me, describing a pizza tattoo for like three sentences, then not editing any of them out: it's about the admiration of art you see, because tattoos are really fucking dope
anyways, chapter two of ten years time is out now! (my newest wip sam/robby/miguel/tory future fic)
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Paul Matthews and Emma Perkins are everything to me. They are soulmates and find each other in every universe but they almost never get past the awkwardly flirting stage before the world ends. They are both losers. They find each other every time an apocalypse commences. They are the only normal people in the whole universe. They are doomed by the narrative. They hate musicals. He tips her 5 dollars and she spits on everyones coffee. They are Orpheus and Eurydice coded. They are a spark that never turns into fire. They are intimate but don't like labels. They are the only constant thing in every timeline. They are what it could have been but never meant to be. They meet in that coffee shop again and again forever. He'll order a black coffee and she'll ask him for his name. And the loop will start all over again.
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The way simon finally realized that betty sacrificed everything for him was...wonderful
I mean, Simon sacrificed himself for her too, but he never really realized what she left behind by staying with him. Even when Fiona asks, "So you got on the bus with her?" he responds, "what? why would I do that?"
And after spending time with Beth and reading Casper and Nova's book, Simon finally understands. He finally understands everything Betty sacrificed for him and his choices. He finally understands that everything could have been different if they had followed the path of Betty's choices.
And in the flashback scene, he tries to change that, he tries to go with Betty on the trip, but he knows that's not what happened. And he know that this cannot be changed.
And I think after all this time, he might finally let her go, when he stayed behind instead of going with her on the bus.
The metaphor of betty leaving on the bus and leaving simon behind was magnificent. But the metaphor of Simon being like Betty's dandelion was also extraordinary.
I mean, Betty blows him away like a dandelion, wishing he could finally live his life on his own, in peace, and the way he wants, in the happiest way possible, without having to worry to bring her back at all costs. Cuz everything that's done is done, and you can't go back.
And the way they looked each other in the eye and said how important they were, I guess this time, it was a goodbye. Not forever, but still a goodbye.
Like, they'll never stop caring about each other, and they'll always think about how each other is doing, but now they can finally live in peace. Knowing that despite the bad choices they made during their lives together, there is nothing to regret.
I saw this fan-comic other day that showed that Simon always picked up objects and pointed them at the sky, because he thought that Betty might be watching him from up there... and I like to think that's what's going to happen. They will live their lives, but they will still be looking out for each other.
After all, they are doomed yuri (hehe *crying*)
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“How can I move thee? Will no entreaties cause thee to turn a favourable eye upon thy creature, who implores thy goodness and compassion? Believe me, Frankenstein, I was benevolent; my soul glowed with love and humanity; but am I not alone, miserably alone? You, my creator, abhor me; what hope can I gather from your fellow creatures, who owe me nothing?”
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the timeline of ace attorney investigations 1 is that edgeworth gets on an airplane, passes out in the middle of rough turbulence, wakes up to find a dead body, gets accused of that murder, and then has to clear that up. then the next day he gets sent to facilitate a ransom exchange and gets hit over the head so hard he falls unconscious and locked in a storage room tied to a column, and finds another dead body he has to deal with. then the day after that at two in the fucking morning when he goes to his office he gets held at gunpoint and there is yet Another Dead Body but this one's on his floor this time. and he's gotta deal with THAT. but then, once again, later that evening. dead body. in the embassy this time. but it gets worse because Larry is there.
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