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#how do they keep surviving that
pien-art · 3 months
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Little Moiraine and baby Anvaere 💫
(click image for optimal quality)
prints available here !
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poorly-drawn-mdzs · 16 days
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Don't Wormy About Me.
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dragonpropaganda · 2 months
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The Architecture of Rain World: Layers of History
A major theme in Rain World's world design that often goes overlooked is the theme of, as James Primate, the level designer, composer and writer calls it, "Layers of History." This is about how the places in the game feel lived-in, and as though they have been built over each other. Here's what he said on the matter as far back as 2014!
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The best example of this is Subterranean, the final area of the base game and a climax of the theme. Subterranean is pretty cleanly slpit vertically, there's the modern subway built over the ancient ruins, which are themselves built over the primordial ruins of the depths. Piercing through these layers is Filtration System, a high tech intrusion that cuts through the ground and visibly drills through the ceiling of the depths.
Two Sprouts, Twelve Brackets, the friendly local ghost, tells the player of the "bones of forgotten civilisations, heaped like so many sticks," highlighting this theme of layering as one of the first impressions the player gets of Subterranean. Barely minutes later, the player enters the room SB_H02, where the modern train lines crumble away into a cavern filled with older ruins, which themselves are invaded by the head machines seen prior in outskirts and farm arrays, some of which appear to have been installed destructively into the ruins, some breaking through floors.
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These layers flow into each other, highlighting each other's decrepit state.
The filtration system, most likely the latest "layer," is always set apart from the spaces around it. At its top, the train tunnels give way to a vast chasm, where filtration system stands as a tower over the trains, while at the bottom in depths, it penetrates the ceiling of the temple, a destructive presence. (it's also a parallel to the way the leg does something similar in memory crypts, subterranean is full of callbacks like that!)
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Filtration system is an interesting kind of transition, in that it is much later and more advanced than both of the areas it cuts between. This is a really interesting choice from James! It would be more "natural" to transition smoothly from the caves of upper subterranean to the depths, but by putting filtration system in between, the two are clearly demarcated as separate. The difference in era becomes palpable, the player has truly found something different and strange.
Depths itself is, obviously, the oldest layer not only of subterranean but of the game itself. The architecture of Depths has little to do with the rest of the game around it, it's a clear sign of the forgotten civilisations that our friend Two Sprouts, Twelve Brackets showed us, there's not actually that much to say about it itself, it's mostly about how it interacts with the other layers of subterranean.
That said, Subterranean is far from the only case of the theme of layers of history. It's present as soon as the player starts the game!
The very first room of the game, SU_C04, is seemingly a cave. It is below the surface, the shapes of it are distinctly amorphous rather than geometric. (well. kind of, it doesn't do a very good job of hiding the tile grid with its 45 degree angles.)
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But let's take a closer look, shall we?
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See that ground? it's made of bricks. The entire cave area of outskirts is characterised by this, the "chaotic stone" masonry asset is mixed with brickwork, unlike the surface ruins which are mostly stone. This, seemingly, is an inversion of common sense! The caves are bricks and the buildings are stone. This is not, however, a strange and unique aspect but a recurring motif.
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This occurs enough in the game for it to be clearly intentional, but why would materials such as bricks be used in otherwise natural looking terrain?
The answer lies in the "Layers of History" theme. This is in fact, something that happens in real life, and it's called a tell
To be specific, a tell is a kind of mound formed by settlements building over the ruins of previous iterations of themselves. Centuries of rubble and detritus form until a hill grows from the city. Cities such as Troy and Jericho are famous examples. The connections to the layers of history theme are pretty clear here, I think. Cities growing, then dying, then becoming the bedrock of the next city. The ground, then, is made of bricks, because the ground is the rubble of past buildings. The bones of forgotten civilisations, heaped like so many sticks!
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novelconcepts · 11 months
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There’s a line from American Gods I keep coming back to in relation to Yellowjackets, an observation made early on by Shadow in prison: “The kind of behavior that works in a specialized environment, such as prison, can fail to work and in fact become harmful when used outside such an environment.” I keep rotating it in my head in thinking about the six survivors, the roles they occupy in the wilderness, and the way the show depicts them as adults in society.
Because in the wilderness, as in prison, they’re trapped—they’re suffering, they’re traumatized, they’re terrified—but they’re also able to construct very specific boxes to live in. And, in a way, that might make it easier. Cut away the fat, narrow the story down to its base arc. You are no longer the complex young woman who weighs a moral compass before acting. You no longer have the luxury of asking questions. You are a survivor. You have only to get to the next day.
Shauna: the scribe. Lottie: the prophet. Van: the acolyte. Taissa: the skeptic. Misty: the knight. Natalie: the queen. Neat, orderly, the bricks of a new kind of society. And it works in the woods; we know this because these six survive. (Add Travis: the hunter, while you’re at it, because he does make it to adulthood).
But then they’re rescued. And it’s not just lost purpose and PTSD they’re dealing with now, but a loss of that intrinsic identity each built in the woods. How do you go home again? How do you rejoin a so-called civilized world, where all the violence is restricted to a soccer field, to an argument, to your own nightmares?
How does the scribe, the one who wrote it all out in black and white to make sense of the horrors, cope with a world that would actively reject her story? She locks that story away. But she can’t stop turning it over in her head. She can’t forget the details. They’re waiting around every corner. In the husband beside her in bed. In the child she can’t connect with across the table. In the best friend whose parents draw her in, make her the object of their grief, the friend who lives on in every corner of their hometown. She can’t forget, so she tries so hard to write a different kind of story instead, to fool everyone into seeing the soft maternal mask and not the butcher beneath, and she winds up with blood on her hands just the same.
How does the prophet come back from the religion a desperate group made of her, a group that took her tortured visions, her slipping mental health, and built a hungry need around the very things whittling her down? She builds over the bones. She creates a place out of all that well-intended damage, and she tells herself she’s helping, she’s saving them, she has to save them, because the world is greedy and needs a leader, needs a martyr, needs someone to stand up tall and reassure everyone at the end of the day that they know what’s best. The world, any world, needs someone who will take those blows so the innocent don’t have to. She’s haunted by everyone she didn’t save, by the godhood assigned to her out of misplaced damage, and when the darkness comes knocking again, there is nothing else to do but repeat old rhymes until there is blood on her hands just the same.
How does the acolyte return to a world that cares nothing for the faith of the desperate, the faith that did nothing to save most of her friends, that indeed pushed her to destroy? She runs from it. She dives into things that are safe to believe in, things that rescue lonely girls from rough home lives, things that show a young queer kid there’s still sunshine out there somewhere. She delves into fiction, makes a home inside old stories to which she already knows the endings, coaxes herself away from the belief that damned her and into a cinemascope safety net where the real stuff never has to get in. She teaches herself surface-level interests, she avoids anything she might believe in too deeply, and still she’s dragged back to the place where blood winds up on her hands just the same.
How does the skeptic make peace with the things she knows happened, the things that she did even without meaning to, without realizing? She buries them. She leans hard into a refusal to believe those skeletons could ever crawl back out of the graves she stuffed them into, because belief is in some ways the opposite of control. She doesn’t talk to her wife. She doesn’t talk to anyone. It’s not about what’s underneath the surface, because that’s just a mess, so instead she actively discounts the girl she became in the woods. She makes something new, something rational and orderly, someone who can’t fail. She polishes the picture to a shine, and she stands up straight, the model achievement. She goes about her original plan like it was always going to be that way, and she winds up with blood on her hands just the same.
How does the knight exist in a world with no one to serve, no one to protect, no reason propelling the devastating choices she had grown comfortable making? She rechannels it. She convinces herself she’s the smartest person in the room, the most capable, the most observant. She convinces herself other people’s mysteries are hers to solve, that she is helping in every single action she takes. She makes a career out of assisting the most fragile, the most helpless souls she can find, and she makes a hobby out of patrolling for crimes to solve, and when a chance comes to strap her armor back on and ride into battle, she rejoices in the return to normalcy. She craves that station as someone needed, someone to rely upon in the darkest of hours, and she winds up with blood on her hands because, in a way, she never left the wilderness at all.
How does the queen keep going without a queendom, without a pack, without people to lead past the horrors of tomorrow? She doesn’t. She simply does not know how. She scrounges for something, anything, that will make her feel connected to the world the way that team did. She moves in and out of a world that rejects trauma, punishes the traumatized, heckles the grieving as a spectacle. She finds comfort in the cohesive ritual of rehabilitation, this place where she gets so close to finding herself again, only to stumble when she opens her eyes and sees she’s alone. All those months feeding and guiding and gripping fast to the fight of making it to another day, and she no longer knows how to rest. How to let go without falling. She no longer wears a crown, and she never wanted it in the first place, so how on earth does she survive a world that doesn’t understand the guilt and shame of being made the centerpiece of a specialized environment you can never explain to anyone else? How, how, how do you survive without winding up with blood on your hands just the same?
All six of these girls found, for better or worse, a place in the woods. All six of them found, for better or worse, a reason to get up the next day. For each other. And then they go home, and even if they all stayed close, stayed friends, it’d still be like stepping out of chains for the first time in years. Where do you go? How do you make small choices when every decision for months was life or death? How do you keep the part of yourself stitched so innately into your survival in a world that would scream to see it? How do you do away with the survivor and still keep going?
They brought it back with them. Of course they did. It was the only way.
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wannabemylover · 7 months
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rewatching the first episode of Hannibal and holy shit I forgot how good this is but it's actually insane that Brian fuller set up the ep like this, he introduces will and Hannibal by first briefly showing them at their core, at the darkest, most vile part of them---we get a glimpse behind the curtain---and then its gone, the curtain is snapped shut and we see their masks, their human suits.
Will empathizes with killers because he likes it, and he wants to kill but he refuses to give into the urge because he knows how much he'll like it and he won't be able to stop. So he lives vicariously through other killers, satisfying his own dark urge by feeding it little morsels of secondhand blood lust. Every crime scene he works gives the urge something that satisfies it, not enough for it to grow, but enough for it be sate. Enough that he can ignore it for long enough that he can walk around and be Professor Will Graham who is Weird, Brash, and Non-sociable.
And Hannibal is a cannibal at night and a psychiatrist by morning.
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azaracyy · 3 months
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a lesson on good karma digimon survive week 2024 day 4: supporting characters
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dcomposing · 2 years
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the trigger happy havoc survivors make me so mentally ill if i think about them for too long.
like we do not have anything in common and i dont even particularly like you. i dont know if we would have been friends if this hadn't happened to us but it did and now i'm not going to lose you. i dont know your favorite color but also ive never known anyone so intimately. i dont know how to make conversation with you. i feel nervous when you arent in my line of sight. please stay safe out there. let me know if you need help. i believe in you.
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lesbianleonardo · 1 year
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sooo normal about this (lying)
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harundraws · 7 months
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a study of liv's handsome face :') also a van practice drawing! ☀️
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ganondoodle · 8 months
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i have grown kinda tired of all the studio ghibli and totk comparisons bc i love most of miyazakis movies and its so annoyingly obvious that if totk actually took inspiration from them its all just the surface level aesthetic and none of the good story telling
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drenched-in-sunlight · 8 months
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how wild must it be for punkflower during the Secret Empire event in the comic. Hobie wouldn't be able to port to Miles' dimension for months and once he does he finds out Miles literally just survives a fascist regime, got Red Room training from Black Widow, got arrested for nearly bashing Nazi (fake) Cap's head in, and in general just punched a lot of fascists. he'd probably propose right away.
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stuckinapril · 2 months
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#I’m only very rarely inclined to get this intimate w my thoughts so I might as well say it NOW butttt I will never not see the dead children#In everything I do#Like legit#I’ve read up on Hind so extensively and seen so many photos of her#And I have a very healthy relationship w the popular Palestinian journalists so she’s not my blorbo or anything#But hearing that memo destroyed me bc bisan is only 23 and she seemed so vivacious#Idk like I do normal people things I can’t just pause on my life#But idk how it feels like to sit at a boba place and enjoy my pearl milk tea w my friends#While the horrors over there don’t just lurk the back of my mind. I do normal things and I’m guilty for having the luxury#And as an Iraqi girl I’m living in the literal ideal timeline#Where my mom decided to immigrate to the us and that’s why I’m here living a normal life like everyone else#It’s like in a different world if I were born in a different time it could’ve so easily been me. I’m one of the Lucky Ones idk#It’s not survivor’s guilt bc it’s not like I had to survive anything like I never had the chance to live in Iraq or anything#But like. If some things had fallen just a little differently#And I keep thinking about how I’d feel if it were happening to Iraq and people behaved the way they’re doing to Palestinians#I’d be so mad#And some people on here are dealing w assholes while bursting at the seams w grief#For losing their loved ones#This is why I’m so fucking angry at anyone who’s complicit#This was a major tangent but basically I feel weird about doing normal things now while simultaneously knowing I can’t just sit and wallow#And watch life pass by as if it’ll do anything#Misery is not a home but I’m struggling to be 100% normal#And I think that this tonal dissonance is reflecting on my blog too bc I can’t go back to just#Posting about all the other normal things I used to. Like I want to but sometimes I feel off.#Is this anything. I haven’t slept all night#I can’t just allow myself to lose interest in everything I used to like and be and just fade away but maybe it’s about accepting that this#Will also always be a part of me now. It’s that awareness that shadows everything I do#or maybe I need a therapist it’s a toss up#I’ll probably feel better once I get my day started but this was cathartic to voice I think#p
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layzeal · 1 year
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something about the way wwx, against all odds and against his own plans, just kept living and surviving through events that he was certain would kill him, so by the time sunshot ends and his heart is still beating he just becomes... mellow
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mewtwo24 · 4 months
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Something about Hua Cheng's expression here is killing me--I know this is supposed to be a delicate moment of reassurance but the pure hater energy radiating off of him is just immaculate
#tgcf#hua cheng#xie lian#hualian#words cannot express how much I love hua cheng being a hater#hua cheng in this pic is that energy when you keep spamming the A button when an npc you don't like won't stop talking#like his face when lang qianqiu keeps going on and on about his parents meeting an untimely unjust and grisly end#is so 'it was hundreds of years ago and it wasn't even gege's fault for fucks sake grow up'#'leave my goddamn wife alone he raised you with love and diligence'#'you had your bloody revenge what more do you want. figure it out far away from us.'#spoken like a true ghost king who slaps eming every single time it expresses a single inconvenient emotion he has#every day i have to resist the urge to gush about hc he's just hilarious and peak every single time i love him#no notes just banger after banger after banger#that's the face of a man who was orphaned as a child and clawed his way through life to survive and keep his loved one alive + well#a bastion of unmoving strength for 800 years#unmoved by the whining of a young man born with everything and mourning the loss of his innocence way past his expiration date#10/10 hua cheng you've done it again#hc said 'oh? a traumatic life event? we have several dozens of those git gud'#and honestly i mean that with no malice i just feel like lang qianqiu is old enough to start parsing the world in a more nuanced way ;;;;;#as much as xl thought lying to him was the best outcome hc was right--the truth d o e s matter--and not just to absolve xl#its also about giving lang qianqiu closure and moving on. about qi rong facing the consequences of his actions#so much of what is wrong with the heavenly court is the obsession with maintaining appearances over being sincere#and so much of what hc adores about xl is that xl was never really interested in those empty words and empty sentiments#he truly wanted people to prosper and live well no matter the cost to himself
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hearties-circus · 4 months
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Guess who's story mode I just rewatched
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marblerose-rue · 6 months
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click for better quality!
my half of an art trade with @maeybat :-) the concavenator
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