is the 1967 one with Richard Burton and Elizabeth Taylor. This one is the Shakespeare Retold modern retelling.
The Tempest: the 1979 one is here, the 2010 is here. Here is the 1988 one. Theater Live did a show of it in the late 2010's too.
Timon of Athens: here is the 1981 movie with Jonathan Pryce,
Troilus and Cressida can be found here
Titus Andronicus: the 1999 movie with Anthony Hopkins here
Twelfth night: here for the BBC, here for the 1970 version with Alec Guinness, Joan Plowright and Ralph Richardson.
Two Gentlemen of Verona: have the 2018 one here. The BBC version is here.
The Winter's Tale: the BBC version is here
Please do contribute if you find more. This is far from exhaustive.
(also look up the original post from time to time for more plays)
#adaptations#macbeth#hamlet#king lear#twelfth night#much ado about nothing#henry iv#henry v#richard iii#julius caesar#timon of athens#troilus and cressida
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Evolutionary biologists at Johns Hopkins Medicine report they have combined PET scans of modern pigeons along with studies of dinosaur fossils to help answer an enduring question in biology: How did the brains of birds evolve to enable them to fly?
The answer, they say, appears to be an adaptive increase in the size of the cerebellum in some fossil vertebrates. The cerebellum is a brain region responsible for movement and motor control.
The research findings are published in the Jan. 31 issue of the Proceedings of the Royal Society B.
Continue Reading.
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I typed up the Pentiment bibliography for my own use and thought I’d share it here too. In case anyone else is fixated enough on this game to embark on some light extra-curricular reading
I haven’t searched for every one of these books but a fair few can be found via one of the following: JSTOR / archive.org / pdfdrive.com / libgen + libgen.rocks; or respective websites for the journal articles.
List below the cut!
Beach, Alison I, Women as Scribes: Book Production and Monastic Reform in Twelfth-Century Bavaria. Cambridge University Press, 2004
Berger, Jutta Maria. Die Geschichte der Gastfreundschaft im hochmittelalterlichen Mönchtum die Cistercienser. Akademie Verlag GmbH, 1999
Blickle, Peter. The Revolution of 1525. Translated by Thomas A. Brady, Jr. and H.C. Erik Midelfort. The Johns Hopkins University Press, 1985
Brady, Thomas A., Jr. “Imperial Destinies: A New Biography of the Emperor Maximilian I.” The Journal of Modern History, vol.62, no.2, 1990. pp. 298-314
Brandl, Rainer. “Art or Craft? Art and the Artist in Medieval Nuremberg.” Gothic and Renaissance Art in Nuremberg 1300-2550. The Metropolitan Museum of Art, 1986
Byars, Jana L., “Prostitutes and Prostitution in Late Medieval Barcelona.” Masters Theses. Western Michigan University, 1997
Cashion, Debra Taylor. “The Art of Nikolaus Glockendon: Imitation and Originality in the Art of Renaissance Germany.” Journal of Historians of Netherlandish Art, vol.2, no.1-2, 2010
de Hamel, Christopher. A History of Illuminated Manuscripts. Phaidon Press Limited, 1986
Eco, Umberto. The Name of the Rose. Translated by William Weaver. Mariner Books, 2014
Eco, Umberto. Baudolino. Translated by William Weave. Boston, Mariner Books, 2003
Fournier, Jacques. “The Inquisition Records of Jacques Fournier.” Translated by Nancy P. Stork, San Jose University, 2020
Geary, Patrick. “Humiliation of Saints.” In Saints and their cults: studies in religious sociology, folklore, and history. Edited by Stephen Wilson. Cambridge University Press, 1985. pp. 123-140
Harrington, Joel F. The Faithful Executioner: Life and Death, Honor and Shame in the Turbulent Sixteenth Century. Farrar, Straus and Giroux, 2013
Hertzka, Gottfied and Wighard Strehlow. Große Hildegard-Apotheke. Christiana-Verlag, 2017
Hildegard von Bingen. Physica. Edited by Reiner Hildebrandt and Thomas Gloning. De Gruyter, 2010
Julian of Norwich. Revelations of Divine Love. Translated by Barry Windeatt. Oxford University Press, 2015
Karras, Ruth Mazo. Sexuality in Medieval Europe: Doing Unto Others. Routledge, 2017
Kerr, Julie. Monastic Hospitality: The Benedictines in England, c.1070-c.1250. Boydell Press, 2007
Kieckhefer, Richard. Forbidden rites: a necromancer's manual of the fifteenth century. Sutton, 1997
Kümin, Beat and B. Ann Tlusty. The World of the Tavern: Public Houses in Early Modern Europe. Routledge, 2017
Ilner, Thomas, et al. The Economy of Dürnberg-Bei-Hallein: an Iron Age Salt-mining Centre in the Austrian Alps. The Antiquaries Journal, vol. 83, 2003. pp. 123-194
Làng, Benedek. Unlocked Books: Manuscripts of Learned Magic in the Medieval Libraries of Central Europe. The Pennsylvania State University Press, 2008
Lindeman, Mary. Medicine and Society in Early Modern Europe. Cambridge University Press, 2010
Lowe, Kate. “'Representing' Africa: Ambassadors and Princes from Christian Africa to Renaissance Italy and Portugal, 1402-1608.” Transactions of the Royal Historical Society Sixth Series, vol. 17, pp. 101-128
Meyers, David. “Ritual, Confession, and Religion in Sixteenth-Century Germany.” Archiv für Reformationsgeschichte, vol. 89, 1998. pp. 125-143
Murat, Zuleika. “Wall paintings through the ages: the medieval period (Italy, twelfth to fifteenth century).” Archaeological and Anthropological Sciences, vol. 12, no. 191. Springer, October 2021. pp. 1-27
Overty, Joanne Filippone. “The Cost of Doing Scribal Business: Prices of Manuscript Books in England, 1300-1483.” Book History 11, 2008. pp. 1-32
Page, Sophie. Magic in the Cloister: Pious Motives, Illicit Interests and Occult Approaches to the Medieval Universe. The Pennsylvania State University Press, 2013
Park, Katharine. “The Criminal and the Saintly Body: Autopsy and Dissection in Renaissance Italy.” Renaissance Quarterly, vol. 47, no. 1, Spring 1994. pp. 1-33
Rebel, Hermann. Peasant Classes: The Bureaucratization of Property and Family Relations under Early Habsburg Absolutism, 1511-1636. Princeton University Press, 1983
Rublack, Ulinka. “Pregnancy, Childbirth, and the Female Body in Early Modern Germany.” Past & Present, vol. 150, no. 1, February 1996. pp. 84-110
Salvadore, Matteo. “The Ethiopian Age of Exploration: Prester John's Discovery of Europe, 1306-1458.” Journal of World History, vol. 21, no. 4, 2011. pp. 593 - 627
Sangster, Alan. “The Earliest Known Treatise on Double Entry Bookkeeping by Marino de Raphaeli”. The Accounting Historians Journal, vol. 42, no. 2, 2015. pp. 1-33.
Throop, Priscilla. Hildegard von Bingen's Physica: The Complete English Translation of Her Classic Work on Health and Healing. Healing Arts Press, 1998
Usher, Abbott Payson. “The Origins of Banking: The Primitive Bank of Deposit, 1200-1600.” The Economic History Review, vol. 4, no. 4, 1934. pp. 399-428
Waldman, Louis A. “Commissioning Art in Florence for Matthias Corvinus: The Painter and Agent Alexander Formoser and his Sons, Jacopo and Raffaello del Tedesco.” Italy and Hungary: Humanism and Art in the Early Renaissance. Edited by Péter Farbaky and Louis A. Waldman, Villa I Tatti, 2011. pp. 427-501
Wendt, Ulrich. Kultur und Jagd: ein Birschgang durch die Geschichte. G. Reimer, 1907
Whelan, Mark. “Taxes, Wagenburgs and a Nightingale: The Imperial Abbey of Ellwangen and the Hussite Wars, 1427-1435.” The Journal of Ecclesiastical History, vol. 72, no. 4, 2021, pp. 751-777.e
Wiesner-Hanks, Merry E. Women and Gender in Early Modern Europe. Cambridge University Press, 2008
Yardeni, Ada. The Book of Hebrew Script: History, Paleography, Script Styles, Calligraphy & Design. Tyndale House Publishers, 2010
#pentiment#Pentiment bibliography#some of these books give me strong first-year undergrad vibes#even just seeing ulinka rublack’s name gives me semi-traumatic flashbacks to cultural history seminars#would I cope better with it now that I don’t have to write essays each week on the topic?#¯\_ (ツ)_/¯#probs not tbh#also it probably would have been a lot faster if I could have pulled this list from game files somehow#but I do not know how to do that :)))#Anyway I hope this is of use to somebody at some point#I wish you all a very happy reading about the primitive deposit banking system everybody 😌
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Prince William and Catherine, The Duke and Duchess of Cambridge on the beach after a Garifuna Festival on the second day of a Platinum Jubilee Royal Tour of the Caribbean in Hopkins, Belize. — 20 March 2022
#prince william#prince of wales#kate middleton#princess of wales#british royal family#royalty#royals#mine*tb
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Phil Dunster is following in the footsteps Gordon MacRae and Hugh Jackman (for at least two nights) and will play Curly in an upcoming performance of OKLAHOMA at Theatre Royal Drury Lane.
Tom Hendryk loves him some Philip.
-While Phil is going very live, a few other AFC Richmond-ers are going animated. Cristo, Hannah and Brett with Cristo providing the voice of Chipiri in THE CASAGRANDES MOVIE on Netflix;
and Brett and Hannah (who recently won a Royal Television Society Award)
in the upcoming THE GARFIELD MOVIE.
-Also, for the children is James Lance, who appeared in the second installment of THE FAMOUS FIVE: PERIL ON THE NIGHT TRAIN.
James is living for this hat/scarf combo, isn't he?
Still in the kids realm, Brett has conquered the Muppets, now he is on to Fraggle Rock!
Appearing as Pryce, Brett also gets to sing in the episode.
-On the live-action side, we now have a release date for Moe Hashim's next project; the Anthony Hopkins gladiator saga THOSE ABOUT TO DIE - coming to Peacock on July 18th.
youtube
-David Elsendoorn has been hanging out with the Boom Chicago crowd in Amsterdam, but took time out to visit Stephen Manas.
#ted lasso#ted lasso cast#james lance#brett goldstein#phil dunster#hannah waddingham#fraggle rock#garfield movie#the famous five#ted lasso alums#cristo fernandez#moe hashim#david elsendoorn#stephen manas#the garfield movie#those about to die
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Uh, so, I saw this kickass piece of fanart by @thwipped and whoops, innit:
---
If caught and asked about it, Jamie couldn’t have explained why he did it.
Actually, no. Scratch that.
He could have explained, probably. He just wouldn’t have cared to.
---
The way it goes is this:
He’s been with Richmond for a couple of months and haven’t those been the longest fucking months of his life, because yeah, ‘course it’s fun being the best fucking player on the team, ‘course it’s fun hearing the fans chant his name, doo-doo, doo-doo, doo-doo, and getting a bit of rest from his dad ain’t bad either, but Richmond is a shit club with a shit manager and the only fucking bright spot—
Well. That’s turned out to be shit too, hasn’t it.
At least Jamie’s killing it, at matches, at training, every fucking time he steps onto the pitch. No one can fucking touch him, dominating yeah, and today’s been a good day for it too, what with the photographer on the sidelines snapping picture after picture for some promo or other. Jamie didn’t pay too much attention to the details, just made sure they got him from his best angle (every angle’s his best angle), and that’s that, until a couple of days later when he walks past Hopkins’ (or Huggles’?) empty office and sees the photos spread out all across the desk.
And well. ‘Course he steps inside to have a look. Bound to be a bunch of him looking fit as fuck, right, and who doesn’t want to see that, and maybe he can grab one for Keeley, bet she’d love it.
There is a bunch of him looking fit as fuck, no surprise there. Difficult to choose the best one really, they’re all fucking brilliant (‘cause he’s fucking brilliant), and he’s deliberating between an action shot of him about to score one of the prettiest goals this sad fuck of a club ever saw and a shot of him afterwards, chin raised against he blue autumn sky like a hero out of a movie or something. Gorgerous, innit.
And then his eyes fall on a picture of Roy.
A picture of Roy fucking Kent. And. Like. It’s not even anything special, not like Roy’s actually doing anything in it, it's just a stray shot of him caught unawares with his shirt raised to wipe the seat of his forehead and he’s—
He’s. Uh.
Fuck. Jamie stares and he stares and he stares because for all that his old attraction to Roy didn’t survive five fucking minutes of actually being in the same room as the man, that’s just—
The shorts riding low on his hips. The dark hair trailing down and down, and the glistening drops of sweat on his forehead and Jamie can fucking smell him and that’s not sexy, is it, except it really fucking is, and those arms, and something unguarded and vulnerable and the real Roy Kent is a royal cunt but the Roy Kent in the picture—
He’s something else, isn’t he. He’s fucking fit. (Okay, the real Roy Kent is that, too, but it kind of fades in the face of him being an insufferable old twat and all that.)
Jamie grabs the picture. Doesn’t let himself think too much about it. Shoves it in his pocket and walks away, feeling it burn, burn, burn against his side.
---
When Jamie was twelve his mum gave him a poster of Roy Kent and Jamie was over the fucking moon. When Jamie was twenty-three he met Roy Kent and Roy Kent glared at him with unmitigated disgust and okay, fuck you too, mate. You’re not even that good anymore, and still you expect everyone to fall at your fucking feet, do your fucking bidding and make like you’re the fucking king, and fuck that, the king is dead, old man; long live the king.
Thing is, looking at the picture now it’s not that hard to forget about the real Roy Kent (nasty bastard) and remember the Roy Kent (fucking legend) that looked down on Jamie from his bedroom wall and whispered encouragements in the back of Jamie’s head and, a little later, featured frequently in fantasies of a different sort.
Picture in one hand, cock in the other, Jamie wanks to Roy for the first time since he came to Richmond (and if it’s not all just the memories of the man he once imagined, if it’s a little bit tinged with dark looks and growls and Roy snarling his name like it’s an insult… Well. That’s nobody’s business, that.)
---
He keeps the photos in the bottom drawer in his bedroom and he doesn’t pull it out a lot, ‘cause there’s Keeley and she’s fucking fit and the sex is mindblowing and Jamie doesn’t need to gawk at pictures of sad old has-beens to get his rocks off.
Sometimes there’s a different sort of itch, though, and he scratches it. No big deal.
(He wonders sometimes, what the real Roy would say if he knew. Plays it out in his mind, all the different ways it might go. Cums as he imagines it.)
He thinks maybe Keeley would like the picture too. Not ‘cause she’d like Roy, she’s got way better taste than that, and she’s fun and she likes a bit of fun and if there’s one thing Roy Kent ain’t, it’s fun, innit. But he’s fit and all, and Keeley’s got eyes.
He imagines it, sometimes, the two of them getting off together over the picture. If Roy – the real Roy – wasn’t such a miserable old prick, he’d suggest it to her maybe. But Roy is such a miserable old prick, and the whole thing is way too complicated to explain, so he doesn’t.
Then Keeley dumps him and the dream was only ever that.
---
They send him back to City. Jamie doesn’t understand. One moment he’s sharing a bottle of tequila with Dani Rojas and taking up the Richmond chant and Jamie’s not wrong and for the first time he wonders if maybe there could be something for him here, and the next he’s woken up by his agent and that same evening he’s back in Manchester like he never left, only the stale air in the house he bought with his fifth paycheck tells him he did, and the numb sense of loss as he steps through the door tells him he did.
It’s months before he gets everything from London shipped and sorted. Busy getting up to speed with everything at the club and all. It’s good to be back, really, a proper team, a proper coach, all that. Dad starts getting in touch again, sure, but it is what it is.
So yeah, it’s months before he gets all his stuff unpacked and months before his fingers brush over something familiar and he stands there staring down on the picture or Roy and it’s odd because it seems like only yesterday he first saw it and it seems a lifetime ago.
A rush of lust – Pavlovian, right, Keeley? – but a rush of something else too, rusted barb wire tugging at his guts, sharp and sickening.
He looks at it for a long time and then he puts it away and this time he doesn’t take it out again. That’s over and done with.
(Only, he doesn’t throw it away either. Just lets it sit in a neglected drawer, ignored but never let go, like all the other things that must never be.)
---
(There’ll be a time, some years later, boxes packed and moved and unpacked and an old photo slipping to the floor and
what the fuck is this?
and
what’s that, babe? oh my god, you look hot! fucking hell! jamie, where did you even get this?
and
when did you get this? i’m still playing here
and
uh, well, you remember that photo shoot they did for the promo just a couple of months after i joined richmond?
and a raised eyebrow and
yeah?
and a shrug and cheeky grin and
yeah, well, picked it up for darts practise, didn’t I
and Roy snorts but he’s smiling too and
figures you’d be shit at darts
and
what are you on about, man, i’m aces at darts… ooh, because there’s no holes in it you mean, yeah, no, you’re right, you’re right, i’m shit at darts, fucking terrible
and they’re both smiling now and Keeley is too and Roy notes how it’s clearly been handled a lot and what were you doing with it really and the glint in his eyes says he knows but Jamie tells him – tells them – anyway, in great, great detail.)
#this got angstier than expected#but all’s well that ends well i guess?#the moment i saw this fanart my mind went STRAIGHT to jamie (and keeley!) enjoying - ahem - it#arguably this piece was also influenced by mickey milkovich and the picture he kept of ian gallagher#which is super fucking sad so maybe the sad factor of this wasn't THAT unexpected actually#but after angst comes happily ever after!#at least in this household#royjamie#royjamiekeeley#jamie tartt#roy kent#my stuff#ficlet
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Character Posters for REBEL MOON
PART ONE: A CHILD OF FIRE (2023)
A child of fire. Sofia Boutella is Kora
The Motherworld won’t corrupt his heart. Michiel Huisman is Gunnar
He’ll help you, for a small fee. Charlie Hunnam is Kai
Vengeance will be hers. Doona Bae is Nemesis
A General with nothing to lose. Djimon Hounsou is General Titus
A captive with a royal past. Staz Nair is Tarak
A gracious leader with killer instincts. Cleopatra Coleman is Devra Bloodaxe
Freedom. No matter the cost. Ray Fisher is Darrian Bloodaxe
A fighter for the cause. E. Duffy is Milius
An ancient protector, awakened with a new purpose. Anthony Hopkins is Jimmy
The rebels will face the universe's biggest threat. Ed Skrein is Admiral Noble
#rebel moon#a child of fire#netflix#sofia boutella#michiel huisman#charlie hunnam#doona bae#djimon hounsou#staz nair#cleopatra coleman#ray fisher#e duffy#anthony hopkins#ed skrein#LETS GOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO#long post#sorry not sorry for your dashboards
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Judy Dunlop, a participant in the Holiday Girl Beauty Competition at the Royal Pavilion in Brighton, putting on her lipstick in the King's library
Thurston Hopkins, "TV Takes a Holiday in Brighton: Brighton Belles," Picture Post, August 8, 1953
#1950s fashion#1950s#50s#makeup#50s fashion#vintage fashion#vintage#lipstick#mirror#picture post#thurston hopkins#brighton#england#uk#united kingdom#black and white#photography#photo edit
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hope to god that all of y’all editing high school paige are also in high school or under 18 because otherwise you’re weird for that 😭
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"rebel moon is just a bunch of disjointed character intros with no substance---"
[loud fart noise in your face]
Anyway, what connects all of the characters together is Honor, a major theme of the movie. It's the reason that These People In Particular are all chosen, beyond their reputations or even their skill sets (which are still important).
What does your personal honor look like? How do you uphold it? What do you do when you lose your honor? Can you ever truly regain it once it's lost? Can you find redemption, or is revenge the closest thing you can get? Can revenge and honor ever be the same?
After her indoctrination and service in the Imperium, Kora deserts, but it's for her survival, not the recovery of her honor. That's the journey she's currently on in the defense of her new home and the people there, triggered by the conflict of choosing her personal safety or rescuing Sam from further assault. She found the line of her honor and refused to ignore it any longer.
Gunnar placed personal gain over maintaining a united front about the grain surplus. His dishonorable actions lead to Sindri getting killed and their village placed under the Imperium's thumb. Noble's culpability aside, Gunnar feels responsible for his role in all this and seeks to make amends. It's why he's the only one who jumps in to protect the child from potential collateral damage in Nemesis' fight with Harmada. He is transitioning from being a selfish character to being more selfless, defining what he wants his personal honor to be.
Speaking of Nemesis, she is the most samurai-coded character here, complete with their version of honor. Her failure at being able to protect her children drives her to defend others, and shoulder the burden of killing once a peaceful resolution cannot be reached. It's why she has an entire conversation with Harmada, to understand what drives her, to attempt to find common ground and shared empathy. It's why she fights first with naked steel, to try to convince Harmada to back off, to value her own life, and it's for the lives of others that she finally ignites her blades when she cannot. Nemesis is not an emotionless cyborg who assassinates in cold blood, but one who is deeply attuned to her pain and that of others.
Tarak is a prince, and yet we learn he's nowhere near his home or his people. Whether he's failed them or abandoned them (or feels like he has) is still a mystery, but we still know that he is an honorable man, regarding his servitude to Hickman with utter seriousness. Tarak will honor his word and any agreements once given, including a life debt, and his connection with nature both demonstrates and resonates his nobility. He even has the whole "honor them" speech to Millius, revealing that he knows the guilt of surviving when all the friends you swore to fight beside are now gone.
General Titus fought proudly for the Imperium until his honor wouldn't allow him to stomach their methods. The price for that included his men's lives, his station, and his dignity. Unable to protect any of it including his ideals, he turns to drink and hopes fighting as a gladiator to the death does the rest. And yet, he cannot bring himself to just lay down and die. He dwells on his mistakes but does not succumb to them. The kernel of honor was still within him, and it's no wonder Kora and the other idealists at her back were able to ignite it again.
Jimmy is from an order of robotic knights, who all laid down their arms in dishonor and disgrace when the Imperium's royal family was murdered. He embodies old and forgotten chivalry, and in case you missed that, they got Anthony Hopkins to voice him. These knights haven't fought back since, even when they are attacked---and yet Jimmy retaliates to protect Sam before himself, finding something honorable to fight for again.
Darrian Bloodaxe has his honor as a rebellion leader tested and rightly concludes that the revolution is meaningless if they will not come to the aid of the most defenseless among them. (But he and his men die anyway!) Indeed, that is the point. Hedging your bets and picking your battles might be the smartest option, but it's not the most noble or honorable. Honor, in case you haven't noticed, often demands a choice and a price.
And yes, even our villains share in this theme in their own twisted ways. Kai is a mirror to Gunnar, but where Gunnar is growing into being a less opportunistic person, Kai is deliberately shrouding his true intentions from the get-go. At Kai's betrayal, Kora demands after his honor, to which Kai dryly replies, "What did happen to it." It isn't a question. Kai long ago saw honor as a death sentence and chose survival over everything, and in an ironic twist, is killed once he tries to tempt Gunnar into choosing his own survival over Kora's. Like Kora before him, Gunnar finds his line that he will not cross as well as what he fights for.
Finally, there's Atticus Noble, who wields the honorable memory of the Slain King and his dishonorable death as a blunt weapon against all that isn't the Imperium, much like his cane. The one time the Imperium was gracious, and they were betrayed for it. Never again, and everyone will suffer for this humiliation until the Imperium's honor is restored---and it never will be. Because honor is not the point; conquest and control is. Revenge is the point.
Literally all of this is in the film btw. But then, I wasn't fast-forwarding or looking down at my phone the whole time or playing Paint By Numbers: Star Wars Edition. I was actually watching the goddamn movie and letting it tell me its story. And then I reflected on it afterward. Whooooaaa!
#rebel moon#'but it's still a bad movie' yeah yeah have fun watching ahsoka S2 bud#it wasn't perfect by any means but omg the way people act like this film personally crucified their family#anyway let sci-fi be weird and unpalatable again; i'm tired of mainstream sci-fi grandpa#rebel moon spoilers
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Timeline of Remembrance Sunday events at the Cenotaph;
• 10:58 - HM King Charles and Members of The Royal Family will leave the Foreign, Commonwealth and Development Office building and move to a position north of the Cenotaph. A full list of those laying wreaths can be found in List C on pages 16-19. Members of The Royal Family that are viewing the ceremony from the balconies in the Foreign, Commonwealth and Development Office, HM The Queen, HRH The Princess of Wales, HH The Duchess of Edinburgh, Vice Admiral Sir Tim Laurence and TRH The Duke and Duchess of Gloucester will be escorted to their rooms on the first floor.
• 11:00 - On the first stroke of eleven by Big Ben the Two Minutes' Silence commences by the firing of a gun from Horse Guards Parade by The King's Troop Royal Horse Artillery.
• 11:02 - The firing of a gun marks the end of the Silence. The Last Post is sounded by the Buglers of the Royal Marines
• 11:03 - HM King Charles lays a wreath at the Cenotaph. An equerry will lay a wreath on behalf of HM The Queen. The other members of The Royal Family will lay their wreaths as follows. HRH The Prince of Wales, HRH The Duke of Edinburgh, HRH The Princess Royal and HRH The Duke of Kent's wreath will be laid by his equerry.
Laying of Wreaths
HM The King will lay a wreath in the centre of the top step on the north side of the Cenotaph.
The following Members of The Royal Family lay wreaths in succession on the north side of the Cenotaph: -
• HM The Queen laid by Major Ollie Plunket
• HRH The Prince of Wales
• HRH The Duke of Edinburgh
• HRH The Princess Royal
• HRH The Duke of Kent laid by his Equerry Captain George Hopkins
At the Cenotaph this morning. The Princess Royal, accompanied by Vice Admiral Sir Tim Laurence, will take the salute on Horse Guards Parade for the march past of the ex-service and civilian associations following the Remembrance Sunday ceremony.
Information from @majestymagazine / Joe Little
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Hey friends! I returned a month later and brought for you a list of songs with which I associate the characters.
And with it you can determine my favorite characters :)
Jeff Woods ( Jeff the killer)— Psychosocial (Slipknot)
Americano ( Lady Gaga)
Lights out ( MSI )
Enemy ( Imagine dragons)
Liu Woods - Hayloft II (Mother Mother);
GOSSIP ( Måneskin )
Replay ( Lady Gaga )
Two birds (Regina Spector)
Lira Rogers - Looking at me ( Sabrina Carpenter )
Jane Richardson ( Jane the killer )- Telephone (Lady Gaga)
Bloody Mary ( Lady Gaga)
Bad girls ( M. I. A. )
She wants me dead ( Cazzette i AronChupa )
Jane Arkensaw - Genesis (Grimes)
The mess you made ( AJA )
Nina Hopkins ( Nina the killer ) - Mamma Mia (HUGEL)
Vicious ( Bohnes )
Criminal ( Britney Spears )
Take your shirt off ( Millionaires )
Toxic ( Britney Spears)
Nina Hopkins(new) - Toy ( Netta Barzilai )
Slumber party ( Ashnikko )
Troublemaker ( Olly Murs )
Jack Nairas ( Eyeless Jack)- HURT ( 1 800 PAIN )
Ate my heart (Lady Gaga)
Valentino ( Olly Alexander )
Devil town ( Cavetown )
Mama ( My Chemical Romance)
Benjamin Lauman ( Ben drowned )- That That ( PSY )
Don't try sucide ( QUEEN )
Tobias Rogers ( Ticci Toby )- My alcoholic friends ( The Dresden Dolls )
Teenagers (My Chemical Romance)
Mama's boy (Dominic Fike)
Blow ( Kesha )
Natalie Ouellet ( Clockwork )- People I don't like (Upsahl)
NO ( Meghan Trainor )
Haunted house ( neoni )
Seventeen ( Marina and the diamonds)
Tim Wright - GRRRLS (Aviva)
Older ( Isabel Larosa )
House of memories ( Panic! at the disco)
Brian Thomas - Guys don't like me ( It Boys )
Don't trust me ( 3OH!3 )
Kate Millens (Haze) - She homeless (Creep - P)
Helen Otis ( Bloody painter)- dump dump (mazie)
yes & no ( Paige Duddy )
She likes a boy ( Nxdia )
Dina Angela Clark ( Judge Angel )- Ancient Dreams in a Modern Land ( Marina )
Mary on a cross ( Ghost)
Bloody Mary ( Lady Gaga)
Jonathan Blake ( The Puppeteer)- Drunk-Dazed ( ENHYPEN )
Lost in the fire ( Gesaffelstein )
Look what you made me do (Taylor Swift)
EYES ON ME ( asteria)
Ann Luzen Mia ( Nurse Ann ) - Take a hint (Elizabeth Gillies and Victoria Justice)
Sweet dreams ( Eurythmics)
Primadonna ( Marina )
Emra Amelia Aldridge - Dance to forget (TryHardNinja)
Cake ( Melanie Martinez )
Oh no! ( Marina and the diamonds)
Material girl ( Madonna)
Zero - Hole-Dwelling
Hermit the frog ( Marina and the diamonds)
Jason Meyer ( Jason the toymaker )- DARKSIDE ( neoni )
Super Psycho Love ( Simon Curtis)
Sexy dr_g ( Falling in Reverse)
Jealously, jealously ( Olivia Rodrigo)
Louis Vuitton Body Bag ( Jeffree Star )
Laughing Jack - Lonely (Palaye Royale)
Happy face (Jagwar Twin)
Backstabber ( Kesha )
Bad feeling ( Jagwar Twin )
Laughing Jill - Lone Digger (Caravan palace)
What are you watching for? (Gwen Stefani)
Applause ( Lady Gaga)
Maniac ( Michael Sembello )
Shoot him down! ( Alice Francis)
Candy Pop - HIP ( mamamoo )
Nathan Nobody - Gladiator ( Jann )
Beautiful is boring ( BONES UK )
Mammamia ( maneskin )
Sally Williams - Who is she? (I Monster)
Dollhouse ( Melanie Martinez)
Tag, You're it (Melanie Martinez)
Lazari Natalie Svong - I hate my mom ( GRLwood )
Lucille Tiffany Greatfield( Lulu ) - Tag, You're it (Melanie Martinez)
How do you sleep? ( AJA )
Slenderman - I didn't find the right song
#creepypasta#creepypasta fandom#laughing jack#eyeless jack#ben drowned#jeff the killer#laughing jill#ticci toby#jane the killer#jason the toymaker#jane arkensaw#nathan the nobody#nina the killer#the puppeteer#bloody painter#judge angels#nurse ann#emra creepypasta#tim wright#slenderman#brian thomas#Zero#candy pop#lazary#sally williams#lulu#clockwork creepypasta#nina hopkins#creepypasta headcanon
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